Techno Новости

4th installment on Linear Movement by Marco Cassanelli. Blue Magic is the perfect balance between atmospherical dubby tracks and more powerful deep techno. The release comes with a full screen printed sleeve.

Age Coin's newest recording, 'Performance,' drenches industrial-infused techno in high definition details, divining a cracked bump & flex from the condensation of a joyride. With a handful of tapes on Posh Isolation, as well as an album on Luke Younger's Alter, Kristian Emdal and Simon Formann have developed a project whose momentum and reputation has steadily escalated, finding common ground between electro-acoustic methods and quantised club nights. Both Emdal and Formann are best known as members of Lower (RIP), and both have since continued to devote themselves to a series of projects in the band's wake. Emdal has lately pivoted his time around Marching Church, a band comprised of some of Copenhagen's finest, whilst Formann has been working under the guise of Yen Towers, releasing his debut 12" on Posh Isolation earlier this year. "Trespassing on intimate territory," says Emdal of their new recording, Age Coin "cuts a transparent path for everyone to come walking." "The album is ultimately a joint effort to process past as well as present experiences within father son relations. In order to make things tangible, scenes are drawn from memory and merged in a shared fictional collage." 'Performance' thrillingly presents Emdal and Formann in a new cryptically lush aspect. There is a sense that one is watching a slide show—familiarity motions like the tide in the form of acoustic instrumentation, and porous synthesized terrains are crossed with a feeling, not a map, nor a memory. As one watches, the creeping ambience comes to be less an invasive sensation and more of a gravitational pull through time itself. It's as effortless as it is disorientating, like being stalked by a relic. Propellants ascend in to the foreground from all directions. Rhythmic NO2 afterglow comes in waves in reverse. Weightlessness is induced, and rebound. "Take in the view or let yourself be part of the language. Let the engine run and dip in to the swampy collective intelligence. 'Performance' is a hybrid memorial for all domestic actions committed in the name of love."

The fourth album of Driftmachine is not an album in the classical context, it´s a collection of new studio music, remixes by Shackleton and The Sight Below, and material previously available only in digital formats.

The album starts off with the surprising Shackleton remix of Radiations, a little gem gleaming with all the spacious percussions you can expect from the British producer. Stretching vibrations over tense atmospheres and post-techno broken beats, Shackleton (who generously offered to contribute this track on his own initiative) delivers a fine feat of rhythmic acrobatics, deconstructing Driftmachine's modular synthesis. The album features Driftmachine's latest studio track, Vermiform Burrows, a swinging composition very much in line with the duo's recent rhythm-oriented work. The Sight Below's remix of Vermiform Burrows offers a very different perspective and interpretation of their music: minutely detailed and nebulous, an expansive ambient-techno track that de-accelerates the original's beat. Other surprise in store, is Call Mr. Moriba, which was originally offered as a digital-only bonus-track on the debut album Nocturnes (2014), Driftmachine's critically acclaimed first LP, and is now available in vinyl format for the first time. Also included is the original LP version of Radiations, first published in the Colliding Contours (2015) album. Driftmachine's Radiations is an excellent showcase of Andreas Gerth and Florian Zimmer's sound: obsessive, symmetrical, multilayered, a deep and elegant language based on the shaky, unpredictable foundations of modular synthesis.

LP limited edition of 350 copies pressed on purple colored vinyl, includes a post card with original artwork and free download coupon.

Last Signs is Eli's first solo release since) and explores a very different side of his unique acoustic universe. One instrument and the hyper-mediated sonic ecosystem of the club sound system in which the macrocosmic percussive collisions of his earlier work give way to a gradual unfolding of dub-influenced rhythmic constellations. Eli has described Last Signs as his response to playing in club environments over the last few years, an attempt to negotiate a delicate balance between the materiality of his acoustic. Coming off like an inspired synthesis between Scientist and Xenakis, Last Signs of Speed is a truly unique work by an artist at the height of his powers.

About Eli Keszler:

Eli Keszler is a New York-based artist, composer and percussionist. His compositions and visual works examine the limits of instrumentation, notation, and space in its insti- tutional, musical and public form.

Eli has released solo records on ESP-Disk and PAN and toured extensively throughout Europe and the US, perform- ing solo and in collaboration with artists such as Tony Conrad, Oren Ambarchi, Keith Fullerton Whitman, Aki Onda, and Rashad Becker. His upcoming projects include a duo recording with Rashad Becker at The Empty Gallery and a collaborative project with Laurel Halo.

