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Techno News
Assemble Music returns in 2021 with its 25th release: a 5-track heavyweight compilation featuring a handful of the finest electronic acts in Portugal and two well sought after internationals.
Population One a.k.a. Terrence Dixon, having released in iconic labels such as Metroplex, Tresor, Rush Hour and Jeff Mills’ imprint Axis in the last decades, kicks off this record with ‘Unfolding’ some Detroit Techno cargo (A1), followed by a hypnotizing, spiraling acidic Techno bomb - ‘Acid Grind’ (A2) - courtesy of the Algarve duo Roundhouse Kick. Prolific Portuguese DJ and producer, formerly based in The Netherlands, Lake Haze finishes off this first side with the Electro infused, twisted ‘Acid Warfare’ (A3).
Over to the B side, Roma Zuckerman, originally from Siberia and also releasing a double LP on Nina Kraviz’s трип this year, pulls off a classic fast-paced Acid groove on ‘We Call Its Acidomine’ (B1), while the Lisbon duo 2Jack4U takes us to a dream party land with the anthem ‘Acid 00010’ (B2)
Surely a must-have tool for an upcoming post-pandemic rave!
"everything Flows, Nothing Stands Still."
Secession Imprint Premiers With Superbly Crafted And Signature Sounding Techno Cuts From The Label Owner Himself, Volster, Followed By Remixes From Swedish Master Of Contemporary Techno Anthony Linell And Talented Berlin Based Duo Cassegrain.
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Wonderfully wayward electronic vectors from Dorchester's Yaaard, aka Chris Catlin, overseer of sleeping giant Reckno Records. How to Download a Glass of Water compiles work spanning the breadth of Yaaard's conscious output - from gorgeously folding magma through to serrated dancehall and icy r'n'b introspection. This LP contains two previously unreleased tracks: the lo-fi slow-burner "Forses", and "What Now", a soaring outsider pop duet with Teresa Winter (The Death of Rave).
How to Download a Glass of Water will be pressed to a limited run of 300 records, with artwork by Paul Greenan and Chris Catlin. A giant A0 print of Paul's cover art will also be available. Out May 31.
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After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall arrives on MUSAR for a record typically rich in texture and understated grooves.
Opening track 'Linium' immediately seduces listeners with a complex drum pattern that somehow feels spacious, subtly twisting and turning its way around Hall's analogue world. Dutch artist Mattheis maintains this understated feel but adds a soft, compelling kick in response on his suspenseful remix of 'Lavandula'. The original, moodier version of this cut the follows to open the B side, gradually erupting around a killer distorted bassline. The EP continues to hit a more urgent note with the tense machinations of 'Silene', where dense layers of stuttering, frenetic drums interweave with Hall's trademark, melancholy keys. The record concludes on a weightless, transcendent note with 'Santolina', taking each visceral element featured thus far and slowing each down, with affecting results.
Indebted to vintage electro and IDM, Hall's music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.
DJ FEEDBACK
Early support from
Michael Mayer (Kompakt) : Nice vibes from Mattheis... will play for sure!
James Zabiela (Born Electric) : Linium is a nice one, thanks.
Arnaud Le Texier (Cocoon / Chronicle) : Nice music. Thx!
Marcel Dettmann (Ostgut Ton/MDR) : Thx!
Carl Craig (Planet E) : Thx!
Gonno (Beats In Space Records / Endless Flight) : I like Mattheis' :)
Thomas Hessler (Index Marcel Fengler) : Nice one! Thank you!
Slam (Soma) : Thanx
Âme (Innervisions) : Thanks
Blasha & Allatt (Meat Free / Manchester) : Amazing!
EREZ / John Byrun : A superb EP
Tom Lye (Melodic Distraction - Liverpool) : Big fan of the whole EP. Strong, building electro with different moods. Essential!
Afrodeutsche (NTS / LuckyMe / Skam) : Glitchy melodica... Right up my Strasse...
DJ Shiva / Noncompliant (Valence / Detroit Underground) : Stellar music here. Moving beyond "DJ music", this is just really fantastic to listen to in headphones. Gorgeous stuff.
Lonya (Asymmetric Recordings) : Great stuff here!
Nori (Posivision) : Cool work.
Cinnaman (Rush Hour / Naked Naked) : Lavandula and Santolina are my favorites! thanks
Dj Windows XP (E-Beamz) : Dope E.P. Will play Lavandula.
Ambivalent/LA-4A (Delft/Cocoon/Ovum) I'm a huge fan of Annie Hall and Mattheis!!! This is a FANTASTIC release!! One of my favorites of recent months just on first listen!!
Benoit C (Tsugi) : Linium for me
Ian Blevins (ESP Institute / Sulk Magic) : Linium and another bit of top work from Mattheis. Santolina is pushing my buttons too. Aphexy vibes.
Joe Europe (Ransom Note) : Very nice!
Azterisco: Very interesting record. Nice remix!
Oded Peled : What a fantastic release! Was hard to choose a favourite between Linium and the Mattheis Remix of Lavandula. Both will come in handy in my sets. ....Thanx a lot and keep em coming.
Naduve (Cocktail d'Amore / Disco Halal) : Both A1 and A2 are great!..Thanks.
Anastasia Kristensen (Nous) : I dig this a lot, it's a crazy well produced record.
Demia E.Clash (Darknet) : Such a good ep-.i love them all,quality production yess.
Pedro Martins (Karakter Records) : Nice EP overall. Linium, Silene, and Santolina are my favorites. Thank you so much!
Xinobi (Discotexas) : Great record. I'm specially enchanted by the original version o Lavandula. Congratulations.
Scan Mode (DJ Mag Spain) : Lavandula in both mixes for me
John Osborn (TANSTAAFL) : Can't pick a fav. it is all Devine. thank you.
Madloch (Sound Avenue) : Nice EP, Linium & Lavandula original are my favs, thanks.
DVS NME (Transient Force) : The standout track is Lavandula.
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After staying cooped up indoors for ages, everyone is about to burst with excitement. The new EP, “Enthusiasm”, from Claude VonStroke and Walker & Royce is a primal celebration of life and the return of the rave.
As the first collaboration from the superstar trio of Claude, Sam and Gavin, the EP kicks off with “Enthusiasm”, a perfect mix of pristine production, one-of-a-kind sound design and orgasmic screams from the soul.
Complementing the A-side is “End of the Lime”, a deep ode to classic jungle minor chords and thick moody vibes, masterfully put together as a sneaky b-side bomb.
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Curtis Electronix follows up on CEM3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you.
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New collaboratory release by Vilde Tuv and Dj Ibon on their respective labels Kengu and Poesy. Tuv and Ibon, known individually for holding the power over true melancholic ecstasy are joining forces on this three track hard trance EP. Filled with big kicks, vocal synths, nagging sirens and even some whispered-word poetry, this music meets you where you want to be, that is if you want to be on the emotional banger dance floor of your dreams.
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Repress
Long out of press, Helium’s seminal 1993 masterpiece ’The Works’ E.P. eventually sees the light of day again on Kalahari Oyster Cult. A head-turning slab of visionary house and trance music, ’The Works’ hasn’t aged one bit and its dancefloor appeal sure hasn’t lost any of its high-impact melodic beauty. Driven by the subs-towed harmonics of the wistful ‘Out There’ and fun-loving cowbell rides meet gut-churning 909 kicks of ’Try Me’.
An off-kilter ambientoid trip, B-side opener ‘Clouds’ draws closer to The KLF’s chromatic blends, whereas ‘We Are The Future’ expands the scope to further utopian apexes with its soothing assortment of nu-agey panpipes and slo, Sino-flavoured chug. Rounding off that mini-odyssey, breaky pastoral closer ‘What Is The Human Machine’ takes us on a trip-hop-informed, acid-friendly ride in the wild.
Helium’s classic is now back in fully remastered shape (OYSTER20.1)
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A metaphor about diversity and passion for athletics. Looking for inspiration in our environment, as diverse as quality electronics, as extensive as a marathon. Biome Laps wants to take a lot of laps within the IDM universe, electro and the most evocative ambient. This new Madrid electronic music label of José Merinero, which in 2021 celebrates 20 years in music, 15 since he launched his �rst references on his own labels such as City Archives or Ultrix Records and 10 since the creation of .Àrtico Netlabel, his pretty girl, which has allowed him to move in the national underground, and in festivals like L.E.V. and what has been your home to look for that diversity, to �nd that electronics without labels under the name of JM. Here, in addition, it has been able to count on the collaboration of great spanish producers in some references. Passion for electronics speaking of José, he falls short, so he decides to create Biome Laps, where we will �nd timeless music, on vinyl and digital, and above all local music, made with a lot of passion. A veteran who debuts with his own name, showing himself without more, with a single objective, to give back to the music he believes in, everything he has received in return…
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The french crew La Boomerie launches its imprint and delivers its first release with an eclectic various gathering Bitterjazz, Aymeric (These Tasty Records), Jos (Eya Records) and Viviès.
The A side of the EP offers two tracks clearly intended for the dancefloor goers with two very engaging grooves. The A1 is filled with strong 90's influences while the A2 empathizes the role of synths and brings a catchy acid line in the equation. The B side proposes two more deep and spatial tracks with the B1 presenting a dark and rhythmic techno groove while the B2 offers a much more soothing house trip.
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Repress
***
This.
World.
Ends.
Here.
***
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After having released an initial set of smoked-out grooves, Agonis shifts focus towards the nerve tingling aspects of his craft. On "Neutropia", Agonis' first full-length effort, the artist devotes his attention to the outer rim, shedding all earthbound notions in the process. Listeners are presented with 50 minutes of lysergic experimentation, effortlessly gliding between cerebral rhythms and more forceful frequencies.
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Launching the first of many solo vinyl releases, Inter Gritty and
Controlled Violence are proud to present: Laponia Space
Project. Drawing inspiration from various trips through
Finland’s Lapland region, as well as proximity to Sweden’s
Space Centre, Laponia Space Project perfectly represents the
expansive, awe-inspiring nature of its surrounds. Inter Gritty
has presented himself in a different light to the majority of his
catalogue, drawing on nimble, organic sounds in combination
with a lively rhythm section to embody Laponia Space
Project’s mood. With a classic 4-track E.P. format, each work
evokes a real sense of wonderment, as tracks like Sleepy Tree
and Cassiope integrate twinkling, hollow, and delicate
elements. Basslines bound up mountain ranges, synth pulses
reverberate through the treetops, and groovy percussion
captures the excitement and energy of the local scenery.
TR303 is a clear homage to the machine and the movement
that have shaped modern-day electronic music. And while it
will certainly make its way into the crates and folders of DJs
everywhere, it still manages to incorporate a sensation akin to
being sent out into the most unfamiliar of territories. To close
the E.P., Expo Line’s percussion shakes amongst airy pads and echoed pangs, as though one is shuffling onwards through the
forest.
DEAD CERT. Records is a label linked to the deathtechno website ran by Jack! Who? in the UK.
DEADCERTBLACK002 is the return of the vinyl-only series limited to 200 copies.
The second instalment features individual tracks from a selection of handpicked artists. Featuring known and established artists, but also those breaking into the industry.
This EP contains quality cuts from Marco Effe in Berlin, Arnaud Le Texier in London, William Arist from Uruguay and Qphoriq who is based in Russia.
A1. Marco Effe - Sonorgram
Marco Effe has a vast history, diversity and pedigree of productions on the likes of Sven Väth's Cocoon, Dubfire's SCI+TEC, Luca Agnelli's Etruria Beat and Planet Rhythm to name only a few. "Sonorgam" is a hypnotic, rolling, analogue jam with an alluring hook and full of masterful suspense ready for the club floor.
A2. Arnaud Le Texier - Corrode
Arnaud Le Texier is known for heading up the highly respected Children of Tomorrow label and his music has also been released on Slam's Soma, Sven Väth's Cocoon and Christian Wünsch's Tsunami Records. "Corrode" wastes no time driving it's droning, stabbing synth into the airwaves complemented by chopping hi-hats that create a raw, sonic intensity delivered with power and precision.
B1. William Arist - Cyanophyta
William Arist is an established artist from Uruguay with over 100 tracks released across vinyl and digital formats using a multitude of monikers. His productions have caught the ear of heads such as Ben Sims and his quality can be heard instantly. "Cyanophyta" is a moody and twisted techno beast that uses engaging, esoteric and looping tones to capture the imagination with a powerful style bursting with energy.
