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Techno Vinyl New Releases - News
- A1: Incognet Present You Best Pack For Making Modern, Top Charted EDM Tracks. This Pack Inlcudes Not Just Big & Fat Kicks, It Also Have
- A2: Bat And Cathy Leads, Basses, Top Perc And Fxes, Great EDM Melodies Etc. Inspired By Such Top Producers, As W&W, Showtek
- A3: Hardwell, Nicky Romero, Fedde Le Grand, Ummet Ozcan, Spinnin Records And Many Others,this Pack Bring You Best Tools For Making
- A4: Modern EDM Tracks Ni Such Styles As: Electro House, Progressive House, Bigroom, Dutch Tracks! Incognet Club Essentials Vol. 1 Is First
- B1: Pack In This Series, Which Consist Of 460 Mb Pure, Massive Prime-time Progressive, Electro Sounds, Combined In 10 Construction Kits
- B2: (wavs + Midis) . Incognet Big & Fat EDM Kick Pack Consist Of 583 Mb Fresh, Pure, Prime-time, Quality Samples, Combined In 10
- B3: Construction Kits . We Assure You That This Pack Will Be One Of The Most Usefull If You Work In Such Styles As Bigroom House, Mainroom
- B4: House, Electro House, Club House. Producer By Hyder & Ribo. All The Sounds Are Offered As 24bit WAV Files And Midi Files Which Are
- B5: Key And Tempo Labeled At 128 BPM. Other Genres That This Package May Be Useful In a Trance a Progressive a Electro House
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With the fifth EP, Solid Rotation returns to the Various Artist output and releases DEPOT II. A pureremix workout with four killer tracks.On the A-Side you can find a Remix of lekande's- as we walked through fields' by Benedikt Frey, which will take you on a mind bending, percussive techno-trip. If you don't turn the disc, another Remix is ready for the Play-Button. Panthera Krause leaves the knobsbehindwith a playful, dreamy version of vokode's - Wiek . On the B-Side,Jonas Friedlich is waiting for you. He was not able to keep the handsoff two tracks.- Glowe' and - Wiek' by vokode were turned into a rhythmically changing,Chaos Mash-UP,which will letyou stepforever. The final trackcomes from Westlake & Hayter. Asmashing Electro reinterpretation of lekande's - as we walked through fields .
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The two versatile record labels Banlieue and Peur Bleue are joining forces for a very special occasion: PSYOP, the outstanding debut album by WATCHING AIRPLANES, a production duo breaking through in 2018.
PSYOP opens up an alternate reality where dance music is freed from the yoke of genre-based distinctions and is no longer tied to any dancefloor norms. By exploring different moods with smooth sailing and rough patches, PSYOP is an intense journey in the murky world of psychological mass conspiracy. This LP could very well be the soundtrack for an cutting-edge Orwellian sci-fi movie or an imagined futuristic venue where music and dance of a new kind are performed. Forward-thinking dance music from the future seems like the most accurate description for this album devoid of any tropes or nostalgia.
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When looking for music to be released on Magazine, our guideline has always been energy. The key question remains the same: Does the artist have something important to say Does it have a sense of urgency Alex played us these tracks while visiting the Magazine studio in Cologne earlier this year and we were consumed by unadulterated rage. This is anything but a conceptual release, Alex has not released this kind of music before. A side of Alex manifests itself through these techno tracks, that most might not have known before. Brutal yet beautiful, furious yet fragile. A Berlin native who shaped his sense for techno by striving through his hometown and its infamous raves, Alex is now one of the prominent protagonists of that scene - not only when regularly playing at Berghain. The EP harnesses this experience perfectly, fully preserving the energy of the creation process by recording directly to tape. Most productions may have suffered from this primitive method of locking sound into position, but not these tracks from a techno master.
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Modular synthesis wizard Eddie Symons, aka Nullptr (null pointer), lands on CPU with some of the finest laid back analogue electro you will hear post 'Other People Place'. Fans of Cygnus and DMX Krew take note.
After his debut LP 'Optical' on Detroit Underground, Symons has firmly established himself as a class act to follow. Expect spacey wavetable pads, step sequencer conversations and killer modular bass.
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One of our most mysterious and intriguing states of consciousness is the dream. We lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. Through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. Roger is one of those lucid pioneers that is able to translate these experiences into sound. Let him guide you through these wondrous clouds.
We're very happy to welcome Dutch-born German-raised Roger van Lunteren on SoHaSo for the first time. His Rosa Dos Ventos Ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. Utilizing raw 80's analog synths and humanoid acid lines he sets atmospheres that remind of Lynchian dreamscapes.
Vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. A gnarly bassline welcomes your arrival and lets you know things here aren't exactly what they seem. Journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. Uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions.
Aroy Dee remixing Vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. Sleepless is Roger's hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. It rounds off a balanced ep with plenty of introspective dance material.
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Serotonin Records Returns With A Compilation Of Futuristic Electronic Funk. it's What We Live For: Volume 2' Is The Second In A Series Of Compilations Sharing Our Vision Of Sounds Of Tomorrow.
Bpmf Has Been Making Electronic Music Since '84. In The Late 80s He Produced Hip/hop Which Allowed Him To Gather A Large Library Of Breakbeats. In The 90s He Released Techno As A Member Of Prototype 909, Chillout As A Member Of Rancho Relaxo All-stars And Electro As Half Of Synapse. Bpmf Has Released Electro On Serotonin And Emf. He Mostly Plays Live Techno But Enjoys Mixing It Up And Surprising People. zu Heiß Fu¨r Uns' Is A Breaks-heavy Tribute To His Recently Departed Friend Frank Heiss.
Nyc-based Singer, Multi-instrumentalist, Dj And Producer Heidi Sabertooth Has A Serious Love For Hardware. Grit-laced Drum Loops, Vintage Acid And A Tide Of Unruly Sound Clatters Forth From Her Studio. Creating Her Unique Brand Of Avant Electronics Since 2012 She Shares It With The World On Her Newtown Radio Show Deep Dive And Her Residency At Bossa Nova Civic Club. Her Highly Lauded Live Hardware Performances And Vinyl-heavy Dj Sets Have Cemented Her Own Place Among Nyc's Techno Community And Beyond. 2017 Saw Her Debut Ep On Motor Records, 2018 Ep 'neu U' Released On Lost Soul Enterprises ,'machine Funk Is Our Game Volume 2.' On Kraftjerkz Contains A Track. The Brutal Dark Funk Of so You Want To Take Back Your Will' Takes Serotonin Deeper Than Ever.
Somatic Responses Are Veterans Of The Breakcore Scene, Brothers Paul And John Healy Have Been Creating Complex, Distorted Techno Since The Mid 90s. Unlike The Break-heavy, Jungle Sounds Of Their Contemporaries, Somatic Responses Have Remained More Experimental, Sounding Closer To The Acid-laced Braindance Outcrop Of Artists Such As Autechre And Aphex Twin. The Hypnotic
Soundscape Of strategy Of Desire' Sets The Perfect Mood For An Early Morning Wind Down.
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Mirror Box is the solo analog synth project of Dallas musician Sean Kirkpatrick. With an extensive resume that includes keyboard duties for Kill Rock Stars' 00s noise rock band The Paper Chase as well as his concurrent projects, dark post-punk-synth-rockers Nervous Curtains and darkwave duo Little Beards, Mirror Box is Kirkpatrick's first foray into the purely electronic realm. Blending together elements of Giallo moodiness, dub texture, techno propulsion, a passing nod to your favorite wave music, and a flare for the kosmiche, Mirror Box' debut release, Minimal Compliance EP, is a tour de force of the veteran musician's exploration of a wide range of influences and experience.
Released by Dallas-based Gavin Guthrie (TX Connect)'s TRU (Texas Recordings Underground), the 5-track EP kicks off with the immediately-gripping title track. A huge mid-tempo 808 beat drives the menacing Moog bass while cosmic synths explore the skies over gritty, urban terrain. 'The Body,' grounded by its stuttering and singular bass line, is an expansive reworking of a track from Little Beards' debut album which features Nan Kirkpatrick on the release's only vocal appearance. Side A closes with 'Destabilized Agent,' a retro-futurist dream that effortlessly voyages from Sagan's Cosmos to a melodic minimal wave refrain.
