Techno Vinyl New Releases - News

Fasme joins Craigie Knowes for a fantastical outing of acid-smiley conjuring synthesis, trance influenced sun-rays and sunset Sunday steppers. Creeping Plant climbs and attaches to all bases of the Fasme spectrum, with a foot-loose in every camp and crevasse. Expect thumping club euphorics and odes to nod your head to on the walk home.

Say hello to a new series of hand-stamped Aniara 12'' releases that will be an outlet for some more stripped down atmospheric cuts on the Aniara frequency. Mattias El Mansouri & Dorisburg start it all off on the A-side with the colorful minimalism of ''Galapagos'', while the B-side brings a singular techno trip from Anthony Linell, fellow Swede and founder of the excellent Northern Electronics.

For the first time on vinyl, here are the most celebrated bangers and anthems from the Colombian label TraTraTrax, including last summer's hit 'Xtasis' by Nick León, DJ Babatr and Pearson Sound.

The Emergency Declaration has been issued, so... past iron up... between iron chan... it is commonly known as the limited express... the chill system (Red Belt) + (Blue Belt) formation crab-crab. Limited operation @ Sultan Al Sham, Magnetic Dress, and Dedicated Computer Realm.

The fast rising FUTURA imprint from Leon, releases its new release from Mexican DJ Producer Mike.D with stellar remixes from Len Lewis and Do Or Die to complete the package .



Salomon Records founder Mike.D hails from Juarez Chihuahua, and is considered one of the new generation talents of DJs and producers from northern Mexico. His music selection and mixing abilities have given him the opportunity to play at the legendary Mexican venue Hardpop for many years. As a producer he’s released on labels like Kanja Records, Kina Music, The Lab, Dream Culture and more which has cemented his place in the scene. His music is regularly supported and played by the likes of Arapu, Sepp, Cosmjn, Maher Daniel, Mihai Pol, Sublee, YokoO and more.


For his debut release on Futura, he drops 2 originals the first of which is the title track ‘Mente Trascendente’. An edgy minimal deep tech house track with a grooving electronic bassline, deep atmospheric pads, classy beat pattern all combining to create an elegant 8 minute journey. The second on the package is Len Lewis’s remix of ‘Mente Trascendente’. Len Lewis released his first track back in ‘93 on Jumpin & Pumpin, which then led to records on the likes of the legendary Swag. Lewis’ designated name for his sound is, SiTH, Sinister Tech House, claiming its mysterious name after a Mixmag reviewer used this description for his music many years ago. His remix fits this name perfectly, powerful low bassline drives the track effortlessly, and smooth breakdown combining with eerie incidentals and pads, treated vocal cuts providing the signature hook for the track. This is a remix that’s perfect for the heads in the scene.



Next up we have ‘Sendero Interno’. The original mix is a pure minimal work out right from the outset. The stripped back and delicate beats use popping sounds for filling the frequencies, and work perfectly against the backdrop of the brooding pads and synths make this an classy introspective underground track, which is everything the Futura label is about. To round things off we have the final remix which comes from My Own Jupiter DJ Producer, Do Or Die. Well known for producer techno and electro the fast rising producer, delivers an acid house sci-fi esq work out on this remix with punching beats cutting through the mix, whilst retaining the brooding synths and samples from the original and adding in some special vocal cuts to keep this remix unique and perfect for the floor.

Tibor Kocsis doesn't take a minute to introduce himself on his first EP for 030303 records; he presents himself with a slap in your face from the very first second. Title track Delta Ophiuchi is heavy duty dancefloor material... reminiscing of the very best of K Alexi Shelby's early works, just a little more focused and to the point maybe - an instant rush and an instant classic! Second track Nekorb is a little sweeter and more for the after hours. The remaining 3 tracks keep that same flow; a wonderful blend of Chicago, psychedelic British acid house and electronic minimal wave.

