Techno Vinyl New Releases - News

a new release onn the stroboscopic artefacts label !!! contains a remix by luke slater !!

With Electro Bunker Cologne we see another highly influental German label of the 90's opening it's lost archives to cater the needs of all electronic music lovers with sweet treats.

Back in 1996, a time when Minimal Techno first emerged as anantipodeto the ongoing Rave & Trance hype, the producer named Can Oral which we all still know and love under his KHAN-moniker until this day unleashed his - Silent Movie' EP into the creative continuum of the Minimal Techno-scene, a slightly acidic, well-hypnotic and uberly thrilling gathering of five stripped down, untitled tracks that still live up to todays dancefloor standards due to their slow, but steady evolution and combination of highly effective elements which provide an essential thrill for a reason.

"The computer is my instrument and the mobile phone recorder my accomplice. Sample-based composition, improv and recordings - random moments, deconstructing context, fragmenting intonations, social interactions, textures, human behavior, surfaces, surroundings, other realities and possibilities. I settle in the realms of subjectivity.
Hidhawk is the musical alter ego of Haydeé Jiménez. The Mexican-based artist and cultural entrepreneur is running a busy life organizing events and cultural projects alongside the border of Mexico and the US. During the night, bedtime stories like Alpagain evolve from the field recordings she is collecting on her various journeys. Alpagain consists of recordings from Istanbul, Tijuana, Berlin and Salzburg, featuring sounds of alpine instruments such as the alphorn, ocarina and hammered dulcimer ( Hackbrett').
The 15 minutes track is brought to the club context on the B-side of the record with a driving remix by Gerald Peklar and a dub retreatment by Analog Solutions mastermind Eduardo De La Calle.

We are very proud to welcome a true talent to Concealed Sounds, no other than: Michael Melchner, who has been on our radar for a long time.

Melchner's very well produced and engaging releases on label like Cargo, Love letters from Oslo, Moon Harbour and lately Paragram and DoEasy, has been played by some of the underground music scene's most respected DJ's, like for example ZIP from Perlon to know name one.

Michael Melchner has also landed himself a great reputation as a DJ, thru his sets at legendary clubs like, Panorama Bar and Robert Johnson as well as being a resident at Die Rakete in his home town, Nürnberg.

For his debut 12" on Concealed he delivers two deep and mystical tracks.

On the A side we find the 11 min minimalistic and dubby techno journey: "Delta Ditch".

The B side offers a slightly more upbeat House track, entitled: "Under the Veil. A hypnotic and mystic tune with layers of deep pads, a bubbling baseline and strong focused rhythm.

As always there is a hidden treat for you as well on this 12"... We hope you enjoy these tunes, until next time.

The second release on TB Arthur's (312) label finds the mysterious artist revealing a collaborative project with Magda as Blotter Trax. The pair first encountered each other at the famous Motor City record store Record Time, when Detroit artist BMG introduced his then co-workers Magda and Derek Plaslaiko to Arthur, who was visiting the shop from Chicago. Sometime after that meeting, Magda and Arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4" tape and then three tracks were selected for release. 1A is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. Full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2A then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. Last of all, 2B snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. This, then, is a truly fascinating pairing.

Dona with Eduardo de la Calle remix. Only on vinyl.

2CD for the proce of 1 CD & bonus mix (per download code)

Vakant comes back with a very special release from an unknown group of creative entities. Three cuts of tribal space techno weaponry aimed at the dancefloor. We have received a message from entities lost in between the stars in the vacuum of interstellar space. The transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. A psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.

The distance from Ricardo's last field trip 'Thé au Harem d'Archimède' (PERL43) in 2004 to the present epic 5x12LP-Set is a galaxy of electronic expression through sound independent from time and pace. It is said that Funk is defined by the notes that are not being played. The space between the notes here is so vast that Funk becomes transformed into the spirit that creates unfathomable emotional adventure. The rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. They evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. Which sounds like a primordial soup aerosol of funky molecules and molluscs.

