Techno Novedades

Vinyl speed adjust debut on constant sound. Great remixes curtosy of Mike Shannon and Doubtingthomas.

From the rugged streets of Detroit comes a dirty collaboration from the masters of Electro: Dj Psycho from Detroit Techno Militia, Dj Lenn Swann from the 12 Tech Mobb, Dj Maaco of Detroit In Effect and DJ Dijital. A pure electro dance floor killers guaranteed to move your body!!

After 2 years from the publication of a remix , our master commander KEN KARTER back on Eclectic Limited with 3 smashing tracks of pure Techno .

An incredible trip with a lot of deep noise sound and of course the strange way of the artist to make a music! Together with the artist we are super honored to have one and unique Heroine of Techno ELECTRIC INDIGO! She made a powerfull remix following the way of ken karter. ECLLTD009 is a fantastic result of the music

Lemmi Ash is a Swedish duo comprised of producers Samo and Martinou, and their debut EP with ESP Institute, 'Osmin Uratoma', has been a long time coming. Samo has been a friend of the family since prior to the institute’s inception — dropping in on us in NYC, occasionally as a guest DJ at The Stallions’ residency in Chinatown — and ever since those halcyon days in the late Noughties, we’ve been slowly circling a moving target, poking at his potential contribution to the label. It wasn’t until recently, when fellow Stockholm depth-charger Martinou stepped into the picture, that stars finally aligned and Lemmi Ash was born. Now a steadily growing lovechild, the collaboration displays a finely balanced ratio of the duo’s DNA, complimentary in both aesthetic and character. Across four seemingly disparate tracks, we can sense Samo’s penchant for Dub is subliminally leading the way — from minimal organ stabs and off-kilter hi-hats on the relentlessly pounding 'Apsu', to the hybrid-Dancehall rhythm box and hazy familiar vocal snippets on the late night stormer 'To Dare Is To Do' — while Martinou’s masterful brush is a bit more broad and subtle, shifting the shape of Lemmi’s arsenal into a deep and ethereal Techno head-space full of warm pads, softened percussion and sub bass on both the iconic 'Lemmie Ash Theme' and the EP’s melancholy closer, 'Horror Vacui'. The artists explain that this music was “made with birds in mind” — a somewhat poetic and abstract notion which (to us) symbolizes their stoned veil of indifference, a carefree fluidity of influences, and an ease of traversing stylistic positions — alluding to the rewards of an effortless and non-compulsory collaboration, a genuine creative simpatico.

Birmingham experimental dub terrorist Mick Harris inaugurates new Madrid imprint Trauma Collective here as Monrella, with four brand new executions of sheer naked aggression. It was under this moniker that Harris (aka Fret/Lull) released half a dozen EPs for Karl O'Connor's ZET label between 1996 - 2002 - a strong departure from his previous involvement in seminal grindcore outfit Naplalm Death, and the experimental Scorn project (with fellow band member Nik Bullen). Fierce, functional and direct impact grooves that lunge straight for the jugular, the cuts featured on the Build Time EP recapture the zeitgeist of legendary local club night House Of God - an institution responsible for unleashing fellow legends such as Regis and Surgeon back in the day. Although somewhat overlooked, Harris' sound under this alias has most definitely evolved, and follows through with enough dancefloor dynamics to blend with other modern techno sounds.

Two minds on a sonic rendezvous best describes our first split release. Off Land and Diahgonal swap remixing duties on each other’s respective songs. Aegirine from Off Land’s On Earth album undergoes a mild mood shift once put thru Diahgonal’s lens flare. Movement B from Diahgonal’s Spiral album gets an ambient makeover courtesy of Off Land.

***
ex nihilo, twelve, cash,
moonwalker, wolf, pyro,
knives, flesh, sun, doors,
death, whistle, doves, two,
postcard, skies, mice, you.
***

The sun rises and through the eye of rain the seraph appears to announce the third coming.

9x7" Box Set...now for super offer !! be fast !!

World Wide limited number of 300 sets. 9 x 7" vinyl picture discs in a box

The history of Planets...

It has been 100 years since the British composer Gustav Holst introduced his most famous score «The Planets». An elegant musical tour to each one of our Planets in the Solar System, Holst brought forth imaginary visions of space that would survive many generations and decades after. As an important piece to the classical universe, 'The Planets' is regularly played throughout the World every year as it had been the most vivid translation of our cosmic neighborhood until now.

The Electronic Music artist and producer Jeff Mills, pays tribute to this century of incredible musical production. He embarks to compose a sonic journey to re-discover our neighboring planets in a 18 piece suite that explores the nine planets, including the portions of space in between the Planets, the nine regions Mills calls Loop Transits.

Deeply inhabited by science-fiction, Jeff Mills adopts its ideas, concepts, stories and esthetics from the outset. For him, Space is an obsession and his music almost becomes a musical science-fiction. Conquering space, his music embodies the future while both respecting the past and remaining well into the present. Mills takes the rotating principle of the solar system as aesthetics, concept and model for creativity. From the beginning, his first releases explore futuristic and science fiction topics and continue to do so to this day. For Jeff Mills, the future is a powerful creative drive which explains the artist's ceaseless activity.

Since its creation and like the intention of Holst, each track is musically imagined to invoke the psychological affect, emotions and ideas of each planet. But unlike in the year 1918, when the score was first publicly heard on the last week of World War I, 100 years later, we now have a more accurate knowledge about what each Planet is made of and what they look like. The piece should bring the audience closer to confronting each planet in ways that audiences in 1918 could only dream of.

With the French composer Sylvain Griotto, the arranger of Planets and Mills' previous work on the album and classical score about the NASA astronaut and doctor Mamoru Morhi's space journey in 1992 and 2000 from the album 'Where Light Ends', Mills has created an electronic music album that have been translated for symphonic and philharmonic orchestras and will accompany them in their live debut and all performances. Starting to conceptualize and produce music for it dating back to 2005, Mills constantly worked on the project over the years to bring it to fruition.

In July 2016 Jeff Mills has completed the last production stages of the Planets album at the world famous Abbey Road Studios in London. Recorded and will be released in 5.1 surround on the Blue Ray digital format, the soundtrack needed a particular high level of expertise that could only be attended to at hands of the renowned senior studio engineer Jonathan Allen. The expertise and quality associated with the legendary Abbey Road Studios is recognized globally and undeniably the most famous studio in the World. It is with acclaim from the Beatles, Pink Floyd, or more recently Radiohead before him, that Jeff Mills will bring Planets at this legendary music institution.

The mastering sessions occurred on August 2016 with the acclaimed Mastering engineer Darcy Proper in Holland.

Remix versions for Juergen Vonbank’s ‘Trial & Eros’ album from 2018 by some of Austria’s finest artists, ranging from well-established veterans to aspiring new talents. Limited hand-stamped
edition.

KlangKuenstler first made his debut on our SUM 5 VA with his massive track ‘Continuum’ and now returns for his first solo outing on Second State with two absolute bombs primed for decimating any dance floor they encounter!

Die zweite Remix-Auskopplung aus Moderats neuem Album "III" beweist einmal mehr das Händchen der Band für brennend heiße Clubmusik. Sowohl Shed als auch KiNK übersetzen "Running" in absolute Primetime-Banger mit der markanten Hookline als Leitmotiv. Der bulgarische Produzent KiNK umschmückt sie mit einem verspielten House-Groove und einer voluminösen Bassline. Das Ergebnis seiner berüchtigten Produktionskünste klingt nach dem Sommerfestival-Hit 2016. Ganz ohne irgendwelche dezidierten Anwendungsgebiete im Hinterkopf, bringt Shed unberührt die Kickdrum gleich zum Anfang des Tracks. Sein kompromisslos treibender Techno warpt "Running" mit seinem stoisch stampfenden Beat in eine tödlich effektive Dancefloorwaffe. Mit dieser Platte werden Moderat die Clubs, aus denen sie kommen, im Sturm erobern. Aber sowas von.

