Techno Novedades

Satori´s latest Album "In Between Worlds" gets its second round of Remix Treatments. First Mix is coming from Satori´s good friend and former release partner El Mundo who turned "Compulaire" into a hypnotical tech house version. Second is Just Emma and the duo made a perfect dancefloor suitable mix of "Pink & Orange Sky" - likewise Britta Arnold did this to "Compulaire" and spiced it with a acidish bassline. Norwegian duo Of Norway have chosen "Tuti" and mixed it with groovy and relaxed beats - perfect for the morning after hours. For the way home Alexander Christian´s Remix of "Ehsan" is the best companion. Last but not least we have Joney who turned "Pink & Orange Sky" into a powerful crossover Mix somewhere between Broken Beats and Electronica.

Thomas Atzmann is back after having a great debut with his former"Chordophon EP". The Roads EP proofs Thomas' development with a warm and harmonic feeling - completed with two great Remixes from Pablo Einzig and Kilian & Finn. Pure listening pleasure...

Clear Marbled Vinyl

The new vinyl from the creative label Rotation Mecanique has been handed by the experienced French musician and producer Arnaud Rebotini. "Outlaw" EP contains 3 original compositions and a crushing remix from the heavy - sounding mastodon Terence Fixmer.
The A - side title track "Outlaw" plunges the listener into a hot synth storm with a leather - whip - biting snare drum, powerful rhythmic base and non - trivial lyrics. The second composition "Widow Jane" sounds crystal clear and attractive to all the fans of Synth Wave, EBM, Techno and New Beat.
B - side opens up the powerful Industrial Techno Body remix by Terence Fixmer,, which indicates the roughness,,
discipline and well - defined riffs of analog synthesizers, skillfully mixed with the dub vocals of "Outlaw" and the punching kick drum. "Honeymoon In Red" lays an icy layer between all the paths of the EP, summing it up chronologically towards the end of the record.
All tracks are made with love to DJ art and start with naked drum sections (except the lunar renegade B2).
The regular release version contains a special designer hard crystal clear "PVC bag" with a wrap and a ""Smoke Marble Transparent" vinyl inside. The real find in the hands of a record collector and a true fan of modern art aesthetics. Deep cut at 33 1/3 RPM. Mastered by Dark Crusader Studio (DCSM).

BYTES, das dritte Album der Artificial Intelligence-Serie, wurde ursprünglich 1993 veröffentlicht und feiert mit dieser Reissue sein 30-jähriges Jubiläum. Black Dog Productions waren Ed Handley, Andy Turner und Ken Downie, die für dieses Album unter verschiedenen Namen auftraten: Atypic, Balil, I.A.O, Close Up Over, Xeper, Discordian Popes und Plaid. Die Reissue besteht aus exakten Repliken der Originalausgaben, das Album wurde von Beau Thomas @ Ten Eight Seven Mastering für klassisch-schwarzes Vinyl neu geschnitten.

We, Florklang Records based in Japan are happy to present you EP of Cool and Frank! Cool and Frank's debut
is Golden Wall" which sounds IDM for 90's music lover releasing from Sleepers Records.
This time of Cool and Frank's EP includes four tracks with radiated edgy sequences inspired by IDM and also with dynamic Acid sound base lines are intensely revolving.
We recommend wide range of music funs who Techno lovers for sure, Acid, Electro, IDM lovers and more...

Cortechs Comes back to Machine Box with strong societal deconstruction vibes. These tracks live in a cyberpunk future where anarchy and technology create the chaos that spark new ideals essential for future existence.

Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Earlier this year, Subwax Bcn made an important contribution to the electronic music community by having the timeless dub techno compilation Vibrant Forms II by Fluxion remastered and reissued. First released in the year 2000 on Chain Reaction, Vibrant Forms II is widely considered to be one of the greatest achievements in the genre. As it turned out, Vibrant Forms II became one of the last records to be released on Mark Ernestus and Moritz von Oswald's classic label - a suitable swan song if there ever was one. And that's it, right

Well not quite.

If one would search for Fluxion - Vibrant Forms III, Discogs would come up empty and Google would treat it as a misspelling. Until now.
Konstantinos Soublis, aka Fluxion, and Subwax Bcn have decided to pick up the banner and release Vibrant Forms III as a CD as well as four individual 12" records under 2016. It contains everything you could hope for and more: The massive, booming basses, the clicks and hisses, the atmospheric thunderstorms, the opium smoke-scented streaks of reverb and dub echoes. The warmth. Yes, above all else the warmth: Sometimes moist and dripping as in Safe Harbour, sometimes blisteringly dry as in Variant. It's no easy task, giving cold, dead machines warm breaths. And no-one quite does it like Fluxion.

