Techno Vinyl New Releases - News

Giulia Fournier-Mercadante aka GiGi FM debuts on Bambounou’s Bambe label with an EP of spiritually-charged techno mantras.

Magnetite EP marks the first signed EP for GiGi FM following the self-released Kiwi Synthesis Diary 21k mini-album from December 2021. These releases build on her strong presence as an adventurous DJ imbuing the art of techno selection with a hypnotic, ancient charm. It’s no surprise to discover common aesthetic ground between Fournier-Mercadante and Bambounou, whose own tendencies towards polyrhythmic incantations are a snug fit within this vaguely defined field of transcendental techno.

In every aspect of her work Fournier-Mercadante presents an alternative vision of electronic dance music steeped in astrology, philosophy, metaphysical science and ritual. As a trained, accomplished dancer, her music is intrinsically linked to physical movement, made explicit in the visual accompaniments to her pieces, and in the creative process of this release.

Amongst the four tracks on this record is ‘Senstronaut (MYO)’, the first Fournier-Mercadante has made entirely using an MYO motion sensor. All parts were created as progressive layers using arm gestures, affording her an immediate connection between her dance performance and music production.

Kinesiology – the study of human movement – forms one of the underlying themes of the EP. By extension, Fournier-Mercandata draws inspiration from dancing as an ancient custom responding to the atomic vibrations of the universe, and considers the material which allows us and all living things to sense the kinetic force of Earth’s electromagnetic field, the mineral magnetite.

“By connecting with the electromagnetic field of the Earth, we can tap into a hidden and forgotten power,” she explains. “We can connect to the lost wisdom that is buried in each rock, flower or tree, and sonic frequencies that surround us.”

Considered as ritual aids or as advanced techno exercises, this concerted expression from GiGi FM builds on Bambe’s hard to predict but consistently fascinating arc of exploration within music and design, unbound by formula and driven only by sincere creativity and Bambounou’s impeccable ear.

Liege-based Gravitational Effect heralds in Reposition's 3rd release with a dazzling electro EP.

The 4-tracker pays tribute to electro's intergalactic appeal, whilst simultaneously espousing a fresh take on euphoric and mind-bending dancefloor music.

Across the 3 original tracks, ever-evolving synth patterns and playful melodies meet cosmic tones and finely-programmed drum patterns.

For such a release, Radioactive Man fit the bill perfectly to jump on remix duties, especially considering how much the legendary producer has inspired GE's musical outlook. His take on Base Control (the most hard-hitting original on the EP) experiments cleverly with the central synth pattern, pitching this down alongside more spaced-out production throughout, to create a 7-min masterpiece of psychedelic and engaging electro.

Sound is basically physics, but it could also be biology. During the whole stomaching process, our body is the host of an astonishing living concerto and becomes a true rehearsal studio for our organic musicians.

Borborygmus, deglution sounds, hydrochloric acid disintegrating food are some of the natural activities that produce the most interesting soundwaves we can witness as a one man crowd.

That's exactly what Vina Konda tried to explore in his third solo EP "Osseus Labyrinth". After many years of research, the Palin Gen laboratories scientist presents a staggering sonic exploration into the human digestive system that aims to musically reproduce what he theorized as a "galastrointestinal journey" where "gastric" and "galactic" merge into

the same word. This nano-molecular adventure through our inner cosmos finds its way in an experimental bass music and techno interpretation where powerful rythmics are surrounded by swarming biological organisms and magnified by a breathtaking internal body reverb.

The first track named " (-C-O-(O)P(O)-O-C-) " is a 120bpm futuristic electro trip picturing a tracheal fall, signing the begining of our anatomic expedition.

"Melting E. Coli" is opening by a sword sound followed by a warrior cry, recalling here a fictive battlefield where bacteria are

colonizing gastrointestinal walls at the rhythm of a 150 bpm banger.

"SNC Modulation" is a scientific term about the exchange of informations between brain and guts which takes the form of a technoid

experimentation divided into two parts which are symbolizing the neural information moving forward and then backward.

Our travel through the ventral meanders ends with the beautiful " >0> ", a smooth and nice "bellyaric" ballad picturing the body exit of our vehicle.

Vina Konda's science knowledge and creative narration make "Osseus Labyrinth"

a pure Sci-Fi piece of art in which the musical medium was prefered toexpress his ideas rather than words or images.