B2. Qphoriq - Statique
Russian talent Leo Vasilets aka Qphoriq makes his debut on DEAD CERT. in distinguished style here. "Statique" is a thumping and euphoric effort using dreamy chords and distinctive drum rolls to create a compelling tapestry of sound design with emotional connection that excites and satisfies with its depth and character.
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xpressed by synthetic voices, they present a futuristic take on modern electronic music.
Lush sounds of classic analog synths, modular drum machines, and digital sources merge into unheard soundscapes within their voltage driven root system. Six tracks combining various paths of the electronic landform into a musical journey framed by Kris Wellings’
uncanny chants. Garden Scene is a trip from the aesthetics of Detroit electro to complexity of IDM to harmonic outbursts from the abyss of contemporary pop culture.
Repress
This is the third release on the fledgling Genosha Basic label. Ghost in the Machine is back to serve up four dark and brooding industrial techno dance floor destroyers that are guaranteed to mess with your sensibilities. This record's got everything: huge intros, huger kickdrums, hugerer breakdowns and cute little hi-hats. It's a winner.
Rogue D & Memoryman AKA Uovo team up for their latest release this September with the Electric Safari EP. The four-tracker marks their collaborative debut on Crosstown Rebels, fresh from Total Black on Rebellion in 2019, and includes two remixes by longstanding German talent, Roman Flügel.
That tribal sound is felt right from the get go, as rustling hats marry up next to whirring synth pulses throughout. Ethereal keys chime beside resonant kicks whilst bell-like tones march on in the background. Roman Flügel’s remix takes on a more minimal-inspired feel, where a punchy underlying bassline perfectly compliments the celestial chord solos, before proceedings get stripped back further on the B Side with a dub version of each track.
Italian-native Rogue D is a well-loved figure in the contemporary house sphere. Renowned as one of half of Flashmob, his back-catalogue boasts EPs on an array of the scene’s leading labels, including Hot Creations, Crosstown Rebels and Defected to name a few. Fellow Italian-mainstay Memoryman AKA Uovo has garnered a global following in a career that spans decades. One third of the legendary Pastaboys collective, his productions have found a home on Snatch! Records and Rebellion in recent times. Roman Flügel has been a champion of Germany’s electronic music scene since the nineties. A prolific producer, the likes of Gerd Janson’s Running Back and Sven Väth’s Cocoon Recordings have welcomed his releases with open arms over the years.
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Distant Worlds returns to the fray for 2021, following the runaway success of last year’s Guidance Release EP from Cignol. Here we see the label reaching the lofty heights of their tenth release with an absolute beauty from Malta-based Sound Synthesis, himself fresh from a mighty fine run of form of late.
Melodic, warm electro with heart tugging melodies and gut punching beats are all present and correct: all but the coldest hearts will be melted by the euphoric chords, attention to detail and keen ear for a melodic hook prevalent throughout this fine release. Energetic yet emotional, Sound Synthesis succeeds here in bringing elements of acidic electro and transcendent soul tinged braindance sensibilities to the pot.
Lead track, ‘Planet Hope’ is a deeply personal journey with a musical message of positivity wrapped up in the utopian optimism of all the finest electronica. ‘Thinking of You’ continues in the same vein, all beautiful atmospheres and melodic flourishes culminating in a masterful soul-tinged breakdown.
Flip over for another assault on the emotional jugular with ‘Transmission of Life’ before rounding off with the acid tinged psychedelic hypnotism of ‘Spiral Reverb’. Distant Worlds does it again with a perfect marriage of retro futuristic techno soul, having found the perfect partner to deliver it in Sound Synthesis
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limited color repress!
Thomas P. Heckmann's 30th Anniversary Special Edition !
The second part of the EBM Manifest remastered series includes the epic track Himmel & Hoelle that could easily be alled the Amphetamine of EBM-Techno. Originally released in 2001 on Heckmann's now defunct Wavescape label, it already had a huge impact back in the days that still lasts until this very day. Also included are the two Wavescape classics Satan & Deibel and Dunkel and the emotionally driven and sought after Violent Stains. These tunes stood the test of time and are still important and well respected by the contemporary wave of EBM / Techno / Industrial !
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!Bang Elektronika started in 1986 as a solo project of Dave Rout to develop his electronic music wanderings. He recorded material off an on but most of his time was spent working on Techniques Berlin, a band which he started with Andreas Gregor in 1985. The first !BE release was the “Audio Beat Warfare” cassette on Bombshelter in 1989. For the second !BE tape, “The Rhythm Screams Electronic”, also released in 1989, Andreas contributed with some vocals. After these releases Dave was moving into more EBM / industrial sounds and wanted some harsh German vocals for the new tracks so he asked Andreas to sing on some of them and join permanently the project. Their first release as a duo was the cassette entitled “Aktivierung!” on Shadow Records in 1991. Next year two tracks from this tape were included on the “Metro Tekno” compilation CD by Silent Records and in 1993 the first full length CD was released on Germany’s Hyperium label. Time after, the project was put on hiatus with just some sporadic releases and a few shows, until 2011 when they did their first and only show in Berlin and release a compilation CD.
This year the band is celebrating their 35th anniversary releasing their dance floor stomper “Aktivierung” for the very first time on vinyl. This release includes, along the original version from 1991 and the b-side “Ich Bin So Ätzend!”, two new killer remixes crafted by Randolph & Mortimer and The Horrorist.
Limited edition of 350 copies with silkscreened Priplak jacket and one postcard.
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Repress
Myst launches his label and wishes to leave a trace of his past events through immersive records.
This first EP takes us back to the Prologue of our history and invites two emblematic artists: ABSL & Size Pier.
In these uncertain times, we still want to claim our ideals through this passion that brings us together. Chaines et Denuement will therefore be the first vinyl of a long series.
Back to the future!!! With the crispy voices by Anna Patrini and Yasmin Gate, Adriano Canzian transforms the Macho Boy in pure acid techno 12' sensuality. Containing 4 tracks (BLACK, GOLD, RED and PURPLE reworks), 'Macho Boy Females Reworked Edition 2013' deflowers 51beats - at its first vinyl printing - with the new and modern dancefloor killer. Four reworks for a new chromatic scale representing the different tracks moods.
BLACK, subterranean techno statement, it's an acid dialogue between cheeky vocal and thumping compressed percussions. Pure sexual obsessions in minimal-key for GOLD, the second dancefloor killer track reworked by Canzian and Plasman, with 8bit sounds. That is perfect for dawning after parties. The RED rework holds the electro techno pushing by Cani Giganti and their analogue synthesizers. The Arabic music incursions are just to stop breathing for a while, and then it's time for the prodigiously dance chase, again. It all ends with PURPLE, hypnotic minimal suspance with increasing vocal and breathtaking percussions.
'De pequeña era viciada y de grande soy viciosa' says everything about this release. Oops!
Supported by: Wolfgang Flür (ex Kraftwerk), Richie Hawtin (Minus), Giorgio Valletta (DJ Mag), Giusuè Impellizzeri (DJ Mag), Robert Grand (Additan radio/Recordings), Eddy Romero aka Sysknob (Expmental Records/Soundvision), Giuliano A.L. (Hotel Es Vive' Ibiza Cafe Del Mar Ibiza Kama Sushi Ibiza), Das Fachpersonal (Cubetribe Records), Datamatrix (Cosa Nostra, Unbrokenbeat, Carmarage, fnoob), ....
Wolfgang Flür (ex Kraftwerk): "love the GOLD version because of its sounds and brilliant vocal/vocoder work."
Mag - Tsugi (Tsugi magazine): "cool EP!"
Das Fachpersonal: "Black and Gold: we will spin that shit! - Thanks!"
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Guided by yet another of La Cheetah Club’s family members, Alfie leads us through the third Outer Zone with four homage laden techno cuts, all obliquely or otherwise brushing past centre-points of styles within the genre. Having proven himself as a producer capable of making serious dancefloor cuts as The Burrell Connection, this new moniker sees the Perth native coagulate sounds usually heard during the energetic moments before the always impending end of the night. Each track stems from influences or creative bursts entirely different from the last, with the EP opening to a lovingly crafted tribute to giants and ending with something drawn from wider sources of inspiration rendered singular. ‘Plastic Entertainment’ is anything but artificial, made with the direct intention of shaking walls and eyeballs.
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Can Love Be Synth are in love with old analogue machines and define their specific sound in the legendary Synthesizer Studio Hamburg. A synth collectors paradise hidden behind the big grey walls of a Bunker building and the club Uebel & Gefährlich between the Reeperbahn and Schanzenviertel district in Hamburg, Germany.
Their new song ‘Bunker’ is now available as a digital and vinyl release on A CLEAN CUT including fantastic remixes by Richard Fearless, Terr and quadratschulz.
The Bunker building is currently extended with a 54-meter-high superstructure for an ultra-violent instant gentrification. In the original version of the song the heavy blows of hammers are clearly audible. This sound journey from zen to noise is a beautifully shimmering ‘black hole made from music’, where implosion and explosion energetically meet. If it needed another reason for the clubs to reopen, this song would be the one - it is perfect for long nights and for days without light rays.
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CiM returns to Delsin with a nine track LP crafted out of his personal Amiga archives. Simon Walley started off in the early 90s trying to write Amiga demo scene music. Influenced and inspired by the blossoming techno electronica sounds in the UK around that time, he tried to replicate those sounds via old school tracker techniques. Learning through ripping modules by Romeo Knight, Audiomonster, Firefox and Mantronix from demo disks, and writing/re-writing in Protracker resulted in a unique style, creating fresh clashing beats out of tweaked Amiga samples. A 386 PC that drifted in tempo was sync'd by ear to add pads and melodies that the MIDI-less Amiga couldn't generate. Recording most of it on the fly, fooling around in Protracker and leaving all mistakes in and un-edited. All tracks written between '96-98.
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Dustin Zahn makes his Blueprint Records debut in September as James Ruskin's label continues to celebrate 25 years at the forefront of Techno.
Since 1998, Dustin Zahn's work has put his career on a steady ascent. Along the way, he has gained years of experience and unrivalled musical diversity as both a producer and performer, earning him respect among techno and house legends, purists, and contemporary DJs. He performs regularly around the world and his DJ sets are much like his releases. "I like it dark enough for the boys, but groovy enough for the girls" says Zahn. With a preference for marathon sets and his laid-back approach to life and music, he seamlessly traverses through various genres to create a unique, hypnotic vibe. As a producer, his releases on labels such as Drumcode, Rekids, and CLR have brought him international success. And his remixes for the likes of Adam Beyer, Chris Liebing, Green Velvet, Dubfire, Nic Fancuilli, Mark Broom, Joel Mull and more have helped catapult him into the collections of DJs everywhere.
Despite his busy release schedule, he still finds time to own and operate Enemy Records, founded in 2004, which focuses on the same late-night hypnotic techno that you'll often find in his DJ sets. Much like his 'Hand Over Control' EP for Blueprint which features four new tracks of deep dance floor techno.
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For their upcoming album TRIP (their first trio album since 2017) Elektro Guzzi return to their core competence of creating driving techno on the spot. Through their impulsiv interplay and the heavy use of effect circuits they create an energetic and unique form of dance music. More directly than ever before, all tracks on this album capture Elektro Guzzi's live sound and energy.
TRIP will be the first vinyl release on their very own Palazzo imprint and it will be the purest
Elektro Guzzi record so far.
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Welcome to the next episode of Dighop records… Three killer beats , gathering some acid & techno stuff of our South American Crew : Franco Cinelli, Fosky and Deaf Pillow.
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JIN 03 EP presents a 4 track EP from Osaka's Ground. True to his unique soul that's reminiscent of a nomad, traversing the planet, befriending kindred spirits found in humans and various environments, this EP presents 4 pieces of unique grooves that ranges from the more euphoric vibe to both daytime & night time of a winter season surrounding a temple.
On A side "Osakacid" comes in two versions : A1 original version is a slow motion acidic tripper under the winter street of Osaka city lights. Long Flight Version features Mayuko, 1/2 of ambient, electronica duo Synth Sisters. Soothing melody layered with Ground's goofy acidic flavor compliments perfectly with each other.
B1 turns to the pure creative side of Ground. "Stone Bridge" is based on a local bridge that connects to a temple nearby his country side home outside of Osaka. Mystic and minimalistically punchy, this cut digs deep into the soulful side of Ground's ever nomadic approach. B2 comes in a complete shock: Ground's longtime friends in Thailand - Mogambo twists up "Stone Bridge" into a psychedelic, GOA fused floor shaker that takes you to an imaginary zone of raving inside the temple late into early morning.