The Reissue of Vibrant Forms II was an act of cultural preservation. It reminded us about the legacy of the Basic Channel label family, in which Chain Reaction played an important part. Without this legacy, the contemporary body of electronic music would look different and make very different sounds. With the Release of Vibrant Forms III, Subwax Bcn takes it one step further. Fluxion's Vibrant Forms III album remind us of the timelessness of truly great music, never mind the genre.

It has only been four catalogue numbers in the past since.....

Generali Minerali (Tbisili/Georgia) cooperated with RNBWS and made a fuzz. This time he’s on a solo path, or - according to the title - maybe alongside Kim Jong-un?

“Batteries aren’t low” gets to the heart of Generali’s sense for sounds: Softly billowing Electro, a vocal sample which kinda sounds like P. Diddy and harmonies that could well have been on “Selected Ambient Works II”. Come on, let’s go!
Point before line calculation or cryptic code? We don’t know for sure, but “5-5-6:5-6-5“ remains true to the ambient focus of the a-side. Retro 90s vibe, cosmic, prancing and floating - like stumbling into the chill out area for the first time on a muzzy Sunday morning.

“I got it” comes in significantly more abstract. Harmonies give way to industrial sounds, without vanishing entirely. Electric boogie with litte acid nuances - beautiful prelude to the b-side!
In terms of acid, „Smooth D“ puts a few blotters on top. A combination of psych sounds, dirty raw drums and trippy sequences. Two tickets for the 90s time capsule, please.

Beautiful melodies crafted with intricate layers of electronic sounds.
Japanese music producer Masumi Nishimura's solo project INNER SCIENCE. In which he creates an original kind of electronic music using his signature shimmering tones and melodies along with a wide spectrum of rhythms that is uncategorisable to conventional genres.
Release a this new vinyl for the first time in two years.

Jasper James fights for what he wants to be, cuz function is the key. This is his first offering for the ESP Institute, and after many trials and tribulations with the pressing plants, everyone’s patience is now handsomely rewarded. On the A side, '0141' is percussion-based track utilizing a variety of overdriven metallic percussion and petite vocal snips that roll up neatly into a seductive rhythm. This is one for the hips and hands, with instrumentation chopped into short staccato spikes, Jasper invites impulsive body theatrics and the freedom to spastically express oneself. On the flip, 'E-Maniac' is a bona-fide tops-off Summer anthem if we ever heard one. What would typically qualify as an A-side banger, we’ve decided would better suit our contrarian leanings as a nice Easter egg, just to make sure you’re actually listening. This one drives hard, shuffling at a maniacal pace with gut-bending bass notes and stuttered pad stabs. These two songs will ping your pong and pong your ping.

Since the release of RFR 014 Joannes has remained a quality source of solid techno. With this four track EP he proves his sonic versatility.
„Kiss“ sounds like a lucid dream, when you have spent the nights sleeping upon Robert Hood’s „Internal Empire“ for some time. A respectful homage to Detroit’s grandmaster, combining everything what made and makes techno so unique for decades.

The second track remains true to the minimal approach of this EP. Pictures of a humid rainforest, only sparsely lit by daylight, through whose overgrown paths you’re cutting your way with a machete. Certainly not a place for a „Date”, rather a spot for minimal techno in 90s garments.


A touch of tribal, Chicago infused percussions and gentle melodies are all that it takes to elect „Love“ as one of the highlights of this EP. A wonderful start for those often-underrated record flipsides.
Despite its title, „Hate“ might be the most accessible track of this EP. If you are into melodic Detroit techno with dash of…., you may fall in love with this one and hardly get away from it.

2nd vinyl cut from "Collapsizm" by Japanese Dub producerMantis including A remix by Nonplace label head, Burnt Friedman. Mastered by Stefan Betke aka Pole from scape mastering.

Deep Techno from Japan, comes with a DJ Shufflemaster Remix on the flip

Following the success of the first Planet Love compilation, Safe Trip has delved even deeper into the roots and formative years of trance music. The result is a vivid snapshot of heady, trance-inducing music released between 1990 and ’95.

Like its predecessor, Planet Love 2 does not deliver a straightforward chronological run-down of influential ‘proto-trance’ cuts and key early anthems. Instead, it casts its’ net far wider for inspiration, joining the dots between trance-inducing tracks in a disparate mixture of interconnected styles.

Before trance became rigidly defined in the late 1990s, the term was more loosely used as a descriptor, with the tag variously being attached to tracks that combined elements of techno, ambient, breakbeat, deep house, electronica, progressive house, acid, tribal and new beat. What unified these disparate musical strands was an emphasis on groove, melody, atmosphere and – more often than not – psychedelic intent.

You’ll find all this and more amongst the 12 colourful and emotive tracks from around the world that make up Planet Love 2. The hard-to-pigeonhole, early ‘90s New York rave scene is represented by the immersive ambient of Lazer Worshippers’ ‘Free Flight’, Revelation’s trippy gem ‘First Power (Domination Dub)’ and the delay-laden drums, held-note new wave chords and psychedelic electronics of ‘Time Warp’ by Moodswings.