Repress

No Moon blends electro, breaks, acid and UK bass into a forward-thinking club EP for the 7th release from Berlin based collective, Mechatronica.

Opening with 'Sirens', the A-side plunges straight into deep and breaky sub-domains, before sliding on to the brighter and melodic, but equally heavy workout, 'Bathtub Dub'.

On the flip, electro and UK bass come together on gloomy tool 'Where Am I', before 'Acid IX' finishes off the record with a blissful, distorted acid frenzy for the floor.

Ode to the Mode is the new EP from Naarm/Melbourne DJ & producer Kayroy. His first for the Velodrome Recordings imprint, this record sees the producer blend his love for synth-laden italo-style house and rave-ready techno, resulting in a record that is equally suited for cloud gazing and peak club moments.

The record opens with ‘Behind the Clouds’, a dense and sprawling track that pairs vibrant synth leads with crystal clear percussive work - a modern flip on a warm italo-house sound. With the EP’s title track, Kayroy takes a more club-focused approach, delivering a high-energy groove packed with buzzing 303s and an ear-worm percussive hook.

The flipside sees the producer journey into hard-hitting electro territory on ‘Ping Pong Funk’, before closing out the record with the slow-burning breakbeat bomb ‘Better Late’.

Non series turned 10 years last December since its inception in 2011. And we celebrate it with this great, deep, minimalistic, forceful, lethal compilation from friends and artists of the label.

Hope you guys enjoy this special release as much as we did programming it and producing it.

And thanks to the overwhelming support since the very beginning to our costumers, record shops, digital platforms, artists, technicians, engineers, designers and our beloved distributor (News) for making all of this possible.

Jack Carel, makes his debut on Fill-Lex records with a mini album in the form of a tape.
These tracks wander through his closest influences, electro, IDM, industrial music and EBM.
Jack made a complex tribute to the most experimental music, mixing textures and frequencies, as can be heard in the introductory song of the album, "all eyes", or closing the face with Sand Storm with more raw and industrial dyes typical of EBM and industrial electro. Turning the cassette we find a Carel more bizarre, with tracks like "no return" where his sharp hi hats, along with a penetrating melody will make you dance like a man possessed. With "tri cops" they lower the revolutions again and light the fuse of the musical density typical of industrial experimental music.

Each track is a different project, different approach and different interpretation ..... no geners, no limits!

Growing inside of Soil Records.

Focused on different styles and tempos that we usually recognize at Soil which will be more focused now on mainly EBM, Darkwave and Industrial Sounds.

Seed will be irrigated with DIY screen print design to keep the textures alive.

We plant our first seed with Jauzas the Shining - Dancing in the Cold.

As he entered he cast his eyes around the room, taking in a mirage of flickering colours and luminous buttons. He had been travelling for what had felt like a lifetime through the dense and murky undergrowth in search of the mysterious cavern. Now as he sat perched upon the rubble he truly knew his purpose.

The walls were paved with silver and gold. The cave dimly illuminated by a thin hazy light - this would be his guide through the small hours to follow. Smoke billowed in the corner of the room, casting off a haze which was sweet and sticky to the senses.

One by one he flicked each switch, a throbbing current pulsed beneath the dense rocky structure as the frame of the cave echoed and rumbled into life. The walls began to shake beneath the strain of the sound, the noise echoing between wires, between tunnels and into the very core of the cave as the pressure increased. He was now one with the space and sound - connected by the very DNA of such a wild and wondrous place.

In the morning, as the sun rose in the distance, he would unearth himself. He’d return to reality and much as it pained him he would vanish. The noise of the night, the sound of the cave still playing in his mind.

Hiber-nation EP was Recorded at Siesta Delfauno, Buenos Aires, Argentina in December 2019. A place steeped in history and that has seen artists like Carl Craig , DJ Hell and Rob Acid grace its halls. Ara-u worked alongside engineer and member of Argentinian electronic band Klauss Pablo Gil, while getting lost in red wine and deep into the jam amongst a mix of analogue machines. Ara-u edited the resulting takes and put together the EP : Hyber-nation.

