Techno Vinyl New Releases - News

South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.

Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.

Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got signifi cantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.

Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dancefl oor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.

All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.

The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebriedze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebriedze‘s analogue photos of Bianka as the album‘s cover art.

Konduku returns to the Delsin Mantis series with an exciting double pack (Mantis 09 + 10) which dives deeper into his remarkable fractured rhythms and light-touch synthesis. Over the course of nine tracks Ruben Uvez straddles the space between introspective headphone trips and hypnotising dancefloor elegance, operating in a liminal zone of fluid tempos, submerged atmospheres and pointillist beats. It's an open-ended but clear-sighted approach that aligns perfectly with the direction of the Mantis series. Mantis 10 opens up with the circular electronica of 'Trail', masking the start and end points of the groove with the kind of polymetric construction Uvez has made his name with. The pattern continues through the displaced, dubby experimentation of 'Lust' before the more sharply defined transcendental tone of 'Lavender' cuts through the fog. 'Dalgin' rides its pattering percussion on a minimalist D&B growl, setting the scene for the dislocated, avant-darkside closer 'Helles'.

For the third release they nabbed Red Pig Flower, the Berlin based Korean artist and Sound of Vast boss!
The record have 2 original microhouse, hypnotic tracks with solid remixes by french legend Alexkid and Moroccan growing talent Monile!

After a process of realignment with himself and his music and eleven prolific years of production filled with remarkable releases, a change needed to happen .
Formerly known as Robert S (PT) ,portuguese techno artist returns as Robert Hoff. This time to stay, signaling an transition in the work of the young talented producer .
On this release Hoff delivers three finely cut techno tools and joining in ,Stanislav Tolkachev with a robust remix of Cytoskeleton.

The release opens with “Anhihilation”, a moment of reflection. Darkness and hope combining,
Shifting layers of noise carefully designed to begin the journey.

Cytoskeleton is a raw,highly hypnotic peak time techno weapon .
Guaranteed to bring energy to the dance floor with it’s rolling percussions and bass.
Well supplied with a guttural synth and an amazing sound design ,unfolds into a powerful combination to show clearly Hoff’s intentions.

If playing with sounds and turning them into pure energy seems to be a must for Hoff, in “Multicellularity “ this is quite noticeable. The tension build up rewarded with the incisive sound structure and a ceaseless rhythm.
Dark ,mesmerizing, taking us for an unforgettable trip .

Stanislav Tolkachev version of “Cytoskeleton“ introduces us to this Ukrainian artist unique approach. With his futuristic and experimental sound signature that quickly has become Tolkachev’s trademark, “ Cytoskeleton “ is transformed in a tense ,distorted world of textures.

Description by: José Marques

Split release from Serbian-born, Macedonia-based Alavux on side A and The Hague's Gallus on side B, each with their own interpretation of the more harsh and heavy industrial machine-driven electro-robot alienation, perhaps of some modern hidden 'Deus ex Machina'?

25yrs after the emergence of Steve O'Sullivan's dub moniker, Lempuyang has the honour of presenting the first full length album of all-new material.

Over the span of 9 tracks, Steve takes us on a version excursion, exploring a mixture of dub rhythms alongside a healthy dose of wizardry to work the floor.

Also featuring collaborations from Hidden Sequence, Another Channel, and vocals from Prince Morella.

Strictly for connoisseurs & utterly essential!

2x12" Vinyl Only

Repress

Pink Vinyl

Red Vinyl Repress

"The 3rd Vinyl Only Release from London Techno label Monnom Black sees 4 new original tracks from Dax J.

Acidic, rave, dance-floor weapons ready to do some damage. Released on limited edition red marbled vinyl with additional photocard insert. Highly Recommended!"

Picture Vinyl

repressed !

It's not every day we see a new release from John Beltran's alias Indio. With releases previously only on Transmat and Rhytmic Tech some 10 and 20 years ago we are very exited to present to you his new EP called Phoenix, and what a release it is! Phoenix is a full on Detroit dance floor belter with warm strings and comes with strong remixes from E.R.P. and Stryke. TIP!