Keszler's sound installations, music and visual work have appeared at Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Carpenter Center for The Visual Arts (Har- vard), Luma-Foundation, Tectonics Festival (Harpa Hall) Reykjavik, Centraal Museum in Utrecht, Boston Center for the Arts, Barbican-St. Lukes and 3S Arts and Greater New York at MoMA PS1.

If you're familiar with CVbox' music you know that he isn't the guy for your average Techno track. Formalistic song structures aren't his thing. When you'll start to listen to a new CVBox track you'll don't know how it will end. His music derives from his deep love for analogue gear and a pretty unique way to deal with it. On his first album "So ist es im Nadelwald" CVBox rides between the corner points of Techno, Electro and Ambient. The music is infused by an omnipresent darkness that isn't just there as an end in itself but will definitely give the thrills to listener and dancers. Some of the tracks develop a rarely heard urgency on the dance floor with those dub-influenced swirls or ever-present synth tides while simultaneously preserving a rather intimate atmosphere. Sometimes it's just an unfamiliar sound that makes the difference that simply comes out of nowhere. One thing is for certain: CVBox is all about atmosphere. As you can see by the album's artwork and title ("Nadelwald" is German for softwood forest) The album is also inspired by his passion to go into nature. When he is sick of the whirlwind that is his current hometown Leipzig he disappears into Saxony's hinterland for collecting mushrooms or just letting the thoughts flow. The double 12" comes in a beautiful package designed by Jacob Stoy with hand numbered and printed outer sleeve and two printed innersleeves on strong cardboard.

Borodin has come a long way since his first introduction into electronic music in 2001. Thanks to his undeniable skills he has developed a unique style. Borodin has been one of the most consistent producers around in recent years. Melotherapy is proud to add to the family an astounding style and sound. Each and every track will take you into Borodins mind and soul. This EP is evidence that Borodin has drawn upon all his years of experience to craft an accomplished debut record for Melotherapy full of malformed drums, conspicuous hits and amazing breaks.

UK-based techno producers Deepbass & Nax_Acid team up for a special 12" collaboration on the Planet Rhythm LTD imprint. Their three-tracker 'Illustrated Machinery EP' showcases the deeper techno sound in its widest range.

Masanori Nozawa is a DJ and Producer based in Utsunomiya City. This is the second 12' released from his own label, Medium.Side A includes The Backwoods aka DJ KENT (Force of Nature) Remix. Previous release on Medium EP was made popular by a remix from Hiroshi Watanabe aka Kaito. This second release is from the main project of Tominori Hosoya, known as the owner of TH Pressing label and has also released on Atmospheric Existence, Suspected Music and more.A1 - Siki' - emotional and openminded Balearic house by Masanori Nozawa. A2 remix from The Backwood starts out in ambient midnight hour mode before expanding into a tight rhythm.B1 - Heat Haze' - fantasy synths and crazy acid invite you into a different world. B2 is a re-work by powerful up and comer Piero Paolinelli's project Sofa Talk. Well know for releasing on NI Movement, Disco Soul, Ambassador's Reception & Love Sexy Records.Mastering by Naoya Tokunou who has worked with Denki Groove, Tha Blue Herb, XTAL.All four outstanding tracks will make any dance floor shine that much brighter!

Boogie Box, a bi-monthly party in the Middle East, launches its record label with an LP by STL aka Stephan Laubner.

With tracks and releases on Smallville, Phonica, Echochord and his own label Something Records, STL has crafted an unmistakeable sound that he has become so well known for, Deep and Dubby House and Techno.

The a-side opens up with Hide & Seek, a 10-minute story filled with dub delays, weird soundscapes, and eerie pads, backed up by STL's signature drums. If you are into Andy Stott, Deepchord and Rhythm & Sound, then this if for you. Perfect warm up material.

On the flip-side is Haze & Kraze. Another long player by STL. This time, there is more drive to it. Leaning towards the darker side, the track is driven by Stephan's loose drums' programming, and muffled bassline, keeping the track moving and ever-changing. Something for your after-after-hour sets perhaps


Support from: Appleblim, Endian, Cain, Fold, Itinerant Dub and Juniper.

Morphosis' epic remix is more spaced and spooked than the original — the dread in check — but still body-rocking and stepping out of its silences. B-boy rimshots, a rough snare, a thumping kick-drum and spare bass are layered with emotive synths and brilliant effects, as Shackleton's dream liturgy unfolds in its full, twisted glory — an eerie, garbled sublimity, like a kind of black-magic plainsong. Magnificent work by Rabih Beaini.