Within electronic music Sven Väth represents more than a single style. Sven embodies the music as a whole, he cherishes every facet of Techno and House. Väth has experienced the music as it emerged in the mid-eighties. From this moment on, he has helped to shape it year after year. Väth produced seminal music, his labels created and create its very own unmistakable brand of music, he ran a club and several booking agencies. Cocoon is a global identification mark for high quality parties and festivals. Those are major achievements, but they are overshadowed by Väth DJing abilities. Like no one else, Väth manages to capture the current figuration of our beloved electronic dance music in its entirety and melds it into a single, stirring story. In the summer 2016, Väth invited the global electronic music community to the Mediterranean island of Ibiza for the 17th time. Soft, friendly chords and bird chirps from Swedish producer Harald Björk woo us to the dance floor. The kittenish hookline is open to any kind of playful swing, yet it follows the tender, springy groove with the self-assuredness of a dream walker. Väth weaves Ripperton´s upright beats into the track, using suggestive, mysterious reverberations of a distant, graceful melody. With its delicacy, it captivates our attention becoming more and more decisive and insistent with every iteration. Melting the rhythms of Reggae and House together, Rhauder absorbs this very special mood of composed ease with an unique groove, and develops it further with an attentive, cautious voice of Paul St. Hilaire. Kamran Sadeghi's fascinating synth hooks develop complex, space-grabbing shapes reminding of clouds as they change their shapes within seconds. The groove being able to structure those intricacies without dwindling their richness. Alex & Digby translate this colossal sonic drama into a humorous, imaginative orchestra of rustling and chirping sounds.

CD1:

MMUSIC is a Modern Day Music vinyl imprint, Paying a 12" respect to quality productions, compiled together, for a must have vinyl record.

A1 Written & Produced by Thierry Thomas & Julia Govor, Remix by Constar aka Connie
A2 Written & Produced by Derek Marin & Lux Comms, Remix by Jade (CA)
B1 Written & Produced by Danielle Nicole
Limited 300 Copies
Mastered by Rob Small Mastering

For the first time ever caught on wax 2djur delivers four strikingly hypnotic tracks.
Primitive and raw yet gentle and loving, lo and behold The Great Beast.

Opak records alkyle series is a indépendant music label owned by Seq9 & Eeror303.!
The music selected on the label is a melting pot between Techno, House, Minimal, Chicago,
Détroit, Electro, Pop, Uk funky and Abstrakt Hiphop.!

Dolibox is a french house music producer alone or in collaboration ( with Ark ( Perlon ) for
exemple ) on label like Karat records, Thema, Tablon or more...!
His music is a mix between Dark atmosphere & Soul funky disco clic&cut vibes.!
« Wrong day ( original mix ) » is the perfect beat for home & club listeners with this incredible
cutting vocal samples and the massive groove !!

The second track is a remix made by the american artist Geoff White also know for all his different
project on label like Ghostly International, Spectral, Force Inc., Cytrax, Lo-Fi Stereo, Morris / Audio,
Delay or Background.!
This version is more electronica clic&cut dub micro minimal.!

The remix n°3 is created by the german artist Tilman, Klamauk records's label manager,
underground hit maker on label like Minibar, Leporelo, Tenderpark, Spontan, Thema and Miniatura
Records.!
His readaptation (remix) is just a house music bomb ! something between pure sensuality & dance
oor weapon.!

On the 4th reloading is time for the french band Seq9 after a lot of EP & LP on great label such as
Fluid ounce, Tru thoughts, Neopren, Expmental, Afnity lab! & many more......!
A travel between Uk bass house, Deep Tech-house & Funky vibes!

Enjoy party people!

Rous comes from Argentina. Currently living in Mendoza, the young and talented musician, producer and wine sommelier makes his mark as a DJ, live performer and restaurateur.
His music has very confident brush strokes of synthesizer magic over titillating classic analogue sounding drums. This is the sound palette with which he takes us into the raw and intense landscapes of a snowy Patagonian lake island and it's surroundings- the place where he spent a month with no communications or technology, thinking about the enormous and immersive ascendant energy from the Los Andes mountains.
In Rous' own words, "this recording expresses my intensity while growing up, my experience with masters, the natural destinies that the mountain put in front of us and the ecstasy we feel at the parties with our South American family and friends."
Once back home, he brought down the concept into an EP called "La Púrpura del Ocaso" (The Purple of Sunset) and through pounding rhythms and the constant unfolding of simple and powerful synthesizer lines, he shows us the raw power of snow, fire, water and air.
"The Purple of Sunset is born from my experience in and with Mendoza, where I've lived for four years. It starts with the learning process of strategy and alchemy behind wine; the perseverance and transcendence needed to create a product that communicates with the world. Purple is the color of wine and the sunset is the moment where the artist closes his eyes from thinking, with a glass of wine in his hand after a long day of work."