Repress

In honor of the December full moon 2021, Luigi Tozzi finally invites us to yet another emotional journey, down into the depths of the Deep Blue.

The release comes in a limited edition, marbled 180-gram double vinyl, and an unlimited black edition. Sheathed inside a matte white sleeve of a high-quality carton with Hypnus signature, custom cut round corners. All adorned with a stunning artwork by Gabriella Holmstrom.

Early support from Brando Lupi, Svreca, Artefakt, and Eric Cloutier to name a few.

The release is a reference to the party sound of 90s - funny, clear and bright music with punchy kicks and running grooves. The touch of techno without any excess subliminal messages. Syberian98 goes further exploring simple tropes and melody loops. Game samples set up a computer-like joy, happiness of arcade delight. In short, these tools are dancefloor oriented to swing & rock, highly charged with love.

transparent vinyl
After the first few very well received releases in the Exposure series; 'Radiant Energy' & 'Luminous Energy', Greyscale is back with a new set of burners directed specifically for the DJ's and the dancefloor. 'Spectral Flux' offers four club monsters that spotlight different emotions and times in a classy deep techno set. First up is one of the top names in Greece recently, Stelios Vassiloudis, who employs his hypnotic deep techno trademark to the EP. Through a field of static electricity, this immense, well programmed animal creeps out from the depths. Confident, and never out of line, a track for a DJ to spin with a big smile as they announced their presence on the decks. Jamie S appears next on the A-side with a dreamy tech groove in 'System Encounter'. This is a no-doubter sure to get everyone to the dancefloor for a good time. Pure Finesse! Turn over to the 2nd side to begin with an example of a prime dark builder. 'Equinox' is suspenseful and dangerous. It's all the things we think are missing in this day and age of club techno. To close thing's out, Armin Bender supplies us with the most dub techno track groove on here with '494'. This has all the marks of a classic Deepchord track from early in their discography. Pure Bliss! As per the grad_u himself our label head, this comes with all the top-notch quality in a physical release. Cut on beautiful crystal clear 12" 180-gram vinyl with grey inside-out cover & special analogue art by Rima Prusakova on center labels.

Don't be late in getting in on this limited pressing!

Limited to 300 physical copies

Our label is back and it’s back with a bang! For the first time ever featuring 6 tracks on one release, we’re delighted to present Azemad’s “Afriki“ EP. Showcasing his broad scope of influences and massive talent for melodic arrangements, the Berlin-based Egyptian producer and vocalist offers a record that is as wide ranging in style as it is evocative and emotionally intelligent.

Festive tribal drums meet moody rap verses, fat bouncy bass lines and dubbed out chords on this wonderful musical melting pot on wax. Whether you’re in a Mahragan or Mawal spirit, Azemad caters for all needs and occasions, last but not least with the friendly help and assistance of J.Wiltshire’s beautiful, aquatic bubbler of a remix on the flip.

AWK004 intends to surface on September 16th 2022, so keep your eyes and ears peeled. Thanks and much luv for the support as always!

DAWL debuts on UTTU with 5 sublime bleep house & techno kuts!

Falcon Black Ops Drops 4 Deep Hard Hitting Techno Club Tools On Uttu. Heads Down / Eyes Closed Bizness For Speaker Dancers Worldwide.

