Techno News

Multi explorations mood on Neimad's debut EP for his crew label.

His partnership with the label has already resulted in a collaboration with Modern Heads, as well as one of the first entries in the Monad series, and now a fascinating new EP that showcases his talent for testing the limits of perception.
Alistair Wells is a producer whose current work is synonymous with a kind of benevolent intensity: he excels at sculpting tonally rich and percussively complex tracks that seem to both enlighten and confront. Under his most well-known alias as Perc, he has established a deep roster on his Perc Trax label to carry out a similar-minded program, and has built up a formidable arsenal of EPs and singles in the wake of enigmatic LPs like 2011's Wicker & Steel. His 'eclectic-yet disciplined' methodology practically guaranteed he would eventually come into the orbit of Stroboscopic Artefacts. His partnership with the label has already resulted in a collaboration with Modern Heads, as well as one of the first entries in the Monad series, and now a fascinating new EP that showcases his talent for testing the limits of perception.

The ominously titled opener "Death of Rebirth" - a title hinting at some form of hellish repetition - starts things off with a sense of dark premonition. Yet, in signature Perc style, that aura of uneasiness beckons listeners to explore further rather than to flee from it: in this context, the reliable 4/4 kick drum throb is the only means of orienting oneself or angling through a glassy and metallic labyrinth where foreign objects conspire to make previously unimagined percussive noises. "Negative Space" is a variation upon this theme of trying to maintain focus within a foreign environment bristling with strange enticements and potential dangers: with the kick pattern from the previous pice still acting as a trusty guide, new sound forms arise at every turn: a novel sort of hybridized piano / gamelan tone, a shuddering assembly line, and snaking delay feedbacks. Like dub music meant to be listened to in a hall of mirrors, "Negative Space" induces a heady feeling of multiplying realities.

The closing "Ma", if translated into Japanese, can mean "space / pause" and thus acts as a nice complement to "Negative Space." However, this massive, side-long audio force field dispenses with the previous tracks' steady pulse, and suggests a rigorous act of ritual contemplation taking place in the midst of phenomenal chaos and challenging blows to the body. "Ma" succeeds in modernizing the industrial-era rhythmic invocations of artists like Z'ev, achieving an almost classical solemnity without sacrificing Perc's usual love for cleverly maniuplated electricity. Altogeher, 'Ma' is an eye-opening, ear-infliltrating statement that will warp your understandings of time and space in a most exquisite way.

180g Repress

A dead calm had invaded the night. The temple's music and the perfumes had already faded in the air. I arrived at the oasis in the dark of night, standing in soft, fresh sand. Finding myself in a kingdom of silence. Sotis had just made its appearance in the sky and was showing itself timidly to the world.

Fascinated with the sight, I once again started thinking about my unknown origins and the reason why I, Kalila, was at that place at that moment. A memory. The Priestess at Hathor's temple. The glass flask. I put my hand in the pocket of my tunic and with surprise found a small flask filled with a red liquid. My head started throbbing wildly, eyes closing for the pain and the priestess's bright face appeared in my mind telling me

"Drink and you'll come to life again."

I drank. Feeling my body slipping and melting with the sand underneath. A vortex of feelings and memories wrapping itself around me. I knew who I was. I knew what I had to do. Akhet had finally come.

Early support from Ness, Svreca, Oscar Mulero, TM404 and Takaaki Itoh.

Rise Black returns to Fill-Lex Records to close his Olympus Anthology. 7 tracks of visceral Electro that were forged in the pre pandemic era and that will blow you away to his conceptual world. Hard, direct and uncompromising, these songs continue the saga of this Zar who has made Olympus his own.

Number three in Prins Thomas Rett if Fletta excursion welcomes our good friends from Full Pupp Trulz&Robin with Change, a 10 minute deep techno buildup piece in a somewhat classic, almost trentemolleresque, soundscape + tradition. Minimalistic but huge in a motoric wall of sound style long not heard. Large! Dunjon sets the counterpoint on B, bassdridden, sparse, bubbling sturdy grooving techno Is Dub comes back to the richer atmosphere of Change for another hallcinating deep and dubby piece. Written&produced by Trulz&Robin (Truls Kvam,Robin Crafoord).

6 Minimal Wave smasher to let your robot dance for 24 hours.

Repress

As one might expect from a record called 303 101 EP, this is a collection of Acidic techno cuts made with the legendary TB303 and the SH101 machines. This time around it's an unknown artist(s) affair.

Together, René Audiard and Ali Cakir are Düve: The symbiosis of René Audiard's electronic programming virtuosity and Ali’s expressive oud playing. Their first EP on Mesma, “Part 1”, compiles four diverse productions compatible with late night dances as well as escapist mind-wandering. Combining elements of dance music with improvisational oud performance and poetry, Part 1 oscillates between house, experimental music and free jazz. As a return to beat-based electronic music, Düve’s Part 1 reconnects Mesma to its love for moody microscopic house.

The opening track, “Baglama”, introduces Ali’s acoustic presence with an atonal improvisation, soon turning into a rough and upbeat rhythmic jam under’s Soren electronic direction.
“Djinn Tonic” is an intricately layered progression of loops generating an unsettling atmosphere, both futuristic and nostalgic.
Following the introductions, the full breadth of Düve’s project is developed in Avvad: A dark, textured and moody journey into an ever-changing world of echoed and looped oud phrases over a familiar house beat, connecting the whole to smokey underground dance floors.
Finally, “Santr”, the EP’s longest piece, is a hypnotic promenade led by Ali’s voice and oud and accompanied by Soren’s chopped up drums and bouncy bass — an expressive and performative track, evoking dance music only in a volatile manner.

A banger of a kind with Guigoo in a new acid style !

Pyramid of Knowledge presents K.O.P. 32 “Broken Bridges”

Pyramid of knowledge is back on his own Beyond the Bridge imprint with a new project as K.O.P. 32.

Broken Bridges is a haunted listening trip, a crossover between hypnotic Italian deep techno and tribal frenchcore, bringing you in a dark hole of synthetic atmosphere, acid motifs and twisted drums.
Additional to the single tracks available digitally, the 6 track mixtape will accompany your car journey to the next warehouse or forest party.

Limited edition of 100.
The audio cassette is coming with Bandcamp download code.

The seven tracks, including a feisty remix by The HackerHome-made and self-invented instruments complete Michael's specific, extraordinary sound. Other Side was produced by Matia Simovich aka INHALT. Michael himself painted and designed the cover artwork.

New AA.VV. series for Michele Mausi's label R3volution. The first volume contains exclusive tracks by Ritzi Lee, Oliver Rosemann, Jonas Kopp, Arnaud Le Texier and, ofcourse, the label owner Michele Mausi.
Can you miss this new trip?

***
if i never see you again
i will always carry you
inside
outside
and in centers
center
of what I am of
what remains
***

The Bologna-based LEDX crew are building on their established activities in underground electronic music with the launch of Altrimenti, a new label focused on the 'possible alternative' - a different way of approaching the art of remixing. Founded by Tommaso Meletti and Guendalina Balzani, the label begins its practice with Florence-based Quindi Records, revisiting the illustrious musicality of Cabaret Du Ciel's The Breath Of Infinity LP with a thoughtfully balanced trio of remixers.

Italian techno figurehead Donato Dozzy weaves a seductive, undulating web of pattering drums and chimes, delivering on his standing as one of the masters of deep, hypnotic techno. By way of contrast, Dukwa delivers a transcendent strain of electro, all braindance blips and new age pads. SSIEGE Aero complete the set with a wistful strain of playful, ambient electronica. Three distinct takes on a varied pool of source material, and yet feeling more like an intentional release in its own right.