Marking over 16 years as an artist, Robert James unveils his debut album Battle of The Planets. A milestone in any musician’s career, the LP illustrates the breadth of Rob’s tastes and influences, exploring the rugged terrain of planet electronica. Ranging from breaks and electro to house and techno, Battle of The Planets was made during lockdown, a period of creativity and isolation for many artists around the world. Across 10 skillfully produced cuts Rob takes us on an intrepid adventure into the cosmos, where mysterious atmospheres and uplifting melodies sit side by side with captivating dance floor rhythms. Many shades of his personality come through on this album, all tied together by his unique sonic identity; informed by his years spent on the dance floor, behind the decks and in the studio. On Battle of The Planets Robert James presents a distillation of his extensive knowledge and experience into one succinct, highly engaging body of work.

"How that time has gone, vanished beneath night’s cover, just as if it never had been! The wall, wondrous high, decorated with snake-likenesses, stands now over traces of the beloved company. The ash-spears’ might has borne the earls away—weapons greedy for slaughter, Fate the mighty; and storms beat on the stone walls, snow, the herald of winter, falling thick binds the earth when darkness comes and the night-shadow falls, sends harsh hailstones from the north in hatred of men.



All earth’s kingdom is wretched, the world beneath the skies is changed by the work of the fates. Here wealth is fleeting, here friend is fleeting, here man is fleeting, here woman is fleeting—all this earthly habitation shall be emptied."



— Exeter Book (1072)

Repress!

Neighbourhood number five, a various artists compilation. The Hive is about bringing all these fantastic artists connected with Neighbourhood together and showcasing their incredible music as one collection.
The music tells a story in some way, but also leaves it to the listener to interpret in their own way. The Hive really represents what Neighbourhood is about, a proper UK techno sound. Reaching the 10th year of the parties next year, it felt the right time to bring together various artists, who aren't normally associated with each other and the music matches the ethos of the parties, good music brought to you from the Neighbourhood. Opening up to other Neighbourhoods for future releases!
dBridge - perfect intro track, deep, spaced out, four four business, with some robot alien chatter intertwined! dBridge coming with the goods!

Paleman - one of his many modular jams that pricked the ears! Fantastic shifting drum patterns and hypnotic drones.

Cadans - Dutch don with a proper, stand out UK sound!! Catchy yet gritty as hell. It's a bit of an anthem!
Roberto - Techno staple, simple stepper, does the damage on the dancefloor, swinging you into a frenzy.
Ben Sims - Veteran keeps you locked in forever to the beats, with a real, raw b boy style.

Tasha & Kamikaze Space Programme - Collaborative magic, inspired by the nine, for those that know!

Reflec - one of Manchester's finest, rolling out a brilliant, percussive, heavy weight drum track of pure love.

Roberto & Yelhsa - Yelhsa is a new alias of Skeptical. Beautiful collaborative production, wrapped up in Auckland, expectant of a rinse out rhythm, it's a deep yet ravey roll out, the perfect closing tune.

The sixth album by Emile Facey under the Plant43 moniker and the seventh release on his Plant43 Recordings imprint since its inception in 2020, Sublunar Tides is his most expressive and stylistically wide ranging to date. Over 52 minutes and nine tracks the album whisks the listener effortlessly from fast-paced dancefloor electro through the slowmotion cloud-soaring of Concrete Breakers, the intricate experimental synths of Perfect Ruin to the lilting, songlike tones of the emotional album closer 'Tides Align'.

A co-founder of London's Bleep43 crew, Facey has been promoting underground electro and techno since the 90's. As a producer he's been releasing records since 2005 with a string of releases on respected scene favourites such as Central Processing Unit, Frustrated Funk, Semantica, Shipwrec and Cultivated Electronics. He has played live alongside DJ Stingray, ERP/Convextion, Sync 24, Surgeon, Legowelt, Urban Tribe, Svreca, Datassette among many others.

Rise black - Agressor EP Moustache Records 038 delivers us 5 tracks from the dark side of Spain! The first is named: "Black snake" this is a dark pumping electro track with 808 snares topped off with some evil voices and other trippy scapes.The A2 track: "Jack in the box" is where the true mental madness starts, a drum minimal groove electrobass track that could go on forever and ever till the loony house. On the flip side B1 "Sulfrico" deadly acid electro for the retards. B2 Mythos is the sound from Sparta Greece 100 v.c. Distorted kicks and snare drums that could deliver you a bloodnose. The last EP track is the title track of the EP called: "Agressor" this song is a story about the sheeps of Satan, very raw noisy percussion drum sounds, space bleebs and other aggressive electro sounds. Let the magic and madness begin... Welcome to the Moustache Records family. Rise Black is rising..

