Techno Vinyl New Releases - News

4 slices of prime Wanzer ... the untouchable. BIG TIP!

This cassette collects some of these stills, or better said freeze frames. Freeze frames that become almost landscapes that one can enter or not, listen closely to or use as mere background ambience. Wilson went in and untied the knot, yet while investigating the situation, posing more questions. This is as open-ended a release can get, so captiously simple.I met Andrew Wilson, (aka Berko, Art Wilson, Andras), a few months ago in Tokyo where we were both to perform on a sort of Balearic Ambient variety show in the heart of Shibuya. At some point Andrew was telling me about his interest in Youtube videos of truck accidents, animals attacking people and bloopers. With creating one-shot samples of these sort of “popular fringe finds” he started creating long-form drones of harmonic beauty, without being overtly and subjectively emotional. Wilson presented some of these pieces on said night in Tokyo, in a dandyesque manner all dressed in white, sitting behind a small restaurant table. "Table for one, please … "

The Spanish Duo 'Crime as Service” arrives on Modularz presenting a solid LP focusedon Tough tribal fused techno tools. The LP is consistent with 10 tracks in total as the first 4 to come out on a 4 vinyl sampler the same time as the full digital release. This is one of those releases that once you get it you play it all the time as you will be eager to mix these tracks with anything as most of the release is focused on hypnotic driving drum programing and highly affective hard grooves. Rock this loud TIP!

Claudio Mate and Francesco Mazzocco after and hard work which took lot of time to put out this beauty, after making also an hard work of selection about the music... they are so happy to introduce for the 5th release of Dub-ito , Wolfgang Reffert well known As Dark Star since the end of 80's.

' MIX TAPE ' 1989 -1991 is a collection took exclusively from Dark Star past tapes works... Dark atmosphere influenced by Post Punk , Ebm Noise Industrial music is the typical Wolfgang 's music trademark in over 30 and more years of career , which for the first time of ever makes his debut on vinyl. The last touch comes by Dietrich Schoennemann remastering the trax directly from original tapes . This amazing collection for sure can not be missed for the
fans of 80's sounds.

Banged around to devastating effect by some serious players recently - L.A. Club Resource are ready to drop this heavy debut release by Los Angeles based producer DELIVERY aka Greg Shin...run for cover businessssss...TIP!

From the left coast of Norway, Bergen, Eirik Moberg has been making music for years without releasing any of it.

His production value is organic and it sure shows in Rusk; his first release, and Balsawood’s first wax. All things analog, recorded on tape, Eirik Moberg quirkily feeds his affinity for a large range of electronic music whilst maintaining his love for the human ingredient in odd oldies.

Eirik Moberg has a lot of special projects lying around, we feel that the cluster of tracks selected for Rusk will provide a worthy introduction to Moberg’s capacity for producing solid original electronic music. He also plays an acoustic guitar on 09.
We are humbled to have our friend Nachbraker on board with a remix. He fell in love with the release and has done a bangin’ interpretation of Groin Kicks.

Etienne makes his debut EP for Melliflow after the breakout success of his "Currently Idle' album earlier this year.

Overmono's stunning remix of For Those I Love's 'I Have a Love' lands on vinyl for the first time. Single sided with laser etched flip consisting of an original artwork by David Balfe aka For Those I Love.

Taken from his debut album, the track 'I Have a Love' is a beautiful and powerful ode to a lost friend.

Free Range are back with their second outing for Osàre editions. ‘Camry Horses’ is a mesmerising dive into the brutal pop-tinged electronics of the duo, taking the mutant surrealism of their first release on the label a step further. Deliciously droning, Matt Weiner and Ernestas Sadau warp melancholic synth over a stomping-techno pulse in ‘Jet Lag is Calling.’ ‘Thunder God’ predicts transmogrifying weather patterns, while ‘Liquid Latex’ casts a touch of dominatrix energy, all powered by hypnotic dancefloor occultism.

Intensive Outta Spiace Meditation

Gil.Barte returns to Neubau with another demonstration of his complex sound, delivering the title track ‚L.i.G‘ as an uncompromising slow-burning tool for the club, while on the B-side ‚AGH‘ gets your nerves twisted. Additionally Lamusa II reinterpreted ‚L.i.G‘ in a more moderate but not less effective way

For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release.

Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track.

On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned.

We hope you enjoy this analog recording.

