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Techno News
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Rrose returns to Eaux with three new spellbinding techno tracks. "Levitate" starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while "Vellum" is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. On side B, "Signs" takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible...
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"Tujurikkuja have found themselves in a very interesting zone of analogue sibilance, waveform transmission and ferric rhythmic pulse. Chris Dixon and Johsua Kit Clayton have quipped about their project being "ambient nihilism" and there are threads connecting their dilated industrial dub to the Californian dystopias revealed through Factrix and Thought Broadcast. Yet for all the naysaying that is rampant in the current cultural dialogue of the Bay Area, Dixon and Clayton let an undercurrent of optimism crack through the malaise."
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"Q/R" features the reissue of "Rug"composed by Chen Yi (1982) (previously played by Vladimir Ivkovic, Helena Hauff ...) among others quality new wave, electro pop, industrial tracks composed by Neud Photo, Automatenfall, Beta Evers & Dora Gerl as "Severe Sisters", BB&SS, Denis Frajerman & William Bope project ---> The Blizzard Sow + an exclusive latvian piece from 1988 (19 Gadi Pirms Sakuma).
Illustration by Den Haag based A. Blokdijk (Salò Mentale)
It's about weird electro, new wave, industrial, synth pop and dark psychedelic musik. It includes a remastered version of Chen Yi's 1982 work "Rug" , but also unreleased track from Beta Evers & Dora Gerl as "Severe Sisters", Denis Frajerman & William Bope project ---> The Blizzard Sow. An industrial/rock track recorded by a new band from Berlin, called Automatenfall... A new track from USA based artist Neud Photo, a cosmic electro track from mysterious BB & SS and an exclusive latvian piece from 1988 (19 Gadi Pirms Sakuma)
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12 Inch Ink Blot Smudge Vinyl !
Special Edition pressing from the mighty Drumcode. Label boss Adam Beyer teams up with Ida Engberg for an epic workout in the shape of Unanswered Question, remix comes from the in demand Dense and Pika.
Pressed on limited edition ink blot style 2 tone coloured vinyl this is not to be missed!!
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Fresh off his recently released X Years in London film soundtrack, Braiden returns to both his label and the dancefloor for Off Out's 4th single and one of his most energetic releases to date.
V.O.L.A.T. is a bold, metallic juggernaut, twisting through sonic labyrinths over its ten minute duration. At once direct and amorphous, the track plays with the foreboding and the gentle, with organic and metallic sounds intertwining with imposing resolve.Hydroplane resides on the flip side of this release, a relentless jacker with juddering pitched toms working their way through chromium chords and disembodied cavernous vocals. A pacey showcase of tension and release to synergise with the perpetual motion of the dancefloor.Artwork by Braiden, released on 12" vinyl and digital via Off Out.
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Ahead of their collaborative album later this year, Pier Bucci and Oskar Szafraniec present their first sampler titled 'Tipico Latino' featuring a remix by El_Txef_A. Emerging in the mid 00's, Chilean producer Pier Bucci first appeared on Cadenza with a release alongside Luciano himself before dropping multiple releases on Crosstown Rebels, including his acclaimed album 'Familia'. Since then he's appeared on Get Physical and Rawax, not to mention launching Maruca Music - a platform for his own music featuring heavyweight remixers such as Baby Ford and Thomas Melchior.
Szafraniec has been producing under different monikers since 13 years old, releasing two solo albums, recording alongside A Guy Called Gerald in 2012/2013, and touring as a live performer. As Oskar Szafraniec his production debut was a collaboration alongside Ricardo Villalobos two years ago, but since then he's appeared on Murge Recordings and Cyclo, as well as collaborating with Pier Bucci on Rawax, who Oskar met whilst touring Japan 'Tipico Latino' features gloomy Spanish vocals as intricate elements are brought in and out of the mix across its nearly nine-minute duration. Subtle throbs and echoing effects are blended with metallic
percussion and deep synths for a wistful and mesmerising aesthetic. Forbidden Colours founder El_Txef_A, whose remix talents have been recruited by Permanent Vacation, Galaktika, Akbal and Culprit, reimagines the original providing a drawn out intro before exploding into a frenzy of crashing cymbals, animated acid and serene vocal moans.
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Opening their doors every Saturday for mind-altering shock treatment, Power Station has been giving their raging punters a potent dose of megawatt reality. Their curatorial expertise has established an institution that will now extend the mythical energy generated with a record label in the form of annual limited 12"/digital compilations, grouping tracks that have already become the club's signature tunes. Resident, booker and co-founder Kris Baha finds himself on both sides of the inaugural disc, with the ball of confusion solo production 'Something Something, and again as Heavy Concern in collaboration with Otologic's Nick Murray, a name synonymous with the Melbourne club circuit being one quarter of the Animals Dancing massive. Young gun Disrute captures the optimum warm up set with the shape shifting slow burner 'Ka-Bu' while scene veteran and Haul Music boss Mike Callander discovers a new lab mutation of sci-fi soundtrack, damaged funk and cerebral house.
With almost 50 digital releases in the space of 8 years, it's about time we gave the vinyl junkies what they want: Lazerslut on wax. An intense studio period recently took place and the three originals on this release come straight from the obscure soul of Miro, a genius mind backed by two decades worth of music production experience. The EP comes topped with a remix by Troy Pierce.
A1: I Believe In You is unerringly THE Pajic-sound! On a tight groovin' bass line, the low sneaking voice babbles on a bubbling background until a nasty squeak makes the track go mad.
A2: Ghetto Haus has nothing to do with today's G-House movement. It's Miro's definition of a loopy voice cut, grazing on a seemingly endless cheep with a dirty bass to match.
On the B-Side, Troy Pierce delivers a masterful slice of weirdness with the Jak Da Beat Remix of I Believe In You. The Items&Things producer induces mysterious spaces on a beat full of suspense, creating an ideal backdrop for those more special experiences.
Last but not least, See The Stars shows once again how tight rhythms can be. Shuffled hats and well-directed bass stabs create the flow for a trippy, grinding voice - very sexy. Not one to be missed!
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When the derangement has reached the limitless limits. Like the sound of a light-beam reaching the immense gravitational waves of a black hole. Is there sound in nothingness This is your Outermost reality.
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Tensei Records is a new project emerging from the undergound scene of Buenos Aires, Argentina. Pikun & Salah Deux join forces and deliver Are Hara, the first release of the label. A blend of organic, hypnotic percussion and abstract synthesizers. A unique combination of grooves and controlled atmospheres.
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Volupso 6 is from Italy and delivered by Riccardo Rizza, 2 groovy tech house tracks, perfectly fitting for the dancefloor, accompanied by a remix on the flipside from Alex Celler who delivers his Eprone Dub Version. Enjoy xx
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Following up on a stellar 2013, Timo Maas kick starts the new year with the final vinyl remix sampler taken from his album, 'Lifer'. This is his latest offering since "Tantra" EP - which was received with rave reviews and featured across Rolling Stone, XLR8R, Clash, as well as played by some of the finest djs on the circuit from Seth Troxler, Maceo Plex through to Luciano and Danny Tenaglia.
'Lifer Remixed - II' acts as a who's who in production with remixes coming from Maceo Plex's darker alter ego project Maetrik, Addison Groove who just dropped his killer new LP on 50 Weapons, Tom Demac fresh from releasing the earth shattering bass-house perfection "Linda's Theme' EP on Aus Music and Crosstown Rebels mainstay Fur Coat just ahead of their massive forthcoming releases on Bpitch Control and Hot Creations.
Further afield, Timo has a brand new remix for Hackman coming soon on LA's Halycon as well as putting finishing touches to a super exciting new project for My Favorite Robot, which rest assured you will be hearing a lot about. As usual you can expect to see a jam-packed touring schedule with dates from Berlin's Watergate, through Tokyo's Air, across the world at Miami's Treehouse and of course Ibiza's finest clubs.
Rockets & Ponies continues to gather steam with Timo and his production partner Santos collecting music which straddles the somewhat disparate worlds of underground electronic music and credible muso pop. The next release from one of Germany's best jazz musicians Wolfgang Haffner come is backed up by remixes from no less than Ricardo Villalovos & Max Loderbauer, Nightmares On Wax, Timo Maas & Acid Mondays, so keep an ear firmly to the ground.
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The anniversary vinyl in the anniversary year! The tracks for the vinyl were also not selected by the label, but could be determined in the spring in an online campaign by fans. The winners - some unreleased, exclusive, tracks or Fresh out - landed at vinyl number fifty in special KraftPac Cover and great touch - each individual pieces by hand-painting and hand numbered! Plus Lebensfreud stickers! Made with love!
Incl. Marek Hemmann Remix!
Das Jubiläumsvinyl im Jubiläumsjahr! Die Tracks für das Vinyl wurden zudem nicht vom Label ausgewählt, sondern konnten im Frühjahr in einer Online-Aktion von den Fans bestimmt werden. Die Gewinner - teils unveröffentlichte, exclusive, oder frisch erschienene Tracks - landeten auf Vinyl Nummer Fünfzig im speziellen KraftPac Cover und toller Haptik - jeweils Einzelstücke durch Handbemalung und Handnummerierung! Made with love!