What binds these tracks together is the rich, melodious quality of the source material. Cabaret Du Ciel's bold, iridescent synth lines inform a common embrace of harmonious tones and warm, emotionally open moods amongst the assembled artists, creating a balanced and yet highly varied EP. In that sense, it makes for the perfect opening move for Altrimenti - a true celebration of the possibilities when creative energies collide.

Astray is the Sublabel of Away, Berlin. Tracklist A Wild Hunt AA Sahara Pump Theory B Wild Hunt (Mark Broom Remix) BB Hell For Leather INFO H4L After Discrete Circuit kicked off ASTRAY, another offshoot of the Berlin party series AWAY, the other half of their joint venture AWAY Soundsystem is in charge for ASTRAY's third installment. H4L, the Berlin-based live studio project, explores some tougher, jam-driven experiments resonating from two decades of warehouse reverberation experience. INFO Wild Hunt EP The title track starts off the release with a dusty, stripped-down pursuit. Marching forward with impelling kick drums, H4L creates an overall organic groove incorporating percussive, distorted sound particles, glancing up in and out of the mix like misty voices. 'Sahara Pump Theory' follows a more robust approach driven by vivid stab sequences and gnarly acidic bass elaborating a vibrant exchange of flow and energy. One of these unfolding weapons that know how to tickle that genuine peak-time madness. Speaking of weapons, UK producer Mark Broom is no stranger to that discipline after hitting dance floors with his ensouled workouts for more than two decades now. Following his old-school compass by calibrating the essentials of groove and melody, Broom's remix of 'Wild Hunt' throws the originals' core parts overboard to empower his highly effective hi-hats as the driving force rocketing into a distant atmosphere. 'Hell For Leather' tops off H4L's package with an unexpected hit-and-run sonic attack. Whether the competing broken and off beats, the IDM rooted drum patterns or the leftfield yet industrial jazz design - this reckless trip is by no means an easy finish, more like a feral crash course about an (almost) forgotten principle: electronic music is either an adventure or nothing at all.

Repress

This is Freestyle free from any style.
There is no need for the disembodied voice telling you THIS IS HOUSE.
It is simply felt and known.

Every kick.
Every arpeggio.
Every bass note.
Experienced through the prism of now.
Ribs rattle from the heart center to the endless reaches of consciousness.

The racks are stacked high beyond the heavens as the Filter Queen speaks of love without words.
Bound to no earthly constructs, beholden to no laws.
This is the joyous sound of overground resistance.

One-year-and-a-half after landing on earth with its first eponymous EP, The Outsider Syndrome is back from its exploration of the vast Techno universe with more musical UFO’s.

Through “Social Engineering”, the Lyon-based duo – composed of E-care and Don Jo –, is about to deliver another dose of rock-influenced electronics, delving its dark-energy into a not-so-sci-fi-anymore dystopian future made of totalitarianism, supranational control.

Four raging tracks of analog techno and electro, with a huge space given to narration and improvisation, as a fight against boring, repetitive standards.

To be published once again on Beyond Techno Musical UFO’s on limited-edition vinyl.

It's time to kick ass and chew bubblegum. Looks like Funkycan’s all out of gum.
Following a string of releases on labels such as Beatbude, Workshop’s Out To Lunch and Tax Free, Am Kinem aka Funkycan is back with "Combo Breaker", his 2019 release on AVA. Records. Filled with more handsome terror straight out of Neukölln. Come get some!

Firecracker’s dwarf constellation Unthank thaws down from a small cryogenic suspension and delivers it’s first 12”!

Tracks from the vault from Cardiff’s DJ Guy (Other World Music/Cejero/All Caps) who’s been busy since 1992. All tracks designed to be played loud and with the dance in mind whilst taking in all sorts of melancholy, euphoria and pastoral, acid soundscapes.

RIYL Dream 2 Science, Autechre, Unit Moebius, μ-Ziq etc

Tool tracks as new album following Tanaka's previous 'Right Moment' (2019 released on Parlon). All tracks used the sampling(s) of his sound or motif key(s) in his DAT tapes from the 90's. It is the reconstruction of the sound left behind in that time.Also it
is part of video project as well.
This album release is the first part of 'One More Thing' and the later part is to be released in 2022 as12"double-pack again.

Killer techno grooves from Berlin artist Myk Derill as he lands his first release of 2020 on the Aussie label Gynoid Audio with remixes from Philippe Petit and Alex Bau.

Crazy superb romantik Speedcore... Here you can listen MP3 as 33 rpm AND 45 RPM (its original speed, of course). But as 33 RPM it's not that bad as well as we say ^^ ahahah

A superb 13th OPUS in the vein of some XMF or INGLER oldskool tunes

A wide open range of industrial techno ways... but none are EBM. It's more like Reload style if we talk about the kicks... somehow space DJ's to Atom-X or Accelerator.
About the ambiances we defenitly are into news/Wave, Dark electro sounds...

the melt of both brings a fresh thrid rway... surprising record !

ENJOY !

Repress

Channeling that classic playful braindance feel of early AFX, U-Ziq and fellow acid-connoissuer Luke Vibert, Pearl River Sound (real name Roberto Semeraro) has quietly builded up his own profile in the last 5 years with releases on R&S Records's own Meda Fury, Further Records, Seagrave and X-Kalay. Not another average idm/breakbeat throwback tough: here PRS delivers 'Train With No Name', a 6-tracker of razor-like rephlexian science, taking inspiration from his ambivalent work with laptop & old hardware machines; yet, the magic lays down in arrangements and spaces, builded around jacking bassline swings and detuned, lush pads all melted together in powerful u-turn rhythms and genius sampling, from the moody opener 'Elek41' to the demented vocals of 'Cccc2' and 'Mr Continue' or the straight-up acid of 'Mono Sequencer Bass'. Occasional walls of white noise and distorted tones emerge in 'Train 2', possibly his most tense track ever but also one that reveals new sonic solutions for a forthcoming full length that should see the light anytime next year on the label. Sharing the same sensibility of fellow Roman institutions like Lory D or Leo Anibaldi to keep the acid legacy of the city alive, Mixed Up is proud to start a new beginning with this release. Full sleeved and cut at 45.

Experimental electro, hard and dark. Original style !

180g Vinyl/ White Color
Vinyl Only

770-Output is a completely new Label which release Vinyl only. The Label run by Sebastian Krenzlin and Henrik Müller both based in Brandenburg City near Berlin Germany. Slight Function is a Collab between Krenzlin and the Argentinian Artist Rhombic. All Tracks are straight and hypnotic influenced they give a perfect note to play.The Belgian Artist Absent worked with classic elements and gave us a very punchy Remix with rolling drums absolute a perfect groove.

Supported by Pfirter,Ben Sims,The Advent,Slam,Gaetano Parisio,Luke Slater,SLV,Fernanda Martins,Dustin Zahn,Mark Broom,Amelie Lens,Alexander Kowalski,Nicole Moudaber,B.Traits,Shlomi Aber,Johannes Volk,Arnaud Le Texier,Tensal,Wht Moth,Subradeon,Kaiser,Freddy K,Joton,30drop,Frank Maurel,Raphael Dincsoy,Dold,Keith Carnal,Bleak,Abstract Division,Luca Agnelli,Dj Rolando,Fundamental Interaction,Stephanie Sykes,The Lady Machine,Decka,PTTRN,Hiroakia Iizuka,Jamaica Suk,Wehbba,A.Paul,Setaoc Mass and many more

Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.

After Structures From Silence was released, Steve was receiving invitations to create music for the emerging meditation yoga and healing arts community in Los Angeles. Quiet Music 1 was originally commissioned for a meditation video, which featured a collection of video images of lush forested areas, wild flowers and natural serenity. But by the time the piece was completed the producer passed away and the project was never completed.

