French production duo and live act Atomic moog debuts on the Delsin Cameron series with their Programm EP. Operating in a deep techno niche since 2015 they've put out an excellent run of mesmerizing, introvert dancefloor techno for labels like Lowless, Subosc and Norwegian techno platform Monument. Here on Delsin they crafted the next chapter of their vibrant modular quest, sub heavy and sparkling at the same time, sparsely arranged subtle techno jams.
Techno News
Roulette Rekordz owner Poladroïd debuts on Science Cult with a 2x12 album. Driven by an enigmatic theme inspired by ancient history and mythology, we weave our way through Kraftwerk informed Electro and IDM. Truly a unique and deep musical story telling experience fit for the dance floor or for deep listening.
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Quite an intimate affair, including never-ending, quietly glistening jams on the verge of a dancefloor and a chillout room - somber yet including a few secretly ecstatic moments. With sneaky kick drums, ringing bells, chirping birds and the smell of spores opening, the atmosphere here is quite dense, at times relentless, yet empathetic at the core. The EP comes from a classically trained painter and a tattoo artist, Stereometrix, who sets up a rather idiosyncratic set of visual and acoustic references. He's part of Penumbrum, a Warsaw night and label uniting like-minded artists from western Ukraine and Belarus, building a city within a city.
Mastered and cut by Tim Xavier at Manmade Mastering.
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As it turned out, the archive with manuscripts from the C-500A dimension had sunk in the oceanic abyss of the planet Iguazu, which lies within the habitable zone and is similar in size, mass and temperature conditions to Earth. Multimeter waves could become a fatal obstacle to diving to extreme depths, not to mention the threat of decompression sickness.
When the underwater vehicle stealthily touched the bottom, the launch platform docked with the information storage. Cat started laying pipes with the help of hyperbaric welding to transfer the documents to the carrier vessel. Spacelunch was patrolling the nearby surroundings, holding a crossbow tightly in his hands and slyly exchanging glances with the nuclear moray eel.
The pneumatic mail quickly activated the reading shells, setting up a data transaction. The sonar equipment for scanning the bottom and the manipulator arms were not necessary this time, which means cryptanalysis is going to be launched in the near future.
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George Morel. The man behind that name stands for warm and soulful
House sounds for decades, not only for being one of the hottest DJs
around the world, but he's also a multiple gold and platinum
receiving artist with the help of his excellent production skills. Now he's back once more on Alex Flatner's label Circle Music - with a new underground hit.
'The Ride' takes the listener on a trip through oppressive basslines, kicking beats and a playful ocean of effects. Without compromising this track pulls out all the stops in terms of modern House music. And also the second track of the EP, which is titled 'Father Speech', plays with vocals, effects, and plenty of percussion elements, but without losing the track to a tribal flavor. Rather more to make it a full-bodied whole. 'In the beginning, there was House music' and George Morel has been active in the scene right from the beginning as well. His sounds are still fresh and reflect his impressions of his visits to the international clubs. This is history in the making!
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Heavy collection of west coast house classics and unreleased tracks produced by Jay Tripwire in early 00’s.
Exquisite choice of underground grooves that were played over the years by Ricardo Villalobos, Raresh, Margaret Dygas to name a few.
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Wisdom Teeth co-founder K-LONE returns with his second full length project, ‘Swells’: a kaleidoscopic and expansive record that looks to deep house, synthpop, leftfield R&B and beyond for a spellbinding masterwork of melodic electronica.
His debut LP ‘Cape Cira’ became the accidental soundtrack of the long strange summer of 2020 - its lush marimbas, hazy atmos and synthesised bird calls providing the ideal soundtrack for some much needed collective escapism. The record was widely deemed one of 2020’s standout electronic LPs, gaining glowing reviews in Pitchfork, DJ Mag, Mixmag and Resident Advisor, and ranking highly in end of year lists by Crack Magazine.
Approaching its follow up, the Brighton-based producer felt a fresh perspective was needed. Originally landing on the name ‘Swells’ as a secret pen-name to write the record under, the intention was to keep the project as separate as possible from ‘Cape Cira’ to avoid settling into familiar territories - but as the record took shape it became clear that it made perfect sense amongst his already diverse discography.