Incl. Marek Hemmann Remix!
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RELIGIO is glad to present the first VA series of the label rigorosely on Vinyl only.
A side is from Lillo and Fulvio Ruffert & Gregorio Serasin, both Minimal and deep tunes, Lillo's track is more big deep bass and bouncy instead the creature from Fulvio and his mate is focused on the mesmering soundscapes and deep dub melodies..
B side is from FNR and Kitkalt the FNR tune is very organic and sexy and from his kind of producing very analog stuff taste, Kitkalt delivers a more techy track, dark and shiny at the same time, a tune for smashing the dance floor..
A good VA for RELIGIO a black wax for all kind of situation!
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"With its HQ in rural Germany - Rockets & Ponies is a coterie for the outsiders - those 'too strange for the normal business' with an ethos that fosters freedom of expression, experimentation and an avant-garde approach.
So who better to present a remix package of works by Jazz luminary Wolfgang Haffner that includes Ricardo Villalobos & Max Loderbauer, Nightmares on Wax, and label padrone Timo Maas.
'Prolific' doesn't quite cover Haffner's creative output. With a career that spans over 30 years beginning in the German and French Jazz Ensemble and moving on to collaborative works with the likes of Chaka Khan, Bill Evans and Roy Ayres Haffner has appeared on over 350 recordings.
The selected material within this package is taken from his latest album 'Heart Of The Matter' released through The ACT Company in 2013 - 'Bing' and 'Luna' are twisted, stretched and reformed by the eminently prestigious roster of remixers.
First in is Ricardo Villalobos - an exalted genius and champion of freedom of expression with previous releases on Perlon, Playhouse, Cadenza and Cocoon who pairs up with regular studio partner Max Loderbauer for a wonderfully elongated, no-holds-barred dissections of 'Bing'.
Loderbauer himself, as a master of audio design, injects experience assimilated from sharing his studio with Tobias Freund and together the pair opt for their regular method of developing tracks on modular machines using no overdubbing or multitrack mixing.
On the flip, who better to offer an alternative take on 'Luna' than Rockets & Ponies co-founder Timo Maas. Following up his 'Lifer' LP and his 'Tantra' and 'Articulation' EPs, Maas steps in with his brash and physical reworking of 'Luna' that he creatively re-images into a billowing beast.
In doing so he further substantiates his own left-field productions and indeed, Rockets & Ponies is an entirely unique and creative experiment capable of producing incredible results."
Finally, previous collaborator with Haffner himself, Nightmares on Wax steps in with a typically balmy, Rhodes-heavy revision of 'Luna'. The longest ever serving artist on Warp Records opts for signature dosages of Dub, Soul and Jazz that he's perfected and refined over his long and illustrious career.'
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Teja Label Release Nummer fünf geht nun musikalisch in eine etwas andere Richtung. Hier Präsentiert uns Dj T.A.G., Resident des Legendären Clubs Tresor Berlin seinen unverwechselbaren finsternen und analogen Sound. Schiebende Bässe und Finstere Sounds verpackt in einem unverwechselbaren Track Konzept bilden die Basis und nehmen den Hörer mit auf die Reise. Unterstützung holt Er sich dabei aus England von keine geringeren als Chris Colburn / Rohmaterial, der wie gewohnt seinen typischen Pounting Techno umsetzt und keine Fragen offen lässt.
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The fifth release in Ygrok's limited catalog debuts the DKM project of Samantha Waldram, a native of Barcelona. The A1 is her rework of the sound poem titled - Little Ali Hommage To Forough Farrokhzad by Giorgio Sancristoforo, a contemporary Italian sound artist. The heavy rolling groove makes her track compatible with any dancefloor while still keeping the wild psychedelic flavor of the piece. Giorgio's original piece opens the B side with its disorienting collage of bells, modular bleeps and cresting, tumbling waves of Persian syllables. The EP closes with a stripped down beat and soundscape tool in the finest Ygrok tradition.
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After one year from the foundation of ARTS, label boss Emmanuel focused on giving space for all the other sonic artists that he found on his road. He is back to give directives for the label, and give more sonic spectrum for the people. Mentality is the result of a long process, it focus on mechanical quality and precision, Scenario is a picture of something you do not know, but would like to see.
The beauty of ONE OF THOSE NIGHTS can be found in the blend of simplicity and functionality. both tunes are outlined by an almost brutal reduction to the core elements. carefully selected sounds that are arranged in a highly effective sequence of patterns - that is the definition of FABIO PAPA's music. His long time experience as a live performer is reflected directly in his productions. it doesn't take a lot of elements to get a perfect groove he states, but without groove, there is no fire on the dancefloor. the record gets topped off by two powerful remixes by ANDER and the F.E.M ENSEMBLE.
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Following releases on Detroit Underground, Nachtstrom Schallplatten, Planet Rhythm and BluePrint Records, Gotshell releases his first EP on Atrophic Society.
The Colombian aficionado has been making waves across the world for his uncompromising take on the darker side of techno. His new EP 'Quarkcima' is no different, with a thick slice of bass-heavy machine music made for late night body moving.
'Quarkcima' follows a bleepy lead with layers of bass, building to a satisfying and tasteful crescendo, which steers clear of the tropes and uses frequencies to their fullest. It invokes a dark and foreboding atmosphere like a creeping black fog.
First on remix duty is Xhin, who takes the bleepy synth lead and twists it into a heavy-but-funky robotic jam, stark and cold on the surface but with plenty of heat underneath.
Jeff Derringer takes the reins for the second remix, wielding the original parts masterfully into a dense, bassline-driven triplet groove that takes the vibe up a few notches.
Finally, label head Vohkinne adds punch and percussion to his charged and clanging remix, which rounds out a fierce package in style.
'Quarkcima' is four cuts of essential techno that will never leave your crate.
Inmotion Music LTD sparks its first release by none other than Marco Faraone. Fresh off his unflinching release schedule in 2015, with poignant releases on Drumcode, Moon Harbor BEASONE and On Edge Society,
Marco's first release of the year see's him affirming his position as a full-spectrum techno mainstay. With two stunning remixes by Argentinas Jonas Kopp, Replace EP showcases a versatile playlist grounded in timeless, raw techno.
Yeah, finally Monkey B´s great successfull Space Funk and Capricorn on vinyl...Released on Snork58, the digital
"Forward Force" Album this tracks hide in the laptops of a a lot of DJ´s, so, now it shall be also out for the vinyl
lovers that they can smash them on the decks in the clubs!
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CPU and dance music's polymath Neil Landstrumm share a love for classic bleep techno, hence Landstrumm has brought to the table four superb reminders of the criminally short lived genre.
With spine tingling melodies reminiscent of 808 State's best work, and sub-bass worthy of LFO's bass-bin shaking reputation - A Death, a Mexican and a Mormon perfectly encapsulates not only Landstrumm's influences but also his deep seated love for bleep. A labour of love which the Sheffield based imprint has been only all too happy to encourage and hopes will keep the genre alive for generations to come.
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We turn to Chapter 3 as we introduce a brace of remixes by easily one of our favourite DJ's and producers; the one and only Lena Willikens!
We haven't really went in for remixes much before with the label, as we feel strongly about the power of the original. In the right hands, a great remix can be equally as powerful though and Lena has succeeded in bringing her own weird and wonderful sounds to a track from each preceding chapter - rRoxymore from Chapter 1 and Oslo Gabon from Chapter 2 - whilst still keeping true to the original work.
Remixes[8,03 €]
Night Blind is Richard Fearless' second release on Drone's white label series. The title track coalesced in the early hours of the morning as diffuse, Turneresque lights glimmered across the Thames and the container was pounded by a storm. Unnerving and melancholic yet with a glimmer of light, this is Fearless at his best.
On the B side is Cancan. With Xavier's spiritual acid head, Kenichi Iwasa, on percussion duties, this is one for peak time body shaking.
Both tracks were recorded and mixed at the Metal Box by Chris Blakey and produced by Richard Fearless.
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After the long awaited and acclaimed return of the notorious Manie Sans De´lire on June Records, one-half of the group, Trenton Chase, returns on the label with a bold solo LP marking his departure from the sound of his previous releases on the imprint.
For his first album attempt, Trenton embarks on the search for everything and manages to encapsulate the whole essence of the June Records ethos within 43 minutes of music.
Although initially not planned as an album, Deadlock was conceived organically as it only took a few months for its completion during the artist's most abundant 2017 studio spring sessions.
This body of work transcends formulaic attempts to showcase a very refreshing and uncompromising take on synth music. Chase followed a crude approach to songwriting, rehearsing and improvising live until the best take would eventually become the final track. Artwork by Florent Mazzocchetti.
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After nearly a decade in the making, Zomby finally dispatches Mercury's Rainbow, his astonishing and uniquely formulated dedication to Wiley's series of Eskibeat releases, a.k.a. the cornerstone of grime.
Originally recorded over an intense couple of weeks while suffering from circadian dysrhythmia,
Mercury's Rainbow documents Zomby riffing on intricately hand-programmed arpeggios, using theories of colour and its relation to the sonic chromatic spectrum - the circle of fifths - to place an expressively avant spin on the Wiley Kat's slyding Triton squares and frozen, post-garage drum patterns.