Dance music during lockdown? Wh?t’s the point?
Don’t lose faith.. We will be back dancing together and when we do, you will want to hear this EP blasted out on a massive sound system, in good company. Berlin-based Aaron and Felix, aka Fjaak, have found themselves on a rapid uphill trajectory this last few years, tearing up the techno scene with their broken rhythms and massive floor fillers. With ‘WH?T EP’ we take things back underground, keeping in check with a darkside-son- ic familiar to Tectonic.
Lead track ‘WH?T’ is a brutal dancefloor track, weighted by a thundering distorted bass and skittering broken breakbeats and meticulous drum programming. Title based sample “Whaaaaaaaaaaaat” chimes in now and then to remind you what you’re listening to.
Label boss Pinch is first up on remix duties, taking the ‘WH?T’ original and deeply upsetting it. Hard bang with some 4/4 bits and loads of distortion.
We flip then for a rare collaboration between Fjaak and Felix’s brother J. Manuel (originally a founding mem- ber of Fjaak and brother of Felix), taking things into scribbly-acid territory, while keeping the mood low-slung and rolling. Dangerous beat manipulator Eric Baldwin aka Cocktail Party Effect finishes up the plate with a synapse-sizzling version backed by heavy drum programming and ankle hugging subs.

Aquaregia presents Acid Analects, a new VA series showcasing the many facets of acid. Volume 1 brings a club-oriented selection of four tracks, each masterfully produced by a global array of artists. Italian producer Nicola Dal Sacco opens the release with an old school squelching 303 workout in 'Calorica'. On the A2, Berlin-based Elad Magdasi presents 'Robotricks', a dark and hypnotic trip embellished with acid wisps. Introducing the B-side, the Canadian, 747, brings a fast and furious acidic bassline in his track 'Domain Expansion'. And to close the release, Australian mastermind, DJ Huntsman, finishes with an ultra speedy and euphoric psytrance heater in 'Planet Psygon'

Red Vinyl

Pityless Speedcore by Noize Destroyer, Aka WIN...
A kick destruction, headhackes creator, brain destroyer... crunchy and noisy... speedcore all the time. With few bug-core hightimes.

Super oldschool, or, anyway, all the time school... pushing the machines up to the limits. Saturations gambling with power. creative and suprisig ideas... Overdived !

... finishing with a horn anthem !

BIG pleasure to select, share and press !

Visuals is my personal photos from Chiharu Shiota installation ins Venise 2015 / and some home of St Jean De Boiseaux friends stupid light-baloon :)

Sometimes, looking back to the tracks that have been most inspirational yields very interesting results. In the last couple of years these four tracks stood out and share a deep sonic connection. All artists produced music in the early/mid 80s, played in post-punk, experimental and EBM/industrial bands and transitioned naturally into the techno, ambient and trance sounds of the early 90s, while maintaining an elemental early 80s live feel in the process. It’s no coincidence that these tracks date back to 92-94, a time defined by rapid technological change and a major political landslide.

The fall of the Berlin wall seemed to herald the dawn of a new era of peace and prosperity. The Cold War thawed, a sense of relief took hold, the West appeared victorious and the future looked bright. The emergence of rave culture seemed to embody this world of endless technological possibility and future optimism, techno-optimism indeed. Fast forward to 2019 and this optimism has obviously faded into oblivion, where the dream of universal freedom turned out be the empty promise of free market hypercapitalism beneficial to a small elite only. But thirty years ago rave culture was the product of that change and felt like a new home for those who discovered it. All these tracks are a precursor to sounds we hear today, an integral part of an ongoing cycle of trends where successive generations take over from previous ones. Rediscovery of that moment in time and sound is what Transition is all about, a collection of penultimate tracks that define that era.

Recut and Repressed !

After the success of its first mission, Shin’uchū is ready to launch again with Tansei and its crew of groovy space wanderers. Equipped with the latest cyberacoustic technology, the light blue spaceship is set to uncover the deepest notes of our mysterious universe. Captain Dandeloo has called upon some of the best cosmic producers to join him on this voyage into the dark zone: tempo master Vitess in charge of navigation, the effervescent Muten on maintaining power generation, and cryptanalyst Lamalice for deciphering even the most intricate of detected pulses. Whatever challenges come bouncing their way, the team will face them head on as they continue to push the limits of interstellar travel through the rhythms of the heavens.