VSA records debuts with the two label founders - Vinyl Speed Adjust - forefronting two monster acid cuts - The A side "Lost and Found", makes due with some very intriguing bassline rhythms, melodies, vocal chants and breaky hi-hat patterns whilst the B side - "Black and White", seemingly continues the idea, retaining the specific Roland sound, but in a much more industrial techno fashion, with a more obvious kick drum and looped out rhythms. Vinyl only.

Hello listeners, blunt heads, fly ladies and prisoners..... This is the future of the music industry. Not the music, just the idea of the artists writing their own PR faffle. Next year I'll probably have to carry my own bags on tour too.......tragic. I have had a few years of working on other projects and shuffling about in loose trousers, but now I feel the time has come to release some more music for feet and floors. What I should say is that every time I tried to write techno/house/moonbeat in the last couple of years, everything came out as shitty tech-house.....The brain was just in an alternate mode, a mode for classical music and melody, but now it seems to have come back to techno so I here present some of its recent outpourings. It belched out Polka the first night I got back to Scotland, having left London. BabaYaga is named after a sinister-as-hell witch from a Russian story book we had as kids (check http://en.wikipedia.org/wiki/Baba_Yaga) clearly designed to traumatise young minds. My traumatised mind made this tune, so it has come full circle. Mu is slower, for lazy, emotional dancers. I hope you will enjoy them and the excellent Sons of Tiki mix of Polka that accompanies them..... Send all hate mail to Vakant, I don't read it. Alex

new great record on vakant!!!

Vinyl Box-Set limited to 500 copies + includes the Compilation on CD

Cocoon Recordings presents: P! Who would have thought of this at the beginning of this compilation series It's letter P everybody, which means this is one of the longest running techno compilation series around! Loaded with power and purity the latest edition of our series offers you a great selection of freaking crazy and kicking techno tunes. Our last compilations followed the basic concept of good club nights with an introduction part, the peak time and some cool downs and even after hour sounds. In contrast to this we open the clubdoor with P right from the start, no time for easy chit chat and soft entries - we want to move our feet and heads right from the beginning and here we are: Mirko Loko is in control for the beginning. His track Artificiel' is energetic, crazy and minimalistic at the same time. With destroyed digital sound fragments, yet consistently demanding, Mirko Loko opens the door and welcomes you to the club of P! Wouter de Moor follows with his Tesla Coil' - a speedy acid tune that has only one message: Freak out! With the pace, the simple structure and those crazy hihats - Tesla Coil' sounds almost like an old steam locomotive. The sounds hiss and the beat rolls and the clubtrain won't stop! Einzelkind & Robin Scholz present their Rhythm Factory' project next and their mutual work n.2guts . Another kickin' acid-tune, full of power with a energy loaded forward boost. Slightly slower than Wouter de Moor but certainly with a similar vibe the two tunes act as a perfect double-pack!

With their releases together on PLEASURE ZONE with the Sishes EP and on Subtill with the Pandering EP they were very successful.
After all this fantastic tracks and drop outs we got them together for our Mupasario release on Epilog!
The next 2 "brothers in arms"
Marc - Mario" Philipp has already released his huge number Rezo/Epilog002 in 2014 and now he brings his old colleague and good friend Nils - Luigi' Weimann with him.....
And we're very lucky to have this great tunes sounding like Nintendo Games in the late 80's and with the nice techno surfaces....
This brings back memories of a great times and has substantially gotten us <3

on white vinyl !!

* Techno producer Bruno Pronsato and Benjamin Myers (one-half of Benoit & Sergio) return as NDF, with their new EP, 'Cruel Is The Color'. It comes six years after their only release so far, the William Trevor-inspired twilit-techno opus, 'Since We Last Met'—an EP which caught everyone off-guard.