Rather than simply imitating Wiley's foundational unit of grime currency, Zomby innovates with a structure of bewildering, modal styles, refracting 16 diamond-cut permutations according to a colour-sound spectrum of tonalities. In the process he effectively loosens up and liquifies the Eski riddim, rendering its bones and sinew in varying states of reactive, physical deliquescence or GIF-like micro-organisms.
For dancers and DJs, the fluid contours and viscous, displaced rhythmic anticipation of Mercury's Rainbow suggests myriad geometries for movement in-the-mix, and serves to single-handedly put to sleep a whole genre of also-ran, prosaic 'future grime' thru its methodical, inventively ground-up construction.
While it's difficult to say with certainty, if Mercury's Rainbow was issued at the same time it was created, it may have arguably altered the course of UK grime instrumentals in much the same way
Wiley's original template coined a whole new genre, essentially making it the last word in grime futurism, proper.
Anthone and Katsunori Sawa team up again under their BOKEH alias delivering a 12" single on The Weevil Neighbourhood.
On A side "Lancashire", BOKEH explore the realms of Drum & Bass tempo challenging the how-low-can-you-go with extremely deep subs while "Fast Fiver" on the B side doubles up on your regular 4/4 while on a heavy dub chord's leash.
The release comes on black vinyl. The center label artwork is done by Lee Noble (No Kings Records/ Bathetic).
Blue Vinyl
Halocyan outlines computer music's many future possibilities, while remaining actively mindful of its one and only history.
Having released material from such luminaries as Dosem, Paul Woodford, Oliver Ho, Extrawelt, and Joey Beltram - Halocyan continues to assert its influence with their next record: a 2-part EP from Apollo and R&S affiliate Dave Angel.
Founder of Rotation Records and originally hailing from Chelsea, Angel is a Techno emissary whose intelligent, Funk-licked productions have propelled him through a long and illustrious career through which he has consistently branded his own stamp on Electronic Music whilst also remaining highly relevant to modern listeners.
It's this that lends him perfectly to a record with Halocyan who do what they do best in presenting his 'Incoming' EP: a sincerely-rooted collection that comes backed up by label favourite Hackman on remix duties.
'Portrait' kicks things off with jubilant melodies rippling atop sharp, whetted percussion before minor-key sweeps bleed in and bring with them a degree of pensive tension.
A buoyant bass line propels the track from Dave Angel - Incoming EP beneath before Hackman offers up a deftly swung revision rich with his sturdy
subs and idiosyncratic percussive flutters.
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Eidetic is a new project from the brokntoys camp, focusing on the deeper side of techno.
To kick off the project, Eidetic welcomes Exhausted Modern - an alias from Layup, the co-founder of Endless Illusion, for a 4-track EP of grimy, grubby, eerie electronics suited for the early hours on the dance floor.
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This is the new release by berlin based techno duo I/Y. the music is part of an interdisciplinary project between the international artist collective exc and I/Y which included an exhibition in a downstairs parking lot, the publication of the artistbook "pxrkxnglxt 2" together with the novel "raum in einem raum" by exc-co-founder eric keil and a short unmoved silent film for which I/Y did the soundtrack. This soundtrack now comes as an exclusive vinyl release along with an inlay artist edition, showing the dark scenery where the" film" takes action...
The artist book and the novel are published on rhein verlag and will also be distributed as a special edition together with the record at papierundgelb.de.
Vinyl comes with limited edition artwork by EXC Artist collective (high quality print)
Dolphins control the moon. It's quite far-fetched, but what if dolphins are indeed dangerous super intelligent creatures that created a secret base underwater from which they control a mercury-fueled spacecraft From the Earth's natural satellite, they can manipulate our minds with a special signal vastly known as the I/Y XXX sound wave. Think about it, question everything.
This is the beginning of a new series for the label, which will probably showcase different collaborations with dolphins and artists from different fields.
So Long, and Thanks for All the Fish
DJ PROMO / PRESS
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Following on from the very robust debut of his own label Failsafe, Juxta Position deviates back to the more melancholic aesthetic with which he initially made his mark back in 2013 on Mistress Recordings. Drawing palpable influence from ambient electronica like Boards Of Canada, he then reframes the aesthetic, with the help of rhythmic anchoring, on the 12 minute opening opus 'Eureka". However, not to disappoint lovers of the slightly harder, more uptempo, electronic beat, the flip then dishes up two significantly more pressurised techno pieces, the former 'Made In Belgrade' more linear, the latter 'Reimagined' more flamboyant.
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Lee Van Dowski makes his debut on the mighty Crosstown Rebels with three delectably dark soundscapes in the Tale Of Ordinary Madness EP.
The talented producer delivered a stunning EP for Crosstown sub-label Rebellion back in 2015 and this follow up exceeds all expectations. The title track is based on a text from Charles Bukowski's My Madness. Opening with brooding intensity it evolves with haunting synths and subtle acid laced over a pitched down male vocal. On the flip The Great Escape and Rapidplatz follow suit advancing with dark, hypnotic layers.
French born, Zurich based Lee Van Dowski has toured the world many times over, as party of Luciano's Vagabundos troupe and as an individual artist. His impressive discography covers labels including Wagon Repair, Cocoon, Suara, Soma, Rekids, BPitch Control, Ilian Tape, and Mobilee. This year shows no signs of slowing down with a release for Nicole Moudaber's MOOD followed by this heavy-weight release for Crosstown Rebels.
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Timmo is a new name to Drumcode and one in which they hope to be seeing more of. Having released tracks on Fone, BluFin, Octopus and Alleanza to name a few, Timmo's production career is set to shine as his new material is getting noticed from the likes of Adam Beyer, Joseph Capriati, Richie Hawtin, Nicole Moudaber, Len Faki, Dustin Zahn to name a few. Also launching his own highly revered radio show called 'Big Room' which,has had guests such as Robert Babicz, Umek, Fergie, Alan Fitzpatrick and many more,Timmo is a name to look out for in 2014.
Timmo's debut Drumcode release 'We Beat On' carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ's around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo's tracks that really provide him with his acquired sound, the pads in 'Canvas' are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.
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Nach sieben Jahren har(d)ter erscheint nun sein langerwartetes Debütalbum. Der Name 'Black Knight Satellite' wurde gewählt, weil es sich durch seinen universellen, fast extraterrestrisch anmutenden Sound auszeichnet. Das Album nimmt den Hörer mit auf eine acht Tracks (Vinyl) bzw. elf Tracks (CD) dauernde Reise durch den Kosmos der Technomusik, von kompromisslosen Baselines, über abwechlungsreiche Synthesizer bis hin zu treibenden Percussions. Auf Features wurde dabei weitestgehend verzichtet. Beim Track ' T 26' hat Chris Hardt, sich mit dem Berliner DJ T.A.G., der seit 2007 Resident im legendären Tresor ist, jedoch einen echten Meister ins Boot geholt. Das sehr gelungene Cover wurde vom Mexikaner Erick Martinez gestaltet. 'Black Knight Satellite' ist ein absolut zeitloses, straightes Technoalbum, bei dem auch nach wiederholtem Anhören keine Langeweile aufkommt. Man kann hören, spüren und fühlen wie viel Zeit und Liebe zum Detail darin steckt
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For the second Bad Barbie Records vinyl release of 2016 we are more than exited to bring you the magnificent work from the Bla Bla Music owner Daniel Sanchez with his Impromptu EP. Here we have four amazing pieces where each one tells a different history. The first one Pearled Into Droplets saw the light after a great Live Jam and the result is combination of several layers of base elements with subtle minimalistic articulations. These, in combination of the bass and synths lines do create a truly amazing micro house piece. The second one Vague, is an atmospheric dub were a single synth chord raises in slowly, followed by a very subtle kick and bass line to set a bit of rhythm to the whole thing, creating a superb dreamy vibe while the chords do their thing with delicate reverbs and delays in the backend. A great musical piece indeed. For the third track we have Yi, again another amazing micro house jewel born from a Live Jam, but this one is even more energetic than the first one and it also includes, besides a rocking bass line, analog synth chords that lifts up the mood during specific moments, which also do their part articulating themselves perfectly with some occasional twisted vocals that helps create an amazing party vibe from beginning to end. And if this wasn't enough we also have Bedroom Stories vocal tool that Daniel included with his delivery, which can help spice up a DJ set with ease.
Support by:
A++
"great tracks from Daniel !"
Alejandro Fernandez
"Nice!"
Amo
"Wow, top grooves here! Japanese Live Mix is my favorite in the pocket!"
Andre Butano
"amazing minimal !!!! cool tracks of baba"
Andre Salmon
"thnx, nice."
Cicuendez
"nice, thanks"
Collective Machine
"Nice release! Love all tracks! thx"
Dalbe
"Pearled for us...Support"
Daniel Mehlhart
"Great Dub"
Darkrow
"Nice release, downloading, thx!"
Dirty Culture
"nice ep!!!! many thanks!!!"
Edgar De Ramon
"Nice release, support 6 THX!"
Fabio Ferro
"Nice, Thank you !"
Fideles
"cool."