Led by producer-musician Dan Jones, Birds Catching Fire In The Sky is UKAEA’s innovative
and bold second album, due for release on revered experimental music label, The state51 Conspiracy

An adventurous response to the imagined, post-capitalist futures of accelerationist electronica, a buzzing, radioactive, charred monument from a notional, hopefully avoidable dystopia to come – Birds Catching Fire In The Sky, the latest album by the Dan Jones-led collective, UKAEA is a lamentation in an age of mechanical violence but also a celebration of human defiance and endurance.

The properties that combine to make up this stormer of an album are evident from the outset – each of the album’s six tracks showcases a unique vocalist, irreplicable in approach and performance, amidst concussive rhythms that rain down from all sides, all angles, as if unleashed by extra-terrestrial automatons raining down vicious beams, bass broadsides, metallic limbs stalking across a detritus filled, scorched landscape. The sense of caustic synth abrasion fleetingly recalls the visceral, deconstructed avant-club of Slikback or the electro-industrial music of Skinny Puppy. Elsewhere, there are reminders of the expansionist, psychedelic gabber of Gabber Modus Operandi, the transformative avant-pop of Arca and on “Habibi”, Dali de St Paul’s declamatory vocals, faintly reminds of Diamanda Galas, whilst Agatha Max’s violins resound unbowed even as the skies turn phosphorescent.

!! REPRESS ARRIVED !! Good one !

The new KAZAR !
A dark symphonic hardcore spirit escape of this formated world...
Pushing the Doom limit out itslef... and offering a true landscape for mind blowing time travel experience...

‘Rituals’ is the new album of spiralling drone & ambient formations by Italian artist Danilo Betti aka April Clocks (Union Editions / Mixed Up); a new work of sublime disorientation by the Rimini-based outlier, arising from a period of reinvigorated artistic practice.

Emerging just over a year after the project’s second album ‘It Takes Time’, ‘Rituals’ heads deeper into spheres of consuming, hypnagogic haze, coursing through nine coalescent compositions of amorphous yet absorbing electronics.

Where ‘It Takes Time’ represented an autodidactic interpretation of Betti’s formative influences – namely shoegaze & proto-ambient - ‘Rituals’ is an enigmatic proposition, the product of subconscious resonances, a mysterious sound world that finds traces of evanescent beauty and uncanny captivation in sustained tones, cavernous oscillations, and aesthetic imperfections, like the notes of subtle surface noise embedded within many of these productions.

Attesting to the value of Betti’s background as an industrious solo artist, making music away from prevailing sites of activity, ‘Rituals’ consolidates the inspirations and hallmarks of the April Clocks project into an acute reflection of Betti’s vision, one that feels completely his own.

In the buried somnolent splendour of the opener ‘Hypersleep’, through the sound art rustle and time-stretched cycles of ‘A Cure’, into the stroboscopic magnitude of ‘Ceremony’ and the haunting string loops of ‘Coward’, Betti captures compelling impressions drawn from a submerged perspective; a deluge of smokescreens and crosscurrents from the other side.

Bearing the influence of subliminal states, ‘Rituals’ is nevertheless lucid and arresting. There are sumptuous holding patterns of ambient evaporation that stream into vast maelstroms of sound (‘Displaced Euphoria’), enervated organ themes that distil sensations of stasis and dissociation (‘Wound’), as well as psychedelic movements in wide tracts of negative space (‘No Time, No Land’). From here, the acoustic glitch of ‘Disappearer’ and the stratospheric slipstreams of ‘Mirror Being’ bring the album to an astonishingly dramatic conclusion.

Throughout such moments of reverie and tension, ‘Rituals’ makes for a hypnotic listening experience. It’s an album that signals a pronounced sense of development for the April Clocks project, from past vestiges of physicality to present degrees of heightened abstraction and ethereality, from the Warp-influenced rhythms and frameworks of ‘It Takes Time’ to the wide- ranging, experimental sounds that unfold here.

Encompassing forms of decomposition and otherworldly futurism, decay and sublimation, distortion and lustre, this is unique, cerebral music that reaches inward and ascends outward, drifting elsewhere, according to its own coordinates.