* Issued on James Murphy's DFA label, and also featuring a 17-minute Ricardo Villalobos remix, its title track was heralded as a "10-minute dance track you don't ever want to end" by Pitchfork, who subsequently included it as one of their highlights in their My Decade in Music So Far round-up of last year.

* By September 2014, Pronsato & Myers had been sharing a studio in Berlin for about a year, but were focusing on separate projects, keeping opposing schedules. Lunch plans at the studio one day that month instead resulted in the creation of a new track, the eponymous 'Cruel Is The Color" .The entire process took about 30 minutes, with Pronsato on percussion and synths, and Myers on vocals, synths, and an acoustic guitar which had been lying around the studio. It was the first time they'd worked together in years—and they recollect that 'the guitar and synths just climaxed together, like two lovers reuniting after a long absence.'

* Having now resolved to write an EP, they felt that the other tracks needed to follow in that same vein—'a more acoustic treatment with elements of dance music still present'—so they sat down the following winter in Pronsato's apartment and recorded 'Certain Corners' (with Israeli bassist Yonatan Levi), and 'Another Year' ,in that same style. Myers recalls 'waking up early and walking in the cold Berlin mornings to Bruno's spot and, perhaps because there was a lot of personal turmoil in those winter months, we both really got into skullduggery and chicanery as concepts for the record—the ways that dishonest behaviors amongst friends, acquaintances and lovers (old and new) undermine a sense of self and security in our music scene and all its overlapping systems of value and parameters. We wanted to make a moral record.'

* The EP also includes reworkings of the new tracks by BBC Radiophonic Workshop director Matthew Herbert, and Foom label head Ben Freeney. It is set to be released on October 21st on Foom.

BIOGRAPHY

* Bruno Pronsato first came to prominence with his 'Why Can't We Be Like Us' long player, rated a rare 5/5 by Resident Advisor in 2008. The follow-up, 'Lovers Do' was dubbed "a massive and striking statement" by Pitchfork. Pronsato also records with Sammy Dee as Half Hawaii (on Perlon), with Ninca Leece as Public Lover, and as Melchior & Pronsato with Thomas Melchior. He co-produced Ellen Allien's 2013 album, LiSm and was also a member of the techno supergroup Narod Niki, alongside Ricardo Villalobos, Richie Hawtin, Luciano, Zip, Akufen & Daniel Bell. 2014 saw the release of his latest solo project, Archangel. The new material has since been reversioned by Dean Blunt, Oliver Coates and Peter Gordon of Love of Life Orchestra.

* Benjamin Myers is the vocalist and one half of production duo Benoit & Sergio. They first broke through with their 'What I've Lost' EP on Bruno Pronsato's TheSongSays label. The tracks were later rereleased on DFA, who also released their 'Boy Trouble' EP. While some of Benoit & Sergio's lyrics might speak of loss or loneliness, the past years have ushered in a room crowded with critical accolades: iTunes Breakthrough Electronic Artists of the Year; Resident Advisor Top 10 Live Act; DJ Forum Breakthrough Artists. In addition, Benoit & Sergio had four different singles-'Everybody', 'Principles', 'Let Me Count The Ways', and 'Walk and Talk'-variously charted in top 20 year-end polls, including DJ Mag, Resident Advisor, and Mixmag. They have also remixed Matthew Dear, & Metronomy.

Rough techno versions, derived from Stefan Goldmann's synth-heavy 'A1' film soundtrack. Five cuts remixed into the mighty 4/4 grid (mostly). Free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on 'Constructor' and 'A-Drive'. The B2's 'Spikes' is a more loose affair around a scintillating analogue synth riff. Contrastingly, 'Inward Slope' features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. 'Roadside Lot' is a soothing ambient FM tech tool. That's it. On to the next fifty.

knarzig rockig gut!!!

Despite the fact Moon Harbour is celebrating 15 years in action this summer, they still have
plenty of time for new music. Next up is label regular Sable Sheep with three brand new cuts
that all continue in his fine tradition of serving up surefire dancefloor bombs.