French producer Hemka delivers her debut album on Darko Esser’s BALANS Records imprint this March entitled ‘Hunger Waves’

Residing in Paris via Marseille, Hemka has been impressing in the wider techno scene following stellar releases on Radio Slave’s Rekids imprint, TWR72’s Float Records and Tripeo aka Darko Esser’s BALANS label. Hemka’s intricate yet vibrant productions with an emotional, hypnotic edge have garnered support from names such as Rebekah, Anthony Parasole, Truncate and Dasha Rush in addition to seeing her join the likes of Len Faki, Surgeon and James Ruskin in and around the Parisian and European club circuit. ‘Hunger Waves’ sees Hemka drop her debut album on BALANS following releases from Mike Parker, ROD, 3KZ, label boss Darko Esser and many more.

‘Discovery’ kicks off the album with space-fueled modulations, sweeping synths and uplifting elements before ‘Golden Coins’ deploys shimmering rhythms, eerie yet enticing tones elegantly harmonising with undulant, low frequencies. ‘Emergency’ together with ‘Mushroom Kingdom’ and ‘Retrieved’ see the album gain momentum with three energetic techno rollers which balance tripped-out oscillations, unsettling atmospherics and reverberating weight bouncing off the throbbing kicks.

‘The Lost Levels’ keeps the energy flowing through growling synthesis, spiraling strings and headspinning grooves until ‘Innocence’ lays focus on syncopated 909 rhythms, tension-building melodies and bright, whirling bleeps throughout. ‘Hunger Waves’ moves into emotive territories gracefully fusing euphoric euphony, warm and progressive chords and wistful ambience until ‘Unusual Situation’ rounds off the impressive package with gentle keys, bubbly drums orbiting around beautifully subtle themes.

Leipzig’s Interviews returns to Bitterfeld for his second EP of power electro, techno and EBM plus another new wave anthem on the B2.

Dans ce premier EP, Jacques fait entendre une matière dense, dentelée et déréglée, faite de sons naturels, orchestrés et mis en scènes au moyens des machines mais toujours pris dans leur élément (souvent des squats en travaux) et mis en valeur en tant que tels, que ce soit un grincement de porte, ou ce qui ressemble à un cor, joué avec un tuyau d'arrosage.

Le synthétique au service du naturel, ce qui donne dans le désordre : La Tournure des choses / L'incroyable vie des choses / Faîtes quelque chose ! et puis : Tout est magnifique

Ground out industrial four tracker by Mike Broers (CLEAR, US) on Justin Long's (1/2 Circling Vultures) new imprint, Soft Machine. 250 copies only!

Generative music seems to imply a systems approach to music, or a system that once created can utilise randomness in a creative way. The benevolence of nature’s creativity belies this musical term, and can flip the word ‘generative’ to mean to involve constantly flowing creativity with purpose. In Europe there was a time in the Pagan Renaissance when architecture would mirror nature’s generative quality. Sculptures and columns were to imply animation or movement.

That’s where Milan W.’s album comes through in 2020. His music involves the night shadows of Europe’s architecture and its growth. In Bloom personifies itself by showing Antwerp’s influential ‘Night Play’: a term that can relate to many European cities such as Bologna, Vienna, and so on and so on. The leftovers of Renaissance and gothic architecture are everywhere in Europe still; layers of ruins that can generate the impression of simultaneous time periods. Tracks like Spa and Helium Queen reveal and revel in the power of shadow movement that is generated by the night. In Milan W.’s past works, the poignant and simple creative play of dark wave and synth beat music was his vehicle for expression, but now on In Bloom he departs to a touching sidereal impressionism allied with Coil’s instrumental pieces on Horse Rotorvator — an album whose cover portrays the potential powers of the pavilion just as Milan W. is portraying the generative soul and alienation of Europe’s ‘Night Play’. Because of In Bloom we can come to believe that there is a secretive energy in alienation, a playfulness that is alight at Night.

Another Motive launches its record label with an EP from Finnish producer Roope Karhunen aka Mirage Man. Mirage Man has crafted a unique sound exploring a hypnotic and seductive aesthetic within House and Techno. The A-side opens up with 'Hiss & Hers' , a soothing-narcotic take on Techno with overtones of dub and ambience. Followed by a hard-hitting 'Harmoni', layering crisp drum machines and ethereal synths within a magnetic groove that evolves from raw to rich. The B-side embarks with 'Healing', composed of shuffling rhythms and subtle streams of warm synth pads that grow into an esoteric climax fitting several styles within one. Closing the EP is 'Harmoni' remix by BNJMN taking the essence of the original and folding it into a kaleidoscope of fractured rhythms and surreal sounds that collide to finish the EP off with a bang.