Recorded and Mixed at Tower of Disintegration, 2022.
Mastered by Miles Whittaker.

Berlin-based artist Avilynn fuses electro, breaks, rave and IDM on modular driven '6' EP for her own Taisha Records this October.

Avilynn has been slowly unveiling releases via her fledgling Taisha imprint, showcasing her unique sound which encapsulates a variety of influences, always laced with a dynamic feel, sonic hypnotism and gritty drive. Following on from 2021's acclaimed 'Five Million Sunsets', Avilynn returns to Taisha Records with her new '6' EP. Blending sonic experiences from the Berlin cityscape and coupling them with provocative and sophisticated instrumentation.

'Air and Bubbles' leads the release and lays down cinematic strings, tension building atmospherics, a vacillating rhythmic groove and murky bass grooves. '66 33'48.8' follows next, coordinates possibly, a hidden destination, a journey complete. This one sees Avilynn shift focus towards textural soundscapes layered with ethereal, billowing voices atop intricate off-kilter drums and swirling synth flutters.

Title-cut '6' then opens the flip-side, embracing a brighter aesthetic with cosseting pads and resonant bubbling synths delicately intertwined with a winding low-end groove and a combination of electronic and acoustic drums to create the composition's bumpy
breaks. 'Fobias' then rounds out the EP, edging back into darker realms bringing crunchy saturated bass stabs and shuffled percussion into the forefront while sweeping strings, intricate melodies and voice-like textures unfurl as the composition progresses.

Barker & Baumecker precede their upcoming album Turns with the new two track 12" Love Hertz / Cipher
With Barker & Baumecker things are never black or white, straight and narrow, either-or, on/off - the two Berlin-based producers and DJs Sam Barker & nd_baumecker have a musical mind all of their own and share multifaceted musical interests not restricted to floor functionality alone - behind the decks they feel equally at home with House- and Pop-friendly vibes at Panorama Bar or the darker shades of bass music on the Berghain floor, they have sweet spots for Disco music in the Berghain Garten and experimental and ambient sounds in the Halle for Elektroakustischer Salon. Long story short:
Barker & Baumecker love sonority, both in terms of various genres and high fidelity.
Preceding their album Turns - out via Ostgut Ton on 25 November 2016 - Barker & Baumecker return with a double faced two track 12". "Love Hertz" is a blissful, uplifting, melodic and - at times - bluesy UK Bass-inspired cut, shuffling and playfully flicking throughout. The record's alternate lead track "Cipher" on the flip side is a rework of a two-part track from the forthcoming Turns LP: while the album's "Encipher & Decipher" puts focus on the home listening-aspect, this 12"es' "Cipher" is made for the club. The track's atmospheric build-up eventually turns in favor of a heavy, dark kick drum and multi-layered percussion, feeling at times as if the duo's hammering onto Berghain's steel staircase.
Barker & Baumecker are sound fetishists, carefully and scrupulously sculpting their clang on analogue synth machinery, all without turning to cacophony and always staying compositionally sound - established, grown-up club kids with attitude and love for music.

Metal Techno newskool sound.

Aesthetic visual and music... The Breakcore newskool concept maybe ?
Or just new sound for the dancefloor. Because if you listen you'll see... This is the case :)

Danish imprint Inherent Futurism returns with its second release in 2024, entitled 'Merger' and made up of a selection of cuts from the Copenhagen Electro Alliance. Inherent Futurism is the new label launched by Morten Kamper, an intrinsic member of the Copenhagen electronic music scene and the man behind the city's 313vinyl_collective record store. He launched the label with a reissue of the Autobot-1000 '3 Dimensions Of Space', a hidden gem from 2001 and the golden era of Electro. Here though, he brings things closer to home and revisits an array of select compositions from the Copenhagen Electro Alliance, compiled together to make up the aptly titled 'Merger'. The package is made up of twelve tracks across two twelve-inch vinyl from artists in the alliance, Nixxon, Brain Enterprise, Deimos Defender and Kruzh'em. As the name of the Copenhagen Electro Alliance collective would suggest, the aesthetic leans heavily towards experimental sounds and draws influence from the soul of Detroit electro, which paved the way for the future of the genre. The twelve-track collection explores all of the classic Electro tropes from punchy and crunch 808s, intricately intertwined synthesizer melodies, murky bass lines and dynamically unfolding, heavily modulated constructions, some leaning towards dance floor friendly while others lay more in the realm of sonic exploration of futuristic music.