The UK’s rarely discussed role in the development of early trance – often via tracks that touched on ambient techno and progressive house – is represented by the Obsession Project’s prototype melodic trance obscurity ‘Untitled Part 3’, the Arc’s fast-then-slow rework of The Moody Boyz ‘The Pygmy Song (Nocturnal Version)’ and ‘X O Surf’ from The Deep, a breakbeat-driven workout that defies easy categorization.

Naturally, the popularity of early trance in Europe is reflected in the track listing, too. Check the formative progressive trance of French producer Innertales’ ‘Odysee’, two tracks from Italy (T.E.W’s ‘Doubt Int’ and Alien Signal’s melodic ‘Deep Sky Delights’), and a trio of often overlooked cuts by German artists (early Svan Vath number ‘L’Esperanza’, the Jam El Mar co-produced ‘We Come in Piece (Desert Mix)’ by Dance 2 Trance, and ‘A Source’, the opening track from Tobias Beldermann’s first EP as Redeye.

Offering a deeper and more diverse definition of early trance than volume one and packed to the rafters with sought-after and overlooked gems, Planet Love 2 is a fitting follow-up to Safe Trip’s first collection of formative trance treats.

Tokyo's finest techno/house label Vis Rev Set owned by Tresvibes Soundsystem released its 4th EP VRS004
Nord. Featuring essential but minimal structured tracks by Vieux Renard, as known as Montreal's Guillaume Coutu Dumont. This title is his very first attempt as Guillaume's latest solo endeavor which he cited that it was time for him to return to his den and begin crafting his next magical shenanigans.

Four high-pressure modern techno explorations from Stereociti on his second release as Waveguide. 'Venera' builds on driving kicks with tense percussion and a dreamy mid-track breakthrough, while 'Zond' goes in a more abstract direction, matching its offbeat rhythm to eerie synths and modulating atmospherics. Things go for the gut on the B-side, the dub and industrial textures of 'Rosetta' and 'Philae' ready for the most visceral of dancefloors.

One sided – Live extract from Mid-Wooder & Mik Izif. Old school acid Hardcore with a very Cold Rush beginning of the track :) LTD 100 copies !

A four track, vinyl only EP, that falls into an unspecified subgenre of techno with hypnotic and atmospheric influences, complete with a cinematic touch. Side A is slow and atmospheric, while side B is dancefloor oriented and focused on building ideas/themes using the track structure. The highlight of the EP is ”Never Relax”, which is a track inspired by the struggle of producing music in residential areas.

Up next on Pleasure Club we have the debut EP from label owner Bobby. Intergalactic, interdimensional compositions which, if given the chance, could provide suitable soundtracks to a space race. Fusing the sounds of techno, breaks and classic tech-house, all three tracks are primed and ready for dance-floor detonation. May the source be with you...

Draconian Steps brings together Jeremy Rodriguez and Ron Morelli for the first of 2 - 12''s under the name ''Circus of Death''. The tracks were recorded at Devon Analogue Studio in the UK.

Wrangled in from a weekend of long studio jams. Bleak over driven analogue business from start to finish. 3 - 909 cuts crunched out and pushed way into the red. Limited edition!

There's not much info out there about My Own Jupiter's latest addition to the roster, though we do know that he's a Spanish producer and that "Morning For Loss" is his debut album. It's a rather impressive set, with the publicity-shy artist offering up a poignant, spacey and quietly picturesque mix of slo-mo melodic electro, intergalactic dancefloor workouts, early '90s style IDM, bleeping ambient techno and shimmering purist electro jams that sound like they've been sat idle on a dusty cassette since 1989. Throughout, Depressor strikes a near perfect balance between bottom end grunt, atmospheric aural textures and tuneful, ear-catching synthesizer motifs.

Collaborating on the newest release are fellow Italian's Divide & Oisel who have released on labels such as Oscar Mulero's Warm Up, TWR72's Float, Pfirter's MindTrip and Oisel's own Evod Music.

Expect to hear experimental cuts of hypnotic, modular techno grooves wrapped up in atmospheric sound design...

New from Dreams (Apron, Private Selection)
Two killer broken techno cuts for fans of Surgeon, Batu and Karenn
Early support from Carista and Identified Patient (‘Paraxotica’ featured in his recent Crack Mag mix)

In 2022, Dreams launched a new label, Dance Data, which has quickly gained the attention of the underground dance music community - and set the stage with a new two track EP called ‘Paraxotica/Vessel’.

Florian Kupfer is back. This time he shows a glimpse into his diversity and depth. Starting in the familiar territory with his trade marked, blue eyed freaky soul vocals and rough beats before meandering his way through strangely sad blown out drum workouts and hip hop styled new beat tracks... Comes with full color sleeve. TIP!!

