On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise” with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited throughout his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Techno News
After closing the first part of Fundamental Records' experiment called Music for The Other People Place, the second part begins. Music for The Other People Place. Experiment 2. A special and highly limited electro / electronics project (tributed to James Stinson), produced by different artists that will remain anonymous, if they choose to...
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It’s in this strange time that Bardouin Music born with some acid and club pieces with some great french producers. Started with "No More Acid" - a piano banger well cooked by chief Herr Krank. Followed by Esba and his very acid warehouse track "Tard" - Side A ends with the deeply pleasant "Correction d'Orbite" that Col. J realize. B Side Monsters Aurèle and Hyas attack with a glitched club track from V45 called "Elka 2020" in reference to the melody made with this analog synthesizer. Finish royally with "Acid Trap" bomb concocted by the respected and mysterious Renart - a mix between acid and bass trap rather surprising and very effective.
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- A1: Absurd - Brian (The Pure Techno Mixxx)
- A2: Hypnopedia - Hypnopedia (The Hypnotic Mix)
- A3: Time Modem - He Time Of The Gathering (There Can Be Only One) (There Can Be Only One)
- B1: New Scene - El Mach Hall (The Never Should Be The Aa Side Mix)
- B2: New Scene - The War In Vietnam
- B3: Deep Thought - Jugendklang
- C1: O - Das Spiel
- C2: Duce - Krieg Oder Frieden
- C3: Hypnopedia - Hypnopedia 666
- D1: Deep Thought - Kennedy
- D2: Time Modem - Welcome To The 90'S
- D3: Hypnopedia - Horror
- E1: O - Das Spiel (Die 2 Runde) (Die 2 Runde)
- E2: Intact - Act's Of Sensation (Techno Version)
- E3: Cybex Factor - Die Schopfung
- F1: Fcmp - Demon Dance (Pluck Mix)
- F2: O - O'rgasm (Hetero Version)
- F3: New Scene - Tonight
- G1: Time Modem - Werkzeug Eines Fernen Willens
- G2: Structure - Das Licht
- G3: Cybex Factor - No Rock
- H1: Sonic System - Operation Desert Storm (Bombing Attack Mix)
- H2: Synchroton - Let'em Down
- H3: Scared To Death - Falling (Harmonie Mix)
BOY Records was founded by Michael Zosel back in 1987 but it was after a few releases that he started to work with producer Arno Müller. “Brian” by Absurd was the first techno release on the label and a great success in the German techno scene. The cooperation continued with singles by Hypnopedia and New Scene that worked very well and put the name of BOY Records in the charts and clubs all around Germany and abroad. In 1990 another massive success came with the single “Kennedy” by Deep Thought and since there the label did not stop to release hit after hit by lot of names like Time Modem, “O”, Cybex Factor, Sonic System, Moskwa TV, MCL and lot more.
“Timeless Technology 1988-1991” compiles some of the best singles released on label’s most fruitful years. A selection of 24 classic tekkno traxx. Four records with printed inner sleeves packed on a silk-screened transparent Pet-Gag box. Limited edition of 500 copies.
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After 6 cassettes Tapes Sublimating is back with their first vinyl EP: 'Venus' by Altered Natives. After releasing his excellent 8th album last year Danny still hasn't run out of ideas. Four tracks telling four stories in different scenes with the whole thing tied together by the tale-teller's trademark sounds and atmosphere with contribution from Budapest's AIWA on the closing track.
Opener 'Venus' is a journey itself. Taking you deeper and deeper to a menacing dungeon second by second. It is dark there. You get lost and unsure what is going to happen. Panic kicks in and you feel something is coming when suddenly... Catharsis. After a while you can open your eyes and get back on your feet. 'Acid Reign' is the most earthly of the four scenes. Everything seems clear for a minute, but then it slowly takes you away, losing your head again. Next scene: leaving the planet, outside the Earth orbit. 'Protohype' is floating in space. It is beautiful up there, but also scary and haunting. Finally AIWA takes you a few lightyears away, when everything becomes blurry and even less familiar. Silence. You only hear your heartbeat, when suddenly the drama continues. Be careful, no escaping this.
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Banke returns to Token.
The Danish producer debuted on the label in 2018 with Totem - an EP of detailed, low-slung productions that highlighted the artist's keen ear for moody, undulating sequences & slick production techniques.
On his return, Banke ups the ante - increasing the tempo moderately and where previous work focused on inviting dance-floor hypnosis, Facelift makes classy peak time propulsion the order of the day.
The work maintains many of the sonic motifs associated with the Dane's production: firm, buoyant low end drives the music, working neatly in tandem with reduced percussive accents and more exposed, crystalline sequences that lift the recordings and offer new, expressive tones to the producer's growing discography.
In many ways lead track Facelift does what it says on the tin, and offers up the most intense experience on the EP. In equal parts as dense and moody as it is exhilarating and uplifting, the track is a fine example of how careful use of limited sonic components can generate extraordinarily affecting results in the right hands.
B1 Yellower continues to channel the feverish energy of the A side, making the most of a driven lead sequence that sits front and centre in the mix. A stylish piece of engineering that bridges the record with some style, offering an alternative but equally effective approach to the EP theme.
Closer Lark indulges in a similar energy, albeit tentatively more heads-down in its articulation - carefully constructed with particular attention paid to the groove and arranged exquisitely to generate a latent frenzy over its run-time.
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Repress
4x12" Vinyl housed in a Gatefold sleeve. Calibre's new album "Grow" for Craig Richards' label The Nothing Special. 12 tracks pressed over 4 pieces of 12 inch 180 gram vinyl presented in Gatefold sleeve. All music written and produced by Calibre. All artwork by Craig Richards. Mastered by Lewis Hopkin at Star Delta Mastering.
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Repress
4x12" Vinyl housed in a Gatefold sleeve. Calibre's new album "Grow" for Craig Richards' label The Nothing Special. 12 tracks pressed over 4 pieces of 12 inch 180 gram vinyl presented in Gatefold sleeve. All music written and produced by Calibre. All artwork by Craig Richards. Mastered by Lewis Hopkin at Star Delta Mastering.
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UFO Inc. starts the new decade with fast, dark improv-techno tracks by the New York DJ, producer and singer Heidi Sabertooth. The four tracks on UFO4 are an impressive testimony to her passion for vintage gear and are the result of an interplay of mainly three machines with which she also plays live: Roland SH-101, Korg ESX2 Electribe and Yamaha DX200 - Sabertooth knows her tools inside and out by heart and tried on this EP to sound as "live" and spontaneous as possible. She plays her machines like instruments and want them to have some life and breath in them because she grew up playing all kinds of wind and string instruments and played in bands many years before she became a DJ. Her approach to making tracks is to capture as much live experimentation and weirdness as possible, while still making something that grooves and kicks on the dancefloor. She is not so concerned about making things perfect, in fact sometimes she intentionally try to disrupt things if it starts sounding too polished or square: ,,I like things to be human. I think you can feel it in the recording when the hands are touching the machine - it is human/machine/spirit connection.?This is why I named the EP as such - With The Void - this is how I like to create: jump into outerspace, into the unknown, with my machines and we all have an experience together - a cosmic electric dance - and that's when I hit the record button." On UFO4 you can definitely hear the fun she and her machines had in the recording process.
Detroit's John Beltran under his alias "Indio" was released on CD back in 1999 on Derrick May's Transmat label. We are very pleased to present you this fantastic album which have been remastered and will now be available for the first time on vinyl. A timeless journey of warm Detroit vibes from the start to the end...
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When you listen to an Industrialyzer track, it doesn’t take long to figure out where his name comes from. These are soundscapes that instantly transport you someplace else, built for cavernous warehouses where regular rules don’t apply. The Portugal-born, Amsterdam-based producer born Ricardo Rodrigues maintains his consistent form on the Moonstone EP with four slamming tracks made for these very conditions.
The title track Moonstone beats you into oblivion with a relentless kick, distorted vocals relaying an urgent directive – “let’s get high” – and scuzzy, whipping synths. On Kontrol peals of synth cut through a thick mist of white noise and the ever-present kick, while one word, stuck on repeat, suggests the best kind of loss of “control”. Daily Nova is a more vibrant track, with housey chords laid over a pulsing beat to create a feeling of delicious unease. And on Psychic Overlays, Rodrigues wades back into darker waters in a pummelling peak time cut and assault on the senses. These are four pumping tracks perfect for sweaty techno bunkers.
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This Is The Seventh Release On Eye Teeth, The Techno Sublabel Of Interdimensional Transmissions, By Israel Vines — Serving As A Teaser For His Upcoming Album. Israel Vines Debut Album Will Be Coming In The Early New Year, But For Now You Can Be Treated To Unique Versions Giving You A Vision Of The Future That Is To Come, Like The Crushing rage Apropriate' Or The Deep Electro Breaks Techno Fusion Of afterever' Or The Experimental Bass Ambient nosedive.' We Started This Sublabel As Way Of Exploring Pure And Experimental Techno In An Entirely Contemporary Context (where It Often Uses Historical Lenses And A Wider Musical Context). This Is Techno From Detroit And America, Not Detroit Techno. We Would Like To See American Techno Evolve, And This New Imprint Is An Attempt To Be A Catalyst In That Arena. This Ep Was Pre-mastered By Neel At Enisslab Studio In Rome. The Vinyl Was Mastered By Carl At Trutone And Pressed At Archer Records In Detroit.