Underdog Recordings fills a 25 year old gap in its catalogue with "The Original Jungle EP" by Darkdean & Hankinson featuring MC Stevie A on 3 tracks and introducing Carmen Naida on the 4th. There never was an Underdog 13, until now, 4 banging brand new old skool jungle style tracks made in 2019 on this limited edition EP. Dark Dean & Stevie A have been residents at one of the South Coasts biggest raves- Destiny, from the mid nineties to the present day and team up with new gun- Hankinson to encapsulate the vibe of the legendary nights at the Manor at Matchams, on vinyl.

Frenchcore pirat songs killer !!!

For the third release on Sofia Strahil Velchev is offering a selection of five diverse tracks, developing the concept of the label: rambling beats and alternative tunings, a feeling that the tracks will fall into pieces any moment. What keeps the compositions together is the artist’s sense of melody and relentless groove. House, Techno, Disco and Electro, twisted through a KiNKy mind.

Konerytmi aka Kirill Jonolainen has been around the electronic music scene for quite some time. Even though he didn't see his first vinyl release as Konerytmi until 2020, he was already able to make a name for himself with a lot of EPs under various other aliases like JLM Werx or Dr. Floyd. For eudemonia Kirill created a unique 6-track EP tingling between Electro and Italo showing what an outstanding producer he is.

All proceeds from the Sound Of Rave The Planet sales go directly into our non-profit aims: to protect techno culture as UNESCO Intangible Heritage and to keep up the spirit of the Berlin Love Parade with the new, big Rave The Planet Parade - again

Rave The Planet proudly presents their inaugural vinyl release, containing eight exhilarating club tracks, previously available only digitally in the 'Supporter Series' (from 2021-2023). All music was donated by the artists who support Rave The Planet's mission.

Strictly limited, hand-numbered and signed, coloured vinyl edition showcases the dedication of artists who offered their music to support Rave The Planet’s mission. This must-have compilation captures the essence of love, unity, and boundless celebration.

For the first time on vinyl (carefully curated by Dr. Motte, himself) The Sound of Rave The Planet (that includes both parades' anthems: "Rave The Planet" original mix from 2022 and a remixed
version of "Music Is The Answer" from 2023!) will transport you to the heart of the parade experience, reaffirming that Rave The Planet is a movement that's here to stay.

This is a Raving Disorder... A Carbon Roma Dancefloor Techno-Core EP.

A future vision.. a RIOT weapon !

ENJOY :)

Dutch dance troupe ISOTOOP inaugurates its label with a quaternity of sly rhythms to mystify and elevate. Adhering to ISOTOOP’s unstated yet practised mantra of many growing as one, the culprits behind the pieces are none other than core family members Shoal (Kenny Kneefel) and Vand (Viktor van der Riet), unifying for the first time under the name of Voal.

The longtime friends and compatriots in sound meld together to form a distinct entity; aligned as one, but audibly a product of their individual approaches. Across the four cuts, the two producers share a singular vision of club music, designed to initiate movement and shake the floor, while leaving essential space for thought and imagination.

From the low-down and dirty funk of ‘Carpet Crawler’ to ‘Take My Hand’s bleary and dazed downtempo, evaporating in its final moments into transcendent closing ambience, Voal journey through a wide landscape of club electronics with a fervent pulse. Pinned between the two slower joints are ‘Lucifer’, a consecutive tumble through iterated rolling percussion and minimal basslines, and the kinetic, high-tempo fiesta of ‘Saffron’, a sure-fire favourite for the ecstatic midnight.