Laughing Hands worked in the experimental music scene in Melbourne in the very early 1980s. They were an improvisation group using tapes, synthesisers, guitar and hand percussion much of which was then treated through the synthesisers, producing their soft, insistent and rhythmic sound. “Dog Photos” was originally released in 1981 by band´s own label Adhesive records.

The sounds in these 11 pieces are a combination of direct to tape & cassette to tape recordings, a perfect mix of electronic tape explorations, spectral synths shadings and foreground rhythm abstractions.

Deeply ingrained into the fabric of the British electronic music landscape, Luke Vibert shows no sign of slowing down, after an illustrious career spanning three decades (to date!). Vibert returns to Hypercolour after 2020’s hugely successful trilogy series (Amen Andrews/Modern Rave/Rave Hop) with his 18th album (not counting albums released under his other monikers Kerrier District, Plug, Wagon Christ et al).

‘GRIT.’ finds Vibert in playful mode (and, let’s face it, whenever isn’t he!), as twelve tracks of acidic and squelching drum machine tracks come rolling out to play. Bouncy and hypnotising 303 jams of the highest order are served up here, with rhythms pulled from the electro, garage and house pools, all delivered in Vibert’s inimitable style.

Mike Paradinas first album of new material since 2013, written in some rare downtime in the Gower (Wales) during the summer 2020 lockdown. There's a strange sense of the old and new in Scurlage, the sentimental and utopia. Dive into Paradinas world, yesterday, today and forever.

AAA997 keeps things moving with 4 tracks from the OG’s ….. Think RAW, late night techno into early morning electro with zero regrets.

Very much at the forefront of the UK electronic scene, since 2001, Shelley Parker has innovated and thrilled with live performances, DJ sets, sound installations, and scores for contemporary dance.

Parker's recorded output is just a small part of her musical orbit. That said, a debut album 'Spurn Point' in 2014 and various singles, remixes and EPs for Hessle Audio, One Little Indie, Honest Jon's, Houndstooth, Structure Recordings and OOH-sounds have whet the appetite for more.

'Wisteria' lands on Hypercolour, and succinctly encapsulates Parker's layered and dense production aesthetic, as a myriad of concrete rhythms, breakbeat science, inner city ambience and industrial strength bass unfurl over eight uncompromising compositions.

‘Wisteria’ by Shelley Parker is available on 2LP/Digital from 25th March 2022 on Hypercolour.

WADDUP Tricksters? Pandemics,WW111, or government disclosure of UIA’s stressing ya out? Come find refuge in the void, shut off your brain and let the rapture sweep you into the body zone. Get ready to peer behind the curtains in primordial Bataillen punk rock eletronix-esque sort of way. What are you waiting for download the wav files and get void surfing!

200 limited press black and orange vinyl no repress

Our 40th release to date. Welcoming long time family member VERSA for another trip to sublime soundscapes. This man can do no wrong.

Bepotel lands their most recent EP on their own label, and aptly title it - Startup Label 1'. A 12' comprised of three disorienting techno tracks, minimal in nature yet inviting in its elaboration.

Blue Hour completes his ‘Remixed’ series with the fifth and final instalment. Over the past five years, he has curated a quality addition to the label inviting key artists along side exciting newcomers to re-work his music. ‘Remixed 05’ see’s Julian Muller, Adlas, Tranceman2000, and 3KZ bring the ‘Remixed’ series to a close accompanied by a full re-release of all past editions plus new bonus material.

Reclaiming his place on Token with another 12" record, Belgium's Border One presents 'Light Trail' - an ode to dissonance and drive. With his recognizable use of dynamic percussion and metallic synth work, he stops at nothing to provide a sound-system ready record for a busy dancefloor.

Opening the record with a throbbing bassline and a sustained pad, Border One wastes no time in getting to the point. He begins with leaning on rock solid groove to space out his ambient elements and stabs, creating a rich atmosphere while remaining focused on the movement.

Transitioning from an intriguingly subaquatic A1, the needle slides to a more brutal second followup 'Transmute'. Providing a constant and saturated low-end, Border One remains expressive with his use of his drum machine while keeping a familiar bubbly main synth. The reduced depth in 'Transmute' is likely due to the tension coming from his percussive work as opposed to a synth, making it very efficient for virtually any occasion.

As the A2 draws to a close, Border One dives back into the mind with the other side of the record - starting with 'Radiant'. Shrill tension makes its return over a playful, hypnotic synth sequence to create a satisfying contrast between crystal and viscous elements. 'Prism' then closes the record down on a driving jazzy tone, showing the artist's versatility and understanding of his genre. Dissonant chord stabs peak out of sometimes busier percussion lines, making it the perfect way to conclude a dance floor-oriented record.

