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Techno Vinyl New Releases - News
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LTD black Repress !
We Are Thrilled To Announce... Ok Let's Just Stop It Right There! I Won't Bore You With The Usual Press-info Talk But Just Run Some Key Facts By You: We're Celebrating Ten Years Break New Soil This Year And Are Releasing An Anniversary Compilation Containing Exclusive Tracks Only. We Believe The Line Up Of Part 1 Speaks For Itself: Paul Ritch, 2000 And One, Patrick Siech, Johannes Heil And A Track By Myself. I Want To Thank You For Your Support This Past Decade. Here's To The Next One! (gregor Tresher)
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Myst launches his label and wishes to leave a trace of his past events through immersive records.
This first EP takes us back to the Prologue of our history and invites two emblematic artists: ABSL & Size Pier.
In these uncertain times, we still want to claim our ideals through this passion that brings us together. Chaines et Denuement will therefore be the first vinyl of a long series.
Last delivered 5 years ago
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Part 2[14,08 €]
A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.
Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.
Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.
Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.
Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.
There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.
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Kelli Hand returns with more gold from the Acacia Records vaults. 3 more tracks of pure deepness from the first lady of Detroit.
This elusive EP has been tough to track down in the past, and we are proud to make it available again, re-mastered, re-pressed and re-released in conjunction with Kelli and Acacia Records Detroit.
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"Everybody / You Give Me" is another slamming slab of Detroit Techno from 1993 on Kelli Hands Acacia Records imprint. Kelli Hand kicks off side A with a heavy, looping monster of a track punctuated by vocal stabs exclaiming "Everybody, everybody", this is rough and tough Detroit business, an excellent DJ tool that keeps the funk strong throughout, a devastating dance-floor record of the highest order. Over on the flip we have the legendary Claude Young who turns in two mixes of "You Give Me", a futuristic sounding groove, stripped back and funky with tight, choppy drum programming and clipped vocal samples weaving in and out of the mix, this one is another sure fire weapon and featured here are the dub mix and the instrumental. This 12" has long been sought after and has changed hands for £50 and upwards on-line, this is the first time it has been re-mastered, re-pressed and re-released, all in conjunction with Kelli Hand and featuring the original 1993 artwork. An essential addition to any self respecting Detroit fanatics record collection and an indispensable record to have in the bag for any DJ.
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Legendary techno stalwart Mark Broom steps up to Rekids Special Projects this February with ‘Mutated Battle Breaks’.
Continuing to run his no-nonsense techno-focussed sub-label with aplomb, Radio Slave recruits legendary UK DJ/producer Mark Broom for a mammoth eight track release on Rekids Special Projects.
Across ‘Mutated Battle Breaks’, Broom turns in eight fast paced techno rockets, each averaging three minutes in length. Short but absolutely sweet, ‘Mutated Battle Breaks’ embodies the exact kind of climbing-the-walls energy found at his DJ sets across the world, bringing his broad range of influences and experience to a label constantly pushing exceptional techno.
Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.
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- A1: 1986 - Where Are You
- A2: 1978 - Sérénade D'un Autre Monde
- A3: 1982 - Légère Complainte
- A4: 1982 - Complainte À Deux
- B1: 1991 - Tensus (Ceremonial)
- B2: 1991 - Anhamete (Ceremonial)
- B3: 1991 - Amdaï (Ceremonial)
- B4: 1991 - Sacuo (Ceremonial)
- C1: 1982 - Excitation Séquencée
- C2: 1982 - Sautillement Déjanté
- C3: 1982 - Brut De Décoffrage
- C4: 1982 - Mal À L'aise
- C4: 1989 - Mov' in
- C5: 1976 - Musique Concrète 1
- C6: 1976 - Musique Concrète 2
- C7: 1981 - Ne Fait Que Passer
- D1: 1983 - Comme Une Distance 1
- D2: 1983 - Comme Une Distance 2
- D3: 1983 - Comme Une Distance 3
- D4: 1983 - Comme Une Distance 4
Described by Swiss press as an “inventive genius marked by total unpredictability,” Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other. Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.