Like ‘Cape Cira’, there is a distinct and intentionally limited sound palette at play on ‘Swells’. Looping vocal cuts, rich cluster chords and undulating arpeggios sit front and centre here - as does the lo-fi plonk of of the CR78 drum machine. But while the record clearly takes influence from a range of vintage sound sources, its overall aesthetic is unmistakably contemporary. Sounds are not artificially degraded nor obscured under washes of sampled tape hiss. Rather, everything is processed with a gloss, hi-fidelity sheen. The record’s rhythms are bright, dry and snappy, and its melodies are processed with a neon poppy glow.
The producer’s unabashed love of contemporary pop music is most obviously exemplified by the appearance of British singer-songwriter Eliza Rose. The pair met for a session at a North London studio back in 2021, and the now Brit Award-nominated singer’s warm, emotive vocal takes became an immediate source of inspiration early in the record’s conception. As such, Rose’s voice is heard in various states of manipulation throughout its duration - initially as reduced and looped phrases, and then finally in full form on ‘With U’: a low-lit, dubbed-out slice of leftfield R&B that beckons comparisons with Tirzah, Little Dragon and even Erykah Badu.
Elsewhere, there are references to G-Funk (‘Oddball’), Autonomic drum and bass (‘Shimmer’), hip-house (‘Love Is’) and even Metronomy-era electro pop (‘Love Me A Little’).
As always, the true magic of K-LONE’s artistry is to present complex, subtle and original ideas in ways that feel familiar and immediate. Melodies are introduced as effortless earworms, only to be twisted out of shape into strange and unusual formulations. Looping rhythms unspool into washes of hazy, dubbed-out ambience before rebuilding themselves. Refined and endlessly creative, ‘Swells’ marks a captivating next step for a producer and record label that have both reliably positioned themselves at the very forefront of contemporary electronic music.
repressed !
Drumcode's DC Ltd offshoot label continues with the first in as series of vinyl only EPs from Nihad Tule. Conceptualized around a desire to release material that is simpler and not as overproduced as most modern techno, Tule's vision is to create a timeless sound. Music which is deep and raw and as such lends itself perfectly to the vinyl format.
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Toronto-based producer and DJ Ciel is renowned for a style of dancefloor material that’s as heady as it is visceral. The Xi’an-born artist’s ascendant profile has seen her cutting- edge and club-ready EPs released on UK labels Peach Discs and Coastal Haze, as well as Stateside imprints Spectral Sound and Mister Saturday Night.
As a member of the renowned collective Discwoman and the creator of femme-forward party Work in Progress Ciel’s thoughtful narratives are clear, running in parallel to the perception-altering sounds that are consistently woven deeply into her wide-ranging sets, beloved mixes and inventive collaborations. Now the Parallel Minds label co- founder is crystallising her imaginative and omnivorous sound with her !K7 Records debut, ORLANDO.
Written during her emergence from an uncharacteristic bout of writers’ block, the three original tracks of Orlando chart a return to the musical self, spurred along by a cinephile’s embrace of film, a love of classic literature, and a curiosity for the oddest corners of popular culture. “SCENES FROM A MARRIAGE” might share a name with the episodic series, but is rather a nuanced critique of the modern rite of union, moving through structured chapters, and mirroring the un-static nature of longtime love.Inspired by Virginia Woolf’s radical novel, and its superphysical protagonist, “ORLANDO” considers the cult literary figure who lived from the renaissance to the modern age, and embodies both sides of the sex binary.
The thrown sounds and aural illusions of “EL CALIFA” create the effect of a beckoning, beguiling psychedelic experience. To complete the EP, Ali Berger, Ciel’s recent collaborator on the Jacktone Records’ release Damn Skippy! repurposes the mind-bending flourishes of “El Califa” into a noodly and spacious deep house production, replete with pillowy, gauzy pads.
We are proud to present this 5 track debut EP from artist David James Drume. Hailing from Chicago this young musician has expertly tailored a sound of techno that is unmatched by most. TIP!!!
