Techno Vinyl New Releases - News

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For the ninth release in their main label series Haven are proud to be inviting German production duo New Frames for their first full EP on the label, following on from the release of "Scatter" on Haven's first VA compilation - easily one of 2019's biggest tracks with support across the board.

The A1 launches the record with the apocalyptic "Eine Andere Welt" - a true peak-time smasher showcasing the duo's production capability, with epic rave synth work, pounding drums, and crunchy sound design already proving to move international dance floors. This is followed by "Stylized Fear" on the A2, utilising broken drum patters, perilous vocal chants and threatening atmospheres in a hectic roller. The flip is kicked off with "The End Of It All" on the B1 bringing things back to slamming 4-4 territory - where ominous and powerful synth design, stomping drum rhythms, and a DnB-inspired breakdown provide another soundtrack to club madness in the duo's discography. Finally the B2 closes the record with an enormous Perc remix of the A1 tune, finishing with another potent piece of dance floor fodder from Haven.

Black Vinyl incl. Poster

The second new release this year by Utrecht DJ/producer P.A. Presents (Peter Aarsman) is a highly varied EP, offering a house, techno, acid and electro track. And just like his Swirling Gas EP that was released in February, these tracks are all conceived in the 90s, and still sound fresh as a Spring morning at the top of the Dom tower.

The housey title track "Sax Madness" is a rather atypical track for Peter, who usually focuses on techno. But don't let the piano or breakbeats fool you, it still has the energy that we are accustomed to from P.A.'s productions. No saxophones have been harmed during the production of this track.

Talking about energy: "Zero P" is filled to the brim with that! Pumping, driving techno beats that remind us of Kevin Saunderson's productions, will get anyone moving. Funky stuff!

The flip side sees P.A. team up with Dazzlinj, aka his long term music buddy Jeroen Lazeroms, also from Utrecht. With "Protrack 1" the two deliver a fresh and at the same time somewhat oldschool acid tune, with the 303/808 duo taking center stage.

They close off this EP with the powerful electro banger "Creators". High paced electro beats are accompanied by hypnotizing strings, vocoder lyrics and a 303 for an acidic touch. Guaranteed to get crowd going!

Peter knew he wanted to be a DJ since he was ten years old, in a time when this was still a very unusual career to dream about. Long before house music had landed in Europe, Peter was fiddling around with disco and Italo 12"-es and all those years of training is what made him the skilled DJ that he still is today. While the era of house of techno of the late 80s and the 90s brought him countless DJ gigs, his reputation didn't cross the city borders much, until he bought his first gear and started producing techno music himself. His DJ background proved helpful with producing his tracks, as most of his them are dancefloor orientated and usually have an impeccable timing. Peter debuted with the mini-album "Salicylic Acid" on U-TRAX in 1993, followed by the "Flight Stimulator EP" a year later. Both are classics today, but neither brought him the fame that his 12" "Entangled" did on fellow Utrecht record label Deviate, which made it to many charts and compilation albums.

All tracks have been revamped and edited into more current lengths by DJ Zero One, blessed by DJ White Delight and mastered by Thee J Johanz. Label art by Bonk Artwork.

Soma label heads, Slam, release a special 12" featuring 4 explosive tracks takes from various EPs released over the last year.

In this solo EP syberian98 builds up a shelter and escapes nowaday brutal and generic technoish sound. You find here acidized, much more soulful, trancy, leftfield tools. And sure, this simple three note sequence going thru the both sides reminds you a bored happy morning feelings of a loud warehouse party which you want to leave slightly away soon.

Yellow Vinyl

The first release on Optimo Music founder JD Twitch’s new compilation-focused label Cease & Desist will be a collection of pioneering turn-of-the-90s British “Bleep & Bass” techno tracks curated by author and music journalist Matt Anniss.