"Essential techno, essentially militant. A collection of pioneering electronic club hits and classic tech funk cuts with highly eco-political lyrics, produced by Michelle Grinser, DJ Naughty and featuring by Chicks On Speed. Chris Korda, is a transgender artist and tireless environmental activist who denounced 21 years ago the excess of capitalism and consumerism ("Buy", "Buy More"), exposed social inequalities and warned of the dangers of climate change".

Francesca returns to Pleasure Club with yet more excursions into the ethereal with the Homology EP, touching on dub techno, ambient soundscapes and electro futurism.

As the name suggests this record explores the concept of similarity of a structure, or function of parts of different origins, based on their descent from a common evolutionary ancestor. Following on from her ‘The Inside Out’ LP of 2020, this time Francesca explores the outer realms of electronica whilst always coming back to the core essence of her vision.

This EP also serves as an announcement of her forthcoming album and label, Goodnight Cowboy. A collaborative project between herself and Remi Mazet which will look to explore slower tempos and
unchartered textural planes.

An electronic beat-driven side project created by Android Lagowski to release tracks on Sleepers Records.

Andrew Lagowski (a.k.a. Clans of the Alphane Moon) has been making and recording electronic music since 1982 and before that was a drummer in a new wave band called 'Silent Command'. Since 1987 he has released over 30 albums and ten 12” singles and continues to release on various labels Worldwide.

Projects include Nagamatzu (co-founder, guitarist, programmer, engineer), Lustmord as engineer/programmer (e/p), Terror Against Terror (e/p), Isolrubin B.K. (e/p), Legion, S.E.T.I. (the one with the d.o.t.s. and not the one on Instinct Ambient), Clans of the Alphane Moon, Project Ghost, Dioide (with Andrea Bellucci) and Lagowski.

He has played live on various occasions and at many festivals alongside artists such as Fennesz, Autechre, Richard H. Kirk (Cabaret Voltaire), NWW, cEvin Key, Zbigniew Karkowski, Dive and Clock DVA.

(inhale deeply) We continue to unfold our record label with a release from a mysterious New York City-born artist we have only known for a short time now yet who we admire and whose personality and uncomplicated way of being inspired us and motivated us to dig up his phone number, pluck up all our courage and dial the Berlin area code to ask if he had anything to add to the Basic Moves story. (exhale) As you might have guessed, the answer was positive and slowly, little by little, the elements of Basic Moves 05 began to assemble.

A year later, we had found the two horizontal techno tracks we were looking for. After our previous adventures of more ornament-focussed dance music we wanted to send a well-adjusted rhythm into the music stratosphere. Although Forgive and Not Knowing are clearly rooted in US techno and early minimal house, these tracks prove that roots tend to keep growing below the surface and that any new growth is proportionate to its groundwork.

Of course, we could try to pin down the effect of these balanced, layered compositions as much as we like with words but actually, their bright secret can only really be felt in sound and movement (loud, dancing). Walrus & Islas, Brussels, 2018

Sous Traitance is back with a VA of heavy hitting & crunchy electro and techno.

The evocative home listening journey presented in Âme's debut album "Dream House" has now been transformed into a range of indispensable dance floor remixes, reminiscent of the dance weapons crafted by Âme over the last decade.

Boards Of Canada, Peel Session, 21/07/98: Boards Of Canadas erste und einzige Radiosession erscheint erstmals vollständig, inklusive des vorher ungehörten Tracks "XYZ".

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

Signing on the second release of the label Blue Night Jungle, the duo DudMode disturbs its machines and inspirations around a wild and mystical acid techno - sometimes minimalistic, sometimes extravagant. Two faces of a same coin which the Lyon guys are trying to explore by inviting, for the whole B face, two french artists they feel very close with : Jibis, head-speaker of a new techno beat both dense and aerial , Vardae, owner of the label Allegorythme Records and great defender of a more mental and obscure vibe. « Une Nuit Dans l'Herbe » (« One Night In The Grass ») EP marks the strong come back of lyonnese rave culture's children, already sanctified by a long and sensual experience on the stage.

Die Stimme von DAF (Deutsch Amerikanische Freundschaft) ist
zurück!!
Nach über 30 Jahren erscheint am 28 Februar 2014 Gabi Delgados neues Album - 1' auf GoldenCore/ZYX Music.
Geschichte schrieb DAF, die sich 1978 in Düsseldorf gründeten, mit Hits wie - Der Moussolini' oder - Der Räuber und der Prinz'.