Thick like warm tar, and airy as steam, Voal’s debut whets the appetite for more.

Written by Freddie Hudson

Bart Skils & Weska re-link for another spitfire two-tracker, following 2019’s popular ‘Polarize’ EP.

The Dutch Drumcode veteran and rising Canadian artist share an effortless creative symmetry, both masters of powerful techno music with an impact-heavy melodic edge. Their debut collaboration ‘Polarize’ / ‘Lost on You’ was a notable summer highlight for the label in 2019, so a follow up was always on Adam Beyer’s mind.

We may be in the midst of European winter, but ‘Shades of Summer’ offers a needed respite and looks ahead to the warmer festival-ready months. The track is a transcendental slice of techno that plays skilfully with tension and release dynamics and is made for stadium-sized moments. ‘House of Lords’ is a vital dancefloor tool and rolls for days.

A new hub solely for the Icelandic talent’s unreleased material, BJARKI will also serve as a platform to launch a wealth of forthcoming audiovisual projects in the coming months, with the label logo designed by Paul Nicholson, NUMBER 3, and all artwork designed by Thomas Harrington Rawle - the creative behind the Care More project. Operating and creating its own storyline with every release, intertwining projects between Harrington Rawle and Bjarki across various mediums, the imprint will also drop a series of offshoot white label releases while being reactive and unveiling random drops across its upcoming schedule. Delivering his first solo release since ‘Oli Gumm’ on трип in 2018, late-February marks the first release on the new label as he unveils his four-track ‘I Wanna Go Home’ EP.

“I want to share more of my unreleased works, especially the tracks that I have created specifically for parties in each city I play. People impact my work a lot, and I would like to share this music directly before or after the show. I don’t see any other way than to set up my own channel or label where I can share all these ideas. Next year will be a lot about sharing stuff and being in direct contact with the audience.” - Bjarki

Opening the label with authority, ‘I Wanna Go Home’ welcomes a quartet of cuts showcasing the genre-spanning polymath at his best, delivering a medley of serious yet playful productions which arc back to previous material while also looking ahead to the future. A creative force with an unrelenting swathe of experimental ideas, influences and directions, this new eponymous imprint looks set to home some of Bjarki’s finest and most unpredictable material to date.

2023 Reissue

After releasing Undefined, Kazufumi Kodama and Babe Roots, the 4th release from a Japanese experimental dub label newdubhall welcomes the ever-evolving pioneer of minimal dub and dub techno Deadbeat, a solo project of Scott Monteith hailing from Canada. Side A 'Things Fall Apart' will feature a beatless dub ambient which shares a perspective of free jazz and 'Adieu Chez Cherie,’ an absolute knockdown four on the floor dub techno on the flip side. Though simple, both sides are layered with complexity, let yourself experience the profundity of newdubhall with this masterpiece.

Beautiful Electronix album from Edanticonf. Limited pressing of 100 coloured copies.

yellow vinyl / incl. dl codes

Modern techno is fast-paced and borrows elements from mid 90s trance records. This record is not that.

Young South Coast UK producer Lyra’s ‘Give It Up 2 Me’ has been a very 2023 entity so far, racking up 170k + streams as an unofficial Soundcloud upload, starting to make an impact on Tik Tok (especially via the L Major remix) whilst being, in 4/4 terms, on the nippier side of things.

Rocking along at an unapologetic 160bpm, ‘Give It…’ goes big on energy, and low on musical frills, as the song (a faithful cover of Ojerime’s original) and driving bass/drums combo do all the work for what is a minimal, avant - donk workout.

On the remix front, Limoux slows things down with a 135bpm 4/4 mix that feels like it has roots in LDN 2015 style foot shuffling, but with added sense of contemporary punch and reach.

Stepping up on an old school / new school junglist front, L Major’s mix takes no prisoners, with his rolling, cut up breaks and big Reese b-line set to cause damage to unsuspecting systems everywhere.

Closing proceedings, the Jag Limbo mix doesn’t seem to know if it wants to be Overmono or Giorgio Moroder, is in reality neither, and arguably none the worse for it.