Join The Future: UK Bleep & Bass 1988-91 is a partner product to Anniss’s critically acclaimed book on the foundations of British dance music’s ongoing love affair with sub-bass, Join The Future: Bleep Techno and the Birth of British Bass Music. The book, which was published by Velocity Press in December and features a foreword by JD Twitch, documents in vivid detail the previously untold story of the Yorkshire-pioneered style and the impact it had on the development of UK dance music.

The compilation is the first to focus on Bleep & Bass since the sound’s heyday in the late 1980s and early ’90s. It features a mix of historic cuts, period classics, overlooked gems and unreleased material. It was mastered for release by Warp Records co-founder and Forgemasters member Rob Gordon, a producer, remixer and studio engineer who arguably did more than anyone else to define the sub-heavy sound of the style.

Gordon also contributed a previously unheard version of Alfanso’s “Dub Feels Nice”, a near mythical track he produced in 1991 that has never received a proper commercial release. The cut has been a secret weapon for a handful of Sheffield DJs for almost 30 years, most notably Gordon’s fellow Forgemasters member Winston Hazel. Fittingly, the compilation also includes the original unreleased instrumental version of Tuff Little Unit’s Steel City classic “Join The Future”.

Many of the other tracks on the compilation are rare, hard to find or have not been issued on vinyl or digital since their initial release. It opens with Unique 3 and the Mad Musician’s “Only The Beginning” – the 1988 A-side of the first ever Bleep record – and also includes tracks and remixes from fellow scene pioneers Ital Rockers (an early alias of dub hero Iration Steppas), Nightmares on Wax, Cabaret Voltaire and DJ Martin and DJ Homes, the previously unheralded Chapeltown duo behind the influential Leeds-based studio and record label BASSIC.

Elsewhere on the compilation you’ll find Birmingham producer Demonik’s sought-after debut single “Layrinthe”, a hard-to-find cut from Bedford-based men of mystery Original Clique, two classic cuts from the vaults of influential Midlands label Network Records and a glassy-eyed slab of Bleep/deep house fusion from 100 Hz.

Join The Future: UK Bleep & Bass 1988-91 will be released on double vinyl and digital download. The 10-track vinyl version features an insert with extensive liner notes by Matt Anniss. It also comes with a code to download the 12-track digital download version. The compilation will be released by Cease & Desist on March 25th 2020.

Impacted Chaos is techno stalwart AP's label, and the four tracks here are all pounding floorfillers as you'd expect!! Side one features Secret Hero (aka D.A.V.E.The Drummer) and Rats On Acid tearing it up on 2 raucous Cluster style tracks, whilst AP and Sted pump up the techno beats with the EP finishing up with a thumping Rowland The Bastard remix.

Limited hand stamped copies..

Cressida has carved a space in the hollows between UK bass culture and Berlin's techno heritage, skilfully siphoning the finer side of breakbeat, garage, grime without ever falling into lanes of predictability. This sonic identity he's built has firmly levelled up with "Can You Sleep Like This" - his most personal record to date. This is Cressida not just paying an ode to UK electronic music lineage, but cementing a place within it.

DJ Godfather with the bizness once again! Offering up a point and place where the tempos of house, techno and electro can be bridged in a single mix with the BPMs of footwork, juke and jungle. Get your more tongue in cheek, Dirty Bird-like club numbers from ''Up All Night (feat Christina Chriss)'' next to the straight up, frenetic, and deep Detroit styled clap-track ''D3T-313''.

Outfitted with anthemic romps, tongue-in-cheek pastiches, and percussions that pivot from rolling adventures to rain hitting the windowpane, Intimacy's 'Across the Bridge' marks the artist's fifth release on vinyl and first release on Bouquet.
A grab bag of fun, dancefloor-ready tracks written across 2019, the EP delivers his aesthetic of old computers, sci-fi movies, and science class educational videos configured into deep, spacey line-toting bedroom techno and melancholic house.