Words from the producer: “When I set out to write these five tracks, I was intent on working within a style of Techno music that had reached its apex during the early years of the new millennium. The progenitors of this style made extensive use of samples and prerecorded drum loops, and did so to an almost unprecedented degree. Their novel production techniques, in part made possible by the advent of the DAW, yielded a fascinating result - sonic maximalism that hitherto could only be produced by recording a large ensemble of musicians performing together. Now, dozens of such recordings could be digitally composited together, resulting in dense walls of diverse timbres. I have for a long time been captivated by this sound, and at their core, these five tracks are an earnest expression of my passion for this sonic aesthetic.”
-D.J. Drume
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Color Vinyl[14,08 €]
Bleep's, Break's + Art is a new series from Under The Radar and run together by label owner JDSK and artist Dawl. As the name suggest's this series it is all about Bleep's, Break's and Art. It features 4 Tracks on each release and carrying all the Dawl trademarks of dance floor bombs! Each bash comes in releases of 3 and with a unique graffiti artist for each release. For the first bash we have a girl from the south of Sweden in Malmo that goes under the name Bird that started out in the mid 90's doing some Artwork paintings for Harthouse etc. Limited copies..
The light is at the end of the tunnel. The light is shining bright because of love. The love is the answer to the darkness + the remedy for the experience which might bring unclearness and letting drown in the metaphorical swamp which every single human has felt during the journey they are on. The EP by the Switzerland based mastermind Dan Piu is dedicated to the love and to the love only. The tracks that were produced from the artist’s creative inflow are from the year 1995 to our present days and are telling the story of hope and compassion. Starting from A side we have a demonstrative rollercoaster which is ‘Selfish War Machine’ gracing before the ‘Made in Japan’ which is inspired by the early arcade machines and the ethos they were bringing with them. Side B starts with seductive house number straight up from the year 1995, followed by Robotic tool ‘Robota’ and finishing off on the perfect and soul caressing track going by the name ‘Equinox of Ceres’. This precise body of work which has found its home with Sakskøbing is pure and direct message of love, in a way when things are seem bleak the light can be sparked again. The answer how this spark gets obtained is the four-letter word which is mentioned frequently in this text
Part 1[9,45 €]
First EP from the RODF Sound System, based in center Japan.
A side brings a superb live : full of ideas and good surprises, kick changes, hypnotic sparks and breakbeats supports. Fresh and absolutly not dark ! Wicked !!
The flip opens with a deep mental Yogi bassline and a sweet Tribe pumpin kick...
The second tune is an experimental Tribe track, melting the SPAZ californian's oldschool ambiances to the KGB01 69DB Hit Hat... Xp oldschool i'd say ??
A japaneese production for the newskool underground never die fever !
Enjoy !
DJ GIRL’s latest EP on Planet Euphorique “Slsk Trax” shows us how it’s done with four head-turning techno-transanthems, bass bins bursting at the seams with fast & furious innovative aural onslaught. The Chicago based producer offering no zoom, main room, (more than) four to the floor visceral punishment of the highest pleasures.
Immediate assault in the form of A1; “And the Crowd Howls” unstoppable rapid, rhythmic voltage racing through your veins, pulsating like the most dramatic, dark dancefloors should. Sliced with electro injections interrupting the hypnotizing drumwork, snapping you in and out of altered states, invoking vivid imagery of flickering smoke and sweat. Following the intoxicating opener, “The Runaround'' beams up to otherworldly tech-territory, a deliciously syncopated bass line rumbling below disciplined running snares, DJ GIRL eradicating expectations, her addictive percussive spontaneity and mutation of conventional structure nothing short of exhilarating.
A 7 minute “Tunnel Vision” initiation on the B side starts with swirled panned percussion, a gritty foundation paving the way for scorched screeches and additional demented drums demanding your undivided attention. Rising and dropping, a fluidity and expertise in tension with subtlety amongst the filth. Closing up shop and slamming the door is the B2 “Untitled”, a fierce electro encore. Minimalistic instrumentation turns into an encompassing sphere of sonic evolution through processing and modulation. Metallic delays flair and decay over squelched tones and boot stomping kicks and claps.