Driven by analog machines, and with the Italian artist's typically dark and gritty stamp on it, the EP is a masterclass in functional, club-focused minimalism, splatterings of acid run wild atop drum-machine rhythms and coarse, swirling pads. IDGA's two originals, "No Pictures" and "No Glitter," land backed by a remix from Lucretio of The Analog Cops, who twists the deep textures of "No Glitter" into a slamming slab of raw analog house.
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Michal Jablonski strikes back on Binary Cells. Almost two years have passed since his last appearance and his banging remix of Casual Treatment's - 99 Reasons. This time the Warsaw based producer is back with his unique touch and we gladly present "Higgs", a flawless stomper 12".
A1 "Rain" is the intro track with a cinematic movie thriller approach driving us in a cold an uncertain atmosphere leading to "Higgs", a post-apocalyptic atmosphere gem combining mesmerizing and mechanic cuts clearly designed for dancefloors. The third gem of this side is "Fragile", an obscure story full of dark energies and shrill noises, transporting the audience into an obscure journey.
VSK and Kwartz decided to join their forces, showing their finest cuts on the B-side "Higgs" has been totally reinterpreted by VSK in a UK approach making it a stomping and flammable gem. Kwartz also added his vision to "Fragile", transforming it in a pure dark ritual.
Bondage-Music welcome back Mihai Popoviciu, to present his new “Azul” EP comprising four original compositions from the Romanian artist, the release contains 2 vinyl only tracks.
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Throwing a curveball in the works, Midnight Shift releases an artist they have been in touch with for the past six years. Italy's Nothus (XCPT) introduces his richly textured sonic world via the Xtreme Ratio EP, inspired by India and his field recordings captured during a trip -- from water sounds deep in the jungle to crowds and temple bells. The result is presented in finely detailed stereo gymnastics with 4D punch.
Crossing from the pure cinematic to dubby bass step and techno breaks, the futuristic meets primal urges like metal on flesh. Wormhole right into the frenetic pace of 'Le Segrete' and its glitched out matrix assault, while 'Sesso Orazio feat. Delikwe' with percussive drum breaks and distorted bird calls cuts a groove from an alternate reality dimension. A world that was once imagined by our ancestors but now lost.
Written and produced by Nothus
Dedicated to my people at EXP Records in Bari, South Italy
B1 co-produced with Delikwe
Artwork by EPOD
Layout by Graeme "Gramrcy" Bateman
Mastered and cut by Simon from The Exchange
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- A1: The Stowaway - A Suspicious Passenger
- A2: International Anything - When It's Dark (Moonlight Medley)
- B1: Bodycode - Synchronized Sleep
- B2: Kalabrese - Düdingen
- B3: Pile - Noshow
- C1: Dimbiman - Turtle Gone
- C2: Margaret Dygas - Saasafras
- D1: Fumiya Tanaka - Standing North 6
- D2: Baby Ford - Dognosematic
- E1: Narcotic Syntax - Agents With Fatty Acids
- E2: Ricardo Villalobos - Gono Fuznk
- F1: Binh - Wochenbett
- F2: Darren - 1999 / 2017 (Extd. Version)
- F3: Spacetravel - No More
- G1: Soul Capsule - Them Yeah
- G2: Sammy Dee - Marvin Goes Savage Deep
- H1: Maayan Nidam - Trail Of Glitter
- H2: Melchior Productions Ltd - The Hope
4x12"[35,25 €]
When Perlon started releasing their 'SuPERLONgevity' compilation series in 1999, it was not evident that the name, which had initially been chosen just for pun, would become a self-fulfilling prophecy. Now, Perlon is in its 20th year, indeed, and preparing the celebration of this anniversary, the label invites its listeners to enter the sixth round of illuminating expression, once more driven by playfulness and fluffy swingtime. This time, the journey extends to eight sides with no guidepost except maybe the order to set the controls for the heart of the potoo. 18 tracks unfold their magic formulas to release a cascade of funky blobs. The collection reflects the label's unique interpretation of sound and vision, of caring and sharing, of 'glitches and itches' - by forward and froward thinking artists who set landmarks and break standards for the sake of the sound of the extraordinary. Here's what you will find in this brand-new Perlon toy box that adds one more shade to the corporate colour scheme: House bubbles that sound like they come straight from a 'Bällchenparadies". A motor drive with a sexy beat. Tribal dances, warped ballads, romantic fantasies. Heavy bass fundaments with aerial notes that hover above like helium balloons. A meditation machine, chilly chimes and future clockworks. Speaking things with nonsense as a foreign language.
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Sam Goku returns to Atomnation with a stunning debut album titled East Dimensional Riddims. The 11 tracks record is a journey into his hugely characterful club sound complete with ambient and subtle use of instruments from his Chinese heritage. Sam Goku - born Robin Wang - was born in Düsseldorf, yet his upbringing was Chinese for the most part. It is the contrasting influences of those two cultural backgrounds that play out in his music and lend it a truly unique character. The album is a fine fusion of East and West, house and techno, power and emotion that really showcases the unique production talents of Sam Goku. Following up on the EPs Tanggu, Every Step and Paradise Drum, this new album is the sound of an artist evolving, maturing and finding his own sound. It’s a cohesive work that is as emotional as it is physical and thought provoking.
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With this straight electro ep the longtime connection between STILLEBEN ´s own LUKE EARGOGGLE and LUNATIC became manifest. the innovator and his friends KAN3DA and WELTWIRTSCHAFT bring four various and origin tracks that are kept together through the typical STILLEBEN sound, packed in a carefully screenprinted, LUNATIC jacket. the producers show again their talent for bringing musical devices in harmonics and arrangement together with innovative ideas in this classic genre. each track has its own, different moment on the dancefl oor - pushing forward with ICELANDIC LADY and the remix of OCEAN MOVERS the record delays with the deep meandering DIE GANZE WELT on the b-side. finally the remix of JENNIFER TOUCH ´s ASTRA with it ´s disco-attitude reminds of their wide spectrum like shown in EARGOGGLE ´s MONKEYSHOP project or KAN3DA ´s former release on AC RECORDS.
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Following the much lauded release of his 'Reformers' VA extended player in 2017, French techno goliath and FORM Music head honcho, POPOF, now announces the second instalment of the critically acclaimed vinyl-only series - 'Reformers Vol. 2'
Due for release in early 2019, Reformers Vol. 2 is an exclusive, vinyl-only package featuring four of the heaviest cuts released on
FORM Music over the course of 2018. Leading by example, label boss POPOF kicks off proceedings with the mighty 'Bowo' - a perfect, tension filled opener, packed with mind-melting synths, warped vocals and crisp drum loops, each used to devastating effect. The slightly slower tempo of POPOF's intro paves the way for the earth-shattering sub-bass of UMEK's 'Quest Chain', as the Slovenian veteran and 1605 Music Therapy boss steps up to the plate with a white knuckle ride through saw-tooth bass and slamming kicks. Set About co-founder Metodi Hristov provides the penultimate track of the package with his dark, hard-hitting remix of Apollo 84's 'Mantis',before rising French compatriot The Reactivitz hits home with the unrelenting 'Seth', to complete another titanic release on FORM Music.
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For our third release we have 4 tracks – Various artist compilation. 4 tracks that explore the roads that bring together Techno and Experimental House music. 4 projects coming from different parts of the world joined by music and friendship. Monopolar from Peru
Via Mexico with track ‘Follage’, Rico Casazza from Italy via UK with track ‘Banausic’. Signal Deluxe from Mexico via Berlin with the track Critical value’. Itzone from Mexico with the track ‘Infinite Horizon’. Under different skies a semi autonomous groove unit.
Already supported by: NX1, Richie Hawtin, Joseph Capriati, D.A.V.E The Drummer, A Morgan, Aregone, Hemka, David Myles, Dax J, Dean Gustavsson, Perc, Dexon, Drop-E, Marco Carola, Ian Void, Ike Dusk, JC Laurent, Joton, Modular Phaze, Nick Bowman, Paula Cazenave, Raymundo Rodriguez, Rob Zile, Spartaque, Stephanie Sykes, Subsist, Takaaki Itoh, and many more ...
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The record label 'Gladio Operations' launches it's second release onto the market after the recognition of it's debut EP 'Flight to Anywhere', released in June. 'War To The Future' gives its name to the first series of V/A from the label, which includes four electro cuts, exclusively orientated for the dance floor.
The EP opens with a producer from Barcelona Univac, who after releasing Chernobyl tracks on the Dutch label Moustache Records, gifts us with Station Cero, a powerful, devastating track resonating with industrial sounds.
The second track titled Poison, bears the signature of the Ukrainian artist Lectromagnetique, a track loaded with excellent dark and enigmatic sounds. The owners of the Gladio Operations label, UHF, open side B with Unexplained Situation, a vertiginous journey wrapped in rich and deep psychedelic textures.
With releases on well renowned labels such as Bass Agenda and Bunker Records, the Serbian producer Alavux closes the EP with Sunset, a fantastic track with an aggressive bass line and significant and repetitive sequences.
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Four pure heaters from Cop Envy on the ‘Cotton’ EP; dense and meditative breaks, plentiful bass and wide-eyed themes.
Cop Envy’s debut for Hypercolour follows on from distinguished releases on Black Opal, Templar Sound and Cry Baby Records.
DJ Support
FaltyDL - Killer EP
Project Pablo Always Good
Interplanetary Criminal - 4 tracks that bang all round!
Matthew Herbert - great
Tom Findlay (Groove Armada) - This is so good, ‘Cotton’ rolls
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Another slamming release from veteran producers Jay Lumen (Saved / Mistakes) and Gary Beck (Soma / Perc Trax). On their own they are pretty amazing so imagine what they are like when their talents are combined.
This Drumcode bomb is an essential for any techno box, lets face it.. this one will do the damage!
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5 tracks of pure heat of various styles from members of The Black Lodge global family. A1 is entitled "Atmospheres" from the ever-talented Michigan producer JTC aka Tadd Mullinix Bopside/Nation/Ghostly. A2, entitled "Arreskni" comes from newer Chilean artists MU-GA, a track we released in digital format last year from their debut EP. Finishing off the A-side is Italian super-duo SONS OF TRADERS SOT/Frigio/Black Lodge aka Tans X Mike Tansella Jr. with the acidic cut "Indianapolis" also released last year by BL on tape and digitally from their first full length album entitled "Crollo Nervoso". Side B blasts off with the early Chicago house inspired track "Passion" by prolific Dresden producer SNEAKER Uncanny Valley/Rat Life/Frigio. Closing off the comp is a dirty warehouse banger/burner by e-spirit, a new alias from LA producer DELIVERY LA Club Resource/Valcrond Video.
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Hot off the heels from his stunning 12 inch Haz' for Baby Ford's notorious Trelik label, Alex Celler returns to Concealed with two futuristic deep break'y Minimal Techno cuts.
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Ancestral Revolt are humans from different continents channeling their ancestors through voltage control and this is their debut EP.
There are 2 original tunes on the a-side ... The deep, dark and dirty Atrukuatu and the techno-break banger El Afilador, plus 2 remixes of the title track on the b-side.
An atmospheric electro mix by legend Mark Ambrose and also an emotional deep-techno take by the duo Sibling.
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What started as an underground techno label in the early 90's, Juice Records typified the head in the clouds ambition of the techno generation by both sound and action. Anything was possible and similar minds would be reached through the vinyl medium. By the mid 90's, Juice Records established itself as a southern beacon to the techno and house music movement.
… but many people would have little knowledge of where the label sits in todays music sphere. Juice Records, wether by choice or default have remained free from the uber industry of dance music but continue to represent with our Adelaide based music activities.
What started as casual discussions about Antony's studio activities with label owner, Donato, soon progressed to talk of an album. A couple of years and many iterations would follow till the vision was clear. Juice 020 highlights the musical existence that Antony commits too. It goes beyond the drum machine and synthesiser sounds the label would be known for and embraces a wider spectrum with use of a Yamaha baby grand, Fender Rhodes, Washburn bass and Yamaha Electone E-75.
With a definitive genre hard to pin on the album, Juice 020 remains very much a traditional Juice Record. It is a clear example of what Adelaide happenings have been missed by the global industry while it plays with a techno formula that goes beyond our underground imaginings.
Despite being firmly embedded within the Footwork scene, DJ Manny has yet to receive the kind of attention his peers have. His joyous new album for Planet Mu "Signals In My Head" is set to alter that for good. Manny's sound has widened out and taken on a more romantic edge. He openly admits that his goal for the new album was "to do something that nobody (in Footwork) had ever done before which is an R&B love type of album. I just want people to know it's love out there." Tracks like "U Want It", "Never Was Ah Hoe" and the title cut "Signals In My Head" are strong standouts. DJ Manny has succeeded in moving himself forward. "Signals In My Head" brings us back to the joy of Footwork as a dance, as a mid-west American movement and most importantly as a mental and spiritual boost.