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Industrial techno fine art sound... With a Cyber-Punk freaky attitude.
The new world disorder !
Rezpekt to Mike Ash ! Rezpekt to Mind Control !
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Repress
Finally, Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing album - his first since 2001 - dispatched on his pivotal label; Downwards.
On a masterful twenty-year followup to ‘Penetration’, Karl O’Connor yields a definitive solo LP that distills his passions for sonic brutalism and bastardised Chicago tracks with syncopated UK swagger and reverberating warehouse ballistics. Its lip-bitingly gripping effect is testament to a resounding reputation as one of Industrial music’s most influential producers, and sees the artist bring his own influences - from Test Department to Jeff Mills - into line with his potent palette of narcotised tones.
Recorded in Berlin with Einstürzende Neubauten’s producer/engineer Boris Wilsdorf, the album’s supple, spartan, and rhythmic gymnastics notably benefit from acres of icy room to roll around and lash out. Snagged around muscular bassline revs, and caressed with keys and vocals by postpunk catalyst Annie Hogan (whose recent turn for Downwards was a total revelation), the 9 tracks
portray Regis at his leanest and most mesmerising, which is all the more impressive coming from an artist who’s deliberately held his line through club music’s mutations for more than 30 years.
Between the razor-sharp electro of ‘Everything is Ahead of Us’, and the pure voodoo of ‘Calling Down A Curse’, he sharply carves a uniquely UK and shark-eyed style that lets on to influence from tech-step D&B and dark garage rolige as much as Test Department’s seminal ‘Beating The Retreat’ or 23 Skidoo and ‘Crackdown’-era Cabaret Voltaire.
Highlights such as the swingeing 11 minutes of swordplay drums and bubbling acid in ‘The Sun Rose Pure’, and the straightjacketed funk of ‘I See Fire’ epitomise the rudeness at play, and together with the viscerally personalised sound design virtues of ‘Another Kind of Love’, the immaculate noirish vignette ‘Alone of All Her Sex’, and the lush tristesse evoked by ‘Eros in Tangiers’, this album effectively defines Regis as peerless in his field, and is essential to fans of the artist’s solo classics and with British Murder Boys, Sandwell District, Ugandan Speed Trials and CUB.
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Be As One presents the new "Expert" Series, focusing on the labels leading figures, providing 2 tracker EP's, bringing back the attention to a full sided 12" with their singular out of the box approach.
On EXP01 it's label head Shlomi Aber with a fast forward driving peak-time techno rumble.
- A1: The Projectionist
- A2: Melody
- A3: Dawn
- A4: The Awakening Of A Woman (Burnout)
- B1: Reel Life (Evolution Ii)
- B2: Postlude
- B3: Evolution (Versao Portuense)
- C1: Work It! (Man With The Movie Camera)
- C2: Voyage
- C3: Odessa
- C4: Theme De Yoyo
- C5: The Magician
- D1: Theme Reprise
- D2: Yoyo Waltz
- D3: Drunken Tune
- D4: The Animated Tripod
- D5: All Things
2 LP[44,96 €]
- A1: The Projectionist
- A2: Melody
- A3: Dawn
- A4: The Awakening Of A Woman (Burnout)
- B1: Reel Life (Evolution Ii)
- B2: Postlude
- B3: Evolution (Versao Portuense)
- C1: Work It! (Man With The Movie Camera)
- C2: Voyage
- C3: Odessa
- C4: Theme De Yoyo
- C5: The Magician
- D1: Theme Reprise
- D2: Yoyo Waltz
- D3: Drunken Tune
- D4: The Animated Tripod
- D5: All Things
1 LP[24,58 €]
The Cinematic Orchestra kündigen eine limitierte Vinyl-Reissue ihres erstmal 2003 veröffentlichten Klassikers 'Man With A Movie Camera’ an. Im Rahmen der Filmfestspiele zur Europäischen Kulturstadt Porto im Jahr 2001 wurde Jason Swinscoe vom Cinematic Orchestra beauftragt, einen Soundtrack zu einem Stummfilm zu komponieren, der einmalig aufgeführt werden sollte. Bei dem Film handelte es sich um Dziga Vertovs Experimentalwerk „Der Mann mit der Kamera“, einen frühen Dokumentarfilm aus der Ukraine von 1929, den viele, darunter das British Film Institute, fast 100 Jahre nach seiner Entstehung als einen der besten Filme aller Zeiten bezeichnen. Die Aufführung fand im historischen Coliseu do Porto statt und endete mit stehenden Ovationen von 3.500 Menschen. The Cinematic Orchestra hat die Show im Laufe der Jahre auf internationalen Tourneen aufgeführt, unter anderem im Barbican in London, im Winter Garden des World Trade Centers in New York und im Sydney Opera House.
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- A1: Sunday
- A2: Ft. Oncue - Role Models
- A3: Best Track Ever
- B1: Ft. Sophie Grophy - My Own Thang
- B2: Ft. Dances With White Girls - Take Me To Your Leader
- B3: Why Tho
- C1: Ft. Dances With White Girls - Love & Mirriage
- C2: Warkin It
- D1: Ft. Jpatt - Pass That
- D2: Ft. Green Velvet - Rub Anotha
- D3: Ft. Forrest - Need Ya
REPRESS: 'If you want something done right, sometimes you just have to do it yourself'. In a world filled with false gurus and misguided leaders, so goes the mantra of the New York duo Walker & Royce. After a swift rise in recent years - during which time they pioneered a sound that is often imitated but never replicated - Sam Walker and Gavin Royce have used this mantra as the impetus for their debut album 'Self Help', on their label home Dirtybird.
In order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. Their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one.
Walker & Royce's signature production is in exceptional form on their solo tracks, such as 'Why Tho', 'Warkin It', 'Best Track Ever' and 'Sunday'. The way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: 'Will we play this'
The pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. The legendary Green Velvet lends his vocal talent to 'Rub Anotha Dub', and longtime friend Dances With White Girls appear on two memorable tracks, including the hit single 'Take Me To Your Leader'. Other collaborators such as Sophiegrophy, OnCue, Forrest and Mr. JPatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the 'Self Help' masterpiece.
The road to self-discovery is filled with many bumps and obstacles, but with 'Self Help', Walker & Royce have proven that they've got the keys and in the driver's seat.
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The follow up to SBR001 is a solo EP from resident artist Alci, who is no stranger to the scene having built a solid catalogue and following within the underground circuit. Against All Authority provides three outputs from Alci, all strong and solid cuts built with an attention to detail and subtle elements. SBR002 continues on a strong form that echoes the philosophies behind the people and its music that form Sunday Breakfast.
Sunday Breakfast Records:
Sunday Breakfast Zurich has firmly established its name as a recognised clubbing event in the European House and Techno scene, over the past years it has steadily built up its brand around a strong sound with quality line ups and a resident roster of exceptional home grown talent, that continues to raise the bar with each of its unique events.
Sunday Breakfast Records is an extension of this by where its resident artists are put forward to showcase the SBZ sound that has become synonymous with their parties. Each release will carry the signature sound from a member of the roster as well as from some of the regular guest DJs who have played with the party label over the years.
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DJ Varsovie's new EP takes place in September 2045, in a futuristic end of summer before we have to leave earth. The journey is supported by remixes from Anetha, Minimum Syndicat and Stephanie Sykes, each one gives a different perspective on this dystopic love story. Septemper EP is a double vinyl edition with a colored sleeve and the record is printed on 180 grams vinyl, some of the tracks are also in 45 RPM for maximum quality.
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Not content with defining the sound of minimal techno in the nineties, Robert Hood has more recently fine tuned his own gospel tinged take on the genre. It comes under the Floorplan moniker, the genesis of which is said to have come to him when awakened by a late night vision. Since 2016, it has been a collaborative duo between Hood and daughter Lyric, and never fails to lead to religious experiences on the dance floor.
With roots in the Detroit techno scene in which Hood first emerged, Floorplan’s sound is embellished with the heartfelt emotions and unbridled passions of Chicago house music. It is heavy and analogue and filled with vigour thanks to the expert drum programming and ever rising sense of euphoria that comes from the well sculpted synths. But it also speaks to the heart and soul and has done since first standout cut ‘We Magnify His Name.’ The pair’s endless quest for the perfect groove continued through albums like 2013’s Paradise - which spawned anthemic singles like ‘Let’s Ride, ‘Baby Baby’ and the massive ‘Never Grow Old’ - and 2016’s Victorious.
The same year saw Hood’s daughter Lyric officially become part of the project. Since then they have taken Floorplan to endless headline shows at high profile clubs and festivals everywhere from New York City to Ibiza, London to Amsterdam. Their electric sets leave crowds feeling uplifted, spiritually awakening and totally in awe. Part of the success of Floorplan is the combination of Robert’s old school excellence and Lyric’s new school innovation: their music, with its big chords and even bigger vocal samples, could be 30 years old or fresh from the pressing plant, such is its universal sense of appeal.
Another new album is due on Aus Music in winter 2019 and once again distills the power of techno and feelings of house music with a certain sense of studio magic that emerges when this iconic father-daughter duo come together. It is rare to make music as stripped back yet emotionally enriched as Floorplan, but this pair do it with ease and a firm focus on durable grooves. Functional but full of form, tense but atmospheric, loopy but ever evolving, Floorplan truly transcend the dance music spectrum.