While the first side's lush synthesizers and sophisticated syncopation are somewhat of a departure for TRU, a label that has so far defined itself by bringing the electronic sounds of Texas' underground warehouse scene to dance floors across the sea, the flip side of the record is where the four hits the floor. 'Grifter React' opens with a hard kick and electro zaps, letting the rhythm take the lead until a distorted bass finally enters to provide the hook. Minimal Compliance EP finale, 'Critical Blitz,' weaves together all of Mirror Box' finer elements into a concise mission statement. Pulsing, hypnotic mono-synth, vintage mellotrons, classic hats and claps, sweeping production (courtesy of Alex Bhore at Dallas' Elmwood studios) and sparse synth melodies converge in dark analog pleasure that will guide you along like on a cool air-conditioned drive through a devilishly hot Texas night.:
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Debut double LP album from Blakk Harbor the Greek Berlin based artist and sound designer behind Native Instruments, Angelos Liaros. Soaring drones, dark ambiences and expertly crafted sound design. 'Madares' title derives from the actual dune mountains of Crete. This moonlike landscape a sacred land of ancient ceremonies and the main inspiration for the album concept, cover and artwork. Percussive samples and drones are created from traditional custom Cretan instruments (lute, skin drums, lyra, tsabouna) & world instruments (Tibetan bowls, gongs, dungchen horns) granulized to death drones through modular synths and hardware samplers. A black hole soundtrack that sucks you in tearing the fabric of space and time. Enter a ritualistic occult trip to
the unknown.
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Kondi proudly welcomes Reedale Rise to the imprint with this beautiful 2x12" debut album by one of the most fascinating and talented electro producers around these days. After the solid releases on Frustrated Funk and Where We Met it seems the Liverpool wonder AKA Simon Keat has impressed almost everyone with his unique take on classic house and techno compositions in a wide range; from the moody and groovy beats by Detroit legends Carl Craig and Derrick May, while staying close to Drexciya, ITDWIP and Jeremiah R in term of texture and arrangement all mixed with a sound design and ambience found in early Autechre and LTJ Bukem - just to top it up with a tiny little bit of that 90s club minded UK sound delivered by Leftfield, Orbital and LFO. Beautiful synth pads, punchy, crunchy and groovy electro beats arranged around a good ol' fashioned analogue synth bass with a characteristic bending synth lead sound on top is really hard not to love and pretty much sums up what Reedale Rises electrofunk journeys are all about. Luminous Air is one big lush, joyful and emotional ride throughout the late summer breeze and is a sure hit whether you go for a party on the beach, a nighttime drive on Hwy1 or just need an easy night with a drink on the balcony. As long as you bring your turntable!
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Svengalisghost captured here in his most true form, the live setting. This recording comes direct from the board during his performance on French television in 2015 and harnesses the maniacal energy of his live set in perfect form. What may be the Chicago born artist's darkest and most plodding recording to date, this is the definintion of deconstructed death-industrial, foward thinking and freeform yet totally focused and razor sharp, plodding drums over open wire electronics and zodiac killer vocals hitting you from all angles. This is sound of evil personified. Limited copies available worldwide.
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Last years (2017) edition of Convenanza festival featured Swedish band Fontan, who have released material on Hoga Nord Rekords, and that set the ground for a collaboration between the record label and one of the most interesting festivals around. The joint forces has resulted in the compilation album 'Convenanza 2018' containing this years (2018) acts.
The contributors are: electro oozing duo Woodleigh Research Facility, consisting of Andrew Weatherall and Nina Walsh, etno-minimalists Komodo Kollektif from Glasgow with, among others, Gordon Mackinnon who's running the top quality label Invisible Inc. The more rock oriented side of 'Convenanza 2018' contains Berlin based Die Wilde Jagd, whose sound can be defined as some sort of post punk where strong chorus drenched basslines float upon a smooth electronic soundscape with both live drums and drum machines as the back bone to the beat. Wild Woman & The Savages could best be described as the result of an orgy between PIL and The Birthday Party! The Liminanas, with special guest Anton Newcombe, contribute to the collection a garage psych rock track suited for long hot drives through the dessert.
Weatherall's unfailing 'fingerspitzengefuhle' in picking artists for the festival gets repeated yet again and if you for some unexplainable reason fail to make it to Carcassonne this year, the magic from the old castle still can reach your senses with the help from this compilation!
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L.I.E.S. presents the first part of Broken English Club new album trilogy, White Rats. Following on from last years The English Beach, White Rats is described as, "a collection of caustic and absurd portraits of the human animal". Oliver Ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release.
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The album sleeve features the disturbing and erotic photography of Javier Gallego Escutia, which also comes as a poster with limited edition copies of the record.
White Rats part 2 and 3 will surface in 2019.
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Highly Recommended!! Parassela is the live and studio project of The Analogue Cops and Blawan. They are back on Restoration Record with the Flunkey' E.P., an explosive 4 tracker of massive hardware jams. Uptempo beats, heavy basses, suspicious noises, obnoxious analogue pads. Raw-fi techno at its state of the art, helically scanned with no hesitation to 12,7 mm. magnetic bands.
