Techno Vinyl New Releases - News

repressed !

We are happy to introduce the first solo release on Warning. A two tracker by Driss Bennis aka OCB. The mastermind behind Casa Voyager delivers two strong cuts of his very own groove. The A side sends you on a stellar trip to Scum Planet, driven by pitched up Cowbell, Electro beats and emotional pads. Jonas Algorhythm on the B side is another DJ weapon, providing trancey functionality with a very own twist.

For it’s 4th release, Melodeum Records embarked on an epic quest in the search of a treasure which has remained hidden in the musical ether for many suns. After months of digging, a hidden gem emerged, a true diamond in the rough, a life form who only goes by the name of Roluce.
Roluce mastered the binding powers of enthralling House with the drawing influence of Minimal rhythms. Every frequency on the Rogustine EP was individually curated to forge this powerful composition. All 4 original tracks have the power to destroy dancefloors and cause mass euphoria - please play with the utmost care.


Support:
Dewalta, Arapu, Sascha Dive, Norm Talley, Herck, Cosmjn, Sublee, Andrea Ferlin, Barbara Preisinger, Pheek, Charliee, Matheiu, Dan Primaru,

CORDELL JOHNSON'S EXCURSIONS label returns with the first vinyl release from RONALD OVERBY (DJ RONNIE RON). Two tracks of the deep and funky bass driven grooves we've come to expect from EXCURSIONS. Full color label in paper sleeve. FYI the labels have the tracks listed incorrectly including an extra song not on the 12”. The tracklisting below is correct.

The Ramen Orchestra is a project musical collaborations between friends

white vinyl only - limited

Originally from Tunisia, Anamorph is one of those great explorers who travel the world in search of new influences, finding inspiration in Romania after a few years of living in Bucharest, he presents Fapte with 2 original tracks to match the identity of the label:

Side A of this white vinyl consists of one original mix - Sub Constienta - with an uplifting baseline, with industrial background textures complete with mesmerizing synths that make your body vibrate to the groove.

On Side B, Swing Altfel is a track that tells the story differently, taking the listener on a long journey thru the sound. Just like the exquisite painting of painter Leonid Afremov, the track it self has many sounds combining one on top of the other in a progressive release of the right amount of joyful vibe; with passages and percussions mixed with tweaked vocals, giving this track the perfect rithm.

2024 Repress

Rotterdam based artist ''Ben Buitendijk'' has been around for quite a while now. With a string of releases of labels such as ''Ogun Records'', ''Eshu Records'' and appearances on the mighty ''Field Records'', the time has come for Ben to launch his own imprint. Inspired by the city of Rotterdam and his love for anything architectural, Oblique was founded. A label that is designed to cater to Ben's vision on the overall electronic landscape and to display his love for well thought out drum patterns with dense long-stretched builds and strained atmospheres.

''Venomous EP'' comes in a package of three extended techno cuts with a certain corresponding theme. As the title might suggest, all cuts have a certain
touch of hazardousness to them.

''Black Mamba'' is best explained as the experience of poison slowly creeping through one's veins and leaving an irreversible trail of destruction.

''King Cobra'' feels more boisterous than it's predecessor. Again, a long repetitive build keeps on changing into a slightly psychotic state of being while razor-sharp bits of synthesis tickle the listeners brain like when undergoing acupuncture.

''Stingray'' is the final cut of this first ''Oblique'' effort. Whilst maintaining the corresponding ''Venomous'' theme, the last endeavour is a thumping outcry of muscular drums, a ponderous bass shot, and haunting pad sounds that together create a dystopian character. As an extra, Ben has thrown in an ominous locked groove that should be useful in adventurous club settings.

Killer old schooled beats comes with his dreaming rap by CV Smiles after the long intro from SJT Remix.

On other side,Pure analog 139bpm techno session from the guy "PST" with 808.

Vinyl Only. Limited

One sure thing about featuring Dan Goul in a MixCult release is that his music will always be big on emotion. Next up, “Upon Descent EP” edifices those delicious sounds that those star floating dancers are pulled to. The classy and sensual beats keep always under construction, making the range of the tracks infinitely expandable over time. This release is a very versatile DJ tool, but certainly for those who like to keep it graceful.