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Pumpin tribe masterpiece papa !!!
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The first tune is a killer....
Welcome to these new artists.
FOUKING GOOOD RECORD !!
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SOIL Records’ first cassette for 2021 comes with sublime work from MOKEN.
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London imprint Drifted Records bring the heat with their second solo output in the catalogue. DR002 - Spirals EP, written by Dublin born, Berlin based wiz ‘New Members’, displays a distinct voyage of the beloved 90s era with a modern innovation.
Side A showcases the heavy, rolling drum patterns, airy dub chords and cleverly placed hats that you wanna’ be hearing at 4am on a packed dance floor, with both ‘Spirals’ and ‘Mythos’.
Flipping the record gives us something else entirely. B1 offers a silky, screw-faced stomper ‘No Mind’, which features samples from the great Alan Watts. Followed by a timeless edition to round off this latest instalment, B2 gifts us a gorgeous and percussive Jungle number entitled ‘Secrets’.
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Here's a long overdue vinyl press of the sold out cassette collaboration between Brussels producers Roméo Poirier and Object Agency. "ATELIER / FERME" sees the pair combine trumpet, guitar, saxophone and an array of analogue synths on a series of sleek, heady instrumentals.
Recorded in Strasbourg, the A-side sees pin-sharp found sounds woven amongst cavernous clicks, pops and weirdly synthesised voices to form an addictive, technodelic bricolage. Think Domenique Dumont floating in a sensory deprivation tank, or Joe Hisaishi enjoying a fine wine tasting holiday in Alsace.
On the flip side we find rippling, live techno edits, all brooding orchestral stabs shot through folds of analogue organ, conjured from a snow-covered cabin. Recommended for fans of To Rococo Rot, YMO and Huerco S.
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LTD edition... Crossbredd at Radio Bomb is an original adventure.
Producting Hardcore/jungle since 1994 Alex Aka Radio Bomb saw the "crossbreed" name taken by a more formated style, very drum & bass oriented while this original style was more jungle. Here comes a collection of 4 tunes exposing his point of view on this "name style".
So here come the original X Breed style !
From the mid 90's until the present day The Advent (Cisco Ferreira) has been a constant inspiration and influence on Perc & Perc Trax, from early albums such as Elements of Life and it's all-star remix album Shaded Elementz to a seminal collection of remixes for New Order and a recent resurgence with releases on Klockworks, Cultivated Electronics and Cisco's own Kombination Research imprint.
Now The Advent debuts on Perc Trax with three tracks of classic mid-90's UK machine funk. 4/4 kicks overlaid with rushing rhythm patterns and filtered vocal hooks. From the deep grooves of Scorched and the drum machine workout of Night Shade through to the jabbing groove of Planting Seeds this release is both a trip back into one of the many golden ages of UK techno and also a way for Perc Trax to pay homage to one of it's heroes.
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Taken from their acclaimed self-titled debut album, ‘One Hand Tommy’ is its latest single and proves no matter how strange our world seems right now, it could always be stranger…
In a blitz session of blood curdling vocals, disarticulated fretwork and wickelly deranged lyricism, ‘One Hand Tommy’ sees The Imbeciles tell us the tale of: Tommy; a child trapped in a dystopian landscape of nuclear annihilation with only a giant killer snake for company.
‘One Hand Tommy’ is the latest exhilarating track to be released from The Imbeciles self-titled debut album - out now. Comprising 13 imploded songs which rarely last more than two minutes, the album was recorded on tape in eight deranged days on the Texan-Mexican border. Packed with stripped-down musical information and resonant with atmosphere, the album was hailed by CLASSIC ROCK as “Some kind of Apocalypse Now” (✭✭✭✭). The band also gained masses of support at radio from BBC 6 Music, Radio X, BBC Radio 1, amongst others. The delirious fun of ‘One Hand Tommy’ is just another reason to believe the hype...
And now it’s been remixed by DJ Tennis & Danny Daze, Mark Broom, Suzanne Kraft and Duncan Forbes.
The remixes have picked up a fantastic amount of support from a long list of names, including this lot – Radio 1’s Pete Tong, Red Axes, Jackie House, Len Faki, Gerd Janson, Laurent Garnier, Ben Sims and more!
Mostly an electro scientific mini album with some downtempo touches influenced by Jeroen Brandjes and Natasja Hagemeier. The Stolen Tracks, an unknown artist, presents us a mini album in which he denounces the insane state of the human soul, which was lost by using the science on top it all
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After the first seven releases, which involved artists such as Michal Jablonski, Wrong Assessment, Alfredo Mazzilli, Keikari, VSK, Kaiser, Denise Rabe and Insolate, now it is the time to introduce the eighth label release.
“Four Rooms” is a new ambitious project curated by Cyb which includes four mesmerizing tracks by Kessell, Blazej Malinowski, Temudo & Hitam and Cyb. The ep will be printed in a limited vinyl edition of 200 copies.
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The Italian Fuzz Dance! Just said almost everything about the global dance music scene. One of the most prominent labels to connect the old Continent to the new Continent. For many top players it is considered the blueprint of Italo-disco, for many others the beginning of the House sound. Some of the records on its catalogue are merely timeless and in the history forever. And "Plastic Love" is definitely one of those.
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First up is Nehuen, an Argentinian born but Barcelona based artist who is notorious for his abrasive dance floor workouts on I Love Acid, BNR Trax and the Classicworks label he co-owns with Cardopusher. Cardopusher is, of course, a true electronic legend from Venezuela. His dizzyingly diverse sound takes in rave, acid, electro, techno and house influences and distills them into hugely
Raw and energetic new forms.
Nehuen's Psyops Part One kicks off with the excellent title track, which contorts acid and electro into a writhing monster filled with dark energy. The visceral 'Toxic' is built on slapping hits and spangled basslines that will tie you in knots as the bumping drums drive things forward. The late-night menace continues on 'Bailar', with tight synth arps layered up in robotic forms over clunky drums that are industrial and futuristic in equal measure. Last but not least, the eerie 'Desire' strikes a more twisted note with double kicks juddering beneath echoing hits. It's pure, filthy, brilliant body music.
Cardopusher kicks off Part Two with the fantastic 'Disobedience' (feat. Lbeeze) a slow-motion drum workout that is like dark disco mangled through a psychedelic filter, with robotic vocals and stiff arp
jerking your body. 'Abyss Antidote' is then a flurry of drum breaks and electro bass, frazzled synths and whipping hits that keep you on the edge of your seat. Darkness abounds on the gritty 'Initial Decay' (ft. Lbeeze), which layers up taught drums and hits with spraying synths that come from a dystopian planet.
Closing out this epic mini-series is 'Mutant Brain', a cyborg techno meltdown with manic acid for
company.
These are devilishly distorted tracks from two of the best producers around.
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Repress!
LP2 continues his exploration of emotive, dreamy atmospheres, soaked with rich pads and otherworldly arpeggios, juxtaposing it with hectic drum machines, deep bass lines and unusual sampling - evoking industrial music. It’s a slightly warmer and in a way more soothing album than LP1, but at the same time more dance-oriented as well, at some point reminiscent of Earth Trax’s early deep house singles. It’s a fascinating insight in world building, extending the author’s ideas from previous records (either as Earth Trax or Bartosz Kruczyński downtempo releases) much further and treating them more as a starting point rather than reusing them. LP2 again features the gorgeous photography of Kasia Zacharko and design of Kaja Kukuła.
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- A1: Version 1.3.3.1
- A2: Take Your Life (Feat. Koogan)
- A3: I Could Never Live Without You By My Side
- B1: Martin (Feat. J.manuel)
- B2: Apollo Tag 2 (F. Fade Mohem And Tobi Neumann)
- B3: Arctic Warmth
- C1: **Smells Like Security**
- C2: Netto (Interlude)
- D1: All My Friends Are In The Bathroom (Feat. Koogan, Fadi Mohem And J.manuel)
- D2: Aniol
German trio FJAAK return with their sophomore album entitled "Havel" LP, dropping on their eponymous label this November.
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For Haven's sixth release in their main series co-head Keepsakes returns to the label with his first EP of 2019 and a new, slower direction for his sound. Following on from a busy touring schedule in the previous year and well received EPs on Haven, "Modern Anxious Vernacular" takes a different approach to Keepsakes' crunchy and vigorous tones, opting to explore slower tempos while maintaining his signature character in an environment of ever increasing BPMs.
The A1 begins the EP with "Seep", throwing mind-shattering kicks, eerie vocal atmospheres and shuffling hi-hats at the listener before striking with a hectic staccato synth line at the halfway mark in a highly effective slow-mo banger. The BPMs decrease further still in the A2 on "State Of It", which utilises effective, stepping drum programming and left-field hypnotising synth work to create a more unusual and melodic ambiance. The B-side kicks off with "Hovel Of Scum", delivering a dynamic percussion loop and crushing kick drum before introducing creepy synth lines and sampling work to reintroduce a ghostly mood. Finally, the EP is closed with "Selfies Are For The Weak", a slowed-down rolling broken-beat workout based around an ear-worm vocal sample and delay-heavy percussion, ending this new sonic expedition in Keepsakes' musical world.