Paradygm Shift, the first Robert Hood album to be released since 2012. A staggering record of techno dynamite sees the Detroit legend excelling at what he does best. The record serves as a milestone for the Dutch label Dekmantel, celebrating its tenth anniversary, with the label's 50th release.
Paradygm Shift is return to the distinguished style that defined Robert Hood's music in the early 90s. It is the older, and more mature brother to Hood's classic Minimal Nation, highlighting his more evolved, technical craftsmanship, It is an album of crisp, smooth and delicately orchestrated techno that is quintessentially minimal in focus, and grandiose in sound, juxtaposed with electronic funk, wrapped up in blisteringly urgent, and honest, pulsating techno.
The LP is the culmination of a three EP series released on Dekmantel. 'The idea behind it is just a shift in our focus. We can become so complacent; we are so comfortable with our surroundings. I think this is the time for electronic music to find a new mindset." Robert says about the record's concept. "I felt it necessary to reiterate Robert Hood as an electronic music artist who is bringing minimalism back in the forefront, and not to get lost in the melody. I want to get back to the simple repetitive programming that I'm known for, and to me it was returning to that, and shifting the listeners' focus.'

Like his DJ sets, Paradygm Shift gradually warms up into a rolling hypnotic, succession of pious rhythms that make up 'Idea'. The orthodox template never brakes, but evolves as the album proceeds. It is beholden of a man born of playful discipline. 'Solid Thought' points to a heightened sense of purity, 'Magnet' is unabashed and unflinching in its ruthlessness, while 'Pneuma' is the record's only soulful link to Hood's recent Floorplan past. As the record draws to a close, penultimate track 'Pattern 8' plays out as a beautifully synthesized, hymn that points towards to an earlier period of machine-driven, soul music.

Paradygm Shift is the perfect marriage, cementing the Detroit-Dutch relationship further. Although this will be Robert Hood's first LP release with Dekmantel, the marraige between the two stretches back over seven years. Since DJing at Paradiso for the Dekmantel crew back in 2010, Robert Hood has been a regular fixture for the clubnights and festivals ever since, while also contributing remixes to Juju & Jordash's Deep Blue Meanies EP. 'I could tell these guys were hungry for electronic music. Dekmantel is about making things happen, and so like minds think alike,' Hood says about their history,

Speaking about the record project and signing, the team behind Dekmantel stated: "Just like a lot of Robert Hood fans, we're most enthusiastic about his older, minimal material. After all, it's what made him famous in the first place and was an important ingredient in the early Dekmantel days. His Paradygm Shift music appeals to this period but has a modern feel too it, which makes it very exciting.'

Nothing melodic, nothing gentle, nothing beautiful inside here.

Only stripped down heavy beats and rhythmic noise bass-lines, wild and harsh like the White Mountains of Crete, delivered once again by the most grotesque figure of the Athenian scene, Sawf.

'Under My Skin' is the 12” sampler to the upcoming long player by half Australian (Nick West) and half Czech (Dj Schwa) duo Shades Of Gray. Their third full length studio album 'Under My Skin' has been in the making since 2016 and is dropping late Autumn. Shades Of Gray have been producing heavily groove based house since their first 12" in 2007. Since that time, Shades Of Gray have released many 12” records, remixes and two studio albums while keeping up with a hectic touring schedule. Their debut LP “Soul Machine” was included in 50 Best Albums of 2011 by DJ Mag UK. Remix duties are in the hands of Prime Numbers stellar Trus’Me and Infusion’s producer Jamie Stevens.

DJ Support
DJ Three, The Burrell Connection, The Wasp (Dixon Avenue Basement Jams), Gene Farris, Maceo Plex, Craig Smith, NIBC, Elisa Bee, Danny Tenaglia, Dubfire, Martyn Bootyspoon, Severino (Horse Meat Disco), Sister Bliss, Roska + more

*180g, plain yellow and hand-numbered vinyl edition!*
The second vinyl release by Groove Manipulation is a collaboration between Sguizla Jr. & Johnny Piras under their moniker SJP. The release contains two remixes by Oliver Deutschmann & Alhek, pluse two voice loops. Mastered at ALHEK Masterings (Berlin)

2x12" Purple Vinyl

Ascendant star of the new global underground, Slikback wraps up his first two digital-only EPs with three killer bonus cuts on a vinyl premiere for Hakuna Kulala, his prized sublabel of Nyege Nyege Tapes.
Hailing from Nairobi, Kenya via Kampala, Uganda, Slikback has rapidly attracted a wave of attention to his undulating mutations of current club styles, as found on the ‘Lasakaneka’ and ‘Tomo’ EPs between 2018-2019. Due to popular demand both those EPs now make their vinyl debut, packaged along with three previously unreleased zingers to weigh in the most significant showcase of Slikback’s acclaimed style and pattern in club circulation right now.
Distilling a range of inspirations from local East African hip hop to Congolese rhythms and Gqom’s cold percussion, plus influence from US trap and footwork, and the subbass common to JA and UK soundsystem cultures; Slikback’s music has arrived at a grippingly powerful sound which, while singular, is also entirely symptomatic of the thrilling styles emerging from Central Africa right now, and after many years of underrepresentation in the shadow of West and South African styles which have been popularised around the world.
On his debut ‘Lasakaneka’ EP Slikback swaggers from icy, robotic dancehall in ‘Acid’ to a gripping fusion of footwork and Gqom with a jungle bent in ‘Bantu Zen’, and dancehall techno drill on ‘Ascension’, along with the palpitating footwork pressure of ‘Venom’, and a nervy new ace in the itchy step of ’Shell.’ The follow-up of 2019’s ’Tomo’ meanwhile represents a mean progression of his sound; exerting a firmer control of his scudding bass rudeness in ‘Sonshitsu’, and the dissonant synth tone of ‘Gemini’, while the syncopated gabber styles of ‘Zuhura’ and ‘Rage’ give way to almighty exclusive joints in the hard seam of trap called ‘Kite’, and the Equiknoxx-gone-psycho styles of ‘Senshi.’
If you’re new to Slikback, trust this 2LP is the perfect place to get acquainted with his lucid, hi-tech madness, before checking for the full frontal futurism of his two new EPs in collaboration with Svbkvlt’s Hyph11e, Yen Tech, and Osheyack. But if you’ve already heard Slikback’s EPs, his Boiler Room at Nyege Nyege Festival, or witnessed his European tour dates, there’s surely no need to overstate the crucial nature of this “early years” 2LP comp.

UK-Technohead Paul Woolford meldet sich unter seinem Special Request-Alias zurück. Nach seinen gefeierten Longplayern "Soul Music" (2013, Houndtooth), "Modern Warfare" (2015, XL Recordings) und "Belief System" (2017, Houndstooth), sowie der Fabric Mix-CD (2017) liefert Woolford mit "VORTEX" 9 definitive, neue, direkt in die Magengrube zielende Banger ab, die alle Subgenres tangieren, wofür der Producer steht, von Acid über Jungle/Hardcore bis Detroit. CD und magenta-grün coloriertes Doppelvinyl.

To celebrate the 10th anniversary of Dekmantel's goings on in the world of events, festivals, and great music, the team behind the label have been releasing a record a month featuring some of their favourite artists, as part of a ten-year anniversary series collection. Featuring acts close to the label's collective, debuts, and legacy talents the crew have always wanted to sign, the series has seen the likes of Gigi Masin, Call Super, Fatima Yamaha, and more. This penultimate EP, sees Dekmantel debut releases by Lena Willikens, Space Dimension Controller, and Dutch lo-fi star Betonkust and Palmbomen, in addition to a special cut by Bufiman.The EP kicks off with a new track by Salon Des Amateurs resident Bufiman — real name Jan Schulte — who also goes by Wolf Müller. 'Hymn to the Moonface' ensures that percussion comes first and foremost, in this upbeat, prog-breaks, jaunty, summer cut following up on his Dekmantel debut "Peace Moves". Dutch duo Betonkust and Palmbomen release their first track on Dekmantel with 'Onrust Bij Tihange' - an ode to the Tihange Nuclear Power Station in Belgium. Specialists in crafting lo-fi, nostalgic sounds, Betonkust and Palmbomen do what they do best, with a pulsing, analog, nostalgic electro track that sounds as if its been fed through a VHS player, a top of recording of Miami Vice. What happened at Tihange through is another question. Belfast-producer Space Dimension Controller, a.k.a. Jack Hamill adds some galactic, space-flare, mid-tempo, D-funk to the flip side. With a debut EP dropping on Dekmantel soon, SDC contributes one of his most beautiful compositions to date, highlighting his flair for melody, blending it astutely together with rich techno hat and snare combos. Concluding the record, is Dekmantel favourite, Lena Willikens. After so many appearances across so many of Dekmantel festivals, it's a pleasure to have the astute selector release a rare production on the label. Willikens' dark wavey cut is something one would expect to hear in one of her sets, sounding like a modern take of a long-forgotten, and unknown krautrock band.