The title track features a catchy electroclash-esque (!!!) saw wave bassline, complete with emo Roland D50 strings and bells, all laid over a very beefy electro beat. It crossbreeds a Drexciya strain of low-end thump with a chewy, Eurotrash bassline evoking that time you lost your wallet at Tresor in '98. Strings and bells from the Roland D50 introduce the same euphoric high found in most of the products crawling out of Perdue's lab these days.

'Angelo's House' is a full-forced banger built around a well-traveled sample of Angelo Badalamenti's theme from Twin Peaks, recorded from an Intimacy live set early last year.

The flipside leads with the spiritual acid techno masterpiece 'Datalore 66'. Bubbling basslines hit a boiling point when placed in sequence with flutes showing genetic linkage to the Hartnoll family. Highly reactive material.

'Eternal September' opens a portal to the earliest hours of morning via synthesis of swirling pads and snapping drums. Closing the EP in introspective fashion, the track shows just how much emotional range Intimacy can pull out of decades-old disciplines.

ABOUT THE ARTIST

Parks Perdue is a Memphis-born electronic musician. A culmination of internet research and home listening in the club-barren Tennessee city, his style draws from stoned out Dutch West Coast concept albums, video game soundtracks, and old-school midwest house and techno. Perdue made his vinyl debut under the alias Intimacy in 2016 on the short lived UK, DJ Haus-run label Vector Works. Perdue is now based in Los Angeles, California.

Apollo / R&S are proud to present a compilation album of a series of classic EPs of timeless vibes and lush percussive excursions from overlooked Japanese innovator Mr YT AKA Yuji Takenouchi.
The 'Brand New Day', 'Southern Paradise' and 'Parfum' Eps were originally release between 1997 - 1998 on Apollo Records and R&S sub-labels Generations and Global Cuts.
Over the intervening years, the EPs' heady blend of atmospheric pressure, balmy pads and deep grooves has percolated, gathering fans across the globe, to the point where original copies are in high demand on the secondhand market.
Created in the late 90s on a hardware set up of Roland Super Jupiter, Roland JV1080, Roland D550, Yamaha TX81Z and Akai S1100, Takenouchi was burning with inspiration from the sounds of Ron Trent and Chez Damier, Basic Channel, House of 909, Ian Pooley and Carl Craig.
A video game musician by profession, Takenouchi was used to producing music for specific scenes / sequences - starting from scratch had him baffled. Deciding to set a theme or concept for each EP proved to be the breakthrough he needed, a day of new environment for 'Brand New Day', yin and yang for 'Southern Paradise' and imaginary fragrances for 'Parfum'. Looking at pictures related to each of these themes helped to fuel his creativity while producing.
From the sun dappled balearic haze of opener 'Morning' to the blissed out bump of 'Afternoon', the gauzy euphoria of 'Ocean In Heaven' to the cosmic funk pulse of 'Regard', the music contained in the 'Brand New Day' compilation remains as timely and relevant as the day it was released and should see Mr. YT appreciated alongside the likes of the US and European producers who first inspired him.

‘Silver Surfer’, ‘X O Surf’ and the ‘X O Surf remixes’, big tunes from the dance floors of 1993 will be rereleased via Violent Drum Recordings on September 4 2020.

The Deep, was the alias Matt Frost and Pete Diggens recorded under from 1993-1996.

Frost and Diggens released a stream of vinyl on own imprint Violent Drum and finished when Matt and Pete were discovered by Andrew Weatherall at Sabresonic which led them to sign to Leftfield’s Hard Hands label in 1997 as Dark Globe.

‘Silver Surfer’, ‘X O Surf’ and the ‘X O Surf remixes’ were created over a series of weekends in ’93. When you listen to the record you can hear Frost and Diggens try to create the sound of waves amongst the beats, they were also influenced by tracks like Pink Floyd’s 20-minute epic ‘Echoes’.