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''Based in Flint, Michigan, USA the four young sons of an electrician welded together their debut album. This album, titled Elektroworld, is a personal tribute to the well known pioneers of the electro-disco-beat; Kraftwerk.'' Clone Classic Cuts reissue of the illustrious Elecktroids' one and only album from 1995.
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The latest release from Sum Over Histories comes from a new project by label head Frank Beckers and his partner Birgit.
Tension, the first EP from Flageolet, is a 4-track experimental project that combines field recordings and soundscapes with keys, bass, harmonies and percussion. The result is emotive, provoking electronica that’s lightyears away from Frankey’s usual house and techno projects, yet his energy and production style makes his influence
recognisable.
Frankey and Birgit have been collaborating ever since they met in 2001 when Birgit sang vocals on several of Frankey’s tracks, including hugely successful “Switch.” The pair enjoyed collaborating so much that Frankey taught Birgit some basic Ableton skills and gave her a field recorder. Birgit would collect sound-sources, and her and Frankey would select their favorites together. They’d start each track with the most unique sound they could find, which Frankey would build on using keys, synths, percussion and harmonies.
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Finnish Inceptum Records returns powerfully with this electro & detroit techno oriented four-tracker from the label boss Forehard.
In the Motorhome EP (Inceptum005) Forehard takes his listener in a journey through his inspirations as well as musical interests – as he firmly builds musical mosaic where every sound finds its unique place.
The A-side begins with a dreamy title track that takes you to the deep and rolling sounds of the motor city.
A-side ends with an epic acid electro with tasty bassline and melancholic melodies which gives light into darkness.
The first track of B-side is an iconic and powerful melodic techno track.
Safe warm pads, percussive drum work and chicago style bassline combines it all into one.
Last track of this ep is totally dancefloor burner, which shows producer’s many-sided talent.
This electro is created from bottom of the black heart of the deep blood of a dark and dirty acid sewers.
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Blueprint returns for its first release of 2019 with a new EP from the gifted mind of label boss, James Ruskin.
'Reality Broadcast Off' consists of three abundantly immersive cuts from this UK Techno pioneer. The EP opens with its searing title track and an ever-developing kaleidoscope of percussion. 'We Are Everywhere' follows, blending metallic sounds with a warmer groove, before the compressed acidity of 'Disaffection', which was recently premiered on Marcel
Dettmann's Residency show on BBC Radio 1, rounds off this three-pronged attack.
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Yeah, we get it: You cant technically be clinically paranoid if everything youre afraid of is actually happening. Its been a few years since we were scared shitless of letting cell phones anywhere near our crotches and suddenly, the electromagnetic waves mess with our brains big time. Lets not beat around the bush here, its all true. Your thoughts are being supervised, the government even has taken complete control over them, all while your moral compass is spinning at 78rpm like a broken shellac. Its bad, it feels weird and just so wrong. It doesnt even pay well, for fucks sake.
We know, we know: You need a remedy and you need it, like, yesterday at the latest. What we can offer for now is Konrad Wehrmeister from Munich, whose handcrafted alpha waves will interlock with your brain activity and set your will free by taking it over - it hasnt been yours for a while now, after all. Wehrmeisters pummeling techno is the B2B (business to brain) or even B2B2B (business to brain to booty) solution your sorry existence needs in these dire times, and he will professionally lead you to your destination with a little splash of »Radiation« to fire you up. Hes done it for Public Possession, hes done it for Ilian Tape. He can do it for you, if you trust him enough.
So please come and join us in eternal dispersion. RSVP by the complete loss of your sanity.
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Alterazione presents a critical statement – distinguished by its technical execution and breathtaking artistry. The album itself is a cathedral of sound, each cavernous chamber an exploration of space and consciousness. Presented in four movements (one track per side), altogether they extend as a transportive experience of evolution for the listener.
Iniziazione – a steady departure that unfurls like the opening of a portal; a process of molecular transfiguration commences. Panoramic landscapes begin to stretch wide, glistening with an exotic beauty, before the shamanic incantations of Rituale draws things deeper. Pulsating rotations push through the next phase of transformation, now drenched in hyperspace white-noise. The procedure continues through the quiet ethereal orbit of Metamorfosi, before finishing with the three-part Evocazione/Contatto/Risveglio; uplifting synth motifs drive forward with optimism, before fading back into the great expanse.
Alterazione is both cerebral and meditative, and one cannot help but be pulled at the core by its potency.
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Metamorphic is happy to announce a new artist to the label family! MirrorTouch is a new project from London-based producer Tim Van Zandyke. The sound of Mirror Touch can best be described by a moment in time when mid 90's trax records from the US Midwest combined techno's brutalist grooves with layers of emotive harmonies harking back to Detroit's funk, soul and jazz legacy. Then techno sound hurtled forward, blazing new paths of experimentation, minimalism and hypnosis. MirrorTouch points back to that magic moment when Techno emerged from Detroit, with a series of hardware tracks that combine emotional rawness with the flow of 21st century techno.
Die zweite EP aus dem "Extended" Mixtape zeigt Modeselektors Talent, die Kluft zwischen Hip-Hop und Rave zu überbrücken. Der Titeltrack vereint das Berliner Duo wieder mit Flohio. Für das schwungvolle "Social Distancing" haben Modeselektor beschlossen, eine talentierte Crew von Freunden und Kollegen einzuladen, die dem Track ihren eigenen Spin geben. Dazu gehören Brainfeeders Little Snake, die Komplizen aus Spandau, FJAAK, und Produzentenveteran Richard Devine, der Flohios Acapella-Reime wahnsinnig dehnt, zertrümmert und verzieht....
A free and unconstrained expression – permanent and cutting-edge creativity - complex and amazing personality, Mr Oizo is always where you don't expect him. On the popular peaks and in the depths of the avant-garde, he counts his fans as well as his sceptics with its sounds and images of surprise, destabilizing and disturbing.
In his universe, neutrality does not exist. The bridges, and bridges between sound, image and writing are perpetually destroyed to be reinvented.
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Young Irish-producer Rebuke continues his rapid ascent to the top with two original productions on Hot Creations, primed and ready for the dancefloor.
Rebuke recalls being worried that Along Came Polly may have been perceived as being 'a bit too weird', but once it caught the attention of Jamie Jones, there was no stopping it. He says that the hype surrounding this EP 'is something I've never experienced before...and it always get a great reaction'.
On Along Came Polly, Rebuke showcases his innate ability to craft a weirdly, wonderful slice of techno. On the B-side, Rolo is a much housier affair, weaving together a bouncier bassline and sultry vocal stab.
The alias of Reuben Keeney, Rebuke, has only been in business for a short while, but his efforts have already proved to be fruitful. He has garnered support from the likes of Nic Fanciulli and released on labels including Saved and DFTD, as well as having a successful club night under his belt, where highly regarded names such as Camelphat, Darius Syrossian, Ejeca and Huxley have all played.
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Cymawax is proud to present the work of the blood brothers (Luca & Daniele Ciaccia) Sibling. Inside Outside EP is an expression of the brothers passion for modern dance-floor friendly dub sonorities, and an intriguing introduction to who they are musically. Remixer Marco Bruno with his 'Dub Vision' completes the record giving it a proper techno touch with a sick groove and stunning approach to these warm and hypnotizing atmospheres.
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Green Vinyl
For the 24th release of Zodiak Commune Records, Florence based underground Buio Club owner Sour has squeezed the best out of his analog gear collection! These tracks will get the crowd straight into pure acid bless. Hypnotizing 303 basslines are supported by solid kickdrums, rattling hats and clever percussion. The subtle synths supply that extra dimension where we all like to be. This 4 tracker will supply you with some serious dancefloor fuel, that will keep the crowd craving for more.
"Dusk"
Uplifting acid for the dancefloor, driven by solid kicks and a fast pulsating bassline. However uplifting this track may be, it will subtly drag you into dusk as the track progresses.
"Ataraxis"
While your body and eardrums receive some serious stimulation, mental stress or anxiety will be absent, overruled by this acid banger in it's purest form.
"Hexa"
With Hexa, Sour knows how to roll the dice again. Acid lines gently creep into the pounding beats creating mayhem on the dancefloor.
"Portal"
Energetic percussion pushes you into the Portal, wondering what's on the other side. Exiting hypnotized and disoriented, not knowing what happened and wondering what it is that makes you feel so fulfilled.
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Drumcode mainstay Bart Skils links up with emerging DJ/producer Weska for a maiden collaboration.
The duo first met in 2013 when Bart played Toronto’s iconic Coda, where Weska was a regular.
In friendship and in music, they clicked effortlessly. Since then, the Dutchman has become one of DC’s most vital contributors, releasing a consistent stream of standout productions on the label, highlighted by the now-classic ‘Your Mind’ with Adam Beyer.
Meanwhile the rhythmic power of Weska’s productions caught the ear of Beyer who gave the young Canadian his debut on the imprint with ‘Other Places’ when ‘A-Sides Vol.7’ dropped last summer.
When Weska migrated to Berlin a plan was hatched to collaborate, with the pair swapping ideas back and forth, before linking up in Amsterdam to finish the work.
The propulsive ‘Polarize’ EP is the result, a pair of cuts that have highlighted Beyer’s gigs at Department Festival in Stockholm, Junction 2 and his behemoth B2B with Cirez D at EDC Vegas.
The title cut packs a punch with rugged basslines and pin-sharp percussion, while stabs of melody dip in and out with euphoric effect. ‘Lost On You’ is a heady trip into the abyss with a sinister vocal line and powerful climax.
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incl. dl code
2021 marks a new era for PRSPCT Recordings: no sub-labels, no sub-genres, no borders, just quality underground electronic music. Y5 is the first EP from Celsius, Epileptik's own master of darkcore, since his retirement from the scene in 2005.
Featuring the dark melodic DNA of classic 2000-era Celsius, brought up to date over the course of three new tracks, the Y5 EP pays homage to Celsius' cult hit "Y4", originally released in 2003 as part of the Down For The Count EP. With artwork and a sinister remix from KRTM, which saw the PRSPCT mainstay learn the obscure production software used by Celsius in order to rework "Y4" with sincere reverence for the original, this is a vintage hardcore soundtrack capturing the moody uncertainty of our modern times. For fans of Celsius old and new.
b A2 Y4 ((KRTM remix)
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Islands, volcanoes and instrumental exile stories... From Overseas is the experimental ambient project by Kevin Sery.
Originally from the tiny French overseas department and region, Reunion Island, he routinely bounces between his home island, a small port town on the east coast of the US & Continental Europe picking up fresh ideas & inspiration along the way.
With a beautiful master by Stephan Mathieu (12k, Shelter Press, ... ) From Overseas Releases his first full length album "Home" on PITP. "Home" is a journey through beautiful soundscapes where dark and light intertwine, where ambient tones give way to post-rock guitar craft, then segway to melodic drone, noise and back again.
These soothingly powerful songs evoke emotions on a full spectrum, dreamy unplanned travels and inspire us to question the nature of the place that each of us calls home. The fourth track, Maloya Tales, is a personal tribute to Sery's homeland 'Reunion Island' and gives the listener a glimpse of the mystical rhythms of traditional Reunionese Maloya music.
First long play by Hidonash on Soil Records where he show all his talent and creativity between electro, techno and industrial music.
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Croatian artist Insolate invites the likes of Ben Sims, Pfirter, Amotik, Under Black Helmet, and more to remix tracks from her debut album entitled ‘Order is Chaos’ on her Out of Place imprint.
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Native from south of France, Ogmah is a DJ/Producer of industrial and noisy techno, embellished with hardcore influences. Founder of the label Askorn Records, his music is raw, hard hitting and harsh, and his mixing style is fast, hard and precise.
A1) This first track deserves a powerful broken beat rhythm, combined with some aggressive noises & FX and a stormy atmosphere. Sounds like an unchained monster in a disaffected metallurgic factory.
A2) Pure violence into this hard hitting 4x4 industrial track. Collapse of the business techno. Heavy hammering kick with some organic noises, perfect soundtrack for a sacrifice.
B1) Keepsakes brings his famous crazy groovy drums patterns in this one! Boxing kick, scary atmosphere & disturbing synth, perfect for dancing until you die in a gloomy & wet Berlin cellar.