Black Sand is a new collaboration combining techno sounds old and new.
The duo consists of Max Durante (who produced the first Kynant record) and fellow-Italian, DJ Datch. Their 'Desert Island EP' is heavy on drum machines and classic styling but produced with modern design.
'Abyss' and 'Black Sea' begin the record with restraint, building a groove out of tense layers of underwater atmosphere and a tough low-end. The B-Side pushes the sound harder; the creeping drone of 'Dead Sea' is tailored for DJs to gradually build a room's energy, whilst 'High Tide' is peak-time material noticeably inspired by the 90s.
Mastered by Neel (EnissLab Studio, Rome). Pressed onto 180g, 12" vinyl at Optimal Media, Germany. Packaged in a house sleeve. All artwork designed by Christopher Honeywell.
Kynant Records is of UK background and currently run from Berlin. Its records explore and invert rhythm in techno.

Originally appearing on Rekids subsidiary REK’D as a limited release a decade ago, Rekids rereleases Dustin Zahn ‘Stranger (To Stability)’ on Special Projects with two outstanding mixes by Len Faki. A massive techno record, ‘Stranger (To Stability)’ has stood the test of time since its release in 2009. Featuring two remixes by Len Faki, the record was a limited release on wax and has since become sought after by vinyl buyers. With its saw-like synths and ominous atmospherics, the original by Enemy Records boss Dustin Zahn is menacing and comes complete with a compelling groove and dubby stabs - the result is mesmerizing. Len Faki’s Podium Mix follows a similar aesthetic with its reverbed kicks and metallic effects whilst distorted vocal samples and twisted melodies up the energy forming a colossal anthem. Built on syncopated percussion, the Figure founder’s X-Break Mix meanders forward with an infectious rhythm before a tremendous build up rises and rises, only to diminish to embers before doing it all again.

Giacomo Renzi returns to JAM with third EP, Kaleidoscope EP

Limited to 298 copies, heavy rotation and support from Ben Sims, Luke Slater, DJ Bone, Sterac, Ryan Elliott & Kr!z etc.

Starting off 2019, Terraformer EP will mark a new chapter in the output from label bosses Jasper Wolff and Maarten Mittendorff. More different from their previous work, this EP consists of 4 dancefloor oriented tracks, recorded during some late night studio sessions. As a result, it felt logical to release this new output under a new name. Hence their new Indigo Æra alias.

Opener 'Aeris' is a high octane techno track with filtered drum lines and warm pads that trap you in a tunnel and drive you forwards. A meandering synth drifts up and down the scale and leads your mind to wander, then 'Terraformer' is more loose, with spraying synths bringing an off balance sense to the thudding kicks. It's perfectly smooth, pressurised techno where 'Tabula Rasa' is more zoned out. It features the trademark ambient pads and thoughtful keys, while 'Flux' closes out in sci-fi style. Tribal drums ripple beneath cosmic motifs and the whole thing feels like a trip through the deepest reaches of space. Once more then, these are four fantastically atmospheric tracks of tasteful techno.

H.omevvork is back! We are happy to announce Insolate!!! On her debut for H.omevvork, she
offers two solid deep 90s techno tracks, remixed by PVS. The first track is called "Disgrace",
that continues to explore the PVS's concept-informed take on techno. "Warehouse Jam " is 6.54
mins of pure and brutal club track! Kick, clap and bassline with a break remix from the
H.omevvork record label owner. Sounds complete! Master by Dadub Studio Mastering - Berlin

This 4 track EP comes out of Ibiza Records archive vault's called Archives Vol 5 produced by Low Block Noise in 1991 & EOAD in 1993. Each of these tracks represents hardcore and merging of jungle breaks starting to come through in the early 90s.

A. Rave in the Bedroom - This track produced by L.N.B made in 1991 has some great piano stabs and had a sample taken from 'The Young Ones' bbc2 sitcom as back then it was all about the big samples being used.
AA. Its Not Big & Its Not Clever - This track from L.B.N made in 1992 and has a classic sample taken from Robin Williams 'Good Morning Vietnam' film. The track has strong jungle breaks that were now a dominating presence at that time in the scene.
AAA. Love The Feeling - This track produced by E.O.A.D made in 1993 is more hardcore with the piano stabs offering a ravey anthem feel representing the warehouse scene. Which was dying out and Jungle was becoming the more dominant force.
AAAA. This track produced by E.O.A.D also made in 1993 and is a remix of the original with the hardcore elements offering a more raving anthem feel representing the warehouse scene back then.

British-Japanese Producer/DJ Maya Jane Coles has amassed an astonishing level of international success and uncompromising studio credentials maintaining a uniquely focused approach; writing, producing, engineering, arranging and mixing every element of her output mastering genres from techno and house through to hip-hop, dubstep, folk, pop and beyond. Following on from Maya’s award winning 2015 eponymous debut LP as Nocturnal Sunshine and unlocking a true representation of her musical identity, today Maya announces the forthcoming album ‘Full Circle’ out November 1 st on her own imprint I/AM/ME. The new album from Nocturnal Sunshine is another exciting glimpse into an artist internationally renowned for her unique and skillful creative vision. The drop of an unannounced single ‘Foundation’ at the end of 2018 sent out the first signal; something was building. The acclaimed ‘U&ME’ EP followed, the momentum of new music while Maya toured the world merely hinted at what was in store from the experienced studio producer. Introduced here with debut single “Pull Up” Feat. Gangsta Boo & Young M.A., Maya Jane Coles’ assured, and bold production teems with confidence; continuing her line of grungy breakbeats and uncovering new depths in hip-hop and trap-esque realms. Across ‘Full Circle’ LP, Maya seamlessly navigates through ranging tempos and moods, all instilled with a strong sense of freneticism all unified within an unmistakable Nocturnal Sunshine sonic sensibility. Evident to the width of her talents with her own collaborations with Tricky, Nadine Shah, Kim Ann Foxman and Miss Kittin et al; Maya has previously lent her production skills to other acts; producing for others from Chelou to Little Boots as well as remixing the electronic undergrounds finest; Bonobo, Bookashade and Tiga; to leftfield acts like The XX, Massive Attack and Little Dragon through to pop’s most credible; Dua Lipa, Sia, Sam Smith, Florence & The Machine, and even the legendary Ella Fitzgerald alongside a massive underground dominating Nocturnal Sunshine bootleg remix of Lizzo’s “Tempo” ft. Missy Elliot. More so, Maya’s breakthrough track “What They Say” track was slowed and looped to form the backing track for Nicki Minaj’s “Truffle Butter”. The track also featuring Lil Wayne and Drake would receive a Grammy, BET & Soult Train Nominations and ranked 66 for the best-selling tracks of 2015 by Billboard, with artists such as T.I., Tyga and Ludacris releasing cover versions. The track has now sold over a million copies around the world. Maya’s beat was then latter sampled again on “Swish Swish” Katy Perry’s collaboration with Nicki Minaj.

Attraverso is the debut album of new ambient trio PCM. The band consists of Francesco Perra (P) who also records solo as Perry Frank, Pop producer and sym- phonic ambient composer Matteo Cantaluppi (C), and sound designer/engineer and PCM creative director Matteo Milea (M). The album was conceived after a brief studio session exposed that each member brought something unique to their collaborative take on ambi- ent's many sub-genres. Attraverso, in concept, is meant to mimic four long-form journeys through human inner consciousness utilizing an amalgam of drone, modern composition, guitar ambient, and Koyaanisqat- si-eque arpeggiated kosmische musik. Each track title is the word "Attraverso" with three of the four being represented in different languages.
Attraverso is out October 18th on limited edition 180-gram ultra clear vinyl and gatefold compactdisc.

Spiritueller Deep-house Und -techno Von Po-lar-i-ty, Dem Projekt Von Osunlade Und Burlie Mac, Die Ihre Zusammenarbeit Auf Dem Burning-man-festival 2015 Begannen. Limitierte Auflage Auf Osunlades Label Yoruba.

Hand stamped white label, album sampler for forthcoming Richard Fearless album of the same title.

Atlas of Insanity’ is reactionary, big room techno from Richard Fearless; a pounding kick, death whip snares, and synth lines that drill into your core. This is raw, impulsive electronic body music made to loose your mind.

With ‘New Perspective’ Fearless delivers pure techno soul. With sonic leanings towards the North’s Bleep scene and minimalist techno pioneer Mika Vainio’s Philius and Ø alias.