Obscurum is a two man outfit based in Fuerth, Germany. Formed by Roland L. and D. Blaze, who have collaborated musically together since 1995. They also own the following labels: E-Com, Exalt and Seico Corp. Known for their preference for minimal Detroit Techno music, they command international credibility. Dark electronics and pumpin techno with an industrial tinge. Several releases on E-Com/Exalt/Seico Corp. unite their typical style of production which puts the mechanical part of their music in the front row. Functionality without any compromise.
Mission Statement:
In the Tape Studio, one of the most essential processes is the combination of one sound with another, or with many others to produce a new, composite sound. This process known as additive synthesis, is made possible from a digital and analog source. This process can have two results: (1) a single, more complex output in which the various input signals have lost their individual identities while creating a new sound (more or less analogous to the blending of colors); or (2) a texture with various individual components occurring simultaneously but distinctively. Since 1996, the Mechanisms Industries Tape Studio has been guided by composer Fanon Flowers and several anonymous associates.
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Clear Vinyl
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We are glad to introduce you this Bandcamp exclusive premiere, release available on pre-order vinyl and digital, from label owner Oscar Mulero, offering us four cuts of precise and expertly crafted techno.
"Transparent Ray" relies on a cosmic sequenced line, growing and evolving over a dry kick drum while additional percussive layers run on top.
"Solarized" starts with a solid groove and gated synth sounds that change in shape as the minutes go. Liquid but raw at the same time.
"Opposite" is built upon an asymmetrical beat combining digital bleeps and filtered 808 snares spiced with delays and reverbs, a mixing tool in essence.
As a digital bonus track, "Generator", fat bass drums, continuous percussive components in various layers, plus occasional synth action.
Four cuts that interacts one with each other, made to be combined, frequency melted in expert dj sets.
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Following their debut compilation last year, Accidental Meetings are back with their first album by Vancouver-based artist, wzrdryAV aka Kelly Nairn.
The tape is a tale of two sides, one beats, one beatless. Using field recordings, audio collage, sound object manipulation, synths & samples, Nairn explores his extensive repertoire.
"`To take two of my worlds and put them in one place as an experiment in contrast"
Side A explores the groovier, rhythmic side of Nairn. While deliberate melodies are uncommon, repeating fragments of chords and foggy loops combine in a pulsating way. Touching on Detroit techno & Jamaican dub throughout, Nairn creates trance-inducing mini jams from start to finish. Side B leans more on Nairn's granular synthesis side. With fragments of field recordings scattered over drones & layered tones that manifest themselves in the most unexpected ways.
“I'm putting together and playing back sounds for the audience that I find evocative for my own escapism”
LILIES welcomes fellow Swedish artist Billie Jo onto its roster for the labels seventh release.
Hailing from Stockholm, Sweden, Billie Jo is a DJ and producer with material on the likes of Spencer Parker's Work Them Records and Vincent Neumann's Unitas Multiplex. The past few years have seen Billie Jo steadily making her mark on the Stockholm underground scene and here we see the release of her third EP to date via DJ Lily and Sailor Juul's LILIES imprint.
"Dubbla Slag" leads with thunderous kicks, jolting percussive chimes and Jo's own hypnotic vocal chants ebbing and flowing amongst crunchy drums and a pulsating low- end drive "Du får mitt hjärta att slå dubbla slag" - You make my heart skip a beat. "Faller' follows next, embracing a similarly raw aesthetic courtesy of a gritty, dynamically evolving rhythm and intricately processed vocal murmurs, once again from Billie, uttering "Jag faller - så fånga mig" - "I'm falling - so catch me".
On the flip-side label bosses Sailor Juul and DJ Lily deliver their "Wellness Remix", embracing a more menacing feel with heavily distorted bass tones, driving drums and the original vocal line throughout. DJ Lily then goes solo for his take on 'Faller", again adding an even more vigorous feel to things via rave tinged drum breaks, distorted bass stabs and vacillating vocal tones.
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Rotterdam's local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one's stomach when ingested, 'Generatie Desinteresse' inspects the blas? youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.
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yellow & clear green marbled vinyl
For the inaugural EP, FOLD resident Gareth Wild presents "Common Assault". With metallic tubular synthesis, cut-throat percussion and rolling rhythms, this EP is an effective and essential piece of material demonstrating all angles of Techno, immersive to peak-time.
The release features three original tracks and two locked grooves from Gareth with stripped back, dark-side remix work from Madrid's very own Roll Dan.
Featuring bespoke, full colour cover art by designer Lion Sauterleute and pressed up on coloured neon wax the release lands 25th September at all good outlets.
In the meantime, check out the snippets on our Soundcloud. The movement continues!
Geistform, also known as Raffael Espinosa, is the producer behind Pi Electronics record number 10.
After almost three decades of music making, he delivers a 5 track-EP fusing influences from techno, electro and '90s IDM. Four of the tracks can be found in the vinyl edition, while the 5th is a Bandcamp digital exclusive. Listen now to Geistform's multifaceted characteristic production style: from breakbeat informed dark percussion and his unique 'radioactive' riffs, to his very own Detroit techno drive, dressed in rhythmic noise aesthetics. PI10.5 is a slower burner with emphasis in the chaos brought by its distorted baseline themes - to be found only on the Pi Electronics Bandcamp page.
31*9: I've completely lost my way in this rocky maze and to make matters worse, I've lost half of my tail. I don't understand, it's as if my most important point of orientation, Mount Nduja itself, is constantly shifting. And why do I keep hearing these clangorous sounds...?
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Orange Vinyl
Second release of the DreamWalker series by Mystic & Quantum Records. This time, a new adventure of Ochre with artwork by Guy Warley. An EP full of shimmering electronics, crunchy, crispy beats and sweeping melancholic melodies. Limited to 300 copies, colored vinyl.
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Manchester based Rudosa has been around for almost a decade, quietly building a nice catalog of releases signed to Intec, Suara and Second State. Not to forget collecting multiple Beatport top 10s and support from iconic producers including Carl Cox, Adam Beyer, ANNA, and Amelie Lens. His no nonsense approach to Techno lead to this debut 4 track release on Terminal this September, after his debut on the labels VA earlier this year.
Opening with the title track ‘Heavy Rotation’, it’s an emotionally charged, acidic roller. Warehouse drums and wild open hats playfully minge with sharp pads, vocals and stabs. ‘Primo’ continues apace. Stadium-sized sonics and a kettle drum kick drive the track as it thunders on into the dark recesses of the club. ‘Delusions’ is a trippy, trancey cut. Wild melodics weave among the sparse percussive layers creating a softer, but no less engaging mid-set showstopper. Finally, ‘Adapted’ ties up the EP in epic fashion. A very rounded release package that offers a ton of energy with depth.
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DSP welcomes back the prolific one-man-machine from Malta… Keith Farrugia AKA Sound Synthesis for the first solo EP on the imprint. ‘Memory Sequence’ Depicts a cerebral journey into the depths of cognitive recall.
The record opens with ‘Electric Flux’. Acidic Electro reminiscent of the cold futurism of early Detroit Electro with an informed shift in perspective that pushes things further forward.
The A-side concludes with the mysterious, arp laced ‘Melodija’. A heartfelt example of Sound Synthesis’ depth and individualism when it comes to the deeper side of Electro.
‘A3B0L3’ takes things in a more playful direction on the flip. Smooth chords, soulful drum programming and lysergic elements of Keith’s futuristic funk leave a vivid impression on the soul.
The final statement on the record ‘Melody Chords’ Takes us on a ride of self-reflection, emotional depth and melodic distinction. Leaving the mind in a state of profound clarity upon it's resolve.
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For their tenth anniversary, Lucidflow return to physical media with a value packed slice of wax. Klartraum and co-owner Nadja Lind feature, alongside production behemoth D. Diggler, Klartraum partner Helmut Ebritsch and special guest slot for returning artist Spettro.
Nadja leads off at full tilt with a high energy workout on 'Holistic Kit', teaming tumbling drums with sci-fi synths and poignant key changes. With high tempo techno and the return of synth led music being a key theme from 2018, this is absolutely on the money. Pairing with the usually rambunctious D. Digger, 'Mekong Delta' is more contemplative. Named after the Vietnamese region, the track is as hypnotically undulating as the river that runs through it.
Then, joining up with fellow Lucidflow co-owner Helmut Ebritsch, 'Weltenwandler' is a typical Klartraum workout. Ocean deep, the key aspect to lock on to here is the rising and falling dub chord that underpins the track. It goes from a supporting rhythmic tone to lynchpin of the evolving melody which creeps in sneakily as the track evolves. Finishing off the release is 'Lunch With Kerri' from Spettro. The Little Helpers and Get Physical artist returns to Lucidflow with a particularly on point piece of jazz flecked broken down techno. Full of energy, it is a crackling highlight, and a little taster of what is to come from this artist on Lucidflow in the near future.
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The third release on Raw Basics is a collaborative effort from Basic Rhythm and the inimitable Lamont.
On the A side we have Hard Shoulder. Starting with an electro groove and meditative synth line, pausing for a moment to drop in a head nodding bass stab to accentuate the percussion before bringing in a gritty percussive roll and flair evoking Detroit and Chicago but with a contemporary twist. Hard Shoulder is a modern electro roller with energy to spare.