B2) Noisy as hell remix with a crazy sound design by Exome! Dark & violent, this track is a fucking tank that will crush your soul and chase you in your scariest nightmares...
B3) This last remix by Alessandro Nero will make you broke into a furious gallop! Metallic noises with a recognizable modular style, this track will make you remember some good old schoolish hardcorish vibes.
Big Exchange features four distinct tracks tethered in Popmix’s unmistakable universe that is best described as a 90’s-inspired contemporary exploration of a thematic soundscape. Popmix finds balance in quirky, hyper ecstatic themes while rooting himself ultimately in a cultivated, refined skill set. The hard transitions between tracks give space for gratifying escalations into a range of euphoric textures from melodic, acidic basslines to gleeful synths and thrumming drum patterns.
“The record is a product of all the joyfulness in file sharing and youtube diving I’ve done over the years - the jolly computer face on the front cover shows gratitude to those opportunities, and the EP as a whole is an overall ode to that. The way I produce music is like a stream of consciousness leading me to the composition of the track, not unlike an internet plunge into a youtube rabbit hole through genres and moods. I guess this kind of reflects my temper as well,” says Frits.
It’s this spectrum that makes Big Exchange adaptable, elevating the mood of any kind of space - solo listening, late night parties - all the while invoking a sense of nostalgia and familiarity.
About Popmix
Popmix is the moniker of Copenhagen based producer and sound engineer Frits Carøe, who has also released under the alias Wilberforce on the renowned Norwegian trance label, Ute Klubb. With Big Exchange, Frits adds tangible diversity to his musical catalogue, and proves himself to be a producer grounded in a well-defined style we can continue to expect creative music from.
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Frankfurt native Sascha Dive returns to Sven Jaeger’s electronic music powerhouse CUE Music with “Rhythm Mode” EP, bringing forward three fresh cuts, one of which is made in collaboration with Robert Owens. A remix of “Children Of The Light” by the Romanian duo Heerd is also included on the album and today we invite you to enjoy its deep vibes in full-length exclusively on feeder sound. This release will arrive soon on vinyl and it will also be available on several digital platforms later on, adding even more magic to an amazing discography that includes works signed by Artur Nikolaev, GruuvElement’s, Aney F, Dubphone, Christian Burkhardt, CL-ljud, Nektar Agu and Triad, among others.
Sascha Dive has made quite an impression on the international house and techno scenes over the last ten years, always dropping powerful DJ sets and inspiring productions with labels like Bondage Music, Rhythm Cult, Deeperfect Records, Cocoon, Raum…musik, Minimood and his own Deep Vibes Recordings, to name only a few. Strongly influenced by the godfathers of deep house like Moodyman, Chez Damier or Ron Trent and following the first waves of top-notch German house imprints, he has progressed to a serious floor fighter since his first official appearance in 2007.
While the original version of the track is designed with solid microhouse and dub influences, the remix drops the classic 4/4 rhythm and goes full dubwise, introducing a stripped-down sound lead by slow-paced drumming patterns, introspective background textures, warm reverberated effects and eerie vocal samples, perfect for lazy afternoons at a beach party or insightful afterhours anywhere. The other two tracks are equally enjoyable, exploring the empowering sounds of house, deep house and tech-house music while incorporating the artist distinct vision and production skills with style and precision.
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Titonton Duvante presents his masterpiece album "Voyeurism" from 1999 on the Residual Classic series! Don't sleep on this vinyl only beauty!
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Vinyl Only
Dub and minimal sounds are interweaved in the second release of the TEVOL label. On the A-side you can find mystery and a beautiful dub story from artists based in Israel, the United States and Japan. The B-side brings you incredible energy based on unique dub-techno elements with a punchy kick and groovy bass line.
Presenting a very special and unique collection of electronic and dance music aimed at assisting and honouring our brave and skilled NHS frontline workforce in this most challenging of times. Artists of all walks of life and of all musical persuasions and styles have contributed hand-picked tracks for inclusion on Care4Life free of charge. Through the challenges of the Covid19 pandemic we have all developed a new understanding and awareness about the role our frontline health professionals undertake, and as a nation we are all united in our appreciation of the incredible work they have delivered in the face of much adversity and pressure in the last couple of months. We hope the proceeds from this amazing collection of music can contribute to easing that pressure in some way.
Care4Life features lots of new, exclusive and unheard music from the vaults, hard drives and archives of UK artists as diverse as The Chemical Brothers, Nathan Fake, Groove Armada, Joe Goddard and Pete Tong alongside tracks from Radio Slave, Locossolus (DJ Harvey), Matthew Herbert, Crooked Man, Daniel Avery and many more. Care4Life is a truly varied and diverse listening experience that not only mirrors the collective talents involved, it wholeheartedly celebrates the openness and love that the NHS has shown us all at some stage throughout most of our lives here in Britain and beyond.
In the continued spirit of people coming together in this time of need the Care4Life project aims to give some much needed support to these frontline workers from our fellow artists and friends in the music industry and its surrounding community. Above Board Distribution is working in conjunction with Dispersion PR and Your Army Music is ensuring that 100% of the proceeds from the sale of this product, will be donated directly to NHS Charities Together (registered charity no.1186569). NHS Charities Together has been consulted throughout this process and are proud to be an official fundraising ‘commercial participator’.
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- A1: War At The Door
- A2: Black Gold Featuring – Thundercat
- A3: Your Lord
- A4: Shoreline Sus
- A5: Hiding In The Shadows Featuring – Niki Randa
- A6: Crust
- A7: Fighting Without Honor
- A8: Pain And Blood
- A9: War Lords
- A10: Sachi
- A11: Your Screams
- A12: Using What You Got
- B1: African Samurai Featuring – Denzel Curry
- B2: Where's The Girl?
- B3: Kurosaka Strikes!
- B4: This Cursed Life
- B5: Robomb
- B6: Taiko Time // Sacrifice
- B7: Your Day Off
- B8: Your Armour
- B9: Enchanted
- B10: Mind Flight
- B11: Survivors
- B12: Your Head // We Won
- B13: The Eyes Of Vengeance
- B14: Between Memories Featuring – Niki Randa
Black Vinyl[22,31 €]
- A1: War At The Door
- A2: Black Gold Featuring – Thundercat
- A3: Your Lord
- A4: Shoreline Sus
- A5: Hiding In The Shadows Featuring – Niki Randa
- A6: Crust
- A7: Fighting Without Honor
- A8: Pain And Blood
- A9: War Lords
- A10: Sachi
- A11: Your Screams
- A12: Using What You Got
- B1: African Samurai Featuring – Denzel Curry
- B2: Where's The Girl?
- B3: Kurosaka Strikes!
- B4: This Cursed Life
- B5: Robomb
- B6: Taiko Time // Sacrifice
- B7: Your Day Off
- B8: Your Armour
- B9: Enchanted
- B10: Mind Flight
- B11: Survivors
- B12: Your Head // We Won
- B13: The Eyes Of Vengeance
- B14: Between Memories Featuring – Niki Randa
Red Vinyl[21,22 €]
Yasuke, eine sechs Episoden umfassende Netflix Anime-Serie des in der Bronx geborenen, in Japan lebenden Animationsfilmers, Produzenten und Regisseurs LeSean Thomas (Cannon Busters, Children of Ether, The Boondocks), erzählt die Geschichte eines Samurai-Kriegers afrikanischer Abstammung in einer fantastischen Version des feudalen Japans in einem alternativen Universum voller Magie, Mechs und natürlich dem Schwertkampf.
Für Flying Lotus war es ein Traumprojekt, er beriet bei der Story und arbeitete neben dem renommierten Anime-Schöpfer Studio MAPPA als ausführender Produzent. Die Fähigkeiten des mit dem Grammy ausgezeichneten Produzenten kommen auf dem Album voll zur Geltung, indem er Synthesizer-Melodien, Basslinien und maschinell generierte Drum-Patterns miteinander vermischt und gleichzeitig neues klangliches Terrain erkundet - traditionelle japanische Perkussionsinstrumente wie die Taiko und die Hyoshigi sowie westafrikanische Perkussion, eine Anspielung auf die afro-japanische, feudale und doch futuristische Welt, in der Yasuke lebt. Flying Lotus gewann kürzlich zusammen mit Thundercat einen Grammy für das beste Progressive R&B-Album (It Is What It Is) und erhielt bei den 63. Grammy Awards auch eine Nominierung als Produzent des Jahres.
Coming off a late summer 2020 release on Washington DC’s 1432 R label, Jackson Ryland keeps the momentum flowing with a 4-track self-release 12” entitled Acting Careless. The tracks were recorded between 2018 and spring 2019, intent on embodying a DJ’s record that could be thrown on at different moments and emotions during a set. The freeflowing, laidback and freewheeling feeling behind the house & warehouse party sound of DC inspired the recording process. Borrowing from the past few years’ experience recording at high speeds with the Rush Plus project, Acting Careless continues that same rhythmic intensity with a more uplifting and spiritually cleansing angle. A happy push-pull balance between fierce and sweetness.
Mom’s Spaghetti returns with the second instalment of club tracks for weak knees and sweaty palms! Once again curveball selections are mixed up and served out with a rich spoonful of techno sauce. Vol 2 breaks into a slightly different territory from the last EP by placing some southern rap classics onto the chopping board alongside some hand-picked cherries from the 80’s disco larder...
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Pelvis and Burning Rose Records present the debut 12” from producer and vocalist Purient. Her voice floats over tough production on three original tracks, pushing from an icy cool to blistering heat.
It’s page one for Purient, and exceptional remixes from Eartheater and Varg²™ further pull the curtain back on her expanded universe.
Repress
René Pawlowitz presents himself in many different forms; whether it’s as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, quality techno you can find on the planet. The Shed alias is usually reserved for his best work.
With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.
‘Try’ takes a broken-beat techno rhythm for it’s spine - reminiscent a little of the 2008/9 dubstep/techno crossover period. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.
‘Box’ is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb’ed ghostly samples.
Lastly we come to ‘Sweep’, a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rattling hi hats flair about over head. Great finish to a great EP.
Drawing influence from the South London underground of the late nineties and early noughties with a nod to more contemporary Bristol sounds, London's Two Shell debut on Livity Sound this Autumn with their four track 'Access' E.P.
The duo have forged an EP of warm but stripped, deft uk style grooves to mark an anthemic debut.
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VAYA001 - Selected Electronic Music from Leipzig: Filburt, Josi Miller, Lydia Eisenblätter, Mbius, subkutan, Varum. Vor dem Hintergrund, dass durch die Covid-19 Pandemie sowohl Clubs als auch Kulturstätten unter erheblichem Existenzdruck stehen, wollen wir unseren Beitrag zum Clubund Kulturerhalt beitragen: der Erlös aus Vinyl und digitalen Verkäufen kommt dem Live Kommbinat und somit Leipziger Veranstaltungsstätten zu Gute.
Rødhåd's debut album 'Anxious' sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. It was the natural next step to present the sound he began cultivating with his recent EPs 'Kinder der Ringwelt' and 'Söhne der Erde' as a full length LP. The experience the album is trying to convey is being thrown into a world that is ready to crush you.They have you with your back to the wall, and you are ready to give way to despair.Will you be able fight back How is it even possible
Rødhåd is the spearhead of a new generation of techno producers and DJs. With his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. He fully immerses himself into the music, yet never loses himself.
Growing up in Berlin's rougher outskirts, as a teenager he was able to grasp the final flashings of Berlin's mythical nightlife of the 1990s at legendary places Casino and Ostgut. In the late 2000s the Dystopian crew began their own series of parties and then the label with two seminal releases by Rødhåd, '1984' and 'Blindness'.
The album begins with a series of pulsing sounds as 'Unleash' lures the listener into Rødhåd ´s sonic universe. Hearing indistinct sounds and rotating helicopter blades imply an uncertainty about where this journey will go to. Clearly aware of an oncoming adventure, the excitement of discovering an alien world sets in.The eerie melodies and the subtle staccato grooves of 'Withheld Walk' pulls its audience even further into an infusible mix of curiosity and fear.
With 'Escape' the bass drum finally sets in, but against all odds does not tune into a clubby energy. Remaining restrained and imaginative, the ghostly melodies of the 'Brief Respite' sound like the voices of creatures from another planet. 'Awash' features a beautiful, yearning flute and out-of-tune strings wrestle with subdued breakbeats and a heavy bassline. 'Glimmer Of Light' then sets an uncanny key, moving the dark beauty of 80s electro into the rich and subtle electronic palette of the present. In 'Target Line', Rødhåd ´s collaboration with Vril, the simmering synth-track breaks away when they least expect it, setting the stage for the climax of the album.An Amen break tears itself loose in 'Burst'and gets lost in an echo.Rødhåd breaks away from the story at its high point.With the quiet and majestic techno grooves of 'Left Behind' the turmoil is over. Finally, last track 'Cast A Shadow' expresses relief and quiet, giving them a chance to reflect on their mind-boggling journey.