Quiet Music 1’s direct connection to a distinct environment set the tone for the trilogy of albums. Quiet Music 2 was inspired by Steve spending a lot of time in deserts and was created as a natural progression from Structures From Silence, and the more nocturnal feeling of Quiet Music 3 were pieces designed for Steve’s personal healing practices.

The Quiet Music series was released in a timeline that is often seen as linear but this music was created directly along side the dynamic fully electronic albums like Now, Traveler, and Empetus. In the early 80’s Steve would be shifting between the invigorating sequencer-percussive driven music and then move directly into weightless drifts and contemplative spaces.

This way of creating grew naturally out of a desire to not settle into one place sonically and to nourish himself with a space that could be creative and fine tuned, creating a calm and renewing zone while living within the hectic pace of urban life in Los Angeles.

A 150/160 BPM mental prog' acid tribe/tekno. Tripy at the trance frontier... or at least very musical : for instance the ambiance of "Biolumiescence" definitely fits perfectly with the Jellyfish design.... And the flip keeps on offering the same dark sweetness pleasure.
Spacial !

PS : fits perfectly with CC ATOM 04 Pain-Beurre tune and the Acid Night 07 Sevenum Six A side ... The Truth :)

The global lockdown has seen a number of new hobbies and skills adopted. Yoga mats now decorate homes. Bread makers jockey for space in kitchens. Soiled paint brushes caked in acrylics lie abandoned. At Frigio Records HQ, confinement might have changed the rhythm but it hasn’t changed the aim; to find new and exciting music for 2020. The result? Frigio Allstars 3.



Daniel Holt returns for this new instalment in the Allstars series. Diving deep into the darkness, Holt resurfaces with the nine minute industrial throb of “Vaccuous Transient.” A stomping beat pierces sci-fi score synthlines in a track brimming with menace. Staying in the US, Grey people debuts on Frigio with the grime smeared jack of “Bruxism.” The flip is all first timers to the Madrid label with Scannoir offering “De Panaesher.” Sitting somewhere between synth lament and uplifting wave, this track is a true modern classic from a member of the GOTT camp. Madrid’s very own Negocius man follows with “101 Wars” a winding worming work of glazed electronics to kill any dance floor and the amazing finale, “The Smile Of The Body” coming care of Bari’s talent based in Berlin under the moniker of Sons Of Traders.



Frigio Allstars 3 comes from the murky underbelly of electronics, where the nights are long and the days are short. Ashen tones pricked with lighter shades, all smeared with attitude in this collection of underground tracks made for the underground.

Following on from a string of successful releases on Tru Thoughts, CoOperation Records (Co-Op) and Future Bounce (Jamz Supernova’s label), that garnered support from all corners of the electronic and jazz world – including Gilles Peterson, Bonobo, Ben UFO, Emma-Jean Thackray, Laurent Garnier, Avalon Emerson & more – Danny Wheeler, the West-London multi-talented artist behind the pseudonym WheelUP returns to unveil the neo-soul fused single “Good Love”. It’s the broken beat revivalists fourth outing from his highly anticipated debut full-length of the same name, which lands on 23rd April 2021 via Tru Thoughts.Linking up with broken beat pioneer and founder of Bugz in the Attic – Afronaut (a frequent collaborator on the album and the act who knighted Danny with the name WheelUP), Wheeler also enlists the help of Alabamian deep south rapper Brint Story and vocalist Destiny Will on the future bruk anthem. In the artists words: “Good Love is something that I generally want to see in the world. It’s timeless broken beat. Overall, this LP is my pursuit of broken beat excellence”.As an artist, producer and DJ of dual heritage: Zimbabwean and British, growing up in the epicentre of bruk that is West London around the likes of Goya Music, IG Culture and Kaidi Tatham – it was only natural that Danny would gravitate towards the ‘West London Sound’ – as WheelUP puts it: “It’s in my musical DNA”. Originating from the drum and bass world as Danny Wheeler, WheelUP follows the footsteps and lineage of 4hero, evolving from jungle/D&B to broken beat/bruk. Danny’s Zimbabwean heritage is explored through his use of polyrhythms and hyped percussion that he perfected on his Zulu inspired EPs “Ndebele” & “Wanezi” (Jamz Supernova’s top EP’s of the week on BBC 1Xtra).

Trauma Collective returns with four cuts of decidedly hypnotic and abstract techno from ever-prolific ASC. Rounding out the last decade with a string of stand-out releases on his own imprint, Auxiliary, the San Diego producer brings his cerebral sonic aesthetic to the fledgling Madrid label. "Loop Research" showcases a singular artist unbound by tempo and at the top of their game.

Remixes EP for Ness's Psychotechnologies' by Alan Backdrop and Claudio PRC's Night Shift' by Luigi Tozzi.

coloured vinyl

One of the biggest trance hits of the new millennium gets a 2020 makeover and a fresh squeeze on hot wax. Push – Strange World is given the remix treatment by Belgian dynamic techno duo Joyhauser, alongside the anthemic 2000 Remake. What can you say about M.I.K.E. / Push, the guy is a legend, a musical genius having crafted countless tracks under several guises, and he is still going as strong as ever today. Taken from the album, From Beyond, Strange World really hit the big time in clubs and festivals thanks to its soaring melodies and euphoric climax. It spawned a swathe of remixes and reissues over the years and no wonder it raises its head once again. Joyhauser are Joris Cielen and Stijn Vanspauwen, a techno outfit from Bilzen BE. They share a deep passion for electronic music and have been smashing dancefloors since 2017. Their sound is a hybrid collection of genres, creating unique flavours which grabs attention from all quarters. They’ve played all over the world and to date they continue to perfect their sound, releasing quality music with devastating effect.



The Joyhauser Remix adds a thundering techno vibe to the original sound. Huge, powerful, arena style kick drums lead the way alongside crispy hi hats that slice through the murky basses. That distinctive, highly infectious melody seeps through, building us up the break where the main hook comes to life before climaxing back to thundering techno mode. Twisting synths and gritty basses greet us on the drop, locking us in for the duration. An absolute stormer of remix that is not to be missed.



Who could forget that legendary riff on the 2000 Remake? A track that captured the imagination of the dance music world, becoming a go to track for many jocks. A hybrid groove that dished out an energy laden vibe with a tech edge on top of an uplifting synth riff that gets the hands in the air. An absolute classic and always a must have in any collection.

Speiz Bois is a trio of three seasoned Hungarian musicians active in countless other projects (think of the already cult Jazzbois outfit) playing a unique fusion of hip-hop, spaced out psychedelic grooves and melancholic 80's guitar sounds.

'SpeizBanger' on side A is one of those timeless songs that are hard to be described, but we are pretty sure this is what an imaginary demo by random members of BadBadNotGood and Khruangbin, recorded in a smokey Budapest home studio would sound like.

'BreakBottle' on the flip starts off as a more conventional live groove until the ethereal synths and guitar harmonies come in, from then it sounds like the fictional demo described above.

The single is limited to 300 copies

Repress of one of the first Banditos Product... Bloody efficient and fresh. brilliant Pumpin hardtek.

Dj Bebedera Is A Young Producer Who Hails From Lisbon And One Of The Pioneers Of The Tarraxo Do Gueto / Fodência Style, Which Is The Lisboan Sub-genre Of The Angolan Tarraxinha.

The Tarraxo Do Gueto Is Characterised By Its Languid 90bpm Beats Highlighting The Erotic Side Of Kuduro Music Which Is Surprisingly Known To Few Audiences.

The 2 Labels Bazzerk And Promesses Have Collaborated On A Series Of Two 7" Singles With The Lisboan Producer Which Groups Together 4 Iconic Tracks From The Genre.

Playful 80s oriented Electro Pop mini-album

UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 2 of his ‘Mutated Battle Breaks’ series.