A collection of rare and unreleased recordings from the archives of electronic music pioneer Mort Garson, composer of Mother Earth's Plantasia. The compilation plays like an ultimate Mort Garson playlist, and includes alternate takes of Plantasia tracks, music for never-aired radio advertisements, themes for science fiction films, erotic oddities, and much more from the prolific composer's '60s and '70s synthesizer oeuvre. This deluxe edition includes art by Robert Beatty and new liner notes by Andy Beta

This LP contains a 40-minute recording of Oceanic's concert, performed on his custom-made string instrument connected to a modular synth. The concert was performed for 200 people laying on pillows, surrounding Oceanic and Warping Halos, a light installation by Children of the Light.

Oceanic debuted this live show in spring 2017 during Minimal Music Festival in Muziekgebouw aan 't IJ, and while minimal music might be an accurate description of the sound, it also touches themes of trance and folk music. There are no different tracks, it's one continuous and largely improvised performance, sometimes abstract, sometimes wonderfully melodic. To fit on a LP, the recording is cut in two parts, the composition gently fades around the halfway mark.

After releasing music on Nous'klaer and Versatile and a DJ residency at De School since its beginning, this LP covers the first steps of Oceanic as a solo live musician. This release also marks the first steps of De Nieuw, De School's new record label that will aim to capture the sounds of the different rooms of the venue from next year on.

Almost three years after opening its doors, De School will launch their new label De Nieuw at the end of this year. For their first release, De Nieuw presents the first ever recording to surface from between the walls of the venue. On this LP is one of the first live concerts by Oceanic, recorded at the auditorium of De School on October 21st 2017. This was in the middle of a 64-hour event that lasted from Friday evening until Monday lunch.

Having previously brought together world-renowned Theremin soloist Carolina Eyck and electronic producer Eversines for a specially commissioned collaborative mini album, yeyeh founder Pieter Jansen has now conjured up another unlikely but inspired joint album, this time featuring award-winning free-jazz vocalist Greetje Bijma and leftfield house, techno and ambient producer Oceanic.

The project has its roots in a chance meeting between Jansen and Bijma, a legendary figure on the Dutch jazz scene who in 1990 became the first woman to win the country’s top jazz accolade, the VPRO/Boy Edgar award. Apart from having previously worked with the likes of Anna Homler (aka Breadwoman), Jasper van ’t Hof, Han Bennink, Louis Andriessen and Willem Breuker and her own solo projects, she’s in a league of her own.

Jansen is a big fan of Bijma’s 1996 heavily electronic collaboration with Jasper van’t Hof and Pierre Favre, Freezing Screens, and was with the friend who first introduced him to it when he bumped into Bijma.
Excited to meet someone who had made one of his favourite records, Jansen took the opportunity to ask Bijma if she would be interested in working with young electronic music producers. To Jansen’s delight, Bijma quickly agreed.

Weeks later, Bijma stepped into the studio with Oceanic, a rising star of the Dutch electronic underground whose releases as Oceanic for Nous’klaer Audio and BAKK Plafond revolve around mechanical rhythms, opaque ambient textures, minimalist melodic movements and effervescent electronics. The pair quickly connected on an emotional and musical level, with Bijma taking her cues from Oceanic’s electronic sounds and rhythms, and Oceanic drawing inspiration from Bijma’s dexterous, mind- bending and otherworldly vocalizations.

After two hugely productive days, the cross-generational duo had completed a couple of mesmerizing songs – breathlessly haunting album opener “Swallow a Party” and chilly ambient closer “A Window Drifting” – and recorded several hours or improvisations that Oceanic later edited, layered-up and re-modelled.

The results are little less than spellbinding. The range and versatility of Bijma’s vocalizations is breathtaking, while Oceanic’s music – which cleverly incorporates the free-jazz singer’s vocal notes, tones and proclamations – swings between becalmed beauty and breathless intensity.

Some of the set’s most striking moments are those where Oceanic re-contextualizes Bijma’s varied vocal sounds with the dancefloor in mind. On the pulsating “Technicolour Memories”, up-tempo “Step Snakes” and hypnotic “Never Done”, Bijma’s scat outbursts not only ride Oceanic’s rhythms, but also form part of the densely layered percussion tracks beneath.

Like the release’s more downtempo and ethereal moments, these hybrid organic- synthetic compositions defy easy categorization, offering a unique brand of alien electronic/acoustic musical fusion that lingers long in the memory.