On the B side is Spring Back, a deeper more melodic affair that opens with a distorted chime melody, bringing to mind children nursery rhymes, before stripping back to clear simple percussion and bass stab. The track rolls along, dipping in and out of the melody line and playing with the time signature, before bringing in a deep sub bass and switching the groove up. This is space age bass music!
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To coincide with the announcement, the pair have shared a video for the album’s title track directed by Sam Davis and Tom Andrew, who has previously received two UK Music Video Awards nominations for his work with Avery. Speaking about the video, Andrew explains, “We were keen to capture a visual representation of the tempo and atmospheric emotion of the track and make a video exploring the notion of collaboration. A super-motion approach allowed us to explore details of motion shared between two people, in tactile actions of aiding and supporting.” Cortini adds, “The video embodies the volatility and hidden nature of the music’s subject and meaning. A meaning that is ultimately personal and unique the listener/spectator.” Watch the clip .
Beginning as a collaborative experiment before the pair had even met, Avery and Cortini then worked remotely and free of concept or deadline over several years. The result, finally completed when both artists were touring with Nine Inch Nails in 2018, is a quietly powerful album rooted in trust, process and experimentation. The first fruits of their labour were unveiled last year when ‘Water’ and ‘Sun’ appeared online, subsequently released as a very limited 7” run that was sold at FYF Festival and Mount Analog in Los Angeles, and Phonica Records in London. Both tracks are included on the album.
“It was very much a shared process”, notes Avery. “I would like to credit Alessandro with his belief that music has a life of its own, as well as the importance he places on the first take... That even something that may be considered out-of-step by some should be respected. Some of the tracks were borne simply out of a tiny synth part, or a bit of tape hiss that we had recorded. And that approach taught me a lot. It’s a record that’s been worked on hard, but not laboured over.”
“I was a big fan of Daniel’s, and his work always spoke to me in a certain way,’’ explains Cortini. “Then, when we started working together, it just clicked. It’s very hard to explain, but I can always hear the love in his work, and that is true on this record. After our first collaboration, we just kept sending each other music and maintaining that dialogue. Next thing you know, we’re sitting in a hotel room in New York and had finished the record in three hours.”
The collaborative album follows Avery’s second record Song For Alpha, released in early 2018, and last year’s expanded edition B-sides & Remixes. Mixmag called the sophomore LP “A beautiful maturation of Avery’s work as a producer,” while The Guardian hailed its “Majestic, cavernous techno” and Loud & Quiet praised Avery as “A producer fast approaching the peak of his powers,” “This album cements Daniel Avery as one of the best,” wrote DIY. The London-based producer will perform at BBC Radio 3’s Unclassified Live on April 3rd, a new series of concerts in the Southbank Centre's Queen Elizabeth Hall presented by Unclassified host and presenter Elizabeth Alker and conducted by André de Ridder – tickets are available here. Avery has also just been announced in the first wave of acts for London festivals Re-Textured and the inaugural Wide Awake, taking place in April and June respectively.
Cortini released his most recent solo album Volume Massimo on Mute in July 2019, following Fine, the Italian artist’s final album under his SONOIO alias, which came out the previous year. The Quietus called the former “an album that showcases just how much Cortini‘s aesthetic has developed since his early days,” while Exclaim! hailed it “a melodic exploration of textures and layers … an instrumental masterpiece that adds to an already incredible body of work by the gifted and skilled composer.”
150 white copies!! What's the best thing we can do What our heart tells us, so finally we do it. Enough! Music starts a vinyl only limited series with collected fine musicians. The first outstanding release is by label owner himself Danilo Schneider, he presents his EP Take A Breath. The deep passion and focus on excellent productions is the result on this first release here.'Solidly' and 'Sunday' are two tracks full of rhythmic elements, percussions and a groovy dub drive. This harmony between a straight kick and a deep bassline along side the melodic attitudes are balm for your soul. Stay tuned and follow us on a journey full of exciting releases.
With Ousia, Joachim Spieth presents the third long player on his label Affin. The follow-up album to "Tides" creates imaginary spaces, translates ephemeral impressions and condenses them into cinematic soundscapes. The eight pieces illustrate an intense and emotional journey that creates expressive relationships between external and internal perceptions.
In addition, the piece "Mutuus" reveals an enchanting and so far unique collaboration between Markus Guentner and Joachim Spieth, after the two musically shaped Wolfgang Voigt's first release of the compilation series "Pop Ambient" more than 20 years ago.
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Leonardo - Voyage EP Etheric Recordings (ETHRC002)
Leonardo returns with another 4 track EP on his Etheric imprint. The 'Voyage' EP shows a diverse selection of tracks ranging from peak time to downtempo. 'The Offering' delivers energy through solid punchy drums and simple but intense percussion with the main synth bringing a head turning edge. 'Symmetry' has a late night feeling to it fusing primitive and hardcore elements over a broken beat structure to create a unique elevating gem. Spooky deep tech track 'The Afterlife' is dubby work out with haunting vocal samples and trippy synth hooks while 'Droplets' completes the EP off in a downtempo vibe incorporating the same edgy raw feeling of many of his previous productions.
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Michal Wolskis faible for deep and detailed techno is more than apparent on his new release and catalog number 002 on Inpureform titled Gateway. Four cuts on vinyl prove Wolski's intuition for razor sharp techno, whether it being crafty peak time material or more dense and tripping music for the afterhours. Inpureform 002 is as versatile and stimulating as techno gets.
The second release on the label receives early support from Alfredo Mazzilli, Dimi Angélis, Distant Echoes, Farceb, Gerald VDH, Jacopo, Janein, Jon Hester, Mod21, Robin Kampschoer, Samuli Kemppi, Setaoc Mass, Troy, Vincent Neumann, Vlad, Wrong Assessment and many more.
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Transparent Red & Black Mixed Vinyl
After 3 years SNTS releases on his label SNTS Records a 4-track EP , getting back to his initial and characteristic sound. Textures, voices, percussions and an intense melancholy surround every track.
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The first collaborative release between Roman Flügel and Daniel Avery arrives on Live at Robert Johnson, under the guise of ‘Noun’.
Initially recorded some years ago across just two days at Flügel’s former Frankfurt studio, both tracks represent a meeting point between the sensibilities of two of the best-loved producers in contemporary electronic music. Patient, even minimal psychedelia shares space with the driving club music that defines both Avery and Flügel’s individual DJ sets, as well as a number of occasional back-to-back performances, where the music of Noun has since been reliably reached-for and re-contextualised ever since.
Indeed, it speaks for the confidence and craft in this debut collaboration that Noun begins with ‘Meeting of the minds’, a textural delight that finds the Anglo-Germanic pair at their unremittingly trippiest. An analogue, unwavering transmission, as if pirated from Avery’s celebrated frequencies, is wrapped around minimal drum percussion, guaranteed to equally appeal to fans of the more experimental, reduced moments in Flügel’s back catalogue. Tense as the mood may seem, in these offbeat sonic corners, lay pockets of intrigue and moments of bliss.
On ‘Team Silent’, the impact is more immediate. As the seams between individual influences melt away, Flügel and Avery roll out something tougher and more direct; a blossoming, somewhat dystopian drive-by-night of softly soaring synths, ecstatic feedback and tough drums. Somehow both understated and anthemic, this is a true late night jam courtesy of two masters of club culture. Years later, and what a difference two days makes.
John Thorp
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GENX003 is a four track EP tribute of the classic "Boy's Interface". Starring the legendary DJ Rob with a remix of himself, Rotterdam City and label owners Deep Dimension. Relive the old vibes of Parkzicht with a techno twist.
Supported by: Charlotte de Witte, Chris Liebing, Dave Clarke, Len Faki, Rebekah, Speedy J, and Thomas P. Heckmann, Perc, 2000 and One.
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With a fleshy mix of acid and electro cuts from Sync 24, Privacy, Luke Eargoggle, Etcher and -=UHU=-, Berlin's longstanding machine-driven music collective, Mechatronica, forcefully unites the classic and new sound on their first record release.
A first-ever collaboration between established electro commanders Luke Eargoggle and Sync 24 opens the record in toxic floor buming fashion, followed by a cold and tightly programmed electro journey by -=UHU=-, blending the mechanic and the monotone in a comment on today's relationship between machine and man.
Building on strong previous releases with Lobster Theremin and Klasse Wrecks, Privacy kicks off the flip, taking the tempo down with a booming, melodic electro cut, followed by a funky acid workout by Etcher featuring his signature bubbly basslines and soothing synths.
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Hate And Tenderness is a series of annual compilations that we have been working on for the last 3 years. In it we seek as always in ANAØH, to find the inspiration and concept for the project in the contrasts, daily contrasts, of nature, of the soul, of love, and as in this case daily life, the contrast between the hatred that humanity It can manifest itself by demonstrating the destructive and hurtful capacity that we have and everything that awakens in us the purest tenderness, such as the smile of a mother worth a million, a child playing with a cardboard box, an animal enjoying the freedom of its natural habitat, looking into the eyes of our great love, a sunset in which the sky is painted pink and everything that makes us feel alive, regardless of the place or time …..
We have decided to release this third volume in a physical collection format in a limited number of Cassettes and in digital format.