Following the acclaimed ‘Funfzig LP’ on Rekids earlier this year, as well as the first volume of ‘Mutated Battle Breaks’, UK stalwart Mark Broom returns to the Rekids universe with another set of eight fully charged techno bombs for Radio Slave’s techno-focussed imprint in ‘Mutated Battle Breaks Vol. 2’.

From the punchy stabs of opener ‘Recessive’ through to the deep and bumping ‘Pump’, Broom turns in masterclass in high-energy techno tools. With the quality remaining as consistent as the 4/4 kicks across both sides of the record, ‘Mutated Battle Breaks Vol. 2’ is set to make an appearance in the record bags and USBs of any techno DJs worth their salt worldwide.

Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

The 3RD of 3 vinyl releases taken from his debut cd Shadows In The Dark.

Peach Discs is delighted to kick-off a busy 2022 with a five-track EP from one of our favourite new artists. buen clima’s Transferencia Electrónica is an exploration into pared-down dance music, where interlocking rhythms, percussive synthesis and quasi-looping delays meet to form smooth, efficient and pointed club tracks.

In his own words:
“Stylistically the tracks on this EP owe a lot to the great Black musicians from Chicago and Detroit, namely Herbie Hancock, Mr. De', DJ Rashad, Lil' Louis, Frankie Knuckles, James Stinson and Gerald Donald. I feel like the EP is kind of a love letter to the styles they pioneered, done in my own way, which in turn has been influenced by my background in classical music and improvised music but also so, so heavily by my friends and teachers: I've learned so much just from interacting, working and just plain witnessing eggglub, Lorelei, Maxi Cat, il sentimento, Hola Papá/Annunaki, Lavina Yelb, Jorge Pepi, and the whole music scene I belong to in Santiago.”

Detroit Love present the second release on their eponymous imprint - a collaborative venture from Planet E and !K7 which aims to capture the essence of Carl Craig's beloved event series. Following last year's inaugural mix from Stacey Pullen, the second entry comes from none other than Carl Craig himself. Across a hazy, funk-driven voyage, he delves into the spirit of his hometown, championing the past and future of the motor city into an expertly curated mix. With a blend of 90s gems and
brand new exclusives, Carl's track selections forge an atemporal vision of quintessential Detroit music. Opening up the mix are two rare, early 90s classics from Ectomorph and Rhythm Is Rhythm, neither of which have been reissued on vinyl for decades, followed swiftly by a 2015 collaboration from Carl Craig and Green Velvet, never before released on vinyl. New material comes in the form of an exclusive C2 edit of DJ Minx,
another exclusive from Claude Von Stroke, tracks from TV Lounge
affiliates Ataxia and Mister Joshooa and unheard music from Matthew Dear under his new Brain alias, to name a few

Cromby debuts on Radio Slave’s Rekids with ‘Twisted Future’ EP, showcasing his talent for tweaked out techno.

Following standout appearances on Feel My Bicep, Unknown To The Unknown, and E-MISSIONS, Irish-born DJ/producer Cromby hits Rekids with a four-track EP of crisp techno cuts. Heavily utilising the sound of hardware across the release, ‘Twisted Future EP’ sees Cromby explore the depths of these classic sound palettes over robust techno frameworks.

‘IXP-42’ brings crunching drums and wiggling synths together for over two minutes, building tension before eventually, the much-awaited bassline comes in thick and fast. ‘Follow The Bass’ brings a dose of the unusual to proceedings, with snaking FM leads modulating throughout a maze of sizzling percussion.

On the flip, Bleep meets Baltimore on ‘Relief’, with meaty acid lines, vocals and clattering drums sparring with each other across the track, while ‘Vortex’ rounds off the release, with bright shimmering stabs peppering the stomping drums and distinct squelch of the 303.

King Gizzard & The Lizard Wizard announce an album of remixes of tracks from ‘Butterfly 3000’, their second studio LP of 2021 alone. ‘Butterfly 3001’ features reworks courtesy of (among others) DJ Shadow, Donato Dozzy, The Scientist, DāM-FunK and The Flaming Lips!


"We’ve put off doing a remix album for a long time. Maybe it was conscious, maybe it wasn’t. But it’s happening now. That’s not to say that Butterfly 3000 makes the most sense to remix. It might seem like the obvious one, but it’s not. Yes it’s electronic. But so is a fridge. Have you tried to dance to Butterfly? It’s hard. It ties your shoelaces together. It’s duplicitous in it’s simplicity. But Butterfly 3001 expands on this. It also deviates and obliterates. We’re honoured to have such esteemed people go to work on these songs. We hope you love this album as much as we do. See you in Da Club!!!" - Joey Walke

Frankfurt based duo not even noticed is up next on Chat Noir Rec !
not even noticed is a project dedicated to broken beats, dreamy pads and ravy sounds, founded in early 2020 while the world was going crazy due to the corona virus. The Persistent Textures EP catches several vibes that not even noticed stands for with liquid acid lines in Quaisen and Backyard Dreams, dreamy pads in Backyard Dreams and a rave feel in Access Mode.

More exciting tracks from the relatively fresh DWS imprint. Label founder Oliver Moon delivers an impressive package for 002 on the label. 4 cuts of premium dancefloor heat with remixes from Agile Kind & Jay Tripwire. Limited stocks!



b A2 | Wide Eyed Agile Kind Remix
c B1 | Puddle Original Mix
Jay Tripwire Remix

Muscle and Mind is the return of Oscar Mulero to long plays, after Grey fades to Green and Black Propaganda. 'Muscle' and 'mind' may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno.

The coalition of introspection and abstraction is not incompatible with the rough and the percussive, and this
album is a good example of this. The underlying message behind the title refers to the reflection of mental states in the body, the genesis of emotions where body and mind are managed by the sense of hearing.

Throughout these twelve tracks, one can dive into the musical world of this producer whose discourse mutates in every album, always intricate, always meticulous. Darkness acts as a thread and repetition as hypnotic therapy. But now, he sets his usual hard sound aside and looks for a much more cared for and precise sound , where there is room even for a harmony and musicality that go hand in hand with danceability.

The combination of atmospheres and rhythms is constant throughout the album. Each of the cuts has been prepared with few sonic elements. He takes elements away one by one, and keeps exclusively the necessary.

A record that has been developed during endless hours in airports and travelling, absorbing influences from all over the planet. Made in solitude but surrounded by people who don't know what you are really doing on that computer. To close the circle, the album was mixed in professional studio using solid state technology, which gives this work a unique warmth that cannot be achieved in a domestic environment.

Muscle and Mind will be released on vinyl and CD. The digital version will include extra tracks which will also be published in an EP. This will precede the album with edited tracks from the album and remixes by Stanislav Tolkachev and SHXCXCHCXSH.

Re:Axis has been with the PR family for a while now and never fails to deliver. His new "Chosen Frequency EP" features 4 energetic and driving techno cuts.

Written and produced by Gavin Miller and Thomas Ragsdale, Bradford West Yorkshire, England
Mastered at Black Knoll Studio (NY) by Rafael Anton Irissari

'Anon 1' was originally released as a very limited Anonymous 12" on Past Inside the Present in 2020, featuring 36 and Isaac Helsen. The idea was to let people hear the music and judge it not on the names behind it, but purely on the quality of the music itself. When it sold out, the label revealed who wrote it. Obviously quite a few 36 & Isaac Helsen fans missed out, so Past Inside the Present repressed the record, but this time with the knowledge of who made the tunes now public.

Paris' Bambounou cracks down on Climate of Fear's sixth edition of its tape series. Recorded at Climate's final Berlin party before lockdown, Bambounou grips turns and swerves across lanes in this high tension neo-rave workout; cutting edge technoid tracks move with a hard hitting bounce and zero body fat weightlessness. Lithe & deadly, "Guts" spills with venomous glee, tempered with expert finesse.