Part 2 of the Time Tunnel Waxworkz series is here! In the same vein as Volume 1, there are 4 tracks, in 4 different styles.

Label residents Gridzone & Gold Soundz take the A side of the vinyl. “Link” is a blissful jungle track with soothing pads and tearing amens. “Can’t Stop How I Feel” is straight from the late 92 early 93 London pirate radio locker. Surely this was made back in the day??

Riffz makes his solo debut on the label. This track is rough, as the title suggest. It’s a great dance floor tune. We love it

Finally, Beardy makes his TT debut. This track has been around for a while. There have been people wanting it on vinyl for a couple of years now. Finally this happens. A great example of the dark & light hardcore from the glory days.

There's a beautifully symmetrical aesthetic to the latest Lempuyang release that totally mirrors the impeccably positioned and delicately balanced sounds going on in the grooves. Two of the most consistent producers of the last few years - Altone and Gradient - produce creatively related tracks, the former named 'Day Drama' and the latter taking on 'Night Drama'. Then they hand their respective tracks over to each other for remixing duties and bingo, a pretty vital 12" is created, a gorgeous set of shimmering dubs on the A-side, and some heavyweight business for dark rainy nights on the flip. Both producers employ a modern day dub flavour to their minimal, moody techno, with it probably being fair to say that the influence of Maurizio and the Basic Channel label is fairly significant in the worlds of both. Altone's sound is a little grittier and seemingly fizzing with radioactivity, decaying and disintegrating as each offering proceeds, where there's something a bit more spartan and linear about Gradient's grooves, that seem to undulate and reverberate almost invisibly, propelling these exceptionally mixable, enjoyable DJ tools along almost under their own momentum. Nice work all round.

The last part of the dancer's trilogy: With Border One's 'Throw' Ressort Imprint closes it's triplette on the definition of modern Techno's different sound colours. And it's getting more and more playful.

Border One might be a new name popping up here and there recently but the young Belgian DJ and producer is by no means a newbie to the scene. Knowing that it is no wonder that his debut on Ressort Imprint sounds very sophisticated and mature as his three original drafts show a very classical illustration about his passion for Techno music.

The title track 'Throw' starts of with a playful yet unobtrusive melody and shows the Ghent-based producer's ability for shifting moods with very subtile yet effective measures. 'Morphosis', on the other hand, gives a real club momentum while 'Tube' is succeeding with topping itself bar by bar. All of this is rounded up by a big room take from one of our favourites, being Thomas Hessler. It is save to say: We will hear a lot about Border One in the future.

House music maestro, Darius Syrossian, cues up a pair of scintillating tracks for Ben Rau’s META imprint, expertly showing his credentials when it comes to delivering effective club cuts.

An ever-present DJ and producer on the circuit for many years, Syrossian has built up an enviable catalogue of music for labels such as 8bit, Hot Creations, Robsoul, amongst others. He runs the
successful Moxy Muzik imprint, which racks up high vinyl sales and top Beatport chart positions, and also has a release for Crosstown Rebels dropping in the coming months. As a DJ, the Tehran-born
artist needs little introduction, suffice to say that he’s clocked up thousands of gigs and parties around the world, and in particular making Ibiza a regular mainstay in his annual diary.

The shimmering synth intro ‘La Tribu’ succumbs to a slammin’ and swinging four to the floor beat, as Syrossian teases vocal chops and deft organ stabs, building up the energy levels with some spanking
hand claps and an infectious groove. On ‘Dream Thief’, Syrossian parades a deeper side, as a shuffling rhythm is cloaked with reverbed percussion, warming Rhodes keys and freestyling guitar licks
for a highly sophisticated and contagious jam.

After what feels like an eternity, we can finally reclaim our dance floors. Get ready to dust off your dancing shoes, and don't worry, Malugi will provide you with just the right tools to come back with a bang.