Mar/us and WarinD remix) On the A-side, Berlin's Oliver Deutschmann brings his signature sound of hyp-notic big room techno, while Gegen's residents La Fraicheur & Leonard de Leonard come up with a moody track carrying a weird combination of gritty and dirty synths with spacious sound design that make you wonder if you didn't get thrown off the side of the Milky Way by a boisterous clunky spacecraft on its last leg.

With the second vinyl release of its new record label venture, Gegen showcases two staples of the Berlin club scene.

On the A-side, Berghain regular DJ, acclaimed producer and multi-label founder Oliver Deutschmann brings his signature sound of hyp-notic “8-AM-on-a-Sunday” big room techno. “Wach” (awake in Ger-man) has the kind of sound that builds on layers upon layers of skill-fully designed drums.

On the B-side with “Roadkill”, Gegen’s own residents La Fraicheur & Leonard de Leonard come up with a moody track carrying a weird combination of gritty and dirty synths with spacious sound design that make you wonder if you didn’t get thrown off the side of the Milky Way by a boisterous clunky spacecraft on its last leg.

On remix duty, Gegen is playing with its Italian roots in its choice of two newcomers: Mar/us and WarinD.
Making his producer debut with this remix, Mar/us, another Gegen res-ident, is coming-in strong with a harmonic tear-jerker full of pads ooz-ing with 90’s influences and whose melancholy is balanced out by a martial groove.
As for WarinD, he completely flipped the original on its head and swapped the moodiness for a kick-heavy hard-hitter adorned with ethe-real dissonant synths and brand new vocals.

Bookworms and Max Ravitz aka Patricia team up as Pulpo and giving you some dusty Brooklyn haze.
While it may be challenging for most dancefloors, the guts and murk of these tracks are sure to get you in the proper headspace for a night sinking deep into the couch. Heavy sludge for the true freaks. Comes without warning.

(25th Anniversary Edition) Originally released on F Communications 1997. Opack premier Ep on F Communications had already stood out for its unique programming and production. It had traced a furrow for French electronica "and established Readymade as an essential composer / producer / arranger, developing a falsely crazy and deeply melancholy universe fed by hip-hop, pop, electronica, dub, house and techno.

Mysterious producer S.A.M. delivers yet another top quality release! After the releases on Fathers And Sons Productions he here shows a slightly different approach with 2 tracks of dubbed out techno heaven in the veins of Maurizio, Basic Channel etc.. Watch out for this one folks!

Composed between 2017 - 2020, these songs came to fruition over a period of time coinciding with an awakening spirituality.
'Time Together' is an attempt at describing the beginning of a journey into self knowledge and spiritual awareness through music, creating something soothing and meditative that is also percussive and bass heavy to convey a diversity of spaces, places and emotional states navigated through voice and song

“Media Burn” is the debut EP by TOTEM – 4 succinct slabs of industrial electronics and rhythmic noise forged in the spirit of hardcore punk. The project is loosely based on themes of media consumption, symbolism, illusions, and control. The artist embraces an austere process born of limited means: samples mangled beyond recognition and rearranged according to some obscure logic.

The results are self-described as “industrial skronk” – sculptures made entirely from audio debris that had another life, now twisted and repurposed by an unseen hand into something new and unfamiliar.

We are The Vineyard (Volume 1 & 2)


Their new project landed as the first VA vinyl gathering the quality of the techno stage of Tbilisi in a dyptic release, both accompanied by a bonus track. One object in two fragments, both complimenting each other.

A long and complex process, where a new phase of social life was developed gradually in the dust of prejudice between the members of the same generation. It brought tolerance as a remedy to the long and tiring scyzm between the young - caused by the lack of things in common.

Criminal Justice Act mega-rave debut is mainly filled with newcomers and unknown productions, offering an excellent introduction to our beloved local scene here in Lyon. A ‘chamboule-tout’ influenced by dark minds and the secret recipe to a crunchy party!

Straight from the unholy village of Alphen aan den Rijn, during the witching hour, Venderstrooik crawls out their grave with their latest EP “Children of Dracula”.Delivering you four of their darkest Horror-esque electro tracks merged on one EP. This one is for the freaks..for those who see the moon red.

COPY 2 follows up Waitress' first release on Tape Archive, offering three tracks of pure energy, blending modern tribal percussive journeys and epic acid twists. A record built for the early dark hours wandering in techno warehouses.

Repress

Silo EP is a strong piece of work from Berg Jaar for Planet Rhythm. Jaar is known for producing powerful & outgoing techno with an exotic touch to it. This 4-track pack covers a lot of ground and should be an excellent choice for lovers of Techno with a more artful approach.