Soul Of Hex's Vicario Musique is making a comeback in 2018, with Cedillo's most personal EP to date. The main track ''Tetro'' is a futurist, simple but effective track dragging influences of the highest order on Chicago, Berlin and Detroit. ''Shadow Aspect'' moves into a darker perspective combining analog and modular synthesis and clever drum breaks. On the bright side of the EP, ''Sun Compass'' a collaboration with his brother Anttares is reminiscent of a Paradise/balearic inspired track showing Cedillo brothers versatile style. To finish the EP, the melancholic ''There are no words'' is a dedication to the memory of Cedillo's grandfather. Tetro has been already being championed live on Soul Of Hex's Live Boiler Room session, and at Tim Sweeney's Beats in Space Mix by Zombies in Miami.

For PRSPCT XTRM 048 we wanted to go full throttle, balls out and as XTRM possible. Who better to ask for this mission then the diabolical dark lord of the underworld himself? Lucky for us over here at PRSPCT we signed a contract in blood and sold our souls many years ago so our lines to The Satan are pretty short. We called him up one day and the conversation went something like this:

Mr Satan; Can you cook us up a gangzta as f*** PRSPCT XTRM release fueled by an onslaught of murderous kick drums, cut throat snares and all other things great about the more alternative forces of hardcore? His reply: "No problem!"

Few weeks later we received a bomb package delivered straight from the depths of hell containing 3 tracks more lethal than Ebola, harder than Ron Jeremy and heavier than a cruise ship filled to the brim with morbide obese Americans.

So now all of you know the story behind The Satan's Gangzta Cash EP. Grab it while it's hot as hellfire!

In 1985 an unknown "American" band hailing from Big Sur in California dropped a package at the doors of the Play It Again headquarters in Brussels.
Four 12"s and an LP later they had to reveal they were only half American and hailed from Brussels.
Their fifth single: "Poison!" hit gold. A firm staple in the New Beat dancings. Weathermen weren't a New Beat band, they weren't even an EBM band. Though their label branded 'em as such on the groundbreaking "This Is Electronic Body Music" sampler
Weathermen were tongue in cheeck, they were humour on the next level.

TM404 & Echologist (aka Andreas Tilliander and Brendon Moeller) return with their second collaboration, this time including a remix from another standout dub techno artist in VRIL. The 'Infiltrated' EP has two boomy, 4x4 rollers on the A-side, VRIL's broken-beat, ethereal version on the B1 and lastly the title-track, a twisted stream of grainy modulations.

Hot on the heels of the Jaxx Madicine remix of Kyoto Jazz Sextet on Local Talk, Tommy 'Tubojazz' Garofalo - goes on a solo adventure once again.

His previous EP "Unbreakable" had equal parts of soul, jazz and funk blended together with a house twist.
The follow-up "Night Colors EP" shows both that and a deeper electronic side.
Opening track 'Two' is a clever number with its changes & sonic wizardry throughout.
Turbojazz makes the perfect blend between house and techno dipped into one big pot of deep Detroit vibes.

Next up is 'The Joint', a track that wears the distinct Turbojazz trademark throughout with its playful keys and sequenced drum programming at full tilt.

After the first Seraphim Rytm's release, the next one is coming from a talented young producer from Amsterdam, Vand. Vand also known as Viktor van der Riet, released a fantastic ep on Nyame Records in 2018 and a beautiful collaboration with Bas Dobbelaer on ""Something Happens Somewhere"" in the beginning of this year. Viktor is the responsible for Echo Inferno, 3 tracks halfway between ambent-deep House music and profound Techno, plus an IDM trip. The synthetic melodies and delicate ambiences merge perfectly with the smooth percussions creating emotional journeys to be enjoyed dancing with your eyes closed at a challenging dancefloor or comfortably sat on the couch of your home. The label explores the thin line between darkness and light and ""Echo Inferno"" expresses perfectly the duality.

PMR VA002 is the 6th vinyl printed by Péché Mignon Records. As it's predecessor, the first V
Artists, the four tracks incorporating the EP are produced by PMR producers and guests. Easy Morph and Wlderz have renewed their involvement on this second edition of Péché Mignon's Various Artist
series and have been joined by two new guests : the young producer Soul Edifice, member of «Acid
Avengers» and founder of the musical group «Vernacular Orchestra» and a guest star, Madben, major
member of Astropolis and co founder of the duet Trunkline.

Detalji gilt als eine der vielverprechendsten jungen Produzent*innen aus Finnland, die 2019 den "Breakthrough Of The Year Award" des finnischen Radios und den Femma Award (finnischer Indie-Grammy) als bester elektronischer Act gewann. Ihre "Sex EP" auf ihrem eigenen Label Deep Limit ist bester Indie-Electro für den Underground-Club und wird von den Medien abgefeiert.

Repress in color vinyl of the Cyberrurier famous tune from the Rock'n'Fuck Heretik sery from 1998. orginally pressed by toolbox, then repressed by UWE and now avaible again on XP Digiflex.

Full Out Dancefloor Hardcore. The Last Italian product from SORL HDF, after this one, Head Fuck will only work on Press & Distrib with others structures.

French Gabber

Mental Acid tribe 170 BPM twister.

Hardcore Monkeys offers the third volume of this great familly sound and internet forum. A-Class historical thing with a thema, this time, about Hardcore. Long awaited one i must say^^. And an excellent combination of talent : newskool and oldschool (yes TSX, now you are oldschool ^^ not the music bro... hopefully).

Dancefloor electro techno !

Techno veteran Adam-X dons his ADMX-71 moniker with three tracks of subterranean, cyborb, body music influenced slow grinding techno. Tense, textured, and ready to explode all three tracks explore the dark present and future we are heading towards, with track titles like Nuclear Hysterics and Dire Situation the music goes hand in hand with the modern day chaos unfolding daily. Properly heavy and dense there is still air letting the tracks breathe and develop as they slowly boil over scorching everything in their path. HEAVY!

Echocord's Colour sub-label returns early June with a four- track EP from Eindhoven's Albert Van Abbe in the shape of 'Klangbilder'. Dutch Techno artist Albert Van Abbe has nearly two decades of experience under his belt in various forms of musical and visual expression, releasing on his own Vanabbe imprint, Figure Jams, Semantica and No Comment, as well as playing live and DJing at hot spots across the globe such as Berghain, Tresor, DGTL and Awakenings festival. 'Klangbilder 1' leads with a robust rhythmic drive, employing bumpy toms, shuffled hats and lumpy kicks at its core as vacillating synths, tension building drones and menacing pizzicato strings develop throughout. 'Klangbilder 2' takes things deeper next, retaining the dusty drums sound of the previous cut whilst stirring in airy ethereal pads and choppy, resonant stab sequences. 'Klangbilder 3' kicks off the B-Side with modulating synth whirrs, emotive organ tones and a muted drum tones throughout before 'Klangbilder 4' closes the package, taking things beatless and cinematic via emotive synth leads, droning subs and expansive echoes.

Architectural returns to Wolfskuil Records with 4 exceptional cuts on his 'Beautiful Life After Death' twelve inch. Complex sound design and a warm and open atmosphere go hand in hand with the Spanish studio wizzard's sonic world. From lush ambient in the title track, the addictive groove in 'Piedras' to wobbly modular bass excursions in 'Luminous Path' and moody textures from the abyss in 'Gris'. Architectural covers a lot of ground in just 4 tracks. Diverse and coherent at the same time, few artists have such a recognizable sound signature as the Barcelona artist.

Buffered Multiple is the techno A/V project of Vienna electro poster boys Microthol. Buffered Multiple return to Pomelo after their debut on our 20 yrs compilation and subsequent EPs on other imprints. “Buffer 05” starts off with “Prime Time” in super-saturated dub techno mode, its sublimely textured chords ambling hypnotically over a tense and pounding beat. “Shitty Track” changes gears into jack mode, with a bleepy morphing swing hook that drives up the intensity over a percussive beat and takes all the right cues from Chicago’s second wave productions. “Junolized” delves deep into the abyss again, its expansive echoes weaving intricate layers of dub over a foundation of bottomless bass.

Hyperdub will release an EP by Burial on December 16th 2013. Comprised of three new pieces with a total running time of 28 minutes, it will be available on 180g 12" vinyl

finally repressed !