PE014 comes dripping in saturation, DJ GIRL’s Detroit roots are infused into the indisputable groove seeping through the record, elevated by her subliminal, sapphic style, a personal touch that unleashes the freakiest of dancers.
A banging hymn to Nu Rave and EBM, and a bold declaration of independence for Belgium Techno, from one of its most colorful artist, « Belgium is back » now gets a brilliant set of remixes by acclaimed heroes of the genre. Star:ng with the German 90’ superstar Interactive (Jens Lissat & Ramon Zenker) that provides a brilliant remix that links old school vibe with 2023 energy. Then comes an irresistible TBM banger from Crystal Geometry (Tripalium, Bpitch Control, Sonic Groove, Nu Body).
They are accompanied by Luke Riga, aka Luc Rigaux, yet another legendary artist of the New Beat movement (Apotheosis, Rebel X, The Unity Mixers to name a very few of his numerous aliases since the 90’) and two acclaimed modern days Berlin activists, Monya and Romance Disaster, both delivering dark, strong and inspired TBM excursions.
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Young Detroit-native Kenny Hooper steps up for his debut release on Elypsia Records with not one but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Volume 1 - 3", each EP features four tracks, showcasing Hooper's brilliant personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter" trilogy signal the arrival of yet another Motor City talent ready to rake the world and dance floors by storm with his chunky and funkafied sonic fictions. Elypsia Records is proud to welcome Detroit's next generation!
We welcome to the Moustache Records family the oldskool electro legend Martin Matiske with his Electronic disco-ish 12 inch EP release "Robotic Theatre" This is a future vision of a theatre run by robots and is the era in which machines entertain mankind. Operas are written and played in a mechanical way. The pieces of "Robotic Theatre" deal with different terms of stage work. Track A1 is called "Acting Faces" and Refers to the rehearsing of the role, as well as the interaction of the actors on stage. The well-being of the actor does not often match what is played. He has to play even If it's painful. B2 is the track called "Machinery" Human beings are machines that build machines today. The advantage is perfection and time saving. Robots as actors are reliable and precise. B1 listen to the name "Transistor Dances"its Like The Hungarian Dances by Johannes Brahms you just need a dance to express happiness and remind your culture. Dances bring people together. A robotic dance should not be missing in a play. The last track of the EP is the tune "Practise" a story about a robot the has to practise to achieve perfection and it is fun." Don'tplay this underwater order now gone is gone.
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After a long and forced break, In The Dark Again returns to record stores!
The label has been sitting for so long on it's 12th release, and is super excited to finally bring it out.
On »In The Dark Again 12«, Aaron J. Cunningham, Gestalt, Night Caller and Lectromagnetique deliver five mesmeric tunes between tough Electro and bitter sweet Electronica.
This record is limited to 100 copies. So better go grab it before it's gone.
Back in the mid to late 90’s, Dallas’s Troy Anderson aka Waverider, DFD, Cityboy) released a couple of twelves in small quantities on 1200 Music. We’re now bringing the in-demand Cityboy release back to life with a re-release via We’re Going Back records.
Four tracks of deep and jacking techno for your head and most importantly, for the dancefloor.
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Following contributions to Manchester based label Chequered Wax and an emotionally elevated weapon on Groove Estate Records in June last year, Twenty Angels EP sees Eyerate continue to explore the outer limits of techno, trance and future-facing club; in an EP both clinical and entrancing.
The Norwich based producer wastes no time with a thunderous opening on ‘Undone’ - a kick-drum enthralled in reverb and so heavy, it’s destined to blow the roof off any club system. Rave painted tabs and underlining atmospherics give the track an even greater sense of largeness; best heard in dark corners with high-ceilings. A masterclass in contrast ‘IDK You’ bulldozes through with its threatening, industrial tone; its peripheral vision absorbed in light, as lasers shoot straight ahead.