Frank Leicher
"nice !!"
Hermanez
"nice tracks and tools, tnx"
Jayro
"thanks for the music!"
Kareem Cali
"dope stuff here thx"
Luca Fabiani
"Thanks for the music."
Luciano
"Thank you for the music."
Marco Carola
"downloading for marco carola, thanks"
Massimo Cassini
"Thanks for the pack."
Mathias Kaden
"Wow!!.i'm super into it...Sensation super Black!!Great and full support from my side!!"
Mauro Alpha
"nice Live Jamsssss"
Medu
"class ep!! thanks"
Michel De Hey
"thanks for the jams"
Neverdogs
"thank you, downloading for Neverdogs."
Nuria Ghia
"thanks for the music! ;)"
Paco Osuna
"Will try thanks ;)"
Pedro Silva
"Nice ep, downloading, thanks!"
Peppelino
"Great release, thanks for the promo"
Re Us
"Pearled and Yi are amazing!"
Rhadow
"the live jams are great. thanks!"
Richie Hawtin
"downloaded for r hawtin"
Rods Novaes
"cool thanks!"
Ron Costa
"Cool Release"
Sami Wentz
"Sounds good :)"
Schamain Alcazar
"super ep! thanx for music! download Schamain Alcazar"
Simone Liberali
"Bomba pack! thanks"
Someone Else
"nice ep"
Stacey Pullen
"cool thanks nice tracks"
Steve Lawler
"Downloaded for Steve Lawler, thanks."
Wender A.
"Tracks 1 and 3 are big!"
Wilian Kraupp
"thanks for the music!"
Yvel & Tristan
"cool!thanks!"
Zlatnichi
"pearled into droplets for me . Thanks!"
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Jesse Pimenta is a Brazilian-born, LA-grown artist who has previously released on Nous Disques as well as on his own Private Selection imprint. Side A brings two slamming cuts fit for all-out dance floor annihilation whilst Side B delves into more psychotropic yet punkish zones.
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We are really honoured to present a 12'' EP collaboration between the mexican band Ford Proco and the legendary UK electronic pioneers Peter Christopherson/John Balance aka Coil.
Ford Proco were formed in 1986 in Tijuana and they are considered the godfathers of the industrial electronic music in Mexico.
The story behind the recording of the two tracks is like a fairy tale.. apparentely the band members Robert Proco (sampler & synthesizers) and Wito Lavolt (bass, keyboards & drums) met Peter Christopherson in Los Angeles in the occasion of The Orb show back in the 90s and they exchanged phones & emails. Months later 'Sleazy' call and invited them as extras for Ice-T videos..
The tracks were composed following the method of the 'expansión naranja'; Peter Christopherson was adding sax, drums and effects, while John Balance provided his magnificient voice.
Both the tracks were originally recorded in Autumn 1999 and they are unreleased on vinyl. The tracks were directly transferred from the original DCC (Digital Compact Cassette) and remastered by the mighty Rude 66.
Cover artwork design by Alessandro Adriani, labels artwork design of sacred geometry logos by Maximiliano Lizárraga.
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Artificial Dance is a new record label from Amsterdam. This is the imprint's debut release. It is the first ever release from young Dutch DJ/producer Job Sifre, previously best known for his fortnightly Antikunst show on esteemed Amsterdam institution Red Light Radio.
Worries offers an extended glimpse at Sifre's unique musical vision. It is one that draws heavily on vintage electronic music for inspiration, but also feels fresh and futurist in tone. In turns dark, industrial, hypnotic and mind-altering, the six-track EP bristles with impactful moments of magic.
Check, for example, the gnarled, Mascara-clad intoxication of Element', where fuzz-laden, end-of-days guitars, snaking Middle Eastern style melodies and gruff vocals wrap themselves around cranky drum machine beats. It's like classic European industrial music re-imagined for the 21st century. Then there's Flotter', whose throbbing arpeggio bassline, lo-fi machine drums and foreboding synthesizer melodies combine to create a chilling but muscular mood.
Sifre's love of electronic body music can be heard within the bustling, all-action bassline, fizzing electronics, razor-sharp guitar riffs and matter-or-fact vocals of Worries'. Our young hero continues in a similar vein on pulsating dancefloor bubbler Intex Excursions', which sounds a little like forgotten heroes of 1980s industrial funk dancing all night with modern Dutch electro maestros.
The twisted, distorted nature of Sifre's far-sighted approach is given further weight via A Dime 4ur Decline', an apocalyptic stroll through skittish machine drums, panicked electronics, modular style bleeps and haunting strings.
A sterling debut outing is completed by the EP's mind-altering moment: Planet Stoner'. As clattering percussion hits and clandestine bass whisk us towards an unknown destination, undulating electronic motifs, spiraling synthesizer lines and drifting Arabic flute samples join forces to ratchet up the intensity. By the time the track reaches its breathless conclusion, you'll be in no doubt about Sifre's production credentials.
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A stand-out track from the Bleep:10 compilation released earlier this year, Untold's incredible 'That Horn Track' finally sees a 12" release.
After being premiered on Pearson Sound's excellent Resident Advisor mix, the track gained further play from Mary-Anne Hobbs, James Blake and Tessela on their respective BBC Radio shows and residencies.
If that was not enough, Berlin techno royalty Marcel Dettmann remixes the track for the flip side of the 12". Marcel transforms Untold's hectic original composition into a slow-building sublime exercise in dread-techno production and pummeling drums.
Press support from: Pitchfork, FACT, XLR8R, RA, Groove, Clash
DJ support from: Pearson Sound, James Blake, Mary Anne Hobbs, Tessela
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Phaenomena EP is the second release of our Kommuna Tapes imprint. The first side starts with a track produced by Tom Ellis over a decade ago that has been one of our secret weapons for many years. Barbir and Nicola Kazimir from Les Points take us on a faster paced, electroish trip. On the flip side, we are introducing an upcoming Zürich talent - Adva - with two cuts between ambient, dub and minimal. Track by track, we build a Kommuna of artists who share our insatiable appetite for music discovery, guided by a certain vision of the dancefloor: deep stripped-down grooves, sometimes challenging, always with character.Limited vinyl & tape label. Based in Barcelona, curated by CMYK & Rubi.
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'We are doing something different from the traditional original/remix format in order to bring something different to music creativity.'
The artists on CAST 005 donated their time, energy and talent in order to create a very diverse and memorable release. If you know anything from the artists listed, you no doubt understand their capabilities and with the release of CAST 005, these capabilities shine through. Take a listen for yourselves and let the music make the impression, not our words.
CAST 005 brings Techno, Noise, Experimental, Industrial and Breakbeat sounds together. Each of the artists have been very busy with touring schedules as of late. What you hear is the vision of 4 artists working together, but independently from across the globe to bring you varied, yet cohesive interpretations of their sound as a whole.
New York collective Sheik 'N' Beik follow up a slew of lauded 12's from Japan's Keita Sano, Legowelt & Xosar and their previous effort from Hermans with the richly emotive return of Voiski. With a back catalogue of considerable depth - one that's touched the likes of L.I.E.S and Delsin, Dekmantel's 'UFO' series - Voiski's latest offering carries with it a trademark degree of bite whilst remaining balanced with the sort of moody melodicism that fans both old and new will relish.5th Dolphin Transmission' kicks things off with a tense sequence tumbling through granular drums and a staggered, luminescent synth line. 'Let Down Disco' then dims the lights slightly with soft, buoyant melodies and flickering high frequencies that round off a nicely varied release and another solid addition to the Sheik N Beik catalogue.
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This release by Matrixxman & Echologist showcases sturdy Techno rhythms that have happened when these two stalwarts got into the studio together. Acidic tones, thumping bass drums and adventurous FX sweeps. From rhythm driven Techno cuts to the more oddball bits, ''The Black & White EP'' proves to be a versatile yet energetic package.
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12' various colored vinyl 140gr with transparent sleeve + gloss cover listen and close your eyes to start the metaphysic spiral.
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All Greg Beato productions! A compilation of sorts - the tunes THEY didn't want you to hear. Strong stuff!
Limited Edition gear on Mr Beato's on NI UN PERO label...
Late April will see Decay Records return with a new release from Hector, entitled the
'Womb' EP and accompanied by remixes from The Mole and Dan Farserelli.
Mexican producer and DJ Hector's career has been on a meteoric rise for some time now with his material being snapped up for many leading imprints in the industry such as Leftroom, Tsuba, Desolat and Mobilee. The Barcelona based artist also maintains a heavy touring schedule taking him across the globe to hot spots across Europe and the United States and recently launched his own VL Recordings imprint to critical acclaim, here though we see him back on the rising Decay Records imprint out of the UK with some fresh new material.
Up first is the original mix of 'Womb' which takes on a slowly brooding percussive feel via murky drum hits, thundering sub bass tones, swirling vocal murmurs and bubbling dub echoes. The Mole steps up to rework 'Womb' next and typical fashion the Canadian artist delivers an entirely unique take on things with atmospheric field recordings, intricately evolving synth layers, crunchy percussion and the originals infectious sub bass hook making for a refreshing listen.