Being true to our contrasting philosophy, we have decided to invite young artists who are doing work of the highest quality and artists that we have always respected and grew up with. Each and every one of them was invited to join the project with all the love and respect and we have received nothing from them but love, good intentions and an enthusiastic group that has resulted in a wonderful musical work.
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Blue Marbled Vinyl
We are very excited to present our next release on Flatlife Records, this time it's a massive re-release of the 1993 Alici classic "Theme Of Roarr" including 3 brand new roof raising remixes.
The original version has been remastered and edited for maximum impact and its original incarnation has been doing damage to dancefloors over the globe for the last 27 years. Needless to say, this unbelievable TB-303 workout is for the purest acid lovers out there!
The first remix comes from Alici himself under his NEM3SI$ moniker! Here he delivers a straight up - techno remix - complete with a retro synth line, mystical vocals, raging acid lines and a break down to die for! A modern-day anthem - re incarnating a true classic for the next generation.
The next remix comes from the incredible Ad Nauseam who deliver a truly uncompromising powerful version; complete with their trademark head on sound. Working the 303 as if they came straight from the 90's - complete with a heavily distorted kick and crunching hi hats driving this mix home. Pure acid filth!
Last but not least on remix duties are the legendaries Chris Liberator & Geezer, serving a real "Stay Up Forever" sounding slice of acid goodness with a twist. Turning the original upside down with a straight for the kill vibe - designed to rock it UK warehouse style. Full of energy and drive, this version is a must have for any true underground fan!
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Dense & Pika's latest Drumcode release comes in the shape of a heavy four track EP, 'Calf EP'. The four tracks showcase Dense & Pika's signature industrial and dynamic style, each track bringing its own unique sound to the release whilst being unified by the sledgehammer intensity throughout. The release is laden with sporadic vocals, clanking samples and serious kick drums throughout - another heavy hitting, ear whipping release from Dense & Pika.
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Following DJ LOSERs output on labels like VEYL, PUPPY TAPES or Clan Destine Records is Stealth Hope. A blend of various styles and genres, Stealth Hope showcases the wide range and potential of the Greek artist who is destined for big things to come.
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Javi Ribes started playing with synthesizers a couple of years ago, when he bought his first drum machine and since then he fell in love with electronic music. What captivated him the most was the sounds of the “ruta del bacalao” in the Valencia of the 80s, from which, he has drunk since he was a child, the forcefulness of the New beat or the elegance of the electro… influences in which he tries to follow in his project of Javato. He has always been playing in punk bands and different styles.
He produces everything with analog synthesizers, his music is a mix of classic synthesized sounds from new beat, electro and early 90’s european techno.
His first live in June 2019, has made him pass in this format through many underground venues in the peninsula, as the Residencia, Meteoro or the Ocho y Medio to name a few.
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Next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! Following his explosive Figure-EP just this recent summer, Juxta Position now reveals his more sublime side on these two technoid journeys. Keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. A new face for Figure and definitely one to watch is Pablo Mateo. Taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. Tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!
Figure‘s newest addition to its catalog is Nocow‘s Ualldie EP, a vivid adventure following his trilogy Vozduh/Voda/Zemlya on the main label.
Nocow’s synths stand out once again, churning out melancholic grooves over five pieces, which showcase his abilty to mesh the psychedelic and the heavy, resulting in tracks both bittersweet and punishing.
It‘s a distinct Russianness, a yearning frozen within, which Nocow‘s cloud techno transports effectively using stereo panning, finely layered percussion and wide strings to paint his imaginative landscape.
Counterweight welcomes to the label the rising Berlin artist Opål with this excellent 4-Track full of Techno EP.
The title track, Luminescence, is a rough and hard hitting 4/4 warehouse destroyer. 'Impala' reduces the tension and shows a more melodic side of the artist but still keeping his characteristic industrial touch. On the B side Opål shows what is the definition of 'driving' Techno with 'Eclipse', this is simply amazing. The last track is an absolutely outstanding remix by the Italian artist PVS, who explores new atmospheric shapes and goes beyond simple 4/4 structures.
Pump up the volume, this is real shit!
After a brilliant response to Pedro Vian’s debut Album “Beautiful Things You Left Us For Memories” towards the end of 2016, we shared “BTYLUFM Remixed,” an EP that showcases five remixes from Eric Copeland, a frequent collaborator of Animal Collective; the Swedish producer Peder Mannerfelt; two from the exceptional musician and DJ Tevo Howard and Escapismo, an anonymous project of which we cannot detail any information.
Transparent Vinyl
Solid Void EP is Setaoc Mass sixth release on SK_eleven following from the Reframe EP which came in December.
The British producer plays to his strengths and delivers four tracks - rich in depth, texture and hypnotism.
Light falls opens the EP with its gentle ambience combined alongside welcoming, warm synth-lines. A2 and B1 True Lies and Eurythmic both take the tougher route, brandishing two cuts of tough techno Sam is known for, always ready for the peak-time. The EP is wrapped together with a signature electro excursion Jenagan Sivakuma - rife with euphoria and groove.
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Luna Frigus[8,36 €]
Marking its ten-year anniversary Dynamic Reflection is set to release Continuum, a collection of five uniquely intertwined EP's. The special series commemorates the label's roots, evolution and establishment and honors its residents and friends. The Continuum-series will feature twenty exclusive tracks. The EP's Sonos, Magno Hyacinthum, Fluctus, Luna Frigus and Terra Nova are planned as part of Continuum. Individually each will pay tribute to four distinct artists that have inspired and shaped the sound of Dynamic Reflection. Collectively they become the articulation of a decade of techno.
Featuring tracks from Shomo, VRIL, Luigi Tozzi and Delta Funktionen, Sonos represents the third planet in the Continuum-constellation, consisting of five exclusive releases in celebration on the 10th anniversary of Dynamic Reflection.
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The third vinyl release on Manjumasi comes from enigmatic Ukranian producer Silat Beksi, whose work shines in its expertly honed details. Each of his productions is infused with an intricate sense of groove and texture — one is left with the feeling that describing his sound as “minimal” does not do it justice.
Over the course of many vinyl releases, he has shown himself to have a unique sonic touch, a style that is best described as his own.
The A-side features two works. Lead track DNA is a moody affair with an extremely deep descending bassline that anchors the low-end, while atmospheric pads develop above. The track is imbued with a feeling of life, evolving, emerging from the shadowy mists. This is followed up by Frozen, a more groove-forward number with an emphasis on trippy melodic details and vocal edits that keep the ears constantly engaged.
On the B side is Light In The Darkness, a meditative but driving track with a long and very deliberate energetic build. As the name suggests, this one conveys a sense of optimism, with wide pads that evoke new possibilities opening ahead.
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Interference: Forgotten home recording from December 2018. Re-discovered and re-edited in 2020. Optimized for DJ streams.
HS-101 (Studio Version): Reconstructed from a one minute live recorded transition.
HS-101 (Ankali Live Version): Excerpt from an improvisation recorded at Herrensauna Invites, Ankali, Prague on Jan 12th 2018.
Secretly in the making for 25 years, 1995 marks point zero for this native electronic side project from Rico Puestel (Cocoon Recordings, TAU, Exhibition).
Back in the days, the basic idea of pure electronic song writing, the project name "Tetzlaff" as well as tidbits of first melodic themes, motivs and lyrical notes came into being - followed by a roller coaster ride of emotions, amendments, rejections and the dreadful search for the equipment (in the days before eBay) to make it sound the way it should.
"Reisen", illuminating two perspectives and homages to travelling, is the vanguard single, performing within the prospective shadows of what's to come...
Adam Pits, what's not to love. It was a pretty easy decision for us to call the remixes in for a record that had everyone wafting. Firstly, for those of you that missed out last time around we figured it'd be a nice touch to have the original mix of "International Wafter" to kick us off. As they say, if it's nice - play it twice. Label mainstay and pal from across the pond, Ciel, takes the title track and entices us down the rabbit hole. Layering it up with an eery vocal and simply - we love it. Over on the flip Roza Terenzi turns in her signature hedonistic blend of future squelch and thumping 5am elbow burners. It'll get you going. Our lad, Seb Wildblood closes out proceedings with almost a prime era *cough* Innervisions *cough* peak time, low end, percussive blinder. It's really great. We will continue to waft, regardless of the weather.
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Rave is king. Oozing out of 1995 into the year 2020, Terrestrial Funk awakens Airpeople's 7 Deadlies to a dystopian future in need. Otherworldly electro on the A and a highly hypnotic techno tune on the B. Cerebral breakdowns and absolute relentlessness. This hi nrg UK rave 12" pushes the tfunk catalog further into the unknown after a string of rarity reissues from old Miami, Ghana, Sarasota, and a grand new DMX Krew album.
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Solid Pure hardtek Tribe. Renewing the old school out of the Happytek/core, hardfloor etc... A real old school LBEmeeting DSP sounds-like... Enjoy !
Rolling bang-bang tribe, simply efficient. Well done inna strong shape. Featruing loads of dancefloor trcisk mental sounds. Spiral-style Kicks !
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That's a hard kicker, not too speed, with some acid moments.
A well done sophisticated music. Deejay friendly.
Brilliant !
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Secretsundaze return with a second volume of their new mixtape series. After the success of the Joe Claussell tape they turn to Carista for another introspective mix aimed at a relaxed home-listening session.