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The brilliantly beguiling R-Zone series hits release number 20 with another genre defying four track EP by no one knows who. As always, the music looks backwards to go forwards and frantically blends breakbeat, rave, acid, house, electro and techno into wild new forms. The Geometry of Shadows kicks off with a flurry of pinging kick drums, rushing synths and smeared chords that manage to be physical yet serene at the same time. Chrysalis is deep Detroit style house with gurgling basslines and warm future soul synths extending off into the cosmos. Ship of Tears then races through the galaxies as asteroids, shooting sci-fi synths and glassy melodies all fly by in enchanting fashion, Acid is buried deep within and the drum programming is busy and direct. The Parliament of Dreams closes things down with more haunting celestial pads and cold acid lines that are all backed by boom-bap breakbeats. It's dance floor euphoria of the highest order once more.
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Ltd. Repress !
Nummer's long awaited debut LP marks the 10th release on the Going Good label.
Needless to say this one's been in the pipeline for a while and we're super happy to announce it's imminent arrival.
Comprised of the duo of Emmanuel Corre and Silvere Letelier, Nummer have surprised and impressed many with their fresh take on the last 20+ years of dance music. Inspired by the deepest strains of Detroit, Chicago, New York and their native France the pair have tapped into something that few artists manage these days - an original style. This sprawling 2 x 12" touches on many of these cornerstones but never apes anyone's sound or vibe, forging their own path into the cosmos and beyond. Machine music with a beating heart is central to the 'Second Sight' atmosphere and Nummer's character as producers. This is the deepness.
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Poison Is The Collaborative Project Of Producers Dj Plead And T.morimoto. On This Debut Self Titled Ep, The Artists Contemplate Their Mixed Lebanese And Japanese Heritages Through A Dense Combination Of Digital Emulations And Rhythmic Patterns. Poison Investigate The Uncanny Abstraction Whereby Centuries Old Instruments And Rhythmic Patterns Are Encoded Into Files And Presets, Digital Synths, Heavy Subs, 808s, And Vocals From Collaborator Arz, Combine With Emulations Of The Shakuhachi, Mijwiz, Taiko, And Darbuka Among Others. Enabled By Commercial Sound Design Tools, The Two Australians Have Produced A Beguiling Piece Of Audio Simulacra To Be Enjoyed By Djs And Listeners Alike.
Super Utu Present This Eponymous Ep In 10' Polyvinyl Chloride. On Side A We Hear Eh Mnee7 Ft. Arz. Off-beat Guitar Strums Build Tension As Arz's Auto-tuned Arabic Vocals Punctuate A Pop-song Structure, And A Digital Mijwizz Solo Calls Dancers To Floor. Next Is Ccgc60, A Minimal, Trance Inducing, Techno-not-techno Anthem That Is At Once Strange And Familiar. On Side B Mess Tool Channels Heady Poly-rhythmic Bass Patterns And Wild Drum Solos, As Multiple Digital Flute Melodies Chirp Playfully Above. The Final, International Funds Transfer, Alternates Between Tight Snare Rhythms, Heartfelt Melodies, And A Driving 4 To The Floor Kick Drum That Stretches Out Into An Expansive Late Night Dj Weapon.
Dj Plead Has Recently Welcomed The Release Of A Solo Ep Through Air Max 97's Decisions Label. He Is One Third Of Bv (formerly Known As Black Vanilla) And His Photography Graces This Record's Cover As It Does Numerous Other Australian Artists Including Cop Envy And Jikuroux. Meanwhile T.morimoto Has An Ongoing Practise As A Multi-displinary Artist, Curator And Writer And Is Currently Pursuing Academic Research Into Aesthetic Standardisation Under Post-digital Conditions. His Music Has Been Released Through Us Label Illuminated Paths As Well As Cult Australian Label This Thing, Plastic World And Body Promise.
Words By Tom Smith.
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Following up on his exceptional 12 debut Numb (Figure 73) earlier this year, Seatoc Mass delivers another EP of finely tuned and highly diversified techno deep space explorations. Starting on an atmospheric note, Cipher's intricate melody winchingly twists its way under your skin while airy breakbeats faintly hint at the producer's UK roots. In contrasting fashion the bleep- driven Lost Lakes sticks to its metronomic stomp, making for a simple yet utterly effective tool. Choral howls and detuned synths merge on Transform for a gentle yet trance-inducing introduction to the flipside. Emotive highlight Rain then sees the Manchester producer sonically recreate a thundering storm, complete with flashing strokes of lightning and a downpour of celestial scale. The breakbeat returns on closer Flying Buttress, albeit now at much faster tempo, exploring the common ground between futuristic grime and techno. Blending all these different styles and their distinctive tropes in a coherent statement is a feat not easily accomplished. Yet here Seatoc Mass pulls it off again, developing further the confines of both his personal and the label's sound.