Londoner Dan Farserelli reshapes 'Womb' next, taking things in a slightly different direction with swinging low-slung drums, snaking sub bass grooves and hypnotic chords fluttering away in the
depths of the record. Lastly to round off the package is Hector's second original 'Da Morning After', which as the name would suggest takes on a hypnotic after hours feels with ethereal pad swells and a raw rhythmic drive.
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Bulgarian up and coming producer KiNK, brings us his debut release on Ovum. On the A side, KiNK brings us Rachel. Give you a deep percussive journey that gives a nod to all the things that you love about early Chicago house. This deep raw track takes you on many twists and turns. What starts as a lush beauty builds into a raw energetic monster. As the synth mid bass kick in the tracks takes on entirely new energy. It continues to build as the strings come in and we reach full climax. On the B side KiNK has delivered another peak time monster in Existence. Inspired once again by the sounds of Detroit and Chicago, KiNK has created a rolling track that is driven by building percussion and driving synth stabs. Just when the energy has built to a frantic pace, KiNK flips things and brings in the driving piano line. Full hands in the air time!
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Enter Music is happy to present their 2nd vinyl release, with 1 original track and 4 big remixes. Enter Music is a specific label to work only the genre Techno, and with great expectations of big names in the genre.
SELECTED DJ / PRESS FEEDBACKS:
"Mystical Sand" is supported and played by Sam Paganini, Uto Karem, Dubfire, Hollen, The Junkies, Stephan Bodzin, Alan Fitzpatrick, Adrian Hour, Kaiserdisco, Loco & Jam, Paride Saraceni, Umek, Julian Jeweil, Shlomi Aber, Miss Kittin, and between others artists.
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Four slammers dealt out by two well-known house music label honchos, hiding in plain sight. Taken from one day of jams in London town, these tracks are drenched in the sweat of 90s Dance Mania, bringing more than a little Mystik Menn magic out of the hat and into the mix.
Pelvis are a multifaceted leisure system celebrating dance, music, film and spatial design through their parties, clothing, record label and other projects. Coital embellishers, tailors of state, gland enhancers, dance party Linux; a black economy enterprise, forever slippery and uncatchable.
Recent releases on the Pelvis Records imprint include VA - DJ Tools Volume 1, Luca Lozano - King Blade, Pelvis - Dance Freak (with remixes from Mall Grab, DJ Haus & DJ Nozaki) and the Dance Freak Mixtape, split with NYC's Venus X (GHE20G0TH1K) and released on limited edition cassette.
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finally repressed !
The idea behind Decision Making Theory is to propose some stripped down no-nonsense techno, aimed directly at the dancefloor. DMT's first one-sided 33 rpm coloured vinyl release consists of two tracks by Knotweed Records owner Philippe Petit. 'Give' starts with some spaced-out chords and then shifts into a dubby Detroit inspired floor filler. The second track, 'Take', is a much darker heavy peak-time affair aimed at blowing the roof off!
Support by: Nina Kraviz, Ben Klock,Session Restore, Thomas Hessler, Mattias Fridell, Hydergine...
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NOON RECORDS presents NO UP NO DOWN EP NR 008
NOON means midday, the time when the sun is at its highest each day, even if we cannot see it. It is the moment of greatest light, where one cycle ends and another begins. It is the end of the day and the beginning of the night. It is that brightest moment that always leads us to the darkest one, and vice versa.
THE EP
Don`t you get fooled by the name of our 8th release! NO UP NO DOWN is the main title and the song itself is everything but linear. The organic percussion rhythms in combination with the warbling subbassline gets you into the groove from the first moment. The booming kicks and rough-hewn hats is lending a vibrant edge to the mix. A morphing ethereal guitar riff, filtered to the edge and the slightly insane giggeling vocal effects, carry you away in a chant-like hypnosis. Nothing here feels like a static loop. It's a masterclass in restraint, tension built to breaking and then get resolved.
MOLIENDO comes with a more fragile and porous drum programming, held together by the slapping hi-hat. When the choral vocals sneak into the arrangement, this fragility transforms into something beautiful and timeless. Exactly the way we like it.
Listening to AYPURA, you can literally see the sun rising. A driving bass fundament combined with serpentine conga grooves and this wonderful piano hook. One for the early club mornings.
THE ARTIST
Manuel Vobis aka SITHÓU is maybe better know as part of his other Project BUNTE BUMMLER. With releases on Labels such as JAMIE JONES`s imprint HOT CREATIONS, 8BIT, LITTLE HELPERS and many others. The Mannheim based youngster is kicking off with his solo project and delivering finest dancefloor material from the first release on. We can`t wait to hear more and we are happy to welcome him to NOON Records with this wonderful EP.
THE REMIX
REBOOT
Following our tradition, REBOOT puts hands on the main track NO UP NO DOWN. His version stays very true to the original and adds a little bit of extra dancefloor ingredients in his very own style. Enough talking - let`s dance!
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PWFM is a platform created by the end of 2015 in the aim to put forward the young producers of electronic music. Collaborative an community-based web-radio, media, label, promoter but also a community of more than 20,000 people, the young project accompanies the up-and-coming artists by proposing springboards that permit to win experience and visibility.In 2016, Provocative Wave for Music decided to press its first vinyl. Faithful to its convictions, the platform offered to young artists the possibility to register on the website, and then let the listeners vote for their favourite producers. A few months later, the 6 talents the most acclaimed (P.O, Paul André, LEOZ!NHO, YRNEH, AIROD and EKLPX) were chosen to be part of RECORD001 : the side A is composed by House tracks and the side B is more Techno.
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- 1: 0003A.g
- 2: Le Premier Sillon
- 3: Nocif For The Brain
- 4: Mecanique Hurlante
Industrial and noisy Hardcore, offering clean banging bass and a cretain minimalism that could be linked up to some oldchool tribe extreme musics... First full EP for this excellent musician who can jungle with noises grindingsl as if they were acid sounds !
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Psyfunk is a record series curated by Franco Cinelli, driving force of the South American underground dance music landscape and Argentina's most respected producer and DJ. With Psyfunk, Cinelli provides a selection of minutely crafted and slowly-evolving extended DJ tools.
For this third chapter, Cinelli calls on young upcoming talents from Argentina and Uruguay.
Opening up the A.side, Bodeler lands with his reduced ghettotek funk, which is already one of the deadly dancefloor weapons of some of the most respected DJs out there. Irresistible!
Following up, is Richard Hz. Other very promising artist on Argentine grounds, Hz provides here a burning break track, with clear touches of psychedelic acid and mystery. An ideal track to keep the floor floating in thin air.
On the flip! Alan Castro, hailing from the Atlantic coast of Bahia Blanca, produces here an intimate number packed with melancholy. Jazzy relaxing swings under a sea of glitches, afterhour material.
Bringing this record to the runout is a wonderful and rare appearance of the Uruguayan Z@p. 'Mental Telepathy' is resolutely funky and a clear flashback to the US Midwest right when house became techno.
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Durian Brothers album 'Das Macht Modern', released on Kontra-Musik in 2014, remains one of the most sought after highlights in our catalogue. The mad scientists of Salon des Amateurs produced an eccentric masterpiece that can be described in a multitude of ways, straight dance music not being one of them. One of the Brothers, Stefan Schwander, fills this gap with his solo project Harmonious Thelonious. Inspired by American minimalist music and African rhythm patterns, the result is muscular and twangy like an old Radboud Mens record on steroids. Moist and mechanical at the same time.
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The 3 musketeers are back, pouring new life into two more obscure, Italian techno tracks from early 90s.Roby J's track Charming the Cobra,' also from the 'Where am I' EP, originally released on Interactive Test records, in 1991. A real trip between psychic percussions and trancey synths.The flip hosts Model Citizen, aka Gabry Fasano, another legend from the 90s Italian Progressive and Techno scene.The right to Dance and Learn' is a perfect after-hour house track, with a trippy arpeggio and deep, somnolent chords.Both tracks have been extended by LOM, assuring maximum joy and mixing pleasure.
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3rd part of LNS & DJ Sotofett's 12" trilogy. (Extended Mix) riding 12 min with corresponding TR-808 & 909 rhythms, layered progressive strings & patterned blips. (Techno Mix) with bouncy bass line, heavier drums and amplified strings, the 12" rounds of with thematic beatless (Fuge Mix).
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Dresden's Lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. Here are four tracks that are unpretentious but elaborate, effective but not overambitious. ''Break The Chains'' sets the bars in terms of dark Techno bliss for both basements and bigger dancefloors. On ''Message From The Underdog'' Lockertmatik shows off his knack for acidic perfection while ''Jaku'' gets the Jazz treatment. Finally, ''313 - 0351'' is all about building tension without losing one bit of impact on the dancefloor. The artwork comes courtesy of Carl-Johannes Schulze.
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Lost Trax embody the idea of underground techno. The shadowy group, members unknown, began their music careers over 20 years ago. Output may be low, but quality is high; the style being no compromise techno brilliance. And that's what's on show here. Kick drums and squirming acid bars are at the core of "Faith", a track where soaring strings shift and reshape. The chiselled claps and barbed bass of "Flatliner" follows, taking its cue from the heyday of Detroit. A watery world of analogue abstraction greets the listener on the flip, "Lost" being an atmospheric journey into to the squelching swamps of the TB303. Sniping beats introduce the lush tones of "Renderer." Blurring the lines of electro and techno the track is an elegant end to an EP of deep and dense layers.