Sparsely condensed.
Intrinsically detailed.
Moody, yet goofy.
Nordic Noir.
DJ Lifegoals is a Helsinki-based beat-maker and mood-shaper.

2022 Repress

"All I saw was an infinite maze of bright lights and even brighter shadows, ten thousand cities arrayed in four dimensions.
I had no arms to hang on to and nothing physical in this universe to grasp, but I concentrated on the waveform shades."

Tape
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.

Mneme debuts on Kimochi Sound with this mini-album of bass-driven nostalgia. Rough-hewn beats and blurry half-remembered melodies recorded to tape weave a wistful atmosphere, autumnal and tender. Pencil-sketched rhythms, shades of shoegaze & illbient, coloured-in with longing. Recommended if you like moods and vibes.

Ricardo Villalobos aka Richard Wolfsdorf.

The second release on our recently launched label comes from no other than our unique Ricardo Villalobos, under his germanized moniker "Richard Wolfsdorf". Besides being a world touring Dj and headlining the best clubs and festivals around the planet, he has been a reference producer for everyone interested in forward thinking dance music over the last one and a half decades. At MDRNTY we all love his music, Dj sets and personality and he has been a key player at our events for many years, so it is with great honour that we welcome him on our new label. Faithful to his style, he offers us an over 20 minutes length song divided in two sides. Featuring canadian singer Beaver Sheppard, FIVA is a mind bending minimalistic trip. Beaver's mumbling voices add the perfect balance to Ricardo's abstraction and hypnotism. Once more Ricardo shows us how much can be said with only a few elements and how deep it is possible to dive and wonder into his sparse music landscape.

Follow Da Groove is pleased to announce Rico Casazza for its second strike. Waves of warm sounds ranging from dub to electro. An EP that definitely has a sensuality and a charm with 4 tracks that tell a story.

A unique approach from this energetic label that's really working for us down here. Techno/dub lush soundscapes galore...tip for ravers!

White Vinyl

Rubber welcomes Swedish artist Towa Isling (towLie) under her skitungen alias. While some of you might be familiar with distorted drums and seething synth lines from the kafTen records founder, her skitungen project emits a more brazen energy. Langre an Langtan embodies Towa's raw and DIY approach, but takes an unexpected turn towards the odd and dreamy. This results in a beautiful assembly combining Towa's ethereal voice with satisfying weirdo beat music. The 7inch, pressed on Rubber's signature opaque white vinyl, is accompanied by a cover designed by Berlin-based multi media artist Puck Verkade.

Dutch groove connaisseur Ivano Tetelepta returns to his home base ESHU Records. Presenting four tripped out originals accompanied by two excellent reworks by befriended artists Jasper Wolff and Ion Ludwig. The pack perfectly captures the loosely and laid back attitude of the label and Ivano himself, doing their own thing as always. The a-side is all about the groove, a stripped down and playful rhythmic jam built for a hazy late night session with Ion Ludwig turning this inside-out, transforming the original into a lengthy minimal dub version. The early morning sun rays bring the vibes on the flipside where 'Loosen Up' is an atmospheric 90s feeling techno floater where Indigo aera head honcho Jasper Wolff shakes this up with a fierce techno twist. As special addition there's a 7" where Tetelepta shows one of his enlightening dub meditations and a rambling early Mills-esque tribal work-out. The whole bunch is mastered by Marco Spaventi and will be released digitally and in special 12"+7" pack.