In May 2018, Carista performed one of her first international gigs at Secretsundaze in London and went on to play 2 other shows for them that year. A year later, she has become a mainstay on the European club & festival circuit, playing to an ever growing, passionate and loyal fanbase week in week out, already playing shows that most DJs would only dream of, including closing a stage at Lowlands festival to an audience of 10000. No wonder a recent Mixmag article crowned her as "A DJ star in the making".
Her residencies on NTS and Red Light Radio showcase her love of house, boogie, broken beat, disco, funk and beyond. Her DJ gigs can also see her explore further into house and techno but this mixtape showcases a different, softer side of Carista blending ambient soundscapes, jazz, dub and soul as well as some poignant words from Nina Simone.
Acid tribe assez lyrique, très bondissant, en paix avec le son, ficelée au poil. et au poëlle. et à la poêlle... les tracks évoluent de manière assez trance finalement.
Psychedelic !
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Ltd to 150 Copies
Davide Piras, the golden boy, lands on our basement with this purpose electro Ep made in Italy. A journey in the hyperspace: dark pads, mechanical electro patterns, old school drum machines sounds, heavy electronic beats and syncopated kick drums.
An excursion on the deepest sonority of this new electro generation.
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Compilation de 4 morceaux tribe Bass Addict style.
Bondissant donc, dans une ambiance Pumpin un peu faut dire.
Jolie selecta bien cohérente... tout peut se jouer avec tout. Nikel !
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A thrilling collage of rough, jacking US House rooted jams, Mistress 13's attraction thrives from the combination of analog rhythms and catchy melody figures revealing Frag Maddin's soft spot for erratic contrasts. From swinging 909 drums that glide into funky synth sounds and hypnotic vocal cuts to reverberated chord progressions accompanied by bouncing bass-lines to more refined arrangements oscillating between techno and house — Mistress 13 not only has some serious muscle for the dancefloor injection, Frag Maddin also knows how to maintain the tension between emotional vibes and narrative slices.
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DJ HELLFISH NULTIMATE ALBUM !!!
A Very 70's Rap/funk ressourced, with massive High Raw Kicks and bloody Cuts.
As usually the PUNK style stand before all, with unexpected ruptures and changes. All tune starts with some Skip Proof high time before running hordes of beats over the dancefloor...
A year of creation !
! 3xLP !
Following on from their recent album on Italian imprint Just This, Hunter/Game present the Silence Remixes out June 7th, featuring contributions from Radio Slave, Inland and Jamaica Suk amongst others.
Silence is a spiralling voyage into the depths of blissful ambience and meditative techno from Milan-based duo Hunter/Game. Arriving after a series of acclaimed EPs on the same label, it is an aesthetic statement of intent, carving out serene spaces of melancholy and upliftment.
For the remixes EP, a carefully chosen selection of artists provide varying interpretations of stand-out tracks from the album. Radio Slave turns ‘Dead Soul’ into a marching ground of melodic techno, whilst Inland breathes robotic life into ‘Crashed Sounds’ and Wrong Assessment levitate ‘Fragments’ over murky waters. Closing off the vinyl is Jamaica Suk’s ominous restructuring of ‘Reaction’.
Owners of the digital release will receive three further remixes. Vessels turns ‘Evolution’ into a broken dreamscape of stepping percussion, whilst Just This affiliate Scissors forges a stripped back, tripped out version of ‘Memories’. Also featured digitally is a second version of Jamaica Suk’s ‘Reaction’ remix.
Two years after the drop of his latest solo effort, 'Strangers', Budapest cross-dimensional vibes trader Imre Kiss clocks in on Dalmata Daniel with the eagerly awaited followup to his widescreen, sci-fi ready sonic adventures. Here again, the Hungarian producer - who's made a name for himself through discerning blends of kosmische-infused nostalgia and uplifting emotional apexes, takes us off to a world of sense-awakening wonders and hidden alien treasures, well supported in his quest by Den Haag's legend Intergalactic Gary, up on the flip with a heat-seeking belter of a remix.
Written during a tour across Japan, the title-track 'Oimachi' breaks things in on a punchy yet immersively emotional note, flexing out the blunt Casio arpeggios and muscular bass leads for what results in a soul-whelming, wildly enjoyable trip away from the gridlocked 4/4 paradigm. The further jagged and wonky 'Whipromance' extrudes a weirdo-friendly piece of stretchin' electronics from its squelchy gangue of acid subs and straightforward drumwork, all set against a refreshingly contemplative dawn of pastel-brushed pads and ample beat-free sequences that shall leave weary dancers in a daze.
Flip sides and here comes 'Soft Obsession' - a fine-tuned assembly of organic envelopes, plurally sourced sample library and that idiosyncratic sense of otherworldliness the name of Imre Kiss has become synonymous with. Opening the sunroof onto a luxuriantly arranged and incredibly deep forest of rhythmic folds and textures, this is the very kind of track to send you off to the zone on a one-way trip. Rounding off the journey in true Moebius-esque fashion, Intergalactic Gary lets his unmatched jockey know-how do the talk through a mind-expanding finisher that'll be sure to please both the lovers of stadium-sized epics and all-night-long chock-a-block sweatbox action.
/Baptiste Girou/
Banging Hardtek, 4 minimalistic rythmic tunes, a DJ perfect toolz, not too screamy, not too neutral. Something settling an ambience without complication. Clearly good !
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You know what gravity is, right? That force that keeps our two feet, face, back, ass, ears, knees on the ground…. That force that ensures that even after 25 years Ovum can still pull out serious surprises, join more dots beyond the dots and welcome true legends to the label for their debut.
Celebrating 22 years of Josh Wink’s cult acid classic ‘Sixth Sense’ they’ve invited old friend Shlomi Aber and a bonafide Master At Work, Louie Vega for a set of remarkable updates. Celebrating his first Ovum appearance, Louie takes the lead with a whole menu of mixes that provide total mix creativity. The lead mix hits with that essential New York swing. Stripped back to its naked form, the drums bump your hips and shoulders into submission while a rubber ball bassline and Ursula Rucker’s signature spoken word lock you down. A complete flip on the paranoid, pacey original, it’s Louie Vega at his very best and most dancefloor-focused.
Vega’s remixes are joined by two equally alluring twists from long-time mate Shlomi Aber. His first is a pumping, uptempo techno twist that nods to the original while his Hidden In The Dark offers a much darker twist. Bare to the broken beat bones, it’s a trippy escapade into much shadier corners of Shlomi’s sound. Restrained, tense and cavernous; perfect for Ursula’s vocal to totally hypnotise and pull us back down to earth. Extra sensory business this summer, these aren’t remixes – they’re whole new chapters.
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Experimental sounds to DJ Tool or to listen... Mr Law is an avid Jamaican music collector, responsible of the technical production of old-school dancehall weaponry such as NJD Dub Siren and Lickshot machine, that you can fully experience on this sound-effect/library 7″ blending noise, ragga and 8 Bit.
Sweet tribe acid tunes... Nice and melodious, downtempo even sometime.
With a solid dancefloor feeling !
BIG and original !
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Compilation of 4 FAT BIG TRACKS !
the ultimate selecta amoung the ebst tunbes of some new commers :)
Hardfloor killerz you got there !
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Limited Repress!
OTO Casa Discografica celebrates Italy s hidden treasure and hometown: Bologna, the city that gave birth to the most creative italian cultural movements since the mid sixties.Contemporary art, comics, design, music You name it, we made it before, better and wilder ! Bologna host the greatest techno club in Italy, Link, where Angelo Sindaco (OTO boss label), Mayo (aka Abyssy) and Luca Ghini filled the dancefloor in the early nineties with a blend of Detroit techno, Chicago House, Electro and their own productions. Skank Bloc Bologna is a serie of limited 12s in the typical OTO fashion: each volume features four artists/producers from Bologna for a total of 3 issues. SKANK BLOC BOLOGNA VOL. 01 features: Sindaco and Carli Morettis OMBRA SILENZIOSA reworked by Pasta Boys honcho Uovo, Abissy (Mayo) with a pure analog Detroit style gem, a Luca Ghinis typical techno funk lick and, last but not least, Paolo Iocca from RA-1 Records with a dark, powerful dance stomp. Packaging feature a tartan fabric cover (all different!) and an orange silver-screen printed cardboard poster. Limited edition of 100 pieces.
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Desplazamiento al Rojo' (Redshift) is a sound work inspired by the physical phenomenon that occurs when the radiation of light that is emitted or reflected by an object increases in wavelength. Although this applies to celestial objects, its foundation can be associated with acoustic phenomena, such as the Doppler effect, where there's a change in the perceived frequency of sound waves when the source moves relative to the observer.
The main track of this sound work is based on a solid and pounding groove, covered by a series of hypnotic tones with wide and evolving soundscapes with a sci-fi vibe. Two ambient pieces complement this release with a vision focused on soundscapes that reflect the spectral displacements during the expansion of space and the dilation of time with interaction of harmonic and inharmonic frequencies. To close the release, the track 'Desplazamiento al Rojo' has been masterfully remixed by Mike Storm, impregnating its distinctive sound to give the final touch to this reference.
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Is back that reprezss of the oldschool TNL 01... I remember having these with Ultrasuoni at the very start of the label... Was a great time. 1998 power !