The release consists of dense floor slammers from Bionoid, modular synths enthusiasts based in Saint-Petersburg, Russia. Every track is recorded at once during a jam session on analogue setup. They do not bear any signs of 'rave' or 'trance', but the cyclic and raw sound with minimalistic groove typical for Detroit techno.

All these pressed onto a thick 180gm crystal clear tasty piece.

Third and last episode of the Generative Operation series is here. Completing the same style and vision, cinematic, technical and minimal concept trying to push forward a contemporary electro in our days. Evolving synth lines with a generative structure from new massive modular patches. Progressive minimalistic rhythms and sequenced tracks with different results as always elements can change every time they are played back again as a unique listening. A rare topic this time is that two 303 basslines have been addedd in the track GenOp10, they are interlaced with different step lenghts patterns as a tribute to put this classic synth from roland into a spacey environment and not always in the raver side of the music. The limited edition vinyl has been pressed in 180gr. keeping up theanalog character sound in this format, meanwhile the digital version will be a clearer and clinical one.

Dax J returns to his label Monnom Black, bringing with him four cuts of pulsating techno!

The idea for a remix LP came about following the incredibly positive reception that greeted “The Flow Across Borders” upon its release in May last year. After the services of The Orb and Richard Norris were secured by the label, Frazer and Ali asked some of their favourite artists on Castles in Space to contribute remixes for the project, which subsequently grew into a wonderful overview of both the scope and diversity of the band’s output and the skill and sensitivity of the remixers. Frazer Brown: “As the tracks started to come in, we realised that this collection was going to be something very special. The Orb remix is classic Orb, Richard Norris’ contribution is pure bliss, and the fact that this is the first official remix that Concretism has ever done is especially thrilling. Every track is astounding…”

Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (EMOM) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a range of styles from techno, lo-fi, breaks, acid house and ambient. And thus was born the Dohnavúr method - Ali coaxing the raw materials from his modular set up and Frazer working them up instinctively with his encyclopaedic knowledge of electronic music into tracks for which the feel, genre and direction is inspired by Ali’s foundational building blocks.

Sleeve artwork is once again handled by Mark Hall.

'Seamless' a new EP from Endless Melancholy, a solo-project of Oleksiy Sakevych, who currently resides in Kyiv, Ukraine. Endless Melancholy is previously known for releases on such labels as Preserved Sound, Dronarivm, Thesis, Sound in Silence, and, of course, his very own Hidden Vibes imprint. 'Seamless is a reflection on our admiration of the universe and its eternal beauty. The gaze of humanity has always been set towards the stars. The majesty of the universe has always been a great inspiration for many artists, and this is my humble dedication to it.' - Oleksiy Sakevych. Seamless consists of 2 longform compositions. Each of them presents a variety of moods and sonic forms, which were created using the electric guitar, synths, piano and strings, all carefully recorded and wrapped in the warmness of analog noises and sound effects.

Rushing is intimate collection of songs built around Lucy's emotive and soothing vocals. Her voice acts as a grounding force in the face of longing, loss, and uncertainty. The accompanying layered synth lines unobtrusively support both Lucy and the listener as they search for a space in which they can heal and grow.

repress ist am start

Nullptr does what he does best and drops 4 beautiful, deep and soulful electro bombs on klakson!

Orion Records is all about freedom. Techno freedom. The Milan based label is an open space for club and non-club music.

SPECIALE_01 is the first chapter of a new series of featuring between Orion and various artists close to their circle.

For the opening record the guest is Skyra, regular dj and sound engineer of the infamous Bassiani club in Tbilisi.

“New Beginnings” and “Unite” are two live jams recorded last year in his own studio. Floating pads, repetitive percussions and straight kick drums will take you into a deep and endless techno journey.

At the same time the Italian duo present their softer and deeper side with two new original tracks.

Strong and melodic basslines are the main elements inside OP 07 and OP 04, together with timeless acoustic drums and layered pads.

Welcome to Orion’s special place.

Peter Richard's "Walking In The Neon" is rightly regarded in some circles as an Italo-disco classic. Originally included under a slightly different title on his 1983 debut EP, it was reissued on a number of occasions throughout the '80s. The two versions here are from the 1986 issue on Holland's Injection Disco Dance label. Richard's full-vocal original - a stylish slab of mascara-clad dark synth-pop with a distinctive Italo-disco pulse - is joined by the little-known instrumental Dub, which strips out the vocal and offers the Walter Beinat's chiming, chugging production room to breathe. Dark Entries' new artwork fits the bill, too, offering an authentic-looking take on Italo-disco sleeves of the period.

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while
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out there
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Lakota Fox' EP now sees Rene Wise return to Mote-Evolver as he displays his flair for producing dynamic techno rollers and spectral soundscapes. A digital EP on Mark Broom's Beardman imprint and a debut 12" release on Mote-Evolver imprint laid the foundations for his musical journey. Wise has continued to showcase his artistic abilities with a consistent run of releases in 2021, including a split EP with techno heavyweight Rodhad on WSNWG and a solo EP on Setaoc Mass' imprint SK_eleven.

With "A Pulse of Durations" I found myself attempting to strip things down to find the beauty of each core idea instead of hoping to find it through further embellishment.

During this period, the films of Tarkovsky and Resnais were influential for their atmosphere and dreamlike qualities. The title is taken from Scott Walker's "Angels of Ashes". I've always found it to be a lovely and undefinable phrase. -TG

UK veteran The Dexorcist debuts on Traditions with his trademark hardcore & rave infused electro , 5 killer cuts for quirky dancefloors ...

It all began with a demo from Siberia in 2011...the rest is history..
With his fulminant debut ep "Untitled Dubs", RAWAX became over
night an incredible focus in the techno scene worldwide. Unbroken Dub aka Denis Safiullin was let's say the co-founder of it and still a very close friend of the label. No wonder that we're happy to present you Denis' 7th release and follow up to the first one called "Untitled Dubs 2"!

Tapage Nocturne Itinérant has launched their first release TNI-001. Together with top notch artists coming from the Acid and Techno scene this is a splendid kick off of this new label.

1NC1N produced the main track of the release with a solid statement vocalized by Melisa. Pure dancefloor bomb!
Pozek and Ling Ling did a great job building a funky, deep and Acid rave song.
D.A.V.E. The Drummer and Chris Liberator are representing their own UK Acid Techno to you alongside with Phil Kershaw and SamDFL.

All tracks are high energetic tunes, ready to be played by you!

After a year, we are back with our annual compilation series Hate And Tenderness.

Now in our volume IV we continue looking for the congruence between our sound and our philosophy, based on the contrasts such as those found between art and nature.

We have invited 10 artists who add their work and talent to this project built with love and effort.
We appreciate one more year of support and love.

·
HATE:
The most treacherous you may have in front
Sipping your beers or sharing your hot dinner
I hope those who always lie will drown
And once in hell they burn forever.
·
TENDERNESS
I'll be there when you cry and when you laugh
In your days of melancholy and in your joys
I'll be there when you sleep and when you dream
In your deepest fears and in your coldest nights

We are extremely proud to present you our next Physical format release and belongs to rising Italian duo W/CYA. The title of this great EP is 'Priming' and contains 4 original tracks and 4 incredible remix works by Orbe, Viels, Iori and Booz. This is no doubt an outstanding work by the Italian Producers, we couldn't ask for a better debut release from an artist on Illegal Alien Records, 'Priming' will be available on a limited special Cassette Tape edition and Digital format.