And just moments later, thrilling adventures turn into distant memories.
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“What motivates us as human beings?” Zobol muses. Some might argue that the present day has produced a new culture of inefficiency and burn-out – a world where greedy landlords reign supreme, where broken bureaucracy flourishes and where people have become slaves to the system. But all is not lost. Hope sits on the horizon, and Jon Chmielewski is exploring the possibilities. For the 12th release on Welsh imprint Haŵs, the undeniably genius producer presents an electro EP that seeks to communicate something far bigger than himself.
‘Empathy Droid’s Lament’ is a cascading opener, quaking with all of the energy of a determined figure reaching into their reservoir for just one more push. ‘Rogue Landlord’ sits in a twilit world of ghostly melodies and swelling horns that cohabit with a dark restlessness at each other’s presence – but an irony lies in the harmony of the situation.
On the B-side, ‘R U OK?’ dilutes rippling synth lines with a bulky bass and inquisitive melodies, purging itself of emotions like a late-night spent soul-searching. For the closing remix, Reptant strips down and warps the original into fresh drum patterns, rupturing the rhythm into a storm of glitches, pops and perfectly sequenced percussion.
Zobol and Reptant are clearly on the same mission: to breathe life into the humdrum and start the road to recovery on the dancefloor. ‘Diminishing Returns’ posits an answer to its first question: that innovating with what we have is the way to overcome monotony, as well as reassuring that the collective pulse is still very much warm.
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Kmyle is a young artist that shaped his own space in the techno scene in these last 5 years. His sound is a beautiful craft of all the technical aspects that make a Big Room track relevant, he has no fear in showing emotions but at the same time locking key elements essential for the dancefloor. Kmyle presents himself on the label with a hard explosion, yet with an elegant touch.
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Leiras concludes the Turquoise Tundra concept with a second EP that thoroughly represents the characteristic sound from the author and expand it to another horizonts. Once more, we find different tempos and intensities in another powerful combination of tracks that will see the light in early 2020. On the A side we can find a slower synthwork with multiple bass layers named Lifelink and also, Ways of Communication , a complex rhythm composition with effected voices and an intricate sound design. On the flip side, Unexplored gives a classier vision to the release, with continual and endless synth sequences flowing over hard stepping drum patterns. Everything has an end, and Turquoise Camo is the perfect epilogue for this project, pushing forward the expectre of sound, the complexity on the rhythms and a significant arrange progression. A place where the futuristic sound of IDM embraces the physic consistency of techno.
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The Monument team is glad and proud to announce the very first release of its upcoming record label: Prologue EP
The four-tracker opening EP will introduce some of the different moods that the label will explore in the future, through a careful selection of tracks from four artists who are deeply connected to our community.
Opening things up with a blissful emerging ambient stroll by Shoal, the records' A-side will then offer a highly organic & mental dub techno trip by Korridor. On the flip side more upbeat sounds will be featured, with a nature-infused, ethereal atmospheric techno journey by Claudio PRC, and a fast paced, elegant deep techno ride by Atomic Moog.
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While meditating on the concept of our next album, we listened to the soundtracks of our favorite movies and dreamed of composing our music for the films. What could the film be like, what would be the story, what would be the idea? What would we like to say this time? And one day such work appeared and suddenly for us, it was not a movie. The book “Star Corsair” by Ukrainian science fiction writer, philosopher, and dissident Oles’ Berdnyk emerged from our distant memories. We even remembered the original cover of the old edition of 1971, a copy of which was immediately found, as if sanctifying our idea and adding a touch of eternity to the process. We decided to read the book again and right after that make our soundtrack to it. We began to dive. And it immediately became clear that in the case of Berdnyk it is impossible only to read his works without reading about his life. Therefore, the reading of “Star Corsair” and its sequel “Kamerton Dazhboga” turned into an in-depth study of a unique phenomenon in the Ukrainian spiritual, art, and political space – Oles’ Berdnyk. From the first pages, the book resonated as much as possible with our ideas about true freedom and personal development. An incredible concentration of powerful ideas, subtly set on multilevel spirals of the modeled future intersected with the myth-created past, in projections of bright explosions and degradations of societies and civilizations, in the unconditional possibility of impossible revolutions and eternal deep struggle with systems, in the fire and explosions of liberation ignited by the freethinkers. “Star Corsair” naturally intersected with our feelings and understanding of the interdependence of personal development and inner freedom, with the vision of the world around us and the direct action. It naturally complemented our vision of how, through the inner realization, we can contribute to the implementation of freedom, and then live it in our own lives. And so, this album became not only music for the novel, but also our reflection of the work, observation of our own transformation in the process, and what new ideas and vectors we will formulate for ourselves and offer to those who want to listen to the album.
Repress
FM Label reconnects genres and builds new bridges between music, fashion and design. Established in 2019 by Milan Fatrla, the label enters Prague's flourishing scene with a vision of music, in which the new revisits the old. A vision where strongly-rooted love for hip-hop merges with passion for everything electronic and danceable, to offer records where these two genres meet and intertwine. With its modular attitude, FM Label plays with norms of record sleeve design and fashion. In its first phase the label will put out three trilogies, each trilogy in a different package developed with local designers and artists. The first release sees an exciting mix of German's Rat Life Records head honcho Credit 00, and LA's Eight-Oh-Motherfucking-Eight don Egyptian Lover. Credit 00 is known to be inspired by American 80s Ghetto music, so this mix of artists is not so distant as one might think - see it as a study and application of this strain of music in two different parts of the world. Super Scratch 12" is held in a special cardboard sleeve which can be reshaped into a vinyl display holder.
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Part 3 of the "Astra Spectra" series features none other than Berlin Electro duo CYRK with 3 intense and dark electro tracks great for any part of the night. Rounding off the release is a remix of "Human Mind" by Syrte. The inspiration given for this release was that CYRK were to imagine themselves as two engineers, working tirelessly behind the scenes to keep the planetary alignment of an entire solar system stable. Stefan Weise envisioned the “Astra Spectra” series as a celebration of mankind’s vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our sun’s absorption spectrum and the element which is represented by that, hence the name, which means “Solar Spectrum”
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A short visit to the Indochinese Peninsula at the wrong time of the global pandemic breakout, led Ian Richter to over a year and a half of living in Vietnam, and to a deep love affair with the Vietnamese folk religion. Ian was intrigued to find a place drenched in culture and mysticism existing hand in hand with hyper capitalism (yet officially committed to socialism).
Over the course of the last 18 month Ian recorded, mentally and physically, the sounds of his encounters and experiences. From daily life, through industrial and natural landscapes, to ancient and modern dance, forging foreign with familiar, mysticism with science, and claustrophobia with liberation.
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Nairobi-based electronic musician / sound-artist Joseph Kamaru - KMRU - signs to Injazero for the release of his beautiful compendium album Logue, comprising works from his past years of self-releasing. KMRU is uniquely positioned between the rarely-married cultures of ambient and African musics, entwining his compositions with field recordings from his native Kenya and the surrounding countries of East Africa. Though the deep, tectonic slowness of his music can be compared to the work of Lawrence English, William Basinski, Stars of the Lid (i.e. Western musicians), Kamaru's core culture shines through in a pure and singular way. Found within Logue's pieces are radiant melodic antiphony commonplace in African music, and huge, spacious drones that reveal his love for ambient soundscapes, held effortlessly together by field recordings and analogue synthesis. "Every track reflects an event, space or location," Joseph writes. "The pieces are developed from field recordings, improvisation and spontaneity." Formed of tracks written from 2017 to 2019, Logue represents an artist not only in command of his form but also willing to develop and evolve, ready to deconstruct and radically refocus his music to explore new contours of experimental and ambient sound-design. Some of the earliest compositions found on Logue - 2017's "Jinja Encounters", for example - represent Joseph's first trips outside his homeland and the experience of new sights and new climates, full of discovery and wonder. The synth line of 2018's "Argon" pops and bubbles, mimicking bright African melodic vibrancy while a churning, static distortion threatens to breach the surface, revealing a sophisticated, measured understanding of texture and timbral interplay. "OT", from late 2018, jumps with joyous calls and deftly panned arrhythmic percussion, a new subtlety of light and dark gained from experience and experimentation. Consistent across the entire album is intensely personal and powerfully intuitive expression, crossing continental divides with a singular elegance. KMRU is a young, recently debuting musician. He has self-released on Bandcamp for the past few years, and 2020 saw his first official, international releases, including the scintillating Peel album for Editions Mego. Resident Advisor listed him in their 15 East African Artists You Need To Hear article in 2018. He appears regularly at the celebrated Nyege Nyege Festival in Uganda, and has also performed at CTM Festival and Gamma Festival. Injazero Records was formed by London / Istanbul-based music producer and journalist Siné Buyuka in 2015. It has to date released music by artists such as Heinali, Matt Emery, C. Diab and Hinako Omori.
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Asyncro presents the second release of the series - a collection of tracks produced by OL between 2017 & 2020. In addition to solo works the record includes collaborations with Sensational, Flaty and Micxail. These interactions emphasize the author's interest in communicating with other artists through the music recording process. "Wildlife Processing" is an archive of compositions reflecting OL's trajectory and personal vision of electronic music over the past years.
Pillow Queen, the production duo of D. Tiffany and Vani-T, continue their sonic, sensous charting of the dancefloor in their new 3-track release Calling Me, a collaboration with the vocalist, writer and sex worker Ruin. Sexual drive has always been in the alchemy of Pillow Queen’s music, but at the fore is a wider, more encompassing erotics – one of the spirit and uninhibited body. Such is the force Ruin and the girls incant on this record.
The opening track, which also gives the release its title, begins with wide, introspective chords. “Calling Me” is spacious, and takes its time to build over 10 and a half gorgeous minutes, riding on at 118 BPM. Akin to some works of Robert Leiner or John Beltran, it’s a track situating spirituality in the genre of trance via the builds and flows of the music itself, rather than gimmicky cues of “Eastern” Goa vocals or overblown psychedelic drama. As always with Pillow Queen, the vocal samples are pitched and twisted with the greatest care.
By their third release, one can begin to note the duo’s characteristic gestures, and “Tunnel Vision” is somehow emblematic here: those pitched vocals, synth loops frayed out from filters, and crisp, bright drum programming that makes 134 BPM feel like the most natural metronome your feet and ass could follow. We hear Ruin for the first time two minutes in: “You cannot tunnel vision me”. She speaks of a “dance without dogma” in between short choral swells, picking up on the theme of a rewritten divine that figures into Pillow Queen’s Burn Me Up (2020). The phrase “dance without dogma” refers to the writings of Gabrielle Roth, a dancer and author noted for founding the 5Rhythms movement-meditation. Roth’s phrase “sweat your prayers” has also been held aloft as an ethic of the party series Radiant Love, where this EP's final track, “She’s Hot Magic,” was intended to be performed live by Ruin and D. Tiffany. Again we start airborne with birdcall and floating chords. Picking up a kick drum after 3 minutes, and a bassline after 5, this is truly some deep-dancefloor-7AM-body-and-soul-fully-merged shit. Concurrently, we hear Ruin asking us “Unconscious floor, do you know what good touch is?” and “Can you trust this sound?” No doubt, we are being called.
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Solodebütalbum von Ruth Mascelli (aka Psychic Hotline), Mitglied der queeren No-Wave-Glam-Industrial Band Special Interest aus New Orleans. Inspiriert von der degradierten Musik aus einem entfernten, kleinen Lautsprechersystem während eines Darkroombesuchs, produziert Ruth Mascelli einen Trip aus Techno, Acid und Ambient, beginnend mit der spätnächtlichen, pulsierenden Dancefloor-Bedrohung SAUNA und endend mit dem melancholischen Morgengrauen-Refrain von MISSING MEN, der durch einen geschickten Einsatz von instrumentalen Texturen einen starken, erzählerischen Spannungsbogen erzeugt.
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With this collection of deeply personal tracks, I wanted to reconnect to my inner emotions and to my love of melody, showing my most introspective and passionate side. Locking myself away in my studio, surrounded by vintage analog machines and acoustic instruments, my desire was to create a late night journey of contemplative experiences in music.