Not a newcomer to the dance music scene, with his own event series Club Heart Broken, Malugi is stepping up to begin releasing some of his own productions. On his new EP 'Stay The Night' Malugi mixes several genres, crossing boundaries from pumpy House all the way through to pulsing Techno and rough Electro, with a Pop sensitivity, that he is best known for.

The sixth release from SNC Recs is sure to make you want to stay the night and it’s more than safe to say that Malugi's energy will make any dance floor shake.

Back in stock

"Nature Unit is a collaboration between Lack, Jack Chrysalis and Sam Purcell (Dance), completing the final instalment in a series of releases.

Created through a process of reconstructing each other’s samples, the end result pushes each producer into eerie and strange territory. Fusing verdant techno rollers with the surreal and vivid environments of hardcore, Nature Unit is an experiment which has fashioned a unique sonic world.

Limited run of 200 in handstamped, debossed house sleeve. Mastering by Helmut Erler at Dubplates & Mastering"

After two EPs on Knotweed Records with his long time musical partner Dying, Barakat delivers his first E.P. for Decision Making Theory under his new moniker: Zreik.

3 tracks full of intricate drum patterns, boomy bass, deep pads and reverberating chords: stripped down no-nonsense techno, aimed directly at the dance floor!

David Temessi - The 7th feat. Mr. A. is back with 4 remixes, which are finally available on vinyl. We have the pleasure to have Nico Moreno, Mickey Nox and Axel Picodot for the other 3 remixes.

Unwashed acid house and disco through a broken South London filter - from "70s New York bathhouses to "80s Chicago nightclubs via the Brixton Windmill. Bring a towel. Decius are brothers Liam and Luke May, founders of Trashmouth Records, together with Quinn Whalley (Paranoid London/Warmduscher) and Fat White Family frontman Lias Saoudi. Those with an ear to the ground will have picked up on a string of self-released 12"s over the last few years, supported by the likes of Daniel Avery, Honey Dijon, Ivan Smagghe, Mike Servito, 2 Many DJs, Moxie and Erol Alkan. Decius Vol. I is a lean entry point to their sordid world - dark, uncut, unrefined and unrepentant.

Tikita welcomes Neel for a first release in collaboration with label mainstays natural/electronic.system.
The four tracks here cover deep, rolling, dubby tribal techno. The opener is sparse and dark, Gracida is more urgent and alien with watery droplets and wet melodies, then Sinistra is mind melting and loopy techno that takes you into the cosmos. Last of all, Percussiva has supple Jeff Mills style synths warping round each other as heavy drums pound below. It is brilliantly consuming techno from some of the best in the game.

A side brings an epic Tune. Starting with a minimal beat that opens on a mystical melodious drop... that wont let you down till the end of the tune. A regul 160 BPM speed driver.

Illustration by Kristof Albert

The Flip from Collision is a wolf call morhped into acid... The call opens on an acid twirl after the drop... While the kick turns harder... and the acid turns more and more into old school Rave.
An inbetween of Collision and WaveBNDR maybe...

Limited Edition 2 x LP vinyl with 13 remixes and more than 78 minutes of music, comes in gatefold double colour sleeve with exclusive photographs from the film, extensive liner notes and japanese style OBI strip. The score for a film by Oscar winning director Dusan Vukotic 'Visitors From The Galaxy' from 1981 (FOX001LP) was remixed by 11 artists from 9 countries. All original tracks from Visitors From The Galaxy (alternative titles: Gosti Iz Galaksije; Monstrum Z Galaxie Arkana; Gaeste Aus Der Galaxis; I Visitatori Della Galassia Arcana; Goscie Z Galaktyki Arkana; Los Visitantes De La Galaxia) are arranged, composed, conducted and produced by Tomislav Simovic. This compilation includes additional screen sounds from the unpublished tapes of composer Tomislav Simovic also featured in Dusan Vukotic film. With courtesy of Tomislav Simovic estate artists were given complete creative freedom to remix, reinvent and re-imagine the futuristic soundscape of first science-fiction film in Yugoslavia that was scored in analog, abstract, electronic and synthesised music. Alen & Nenad Sinkauz, Ali Renault, Anatolian Weapons, Credit 00, Drvg Cvltvre, Goran Vejvoda, Heinrich Dressel, Repeated Viewing, Security DJ, Tapan and Timothy Fife got the sounds from Tomislav Simovic score and embarked on a musical journey that had no rule or predetermined direction or genre; it was only their creativity inspired by Visitors From The Galaxy sound that led them to a new pieces, more or less experimental, abstract or dance floor friendly. The diversity of music goes wide and deep, it is modern and made by the stars of today paying homage to a composer who always retreated in being a star. As the remix projects of this kind are still very rare and include famous names like Ennio Morricone, Steve Reich or Peter Thomas Orchestra, Tomislav Simovic is now finally, one might say, at home.