Delta Funktionen touches homebase with a heavy double pack on Deeptrax Records: the label that originates from the recordstore he worked at before his international DJ career kicked off. On this double pack he presents a collection of tracks that were made between 2010 and 2020. These tracks never seemed to fit the more conceptual records DF put out, but they have been regular outfits in his DJ sets and always pleased dancefloors around the globe. A true honor for both the label and artist to finally team up and release some of the most playful house and techno cuts Delta Funktionen has produced over the years!

2lP bundle of Helium - The Works reissue, the original as well as the unreleased mixes.

Long out of press, Helium’s seminal 1993 masterpiece ’The Works’ E.P. eventually sees the light of day again on Kalahari Oyster Cult. A head-turning slab of visionary house and trance music, ’The Works’ hasn’t aged one bit and its dancefloor appeal sure hasn’t lost any of its high-impact melodic beauty. Driven by the subs-towed harmonics of the wistful ‘Out There’ and fun-loving cowbell rides meet gut-churning 909 kicks of ’Try Me’.

An off-kilter ambientoid trip, B-side opener ‘Clouds’ draws closer to The KLF’s chromatic blends, whereas ‘We Are The Future’ expands the scope to further utopian apexes with its soothing assortment of nu-agey panpipes and slo, Sino-flavoured chug. Rounding off that mini-odyssey, breaksy pastoral closer ‘What Is The Human Machine’ takes us on a trip-hop-informed, acid-friendly ride in the wild.

3 unreleased mixes that have nothing to envy to the originals that have been unearthed: If ’Try Me (More Mix)’ does exactly what’s written on the tin, i.e. expanding the scope to further spacious, ambient-informed horizons, ‘Clouds (Captain’s Mix)’ opts for a more abstract, ASMR-like rendition, while ‘Out There (Jody’s Mix)’ reels out as a proper hypnotic, sense-awakening comber that’ll send off dancers straight into a blissed-out daze.

Banger classic efficient Hackney Road Hardtek with a pinch of transecore !

With a fundamental emphasis on the encouragement of genre hybridization, Evar Records, the Los Angeles-based imprint co-founded by Trickfinger (John Frusciante) and Aura T-09 (Marcia Pinna), continues its momentum with an expansive 9-track collection from Netherlands-based luminary, Limewax.

After making a strong first impression with its 2020 debut offerings, Evar Records has recruited Limewax to carry forward its mission of blurring boundaries and challenging conventions in electronic music. The Ukranian hard drum and bass hero happily obliged, referring to signing with Evar as a breaking point which allowed him, finally, to take full stock of his background in classical and electronic music simultaneously. Although Maxim Anokhin is widely known for his hard-edged breakbeats, releasing on labels such as Tech Itch Recordings, Position Chrome, Freak Recordings, and PRSPCT, the full scope of his artistry shines through on Untitled.

The opening cut, "Porcelaineworm," is a futuristic electro cut recalling IDM classics like AFX's "XMD5A." Of course, the virtuosic drum programming and hectic D&B sound which Limewax has built his reputation upon is here in spades on tracks like "Stay Lackey. Cuts like "Ushio" and "Whay1" are fascinating studies in contrasts—the former balances bludgeoning techno of the Ansome and Perc variety with a resolve that recalls Fennesz's pastoral glitch abstractions. "Whay1," meanwhile, is sub-rattling drum and bass nuanced by cinematic string themes. "Getupa" is an experimental beat track that truly bangs, its layers of texture and field recordings placing Limewax in the company of bleeding-edge acts like SVBKVLT's breakout star Hyph11E. The very next track, "19NB," is a subtle update to the original minimal technical template established by Detroit icons Robert Hood & Jeff Mills.

While most of the album hurtles forward at hard techno and D&B tempos, "Maleisae" is a sensual 70 BPM track mixing ghostly R&B and acid. That spectacular cut heralds Untitled's intricate denouement. The brief "Wernmqbram" effortlessly reconciles a baroque minor-key piano theme with the renegade snares of classic jungle. "Hasan" is a true "closing credits" master stroke, half-time acid giving way to gorgeous IDM-meets-Blade Runner synth leads.

Far from a genre-jumping hodgepodge, Untitled is a remarkably coherent full-length by a virtuosic artist free to explore the entirety of their creative influences. The Tilburg-based artist cites the poets Marina Tsvetaeva and David Whyte as influential on Untitled and also listened to works by 1771-1862 works by organ builders when crafting the album. The end result reveals Limewax as a masterful, diverse artist, capable of any style he pursues. It's a clear indicator of the boundless promise of Evar's core principle—a staunch refusal to put artists in boxes.