BX127 signs back in with Figure for an EP that is maybe his most intricate as to date.
Four groovy alien transmissions, sent in directly from his headquarters somewhere in the outer rims of Saturn. Seemingly effortless these creatures build their momentum, treating the theme of miniscule power to the maximum effect. The tracks have an elegant air to them, each moving gently at its own pace. Whether through ticks and bleeps, finely plucked 303s or swaying dub chords; all the sounds on display know how to work their magic for some stellar listening experience.

After closing the first part of Fundamental Records' experiment called Music for The Other People Place, the second part begins. This the fifth record of Music for The Other People Place Experiment 2. A special and highly limited electro / electronics project (a tribute to James Stinson), produced by different artists that will remain anonymous, if they choose to...

Black vinyl repress

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

Double Cassette +Download Code +Stickers +Insert

International Chrome returns!

Mr. E.S.S. is back under his more commonly known alias 'DeFeKT'. The Dublin-based Modular madman serves up four weighty slabs of the finest club-ready electro funk, featuring two guest appearances from Jensen Interceptor.

This deadly Berlin—New Jersey nexus back in action, reinforced by the mighty Shifted.

F Planet itself is an in-for-the-kill stomper, husky and frantic, its sizzling bass and clanky hats inexorably dissolving in a sulphuric alarm of distortion and haywire bleeps. Astral Pilot ties you into a swirl of frequencies, rhythms and mechanical growling, before finally disentangling itself into some kind of cosmic lift-off. On the flip, grimly tightening the bolts, setting the controls inwards, and darkening and thickening its atmospheres into a kind of gut-churning possession, Shifted makes F Planet all his own.

Horos, an artist based in Sao Paulo, Brazil.

Horos uses simple analog machines and live recording sessions to create his idiosyncratic sonic narrative.
credits

Art work by Malasombra
Mastering at Millenia Studios

Hailing from downtown Los Angeles, Nuklear Prophet, aka Erik Villalpando, is heavily influenced by West Coast Hip Hop and Electro. Winning multiple DJ awards, including 3x World Records DJ Competition under his DJ Dope-E alias, Villalpando cites his inspiration as coming from some of the most influential Los Angeles DJs of his childhood, including Tony G, DJ Joe Cooley, Julio G, and DJ Aladdin.

With releases on Urban Connections, Abseits Recordings, Diffuse Reality and Bass Agenda Recordings as Nuklear Prophet, the LA-based DJ/producer readies his full-length album 'Prophecies 11:21' for Utrecht-based U-Trax. Formed of an eclectic and energetic collection of gems mined from his overwhelming archive, the album takes in genres such as Electro, Hip Hop, Footwork, Juke, and beyond.
Leading the release is the 808 luminary Egyptian Lover's remix of 'L.A. Rockz', featured on the recently released 'L.A. Rockz' EP, kicking off the LP with his trademark 808-infused sound. A nod to Detroit-flavoured Electro is presented via the dark and brooding tracks 'Nuklear Prophet' and 'Compton', with the lighter atmospherics of the genre covered on 'Solar Winds'. The pounding electro killer '808 Plague' sounds like it came straight from the sewers of The Hague.
'Everlastin' Bass', 'Back Up Off My Tip', and 'The Train Ride To Coconino' offer Footwork inspired bangers, with the latter previously featured on the Legowelt curated U-Trax compilation 'U R Here!' earlier this year.
Moving across a spectrum of tempos, styles, and moods across the album, exemplified on the sluggish trip-hop of 'The Mars Goblin', Nuklear Prophet expertly touches on a range of bass-driven genres, displaying his widespread influences and knack for hard-hitting production throughout.

For their 5th release, Voam present “Portraits of a Collective Hallucination”, the debut EP from Regina Leather (aka Paolo Di Nola/Cosmic Metal Mother), a multimedia artist working primarily with sound and image.