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After their stunning debut on ART, electro purveyors LONDON MODULAR ALLIANCE return as they keep up their unstoppable momentum on the contemporary electronic scene. With a slew of high profile live shows behind and in front of them - LMA go from strength to strength as evidenced by this 5 track EP spanning deep, emotive ambience all the way to heavy wobble electro bass. Unmissable!!
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Pivotal Golden Püdel düde and Helena hauff collaborator F#X yields an hour long live-set recorded at +4Bar/Tresor on 16th December 2016 for Nina's roving V I S labelKnown as Chris to his pals, and as both C (with Nika Son), and Black Sites (with Helena Hauff) on discographies, F#X is his solo vehicle for hot-wired, raw and off-kilter electronic grooves, previously found on two tapes sparring with his other alias, E.K.G on his private imprint, 999USD. '9.12+4' is effectively the first F#X release proper and a strong example of his mostly improvised praxis. Over the course of an hour long set, brittle electro drums fray and spray over hypnotic,
gibbering synths and plasmic drones, spooling into piquant, chromatic Braindance melodies and sputtering IDM that sounds like a raw echo of the D'Arcangelo brothers' productions or indeed, a not-so distant relation to Helena Hauff's scuzzy rinsers.
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For the first release from Antam Records, the Italian producer Marco Maggi aka mag0 delivers 3 original bleepy techno tracks with a minimalistic and electric groove. Ode to venice will for sure shake every dancefloor where it's been played. Remix duty is from the talented french producer TC80 with an hypnotic and deep techno rework. These Acid layers and the drums give the remix an almost old classic trance mood. All tastes are served through this EP.
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- A1: The Wrong Side Of Reason
- A2: Wet Dream Tuesday
- A3: Twentyfourever
- A4: Downfall
- A5: Beginning To Fly
- A6: Prisoner
- A7: Nothingness
- B1: Watcha Want
- B2: Puntschoen 116
- B3: Lost In Translation
- B4: Reroute_05
- B5: Emo06
- B6: Emo05
- B7: In My Hands I Hold Your Smile
- B8: We Don't Have To Go There
- B9: Naar De Klote (Gewoon)
- B10: Towards The End
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There is some serious music coming out of NZ right now and has been for a while and these tracks are of no exception. This EP has a very sonically pleasing sound about it all coated with an industrial vibe. From a main room club banger right through to the early morning dark twisted "I have had way too much of a good night" tracks this EP really does push the boundaries and brings something new and refreshing to the table
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Described by the label as a very personal release by the performance and sound artist Pan Daijing, inspired by Arthur Rimbaud's A Season In Hell. The title refers to objects viewed through a soft filter. Ritualistic, energetic, abrasive, and surrounded by your embrace."
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Rother teams up with Omnidisc for his debut. It embodies everything Omni represents as a collective. Lofi distorted harmonics with Rother's signature sound. Limited Run single Pressing
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The aesthetics of this EP is related to the universe electro / idm early 90's by a choice of very precise synthesizer. P6, Sh- 101, Tb-303, Tr-808 and to coordinate the whole an RS7000 which comes to rhythm this refusal of modernity. Foreign sequence digs into the techniques of the past to find the answers, he shows his know-how here and uses it to express a multitude of emotions between nostalgia and optimism.
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Moderat are back. With "Reminder" they blend the spacious, highly emotional sounds of modern electronic music with timeless songwriting. Two powerful remixes from Special Request aka Paul Woolford and Answer Code Request take the track to very different dancefloors. Paul Woolford is one of the truly great British DJs and producers. As Bobby Peru he developed a strikingly raw, unexpectedly physical House sound. Lately he caused a stir as Special Request, taking the relentlessly thumping breakbeats of the early nineties to present dancefloors. In his "Special Request Rework" Woolford recreates the song with a highly determined, imperious bass drum, saving the vocal for an even more effective appearance in the break of the track. The looped breakbeat and precise sound splinter from the original version, giving the track unstoppable, trashing energy, making it equally indispensable for Bass Music and for House Music DJs.