Before now, Sable Sheep has served up memorable moments like 'Upon Burning Skies' on this
label, as well as others on Desolat and Be As One. As such he now has a large fan base
around the world and both DJs and dancers love his always evolving output in equal measure.

Up first here is the title track, 'Butterflies Drowning', a playful affair that packs a lot in: off a bed
of rubbery, bouncy drums, lots of jangling melodies, glassy tinkles and feel good piano chords
all dance a summery dance. It's a real hands in the air tune, for sure.

'Kushhh' is a much more forceful and physical tune, with raved-up stabs, siren sounds and
bulky drums banging out a pattern. It's one for the peak of the night and is sure to inject tons of
energy into any party.

Lastly, the excellent 'Grim' is a deep, bubbly offering for backroom basement parties This
irresistible groove stays low, with thick, gloopy synths and subtle hi hats rippling along at an
inviting pace.

This EP proves Sable Sheep has a lot of variation in his arsenal, and for that reason is one of
his best offerings yet.

I am catalogue number 016 on Synapsis Records. Four tunes called 4D Mind Sculpting comprise this 12' that fill up the frequency spectrum with its acid lines, chord progressions, and arpeggiation lines. Four dimensions do not exist in our reality but if one could imagine the extra dimensional sense, then these four compositions are what I imagine.

A1. Arp Love Confusion:
Arp Love Confusion///Strong words of advice begin with a full bass and sparse chords as the percussion strikes in the background. Later an arpeggiation followed by a second arpeggiation happens to create moody and malleable effects. The intensity picks up as the chords swell and the vocals continue, all the elements persist with fluid motion as it slowly descends to a kick at the end.

A2. Leecher:
Leecher///A warm kick and panning arpeggiation begins the composition followed quickly by a melody and then another arpeggiation appears. The percussion is sparse and moving, then an acid line drops that causes counterpoint before becoming the main focus of the tune for a while. The acid line modulates for a bit and leads us back to an arp line. The head bobbing is now in full effect, as all the elements move back in forth and fill up one's eardrum with waveforms. The acid line makes a break and the journey comes to an end with the arp line.

B1. S¸imarik:
S¸imarik///A filtered percussion loop with sparse chords begin the piece. Hi hats come in hot that leads us into acid line which also serves as the melody. Then suddenly a counter melody appears as the chords hit more often. Many modulations occur as the tune moves through time causing great variety due to the decay from the chords. The acid line comes back to do the work and is the focus as the track builds back up just to be deconstructed at the end.

B2. Sensei:
Sensei///The 12" ends with banging percussion complimented with fluttering flute lines. The acid line comes in to add a groove that leads us to a chord progression. The bright chords ride over the top as the acid line modulates. The chords gain steam and the acid line becomes the focus as the synth toms syncopate, the kick also moves around adding additional syncopation. The interplay between the elements continues until the conclusion.







.

Kicking off with the first track "Lose Yourself", Viken Arman mixes different cultural
influences to an exciting and mysterious intro of the 3 track EP. Guitars rise into
unknown spaces of deep bass and hidden complexity of beatstructures.

The second track, "Red", lead by wavy-delayed chords and soft vocals spreads the
EP into a more percussional quiet way, supported by sitar and slight bass.

Lastly, Maher Daniel abducts "Red", the rhythmical trip, straight back to the dark
clubroots. Alternately combining the tight instrumentally base of Viken Arman and his
own terms of reference.

Next to step up to D Edge's conceptual label OLGA is solo Berlin artist Martin Mueller aka youANDme. The acclaimed producer serves up three brilliant tracks that, like all releases on this label, are designed specifically with the Brazil club's futuristic styles and sumptuous sound system in mind.

youANDme runs a bunch of his own labels including some mysterious ones but also Rotary Cocktail Recordings, Polymorph and CUTZ.ME. He has been turning out deep and seductive jams for almost ten years now and have done so on Cocoon, Desolat and Finale Sessions amongst others. Always serving up brooding and physical machine made music with real underground soul, the music here is made up of great modular synth jams done in one take on old analogue machines that have authentic textures and atmospheres hidden within. It really feels like youANDme is speaking to us through his machines here, with subtle messages mirroring the turmoil of the global political times in with we live.