XXX the label returns strong in 2021 with an original EP by none other than The Populists aka Yan Wagner. Yan Wagner has been making a name for himself in the scene for a while now with his distinctive The Populists sound. XXX012 is no different. With three original tracks on the A-side; EBM, minimalistic synth music, banging drum machines, genre bending, different energy styles, but all are functional club tools in their own way. Just what you would expect from The Populists. The B-side contains two remixes by veteran of the scene Marc Houle and fellow Dutchie Coloray.

BLO is new sensation in LA’s the New Beat scene. Their classical song structures and arrangements with a modern twist capture and transport immediately to the golden era of the Belgian macro clubs of the late 80’s. Their debut EP include 3 original songs and a cover of Depeche Mode classical hit “Breathing in Fumes”

It's the penultimate release of the eight-part Astra Spectra series featuring Electro legend Carl Finlow and including a remix by label co-founder Syrte.

Pressed on a limited run of purple vinyl, the colour and name of the EP correspond to Iron on the Fraunhofer Absorption Spectrum of our sun.

Stefan Weise aka Syrte envisioned the “Astra Spectra” series as a celebration of mankind’s vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our sun’s absorption spectrum and the element which is represented by that, hence the name, which means “Solar Spectrum”

Dax Pierson’s debut solo LP is coming via San Francisco’s Electronic powerhouse imprint Dark Entries Records and Oakland’s Ratskin Records collective. Pierson, an Oakland-based underground legend, has pushed the boundaries of experimental electronic music with his soul-moving opus Nerve Bumps; A Queer Divine Dissatisfaction, an endeavor two long years in the making. On Nerve Bumps, Pierson blends hip hop, jazz, John Carpenter-esque arpeggios, trap/anti trap-influenced percussion, and musique concrete-informed experiments. Futuristic synthesizers cut through layers of fog as Pierson’s bombastic drum programming forges new worlds within themselves.

Pierson tells a complicated and inspiring story on Nerve Bumps, which is both a privilege and a gift to experience. Tracks such as “I Slay The Pain” reiterate that although Pierson has to live his life as a quadriplegic, this does not define him as an artist or as a person. The cinematic “For The Angels” plays as a masterclass in heart and body-moving rhythms and undulating synthesizers. Pierson directly confronts the listener on “Snap”, an act of solidarity with the disabled community. Sputtering orchestral swells become encapsulated by splintering shards of Pierson’s voice, evoking his relentless determination to learn new music production methods as well as share his experience with losing certain physical abilities. The album’s closing track, “NTHNG FKS U HRDR THN TM”, is a perfect distillation of the varied emotions explored on the album. Warm, heavy synths masterfully guide us down a psychedelic slope through the track’s twelve minutes. On Nerve Bumps, honesty, empathy, and humanity bleed through the speakers like a dark liquid just beneath the skin’s surface. For Pierson, music is his lifeblood, both as a creator and a listener.

Nerve Bumps was mastered by George Horn at Fantasy Studios. The front cover features a painting of pink and green horizontal stripes by Pierson’s partner, artist Chuck Nanney. A photograph of Pierson’s wheelchair by Lenny Gonzalez graces the back sleeve. Dax’s guiding mantra throughout this journey has been a quote from choreographer Martha Graham: “No artist is pleased… There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

Incl. Schacke Remix

Having been extensively road-tested this past year by DJs including Daniel Avery, HAAi and Gerd Janson, Highdive arrives with tangible anticipation. The work of less-than-shadowy figures Gramrcy and John Loveless, the pair have passed lockdown and beyond remixing artists such as WH Lung, Discovery Zone and Ghost Culture. Debuting their first original material, closely following Gramrcy’s recent appearance on Loveless’s own Hot Concept imprint, Highdive is a long-anticipated explosion of energy.

Built around a sonic-boom breakdown, glossy rave chords and pounding post-punk drums, Highdive feels immediately at home on Phantasy. Having worked closely alongside founder Erol Alkan in recent years to shape the imprint's diverse output, Loveless' collaboration with the Peach Discs founder nods to the electro landscape of the label's earliest days. Having never left dance floors since, Gramrcy & John Loveless take a golden opportunity to plunge dancers into the sublime and the ridiculous.

While a stripped-down ‘Beats Mix’ sees the pair adopt a less-maximal approach, leave it to Schacke to stretch Highdive into hardcore rave heaven. The already-influential Copenhagen artist underscores his refreshing funk in the ‘fast-techno’ scene through which he has risen, turning the screws and upping the tempo with intense but elastic results.