“This project is an experiment revolving around the tones and timbers generated during the break down of machinery and the signals emitted erroneously during malfunction, framed within a musical landscape, where repetition and the depth of the chords creates textures used to recontextualize these cyclical sounds into an organic dialogue between all elements.” - Regina Leather

“Comunicazione Uno” originally appeared on V/A - The Power of Movements in Plants (ELE-R001) in 2012.

Written and produced by Paolo Di Nola

Mastered by Helmut @ D&M

Art and design by Sean Bell

Part Three of Steve O'Sullivan's 'Dimensions' album series featuring collaborations with Ricardo Villalobos, Dana Ruh , Thomas Melchior and Soela.

Repress

grey marbled viny

Tbilisian record label is back with 6 tracker various artist compilation, including exclusive tracks from Fractions & Zanias, Alessandro Adriani, Years of Denial, Body Beat Ritual. Vulkanski and Puritan. Release comes in 140g black or grey marbled vinyl in a black disco sleeve with a big sticker on the top, designed by David Gugeshashvili.

These 2 guys dont need an introduction as they have earned their respect in the underground over years of quality music.
What needs a proper shout is the fact that they now teamed up for this amazing 2-tracker and we are honored to release this on Noir Music. Early support by Maceo Plex and Adam Beyer has already made some buzz in club-land for this anticipated release and here's your chance to get onboard too.

the new stimulus (paul mac label) is here !!!

Since its birth in 2002, Truesoul has grown into a solid, dependable label. Known as Drumcode's little brother, Adam Beyer has taken Truesoul and twisted it into a platform for new and emerging talent to be thrust into the world of electronic music.
Each release has its own unique identity and each track brings something new and unique to the label. The quality of each track is paramount and that has been proven with previous releases from some of the finest talent within the industry.
With future releases from some of the hottest electronic music artists on the planet, Truesoul is positioning itself as a label to be reckoned with. Hot Since 82's trajectory has been nothing short of incredible. x4 Pete Tong Essential New Tunes, x3 BBC Essential Mixes, 2013's ground-breaking Little Black Book, 2014's Knee Deep In Sound mix album (on his new label of the same name), Top 10 Beatport seller of all time with his Bigger Than Prince remix, Mixmag cover star, performing live accompanied by a string quartet, x4 sell out North & South America tours including Coachella, x3 tantalizing Ibiza seasons and most recently his best trick yet, kidnapping fans for TAKEN, one of the most unique clubbing experiences you will ever have. Hot Since 82 steams onto Truesoul with full force releasing two incredible tracks that explode with energy and punch.
Damage packs the power with its chunky drums and huge synth stabs that power through the mix to knock over crowds. Veins encapsulates the chuggy Truesoul sound that Hot Since 82 is notorious for. Hot Since 82 has engrained rolling beats and shimmering highs throughout each track to propel the EP to climax into a remarkable piece of work.

Uncompromising soundsystem advancer Mars89 is the kind of artist who reframes the rave tradition with every release. That makes him the ideal candidate for Sneaker Social Club, where we love slinging bassweight sonics into the far reaches as often as possible.

Based in Japan and active beyond the confines of his studio, Mars89 has made a sizable impression in just four years of releasing a handful of records. Bokeh Versions carried his first releases, while he’s gone on to soundtrack a VR experience for the label more recently. He’s also collaborated with Jun Takahashi’s Undercover fashion label, appeared on Flore’s POLAAR label and played an important role in coordinating protest raves in Shibuya.

There’s a stark, stern heaviness to the Mars89 sound which leaves its mark from the first surge of dread bass. It hits with a primal urgency which calls to mind early grime instrumentals, but there’s also a touch of industrial clank and subliminal avant-garde notes lurking behind the foreground pressure. ‘Night Call’ stalks on a thunderous kick and pitch-black string stabs, while ‘Vigilante’s nervous refrain is underpinned by massive subs and an 808 cowbell turned into a musical instrument. On the flip, ‘North Shibuya Local Service’ ups the angular intensity with an interlocking barrage of claps, snaps and lock-ons, and ‘Aeropolis’ edges towards outright rave with its slithers of squashed breaks, 4x4 kick runs and a disheveled synth hook.