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finally repressed !
Skatebård (aka Bård Aasen Lødemel) is warmly welcomed back to the Bordello. Following 2013´s Love in the Night comes a 12' of quite a different hue. Colour Negatives collects three brand new tracks from the Digitalo founder. The late night rave funk session of 'Fujicolor Pro 400H' spikes and spins on beams of concentrated energy. Those same infectious hooks dawn into the flip. 'Agfachrome RSX II' is bright, clean and joy filled; Skatebård delivering pure goodness to nurture any bodies beginning to flag. Paranoia and the break of day enters with 'Kodak Portra 800', a minimal two stepping demon that cuts like vinegar. Shape shifting synthesizer sounds from an artist who simply ignores genres.
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HouseElectroNu DiscoTechnoTechno
As a New Era beckons globally, Manchester’s primo Manctalo merchants – Red Laser Records – quietly unveil their latest clutch of specialist space-age kinetics. A fifth-kind encounter enabling users to bridge the continuum of dance & interaction between our Earth-dwelling selves and the inter-dimensional overlords.
Containing three brand new movements in machine music from our treasured production stable of Kid Machine, Bob SwanS and Il Bosco; it also houses an honorary appearance from revered Danish spearhead Flemming Dalum, who serves up a particle-splitting redux of a lesser-known proto-techno nugget from Belgium. Dalum’s been traversing the star-clusters on his own intrepid missions for a while, so we’re mega buzzed to have him back on the RL mothership.
Stretford based synthesizer technician, Bob SwanS has been drafted in specifically by RL head Il Bosco for his advanced skills on the patch bays. “Aphelion Run Theme”, the point of which an object’s orbit is furthest from the Sun, vividly detailing in sound the journey our collective consciousness must undergo in order to reach the Highest Elders. We highly recommend utilising this track alongside Dr. Greer’s outstanding work with extra terrestrials.
KID Machine’s celebratory, vocoder-led Manctalo message: “It’s The K.I.D” is a sonic motif to our interplanetary relatives; this cybernetic b-boy’s way of spray painting the Red Laser logo over Proxima Centauri B’s subway network in neon-blue, pyroxene paint.
Bosco lets loose with one of his most impassioned creations to date too. “We Almost Lost Oddbins” previously titled: “Save Our Scene”, a universe-wide cry for help recorded when worldwide limitations on dancing and human co-exchange were at their most aggressive; its nonetheless positive outlook inviting us all to look both inward and outward for solutions in the New Normal.
Encased within a striking monolith art print, depicting the mystic energies of ancient galaxies it heralds the now widely-accepted belief that we are in no way alone in this universe and that channels of communication between more advanced civilisations than ours have already begun…
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Second release from Mitsubasa.
MTB002 comes with exclusively produced tracks from KE:NT, Gerald VDH, Utroit & K.O.S and Lukas Stern. A solid grooving all-round vinyl.
Mitsubasa was founded in 2019. The sense behind the label is to produce and release timeless music in high quality and no doubt about the spirit of true techno. Mitsubasa means three-wings and stands for the soul, the heart and the mind. Mitsubasa aims to bring them together to produce and create techno music over limits and standards.
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Kole Leijen aka DJ Surgeles is a Dutchman who heads up the label U.F.F (Underground Freedom Fighters) and has released music on Ricardo Garduno's Illegal Alien LTD, Diffuse Reality and Dave Ellesmere's Belief System. He also promotes parties and club events in Netherlands, booking guests such as Regis, Bas Mooy, Steve Rachmad and Echoplex.
DJ Surgeles is also a firm favourite of Detroit legend Jeff Mills and was asked to compile a mix CD for Jeff’s label Something In The Sky, the sister label to his infamous Axis Records.
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Detroit's Ali Berger returns to FatCat Records' sub-label FCR with a follow up release entitled 'Keys The Door EP2'.