Electro banger !!!

Red Vinyl

Deka is the name under which we celebrate the tenth album released in the last six years of Sin Hilo. This time in vinyl format and with a compilation of the styles that unite us most: IDM, electro and rhythms taken directly from the dancefloor.

Seven unique tracks from some of our most special artists. Sölna, Atico Corp., Sound Synthesis, Not On Earth and Frank Jhonson join our family with sounds ranging from the smoothest electro to the most "macarras" beats. And once again, Promising Youngster and Jailed Jamie (aka Skygaze) are with us with their signature IDM.

LANK002 is a compilation that gives a future listen of what’s to come for the new Belgian label. Side A starts out slowly whilst side B highlights the up-tempo vision of the label. The release focusses on different electronic styles but it also takes a look beyond. Every track, put aside the exception, is performed and recorded in one take. The cassette is numbered, limited to 50 copies and comes with a download code, including some extra bonus tracks.

Exhausted Modern builds on his artistic journey with the release of the Year of the Rat remixes EP, a collective reinterpretation that takes the murky, hidden depths of the album to new rhythmic dimensions. Philipp Otterbach starts off the A-side with a spellbinding composition for the thoughtful, dissolving Pineal Gland into an ethereal cluster of solemn melodies and vocals. Annechoic's take on Apathy Eats You Alive delves into the melodic side of the track, polishing it for the dance floor. Poperttelli draws out T-Maze from dark introspection to beats that waver between a glitch and a heartbeat, with the feeling of having been resuscitated. The B-Side sees Ayaz putting words to a 180-degree spin on Food of the Gods with hallucinogenic dynamism: a grimy tale of facing the unavoidable. Finally, NVST returns with her Hifive remix of Hard Working Rats, oscillating between heavy and melancholic with soul-permeating resonance.

Collecting orders for Repress

IM YOUR MASTER.

Since launching in 2018, Constant Sound's electro-fired offshoot Inflitrate has put out some superb music from artists including such admired old hands as Borai, London Modular Alliance and Ste Roberts. On the label's first missive of 2021, it welcomes Relpek AKA Constant Sound regular Kepler (both aliases of Leeds-based Matthew Farrow). What we get is a series of well-made and well thought out electro numbers that combine punchy beats and fuzzy analogue basslines with a variety of spacey and ear-catching musical elements (lead lines, chords, riffs etc). Rumbling and far-sighted A-side cuts 'Nova' and 'Binary' are arguably the toughest and most club-ready, while 'Celestial' and 'Delay' are a little deeper and more melancholic in tone. Impressive stuff all told.

Dalmata Daniel presents the sixth installment of their DDS split series, manifesting a relentless torrent of raw, bumping beats and electric thunderbolts: Kraków-based Olivia brings her otherworldly sequences and hazy reverberations, while hailing from Tel Aviv, Rapha delivers acidic treatments and sinister, menacing tones of a dark, untold future.

Side A opens up with "Freak", where Olivia's swirling synth arpeggios quickly aim to enchant all listeners, tangling up their brainwaves with several layers of wicked, throbbing beats. Continuing her witching hour, "Odejdź" introduces off-kilter pulses, cries and whispers in a dungeon, where no one can find the exit. Echoes tremble and screams get distorted in the dark, moist and uncanny aisles of these non-Euclidean spaces. Hyperbolic and demonic, hypnotic and manic: "Odejdź" puts ashes in our eyes and takes us to places we never thought were possible in this bleak realm of our world.

Flip the record, drop the needle and let side B commence: Rapha opens up with "Aggressive Disorder", a hip hop-infused marching beat with cosmic howls and blasting basslines. Next up, as a gargantuan machinery of steam-fueled engines, "Bomber Jacket" takes a confident, industrial maneuver at demonstrating nasty, scattered pieces of percussive grit, simmering its way to a textured and refined amalgam of rough and frantic pulsations. Closing the split release, "Access Point" elevates the voyage to outer space: fresh and squelchy electro patterns kick in right away with sweet, rumbling lower frequencies, and while you may enjoy the interstellar ride with stardust in your eyes, don't forget to watch out for potential alien screams and growls behind you in the cabin; they should come as no surprise if DDS06 is the OST to your personal, gruesome, galactic adventure.