It's great to see Mark Sherry putting vinyl out again, especially via the Record Republic.

This three-track vinyl EP is delivered on limited edition transparent blue vinyl, with a full colour 3mm spine sleeve with plain black inner sleeves.

Mark Sherry achieved mainstream chart success in the 90's with Public Domain.

Since then, relentless touring on the world stage together with no 1 releases on the credible download stires and a successful label with Outburst has kept him on the top of the tree when it comes to the harder edge of tech trance.

Over the course of its 15-year lifespan, Truesoul has excelled at giving a platform to the groovier end of the techno spectrum, showcasing releases with everyone from Maetrik and Cirez D, to Hot Since 82, Reset Robot and of course label founder and A&R Adam Beyer. With his new techno orientated project Hyperloop, Riva Starr becomes the latest esteemed artist to join the label.
The lead track 'Resilience' is crisp and punchy, and made immediately memorable by the '90s influenced house strings that run throughout. When Beyer dropped it during his recent daytime set at Sonus Festival, it was a stirring highlight.
'Fallen Angel' is centered around a sublime piano melody and is the kind of composition that was tailored made for a blissful morning set. The vinyl version also comes with an exclusive remix of 'Resilience' from Terrence Parker that is only available on vinyl.
Offering an effective contrast to the original, man-of-the-moment Tiger Stripes follows up his excellent 'Body Trip' EP with a powerful percussive rework of 'Fallen Angel', injecting his version with an Arabic-flavoured vocal.

Underground Resistance member James Pennington aka Suburban Knight has his first night strike on EPM with Winds of Fear.

Pennington is known for being one of the producers behind the Inner City hit single "Big Fun", as well as his own solo productions for Transmat with "The Art of Stalking" and numerous tracks on U.R, most notably the 'Nocturbulous Behavior' & 'By Night' EPs.

Fellow past U.R members and Detroit legends in their own right Robert Hood & Eddie Fowlkes step up to edit this masterpiece.

The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.

Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.

Fresh dance floor bombs from one of the most talented and uprising Artists in the Barcelona Underground scene! Tunik has been making quite a buzz for himself with his releases on Nicolas Lutz label My Own Jupiter. Limited copies and printed sleeve. Limited coloured pressing of 100 copies.

Rekids Special Projects, the no-nonsense techno-focussed sub-label of Radio Slave, aka Matt Edwards’ Rekids, launched in 2017 releases a 4-track vinyl sampler from the recent compilation RSPX presents Actualize Pt.2. Featuring four killer cuts from Slam, Silvershower, Confidential Recipe ft. Lady Tazz and Radio Slave himself… BOOM!

The string of Cómeme releases in its 14th year of existence does not stop! We are back with an artist whose tracks you’ve been hearing in the sets of the most free spirited and forward thinking DJs: None other than Bufiman has joined the catalog of Cómeme with a fantastic release: original,modern, and irresistibly danceable. 5 tracks featuring B- Boy Rhythms, outer space fantasy and dance floor utopia – in a way you’ve never heard this exceptional artist before.

Since 15 years he’s a resident at Düsseldorf’s legendary “Salon des Amateurs” and has released on other wonderful labels such as Versatile,Safe Trip Records, Dekmantel Records and Fasaan Recordings – and under his other alias “Wolf Müller” on Themes for Great Cities, Growing Bin Records and International Feel. Due to living in a small flat with too many neighbors, childhood Jan could not pursue his dream of playing the drums, so he started to work with drum breaks on a program on Windows 95. Since around 25 years he’s now collecting drum samples, however you won’t hear any of these on this record.

During the pandemic, Bufiman had to change his approach. Unable to work, due to the ban of all dance events he found a job opportunity as a night shift caregiver in a small town near Düsseldorf. This meant that he had to sit in a bus for at least three hours a day. To kill time somehow, he took out his Nintendo Switch portable game console and stumbled across Korg Gadget: a modern music program that he never particularly liked.The many hours on the back seats of the bus changed his relationship with the app as it was his only way of shortening the hours of commuting. The “Switch Beats” EP is the result of this particular time in his life, and once again we see that marvelous things can happen, when your ways of creating are challenged in an unprecedented manner. Let’s ride...