Das mit 18 Titeln bestückte Album wird alle DAF Fans, aber auch und vor allem die Freunde moderner elektronischer Clubmusic begeistern.
DAF-artige Sequenzen, modernste House- und Electro-Beats, dazu die für Gabi Delgado typischen deutschen Texte bilden ein einzigartiges Gesamtbild, das sicher für Furore sorgen
wird. Vorab wird am 31.01.14 die Single NEBELMASCHINE/LIPPENSTIFT' digital veröffentlicht, auf
der sich neben einem IN STRICT CONFIDENCE auch ein EISBRECHER REMIX befindet.
Zum Release startet Gabi seine Solotour, auf der das gesamte Album und einige DAF/dos Hits präsentiert werden. Die Tour wird präsentiert von INTRO und SONIC SEDUCER. Gabi DelGado ist als einer der Pioniere deutscher Techno- und Electromusik anzusehen und sorgte zusammen mit Robert Görl in der 1978 gegründeten Formation DAF (Deutsch amerikanische Freundschaft) für nationales und internationales Aufsehen.
1995 gründete er zusammen mit dem Schauspieler und Musiker Wotan Wilke-Möhring das Projekt DAF/DOS.

Renowned techno artist Jon Hester returns to Rekids Special Projects with a thundering fourtrack release, aptly entitled ‘Momentum’. Since his previous Rekids appearance, the Berlin-based Minneapolitan has continued delivering a steady stream of club ready cuts on labels like Transmat, LET and Deeply Rooted. Following a busy summer playing at the likes of Rex Club, Tresor and Hï Ibiza, Hester now returns to Radio Slave’s Rekids Special Projects techno imprint in fine form. ‘Accelerator’ opens with solid, overdriven kicks, deep chords, electrifying synth patterns and saturated claps followed by ‘Beatwave’ which features rhythm-led vocal sampling, upbeat Arp stabs and sparking cymbals. On the flip, ‘Zoned’ thunders with low-end frequencies, emphasised by a flying groove with snappy hats, subtle claves and white noise hits when to finalise ‘Part 4’ bounces with distant congas and tribal percussion, tight hi-hats, floating pads and a punchy kick.

(Red transparent coloured vinyl) (Van Czar, Waffensupermarkt, Miss Mana and Tom DM remix) Reissue of this techno classic from 1991, remastered for 2022!


Techno Parade Vinyl presents Robert Armani‘s Ambulance with outstanding remixes by label boss Van Czar, Waffensupermarkt, Miss Mana and Tom DM.

Legendary Robert Armani is back on board with his super Hit Ambulance which is a real collector’s piece. This red transparent vinyl has been carefully designed and it’s ready to add to your collection. You don’t want to miss out this fabulous work. Techno Parade for techno lovers. We love techno!


DJ FEEDABCK
early support from

Dr. Motte, MB Elektronics by Marco Bailey, Karotte, Paco Osuna, Paula Cazanave, Giuseppe Ottaviani, NDC Radio UK, Mike van Brugge, Partyscene - Frank Bohm, Werner Maxximixx Play, The Abyss radio show, Padhme, Danny Corten, EP Digital Music, Tjerk - A State Of Sundays, Mix Feed Radio Show, Majed, Joe vallely, Anthony Nero, Jerry May, DJPoldi, Antonio Grassia, Tino Tranquilo, G-Prod, Mind2damax, Lorenzo al Dino, Claudio Ferrone, Neil Craven, Mirko Hensel, Chris Maico Schmidt, Tariq Ziyad, Mijk

Following a series of remastered gems from M-Plant's back catalogue for the "Perpetual Masters" series, Robert Hood now delivers his first new release since his 2021 Monobox album.

The release features two peak-time heavy hitters, starting out with 'Hectic' and its siren-like stabs calling out for people to join the dancefloor, while building the tension throughout; a skill for which Hood has become well known for.

Meanwhile 'Amazon Dust' takes things deeper and is somewhat reminiscent of the work on his Monobox 'Regenerate' album of last year.

This is ROBOTRON – a cyborg designed for cybersonic purposes. He has been hit by an electro-static blast and suffers a technosis trauma. As a result, his programming is disrupted – causing him to transform into LO-FI algo-rhythms.

The TRANSFORMATION has just begun by adopting ballistic identities and relearning AI-abilities – to continue his advanced exist-dance of termination.

All 4 trax are pressed on 45 RPM to be transformed into a serious SLOW-FI nightmare via 33 RPM. Skynet T.2 is a limited edition of 200 x 12″ vinyl – black or quicksilver. Each record comes equipped with a numbered sheet, a bonus sticker and 50 randomly packed DIN A2 posters – illustrated by Detroit’s finest: Alan Oldham (DJ T-1000). WATCH OUT!

RYUICHI SAKAMOTO'S LANDMARK 1981 ALBUM REISSUED FOR THE FIRST TIME IN DECADES OUTSIDE OF JAPAN. THE ALBUM WILL BE REISSUED IN ITS RARE JAPANESE EDITION TOGETHER WITH A 2-LP LIMITED EDITION FEATURING THE ALBUM PLUS A 2ND LP FEATURING ITS NEVER-RELEASED FULL INSTRUMENTAL MIX, ALL REMASTERED BY BERNIE GRUNDMAN.