Comes with a patch

Savage Grounds return to the never ending warpath with their new EP "Body Weight Compressor". After a one-year break, which was used to collect ideas, machines and material, they are releasing six titles with brooding melodies, sounds from the factory, diystopian texts and authoritative marches. An unnaturally restrained chaos. Being released by Infoline Global it provides a reflection of the city they live in.

We live in the dark. We have nothing to say. We are the void inside you that devours everything.

Technoindigenous Studies is the newest outlet of producer/composer Gabriel Reyes-Whittaker, aka Gifted & Blessed, serving as a platform for his many alter egos and side projects. As the name implies, Technoindigenous Studies is the union of modern musical technology with the ways and intentions of the ancestors.

The first release on the label is from one of Gabriel's lesser known monikers, The Reflektor. We know The Reflektor as half of the west coast electro funk duo POLY, and since then he released an EP with Kyle Hall's Wild Oats label titled Las Ruinas Mayas, which paid homage to the ancient Mayans. This new EP, simply titled Taíno, is a tribute to his own indigenous Caribbean ancestors. Each of the 4 track titles is taken from the Taíno language. Call it techno, electro, music to move to, whatever you wish. There's room for your own personal interpretation. That's what makes the Gifted & Blessed sound what it is.

Another massive acidic vocoder electro banger EP from Sound Synthesis!

Comprising Marco Simioni, Mattero Mazreku, and Francesco Pio Nitti, Qualia are a group of Italian producers who have never met in person. Due to the covid pandemic, they had to colaborate in the cloud, yet the results are impressively coherent.

Having previously released records on Detroit Underground and fellow Utrecht label 030303 between them, they arrive on U-Trax in April 2022 with their eponymous EP of four deep tracks taking influence from a range of genres, including acid-techno, ambient, noise, and beyond.

Leading the release, 'Perception' brings beautiful strings, funky 808 drums and acid tones for a deep and moving opener. The track clearly reveals the inspiration Qualia got for this release from the early Gescom releases. Stretched across the A2 is the ambient bliss of 'VV Cephei A', which brings Boards of Canada-esque drones and tones.
On the flip, the title track 'Qualia' brings a headsy dose of braindance to the mix, recalling the early experiments of Aphex Twin with merciless 303 squelches and distant reverberations. Closing track 'Until I Break Apart' leads with dark, moody strings before a pounding kick introduces a stark tempo shift before deep ambient atmospheres engulf the final minutes.

“Nice EP. Need a proper listen in a dark room with only the speakers and me ;)”
Minus Magnus — Mhost Likely

“Beautiful Ambient soundscapes!”
IDA — Ectotherm, Boiler Room Glasgow

“Excellent release from U-Trax. Perception and Until I break apart are my fav's.”
Drox — Nightimedrama, Crobot Muzik, Analog Cabin, Southern Outpost

“Interview & Premiere”
— Parkett Channel

“The best part is “VV Cephei A”, where a floral intro leads to colliding drone pulses.”
— Terminal 313

Home Deus was designed not evolved.

Back from the wilderness. Synth in one hand, long-range camera in the other, techno's most enduring naturist Eulberg returns to Stephan Bodzin's Herzblut.

'Mimikry & Mimese' is every fathom as deep as you'd hope it to be... Both sonically, conceptually and how they draw their influence.

‚Mimikry' is classic Eulberg, several tales bound together into one immersive narrative where melodic phrases that at first appear disparate, gradually correlate with each other by way of delicately placed rhythmic elements and FX. With spiked melodic hooks, the elements display signs of danger, but the heart and soul - like all Eulberg tracks - is warm and friendly.

'Mimese' takes a similar twist to 'Mimikry' in that the melodic arrangement is based on distinct themes that gradually align, morph and complement each other. Deftly developed over a looser drum arrangement with much denser cosmic pads, its yet another unique story told in Eulberg's inimitable way.

Two whirling immersive narratives, two camouflage concepts that reveal, upon closer inspection, that all is not what it seems. Eulberg's adventures into the wilderness continue...

HC Records, had previously published four compilations in digital formats with artists who fully matched the conceptual and musical ideals of this collective. Twelve of those tracks now see the light in the label's eighth vinyl reference, a special limited edition on double 12”, with the iconic Hypnotica colours: yellow and black.

Limited edition clear vinyl in hardplastic cover with visual illusion effect.