After his 'Keys The Door EP1' that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan's Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali's previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that's gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.
'Grease Trap' kicks things off with a wavering acid line, robust melodies and outlandish oscillations before 'Heard' drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. 'Hit Piece' introduces eccentric synth shoots, bubbling percussion and glistening rhythms until 'Keys The Door' rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.
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The debut release on Raw Basics is a split single from Basic Rhythm and Parris that reworks tracks from Basic Rhythms first LP, Raw Trax.
The A side is a VIP version of the closing track from Raw Trax, which you may have heard on dubplate in Basic Rhythm sets from the last few years. Stripping away all the drums Basic Rhythm reduces the track to a hypnotic synth line, coupled with a smattering of hi hats and the classic Rainy Davis vocal sample, before unleashing the Reese like synth line, pounding kick drums and full vocal hook.
Parris comes with a total flip of Feel Me for the B side. Starting with a slow steady 4/4 kick drum and droning horns, before dropping in a gargantuan sub bass, Parris builds and reduces over and over again, bringing percussion in and out. A sparse sprinkling of vocals and effects throughout the track, and the most minimal of melody lines, keep the track rolling with a clean and spacious, sophisticated air that only Parris can bring to the table.
DJ Support
Martyn, Josey Rebelle, Barely Legal, LMajor, Ike Release, Warlock/ Hooverian Blur, Ciel, Savile, Wheelman, Glenn Astro, Perko, EMA, Metrist, Oliver Hafenbauer (Robert Johnson), J-Shadow, Lorenzo BITW, Flore, DVS1, Richard (Numbers/ Rubadub), Haram, Dan Monox (Dixon Avenue Basement Jams), Tom Trago, Nikki Nair, Jossy Mitsu + more
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TechnoTechnoLimitedDroneExperimental
This release is part of special double vinyl pack, sold separately.
Drone slow techno and 4x4 experiments by the owners of the label, F-on and Urtzi.
Last delivered 6 years ago
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Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music.
Spinning records since the early 80’s, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few.
The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.’s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever
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Das Bristoler Duo gehört zu den aufregensten neuen Acts des UK Underground der letzten Jahre. Mit Gigs im Berghain, beim Glastonbury und als Support von The Horrors und IDLES sprechen Giant Swan Hardcore-Punk-/Noise-Rock-Fans ebenso wie die Club Crowd an. Ihrem selbstbetitelten Debütalbum aus 2019 auf dem bei Warp angeschlossenen Label KECK folgen nun die ersten 3 neuen Tracks, die all das verkörpern, wofür Giant Swan stehen: deformierte Techno-Strukturen, Sub-Bass und Bruchstücke verzerrter Vocals kreieren ein einzigartiges Wechselspiel, produziert von Russell Haswell (Aphex Twin, Mika Vainio, Merzbow). Limitierte Auflage.
"The duo display a fearsome mastery of techno dynamics, but it's their detachment from that world that makes their music so compelling." - Resident Advisor
"Giant Swan seem free of pretension. They’re two punk kids who cracked the rave code by accident, and they’re having a fine time." - The Wire
"Giant Swan throw their middle finger up to genre constraints, working with their own set of rules." - DJ Mag (9/10)
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Transit Valley is the debut release by Joe Coghill, a multi-disciplinary artist, musician and experimental publisher based in Edinburgh. His practice incorporates sound, video, performance, social sculpture, facilitation and media distribution. Borrowing from multiple spheres of influence, his scattered output operates from a liminal position. Coghill works in an improvised and often haphazard way, incorporating disparate field recordings, modular synthesis and other sonic ambiences to create unpredictable and ephemeral multi-layer audio-visual performances. Alongside this Coghill has been producing music recreationally in his various bedroom studios over the past 14 years.
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Napoel is a techno record label consisting of two djs based in Naples; this project mixes the influences of its founders.
Gi Napoletano joins the world of electronic music listening to house music but he fastly reveals his techno attitude. He starts dj-ing in 2000 in many clubs in Naples, then he drops his own ep and remix.