Wewantsounds is proud to announce the reissue of Ryuichi Sakamoto's third solo album "Hidari Ude No Yume" (Left Handed Dream), originally released in 1981 on the Alfa label. Save for a small-scale Dutch vinyl release in 1981, it is the first time the album's original Japanese edition is released outside of Japan (the European release on Epic Records included significantly different tracks and mixes). Newly remastered from the original tapes by renowned engineer Bernie Grundman, this LP edition comes with original artwork featuring a striking cover shot by famous photographer Masayoshi Sukita (sourced from the original negative), OBI strip and 4-page insert with new introduction by journalist Anton Spice. The album will also be released as a 2-LP limited edition gatefold including the album's full instrumental mix.
Ryuichi Sakamoto's third album, "Hidari Ude No Yume" was recorded at the legendary Alfa Studio 'A' in Tokyo during the Summer of 1981. it came after "B-2 Unit" in 1980 and his debut album "Thousand Knives Of" in 1978, the very year Sakamoto was invited by Haruomi Hosono to join Yellow Magic Orchestra alongside Yukihiro Takahashi. In the process, they became global stars as the group rewrote the rules of electronic pop and toured around the world, yet Sakamoto was keen to remain active as a solo artist.
?In 1981, the musician decided to record an album rooted in Pop, following "B-2 Unit" which had a more of an experimental edge and his landmark electro debut from 1978. For this new album entitled "Hidari Ude No Yume," Sakamoto invited British producer Robin Scott, who had had huge hit with 'Pop Muzik,' to co-produce. They entered the Alfa studio in July 1981, accompanied by a handful of musicians. These included his fellow YMO musicians Haruomi Hosono and Yukihiro Takahashi, keyboard programmer extraordinaire Hideki Matsutake who'd been on Sakamoto's first two albums and became YMO's unofficial fourth member, violinist Kaoru Sato, saxophonist Satoshi Nakamura and American guitarist Adrian Belew who'd played with David Bowie, The Talking Heads' "Remain In Light" and more recently, Tom Tom Club’s debut (co-writing 'Genius Of Love').
?Together, they created a fascinating mix of pop, ambient and electronic music with elements of avant garde and traditional Japanese music, the whole firmly rooted in a solid groove. Sakamoto wanted to give the album a spontaneous feel and decided to let ideas flow and evolve organically during the sessions as musicians would develop them together. From the funk of 'Relâché' to the new wave feel of 'Venezia' and the ambient minimalism of 'Slat Dance,' the album is remarkably consistent while displaying a wealth of global influences as shown by the diversity of instruments featured on the credits: Marimba, didgeridu, traditional Japanese instruments such as the Sho and Hichiriki flutes.
?The album was released in Japan in 1981 and Epic Records picked it up for Europe a year later but decided to release it in a significantly altered version. The sequencing was completely reshuffled and two tracks, 'Saru No Ie' and 'Living In The Dark' were completely dropped while three others, ‘Relâché’, ‘Tell 'em To Me’, ‘Venezia’ were heavily remodelled with english lyrics and became 'Just About Enough', 'Once In A Lifetime' and 'The Left Bank'. Last but not least, a new English-sung track, 'The Arrangement,' was added, making the album nine tracks instead of ten for the Japanese edition.
Altogether this International version called "Left-Handed Dream" was a very different album from the Japanese one and although both were successful at the time and further established Ryuichi Sakamoto as a global solo artist, the Japanese edition of "Hidari Ude No Yume" remains largely unknown to international ears.
Wewantsounds is now delighted to release this original Japanese edition for the first time in decades as a single LP together with a 2-LP limited-edition set adding, as a bonus, its fascinating instrumental mix, discovered in the label's vaults a few years ago (Note that 'The Garden Of Poppies', 'Slat Dance' and 'Saru No Ie' are instrumentals but for the consistency of the album we kept them on the Instrumental Mix). "Hidari Ude No Yume" is an essential album in Ryuichi Sakamoto's rich discography. It is now available in its purest original Japanese form.

A Crimson Shore is Saåad’s first studio album since Présence/Absente in 2018. In the interim, Toulouse-based composer and producer Romain Barbot has enriched his experience as an artist through multiple collaborations, the composition of soundtracks and commissioned pieces, as well his involvement with the bands FOUDRE! and Sables Noirs.

This new chapter in the artist’s discography reflects this artistic maturity, evoking the project’s finest ambient recordings while revealing a new, unfiltered and decisive personality. Saåad’s use of a more direct musical language (exclusively electronic on this album) is intended to lay bare the inner life of its creator: the tracks are structured in a cycle of loops, vibrations and drones which respond to and confront each other like the torments of existence, torn between the twilight of sombre music reduced to its purest function of catharsis and the dawn of a new, luminous narrative journey.

A Crimson Shore is a raw, all-encompassing album, shot through with the fear of death, of growing old, of accepting it, of grief — past, present, imagined and future — and the search for a transcendental refuge.