(Keith Carnal, Black Asteroid remixes) First release from Charlotte De Witte on Amsterdam based Mary Go Wild Black. Voices Of The Ancient is a dark technobanger submerged in sinister whispers, while the vocals in Lost take you on another dark hypnotic trip. Keith Carnal and Black Asteroid delivered a completely different, but both massive and highly energetic remix of the title track. After gaining massive support for her Weltschmerz EP (Turbo Recordings), Trip EP (OFF Recordings) and her most recent Our Journey EP on Sleaze records, Belgium's most exciting new talent Charlotte de Witte now delivers the first release for brand new Amsterdam based label MARY GO WILD BLACK.Located on the Zeedijk in the Amsterdam Red Light District, the Mary Go Wild book and record store made its name with its basement raves during the Amsterdam Dance Event and a string of exclusive dance book releases. Now, the new label MARY GO WILD BLACK will bring you dark hypnotic techno. The Voices Of The Ancient EP features 2 original mixes by Charlot te de Witte and a remix by both Keith Carnal and Black Asteroid. Voices Of The Ancient is a dark techno banger submerged in sinister whispers, while the vocals in Lost take you on another dark hypnotic trip. Keith Carnal and Black Asteroid delivered a completely different, but both massive and highly energetic remix of the title track.This strong EP shows Charlotte de Witte is here to stay and proves without a doubt she's one of our future techno queens.

Diving into FM Synthesis, Dean Grenier brings his sophomore release to Omnidisc. Delivering a 3 track EP intended for mental gymnastics at 3 different periods of the night. Enjoy responsibly

Debut release from Australiain artist Destiny71z, the first part in a trilogy of EPs specializing in wild analog experiments in house, techno, electro and garage.

Created using Buchla Music Easel, Buchla 200e System, Various Eurorack Modular Synths, drum machines and synthesizers. Four mind-blowing tracks of bubbling electronics. The full EP's will be vinyl only with select singles dropping digitally.

Essential music for fans of Legowelt, Mr Ozio, Floating Points, Pepe Bradock etc.

On The 25th Anniversary Of D1 Recordings, Label Boss Eamonn Doyle Revives The Independent Ethos Of The Acclaimed Dublin Techno Label, Presenting A Rare 12 On Lunar Disko Records.
'the Long Game Ep' Features Four Lost Tracks Uncovered From The Depths Of The 147 Basement In Dublin 1.
An Essential Record For Seekers Of The Purist Techno Funk.
Artwork: Andy Doyle

Die Italo-Britin Francesca Lombardo präsentiert mit "Life Of Leaf" ihr Debütalbum, auf dem sie sich vom Dancefloor-Sound ihrer EPs auf Crosstown Rebels, Mobilee, Leftroom, Poker Flat oder Bedrock und ihren DJ-Gigs auf Festivals wie Tomorrowland, Burning Man oder Circoloco entfernt, und sich ihren klassischen Einflüssen nähert. So entsteht ein überaus überzeugendes Listening-Werk auf softem Electro-Pop voller verträumter Soundkulissen, rührender Melodien und hypnotischer Rhythmen, das den Moment überlebt.

Beijing-based techno producer HWA (aka ELVIS.T) is releasing his first 12" EP "Granular Line" on Ran Groove, the sub-label of Bejing's Ran Music. This EP has 2 Deep Pulsating Techno tracks included as well as one Droning Ambient track produced using his customized modular synth system. As one of the leading figures in China's techno music scene, HWA's left-field experimental sound design, delicate poly rhythmic beat groove, dark and twisted massive soundscapes and the full hardware workflow, have earned him a reputation across China's dance music scene. Granular Line is the crystallization of HWA's persistent efforts on using the modular synth to produce techno music, it is the new envelope of his techno sound aesthetic.

HWA was born and grew up in Taipei and kicked off his DJ career in 1998 and soon started to produce his own music. He relocated to Beijing in 2006 and immediately became a part of China's electronic music scene, which had just emerged a few years before and was on its fast-rising phase. HWA is considered a brute force in the promotion of techno music and culture in the country, he was the early co-founder of Beijing's Lantern club, the most influential techno club in China's capital, he was also the co-owner of Acupuncture Records, which is the only techno label in China back in the 00's. In the past decade, he has played in the finest clubs and festivals in Europe, such as Tresor in Berlin and ADE festival in Amsterdam, as well as the top clubs in Toyko, Seoul, and Taipei, where Asian's best dance music scene exists. In 2016, he appeared in China's first ever Boiler Room event with his modular synth system, created the climax of that night and his live set was considered one of the best moments of Boiler Room China.

HWA has deeply embraced modular synthesis in recent years and it has become the centerpiece of his music production workflow and live performances. He attempts to explore randomized beat sequences and experimental sound design furthermore. He's one of the initial members of The Modular Commune, a Beijing artist community focused on the use of modular synths, which has gained a lot of attention across the globe. Through his music work and live sets, HWA's unique athletics and understanding of techno music made by machines, has become a unique label of his.

Limitierte Neuauflage des legendären Debütalbums von James Holden, "The Idiots Are Winning" (2006), ein Klassiker des Minimal Techno, auf kristall-klarem Splatter-Doppel-Vinyl.

(incl. Jp Enfant Remix) Legendary Dj/producer And Long-time Friend Of The Mary Go Wild Family - Joel Mull - Returns To Our Label With 3 Mesmerizing Tracks. The Title Track Sounding Like The Growling Of A Beast. Roundabout Is A World Of Its Own And Syncopate Pulling You Into The Unexplored Depths Of The Dark And Deep Unknown.

Thanks to their playful and dark techno with insightful reflections on recent Swedish history and
phenomenons, the duo have become much appreciated, as live artists as well as on national radio
and Spotify, where the total number of streams is close to half a million.
Motormännen make information techno infused with an air of Swedish nostalgia through a filter of
retro-futuristic skepticism. The music is packed with addictive acid loops and samples with excerpts
from Swedish news & documentaries reflecting on times when the cold war and the traditional
welfare state were dissolving. Inhibitions were relaxed and new, foreign influences crept into the
body of society and the old information monopolies. Motormännen's tracks are visually enhanced by
videos from the 1970's and 80's.
Mastered by Joakim Westlund

deepDownsizedbigroomtechnotools by Mørbeck with a Detroit-Peaktime Touched Remix by Label Head Templeton.

Building on the success of Vol 1, Detroit pioneers Octave One now serve up Locus of Control Volume 2, continuing their journey of exploration of power or powerlessness over what moves one’s world. This EP comes after a busy series of shows for the most famous live act in all of techno, with them recently having played everywhere from Piknic Électronik Montréal to Movement to Dimensions Festival and many more. The show is an all new audio-visual experience for 2019 and continues to keep them at the forefront of the scene despite more than 30 years of experience. Locus of Control Part 2 follows a remix of Giorgia Angiuli and lands on their own 430 West label once more. This EP series takes its name from a psychological concept that refers to how strongly
people believe they have control over the situations and experiences that affect their lives. Part 1 showcased euphoric piano stabs and uplifting drum lines, and Part 2 explores more propulsive techno. Up first, ‘Afrotech’ is a seven minute techno adventure. It’s built on sleek, crisp drums with twisted synths writhing about up top. The devil is in the detail and the way the synths are subtly tweaked throughout to make for a most dynamic journey once more from these brilliant brothers.
The excellent ‘Detune’ is a futuristic track with layers of shiny metallic drums and taught synth riffs that make for a tense and thrilling ride. Big drums power things along and the whole thing is the sort of sensory overload that will blow up even the biggest warehouse parties and festival stages. These are two more powerful tracks from the ever essential Octave One.

1st June 2018 sees Croatia's esteemed DJ/producer Petar Dundov return to Belgiums iconic Music Man Records with his brand new Dalmatina / Once We Were Here EP.

The essential 2-track offering sees the sophisticated melodic Techno pioneer deliver one of his finest EPs in recent times, following his acclaimed fifth LP At The Turn of Equilibrium (released on the aforementioned label in 2016) and more recent releases on imprints such as GTO Recordings, Last Night On Earth, MOOD and Systematic Recordings amongst others.
The EPs lead track 'Dalmatina' kicks things off, taking the listener on a 9-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage.
Next, the 13 minute synth-laden 'Once We Were Here' concludes the release in style, serving up masterfully produced electronic tour-de-force comprising of, dancefloor-ready 80s-esque drum programming, a lush emotive chord progression and a beautiful reverb-drenched guitar-tinged lead melody.