‘Twenty Angels’ aptly follows-suit with its knee-jerking grooves and pace setting enthusiasm. The track's beauty comes from how it muses between hypnotic states of consciousness and raw, untethered energy. The record's arc comes to an end in ‘Youth Eternal’ touching on everything from trippy 303s to emotionally charged trance and techno; in a club-facing track made for journeying.
oneeyedman is the project by the Hungarian-based artist István Sándor, seeing with one eye the release “Eat Alone a Miso Soup” that is landing on the musical hub Sakskøbing. The record has been over a year in the making and has gathered the shape using the all-seeing eye we witness today.
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BIG familly united around a Pumpin sound !
A Must have for eva !
Timmo is a new name to Drumcode and one in which they hope to be seeing more of. Having released tracks on Fone, BluFin, Octopus and Alleanza to name a few, Timmo's production career is set to shine as his new material is getting noticed from the likes of Adam Beyer, Joseph Capriati, Richie Hawtin, Nicole Moudaber, Len Faki, Dustin Zahn to name a few. Also launching his own highly revered radio show called 'Big Room' which,has had guests such as Robert Babicz, Umek, Fergie, Alan Fitzpatrick and many more,Timmo is a name to look out for in 2014.
Timmo's debut Drumcode release 'We Beat On' carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ's around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo's tracks that really provide him with his acquired sound, the pads in 'Canvas' are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.
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- A1: Luke Vibert - Jack
- A2: Andreas Gehm - Acid Will Survive
- A3: Phuture, Green Velvet, Dj Pierre - Acid Trax
- B1: Ty'z - Acid Track
- B2: Consquence - Touch
- B3: Posthuman - Don't Stop
- C1: Dj Pierre & Rio Lothario Lee - Thousand Finger Acid
- C2: Tyree Cooper - Acid Number Two
- C3: Dj Pierre & Dj Spank Spank - Jack Ur Acid
- D1: Dj Spank Spank Ft Maestrosis - Computer Acid
- D2: Paul Funk - Don't Make Me Wait For Acid
- D3: K'alexi Shelby - Kum Face The Music (Original Mix)
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HOT Ltd Edition 12". This sampler features two cuts from a forthcoming 2LP set + + Stride II's 'Get Down' - a very dope electro joint only available on this record.
Later this year 'Worldwide Connection Vol.1' will arrive as a double vinyl set on the sharp UK label, Non Stop Rhythm (bossed by Tom Carruthers). Look out for it...
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White Scar, sublabel of Subterranean Odyssey, is back for its second instalment. The next feature is called the “The Judge’s Head” and true to the theme for White Scar it features four tracks from four different producers.
Eliaz returns on the A1 with “Spaceventura” which is more of the mayhem that you come to expect from the Slovenian given his releases so far. A2 is from Uruguayan producer Estef, with “Roto” a club-ready weapon which already has and will continue to tear up dancefloors upon release.
On the flip side, B1 is from Colombia based, Buraye, and true to form, he delivers “Towering Vortex” - a hypnotic techno workout. Finally, on the B2 is “Moon” by Nay, who is an up and coming producer from Liverpool, UK. Big things to come from him, you will no doubt hear much more from Nay in the future!
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- A1: Innershell Shielding
- A2: Planck Factor
- A3: Entangled Photons
- A4: Heisenberg Compensation
- A5: Ionic Crystals
- A6: Entropic Decay
- B1: Probability Densities
- B2: Orbital Wavelengths
- B3: Information Quanta
- C1: Epr Effect
- C2: Quantum State Recombination
- C3: Wave Function
- C4: Isotopic Balance
- D1: Uncertainty Principle
- D2: Variables
- D3: Superposition Many Worlds
Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.
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Veteran producer Black Merlin aka George Thompson debuts on Transmigration sub label Crystal Ceremony with four dense and hypnotic dance floor cuts.
Informed as much by a deep knowledge of dance music’s history as well as extensive field recording work in some of the most remote parts of the world, the EP’s 4 tracks swerve modern techno’s expectations of high BPMs in favour of a slow, timeless journey through ritualistic drum patterns, atmospheric modular loops and ethereal vocals.
Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."
order to see someone elses perspective on his latest album "Nonlinear Times", Florian commited two of his favorite Techno producers and gave them total freedom on what they would do with the tracks.