No Tengas Miedo' es un disco que se gestó durante los recientes tiempos de pandemia y que nos hace recordar que no debemos de tener miedo de vivir ni de morir, que tenemos que replantear las formas de vida que teníamos antes de que todo el mundo se detuviera pero que sigue siendo un privilegio seguir vivos. Creemos que esta es
una nueva oportunidad de remediar todos los daños que le hemos hecho a la Madre Tierra, a nuestro cuerpo, a nuestra alma, a nuestros semejantes. Creemos que debemos de tener fe y esperanza en el humano, aún cuando nuestros gobernantes nos dan demasiados motivos para creer lo contrario gracias a sus acciones (y sus inacciones). Todos enfrentamos diferentes obstáculos en nuestras vidas, pero debemos de saber que no estamos solos, que nos tenemos los unos a los otros, todos como hermanos y hermanas, sin banderas ni fronteras. Muchas veces pensé en no realizar este disco por el miedo que la sociedad y gobiernos nos inculcan a siempre esperar los peores escenarios, pero estoy harto de vivir con miedo, de vivir aguantándome las ganas de averiguar lo que puede ser o no ser. Además, desde que yo recuerdo, mis abuelos ya hablaba de crisis, mis padres también, y siempre hemos sabido salir adelante, porque nuestro espirítu es más fuerte que todos sus intentos por derribarnos. He decidido que no voy a parar de luchar por lo que quiero hasta el último día de mi vida. Queremos que todo aquel que compre este disco sienta el mismo espíritu con el que fue hecho y quenos ayude a esparcir la esperanza y fe que tanta falta le hace al mundo. Queremos salir adelante junto con todos ustedes, hombro a hombro, corazón con corazón.

Twisted Hulk Hogan Joints on 180 gr. Vinyl.

REPRESS

Antonio aka Raw Ambassador is the next from the another perspective that presents us 4 tracks of Raw electro for dance floor and with their travel melodies.

Follow-up to 2019’s BARKER001! Hand-stamped vinyl!

Banging Hardcore/Hardfloor.

A wicked sound remastared 2022.

Big hit Combo for those who need a perfect plate !

Superb EP, Bringing some Acid mental Techno, Some heavy Hard techno and a pinch of Techno exploration, experimental beats...

A Beautifull 01

Summit meeting between 2 beasts !!!

Printed sleeve & inners

Master by 1NC1N

the first release from the labelhead hammered by Richie Hawtin, Raresh, Sebo k, Zip, Johnny D, Gregor Tresher, SIS, Audiofly and Martinez !!

Speedcore / hardcore, classics and eye blinks.
Progressive linear banger with a bloody good kick !

transparent vinyl / Numbered edition (we have 70 to 100)

Noisy, industrial and hardcore.

Repressed as Splatterezd with a new cut from hell !!!

Superb Bass-Full flashcore 2.0.
Kind of a symphony for chaos... Still in the never too much to my ears, even if it's all a question of taste :
Best Hard music record since the C-Mantle on Underground perversion.

BIG !

Solar Suite has something to say about liminal spaces. It’s that eerily familiar transitory state between here and there, where a shift occurs and the thrill of the change perforates through the atmosphere like a dreamy fog. Some find this anticipatory realm uncomfortable, but some find it as the means for creative inspiration. For the 17th release on Welsh imprint Haŵs, Naarm-based DJ/producer Solar Suite explores the playful liminality of dusk and dawn, taking locked grooves and prog sounds as the tools to transform the strange into something exhilarating.

Fourth release from Mitsubasa.
A Serious Club working machine with four banging Techno tracks straight from the heart. Rove Ranger, Specific Objects, Volpe and Utroit & K.O.S form this piece with a groovy and dubby way to perfection.

2LP Gatefold with colored vinyls

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."

The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.

Repress -

Tension Music (from the depths of Melbourne, Australia) is extremely proud to present the first release on the label; Ad Nauseam - The Outer Limits 2020 TENSE001.

The inaugural release from Tension Music presents an array of new pounding reworks of the 303 fueled 2004 hard techno classic "The Outer Limits" by a selection of hand-picked underground artists that represent the spectrum of diverse and unrelenting acid and techno that inspired the inception and sound of Tension Music.

Tension Music 001 Features six new slamming acid and hard techno remixes by Ad Nauseam (AU), Mickey Nox (AU), Jack Wax (NL), Pzylo (FR), Krismix (FR), and Drumsauw (UK). The release also includes the carefully remastered original 2004 mix as a special bonus!

The special limited edition "Outer Limits Sci-Fi" colored vinyl will include the new remixes by Ad Nauseam, Jack Wax, Mickey Nox, & Pzylo. The digital release will also include the new remixes by Krismix and Drumsauw, as well as the remastered 2004 original.