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For its ninth release, Italian label Spazio Disponible looks to countryman Marco Shuttle for a first full length. 'Systhema' comes three years after his last album on his own Eerie label and finds him again focussing on an absorbing ambient techno style across eight enthralling cuts. Shuttle layers sound in subtle ways and has a meticulous attention to detail that results in a cinematic techno style that is cavernous and hypnotizing. Always operating in a region where ambient, techno and heady soundtracks become one, with this album Marco Shuttle once again confirms he is one of the finest sonic sculptors out there.
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The essential UK Techno/Electronics duo returns after decades! ' New Aural Discourse' holds four fresh, futuristic and far-sighted British takes on Detroit techno by arguably one of British 1990's electronic music's best-kept secrets. TIP!
'New Aural Discourse' is N.A.D.'s comeback release after over 25 years. Initially, the duo Tony Thorpe and Mustafa Ali released one album, 'The Dawn Of A New Age' which was on sale for little more than a week before it vanished from record store shelves.
'The Dawn Of A New Age' was recorded in only a week, inspired by two of Ali's greatest passions: science fiction and his Islamic faith. Decades after it was created, N.A.D's forgotten debut album became something of a 'must-have' for electronic music collectors."New Aural Discourse" is the perfect alias for N.A.D.'s new release. It follows "The Dawn Of A New Age', featuring four energetic tracks that transcend the duo's original ideas and sound.
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Following his recent Paradise compilation on Hot Creations, label favourite Nathan Barato returns with a killer two track release, Freak Beater.Both big room tracks built around heavy basslines, tight vocal cuts and epic builds, Stomp Change and Freaks Of The Industry have been rocking dancefloors worldwide at the hands of label boss Jamie Jones. Making a name for himself in the Toronto after-hours circuit, Nathan Barato has since smashed international platforms across the globe, carving out a reputation as not only one of the most playable producers in dance music, but amongst its most prolific DJs as well. He's graced the decks at some of the most notorious clubs and parties on the planet with highlights including Amnesia in Ibiza for Marco Carola's Music On and for Jamie Jones and Paradise at DC10 where he holds residency. Barato's string of highly successful releases can be found on the likes of Cajual, MOOD, Relief, Saved, Circus Records, Defected and of course Hot Creations making Barato one of the most hyped names in the industry.
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nofitstate continue with their white series, the first being Alex Arnout feat a remix from Djebali and for the second instalment we have parisian house master Okain who delivers four quality, underground cuts.. Samuel's own Talman label has delivered a string of successful 12"s and we are very honoured to have him on board for this release..
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10 years. 10 years of sharing. 10 years of rave spirit. 10 years of passion for techno music.
This Album reunited artists from Skryptöm and artists friends. 14 talented artists sharing the same values as Skryptöm.
For the occasion, Antoine Husson aka Electric Rescue, founder of Skryptöm label has decided to gather producers of
talents both internal and external to the label, but each sharing a unique musical strength that comes to blaze this album
with finesse and precision. Worn between generous and deep techno songs, this album delivers us a raw and emotional
techno sound.An authenticity and a dynamism that will rock the dancefloor and excite the attention of each soul sensitive
to emotional music. Like a complex puzzle coming together, the sound of each producer fits beautifully with every other,
each piece reflecting a different personality. An album overflowing with talent, futuristic horizons, powerfull melodies, for a cosmic journey through space and time in the realms of music. Combining spatial melodies and raw sounds, this album
is a condensed of strong emotions.
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Once again calling upon a wealth of closely associated talent, Moon Harbour now serves up the latest
instalment in their family orientated Inhouse compilation. Contributing new and exclusive cuts to the 12 track
affair are label artists old and new, from Sable Sheep to Luna City Express, Sven Tasnadi to Mathias Kaden,
whilst there are also some debut appearances from artists like Anja Schneider or Ninetoes.
Now into its 16th year, the label based in Leipzig and run by Matthias Tanzmann is a leader in its field. Offering
up a rich and diverse take on tech house, it is celebrated for not only dynamite EPs that are as loved by DJs as
they are by dancers, but also for its inventive albums and jam packed compilations. This latest one is another
window into the ever evolving world of Moon Harbour and offers up some real treats along the way.
Things kick off with a first track from label debutant Emanuel Satie, fresh of the back of some big hits on Saved,
Defected and Get Physical. His Now You Know is a rock solid house kicker with tough drums and physical
grooves. Riva Starr then showcases his party starting production credentials with an infectious edit of Paul C &
Paolo Martini, Sable Sheep returns with a dark and ravey contribution in Chaos and label stalwarts Luna City
Express cook up plenty of menace with their atmospheric, siren riddled Call the Police. Berlin tastemaker and
Mobilee boss Anja Schneider then makes a rare move away from her own label to offer the seductive, subtly
jazzy deep house shuffler that is Caracas and Dutch hit maker Sidney Charles summons some slamming old
school magic with his expansive main room tear up, House Is All I Need.
Steel Down from Mathias Kaden is a tightly coiled, bass driven number, label manager Dan Drastic steps out
with the coy aquatic house funk of Room Full of Heroes, Sven Tasnadi builds high pressure and loopy dub
house greatness on Real Box, recent EP artist Zohki goes solo for the airy tech of Crumble and then another
first time Moon Harbour artist, Ninetoes, serves up a restless groove with prying bass and elastic synths that
make you want to shake your limbs. Last but not least, Sabb rounds things out with a light and airy groove that is
well swung, endlessly evolving and stuffed with catchy vocal loops.
This is pure and effective dancing music that comes with plenty of charm and personality and confirms Moon
Harbour and its associates are right at the top of their game. r
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Hardcore Monkeys offers the third volume of this great familly sound and internet forum. A-Class historical thing with a thema, this time, about Hardcore. Long awaited one i must say^^. And an excellent combination of talent : newskool and oldschool (yes TSX, now you are oldschool ^^ not the music bro... hopefully).
- A1: Myto - 4Emetype
- A2: L'agent Orange - Manlouche
- B1: Autistic Ghost - Fist The Police
- B2: Yoguy - Red Alert
WAVE WAR 01[15,55 €]
Minimal hardcore and bloody fat hardfloor... minimistic and loud at bass. A bloody good combination to be played with the Radiation Des Sdillons 01:)
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Engineer is a new vinyl-only record label from Moscow, Russia. It's minimal and deep techno, new school house and everything that would make you want to listen carefully while you're dancing to it.
First two tracks of Engineer 001 are made by Wyro, they are light and yet very moving with straight forward swinging beat and harmonic pads. Third one is a remix by Silat Beksi - superb dancefloor tool even tho it's filled with pretty weird, experimental synthlines.
supported by Mr.KS, Janeret, Mihai Pol, Bolumar, Nu Zau, Mihai Popoviciu and more.
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After a string of outstanding releases on some of our favourite electro labels, Seattle's Chris Roman aka 214 joins ranks at Lunar Disko to present the 'Talus Loop' EP.
214 has developed into a true master of the atmospheric electro sound, and once again showcases this talent on the 'Talus Loop' EP. A fusion of intricately textured techno and electro, combined with lush ethereal soundscapes transport the listener to a far away and otherworldly dimension.
Futuristic Hi-Tech electro and techno from a producer of the purist form.
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Cockney Lama infuses bumping basslines, sampled vocals, catchy chords, tight percussion and a whole lot of love. Following the ethos of the label he blends the right amount of old skool vibes to sit this perfectly on the right side of the 90's bar. No gimmicks, just pure house vibes that groove for days.
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Damon Eliza Palermo returns to Lovers Rock with Cathedral, an EP of inky, shadowy atmospheres. Opening with the stunning title track, Palermo summons a hi-def miasma of gongs and synths, searching and incantatory. Congquin' rumbles through a tar pit of groaning static and radio interference, while Karangahape Road' floats through 5+ minutes of undulating sighs. Finally Cathedral' gets reworked for the dance floor with an extended, exuberant techno meltdown.
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Finally Hydergine joins the Knotweed Records family! Hydergine (aka Roberto Corizzo) is a techno producer from Southern Italy. He is best known for producing raw dub techno, and has come up with a string of fantastic releases in the last 3 years on labels such as Separate Skills and Ranges.We have been talking to each other since the early days of Knotweed Records, trying to find the right tracks for the label. Roberto approached us at the beginning of the year with some tracks that were a bit "different" than his usual productions: he was experimenting, and we liked it a lot. That's how the Gamma Experiments E.P. was born.The A side of the Gamma Experiments E.P. is a heavy atmospheric techno bomb. Both tracks on the B side have more an acid feeling to them, incorporating weird arps, rawness and pad trips.Enjoy the ride!
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Melokolektiv's French roots stay firmly put in Blame', his first release as a one man project.
Opening track Blame is a steady tech groove exploration that fits both the dancefloor and late-evening downtime. A mumbling vocal helps build up a slowly ascending tension that lingers on til the end of the track. Children of Alep' starts off on a tribal note, as blunt percussion pads intertwine with solemn bells, but soon delves into the deep tech territory. Punctuated by gritty riffs
and synths, all the initial elements are stripped off and the bassline remains the centerpiece.