Iconic Industrial Techno producer Black Asteroid, who is one half of the critically acclaimed MOTOR on Chris Liebings CLR Recordings and well known for his releases on Electric Deluxe, delivered a trend setting remix of "I Know The Kick" with Electro influenced industrial beats and electric guitar injections. Bryan Black aka Black Asteroid definitely knows the kick!
Jeroen Search, who recently released an impressive album on Len Faki's FIGURE Label, delivered two remixes for this EP and was able to isolate the essences of the original tracks and weave them into his very own, classic and confident interpretations. "Dimension Slip" got a hypnotic and deep treatment, whereas "Surrealist" was taken far away from its original direction into a jacking club tune - maintaining the scifiish, full of suspense feel.
.Soundscape Versions pres. its fifth release from Italian producer Antonio Marini.
The EP called "Primitivism Masks" leads a synergy between the electronic matrix and the darkest Dub textures. Irregular rhythms will be perceived, accompanied by various pulsating bass riff and frenetic percussions, of African derivation. King Tubby, Lee Perry, African Head Charge are some of the references of the release that will be heard. A "smoky" and introspective spiral, from the beginning to the
end of the project..
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Blue Vinyl
We invite to assist us in welcoming our latest addition to the Sacred Rhythm Music & Cosmic Arts Family. It is with excitement that we introduce to you SORA.
SORA will focus on the likes of deeper, electronic, soundscape compositions; Think more in genres of Joaquin's' widely acclaimed, but now paused Natural Resource, which is the sister label to Spiritual Life Music from back in the mid-nineties to early 2000's.
First up is The Ascension of Light and Wisdom 10 Inch,
Produced and performed by Joaquin Joe Claussell.
On the A Side, we have Subtle Light
Subtle Light provides some organic deepness of which leans more so towards Joaquin's traditional afro Latin influences infused with what we like to call Cosmic Art Trance Music. It is spiritual dance music that up lifting and as usual unique in presentation.
On the be B side we have "Peekaboo Is see You.
Peekaboo Is see You is a deep tech composition that Joaquin has been playing out for quite some time now. Exposed to enthusiastic audiences across the globe, it is a deep bass tech track that is in high demand. We are very excited that finally it will finally see the light of day, all the while spinning on countless turntables globally.
Forthcoming EP ÒPrecious BricksÓ by the infamous badman RLGN of the notorious PP group. Boisterous out of the box hardcore rhythms fit for a cage fight. The energy is uncanny and unrelenting, Precious Bricks is that and moreÉ RLGNÕS sound is undeniable and uncontrollable, its divergent cornerstone on where electronic music is going. Come and get down or get out the fucking way.
The EP includes two remixes, one from the cosmic dark lord of electro Umwelt, and one from Dionysian Mysteries label head Buzz Kill.
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Originally by Tripped, STRONK was made in 2018 and released digitally on MAD001. due to succes, it also got featured on MADINCH001 (12") the following year.
It goes without saying that we are super excited to bring you this remix project after 5 years. Ranging from Hard Industrial Techno, Hardcore Techno and Gabber, these tracks should get your booty going.
Special thanks to the remixers who were willing to take on this challenge, and absolutely smashed it out of the park, each in their own way.
Industrial Acid Hardtechno on a RECUT & REPRESS surprise moment !!
“Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made” - Boomkat. Chris & Cosey’s Elemental 7 – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in COUM Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.
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Donato Basile has spent his whole life fighting for the music scene in his country. Making music, running a record store DJing in legal and illegal parties. We can't deny that we are in front of one of the mainstays of the Italian scene.
When we thought I've seen it all we discovered him, after his EP on OAKS. The live act just blew our heads away on Intercell last winter. His music is a compendium of rave musics and cultures twisted elegantly, focused but not taking itself too serious. This 4th music bombs are the proof that not everything is invented.
We are proud to release DJ Plant Texture as A.662 first solo EP on his own series in KAOS.
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LASMO is a Polish duo composed of Smolny and Lachowski, currently they taking bold steps in the world of techno music.