Secondlous passion for music dates back to his early adolescence. Born in 1984, his knowledge has expanded through various different genres of electonic music to the more innovative styles like Hip-Hop, Trip-Hop, Breakbeat, House and all the way up to Techno, IDM , Downtempo, Ambient and Chill-Out music, thus creating a complete music culture.
About Zenomorph
Its an imaginary trip to outer space, on Zenomorph planet, where sci-fi ambience meets futuristic and industrial influences. The ep tells of the first contact with an unknown life form, where every tracks refer to a specif phase of this epic journey
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TechnoTechnoBeatsAmbientJungleBass
Up next on Club Qu is UK producer Otik, delivering a highly detailed EP melting techno, jungle, ambient and just about any type of bass music down to his own creation. Munich Duo Zenker Brothers add a rowdy signature remix of theirs to the pack and it's done - a heavy 12 suited for many different record bags.
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- A1: Nono Degrado
- A2: Ghisa Nera
- A3: La Giovane Ereditiera
- B1: Lontano Dagli Occhi
- B2: Citta` Dalle Notti Rosse
- B3: Come Sopra (Versione Subacquea)
- C1: Ripensamento
- C2: Prospettiva Niente - with Starfuckers
- C3: Carillon Del Dolore
- D1: Era Meglio Vuoto
- D2: La Notte Come Una Belva
- D3: Rivoluzione Moderna
- D4: Luogo Di Frontiera Abbastanza Importante
- D5: Morire Con I Grilli Ad Ibiza
Grandi Successi" is a project by Angelo Sindaco and Maurizio Carli Moretti with guests like Raime drummer Valentina Magaletti, Soft Moon Matteo Vallicelli, impro-avant combo Starfuckers, Jonathan Clancy (singer of His Clancyness) plus contemporary artist Claudio Corsello and writer-performer Emidio Clementi.
This is a limited edition of Grandi Successi Album in 33 copies, numbered and signed by the artists, including a sewed silver screen printed rubber extra cover and a bonus cd: OTO club tracks reworked by tech-house masters Bassa Clan.
Angelo Sindaco started producing electronic industrial music on tape in the mid '80 and dark techno during the nineties, releasing albums for ACV, Minus Habens, Eukatech and more. He has been the first techno dj in Bologna (Italy) at Link Club sharing decks with Underground Resistance, Aphex Twin, Theo Parrish and many others.Maurizio Carli Moretti started djing in 1981 opening for Killing Joke and Contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music.
The album will come in 2x12 with an art-printed cover/poster.
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‘Telomic Ghost’ is the natural peak of TM404 & Echologist’s transatlantic collaboration. Since their first release together in 2017 (KYN007), Andreas Tilliander and Brendon Moeller have explored their subaquatic, techno sound on a further EP (KYN010), and now this album broadens the scope with ambient cuts, slo-mo acid and dubbed-out house.
Both Tilliander and Moeller have renowned discographies of hazy electronics, under a number of aliases and with numerous collaborators. Their records as TM404 & Echologist have struck on a powerful synergy, pairing the glitchy, Roland indebted sound of TM404 with Moeller’s dub-wise headspace and striking sound design. Turn the lights down, press play and freefall into the depths of ‘Telomic Ghost’.
Available on 2 x 12” vinyl
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The consistently innovative Catch Recordings is back with a new EP from Leipzig based producer U+00C5. As always with this label, the music is right from the cutting electronic edge and finds this stylish producer blur the boundaries between ambient, dub and techno in evocative new ways.
Cult favourite U+00C5 is focussed on new musical forms, on modern sounds and redefining the European techno sound. He consistently pushes forwards and is a master of the interplay between hypnotic repetition and otherworldly abstractionism, all while drawing on dark ambient and drone. Once again here the producer who also works as Åmethyst is in fine form across all five tracks.