J A surfaces on RUBBER with six disorienting wave tracks, reigniting the catalogue after a short hiatus. Crafted by Andrea Noce (Eva Geist, As Longitude) and Jonida Prifti (Acchiappashpirt, Opa Opa), these productions find elegance in their noir aesthetic and sketch-like composition, breathing filmic atmospheres of its creative process and the hedonist self alike. Straying away from the societal drift for efficiency and make belief, this record was produced over a timespan of five years, while shifting between Berlin and Rome. Dancing and loafing, mirrors were splintered and scattered shards reflected a new light. Here, Noce her serpentine sense of melody guides uncharted signatures of reverberating syncopated drums, while soundscapes move in and out as apparitions fogging the mind. The poetic spoken-singing of Prifti subdues the tracks, through a linguistic form where Albanian and Italian intertwine, channeling her scientific field into art. Cleverly processed, the vocals take on many shapes, blurring lines between instrumentation and recognition, creating meaning where language ends.

Techno legend Josh Wink lands on DCLTD for the first time.

The three-tracker 'Mind's Eye' presents a collection of cuts fit for purpose, as deep pummelling rhythms are teased out over a trio of moods.

The title track is spitfire acid techno that reveals itself over an eight minute journey with a brain-scrambling vocal adding plenty of character along the way.

'Caterwaul' is a dynamic, shuffling tool and vintage Wink.

The pack includes an 'Acid Acapella' taken from the title track.

France's globetrotting techno DJ/producer Julian Jeweil set to release debut artist album Transmission via Adam Beyer's illustrious Drumcode Records on 7 January 2019.

Over the past decade, Julian Jeweil has risen to become one of one of electronic music's most respected artists and synonymous with cutting-edge melodic techno. Throughout his career, the Marseille-based artist has garnered numerous accolades and achievements including releasing on esteemed imprints such as Cocoon, M-nus and Plus 8, being Beatport's #1 top selling techno artist (2015), remixing the likes of Moby, Deadmau5, Dubfire & Oliver Huntemann and Pan-Pot and performing at some of the world's best clubs/events such as Fabric (UK), Womb (JP), D-Edge (BR), Drumcode OFF Week 2018 (ES), Drumcode Festival (NL), BPM Festival (PT) and Resistance (MX).

With the accumulation of all of this success and experience, the time has now come for the talented Frenchman to continue his burgeoning relationship with Drumcode by following on from his well-received debut 'Rolling' EP (2017) and 'Space' EP (2017) with his much-awaited debut long-player, Transmission - comprising of 11 stellar tracks inspired by Jeweil's ambition to produce an album for the dancefloor that would fully represent him without setting any limitations or boundaries.

The alluring space-themed LP commences with the exquisite synth-laden beatless composition 'Intro' which is closely followed by one of the album's darker standout moments, the stomping peak-time title track 'Transmission'. Elsewhere, there's further dancefloor weaponry such as the pulsating synth-driven roller 'Mars', the edgy groove-based 'Hyoid' and the trippy acid-tinged 'Turbulence'.

Other highlights include, 'Planet X' which showcases Jeweil's mastery of atmosphere, serving as an ambient downbeat interlude when placed between the pounding Berghain-esque workouts such as 'Internal' and 'Futura'. The album continues into its final triptych with 'Astral' and 'Dorsal, 2 powerful bass heavy masterpieces, concluding with the aptly named emotional soundscape 'Final' to round off a superb debut long-player that's well worth the wait.

'With Transmission I wanted to produce an album which would represent me a hundred percent, without limiting myself or setting boundaries. It was important for me to make an LP where every single track could be used in a mix as well as listened to at home. The album's concept was simple: Transmission tells a story; my techno story" Julian Jeweil