They made their first moves together on the native music scene in 2017. In April, they conducted and played on the TECHNO Conference in Lodz and continued on the second edition of Lodz Electronic Music Festival DOMOFFON, performing alongside Jonas Kopp, Anthony Rother, Dopplereffekt and others.
RAVETRX is back on SHERELLE & NAINA’s Hooversound imprint, and it’s a real headturner. If the UK artist’s first contribution to the label was unapologetically ‘90s-facing, ‘14 Down The Dip’ is practically legging it back into a muddy field somewhere along the UK’s growing network of motorways. One thing’s for sure—we’re gonna be here all night.
RAVETRX sets the stage with sounds of a single airhorn and distant crowd before launching into a pounding groove. The title track snapshots a rave well underway: fresh off the M1 and checking out the usual suspects: speedfreaks stepping to white-noise kicks, teens screwfacing to rascally rave synths, and someone swaying wide-eyed to those happy hardcore piano lines.
‘Ruff Enuff Stuff’ goes out to the system heads, rolling the EP into jungle tekno via Patois vocals, crisp breaks and subs. But don’t be fooled by these warmer frequencies—on the flip, RAVETRX jumps back into rave mayhem with ‘On A Mission’, amens going head to head with a snarling bassline. And just when you thought it couldn’t get any heavier, Hooversound label-mate Nova Cheq finishes up the EP with a merciless gabber rework of ‘On A Mission’, sizzling with twitchy acid that’ll speak to the restless and underslept.
An essential cop for the hardcore junglists out there!
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We are thrilled to welcome to a truly special moment for us. As we celebrate the third anniversary of our record label, we proudly present to you our very first vinyl release, which represents a significant milestone in our journey.
"Neural Haze" is the twelfth release to grace our catalog, a fusion of mind-bending sounds, textures and captivating rhythms.
This limited edition vinyl comprising six tracks from six artists, and invites you to lose yourself in the enigmatic depths of Techno music. Each track is an authentic expression of the vision and creativity of the artists who have created them, where the boundaries between reality and imagination blur into an ethereal soundscape.
Techno legend Umek debuts on Science Cult under his electro moniker Zeta Reticula. Four high powered electro stormers lead the charge supported by a dark, pounding remix from Germany’s Tag & Wandrach and a weapons grade Electro / IDM remix from label founders Syrte and Visions Of Glosters.
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Hot on the heels of this year’s ‘Dyslexia Sound System’ album, Touch Sensitive is thrilled to share a three-track companion piece from Autumns - 'DSS Dubplate'. Autumns is the solo project of Derry’s Christian Donaghey. With a relentless release rate that mirrors the energy and intensity of his live shows, Donaghey has submitted a selection of skewed star turns for the likes of iDEAL, Death & Leisure, and Opal Tapes since his debut on Regis' Downwards label in 2014. Much like it's companion LP, 'DSS Dubplate' is heavily inspired by the On-U Sound label, the productions of Adrian Sherwood, and that cultural and musical sweet spot when the rockers met the post-punk crowd. Donaghey’s whip-crack beats, heavily effected vocals, shredded no-wave guitar, and clarinet squalls are shaped and shifted further into the endless expanse by his dubwise techniques on the board. As always with Donaghey's productions - these rhythms grip tight and don't let loose until the needle is on the run-out groove. Full-throttle! Autumns non-stop!
Argentinian party starters, Interdance, launches their first release as a record label.
What started out as a group of friends making parties back in 2018. Focusing on the idea of taking new and fresh sounds to their hometown, Buenos Aires, they invited DJs from Argentina and Uruguay to come and play. Now ready to take the next step to release their first record with the same intentions as before.
INTER001 starts by inviting top producers and friends from the same countries. Side A consists of two of the founders of M.E.R, Uruguayan producers, Cabanelas and Soto. Whilst the B side hosts, Mich, part of the Pryma family from Argentina.
A mixture of many genres, together, ready for the club.