We’re excited to present our next 12” vinyl. This time, we go back in time once again with a brand-new remix of an absolute classic. Yves Deruyter’s Calling Earth was a mega hit back in the day, now in 2020, the track has been given a makeover by electronic music icon, Umek. From those early days at Bonzai, Yves has been at the forefront, dishing out countless tracks under his own name and a host of guises and collaborations. Still rocking the scene today, producing and DJing for the masses, he has surpassed 35 years as a DJ and it doesn’t look like he will be stopping anytime soon. His tracks have a tendency to find their way into modern sets, holding their own in timeless fashion. So, it’s no surprise that in 2020, Umek decided to have a go at remixing this popular track, which has been played by the likes of Adam Beyer and even got an airing on BBC Radio 1’s Essential Mix. Slovenian artist, Umek, started out in 1993. He was pioneering the sound in his country, bringing the music to the masses at such a young age. In 1999 he founded Consumer Recreation and Recycled Loops and has went on to churn out a plethora of work on other world-renowned labels. He currently runs his latest label, 1605, with great success. His fast mixing skills and uplifting sets earned him the most prestigious of gigs and has played a Radio 1 Essential Mix in 2007. A multi-award-winning artist, Umek continues to deliver the goods, and this is just one example of his genius. What is more special about this particular release though, is not only is it a limited edition, but each vinyl features a unique colour pattern. Three colours will be present, blended together in random sequences to achieve the most vibrant tapestry. This will give the records their own character and will be the talking point of many collections.

On the A-side you’ll find Umek’s Remix. Staying true to the original, while bringing in a strong, contemporary Techno vibe. The intro boasts that familiar scratchy synth before monster kick drums take over alongside a pulsating bassline. Tension mounts as the layers pile on, we’re teased with the main melody until it’s unleashed on the first break to the backdrop of a gnarly, gritty Techno pad. The second break brings in those playful percussions that track is so famous for, resolving in a slowed down tempo and then back to full-on mode for the duration.

The B-side features the glorious Original Mix. First released in 1994 as the A-side to IV (backed with Rave City). The track opened with that hollow tube sound laced with bright hats, leading to a solid, pounding beat and then on to that infectious melody line. This one quickly rose to mega status among throngs of ravers and DJ's. A string of remixes followed as well as multiple releases over the years making this the ultimate classic.

In 2012 Claus Fovea self released a cassette containing 10 tracks, he was at his Swedish beginnings. 9 years later Lux Rec re-discovered his tape and it still sounded so true and relevant to them that they decided to release it on vinyl. Claus then reworked some tracks, scrap some, and made few new. Florin Buchel mixed them down and Andrea Merlini mastered them. The result is a picture frozen in time, in between now and then, the struggle, and sadness, that fragile construction of hope shattered as time goes by, like nothing ever change. It is indeed, as he sings, just the same song playing all the time. Over and over.

Collision EP brings 4 acid banging tunes, dark and insane as expected, with one superb tune, called Supernova (A2), playing the acid break pressure leading to the beat… A superb new release we are proud to issue, in the same time as we organise Collision's venue in Paris for a set at Glaz'Art on 13th of september.

One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.

The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.

The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine.

Oranges Vinyl, farbig bedruckte Innenhülle

Real World Records – das berühmte Worldmusic-Label, gegründet von Peter Gabriel - jetzt bei Universal Music! Montparnasse Musique sind der algerisch-französische Produzent Nadjib Ben Bella und der südafrikanische DJ Aero Manyelo.

Gemeinsam produzieren sie einen elektroakustischen Sound voller ansteckender Hooks, kompromisslos und authentisch. Ihre neue, selbstbetitelte LP ist eine kühne Mischung aus den traditionellen Klängen Afrikas, kombiniert mit dem Puls des modernen Johannesburg: Gqom, Kwaito, Techno und Afrohouse.

Mick Wills is no stranger to Frigio Records, the German Dj and producer has turned his hand to edits and remixes on previous releases and now arrives with his own 12” of edits for the volumen 4th of the label’s Ecdisis series.
The source material for the two pieces on offer comes from Brazil’s Simbolo, a band formed in 1988 and still active with a career spanning more than thirty years, was a central player in South America’s EBM and Synth scene. Wills has selected two tracks from the Brazilian’s back catalogue, the first being “Mind.” Industrial influences come immediately to the fore, complex drum patterns give way to a juddering groove in which guttural vocals depict a scene of hurt and pain.
“Synchrono” occupies the flip. Taken from the 1995 album, In the Danger Zone, the original two minute piece is extended into a seven plus minute epic. Following on from “Mind”, “Synchrono” melts stuttering bass-lines and textured percussion with indecipherable lyrics counter-balancing heady strings. Two cuts of emotive and impacting electronics.

Repress

For PRSPCT RVLT 025 we traveled deep down into the darkest parts of jungle in search of: Jungle. It was a harsh, heavy and above all an expensive journey that, to be honest, only taught us something we knew already... Jungle is MASSIVE! Just not a lot of amen breaks in it so not particularly the place to look for a new RVLT record.

Turns out we should have looked way closer to home as some of the hottest Jungle out there gets produced in our own home country "The Netherlands". We could have known this of course. Come on, we release great records by Dutch artists all the time. As the legendary quote goes: "If it ain't Dutch it sure as f*** ain't much!"

So... After the massive jungle trip failure we've searched in our own surroundings and found these 2 talented Dutch artists Coco Bryce and Tommy the Cat so we've asked them for 2 tracks each.

Few weeks later PRSPCT RVLT 025 was a fact and oh boy do these tracks make you want to drop your pants, shake your hips and poor beer all over your self while trying to MC like Skibadee! Great succes b***hes!!

So whats the point of this whole bulls*** story you might be thinking by now? Absolutely nothing! Just like the majority of promo texts out there.

So, just let the music do the talking... We love this record a lot and hope you will too! Xx

After having released on Raum…Musik before Alexis Cabrera returns to our label with his second single and this time he is teaming up with our dear friend Giuliano Lomonte. Both are hailing from Berlin and so they started this project together. The A side has been around for a while and quite a few people were asking for it already, so when we finally found the two tracks for the b side to complete this release, we were more than happy. Three different moods for different parts of a set and as always we hope that you enjoy them as much as we do.

Phuturistic Electro / Techno Music Written By a secret Microchip, connected to Intergalactic Celestial Circuits. Transmitted across the Space Time Continum from a Distant Galaxy populated by Artifically Intelligent Robots.
This message was Intercepted by The Hacker Command and recorded to wax for Phuture generations to interpret..

One Sided, Stamped

Chris Liebing drops another 'Club Mix' of one of his forthcoming LP ('Another Day') tracks. 'Circles' (featuring Tom Adams) sees Liebing deliver a dancefloor focused, arpeggio driven stomper that sees his dancefloor clout meet his more introspective, melodic LP direction head on

Corp debut on Nicolas Lutz’s My Own Jupiter!!

London-based retroverts Art Of Dark return with a wicked double header here for their third vinyl release. Antonin Hifda aka Daif takes up the A side, offering up the hardcore rave reductions of "Another Version Of The Truth" followed by the deep down Detroit styled electro beats of "Devil". On the flip, it's all about newcomers DC EFX who follow through with the electro bass vibe on the absolutely booming "Expansionz", before closing with the bass-driven acid techno "The Roller Express".

Dojo Zone comes through with his first EP. Four cuts drifting between melancholic electro to more driven beats infused with breaks intended for the dance floor. Born in the UK and raised on the balearic island of Mallorca, Dojo has been keeping a low profile for quite some time, both working on the craft of programming drum machines, and finding a balance between reality and his beloved synth induced voyages. Mastered at Analogcut.

The Dub Communication label boss Frenk Dublin have prepared a very special 4-track EP that blends dub, jazz and dub techno for his Moonshine Recordings first solo release.

LTD Edition!

Debüt-Album von Joe Goddard (Hot Chip) und der in Brooklyn lebenden Sängerin Amy Douglas.