Ghettoplanet Classics From Hellboii's Vault. As Heard At The Legendary Dystopia Parties And On The Hague's Pirate Radio. Some Of His Best And Most Personal Recordings Of The Past 15 Years.

Well Street welcome emerging talent Significant Other to the family with 4 insane polyrhythmic techno tools aimed firmly at the dancefloor.

LTD repress !

Chapter One. The future is here! Incredible album of SIT on Sushitech! Vinyl Only

Back with its tenth iteration in near half a decade of intense activity, the Rotterdam-via-Berlin based outlet is set to enter a new aesthetic cycle, sloughing its old skin for a brighter, all the more edgy one. Not content with counting some of the finest names in today's techno landscape on board in the persons of Oscar Mulero, Psyk, Sterac and Dimi Angelis, 'RYCL010 - Amsterdam/Madrid' is the occasion for Reclaim Your City to take a new breath and explore deeper the intrinsic values and key-words that make for the label's characteristic motive: music, energy, action, city, quality, art, underground, activism, rebellion, global community.

This time, Tadeo explore the behavior of one of the most iconic element of anicent gods 'Pazuzu'. Approaching to the idea of the wind and what it offer to the world in different cultures; Good and bad news, illness, health, fortune and misfortune. These are some reactions offered by Pazuzu to his followers.
New sounds in the Tadeo´s palette, more analog and raw that continue with different digital experiments and expressions.

Hoary records present Toollbox

Three Years After Releasing His Debut 'mute' On Code Is Law, Under Black Helmet Is Back On The Label With A Solo Ep 'juvenile Moral'. Displaying Total Artistic Freedom This Ep Takes Us On A Journey Through 4 Diverse Tracks Each Opening Up A Sonic World Of Their Own.

Pushmaster Discs presents a new various artists series called “Pattern”,with old and new artists signed on the label.
On the A side you can find a new artist italian producer V111,who released for label as LNDN White/EartoGround with a raw techno track, 909 infected rhythm and nice arp. The other track on the same side is a big hard groove tune by the label boss Mattia Trani, ”Centaurus” is a groovy beast with minimalistic detroit chord.

On the B side new artists AADJA from toronto,canada and e11011 from buenos aires,argentina with 2 killer dancefloor tracks. Last but not least a crazy Track by Milan based producer Grienkho,150 bpm powerful track “T-E-X” with rave/gabber influencer and hypnotic melodies.

This release comes out with transparent vinyl and limited copies of 150. Don’t miss this strictly limited project!

‘Wild Slide’ is the debut album from techno supergroup, Better Lost Than Stupid, aka 3 of the world’s finest producers and DJs - Martin Buttrich, Davide Squillace, and Matthias Tanzmann.

Released on 13 September by Skint/BMG, the 11 track album follows a slew of singles - ‘Back From The Desert’, ‘The Sky Is Too Low’, and ‘Inside’ – which have won praise from the likes of Mixmag, Dancing Astronaut, RA, Radio 1 (Pete Tong and Danny Howard), Marco Carola, Dubfire, Nicole Moudaber, Kolsch, Joris Voorn, Claptone, Eats Everything, Adam Beyer, and many more.

Electronic music underpins ‘Wild Slide’, but Better Lost’ look beyond it with a varied collection of song ‘Wild Slide’ is the debut album from techno supergroup, Better Lost Than Stupid, aka 3 of the world’s finest producers and DJs - Martin Buttrich, Davide Squillace, and Matthias Tanzmann.

Released on 13 September by Skint/BMG, the 11 track album follows a slew of singles - ‘Back From The Desert’, ‘The Sky Is Too Low’, and ‘Inside’ – which have won praise from the likes of Mixmag, Dancing Astronaut, RA, Radio 1 (Pete Tong and Danny Howard), Marco Carola, Dubfire, Nicole Moudaber, Kolsch, Joris Voorn, Claptone, Eats Everything, Adam Beyer, and many more.

Electronic music underpins ‘Wild Slide’, but Better Lost’ look beyond it with a varied collection of songs that combine synth-pop (‘Inside’, ‘Wild Slide’), electronica (‘Boys & Girls’, ‘Harder Than Gold’), indie rock (‘Back From The Desert’), and downtempo (‘Without The Feeling’, ‘Bender’), with the kind of euphoric techno moments they’re individually known for (‘Inside’, ‘Right Now’).

‘Wild Slide’ shows that the comparisons made between Better Lost’ and stadium techno acts like The Chemical Brothers, and Underworld, stand up. The production quality is every bit as good as you’d expect from Buttrich and co, and the songs have been crafted and written by three people who’ve spent their lives making music and then playing it to hundreds of thousands of people.

*PRESSED IN DETROIT - OFFICIAL* Next in the string of Metroplex reissues is 'Nature of the Beast' - a total classic by duo Mike Grant and Damon Peterson as Black Noise. Another techno essential. BIG TIP!

CVBOX´ second ep on LUNATIC appears with a very epic approach to form a complete statement of his art: beginning calm and rhythmically broken, HITCHHIKE THE PLAIN takes it´s time before it get´s more driving in the end. Now after getting on the trip, APOLDA13 lets you float in the vacuum with it´s polyrhythmic bleeps before TP-ONE dives deeper in the abyss as a straight and spinning techno tool. happy end: something well known shows up with that version of DRIVE BY CIRCLE.
short description: on his second ep on LUNATIC, CVBOX presents 4 stripped down, deep stories with his analog pulsating style, on the edge of darkness and daylight. record comes in a sealed cover with an art print inside.

13th Skudge White release, and a welcome return of Daniel Andréasson. Going a different route than his previous 12" for the label, this time it's four melodic/braindance tracks. Tip!

Following up his pair of cryptically luminous EPs for Northern Electronics in the past years, Evigt Morker presents his debut album, Krona. With a shuffling atmosphere that's hard to pin down, the album chronically fixates on the degradation and construction of rhythmic drills with finely rendered parts and patterns. Spiralling the listener through a set of stormy soundscapes, Krona keeps placing the horizon just ahead, and just out of reach. The unease that Evigt Morker invites us into is electrically charged and threatening to crack. For all its syncopation we are relentlessly swerving through the works, afraid of teasing an arcing static shock from the blistering commotion. The album's propulsive tracks are settled against a pair of stunning ambient compositions that capture some of the tension from a distance. Technical dexterity and perfectly pitched intensity stakes out Evigt Morker's debut album as an impressive statement.

Repress

Huge remix package of one of the Exium classic tracks, Expect Nothing, recorded in 2003 and reviewed 15 years later by Regis, Oscar Mulero and Reeko.

Special 15 Years Anniversary Edition with a new Exium's version of the original track mixed and remastered plus 6 remixes (three on vinyl + three on the digital version).

On the second chapter of the KOOAAD Muzik saga, obscure composer Filippo Diana shakes hand with Cronenberg, Carpenter and Detroit's finest electro pioneers and delivers a masterful soundtrack to the never released sci-fi movie NEMESI.
'A neuro scientist synthesizes a protein that amplifies sensory perceptions. Using himself as test subject, in an attempt to establish the right dosage, he takes too many shots that will quickly and inevitably plunge him into the depths of insanity.'
All tracks are filled with a tension that ranges from fear and mystery to arousal and ecstasy, accompanying a vision that never became cellulose yet entrains our brain like a stroboscopic dream.
Music to play on a monochromatic screen with oscillating brightness at theta frequencies.
Seven tracks mini album selection of the original sound score.

We're happy to announce the return of Dublin-based Will Kinsella, better known as Hybrasil, with his first full EP release for Break New Soil!

Will's 2017 contribution to Gregor Tresher's Breaking New Soil series in the form of the floorfiller - Flexo was definitely a highlight, so was only a matter of time for Will to return to BNS, and so we're happy to announce the release of these four razor-sharp dancefloor weapons: Ladies and Gentlemen, this is Hybrasil's - Ascended EP! Enjoy!

NYC collective Sheik 'N' Beik continue to bolster their catalogue and add to a slew of cosmic cuts from Xamiga, Derek Marin, Voiski and Peter Corvaia with the next installment coming courtesy of NYC newcomer Jeffrey Scott.

Having been a mainstay at the Sheik 'N' Beik parties across NYC and Ibiza, Jeffrey Scott is a long term friend of the team. He is an artist who has patiently cultivated a methodical yet free-flowing form of production that melds live instrumentation, warped and celestial synthesis with a healthy sprinkling of oddity that lends him perfectly to a release with Sheik 'N' Beik.