Bouq. is proud to announce a great new addition to the artist roster with british dj/producer Bryan Chapman who delivered a fantastic 4-tracker in his unique driving techy vibe. With releases on Cari Lekebusch's H-Productions, Sian's Octopus and many more his name is already wellknown to the international techno world. Curious to hear which track is your favorite.

finally repressed!

Functional Techno release featuring original tracks from eveloper and Grey Report label head Adriana Lopez.Mastered by Chris McCormack at Blacklisted, London. Artwork by Sevca.

Incl. Schacke Remix

Having been extensively road-tested this past year by DJs including Daniel Avery, HAAi and Gerd Janson, Highdive arrives with tangible anticipation. The work of less-than-shadowy figures Gramrcy and John Loveless, the pair have passed lockdown and beyond remixing artists such as WH Lung, Discovery Zone and Ghost Culture. Debuting their first original material, closely following Gramrcy’s recent appearance on Loveless’s own Hot Concept imprint, Highdive is a long-anticipated explosion of energy.

Built around a sonic-boom breakdown, glossy rave chords and pounding post-punk drums, Highdive feels immediately at home on Phantasy. Having worked closely alongside founder Erol Alkan in recent years to shape the imprint's diverse output, Loveless' collaboration with the Peach Discs founder nods to the electro landscape of the label's earliest days. Having never left dance floors since, Gramrcy & John Loveless take a golden opportunity to plunge dancers into the sublime and the ridiculous.

While a stripped-down ‘Beats Mix’ sees the pair adopt a less-maximal approach, leave it to Schacke to stretch Highdive into hardcore rave heaven. The already-influential Copenhagen artist underscores his refreshing funk in the ‘fast-techno’ scene through which he has risen, turning the screws and upping the tempo with intense but elastic results.

Hamburg and Berlin coalesce as L.F.T. debuts on Mechatronica with a blood-soaked, club-ready blend of punked out electro, industrial, acid, techno and EBM cuts. Watch your spine.

We are happy to present you our second reference LV002. It contains three new tracks from Oxygeno, alongside a remix from the Swedish atmospheric techno master Lakej.

The A-Side starts with "Bad Habits", a raw track with distorted bassline and an hypnotic synth sound moving around your head trying to call your attention. This is followed by "Endless Carousel", the high energy track of the EP.

On the B-Side, "Time Is Running Out" pretends to be a deep brain melter, taken to a new level by Lakej, who increased its tension and shaped the track direct to the dancefloor.

Jeff Mills - electronics; Jean-Phi Dary - piano, Fender Rhodes, synthesizer; Zaf Zapha - electric/upright bass.

With the release of The Paradox: Live at Montreux Jazz Festival, techno legend Jeff Mills and keyboard wizard Jean-Phi Dary embark on an exciting, ground-breaking musical trip that takes Techno and electronic dance music to a new level. In the past Jeff has spoken of the need to, "take a few steps back and try and assess what has been done, and what might need to be approached to be able to go forward." Paradox: Live at Montreux is the result. "Trying new things is important, it's reminding people we have not exhausted all possibilities with what we can do with electronic instruments," he says.

Jeff argues that the form of Techno we know today formulated itself around the '80's and the early '90's, after the bang of the rave culture, yet audiences today are still content with the conceptual heritage of Studio 54 and Paradise Garage - that minimal form of music and repetitive loop-form of dance music that everyone dances to today. "I really think creatively we have exhausted ideas to a certain point and I think it's healthy to look to other genres and the key elements that make them interesting," he continues. "You look and compare and maybe borrow some ideas, and bring those back to electronic music, to see if it can further our creativity."

The Paradox's direction of travel into unexplored musical territory should come as no surprise since the Original Techno Wizard has never stopped pioneering new ideas. After all, when he originally burst on the scene in Detroit in the 1980s he was ahead of the game - mixing on three turntables, introducing a Roland TR 909 drum machine in his sets, and co-founding Underground Resistance in 1989. Throughout his career he has been exploring the creative possibilities of techno and electronic music, pushing at its boundaries to broaden the music's possibilities, such as introducing a programmatic element to Techno with his the score for the 1927 silent film classic Metropolis or his 2001 classic Time Machine, based on H.G. Wells' novel of the same name. Never content to outstay his welcome by staying in the same place for too long, in 2005 he revealed the breadth of his imagination with his conceptual classic Blue Potential, an album with the Montpellier Philharmonic Orchestra that saw techno happily co- existing alongside symphonic sounds.