Fünfzehn + 1 is a commemorative compilation celebrating 16 years of Ostgut Ton – and the first glimpses of light at the end of a long dark tunnel for parent club Berghain. Originally planned for release in 2020, the music focuses on the interwoven nature of the label and the club in its multitude of different spaces and musical facets. Ostgut Ton artists and close affiliates worked together in pairs to make music dedicated to five different floors, each represented by a specific 12" vinyl. The result is a diverse selection of sometimes functional, other times more abstract sonic tributes; musical homages to spaces they have both influenced and been influenced by. With the pandemic having forced the club to close temporarily, the collaborative nature of the 5x12" boxset represents an attempt to transcend varying degrees of isolation and to wrestle with memories of music and space that had been inaccessible. But certainly not forgotten.

Die Compilation Fünfzehn + 1 feiert 16 Jahre Ostgut Ton – und das Licht am Ende eines langen, dunklen Tunnels für sein Stammhaus Berghain. Ursprünglich zur Veröffentlichung im Jahr 2020 geplant, reflektiert die vorliegende Musik die Verflechtung von Inhouse-Label und Klub bzw. dessen unterschiedlicher musikalischer Facetten. Ostgut-Ton-Künstler*innen und -Freund*innen arbeiteten gemeinsam an Stücken, die fünf Floors gewidmet sind – und im Vinyl-Boxset fünf 12"es zugeordnet werden. Die 20 Stücke sind musikalische Hommage an Räume, die die beteiligten Personen sowohl beeinflusst haben, als auch von ihnen beeinflusst wurden. Das Ergebnis sind mal funktionale, mal eher abstrakte klangliche Näherungen. Nachdem die Pandemie den Klub vorübergehend zur Schließung zwang, stellt der gemeinschaftliche Charakter dieser Compilation einen Versuch dar, unterschiedliche Maße der Isolation zu überwinden und mit Erinnerungen an Musik und Räume zu ringen, die lange Zeit unzugänglich waren. Doch sicherlich nicht vergessen.

Sucesiones is a compilation of studies written for 53 equal divisions of the octave (53 EDO). This tuning temperament was selected after analyzing the work of Mexican researcher and visionary Augusto Novaro, one of the microtonal and just intonation pioneer theorists. Novaro claims that 53 EDO is one of rich musical qualities, which has good approximations to the harmonic series.

The use of simple textures such as sine waves was a conscious decision, this in order to maintain the focus on the relationship between the frequencies and the possibilities this tuning allows, that fluctuate from aggressive beat frequencies to pure intervals. These four compositions serve as an introduction and familiarization to the tuning’.

Recorded, mixed and mastered by José Orozco Mora in his studio (Mexico City)

José Orozco Mora (Chapala, México) has worked with different aspects of sound creation, such as composition, sound design, recording and production. His work mainly explores the fundamental aspects of the sonic spectrum, implementing alternate tunings and temperaments, exploring their harmonic content through the combination of frequencies, using both acoustic and electronic sources. These explorations had led Orozco to utilize different artistic mediums such as quadraphonic compositions, sound installations, and others.

Orozco has released his work in labels such as Debacle Records (USA), Constellation Tatsu (USA), Hole Records (MEX). He has performed and presented his work in Austria, Germany, Greece, Italy, México, Netherlands, New Zealand, Switzerland, etc.

Alexis Cabrera is back with two new sensational cuts for our point of
view collection.

New release from sonic wizards Barbir & Nicola Kazimir on Melliflow, an electronic music label based in Berlin, founded and curated by Vera & Alexandra.

Unmistakably Cio D’Or, Polar Q’s eight tracks explore ambient and cinematic techno, before dissolving into broken-beat, aquatic compositions from the outer reaches.

Vinyl Only. The 5th release from Berlin based label Sleepers. Cool And Frank make their debut EP 'Golden Wall' with very unique Acid, Abstract and Breaks.

A trained jazz drummer, session musician and ex-resident at 2 former Belgian club institutions (Fuse & Food), Dagobert puts forward 4 weirdo IDM/electro cuts.

A mystery label from East Asia. Vinyl only - limited.

It is sampled from a famous song.

GERARDO commits to his first episode of his own label. It is quite difficult to communicate your internal musical concepts and ideas in a way that someone understands them enough but Gerardo accomplish this once again with insane drum programming and catchy melodies for the 8 total tracks resulting in a super strong double EP, proudly

The second release from Flash Lair and from Melbourne producer Oozy Zoo, Crucial Spheres covers breakbeat electro metres, deep techno grooves, and slick acid licks.

These run of releases on ‘Existence Is Resistance’ comes from the Legendary Proto Garage Record Label ‘Same People’, and see’s Persian & Long time musical partner DJ Texsta, repressing some of their most pioneering UKG E.P.s.