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A warm welcome for Frenchman INVŌKER, as he returns to TAU with more digital delights from his fertile lab. Since arriving on the scene INVŌKER has established himself through a series of phenomenal releases, each of which encapsulates his dextrous touch and vision. With impeccable production and plenty of dance floor appeal, his tracks feel like they’re made for TAU. This time he delivers a four-track EP full of flavour.
Platipus needs no introduction for anyone in the dance music business. Still going strong after 30 years, the label boasts loads of classics in the trance and progressive firmament. To celebrate this anniversary a special series of 12 collectible vinyls will be released over the next year. The 2nd contains a brand new smashing remix by Len Faki under his Hardspace guise from Union Jack’s Cactus. Hypnotic & powerful are the keywords! Spiced up with Chab’s Sunrise, Simon Berry & Luke Brancaccio’s Remix from Martin Merkel’s Little Wonder, and to close the vinyl Star with Rock Rose. A true banger on 12” here for any Platipus fan to have.
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Caucasian Boy (Previously Strictly Rhythm, Skint & Music For Freaks) Present's three energetic, straight-up house bangers!
'A-Side 'Phuture' the Remix is a homage to the roots of Acid House; 'We Are Phuture' by Phuture, released initially on seminal Chicago label Trax Records in 1988, the track has now had a radical makeover and remix.
B.1 ‘Bounce’ is a peak time floor filler with catchy vocal hooks and infectious rave inspired keyboards and a bassline to die for!
B.2 'Gimme A Beat' is an in your face, 303 acid monster! Pounding drums and a driving bassline...Classic acid house for a new generation.
DJ Support :
Lolu Menayed
Scottie Canfield A.K.A. D.J. Red Eye
Terry Francis
Danny Rampling
Sarah HB
Marvo
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Mighty Lord Deathman is the solo project of Mat Colegate (ex Teeth of the Sea). New album LIFEFORCE will be released on the London based Hot Fools Records on 300 black vinyl LPs. Influenced by such diverse inputs as Arthurian myth, the short stories of Laird Barron, the pulse and rattle of Jamaica’s Equiknoxx and the heavily stylised phantasmagorias of the hallucinatory crime/western movie Let the Corpses Tan, Mighty Lord Deathman’s sound has been pushed towards a new, more cinematic, plateau. However, not content with simply being ‘music for an imaginary film’, LIFEFORCE is the thing itself: an unnerving abstractnarrative told in whispers and hieroglyphics, burnt brickwork and full-throated roars. “The scornful gatekeeper. The pissy ferryman who will be paid. The techno noise bastard and his awful fucking machines. The Mighty Lord Deathman.” John Doran, The Quietus.
Officially licensed, remastered reissue of a rare and obscure experimental jam from Rotterdam, 'Cor Corora' by Nyra Bakiga, original copies of which have been selling for upwards of £300 on Discogs. Produced by Peter Graute and Martin Van Der Leer, who ran the punk/new wave label and record store Backstreet Backlash Records, 'Cor Corora' is an exploratory journey that sounds light-years ahead of it's 1981 release. Warped, crunched beats, twisted guitars and space echoed delays lay the foundation for Nyra's sublime vocals - who was the wife of an African ambassador in the Netherlands, where her paths crossed with the Backstreet Backlash duo. nsurprisingly the likes of Daniele Baldelli and Beppe Loda were giving 'Cor Corora' rotations in the early days of the Italian Afro Cosmic scene and the track is still a prized possession in the record bags of some of the best selectors around, including everyone from Peanut Butter Wolf to Manfredas.
Frantic breakbeats, epic strings and a booming sub kick off this percussive belter. Tension decreases and rises through a breakdown, before things get switched up with a more percussive bassline and various little elements and fx. One to tease out that last bit of energy in the late hours..
“Scrollers” is a mad, industrial, syncopated, 140 bpm, not-quite-garage slapper. Built from messy, undulating percussion loops and filtering snares, lots of noise and warping bass interludes, it’s a hectic piece of tuneage that unexpectedly delivers a sliver of respite at the very end. Picture scrolling through your endless feed of doom and nonsense until you chance upon than one clip that reinstalls a bit of hope, giving you the resolve to finally put your damn phone away and actually do something.
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The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.
Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.
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