Berlin's Answer Code Request is one of the artists on Berghain's label Ostgut Ton. Pursuing the opposite approach from his British colleague, Answer Code Request does not develop his remix out of a groove, but from the atmosphere, the emotional realm of the track. Artfully orchestrating shreds of Apparat's voice and a series of striking hook lines and synthesizer tracks, Answer Code Request creates one of the most pronounced Techno tracks of this season.
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EARLY SUPPORT BY DUBFIRE, MOONBOOTICA, M.A.N.D.Y., DAMIAN LAZARUS, MYSTERY JETS, ED & KIM, ASTON SHUFFLE,...
After the summer-smash-hit 'Gravity', which is still on heavy rotation by DJ-icons like Maya Jane Coles or Erol Alkan, this is the second single taken from Remute's brandnew album 'Theme Tunes For 10 Games Never Made' :
'Something Monstrous'
Nomen Est Omen --- A screamin' catchy Vocoder-Electro-Banger for bodybuilders, disco dancers and, well,. uhm,... little monsters.
Following the tradition of Daft Punk Remute remixes himself here for the first time in his career and transforms the tune into an oldschool Sawtooth-Rave-Monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the Tresor-Loveparade-Park...
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Goatherder is the seventh album from underground London producer Kristian Craig Robinson, AKA Capitol K. This ace manipulator of audio and punk warlord of groove has crossed a tapestry of styles and approaches with his own secret compass since 1998.
Along with everything from Chinese pop to the marching band music of the United Arab Emirates in his early musical vocabulary, the influence of rave, new wave, grunge, and noise-core would collide to create a bold new sound. His early studio experiments gave birth to his debut, Sounds of the Empire (Planet Mu, 1999) built upon a heady balance of samples and live sources that placed Capitol K at the forefront of the UK's electronic scene. The follow-up, 2002's Island Row, was released via XL Records, with lead single Pillow becoming a daytime Radio 1 crossover. Nomad Junk (2005) combined Asian field recordings into a vibrant psychedelic collage, while Notes From: Life On The Wire With A Wrecking Ball (2008) paid homage to London's squats and free anarchistic artistic spaces of which K was a part for many years. Andean Dub (2012) was an exploratory South American-influenced album of heavy synth laden cumbia sound system tracks.
The last seven years have seen Capitol K's stature as a producer elevated with his establishment of the renowned Total Refreshment Studio and recording work with musicians such as the Mercury Music prize nominated The Comet Is Coming, global dance act Ibibio Sound Machine (Merge), the pan-Arabic Flamingods (Moshi Moshi), Serafina Steer and her BAS JAN project, and contemporary folk artist Rozi Plain, among many more.
This latest work was developed and recorded in his native Malta, where he built a studio in a cave (a former goat stable). K gathered bamboo instruments collected around the world, including an ancient Quecha reeded pipe (his new-found lead instrument), and various resonating vessels and percussive objects including dry fennel storks collected from Punic troglodyte sites, and atonal flutes built from fresh cut farmland reed. Ritualistic improvisations took place over a series of seasonal visits, awakening genetic memory and plant communication.
Back in London the tracks were interfaced and expanded with post-industrial machine beat and bass guitar lock down. Homage is paid to New Age synthscapes, while a Spirit Jazz overtone arrives from K's recent years as the sonic muscle behind a plethora of luminous albums born in his Total Refreshment Studio. Goatherder follows on from the 2016 collaborative incarnation LOOSE MEAT and sonically abridges 2012's Capitol K album Andean Dub.
Outside of studio production and his solo repertoire as Capitol K, Kristian has toured as guest musician with multiple bands over the last 15 years, including Brazil's Cibelle (Crammed Discs), Archie Bronson Outfit (Domino) (whom he also co-produced), and recently Du Blonde (Mute Records).
His last project, Loose Meat, was a collaborative album of poetic dance music received lots of radio play in the UK and toured across the country for a year, performing a number of festivals.
He established the Faith and Industry record label which handled his subsequent releases and through which now he releases a number of other artists that he develops and produces.
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Chicago's Justin Aulis Long And Ken Zawacki Return To L.i.e.s. With Their Second Ep Under Their Circling Vultures Moniker. On This Offering We Get Four Tracks Of Tough Yet Psychedelic Machine Music. From Slow Bpm Beaters To Metal On Metal Floor Cuts, These Are Executed With Precision To Do Maximum Damage Whenever Played. Sinking Their Teeth In And Never Letting Go, Looming Over And Waiting For The Right Moment To Strike...tense Music For The End Times! Another Killer From These Seasoned Club Vets.
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