And now, Jacquline Caux's Man From Tomorrow - the title of her film documentary of the Techno maestro - has cast his eyes over the musical horizon and borrowed a couple of ideas which he believes can transform Techno and take it to the next level, "I thought maybe it's not to late to bring or transfer some of the ideas from jazz over to electronic music, and look at the machines differently - to play the machines and not just 'programme' them. I had the idea of trying to find the common link between free jazz and electronic music, so I reached out to jazz musicians to see if we could create something new that might be a benchmark that we could start from to create another step forward for electronic music."

Turning to keyboard player Jean-Phi Dary, with whom he had collaborated on the late Tony Allen's album Tomorrow Comes the Harvest, he remembered the musical ideas he had exchanged with the pianist while the sound engineer was doing his stuff during sound-checks on tour. They were akin to having a conversation that could move in any direction until a topic emerged for discussion they liked and could develop. Musically, they threw ideas out there to twist, turn and develop until they hit a groove and moved forward with that. Jean-Phi takes up the story: "During the sound checks we use to improvise with Jeff, and one day he called me and said 'why not record these moments.' I already had an answer - YES! I love improvising. To me it's a combination of freedom and discipline, a real feeling of being deep inside yourself and in the same time being aware of every sound coming from your co-improvisors, from your co-creators." The result was their first album together as Paradox called Counter Active.

It was a bold move, leaving the rhythmic certainties of Techno to explore alternative, free flowing paths that allowed the breeze of change to blow through its highly compressed rhythms. Next came the challenge of presenting their ideas in live performance. They chose the demanding Montreux audience, and with the addition of Zaf Zapha on bass, the resulting album captures their spontaneous musical invention as it happens in the moment. It's a high risk, high reward strategy that was pulled off with conviction and aplomb. While each track has it's own story on Montreux, Jean-Phi says, "'X-Factor' is a big trip and 'Super Solid' is a real groovy track to dance" - what's happening here is the electronic sounds of Techno are used to spontaneously interact with the piano, producing a deep musical conversation not pre- determined by tape loops, a MIDI presets, the 96 rhythmic patterns stored in a TR-909 drum machine or the bass patterns of the Roland TB-303 electronic synthesizer-sequencer and all that technical geekery. Everything was up for grabs, Jeff even pared his electronic set up down to the minimum - "I didn't even use a MIDI" he explained - so the music could go in any direction the creative impulses of Jeff and Jean-Phi wanted to take it.

"We decided to stay closer to the tracks from Counter Active like a city map, but move as freely inside them as possible," explained Jean-Phi. Tracks like 'X-Factor' and 'Super Solid' provided a starting point and framework for the duos explorations, "The Montreux tracks are different variations of those tracks we created in the studio," explains Jeff. "We just knew we were going to do a track that's supposed to be called 'X-Factor' or one that's supposed to be called 'Super Solid' - I think it's safe to say that we didn't know what was possible, we didn't know that until we got together to perform. In that recording I did a lot of new things that I've never have done before, 'The Concept' and 'Paradox' basically come from the soundcheck jam sessions we used to do with Tony Allen when we used to tour together, and once we took the Montreux stage and began to play it was the extension of those musical conversations."

What could well be a small step for Jeff and Jean-Phi could be a giant step for Techno and electronic music. Breaking new ground, they have loosened-up the music's rigid structures to let a little sunlight in while introducing an element of unpredictability and danger that moves from the mechanical to the intuitive. Pushing the envelope like this in search of risk and adventure poses questions of where it all might lead. Who knows? But what we can be sure about is that the future looks bright, full of unexplored potential and possibilities. "It's not necessarily the form of jazz I'm interested in," says Jeff, "it's what you can create in the moment is what is going to be the key element of how long this genre of Techno music will last."