Debut album by Dutch producer w1b0, who passed away in August, to be released in November on U-TRAX.

Wibo Lammerts' sudden death on August 15thshocked the worldwide electro community, and also left the record label, that had been working on the debut album with the artist known as w1b0 for the past two years, dumbfounded and in grief.

Wibo had jokingly always called his upcoming debut album 'his legacy', which now sadly has become a painful truth. With the support of Wibo's family, U-TRAX is now doing the only thing that doesn't feel totally wrong: proceed as planned, and release 'When Humans Ruled The Earth' on November 11.

W1b0 made quite a name for himself with heavy electro tracks that he released on labels like Bass Agenda, Hilltown Disco and Discos Antónicos. Standing at 202 meters, and combined with a cheerful character, most people remember him as the gentle giant of electro.
For this album, Wibo wanted to steer away from the dark and heavy electro he mostly made until then. The idea of having a platform to create delicate electronic music in different styles, and make it a showcase of his versatility, was very appealing to him. And that is where he and U-TRAX found each other.

The full-length album (over 75 minutes on cd and digital) comes after 'The Pilex Program EP', released in October, that featured a remix by Detroit's Ectomorph of 'Pilex Driver' and saw 'Program Yourself To Feel' remixed by a well-known Dutch producer that recently created the new 'techno alias' Human Form.
As usual with U-TRAX, the album comes in three different editions, with the 11-track double vinyl version containing the Ectomorph and Human Form remixes. The CD and digital version boast original versions only, plus four additional tracks: 'Alternate Reality Interface', 'Mixed Matter Fluctator', 'Synthetic', and 'In There'. The cassette version more or less has the same track list as the CD/digi version, but has both aforementioned remixes and a bonus track in the incredibly hypnotizing 'I Wanted You', a track that unfortunately couldn't be on the CD and vinyl versions.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Opener 'Acid Whip' is one of the oldest compositions on this album, in which a dark 303 bassline hums over layers of spacey strings. Wibo named it after the legendary Whip It party in Amsterdam's De Melkweg. 'Alternate Reality Interface' then presents bouncy rhythms toying around with all sorts of analog (bass) synthesizers, before we go really deep with the epic ambient techno track 'Wandering Souls'.
Then things get a little lighter spirited: 'Mixed Matter Fluctator' is an electro track that builds on sounds created by Matt Buggins. It has very strong Detroit influences, the city Wibo loved so much and that he made a pilgrimage to with a group of friends that called themselves 'The Techno Tourists'. The tempo goes up a notch in 'Program Yourself To Feel', that halfway opens up in wide science fiction strings that evoke memories of Star Wars, the movie series that Wibo was a great fan of, and that was the source of many of his tracks' names. The Human Form remix opens the vinyl edition of this album and is a downright belter of a track.