Drifting away from the harder, dancefloor oriented sound, this concept album reveals a thoughtful observation on the state of our world today and on these times of turmoil and uncertainty, ending with a positive message of hope and peacefulness".
Chris Davids von Maribou State veröffentlicht sein Solo-Debütalbum als Shire T auf neuem Ninja Tune Sublabel Dama Dama!
Shire T (alias Chris Davids, eine Hälfte des gefeierten Elektronik-Duos Maribou State, das 2018 sein letztes Album, „Kingdoms In Colour“, unter großem Beifall veröffentlichte) wird am 20. August 2021 sein erstes Soloalbum, „Tomorrow’s People“, veröffentlichen, das als erster Longplayer auf Maribou States eigenem Label, Dama Dama, erscheint. Als Shire T setzt Davids auf dunklere, clubtauglichere Sounds und zitiert eine breite Palette von Einflüssen, die sich in einer Platte manifestieren, die er als „eine Feier der britischen Tanzmusikkultur beschreibt, die aus all den Erfahrungen und Erinnerungen besteht, die ich in dieser Welt über die Jahre gemacht habe.“. Nachdem er sich Anfang 2020 ursprünglich auf den Weg gemacht hatte, um an neuer Maribou State-Musik zu arbeiten, führten die sich ausbreitende Pandemie und die abrupte Änderung der Umstände dazu, dass Davids sich erneut auf seine Soloarbeit konzentrierte und damit ein wichtiges kreatives Ventil entstand. Gerade der Albumtitel, „Tomorrow’s People“, möchte einen positiven und hoffnungsvollen Ausblick auf die Zukunft liefern, einer Zeit, in der Dance Music wieder aus den Soundsystems der Clubs und Festivals dröhnen kann und Menschen auf der ganzen Welt wieder zusammenkommen, um ausgelassen das Leben, die Musik und sich selbst zu feiern.
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The good thing, if we talk about real artists is: their music never gets old.
Titonton Duvante presents another essential record on his new Classic Series.
This time it's the "Furity EP" which came out on the legendary Multiplex label 1998.
All tracks are re-mastered and the music couldn't sound fresher than today!
Our 7th release features two rising producers from Slovenia, Tzena & Vid Vai.
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Aviador Dro are without a doubt the most avant-garde and influential techno-pop band from Spain. They started in 1979 and this year are celebrating their 40th anniversary playing shows, re-releasing some old works, publishing a book and also a new album.
“Acción Contra El Pasado” was recorded in Madrid in December of 1980 and is one of the oldest live performances of which there is a recording evidence. This concert is legendary not only for its age, but also for including some unreleased songs, a couple of early covers by Kraftwerk and Sex Pistols and vintage versions of classics tracks.
“Aviador Dro y su Maquinaria Humana” (exactly as it was announced on the original flyer) was formed at that time by Biovac N, Fox Cicloide, Placa Tumbler, Derflex Tipo IARR, CTA 102, X, Metalina 2 and Cyberjet. A priceless piece of history restored and remastered from the original cassette recorded directly from the mixing desk.
Limited edition of 400 copies with a A2 size colour poster.
Drawings created by the Polish artist Michał Arkusiński.
Can Love Be Synth are in love with old analogue machines and define their specific sound in the legendary Synthesizer Studio Hamburg. A synth collectors paradise hidden behind the big grey walls of a Bunker building and the club Uebel & Gefährlich between the Reeperbahn and Schanzenviertel district in Hamburg, Germany.
Their new song ‘Bunker’ is now available as a digital and vinyl release on A CLEAN CUT including fantastic remixes by Richard Fearless, Terr and quadratschulz.
The Bunker building is currently extended with a 54-meter-high superstructure for an ultra-violent instant gentrification. In the original version of the song the heavy blows of hammers are clearly audible. This sound journey from zen to noise is a beautifully shimmering ‘black hole made from music’, where implosion and explosion energetically meet. If it needed another reason for the clubs to reopen, this song would be the one - it is perfect for long nights and for days without light rays.
Picking up right where EP #1 left off, EP #2 kicks things off with a bang. First up is Catz 'N Dogz and Yotam Avni's for 'Blakkat'; a high pace burner ideally suited for dance floors from Panorama Bar to under the LED's of Watergate and every club in-between. The duo return with the 'Bright Version' of 'Afterglow' for the second cut on EP 2 and aptly titled, it pushes an intense, glitter filled ride to it's limits. Embarking onto the B-side, 'O.A. Peas' from heavy hitter Eats Everything & Lord Leopard take a trip down memory lane with a heavily sample based feel good tune that will absolutely demolish dance floors worldwide. Rounding out the EP is a final collaboration between Catz 'N Dogz and Reno Wurzbacher with 'To Ma People' and it's by far the smoothest and most laid back tune of the bundle, but never does it let you rest as a mesmerizing groove and lush atmospherics tell a deep, complex tale of late nights and early mornings.
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Central Scotland native Craig Birrell steps up for the latest Temporize 12″ installment. Many moons in the making, the debut release from a producer who cares less for rules and even less for creating a conventional sound. Outsider and off-kilter rhythms throughout the
4 tracks with a smattering of love for the dancers and a healthy dose of gloop for the afterparty.
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A pair of high voltage fairy-tales from the ever psychedelic Leisure Connection crew (responsible for the classic frolicking, sloth adorned Jungle Dancing No 'Label' 12" back in 2013) . With twists and turns a plenty along the way - everything sounds gloriously badly wired and sparking. Big. Recorded in Los Angeles. Mastered by the Bastard.
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The album encompasses some of Loess' most expressive and melodic yet otherworldly works to date. The opening cut blaen pulsates in odd forms yet is propelled by a micro garage beat that sounds as if alien AI might have constructed it.
On the flip side, Totems is not about experimentation for experimentation's sake. For instance, the album's midpoint track, bentalls, might be Loess' most melodious work to date, warmly catchy but firmly set in the world of Loess.
The duo has been quietly creating their style of electronic music for two decades in placing ambi- ent, dub, garage, and IDM into their aural blender. Totems is an excellent example of Loess' adeptness at genre contorting.
Presenting 'Envelope'. Album written, produced & mixed by Milan W. and pressed on 180g vinyl, by Ekster. Coming out on the 6th of June 2018, with foil-stamped cover-drawing by Gerard Herman. Mastered & cut by Helmut Erler at Dubplates & Mastering.
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Milan W (AKA Milan Warmoeskerken) is an Antwerp-based musician. In 2015 he released the Slo Mo cassette, on local label JJ Funhouse. The Intact LP a year later. Compositions constructed from gentle, yet persistent, rhythms. Intricately textured downtempo echoes. Brain-dancing, rather than four-to-the-floor raving. 2017`s split with Ekolalis, for The Hague`s BAKK, made clear the direction Milan`s headed in. His contribution being a seventeen minute float. The kick largely removed. The textures cut-up, expanded and magnified. Envelope, for Ekster, builds on this work.
The harlequin turns the handle. The contraption sucks in air, and breathes. Blows out tone poems. Wordless ballads that soundtrack enchanted scenarios. Issues forth magic. A sorcerer`s apprentice casting its spell. Animating the inanimate. To everything a life. Sets the frozen fluttering. Pirouetting in red shoes. Illuminates what was dark. Astma sings a Gamelan lullaby. Summons comforting angels to a post-Industrial landscape. Glaasjes has Jazz ghosts inhabit an empty bar room. Spirits stealing excuse-me`s under its deserted spot. In Limbo amplifies their whispers. Lead soldiers court jewellery-box ballerinas behind shuttered shop fronts. On Heraldic Snippets, a tin infantry marches. Ten thousand men up to the top, and back down again. Keys make-believing that they are massed brass and fife.
The bellows pump, and the pipes all the while wheezing. An automaton philharmonic at the bidding of a steam-punk master. Analogue and digital. Clockwork and glitch. Malady finds sounds isolated, extrapolated, mutated. Orchestral`s organ-grinder moves with urgency, and alchemy. Spinning straw into gold. Snare rolls become bubbling mercury. Metallic, yet fluid. Racing at the speed of flight and escape. Slope is the music of water chasing through crystal caves. Slow Runner, a funeral crawl. Shoved into motion by a drama of strings remembered.
Like the charismatic Rat-Catcher of Hamelin, the harlequin turns the handle, and we bang the cup.
Native from south of France, Ogmah is a DJ/Producer of industrial and noisy techno, embellished with hardcore influences. Founder of the label Askorn Records, his music is raw, hard hitting and harsh, and his mixing style is fast, hard and precise.
A1) This first track deserves a powerful broken beat rhythm, combined with some aggressive noises & FX and a stormy atmosphere. Sounds like an unchained monster in a disaffected metallurgic factory.
A2) Pure violence into this hard hitting 4x4 industrial track. Collapse of the business techno. Heavy hammering kick with some organic noises, perfect soundtrack for a sacrifice.
B1) Keepsakes brings his famous crazy groovy drums patterns in this one! Boxing kick, scary atmosphere & disturbing synth, perfect for dancing until you die in a gloomy & wet Berlin cellar.
B2) Noisy as hell remix with a crazy sound design by Exome! Dark & violent, this track is a fucking tank that will crush your soul and chase you in your scariest nightmares...
B3) This last remix by Alessandro Nero will make you broke into a furious gallop! Metallic noises with a recognizable modular style, this track will make you remember some good old schoolish hardcorish vibes.
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11 Jahre nach der Erstveröffentlichung des Klassikers "The Paris Swingbox", ist die 2LP jetzt als limitierte 180-Gramm-Edition auf weißem Vinyl erhältlich. Ein Must Have für alle Plattensammler.
Über die letzten Jahre hat sich Parov Stelar akribisch am Sound einzelner Jahrzehnte abgearbeitet, Gesampelt und zitiert, vergangene Zeiten wiederauferstehen lassen und ins Jetzt gehoben. Aus all den Einflüssen hat er einen unverkennbaren Sound kreiert und seine eigene musikalische Welt gebaut. Die Paris Swingbox enthält zeitlose Klassiker u.a. Booty Swing und Baska Brother. Get ready to dance!
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Summer was conceived as an entry point for Sonae to access and wrestle with difficult themes, to engage with them authentically, artfully, personally. It was also the starting point for a collaborative audio-visual project with video artist Jennifer Trees (the confronting multimedia installation that premiers in September 2021 at Stadtgarten, Cologne).
Summer articulates these ideas using the unique musical and sonic language that Sonae has been developing across previous releases. The expressive textures and tender melodics of 2015’s Far Away is Right Around the Corner; the atmospheric noise and brute unease of 2018’s I Started Wearing Black; the vicious edges of her 2019 remix-tape Music For People Who Shave Their Heads. Summer is haunted by blistered cellos and spectral string drones, the elegant and emotive movement around diatonic harmonies that echo the classicism and bucolic themes of Vivaldi’s The Four Seasons (1775). Like Vivaldi, Sonae’s work is programmatic, presenting a progressive, intensifying narrative and suggesting aural phenomena of the natural world - buzzing insects, breaking rocks, waves crashing, dust and heat rising - and characterising the seasonal spirit as capricious, volatile and punishing. In these ways, Summer is related to pastoral traditions of European classicism, evoking the aura of doomed and dust-blown gothic grandiosity. It also has feet firmly planted within the lean, sound worlds of underground techno - pulsating four-on-the-floor beats with deep, vibrational sine-wave sub kicks; elegantly bleak, distorted atmospherics that straddle the uncanny space between corrosion and euphoria. The result is a visceral and poetic listening experience. Original, highly affecting, fully engaging body, mind and soul. (…)
Sonae’s music evokes imagination, provokes emotion, and disrupts and defies expectations. She explores the edges and intensities of experience, creating audible and embodied sensations that suggest the physical, atmospheric, and psychological effects of global warming on a living organism. We feel the fatigue, the slowness, sweatiness, dizziness, the sensations of uncomfortable warmth and burning; the atmospheres are hazy, dark and heavy, articulations are brutish and tactile, crunchy and sharp; there is restlessness and resignation, desolation and awe.
Summer is not a warning. It is not an explanation or an argument. It offers no answers. Summer simply holds up a mirror and asks us to experience and behold both the beauty and the brutality of our present reality. It is a work of protest, grief and hope, and it functions as a space for the listener to reckon with these truths and sensations for themselves. (Leah Kardos, London, June 2021)
Sonae (Sonia Güttler) is a German electronic producer and DJ, based in Cologne. Her acclaimed debut album was released in 2015 with Monika Enterprise (Berlin) followed on the same label with her second album in 2018 : ‘’I Started Wearing Black’’. Her Third album ‘’Music For People Who Shave Their Heads’’ has been released in 2019 with bit-phalanx (London).