2021 ist die Geburtsstunde von HARD FEELINGS, dem gemeinsamen Projekt von Joe Goddard (Hot Chip) und Amy Douglas. In jeder Hinsicht ist HARD FEELINGS, das selbstbetitelte Debütalbum, "an opera of sad bangers". Locker konzeptionell, ohne ein komplettes Konzeptalbum zu sein, ist das Material die ultimative immersive cineastische Erfahrung für eure Füße und Ohren, die fließend an den Übergängen von New Wave und Synthpop inspirierter Popmusik und voller Dance-Majestät angesiedelt ist. Song für Song konzentriert es sich auf die Enträtselung von Beziehungen und deren nuancierte Geheimnisse, vollgestopft mit ekstatischen Höhen, schmerzhaften, traurigen Tiefen und purer Dramatik. Amy Douglas hat sich mit ihrer unverwechselbaren Stimme und ihren Fähigkeiten als Songwriterin in der House- und Disco-Welt einen Namen gemacht und ist zum "go to" geworden, wenn es um Powerhouse-Vocals und Killer-Hooks geht. Nach Features mit Juan MacLean und Treasure Fingers hat Amy seitdem mit Künstlern wie Luke Solomon, The Crooked Man und Horse Meat Disco zusammengearbeitet. Kürzlich schrieb sie Something More, die erste Single für Roisin Murphys aktuelles Album Roisin Machine und sie hat namhafte Fürsprecher wie Bill Brewster, Andrew Weatherall und Sean Johnston. Amys Pendant zu HARD FEELINGS, Joe Goddard, ist ebenfalls ein Synonym für die Welt der elektronischen Musik. Er ist in der ersten Reihe der britischen Produzenten weithin bekannt und kreiert einen Sound aus seinem gesamten musikalischen Panorama, von House, Techno und Disco bis hin zu UK Garage, R&B und Elektro-Pop. Joe ist ein Fünftel des britischen Elektronik-Pop-Kraftpakets Hot Chip, während er neben Raf Rundell eine Hälfte von The 2 Bears ist.

For our next vinyl release on Prodigal Son we welcome our newest recruit Kaylah from Hackney in London. His sound is tough & grimey, with captivating leads contrasting across this record. Old skool influences seem to be drizzled over this debut solo EP, but all in good measure of course, the music is forward thinking, driven with pace and ready for the rave. Some heavy hitters cut especially for those that are "Ardcore To The Bone".

The first solo release by the young Uruguayan genius Luis Malon has been very anticipated, and comes full of flavour. A five tracker EP with breaks, deepness, epic moments and a lot of punch.

The title track is body melting Sub Bass meets synapse smashing 303 ACID riffs that roll over and over you in waves as Mike tweaks the frequencies to perfection. This is real Electronic Music performed not programmed.

Cascading acid lines, washes of stomping crashing 808 drums and a classic synth break with filtered twisted vocal echoing around your head.

Aggressive drums pound you from the outset, heavy distorted 909 type drum sounds, Detroit influences are apparent in the choice of lush pads and dynamic filter sweeps wound together by a gurgling acid line pushing and twisting the sound your head. Definitely not a static affair with all the frequencies in flux.

Tense British Techno with the sickest, heaviest square wave bass possible. A stomper with just a touch of the theme to 80's TV series Knightrider about the nagging synth line underpinning the 303's, The Hoff would be proud.

Repress

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Release me.
I'm lost.
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Tatsuhisa Yamamoto is a drummer from Yamaguchi, Japan, well known throughout the country for his work in Jazz, Improvisation, Rock, and more. He performed on the acclaimed Drag City records "The Dreams My Bones Dream" by Eiko Ishibashi, "Simple Songs" by Jim O'Rourke, and his wide interests have led him to be the drummer of choice for Free Jazz legend Akira Sakata. Yamamoto has also performed with Keiji Haino, Oren Ambarchi, and Phew among others. He has toured extensively throughout Europe and is also known in the world of theater for his work with the internationally renowned Japanese troupe "Mum & Gypsy."

Recently, Yamamoto is actively releasing solo and collaborative electronic music and experimental works. Now, he's releasing two completely different albums born from the same concept, from two labels in two different countries. ashioto from "Black Truffle Records" a label run by Oren Ambarchi that has attracted much attention in the electronic, experimental, and improvised music scenes. And ashiato from "NEWHERE MUSIC" a Japanese electronic music label that's released work by Jim O'Rourke, the Japanese edition of an album by Phew & Ana da Silva (Raincoats), and more.

"Music fans around the world might come across these two at a record store somewhere." In 2020, with the world cut off by distance, this simultaneous release from two labels in different lands and with different cultures teems with a playfulness for the enjoyment of music. The artwork for the two albums also incorporates a surprise you can discover when handling the records.

What happens when you apply different directorial approaches to the same script at the same time? This was the impulse that set production of the albums in motion. In addition to playing drums and percussion Yamamoto also takes on electronics, synthesizer, piano, and field recordings to produce the entire work by rearranging the guest musician's superb improvisations. He is making a crucial leap from drummer to a musician with a strong will.

Several keywords beat a path to this work: drone, ambient, improvisation, etc. But this music represents a world born from Yamamoto's unique fluency with sound dynamics and the acoustic and electronic in the context of live performance.

--

(2lp+dl) Lucy And Rrose, Now Coming Together As The Lotus Eaters, Have Established Themselves Separately As Techno Artists Who Are Just As Comfortable Operating In The Uncharted Area Of Experimental Music. Running Their Own Labels (stroboscopic Artefacts And Eaux, Respectively), They Have Gained A Cult Following, Both Influencing And Challenging The Direction Of Techno.

Phonica AM is a new imprint curated by staff member Luther Vine focusing on a more ‘after hours’ sound. Think tripped-out Techno, Minimal, Electro and every shade in between.

Voodoos and Taboos are up first with the ‘If We Were’ 12”, a four track EP drawing on strains of Tech- House, 90s Breaks and Techno/Electro. The mysterious duo follow up a string of high calibre releases on their own imprint which have gained substantial hype both upon release and on the second-hand market, with Discogs prices skyrocketing.

A1 ‘Doorway’ is a nuanced, spacey Techno banger with intricate synth licks, underpinned by a pumping groove. Title track ‘If We Were’ is a rich and emotive track, blooming pads, euphoric motifs, fortified by a futuristic jacking groove.

On the flip, ‘Witch House’ is wonky, bassline driven Tech-House with a hefty splash of acid. Final track ‘Holyday’ is a refined modern homage to 90s rave, all swinging break beats and slick vocal fragmentation.

As Typeless steps into its fourth release, label head Aloka turns eyes and ears to the horizon with a shapeshifting drop of breakbeat, electro and ambient. Fusing together textural arrangements and genre hybrids, he sets his sights on experimentation with ‘Inta’.

The opening track ‘Inta’ moves with a dreamy, indirect gaze and wistful melodies as though sighing itself into existence. Amongst it all sits a subtle beat which carries it into the dancefloor realm, yet it’s when they apex together that its weight blooms from the core. ‘B4-XL’ begins almost as an ensuing chapter to its predecessor with its ambient washes, but soon ripens into an antagonistic electro number that tumbles between raging synths and breaks.

On the B-side, ‘Chroma’ diffracts into a million colours, glassy eyed in its introduction but hiding tyrannica kicks and syncopations underneath a swooping bass. The closing track ‘Movement’ slinks straight into a workout-ready guise, merging panting exhalations, pearly synths and choppy breakbeats against the sensation of a spectral figure reaching a deep state of flow.

With this second self-release on the label, it’s as though Aloka is so deeply immersed in his complex vision that he’s stepped out of his body to watch it all unfold. There’s one word to describe this image of him in his effortless performance as both label curator and signee: fitting.