The first A1 cut on this Sinus Cosinus EP is a spooky and spine tingling num-ber with freaky and creepy synth lines sounding all trippy above a firmly rooted and rolling drum line. Dubby and full fat, it is the sort of heady tune to really drive a tight club crowd wild.

The second offering B1 is then a pressure building cut with heavy kick drums demanding you march to their beat. More sci-fi and spaced out sounds flesh out the grove up top and will help make for an otherworldly experience on the dance floor.

Last of all, the B2 track is more loose and unhinged, with watery and squelchy sounds dripping and popping off over rubbery drums. Textured and full of expert sound design, it is the sort of cut to really get people under a hypnotic spell.

Many people ask me what 30' means to me as it's just a simple number.30 is my current age, and age is nothing but a way to measure time that has gone.30 is the name of my first album, where I tried to involve in just one work all of my background and all of the efforts I made through the years. It's a goal achieved, an artistic and personal consciousness that I'd like to share as much as I can with you guys.I wanted to call it this way because I had the need to prove points, involving emotions and feelings, knowing that emotions and feelings are hard to contain. In these 18 tracks there's everything I've been, 'till this moment and everything that I want to be from now on.It's an emotional path full of colors,the perfect painting to make you understand my interpretation of music.

Inside the album you will find linear tracks and techno killer,in the same time tracks more downtempo and introspective. To each of them I wanted to give the most intimate interpretation I could give,trying to make you absorb everything that has influenced me,musically in my carrier.This is the firt time I'm showing myself this way as it's the first time I really feel ready to do it,so then 30 perhaps is an acquired maturity to make me experience this revolution.The album will be out on RIOT my music label,it's not an accident if Riot' is the acronym for Revolutionary Idea On time.
Enjoy the music.

COME ON is a perfect track to bring the dancefloor to delirium. It is innovative, with a house groove and more Chicago House sounds. It has been already supported by many dj, finding a huge success in most important festivals.

CRAZY MAN is madness. The neurotic synth in the track is the best state of mind different, crazy and sometimes hysterical.

IN&OUT causes an adrenaline rush by harmonizing the bass of up to almost half track. With its 125 BPM has an incredible impact on the audience. The title is a clear criticism of the musical world, now locked in a system that often leaves home phenomenal artists rather than evaluate them as they deserve.

MY OWN SENSATION is a solar track. Melodies and mentioned vocals, accompanied by repeated bass throughout the track, blow up the track into a big party, maybe in Ibiza.

the mushroom man - also known as super mario !!! this legendary track is now repressed !!!!

With a lengthy discography on influential imprints like his own Sub Static, Triebstoff, Dumb Unit, Contexterrior, and more, Falko Brocksieper has been a force in the development in deep, minimal sounds for a decade and a half. Working alongside label co-head M.I.A., Sub Static and sublabel Karloff released music from prestigious producers - René Breitbarth, Mathew Jonson, Pan/Tone, DJ Slip, Shonky, and themselves - from 2001-2010 and established the lasting reputation of Falko while identifying their label as a source of quality dancefloor ideas for its decade-long run.

If things have been quieter for him since 2011, he has remained active in his Berlin base, and for the 9th release on Caduceus Records we proudly offer a pair of originals from the respected German producer with remixes from Petar Dundov and Ladislav.

Following on its evocative, mysterious title, 'Ocean Machine' explores aquatic dub atmospheres and clear melodic elements as it slowly accelerates to cruising speed and remains there for the duration exploring these depths. While remaining invested in dubby melody, 'Loom' is a tougher techno track driven by a powerful, growling bassline and gritty drum programs that exchange energy with the keyboard parts while slowly gaining momentum.

Known for his deeply textured sound, Dundov transforms 'Ocean Machine' into an epic that rides to high drama on suspended pads, rolling, pulsating bass, and understated but hard-hitting percussion.

Adding vocal samples and more dramatic drum changes to 'Loom', Ladislav keeps drive intact but builds on the atmospherics to create rousing peak-time techno. A digital bonus is Falko's heavily ambient 'Give up the Ghost', a submerged journey where static, synthesizer zaps, and incomprehensible vocals build to a subtle climax before slowly fading away.

in stock again!!