Sonae plays live solo and with the label collective Monika Werkstatt at places like Institut Für Zukunft (Leipzig), Meakusma Festival (Eupen), Ausland (Berlin), Pop Kultur Festival (Berlin), Fusion Festival (Germany), Uh-Fest (Budapest), Cafe Oto (London), 23rpm Festival (London) The Cube (Bristol) and more on the same bill with Squarepusher, Plaid, Darkstar, Kyoka, Frank Bretschneider, Tim Exile.
Grey Marbled Vinyl
VARIÁT is the new experimental metal one-man band of Ukrainian artist Dmytro Fedorenko. Through dissonant noise poetry, corrosive synthesis, and subtle seeds of interiority and folk song, VARIÁT creates a sound world of austere urban psychedelia, invoking themes of primitivism and mysticism within the volatile currents of a contemporary digital era.
Conceived in 2020 as a provocative creative outlet, VARIÁT is founded on ideas of transgression, reinvention, and liberation, the consequence of observing prescribed artistic boundaries and pursuing new depths of aesthetic freedom. The project began as an exploration of new recording techniques: metallic materials used as percussion and channelled through blown amps, toms played with a hammer, drilled cymbals, raw, dimensional textures produced from found objects.
For the project’s debut album ‘I Can See Everything From Here’ a library of recordings rooted in musique concrète initiated countless sessions of seismic, discordant guitar noise and overloaded detonations of low end. Synthesizers calibrated and treated to sound like traditional instrumentation, rhythms of deluge and disarray. Compositions constructed with an intent to preserve their original modality; the chaotic spark of their inception.
The artwork created for ‘I Can See Everything From Here’ is an aquarelle (watercolour) painting, an ink-based projection which mirrors the sound of the album with dense, fragmentary shades of black and extensive tendrils of detail. A microcosmic depiction of the graphic power that defines ‘I Can See Everything From Here’.
With Kontrapunkt 05 we bring you a record packed with songs
for every different occasion. It opens with the majestic and
overwhelming Propagate by Humanoid, continues with All
True's dirty, harsh and rough Suspended Sisterhood and
closes the A-side with Doc Sleep's straightforward, withoutcompromises MJF. The B-side comes in a more gentle yet
spacey approach. It starts its journey to the universe with
Deeper Call by Hedon The Cat followed by a trip back to earth
for Carmel & Nikita's summery Nebenan and lifting you back to
space with the atmospheric Last Interstellar Transmission by
Adel Akram
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On the initiative of Unknown Pleasures Records, and the consequent adhesion to this project by Industrial Complexx and Oráculo Records, we pay tribute with covers by different bands to The Sisters of Mercy, the band that many of us identify as the most important of the gothic rock and dark post-punk that derived in the first wave of English punk.
Industrial Complexx has prepared for this occasion a special release in which we combine the album in cassette format and a book that tells the story of this band from Leeds. Unknown Pleasures Records is releasing this compilation on CD and Oracle Records on vinyl.
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Varuna return to amenthia recordings with a fresh batch of their trademark hypno trips. Slow paced syncopated techno energy entangled in their iconic mystical dreaminess.
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Red Vinyl
Ornament – an information carrier and a coding element for a unique and complex algorithm that modulates the state, space, intention, and path.
Embroidery technique – a conscious coding ritual, where the intention is modeled by both the external forms and the internal structures of the ornament symbols.
An embroidered structure – geometrical and sonic – is a set of energies, generating and conducting a harmonious path and destiny, where both holding the same harmony principles of the sacred process of the cryptography of the heart.
The sound ornament dances in time and space. The patterns with the rhythmic repetition of geometric tones embroider your symbolism, enhancing the expressiveness of the feeling and catching up after the spirit.
Feel the high frequencies, while perceiving the low pulsations. It is the contrast between slow and fast energies, where balance is the key. It is the basic impeccability of the curves in the harmonious flow, it is the conscious ritual of awareness with pure thoughts to create the unique.
Trace inner power into other dimensions. Encrypt intent with the ornament and weave your bright oscillation into the fabric of Existence. Explode as the calm light and jump into the Immeasurable.
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House music legend Ian Pooley readies ‘Studio A Pt. 1’, the first of a three release series, for Radio Slave’s Rekids imprint this September.
Active since the early 90s, the German DJ/producer has released on the likes of Force Inc, V2 Records, and his own Pooledmusic, as well as remixing for the likes of Daft Punk, Deee-Lite, Carl Cox and many more.
Here though, Pooley arrives on Rekids with his first ever contribution to the label, delivering three direct and grooving house tracks.
Leading the release, ‘Basic Juno’ sees modulating synth lines deftly placed around chunky drums accompanied by pulsing basslines and shimmering pads, before ‘Close Your Eyes’ brings a dose of trippy vocals and shuffling percussion amongst interplaying hardware for a punchy start to the B side. ‘303 (2 Bars)’ brings the release to a close with pounding drum machines, meaty acid lines, and blissful leads.
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White Vinyl
Orange Eye LP
Jaquarius is back on Zodiak Commune Records! Not with a single EP this time. Too much quality Acid to fit on one vinyl disk, so we decided to go for a two vinyl disk Album!
Part 2
Four original Jaquarius tracks, an awesome Foreign Sequence electro remix and a Mental masterpiece which Yakh and Jaquarius wrote together! Six tasty tracks for your appetite this time!
C1. Jaquarius - Lockdown On Acid
Great Acid Jam. Jaquarius knows how to operate the Machines of sound.
C2. Jaquarius - L'ancre De Lombre
Mighty deep sounds coming from the French Underground. Serious Acid Techno Live at Mc Daid's!
C3. Jaquarius - Live at Mc Daid's
Hypnotic as always. The distinct Jaquarius sound all over you. Vicious but delicious.
D1. Jaquarius- Acid Bedroom (Foreign Sequence Remix)
This experienced duo always kick ass with the machines. Oh la la! This sweet Electro sounds grabbing you.
D2. Jaquarius - Knoby Session
Big kicks starting off the trip in this typical Jaquarius tale. It's ruthless yet tasty
D3. Jaquarius with Yakh - La Danse du Miroir
Mental Techno from this magical combination of two masters of sound. Sculpting and bending frequencies. Casting spells by sending enchanting evolving sounds. So good!
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Low Concept is the Berlin based pairing of Ville Haimala (Renaissance Man) and Daniel Fisher (Physical Therapy). Separately they have become known for their deeply conceptual and experimental approaches to club music. Low Concept is their attempt to strip back the baggage and provide straighttothepoint, dancefloor tracks.
Low Concept is what it is.
Bugz is their debut EP, the third release for London via NewYork based label White Asega. The title track is delivered from the point of view of a DJ looking down on the teeming masses of dancers below the booth. It's a loose, distorted, techno belter: all stroboscopic hihats, bleeping electronics and gutpunching kick drums, built around an exhilarating tussle between classic techno functionalism and a fierce, restless maximalism.
The Prick is twostepper techno for the early morning. Dedicated to 'club freaks' everywhere, it finds the pair slowing things to a crawl, blowing out the speaker cones and rattling the nails out of the floorboards as scraps of rave vocals and wonky synth lines are pulled into an all consuming, blackhole of a bass line.
Manchester's Alex Coulton delivers a thumping 127bpm remix of Bugz on the flip, honing in on the darker and more suffocated corners of Low Concept's original to deliver a heavy and hypnotic killer it's raw, acid tinged edge perfect for pummelling late night heads into submission. A digital exclusive remix comes from White Asegacofounder Jack Dixon, the New York based producer offering up his deliriously colourful take on the title track, throwing layers of found sounds into the percussive maelstrom resulting in a hyperactive, and slightly surreal, reinterpretation.
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MAYAK continues to celebrate it's anniversary release by inviting to great artists to make remix to original track of Noah Skelton. Chritopher Ledger pushed original version to the bar and remade beat to make it as dreamy and trippy as possible. For b-side we welcome Mannheim duo Sedee, who made groovy and a bit crazy remix for the afterhours.
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E-Missions co-founder P.Leone returns to Radio Slaves’ Rekids Special Projects dropping four high grade techno cuts. Known for releasing on labels such as Work Them Records and his own co-run E-Missions, P.Leone has firmly become of the most exciting artists within the inner circles of driving underground music. The Berlin-based American artist and Radio Slave collaborator is now welcomed back to Rekids, bringing his versatile sound that encompasses dark techno and groove driven house. 'Beyond Me' opens with eerie warehouse glitches, cavernous drums that ring out into a huge open space while unsettling pads and textures grab your attention, 'Hard to Find' is a rugged, relentless cut with perfectly forward moving rhythm with detailed edgy synths that keep you in suspense. 'Lenox' continues the energy with distorted drums, hitting hard beneath a blistering groove, 'The Genes is of A Flower' then takes control as an atmospheric track with structural synths.
Trotz der Pandemie, die die Techno-Szene in die Knie zwingt, liegt der Schwerpunkt bei Pan-Pots neuer EP nach wie vor auf dem Dancefloor - allerdings offenbart die "Keid EP" auch eine weitere Facette ihrer Kreativität. Dem Titeltrack "Keid", bei dem eine raschelnde Perkussion eine minimalistische, catchy Melodie unterstützt, folgt "Planet9", ein Track, der exotische Dschungelklänge, Stammestrommeln und Rave-Arpeggios vereint und gleichermaßen club- und festivaltauglich ist. "Echoes From Epsilon" dagegen ist ein für das Techno-Duo eher untypischer, von Synth-Flächen geprägter, atmosphärischer Ambient-Track, der die EP auf unerwartete Art und Weise abrundet.
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It’s been a while since we last heard from Steve Summers, one of the
many musical aliases of former Brooklyn and Berlin resident turned
Chicago-based producer Jason Letkiewicz. When he last landed on proudly
Chicagoan imprint CLEAR with the robust and unearthly “Artificial
Light” EP, it was on the back of nine years spent building up Steve
Summers as a purveyor of forthright club cuts that pushed at the limits
of acceptability.
That was 2017. In the three years since, Letkiewicz has prioritized
projects that indulge different sides of his complex musical persona.
There was the critically acclaimed, all-action Mutant Beat Dance
“record album booklet” on Rush Hour – a collaboration with Melvin
Oliphant III and Beau Wanzer – and then the EBM, electro and
industrial-influenced grooves of Opposing Currents on Artificial Dance.
2018 also saw him release the sophomore set from his 1980s horror
soundtrack-infused Death Commando project, while in 2019 Letkiewicz
finally put out his first album under his given name – the picturesque
new age and ambient movements of “The Reflecting Pool” on Into The
Light.
But that was then. Now Letkiewicz has finally donned the Steve Summers
pseudonym again for a return to CLEAR that’s defiantly intense and
otherworldly in tone, “Counter-Factuals” is powered primarily by the
kind of psychedelic acid lines and thrusting machine drums that have
long been a hallmark of Chicago house. This is no nostalgia-fest
though, with Letkiewicz’s take on “acid” being more abstract and
unorthodox than the music of his predecessors.
Proof of this analysis arrives straight away, with EP opener “Counter-
Factuals” ratcheting up the intensity through waves of hallucinatory
acid lines, blunted electronics, druggy male vocal samples and clanking
machine beats. Letkiewicz takes similar sonic approach on “People
Watching”, whose full-throttle approach cuts a path through jacking
acid house, surging EBM and the more dystopian aspects of 1980s
industrial music.
Over on side B, Letkiewicz combines all of these sounds and
inspirations on a cut that pivots around the twin attractions of trance-inducing acid lines and hypnotic analogue beats. Clocking in at
a fraction less than nine minutes, the track surges forward
relentlessly on a tornado of off-key electronics, fizzing TB-303 acid
lines and barely audible speech snippets. It seems a fitting conclusion
to one of Letkiewicz’s most impactful releases to date.
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Dankbarkeit trifft auf eine Pinnwand geschwärzter Emotionen -
RVDE, Ike Dusk, Progression UK, Jokasti & Nek und Georg
Bigalke entzweien an dieser Schlucht keineswegs. Getrieben
von der Freude am Fallen, in Schwingungen der geliebten
Einsamkeit verwoben, am Rande des Miteinanders verwehte
Spuren, gesiebte Seelen unter dem Nebel der Lust, vergessen
am Himmel des Willens, gelöst von den Schultern der Last und
im Regen der Grenzenlosigkeit verhaftet! Unverfroren fällt die
Drec010 auf die Ladentheke, und das nach nicht einmal ganz
zwei Jahren!
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