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Norse Projekt returns with another episode of Micro House infused Rominimal goodness, this time courtesy of Massud Matin with a remix from Argentinia Alan Castro.
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petite voluptée mental, sèche et bien oldschool...
Le style Tcheque. Définitivement !
Superb EP offering very very well done tunes in quiet a large range of style : Banger Hardcore meltdown Rock/Techno to Electro Techno banger like Narcosamples :)
A2 is the most impressive tune for me here... A BANGER of Drum Metal !! Outta Your Mind !!
Sound playing 45 RPM like crazy.
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LEATHER, STEEL & FIST
"It is the celebration of a state of mind, a sexual taste, an open vision, a certain freedom, a specific place."
The project is composed by three releases In details: first release LEATHER, second STEEL and third FIST. A different artist for each release.
The second artist is Stephno from Italy!
Toki Fuko, a representative of the Russian techno scene, joins Annulled for a mental and voodoo techno EP. ‘Chain Reaction’ focuses on achieving an outstanding environment within a complex fusion of sounds modulated by current randomness, arranged by body and soul. Sometimes odd and trippy, sometimes magical and mysterious, like the unconventional spiritual journey.
Side A.
‘Chapter 7 ‘Desire’’: This one of the big book of life. It was an inspiration of one of the lectures of Gangaji. Her immersive voice, along with some drone pads, a modulated Cwejman S1MK2 synthsizer and a lovely broken beat.
'Vaal': was created after a long live record session on Toki Fuko's studio. He experiments with his modular synthesizer a raw and deep atmosphere that captures the listener's attention as you enter your labyrinth.
Side B.
'Polonium': The main bass line was recorded from a BLD modular. The immersive pad, the sequenced bass line, the broken beat and the modulated sounds from a Cwejman S12MK2 synthsizer. Everything together sends you on a journey through the unknown structure of polonium.
'Scandium': A journey across the shamanic path. Everything was recorded from a 909 drum machine and modular synthesizer. The main tonal EFX sound was live recorded on FreqEcho plugin by ValhallaDSP.
Early support from Cio D'or, Oscar Mulero, Evigt Morker, Mike Parker, Iori, Etapp Kyle...
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Soundscape Versions pres. the fourth installment on its sublabel Mystic Versions with live recording experiments produced and performed using all analogue hardware gear. Seven cuts between ambient electronica to experimental jazz and dubbed out excursions.
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Rooted Series 009 release comes with a really special pack of tracks all by spaniard artists Javier Carballo from Vatos Locos, Carlos Sanchez from ISGUD , Moises from Beste Freunde and label boss Bolumar.
As always vinyl only!
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Ali Nasser is back on PLEASURE ZONE! Yes - he was the main reason for us to start the label seven years ago :) Thru the time we became close friends and Ali was always present, releasing some great records for us like his first Album „All We Need“. Now he presents „The Way Out EP“. One Of his best releases so far. Well done, Ali!
Here are some words from Ali himself:
My next release coming out on PLEASURE ZONE including the mysterious track from the great festival 3 Smoked Olives Island Festival with great support so far from favorite artists such as Archie Hamilton, Matthew Dekay, DJ W!LD, Nima Gorji to name a few.
The EP contains 3 tracks that reflect my last 3 years journey since my last release in 2016 a year with big changes and challenges. it all starts by witnessing "The Light In Between" the worlds and all the "Perjury" going on around us, trying to find "The Way Out" from it.
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Repress
Arkityp was launched as a party series in Ibiza.
Residing at the islands best small club, Ibiza Underground, we invited the likes of Sammy Dee, Dewalta, Vera, Jan Krueger and Valentino Kanzyani.
They were joined by our residents and founders Archie Hamilton & Rossko.
During 2016 the duo have been working together in the studio and are ready to release their first material together.
We are excited to reveal the next stage of the project - our record label.
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On his first solo EP for PHORMA, Italian dub explorer Hydergine provides two original tracks, accompanied by a remix by Informa Records' Deepbass. The EP kicks off with the powerful and mesmerizing Entheology, while the second track Japanese Dreams takes a more placid approach creating alluring soundscapes. On the flipside, Deepbass, who previously appeared on PHORMA010, gives Entheology the remix treatment and transforms Hydergine original into an epic 9 minute journey. Sleeve design by New York based artist Sebastian Lemm. Vinyl only.
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Larionov & St. Theodore team up for their 3rd collaborative EP following on from their releases on Rotterdam Electronix and Snuff Cuts in the 2 years preceding 2020. The 'Thunderstrike EP' spans their signature sounds with extensive use of the Roland SH-101, TR-808, thunderous claps and snares layered with melancholic synthesis. A robust EBM / Electro record built to electrify dancefloors.
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Ryan Crosson takes care of the fifth EP on tastemaking Detroit label My Baby Records with a fantastically forward-looking four-track vinyl offering. Ryan Crosson is a complex artistic creature who has roamed far and wide in his storied career. His always innovative music has come on groundbreaking labels including Wagon Repair, M_nus, Spectral Sound, and of course his own Visionquest. Each time he explores a new sound world and draws on things as diverse as musique concrète, Downtown New York funk, and East African jazz. Now he cooks up more beguiling brilliance on this fresh new EP. Opener ‘Speaker Dubs’ is a deep, bubbly rhythm track with dub chords rippling out to infinity. It’s a stylish track full of far-sighted reverence and supple groove that locks you in a trance. ‘Ogilvie’ is a piece of absorbing ambient with found sound recordings of muffled voices that sounds like you’re in an underground station. B-side opener ‘FutureTheory’ is another minimal masterpiece with glitchy sound design and eerie chords peeling off a tight, kinetic groove. Ghoulish voices add more late-night atmosphere and the whole track grows ever darker and more consuming as it unfolds. The excellent ‘OortCloud’ takes you back to the heart of a dance-floor with futuristic menace: the smooth drum loops are militant, the voices are dehumanised and the searching synths speak of a desolate landscape. It’s heady, brilliantly bleak stuff that is utterly infectious. This is another hugely inventive EP from one of the underground’s most consistent talents
Mixing Engineer, DJ and producer Yossi Amoyal is the man behind Sushitech Records. The label turned 15 years old in 2020 and to celebrate this milestone Yossi has compiled Fluere across four discs (plus an extended Part V - Fatum). Fleure means flow in Latin and is available only on Yossi's beloved vinyl. The compilation shares some of his story through the records that inspired him and continue to do so.
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Black Vinyl Repress
This is the second installment of the Warm Up Bandcamp Vinyl series and comes again signed by label boss Oscar Mulero. Limited edition vinyl EP with three cuts of merciless techno designed to shake minds and feet.
"Gradual Blending" starts with the core elements up, distorted kicks, shuffled hats, resonant percussive components, super reverberated claps, density and obscurity aligned in an hypnotic structure.
"Evolutionary Decay" is elastic and physical, a solid subbass / kick / hat groove, phased synthetic layers, atmospheres and liquidness: Intelligent tool.
"Natural Resources" relies again on distorted drums, asymmetrical sinoidal sequences and Fm synths all designed in a wise arrangement.
Timeless, hard and mental for the real players out there.
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Stojche is a Berlin-based veteran of labels ranging from Dogmatik right up to a.r.t.less and Tangible Assets, and he's already had a strong 2020 with drops on Sungate and Grounded In Humanity. Now he comes to Infiltrate with some electro-wired sure shots that keep the tempo up, the synth work bold and the moods intense. "Trauma" rides on rich pads and a harmonious monosynth lead, while "Phobia" takes things freakier with some rapid fire percussion and icy stabs. "Thug Life" keeps the pressure up on the flip, albeit with some dubby melodic flex to temper the rabid beats. "Conflict" completes the set with deep-diving top lines and a decidedly nasty low end squelch you could lose your shoes in.
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Melodic 5-track techno comp. pressed on highly limited hand-stamped vinyl.
''Next drop on Indigo aera's ÆX series brings us another strong compilation of Whitelabel dancefloor weapons. Their on point selection within a wide pool of friends and like minded producers shows its strength once again, the ÆX family is growing with every release without losing their tight vision.
ÆX014 kicks off with an old school rave class by Private Press as W.A.C., followed by a dark and drifting acid tripper by Parisian DJ and producer Emeline. Longtime ÆX family member Daniel Jacques brings his deep emotive and punching house once more where Deniro shows his love for dub-techno. Last but not least is a special Amsterdam connection, Sterac's 'P909' - previously released on AERA025 - remixed by Elias Mazian where he turned the original in a true minimal groove weapon.''
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Lenny limbs looks on as the time for automation
draws nearer. What is our fate you ask - The robots are coming.
Banoffee Pies Records introduce the sixth insert to the original series with a mechanically inspired sample infused three track heavy weight. Disclaimer: This record is for the dancefloor. TIP. For the lovers. Banoffee xx
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Red Vinyl
Versatile 4 track ep by Dean Grenier delivering some tingling tracks somewhere between Detroit rooted techno and industrial house. Two emotionally driven tracks in "Sweet Dreams" & "Nowhere Man" ... backed with the mechanically touched Radiant Damage. The EP rounds out with Quantum Entanglement, a tempo shifting, mind altering piece of recorded music. Vibrant energies on this 3rd release from Deam Grenier for Omnidisc!
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