Sei A, Scottish producer known for his affinity for bass, injects the track with plenty of bounce. Sub bass bits mix with rattling low end synths, giving the remix an electric feel.
Bass is the key word for the final track as well. Magnetic Woods is filled with raw techno power infused through gripping bass and a minimalist structure. Percussion pounds heavily throughout the full length of the track, while dramatic synth pads set a
very energetic tone.
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Ten Years Behind the Scenes - An Anniversary Celebration Keeping anything alive for a decade is worthy of a kudos-but when it comes to club culture and dance music, 10 years is an admirable milestone indeed. For Indigo Raw, it represents another opportunity to bring in the left-field, high-grade dance inducers. And this time, the raison d'etre of the labels tenth anniversary release is a certain infamous duo known as Midnight Operator. Centered around the eponymous creation by Nathan and Mathew Jonson, Behind the Scenes EP is an ode to the kind of off-kilter, moody techno the pair have become infamous for. And on this particular occasion, we're taken for a journey in more than one sense. Equipped with a classic Jonson bass line and a scant little phrase that carries the track all the way through the end, Behind the Scenes is a lesson in transmutation. Sombre beginnings undergo a gradual shift into dancier, sunnier territory-until we are left with the impression that we've tuned into a channel that runs all the way through hills and past Martian wildlife. From dark to light, the brothers lift a veil to reveal a resolutely ecstatic piece of work. One that, in arriving at a very different place from where it sets out, earns all eight minutes of its wandering. In continuation of the jubilee excursion for this anniversary release, reworks of the flagship track have come in from across the globe. From south of the equator, AtomTM delivers an assertive piece that takes the darkest aspects of the Midnight Operator original and, with the help of a relentless stream of stabs and a sped-up beat, brings them into the spotlight. Meanwhile, Nerosky-as in Nerone(indigo Raw label partner) & Fosky-makes their debut with a piece collaborated in the confines of a smoky Catalan studio.
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From 210 to 248 BPM hardcore speedcore,a pure oldschool environment, melting gabber tricks and industrial sounds... masterpiece
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TVe Recordings returns with more experiments! Comes with a killer dOP Remix!
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Ok, so the much anticipated return of Primate Recordings darker sibling, Primevil Recordings has now happened, and Monkey Funk pt1 was met with great dj support from the likes of Marco Bailey, Tom Hades, Cristian Varela, Axel Karakasis, Lars Klien, Anderson Noise, MAXX, Roman Zawodny, Donnell Knoxx, to name but a few.
This is the second of 3 Various Artists EP's, and will hopefully have you all bouncing around like deranged monkeys as well.
As with earlier releases, the EP features friends both old & new, but with a more sinister or funky take on proceedings, and each track is sure to move any dancefloor that likes it's funk dark and edgy.Brand new & exclusive tracks from Spiros Kaloumenos, Josh Love, Antonio Valente, and Sirius Brown make this ep a 'must have' for all serious techno fans, and all 4 tracks are sure fire winners for the dance floor.
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The recording seal that runs the Spanish producer Alberto Pascual, Ex Aequo, releases its sixth work.
In this Various Artists EP we come across four tracks, where the sounds speak by themselves, they meet and fail to meet up, they twist and reinforce until its limit. These are sounds that hypnotize, but always preserving a genuine identity for every track. It's
rare to find an EP with the strength of composition such as the piece before us.
A1. Jnks - Dome: a track that hypnotize from beginning to end thanks to its crafted synthesised sound that despite its minimalist approach, gets to fill the space, the one which hardly glimpse gaps due to its overwhelming kicks. It's pure adrenalin on the
dance floor.
A2. Another Librarian - Book002: when the bass drum raw opaque techno, occasionally wrong timing, run into the torn ambient, the one with sounds that seem to scratch
begging for a way out, the one that follows that rhythm guided by hi-hat that grow and tune in a minimalist key. Then and only then, at that very moment, was born a track like Book002
b1. Pascual - Deuce: brilliant track increases the EP rotations that play with the listener's minds because of the excellent use of the synthesised sounds and the textures that circle as if they were a buzzing, they stir, disappear and appear over and
over again. If we separate its structure, we'll find that every sound is suitable for the motion of a different part of the body. The kicks boom and move your feet, the synths fly around your head, the open hi-hats that demand a constant arm flapping. Some
beats that meet in a music ecstasy.
b2. Hironori - Takahashi Angelist: there are many people that think that the present and the future of techno go through tracks with Angelist features. Dark and noise, inheriting the most strict ambient, but with the rhythmic harmony than only a techno
track can give. Its strengths is based on the impulse of a single musical note which is modified in different frequencies along the whole theme, a very productive way to accompany several atmospheres, to originate split minds, to recall freedom. A perfect
track made of agonizing sounds. We come to an end with this track.
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A new Metal + Metal... Brilliant Hardcore old school opus, with a superb David Lagon, 203 BPM cruiser... Then comes a Morgan Hardcore mental speedcore 220 BPM kicker. B side opens with a Radium 195 BPM rockin' tune, dancefloor special weapon as usual. Speedloader finished the job at 205 BPM with an old school shaker. Once again Metal Plus Metal instal its own hardcore sound and style, united force of the old school ^^
Happy that this EP will finally be released as Alex Mine & D-Deck's - Opus was one of the tracks which made the crowd go crazy when I played it at Time Warp for the first time. And - Lost" with its funky beat and trippy vocal was already supported from Carl Cox in his radio show. I hope you enjoy that musical journey from Alex including the great remix by Alberto Ruiz!
"I lose my mind, I am lost inside... (Monika Kruse)
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The 20th edition of the Gynoid LTD series sees Coeter, Ixel and Jeff Rushin join forces to bring the heat. On the A side Coeter delivers two club certainties by way of 'Static' and 'Rain'.
On the flip Ixel remixes 'Rain' taking it deeper into the morning, whilst Jeff Rushin remixes title track 'Static' into an Industrial tinged stomper.
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John Cohen aka Dead Fader first arrived on the label in 2016, with It Works 1 - a brace of warping, high energy electronic music compositions that while largely unclassifiable in genre, maintain a gloriously vibrant, emotive sensibility that owes much to early IDM excursions, and the more abstract tenets of the Krautrock genre. That said - the artist cites anything from Kanye West to Bach and back again as informing the decidedly experimental and potentially confounding work - and his latest offering for the Milan based label continues to riff on this open ended mesh of influence to great effect. The original material is buoyed by a formidable remix package, featuring Downwards affiliate JK Flesh - who turns in a caustic reinterpretation of FYI; Roly Porter of Vex'd and Tri Angle fame, who takes on Raw Food; and Planet Mu's Konx-Om-Pax, who's reimagining of Life Cycle closes out proceedings. It's an admirable line up, in keeping with the aesthetic concerns of Cohen's excellent LP - and the chosen artists turn in respectful but wholly personal work - making for an excellent addition to growing Parachute discography. PARACHUTERECORDS.
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Electric Rescue is back on his own imprint to announce his forthcoming album on skryptom. To announce this album he propose us a wonderfull release with 2 super heros from techno with Inigo Kennedy and Zadig to remix the original abstract track Texture Shot. To push farer this great moment of techno, Electric Rescue propose an exclusive techno killer track Babylone, enjoy !
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limited edition 300 copies
Number three means perfection since ever. It is the cosmic entirety embleme, third direction, movement origin, and infinite light expansion.
All these features become musical interpretation in this 3rd release.
4 tracks in a structured, syncopated, and constantly evolving groove.
Third chapter, third stop of the trip.
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Figure is excited to present the first outing of what might soon prove to be one of techno's most promising collaborations. While Seatoc Mass' two pristinely crafted EPs have already left their mark on the label, Matrixxman has been turning heads across the scenes with his exceptionally prolific track record. Drawing upon common thoughts on futuristic themes and their respective strengths as producers from different continents, their joint effort clearly conveys one distinct approach, yet unites the seemingly opposite. Regardless of being no-nonsense dancefloor-weapons, the four tracks still brim with detail, their vibrant elements communicating playfully. On their shared EP these artists have struck a rare balance. They delicately hover between the spacious and the claustrophobic, the modern and the classic, the stern and the elated - while never losing focus of their mutual mission.
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4 tracks that stretch across the versatile ASC floor oriented stylistic approaches - Point Of Origin dives deep with the title track, provides signature Grey Area experiments with Collider and Last Known Coordinates, and aims in a more straight ahead fashion for Ground Tracer while keeping the triplets subtle but evident. Deadly rhythmic perfection and crisp sound design like only ASC can provide across the whole EP.