Even on the more forthright B side though, Mars89’s palette is so lean you can pick out every individual element. There’s no fat to be found anywhere on the record, ensuring every part lands with presence and purpose. You can somehow link the sound back to UK soundsystem culture, but there’s a necessary individuality at work here, which we’re beyond proud to platform and press up for the dance.

fetter fünf tracker !!!! spacige technotracks !!!

Path Records' second release for 2019 showcases label head Reade Truth releasing a stunning EP that saw their debut during his 2019 live tour. With hard hitting Brooklyn flavoured techno-electro beats and his trademarked immorally playful sampling style positively punctuate this exceptional release. The New York native has released on a plethora of serious, for those who know, labels including: Planet E, Strictly Rhythm, Sonic Groove, Black Market, and Cartulis Music. Path Records is known for their uniquely deep electronic visions. With a steady mixture of both new material and old unreleased tracks, the label remains hotly anticipated. Further releases will include Upsetting keys and The Lotus Project,

inkl. remix by paul mac !!!

Clear bright green vinyl

Van Bonn is opening a new chapter for Van Bonn Records in presenting collaborations with like minded artists on his label. ‚Dual' is a travel through foggy, reverberating and echoing landscapes by the long time friends Van Bonn and Tim Kossmann, known from his releases on e.g. Greyscale and Telrae. The opener is a bass heavy dub techno vibe that contrasts the rhythmical bass stabs and harmonious chords with a dubbed out melody. ‚Adrift' is all about the continous ride on the moment of flow and depth, yet it is a little personal refer-ence to the vibes of the mid 2000s. No one less than Mosaic and Bluetrain founder and dub techno monolith Steve O'Sullivan took on the remix duties. Steve O' Sullivan transformed ‚Adrift' into a trippy and dubby dance floor version that is the combination of UK and Berlin dub vibes. Resilience enters ambient and electronica waters with feel for attention to detail.

Mind Dance unveils ‘Mystic Minds, Volume 1’ - a five track compilation warmly welcoming label associates old and new. The first in an ongoing series of VA outputs, Mystic Minds was established to provide a new space to foster the collaborative nature of the electronic underground. Whilst only scratching the surface of the cross-continental contemporary dance landscape, the first edition of Mystic Minds effortlessly showcases the breadth and depth of talent in Australia and afar.

Ben Sims' Symbolism celebrates its 20th release with an 8 tracker featuring the first original Ben Sims material in the past few years.
Launched in 1999, Symbolism was initially intended as side project of Sims' Theory imprint but quickly developed in to a standout label itself with releases from Sims (as Aural Emote), Exos, Reeko and a split release with Function hitting home on the circuit. After a 9 year hiatus Symbolism was reactivated in in 2015 and has since dropped 12's from the likes of Mike Gervais, D_Func, JC & Kastil and George Tounisidis,
'Standing Before The Unknown' is a heavy package from start to finish and takes in a number of tones while remaining firmly dancefloor focused. Paul Mac's solo contribution 'Off a Cliff' kicks things off in typically pristine style while 'Ishishish', his collaboration with Sims, is a rougher, percussive affair that marks a fine return to the studio for Sims. Russia's Rodion Stankevich makes two contrasting appearances; first with the abrassive 'Umustgothruit' and later with intricately layered and hypnotic 'Any Questions Any Answers'.
Joton also appears twice with his playfully tough 'Fatum' working nicely against the later night sonics of 'Filia'. Minneapolis' Mike Gervais returns to Symbolism with his most intense cut to date in 'Crisis' whilst Dutch producer Mike Storm debuts on the label with the strident 'Confirmed Life'.