In the midst of a busy year, full of wildly-varied accomplishments, David Lieske (aka Carsten Jost) has surprised us all with an unannounced 11-track full-length album on Dial-- his first since 2000's "You Don't Need A Weatherman..." In the interim he's kept busy curating countless releases on Dial, the label he co-runs with Peter "Lawrence" Kersten, celebrated a 15 year label anniversary with an all-encompassing 2LP/various artists'

compilation, released a gallery-edition album of his black ambient collaboration Misanthrope CA with Robert Kulisek, "Deathbridge" and launched a new magazine project (also with Kulisek) named after the speed of light i.e. "299792458m/s". All this activity, even after his recent trans-atlantic relocation from Berlin to New York City, mainly to open the American branch of Mathew Gallery has surely taken us all by welcome surprise.
Out of all of the Dial house and techno artists, Carsten Jost has always represented the most precise brand of exquisitely doom-laden house, laced with equally strong doses of melancholy and beauty. Here on "Perishable Tactics", Lieske runs through his distinctively stealthy low-slung beat-mospheres, leaning towards a decidedly low-lit and sultry space, but mixed with a fresh, gently arc-ing feeling of romance and dare I say itLove() Tellingly he's seen it fit to include 2007's "Love"-one of his best e.p. tracks from a split release with Efdemin. But while "Love" represents a climbing and yearning towards a place where love might reside, the remaining new tracks debuting here seem to represent a place where this love actually exists. This feeling is woven into his deep, medium tempo, detroit-inflected house rhythms, accented with crystalline keys, disembodied voices at times and gently soaring strings. While anger may be less in the forefront here it is important to notice that these tracks are ripe with the balance of joy and unease inherent in house. There is definitely a newfound languidity here that feels particularly like a moment shared by two (perhaps amongst many) but the atmosphere still remains decidedly pensive. See "Ambush" with it's strolling beat, moody yet sweet chords and chilling atmosphere later joined by thunder cracking in an almost-approving-manner a safe-distance away.
Of course diehard fans will find satisfaction knowing that Lieske's delectable angst hasn't completely abated. Title track "Perishable Tactics" takes a disarmingly peaceful setting and rolls a heavy fog over it to herald a sure-to-arrive fate that awaits us all. (See also "Army Green".). But with "Dawn Patrol" the whispering hi-hat and gently clanking rhythm offset by rolling strings marries the old and new Carsten Jost most successfully. All of this atmosphere bookended by ambient intro and outro tracks by Misanthrope CA make for a perfectly foreboding, elegant and deliciously dark new album release by Carsten Jost.

Somewhere between a Dadaistic mixtape, a surreal audio collage sourced from his record collection, and sporadic interjections from his own storehouse of outlandish and intriguing productions, this 79-minute journey reveals Madteo's freewheeling rigor in the studio. Prone to glitching, rhythmic ruptures, and end-times bass frequencies, Confessions surfs quark-infested waters with hallucinogenic logic. Fragmentation rules everything around Madteo. You will hear — among other things — Adderall-addled raps subsumed by mutant techno, radio ads for trance-blues masters Canned Heat, riveting noise-techno merging into lopsided hiphop reminiscent of Jan Jelinek's Exposures project, the passionate folk balladry of Lucio Battisti, the glittery soul of Billy Preston, and some of the coldest and oddest electro funk ever. Throughout, Madteo flaunts baffling, unprecedented sounds arranged in confounding configurations. Confessions of a Permanent Alien Opium Beater is another crucial piece of a discography from one of music's most fascinating enigmas, a celestial lysergic jukebox that conjures new pleasures and deeper mysteries with each listen.

Two hypnotic tracks, both trademarked by deep elements and strongly pervaded with a dub flavour, which turns more and more into a gentle bass drum are now added to our precious collection of Love Songs for Dragons. PFR002 signed ALPI

(10", Ltd) After a long break Baum Limited Picture Edition the 10" sub label of Baum Records is back. The 3rd release in the series is a split by Resoe and Zoltan Solomon from Hungary. Deep Dub Techno vibes, with lots of sub frequencies...

After a long break Baum Limited Picture Edition the 10' sub label of Baum Records is back. The 3rd release in the series is a split by Resoe and Zoltan Solomon from Hungary.
As always you can expect Deep Dub Techno vibes, with lots of sub frequencies...

Dark ambient, precise and minimal. Meeting of C-Drik from belrgium, actually living in Berlin and Munma from Lebanon... Experimental superb album !