We’re back with three breaky electro truffles for your reward circuit, harvested by hand by the Austrian Awo Ojiji.

Fast-paced, rhythmically challenging, and spiced with euphoric synth stabs that will make your endorphins flow. Dem good, woozy feels. They’ve been neglected for too long.

Superconductor instantly puts your brain in euphoric overdrive with its epic pads, reminiscent of our teens. Simpler times.

Ridicoloum whacks tools on your head; it rattles, shakes, clonks and bonks. The drums, crunchier than pumpkin seeds.

Everything around you starts to rumble, it’s unintentionally merciless, but satisfying af. Trust us, okay?

To round off the euphoria extravaganza, Quarantini strikes a more serious note, as you slowly come to terms with a new normal. One full of full-bodied sub-bass and all them breakz that we love so much. Treat yoself.

Musique Pour La Danse invites you to rock your body and free your brain with the second and third volume of Break The Limits.
Break The Limits are Bay B Kane and Mister E, two East London underground pioneers who released pivotal and visionary EPs between 1990 and 1991.
Together, they produced some of the most innovative music of the era, a blueprint for the emerging warehouse / hardcore / breakbeat scene in the UK.
In the same way 1977 was a crucial year for punk's explosion, 1990 was a madly creative and truly revolutionary year for dance music, the essence of which is captured in these tracks.
Picture this: a low ceiling sweating red brick basement somewhere at Marshgate Lane, where multicolored lasers, turbo soundsystem and wacky dancers in ecstatic rush.
DJs like Fabio, Bukem or Matthew B would spin an evil blend of early hardcore and trippy NY house, with live PA set by up and coming acts like The Prodigy, Unique 3 or Satin Storm.
This was universal unity, complete mayhem and total freedom taking a country by storm, with a mutant groove that later became the grooves of all the grooves.
Nearly 30 years later, it's still fresh.


Produced in Satin Storm's studio (another pioneer), these have shades of deep house, techno bleeps and rough breakbeat blended in an intuitive and innovative way.

Lush modern Techno from Dave Angel

light blue vinyl + CD

Detest returns to PRSPCT with a 10-track album showcasing the wide range of influences that have informed his productions and DJ sets for more than 10 years.

Since signing to the legendary Strike Records in 2005, Detest has been turning in hardcore banger after banger for labels like Deathchant, Rebelscum, Peace off - and PRSPCT, of course!

Paying homage to the past and his roots in tracks like "Oldschool Thrash" and "Sleep Knowledge", Glamorous Cool Kids Stuff is a listening album and party record combined, full of dynamic shifts in moods, tempos and styles.

From teasing industrial beginnings via plenty of signature Detest dancefloor slayers, and even a cinematic synth reprieve in "Movie XXL", this is best experienced from start to finish.

The king of beats DJ Nasty aka Detroit's Filthiest strikes again on casa voyager.

Jaga Jazzist veröffentlichen Remix-2LP inklusive Lindstrøm, Prins Thomas, André Bratten, Paul Bender und anderen auf Brainfeeder!

Ein verschworener Kreis von Freunden und Familienmitgliedern überarbeitet Kompositionen von Jaga Jazzists neuntem Studioalbum, „Pyramid“ (2020), einem Album, auf dem die legendäre norwegische achtköpfige Band tief in Post-Rock, Jazz und psychedelische Einflüsse eintaucht. Die Cosmic-Disco-Urgesteine Lindstrøm, Prins Thomas und OKIOK sorgen für die nötige Hitze im Club. André Bratten (Smalltown Supersound), OKR von der Once And Future Band, Ian Chang (City Slang), Paul Bender (Hiatus Kaiyote) und Petter Eldh weichen ab in experimentellere Gefilde - mit erstaunlichen Ergebnissen.

Ampoule, doing things their own way since 1998. After repressing two classic Pub records, they now shine a light on the Lucky & Easy archives.

Lucky & Easy's take on IDM and deep techno took in influences from The Black Dog, Torsten Profock and Detroit. Rather than operating out of London, Manchester or Berlin, this stuff was coming from East Kilbride, a new town next to Glasgow thats probably best known for its roundabouts and being the home of Jesus & Mary Chain and Rubadub's very own Mother Mark. Back then it sounded like nothing else and today it still sounds just as vital.

'Cheeky' Speaker' compiles long out of print rarities taken from early Ampoule 12's and their Talent Hoover sub-label and previously unheard mixes.

All remastered and cut by D&M

Some info on the tracks from Lucky & Easy

A1. Bully Swimmer
A2. Kiss It Better
A3. Night Rainbows
B1. Wigged
These are from AMP01EP - Ampoule Records first release, only 480 copies were made never been repressed since. And that master cut was pretty terrible to be fair.

B2. Don't Play With Tractors
Taken from 'Electro Lix Sick' a limited edition 50 x 3"cd on Talent Hoover Discs.

B3. Puddle Pup
Is an exclusive mix of the original 'Puddled Up' which was released on the cd compilation on Ampoule 'Hookahs'

C1. Pimp Soul Sisters
Is an exclusive mix of 'Pimp Sole Blisters' Taken from 'Electro Lix Sick' a limited edition 50 x 3"cd on Talent Hoover Discs.

C2. Kitefinger
Remastered from the original release on the cd compilation on Ampoule's 'Hookahs'

C3. In 3 Minds
Is an exclusive mix of 'In Three Minds' Taken from 'Triple Warmer ep' on Earplug.

D1. Titswing
Titswing was recorded at Rubadub's infamous 69 party in Paisley, Scotland

D2. Pericardium Eight
Pericardium 8* Is an exclusive mix of 'Pericardium Eight' Taken from 'Triple Warmer ep' on Earplug.

*REPRESS ON WHITE VINYL*

The Horn of Plenty rounds off 2020 with DUE MATTE, the fruits of an impressive meeting of two UK-based international artists. Valentina Magaletti (Tomaga, Vanishing Twin, et al ) & Marlene Ribeiro (Gnod, Negra Blanca) came together during a residency at Porto's Hysteria in 2019, leading a week of workshops where participants improvised with bass drum, snare, gong, horns, strings, oil drum lid, chalumeau, waterphone, kalimba, noise boxes, wah tubes, bowed ceramics, handmade instruments, various electronics, vibraphone, piano, washing machine, and objects collected from the streets of Porto. DUE MATTE stitches lo-fi phone recordings from the workshops into a potent, bewitching, and disorienting assemblage that will appeal to head-nodders and chin-strokers alike.

UNCAGE label owner Marco Faraone is back on Rekids with three massive soulful cuts entitled ‘True Love EP’.

Hailing from Tuscany, Faraone has risen to become one of Italy’s leading house and techno artists over the last fifteen years. When not performing at the likes of Awakenings, Caprices, Tomorrowland and Kappa FuturFestival, the producer has released on leading labels like Ovum, Drumcode and Be As One. Since debuting on Rekids two years ago he’s become a notable fixture on the Berlin-based
imprint, dropping numerous releases including his sophomore album, and he returns again now in fine form.

Opening the release in a big way, ‘True Love’ is built on galloping kicks, rattling shakers and a murky bass throb whilst a distorted vocal sing the track title. A cacophony of percussion then joins deep synths in ‘Want Me’ before introducing a powerful diva vox, leading into ‘Safari’ with its bubbling effects, piercing stabs and swinging hats.

At last, a vinyl re-press of the hard-to-find Classic New Beat tracks from N9 !

For years, the vinyl 12 inches from the French Techno-house & New Beat label N9 were nearly impossible to find, and devoted Oldschool Fans kept asking for represses.
Thanks to a joint venture with fellow Belgian label Fenix Fire Records, the wait is over!

Here’s a deluxe 2x12' compilation, on 180g marbled red vinyl in a beautiful gatefold package.

With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!