Next is a somewhat experimental intermezzo named 'Synthetic'. Erratic beats and pounding bassdrums get accompanied by very subtle eerie-sounding strings, before melancholic synthesizers and piano chords take over. This is an excellent prelude to the epic 'Hologram Computing', a track that is one of our favorites. It slowly and softly builds and builds, before a pounding bassdrum breaks loose and a hypnotic arpeggio takes you to higher planes.
Not ready to letting the listener relax, w1bo then serves 'Beilstein Reference', which again presents his trademark cocktail of down-to-earth electro rhythms and catchy melodies, covered in all sort of little sounds and noises, giving the song a lot of energy. What follows is 'Hit me', a track loosely based on a song by Dutch indie rock band Mr. Joe Abe. Wibo met the band's singer on a camping site while being on holidays and the two decided Wibo should do a remix of one of their songs. Nothing was left of the original except the vocals, and the result is a remarkable cheerful, poppy electro song.

'Anticipated Input' is one of the more recent tracks Wibo made for this album, combining electro, acid and, yes: epic strings. But not all is peace and quiet on this album, as 'Pilex Driver' shows. This is w1b0 going experimental in a danceable fashion: Industrial sounds make the track sound like we're passing a construction site that is playing loud electro music. On the vinyl version of this album, Ectomorph totally decomposed the original and made it into a mysterious, almost subdued, and totally brilliant electro track that sees a main role for the retro Roland CR drum machines sounds.

TFHats, Wibo's fellow member of the Transhumanism collective, added lyrics to 'Cartesian Coordinates'. His vocals add a pleasant New Wave flavor to this song, that has breaks that remarkably reminds one of Nirvana's 'Smells Like Teen Spirit'. What follows is the most personal track on this album. 'Fornan' is a song that Wibo made for his wife Nanette, and was added as the last piece of the puzzle that creating an album is. The warm Detroit techno atmosphere in this electro song couldn't be a more beautiful tribute to his love, and mother of their two young boys.
The album then takes a surprising detour through a 1980s landscape with 'In There', that features the Joy Division-esque vocals of another one of Wibo's friends, indicated only as Vincent. The super slow and gloomy track is a treat for anyone that loved the darker side of New Wave. The album has a worthy closer in the sensitive, yet playful 'Schlegel Diagram'.

Incoming, a massive EP from Anderson.

After his recent easter eggs EP, this four tracker is a blend of trance, breaks, drum & bass and experimental electronica.

Starting off the A side with the ‘Jelly Bean (Virus Outbreak Mix)’, this monster of tune will rattle your subs (and brain) with his crunchy kicks and trancey sequencing. This track will blast you off into oblivion eventually bringing you right into A2, ‘Level Quest’, a trancey chugging progressive tune building energy from the moment the first kick ignites.

After a much needed break, the B1 puts you in an immediate trancestate lasting just a few minutes and before you know it you will be blasted into drum and bass land with ‘Tasteful Nudes’ closing out the EP.

See you on the other side..

Pink Marbled
Limited 50 copy press

Incoming, a massive EP from Anderson.

After his recent easter eggs EP, this four tracker is a blend of trance, breaks, drum & bass and experimental electronica.

Starting off the A side with the ‘Jelly Bean (Virus Outbreak Mix)’, this monster of tune will rattle your subs (and brain) with his crunchy kicks and trancey sequencing. This track will blast you off into oblivion eventually bringing you right into A2, ‘Level Quest’, a trancey chugging progressive tune building energy from the moment the first kick ignites.

After a much needed break, the B1 puts you in an immediate trancestate lasting just a few minutes and before you know it you will be blasted into drum and bass land with ‘Tasteful Nudes’ closing out the EP.

See you on the other side..

Pink Marbled

Limited 50 copy press

Supported by Rebekah, Dax J, SLAM, Amélie Lens, SPFDJ, Joseph Capriati, Samantha Togni, Cynthia Spiering, Gijensu, 14anger, Cristian Varela, Don Woezik, Raymundo Rodriguez, Amelie, Lens, Mark Greene, Blame The Mono, Kenny Campbell, Post Scriptum, Exilles, D.A.V.E. The Drummer, Marco Carola, François X, Luca Agnelli, and many more ...