Atmospheric opener 'Blutdruck' is a deep techno roller that fizzes with a sense of post-industrial dystopia. The shadowy grooves are eventually backlit by subtle chords that bring real warmth and soul. The excellent 'Empfinden' is more high tempo but just as cavernous and absorbing thanks to the rolling rubber drums, distant synth drones and sci-fi motifs that add the all important details which keep your head as engaged as your heel.
The beautiful 'Taumel' is another slice of hypnotic and tunnelling techno embellished with gorgeous ambiance from the outer edges of our galaxy. 'Nichts Ist Wahr' closes things out with suspensory pads giving you the feeling that you are floating in space before the firmly rooted drums rumble on and take you into the next dimension.
This is another fascinating EP of club ready but seriously heady sounds from Catch Recordings.
Last delivered 6 years ago
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TechnoElectroTechnoBeatsAmbientBreak-BeatExperimental
Leo Anibaldi, Heroin In Tahiti, Laura Betti, Riccardo Schirò, Gabber Eleganza, Alvin Curran, Nico Vascellari
Remastered tracks by Leo Anibaldi (Rephlex) and legendary actress Laura Betti, new tracks by Heroin in Tahiti and Riccardo Schirò, an interview excerpt (Gabber Eleganza) and a live recording of Nico Vascellari and Thomas Baldischwyler working on / remixing a track by Italo-American sound artist Alvin Curran.
Extensive liner notes about Baldischwyler's stay at the German Academy / Rome included. LP with black and white printed inner sleeve and four colour cover in silk screened PVC sleeve.
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After an amazing duo of vinyl releases from Jordan Fields and Vincent Floyd, Chicago Basement Trax keeps banging out the jams! The Boxed Out EP sports another lost tape from Jordan Fields with Oriental. No fake added noise here from this original 80's synth and drum machine creation just more uncut raw from JF's archive that seems to have no end!! Check out more old school and acid by jack Jeremy Williams, Italy's Giuseppe Gatti and Paris underground pushers Wondernature! Massive EP!
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TechnoElectroTechnoBeatsExperimental
Raw Culture is back to torment your lives. This time we have the regret of having in our roster the ex ice skater Wosto.
Based In Hamburg he is putted his sign on some label such as Sign Bit Zero and he give is effort to some groups such as Fallbeil and Sauerstofff (with the duo Nostalgie Eternelle). Teerpappe is his own vinyl label where he released also solo records. This release Das letzte Nasenhaar EP is a collection of Kraut Break Beats with a strongly German and weird imprint. Borderline with noise.
Raw Ambassador had the task of cooking his version of Party Animal with the collaboration of the vocal cords of the same Wosto for a really original result, a dance floor killa.
The release will be available form 13th December in a limited series of 300 hand stamped vinyl.
Last delivered 6 years ago
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Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy..... Daniel Wang
Available to reorder, subject to availability
Melbourne’s rising star DJ Life returns to Echocentric
Records to complete the Musica Australis Incognita trilogy.
The A-side is all about “Accelerator” - a hyperventilating peak
time whomper of the highest calibre. Rudolf C steps in for
remix duties and morphs the title track into a hypnotic
blinder. On side B “Exaltic” is a trademark DJ Life genrehopping hybrid burner. The closing number “Glycol” fuses
electro with IDM overtones, a real hidden gem.
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Voodoo Down Records presents the debut 12" of Melbourne-based techno producer JXTPS, who delivers here three powerful cuts of rolling big-room techno. The EP kicks off with a bang with some breakbeat fills that clear the way for heady hypnotic tension on "Become Nothing". The B-side opens with punchy acid stabs and distorted guitar chords on "Untitled 02", and closes beautifully with a creeping early-morning groover on "Mr. Pink".
Last delivered 4 years ago
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PRZ strikes on eudemonia with an acid-influenced 4-track EP. The Tel Aviv based artist who runs Chateau Royal and is a resident from the oldest running party series in the Israeli metropolis called ‘PAG’ shows his darker side with a haunting blend of Italo House, Electro and Techno.
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