This - his debut 12' - is built predominantly with Hardware, Software and modular gear and kicks off with 'Under Aqua' that drives flat, whetted kicks through flexing metallic tones and pellucid clicks and snaps. Distant, reverberated signals are gently pushed in and out of the mix as additive percussion pushes momentum forwards. Panned and mangled spoken word hops between languages which, alongside a soft and rueful chord change builds a striking soft / hard contrast.

Allegorical in its progression, 'Down To Art' then opens up with layered Boards Of Canada-esque synth tones sat atop a buoyant pulse. Passages of twisted spoken word and clever sound design builds disquieting tension that never quite boils over whilst keeping the listener pinned throughout.

'Drum Morphing' then sets sheets of glacial synth tones atop clipped analogue drums. Patient and natural in it's progression, it slowly renders the moon's landscape and closes with playful use of delay, pitch bending and panning that caps off an impressive and daring debut from Scott and another fine addition to the Sheik 'N' Beik series.

Pure worries from Leipzig — three club burners steeped in Detroit traditions, distilling the explorations in collective, nervy hypnosis of KM live sets. As the music slowly unfurls, there he is at every turn, subtly tweaking its parameters, redistributing its weight, pricking its grooves into a state of utterly infectious perpetual movement.
The two visions of Chilazon track opposite pathways: the first is twelve minutes of gorgeous, dubwise, aquatic techno, spattered with kicks and razor-sharp hi-hats, and smeared with ghostly echoes, then a terse mesh of broken drums, escalating to a quiet yet feverishly intense peak. Lanthanum is calligraphic swordplay, its toms and bass stabs warily circling one another in a graceful steppers' dance, spaced-out and fathoms-deep.

From Croatia Popsimonova is fusion of electro and body music, crafting a complete record that is
influenced by the 80's, techno, rave culture, the occult and more.
Your hypnotic lyrics with powerful rhythms, seduce the listener into a trance.

Popsiomonova gives us a strong and catchy theme with the name " Empty Eyes ".

The remix of hand Sintex Bortexx, creating the climate for lovers of the dance floor.

Jazz #3293 ... TIP!

Probably The Most Requested Releases From The Back Catalogue, Meanwhile Finally Presents 4 More Tracks By Legendary Remote_. The Ep Gathers Together Acid End And Tracing Lines From The Limited Cdr Smallfish Label Which Mike Used To Run Along With Managing The Legendary Shop Of The Same Name, Along With Isolate, From The Home Normal Label, And Untitled Which Is Previously Unreleased. Its Impossible To Pick A Stand Out Track Given The Quality And Depth Of All 4 Tracks, None Of Which Tracks Have Appeared On Vinyl Before Now, Despite Many Requests Over The Years For Acid End In Particular, A Deep Diving Cut Full Of Of The Trademark Pads, Chords, And Intrecate Percussion, Deep Basslines That The Artist Is Known For, And Of Course Some Subte 303 To Finish The Track Off. Tracing Lines Is A More Spacious Atmospheric Number, Which Morphs From It's Initial Electrorhythms Into A 4/4 Adding Delicate Meoldies And Idm Motifs. Untitled Lures You In With It's Swelling Icy Pads Before Heading Deep Into The Dancefloor With It's Crisp Beats And Some Subtle Chords. Finishing The Ep In The Way It Starts Is Isolate, Full Of Dubby Delayed Chords, Rolling Percussion, And Bubbling Basslines. The Icing On The Cake Is The Mastering By Rashad From D&m, The Man Responsible For Mastering Most Of The Early Releases On Meanwhile, Including The Now Legendary Remote_ Ep's, So Don't Leave This One In Your Cart For Long.

The 401 highway which connects Detroit on it’s southern end and Montreal some 900 km to the north east is quite possibly one of the most ugly, boring drives known to man. A seemingly endless stream of nondescript pine wood forests and cookie cutter suburban hell holes fill the gaps between 3 magnetic poles. Detroit, the Motor City of former untold grandeur, and current bastion of cheap rents and boundless American artistic enterprise. Toronto, the city Drake built, alongside the World Champion Raptor basketball team from which this EP takes it’s inspiration. And Montreal, the sin city of the north, the French Canadian Mecca of contact dancing strip bars, where bikers and the Mafia’s 6th family jockey for power and have everyone from the mayor’s office on down in their pockets. No great surprise then that this geographical well spring of nocturnal indulgence and scrappy street hustle has produced some of the greatest music purpose built for late night dance floors, be they housed in gay bars, illegal raves, private lofts, after parties, or forward thinking drug dens. And if any two people were qualified enough to recount the sordid tales one might find in the nooks and crannies of these secret sanctuaries of the wee hours, rest assured Ryan Crosson and Deadbeat have stories for days.

For the 20th release on Deadbeat’s BLKRTZ label, these 2 long time friends deliver 2 atom bombs of breaks driven groove filled with dubbed out vocals, massive funk and impossibly heavy bass weight, sure to appeal to fans of their previous work and Djs from across the dance music spectrum. House, Techno, Breaks, Two Step, Dub Step, Hardcore...File under HEAVY weaponry and love for days.

Mythology for the posthuman age. From "The New Kind" to "Posthuman Wonderland", Simon Grab's album "Posthuman Species" is a sonic journey through an astonishing land of fragile feedbacks, pulsating drones and opulent outbursts of noise.

Recorded on a no-input-mixing setup consisting of low frequency oscillators, filters, analogue effects and a mixer patched with itself, the album sneaks up on dub and leftfield electronica from the side. Over time, the self-oscillating setup falls in and out of tune with itself, emphasising its transient nature. The album is a work of science fiction, telling the story of a time when "The New Kind" shapes its own wonderland.

Swiss sound artist and musician Simon Grab explores new grounds by negating assumed borders. In his recent work, he focuses on reduction, and the peculiarity of self-referential systems.
The album "Posthuman Species" follows his recent EP "Extinction" on -OUS. His "Diamonds EP" in collaboration with Togolese rapper Yao Bobby and Asian Dub Foundation's Dhangsha releases on Bristol's LavaLava Records in September 2019. Simon Grab's recent works includes "Hirnmusik 1 & 2", in which he dives deep into musical imagery by transferring his sonic ideas directly from his brain to vinyl.

The vinyl LP comes with a printed inner sleeve designed by Hammer and a download card that includes the digital only tracks "Transformation" and "Posthuman Wonderland".

D.K. and Low Jack.

After his comeback album on Morphine in 2014, Sote marks his return to rhythm by taking part in Repitch's 10inch series with a banging two tracker extracted from his more than 20 years old unreleased archive. Neuroenhancer produced in 1995 is a heavy duty techno drilling machine, pairing an oldschool Mills like groove with a throbbing mass of modular synths. On the other side In Music I Trust''s main engine is an incandescent hardcore/jungle beat, haunted by spaced out vocals in the darkness. The track was produced in 1997 with friend 'Safar' a San Francisco based DJ/Producer, shortly after Sote s initial experiments with Jungle and Drum n Bass pre his Warp EPin 2002.

Echovolt expands its remit with the launch of a new series of mini-albums with the first edition coming from Templeyard Studios, a recently formed project of Berlin-based Greek artists Miltiades and Goolyk. Met for the first time in Berlin in 2014 and pretty soon started sharing sonic ideas and researching how they could affect the human brain, using hardware sound equipment.

It's been some time since we've heard from Colin. Actually, not since that 'Fruits Of Zion' tape the put staff and shop regulars in a real spin back in 2015. Now the long wait is over, and we're now drip fed four new tracks from a source not specified. info as it comes.. small run, be quick!

White Visitation, who debuted on Blank Sate 006, returns with a full EP that showcases the vastness of his musical capability. The Mexico City native doesn't submit to the boundaries and limitations of genre to frame his musical identity. This ability inspires the conquering of differing styles of music without hesitation. The result is a pervasive sonic ngerprint evident in any of his creations. White Visitation begins with Maintain, a heavier-leaning track which evades abrasiveness while
remaining vigorous. The track, previously released on cassette, seems to smother a melancholic feeling desperately yearning for escape. CYEADOS is a ballad of distant war horns crying out in longing. It peaks with a barrage of brutalist ride cymbals which both pummel and soothe. Take it Again is an exercise in elegance and elation. White Visitation consummates an
atmosphere of sweetness without sacricing an ounce of depth. He balances layer upon layer until what stands is a house of cards constructed to resist the ever intrusive winds of monotony.