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It's fitting that Andrew Weatherall himself discovered George Thompson, aka Black Merlin, in 2012, the year of our never-realized apocalypse. A vinyl release on Weatherall's Bird Scarer label followed, then World Unkown, Crimes of the Future, LN-CC, SORN, New Jersey, Common Thread... Shift focus to Balinese label 'Island of the Gods,' where Black Merlin's debut album 'HYPNOTIC TRADISI' sold out in 48 hours. Bleeding edge fashion label ACNE tapped him for their SS17 catwalk, and Black Merlin continues to push his retro-aggressive style forward to now- his new EP 'Control' for Boysnoize Records. Power, discipline, CONTROL- the word itself is inseparable from the aesthetic mythos of industrial music, channeled so adeptly by Black Merlin across the 4 track release. The first two cuts, 'Control' and 'Secondo,' capture the neurotic, mechanical energy of a fantasy after-hours in a weapons factory- the kind of sci-fi meets political unrest wet dream that was Amiga-tracked through every undercut, black booted teenager's imagination in the late 80's. Production evoking the most dancefloor forward moments of Front 242, a sound both retro and contemporary but firmly planted in dark and aggressive EBM... Sound familiar for a BNR release these days We hope so. Black Merlin's CONTROL EP is more than a record for DJ's, as the last two tracks discard the club's restraints for excursions into sound and narrative. 'Blindfold' is a nightmarish soundtrack to automated torture, complete with shouts and screams. It's a difficult listen but not easily shaken, and like a loose tooth you'll crave returning to it even though it hurts. 'Sequencer' closes the EP with slow, moody, analogue arpeggios, rising, falling, filtering, twisting around, through, over, and under each other. It's a caustic relief, but still a relief from an otherwise relentless EP in a relentless continuation of growth from the artist. Control- Black Merlin's here
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Luigi Madonna's production talents are glistening with releases on well-known labels such as Drumcode, Octopus, Analytictrail, Sleaze, Suara and more. He has featured on the infamous Drumcode Radio podcast and is supported by some of the largest techno DJ's in the world including Adam Beyer, Richie Hawtin and many others.Luigi's Primo and Unconditional Beauty both made their way through the charts to become number one in the techno charts and we are tipping Magic Land to do the same! Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a 2 track EP smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up.
With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.
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* Delving deep in to his dub chamber, Mosca delivers a pair of upfront rhythms for Livity Sound.
* 'Don't Take..' hits hard, it's whiplash groove fine tuned for maximum dance floor impact. By contrast 'Peyote Stitch' takes a deeper approach, it's hazy spectral visions sat atop low slung drums in trademark Mosca style.
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Matt Edwards drops his eagerly anticipated debut Radio Slave album 'Feel The Same' via his Rekids imprint in September.
Easily his most recognisable nom de plume, Radio Slave was initially Matt's pseudonym for remixes, with early reinterpretations of Kylie Minogue and New Order leading into frequent work for both major and independent labels. He's now indisputably one of House and Techno's most in-demand remixers, whilst original Radio Slave productions have gone on to appear via reputable imprints like Running Back, R&S, Ostgut Ton, Nonplus and Work Them Records.
Instrumental in supporting the music and careers of artists such as Nina Kraviz, Spencer Parker, Gerd Janson, and many others via his label Rekids - Edwards is held in high regard for his A&R abilities and has also established numerous other renowned labels such as Pyramids Of Mars, Cabin Fever, and The Double R. Now, more than 10 years since Rekids' inception and with over 100 releases under its belt, the influential figure announces the release of his debut Radio Slave album; a masterpiece of sophisticated electronic music that evokes the early spirit of dance music yet continues to forge his reputation as a cutting edge and innovative producer.
The album is a culmination of years as a DJ, producer and remixer; with influences spanning a range of genres such as breaks and jungle, acid, Balearic, ambient, dub, Chicago and also vocal samples exemplary of the Radio Slave sound. Opening with the beatless '2nd Home', with its murky tones and field recordings, the album navigates between syncopated beats and ethereal voices as found in
'Forana', as well as screeching synths and moody basslines like in 'Trans'.
More high tempo cuts like 'Geisterstadt' see Edwards shift towards electro, whereas heady break beats lay the foundation for 'With You'. Alongside the album's title track 'Feel The Same', 'No Words / Just
This' is one of the most dance floor focused cuts with its driving energy and metallic synths, while 'Axis' and 'Draw' see the producer venture towards a more minimal aesthetic.
Under his various guises Matt Edwards has continued to demonstrate how musically diverse he is as a producer without any compromise in quality. His REKID moniker features more of his downtempo work with a album release on Soul Jazz, not to mention timeless releases like 'Next Stop Chicago' and 'Lost
Star' which still remain iconic today. The 'RedHead' LP saw the producer demonstrate his ability to collage sounds under The Machine, whilst alongside close friend Joel Martin the Quiet Village project is cinematic and heavily sample based, exploring evocative and understated soundscapes.
Exhibiting many of his signature production abilities whilst also demonstrating his more experimental side, 'Feel The Same' is an exceptional body of work that exemplifies Matt Edwards' production and music writing, reaching a new level of sophistication. From start to finish the album is a testament to his versatility as an artist and a definitive full-length by one of electronic music's most pivotal figures.
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With a sum total of 2 12's released for Samurai Horo and Red Seal, Theme has a sparse but vital discography. Fusing Dub Techno, Ambient and Half Time Drum and Bass, the Theme style developed as a uniquely Berlin influenced take on 170 BPM's post autonomic developing progression.
Following a 2 year gap since the last release, the Theme debut LP 'Passages' builds on this style by accentuating and extending the ambient 'passages' and experimenting with beat structures to create an intricately constructed and textured journey. There is nods to the form that has made the Theme style stand out (Passage 6, 8, 9), beautiful ambient tracks that soothe and guide (Passage 1, 4, 7, 10) but the glue that affirms Passages as an accomplished long player comes from percussive workouts that hover around various BPM's and genres (Passage 2, 3, 5).
Passages should really feel like the pinnacle of a journey for Theme, but instead it feels like the start of an all new chapter in musical form for a musical nomad who has found solace in leaving behind any constrictions and templates.
If you listen closely to Passage 11, you hear the sound of a new life beating from the womb of it's mother, a fitting metaphor for the birth of the new Theme.
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Turbo Recordings is proud to present the definitive collection of remixes for "Planet E", Tiga's collaboration with Hudson Mohawke from this years No Fantasy Required LP. In fact, we're so proud and excited that we're going to jump straight into blow-by-blow trackdescriptions while the passion's hot. 01- Dense & Pika Remix Hypercolour label boss Alex Jones and Chris Spero (aka Glimpse) deliver what canresponsibly be called one of the year's biggest chart-topping smash remixes. This wasalso released on Counter Records as part of Tiga's album deal, so at worst you have aspare copy for your bomb shelter. 02- Danny Daze Polyester Mix We have been trying to get this Miami-based producer on the label for years, and thisremix is the closest we've gotten so far. Sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place. 03- Melé Remix Don't you ever dare say that Turbo doesn't care about young UK producers. Until youstop for good, we'll keep tapping talents like Melé, whose love of Brazilian beats, classichouse tracks, and trans-Atlantic hip-hop shine through on this mix. But while genre checklists are great and vital and exciting and so much of the reason we do what we do, it's the music that's the pudding you'll find your proof in.
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The long overdue last vinyl part of the Unit Moebius Golden years album! Including the classic aquatic techno track Dolfinarium (which goes for top prices on ebay and discogs), and the emotive Ecology and Duplovision tracks and the acidic Monoman track. Groundbreaking in 1992 and still fresh almost 20 years later! This is among the best techno ever released in the lowlands and a true classic that inspired many!
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In this second acid act, the artists XeRoSoReX and SOUR, lead us in one of the place that much have characterized the scene of the freeparty: the abandoned plant.
In this foundry, between production waste, tangled sheets and shrubs risen between cement, the atmosphere is dark and enthralling.
Night has fallen for a long and strobe slow down even more movements, but the groove is pressing and acid lines steal minds.
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Vinyl only! 3 awesome Minimal-Techno-Microhouse tracks from Acanalar,
UK based DJ / Producers Benjamin Clarke & Connor Hillery.
Already supported by Rich NxT and Seb Zito.
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Welcome to the recreational room of ANKERKLUESE - where thoughts are drifting freely. Like in a cloud or something. And look who's also there...our friends CHRISTOPHER RAU, STRAHINJA ARBUTINA & SZCH. They are waving their hands, just for you!
The Rec Room EP by ANKERKLUESE comes in a silk-screen printed cover and features two of his rare tracks accompanied by two solid remixes
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This release from DMX Krew, a.k.a. Edward Upton begins with a tribute from the artist to his father, whose voice is sampled on the track. This acid inspired track sets the tone for the rest of the EP continuing to delve into the realms of the 303. The release is only available on vinyl, and limited to just 300 hand numbered copies.
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ARTS is a Collective of very blessed artists, this time is the prime debut of the best youth talent i discovered
long time ago, Farceb is coming from Argentina, He is Young more then what you can imagine,
I never found any artist with this quality in this early stage. 4 Cuts to dominate the Floor.
































































































































