After released a track into pattern#1 various,Toronto’s rave enfant prodige AADJA is ready to release her solo debut EP on Pushmaster Discs Family.

On the side A the canadian producer shows his perfect Acid/Techno infected sound inspired by 90’s Rave style with the track “Interaction Sphere”,in the same side a minimalistic killer tool techno remix by the dutch “don dino” Deniro (трип) On the side B “Acidphoria” is another massive techno tune with acid melodies and 909 big rhythms, to complete the side an amazing funky and minimal speed remix by the berlin based producer Hector Oaks with his alias Cadency.

150 limited copies!

For this second release we are honored to have Dawl on board. This talented artist has grown with a personal style, releasing only top-quality beats in the latest year. Expect some electro, techno, acid and breaks ready to rave!

Pregnant Void returns with another of their deeply involving and thought-provoking albums, this time from Berlin based sound designer and live-performer Francesco Devincenti.

Devincenti has been making music all of his life and quickly established himself back home in Northern Italy. To further his talents he headed to Berlin to study at the S.A.E. Institute and soon went on to a job at Analogcut mastering studio. As such he is a sound design wizard with an exceptional ear for detail and someone who can get real meaning and soul of out the machines he often solders together himself. He is part of a couple of live hardware duos - MORK and TDV - and always fuses ambient, techno, distorted grooves, jungle beats and dub moods into his immersive recordings.

This new album draws on ten years of life experiences and uses music as a way of telling his own autobiographical story. "With the album I try to explain what I have inside in a way I cannot using only simple verbal communication: those moments of Brutal Reality where you lose something very important and cannot fully express yourself." Though always obsessed with finding his own musical voice, Devincenti is also inspired by studio masters like King Tubby, Adrian Sherwood and Mark Ernestus. His experimental music follows no existing path and is made on modular systems that result in unpredictable and unconventional ambience and rhythms. A number of collaborations add more flavours to this most rich and rewarding album, including friend Hi.Mo, label boss Simone Gatto and vocalist Alice Lobo.

Brutal Reality is filled with truly freeform electronic music - sounds without borders, but with very real narrative and an absorbing sense of emotion that makes it a moving listen in more ways than one.

KETTAMA debuts on Dance Trax with 4 club smashers taking in Glitch-Hop, UKG and that sweet spot between techno & house. Tip!

PBR Streetgang return to their newly launched KURTZ imprint this October to deliver ‘Acid Tools’, accompanied by Wilde Renate residents Longhair on remix duties.

Founded in Leeds but now found touring the international scene week in, week out, Bonar Bradberry and Tom Thorpe, aka PBR Streetgang, have cemented their position as leading names within the current house and disco landscape via a slew of stand-out releases on imprints such as Skint, Crosstown Rebels and Futureboogie, plus appearances in 2019 alone at Glastonbury, Love International, Printworks and a summer residency at Pikes Ibiza to name just a few. Launched earlier this year, their new KURTZ imprint quickly found favour amongst a who’s who of the industry’s leading names, from Andrew Weatherall to Bicep, Hot Chip to Soul Clap, and here we see the duo step out again on home turf to deliver the second instalment as they reveal their Acid Tools’ EP, featuring three versions of the up-front ‘Ron’ - each of which have been doing damage in their sets across the summer months - backed by a remix from Wilde Renate residents Longhair.

Up first and delivering the ‘Full Fat’, version one sees Bradberry and Thorpe introduce punchy analogue percussion arrangements in tandem with a chunky, menacing acid line at the production’s core, whilst infectious vocal samples and hooks ebb in and out of the mix to guide the production as it chugs along, whilst the ‘Half Fat’ mix strips back the vocals to reveal a driving and warping journey across six-and-a-half minutes. Next up, Berlin duo Longhair’s remix welcomes a low-slung interpretation armed with delayed effects and sci-fi atmospherics to provide a combination of rich depth and space, before rounding out proceedings via the ‘Fully-Skimmed’ mix – a high-energy 909 fueled workout set to feature as a favourite for many across the months ahead.

Take equal parts 808, 909 and 303 and you might get an idea of what to expect on Adrian Forcinitis debut on Dizzy Tunes, "Swedish Royal Ass-iieed". His tempting acid tunes give you quite a challenging listen while trying to discover the secrets of the various analogue, genuine nooks and crannies involved in this remarkably fulfilling experience. If all you ever wanted was real, sturdy acid music, this record is one to which you'll come back and play repeatedly.

Mastered at SCHATZ.MASTERING.STUDIO

supported by DJ Krime, Snuff Crew, Jesper Dahlbäck

The always on-point and culturally significant Tuskegee Music is back with more essential music, this time from venerated American producer D’Marc Cantu. Over the course of a distinguished career, Cantu has contributed to everything from jackbeat to acid, house to techno on labels like Creme Organisation and Les Disques De La Mort. Always serving up raw-edged, uncompromising sounds, he does so again here on another standout EP. Opener ‘Beat The Move’ is an urgent, high tech piece of slick and supple acid house with 303 undulations, dark vocal loops and the sort of hammering drums that get the club locked right in.
The sublime ‘In The Forest’ is a tripped out bit of restless electro with skittish hits and rueful pads that gets right to your heart. Last of all is the militant, marching ‘A Narrow Connection’ which closes things out with crisp kicks and scintillating sheet metal drums that straighten your back and get you stomping.
These are utilitarian yet wonderfully unique club tracks from a real master of the form.

Dizzy Tunes' latest drop - Ghetto Traxx puts your feet directly back to the dancefloor having it all set in wavering melodic tunes coming from a 303 combined with classy yet swinging drums produced with a 909.

All four tracks will convince your mind with ambitious, challenging sounds your body fills up with - two of them being Ghetto House Traxx, the other two Chicago House Dance Traxx.

Mastered at schatz mastering studio

limited repress !

D.J. TopCat returns on Dizzy Tunes 010. His former release on Dance Mania #165 from 1996 comes re-mastered to hit the dance floors again. Mastered at schatz.mastering.studio

Emerging Italian label Castenea Records has been on a rich vein of form of late. Spurred on by quality signings a la Pressure Point, TC80 and OdD Music, they've quickly won the hearts and minds of numerous similarly-inclined artists. Their latest is a case in point. Coming at us from Modbox aka Patrizio Restelli, it features three originals from the man in question as well as a remix from one of minimal techno's most exciting new acts, the inimitable Topper.
Kicking off the sounds of 'The Science Behind First Impression' EP is 'Halo Effect'. A heads-down, zippy track that conjures up images of a hazy Villalobos and Zip after-hours session, it's made up of but a few parts but still manages to force a distinct

impression. An auspicious beginning, it wonderfully sets the mood for Topper's reinterpretation. Imbued with slightly more colour than its predecessor, its gradually warmer remix acts as the perfect foil to the sounds of the original.

The B side gets underway soon after with 'First Impression'. A jazzy number that's indicative of the producer at his playful best, it's full to the brim with smile-inducing tones and is sure to work a treat wherever it's let out of the bag. Culminating the release is the sounds of 'Jam Confidence'. A more stringent affair that sticks to an eerie script, it sees us out the door with some panache. An EP that's sure to force an impression, that's for sure.

Patrick Conway keeps a low profile and wobbles through the alleyways. This is his first offering for the ESP Institute. Side A’s Know The Future is properly moody, a UK rave track skirting the fringe of everything we hold dear from the days of our youth—big grey melancholy chords, mild shuffling breaks and anonymous diva cries peppered sparsely throughout—yet the artist manages to skillfully tick our nostalgia boxes whilst avoiding the road into full-blown pastiche. It's a versatile track, easily suitable for both the early hours in the warehouse or the tender drive home where your terrible Tuesday awaits. On the flip side, Patrick continues his plunge into emotional depths, summoning layers of ghostly sighs, chopping up the beats in half time and introducing a more prominent use of bass, but midway through Digital Warfare he jettisons the angelic pleasantries in favor a more deranged headspace. He’s had us swallow the wrong pills, sending us through a labyrinth of mirrors and echoes for the second half of the track, only to partially find our footing in the last minute. These two songs will send you to another time and place.

Kiev based "vinyl only" label Nastroy present its 1st release based on a concept Modern Nostalgy. Deep & intelligent sounds from MicroHouse to Minimal Techno.

Second One

Spread out over two 12"vinyls - this is the result from a two day recording session in Brussels by the duo of Beau Wanzer & Maoupa Mazzocchetti. 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms

Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms