Techno Vinyl New Releases - News

Limited to 100 copies.
Wonderful energetic techno EP from Berlin producer and dj Dejvid Kavazovic. Inclusive a massive remix by FBK (Rekids). 5 prime time ungerground techno bombs !

Lowkey and Kardinal again.. together ! United they stand !!

A side brings an absolute killer that really deserveto become a classic... Loads of deja-vu high times … The flip is a Pure DJ Tool in the Goog Style !

Heavy-set, saturated techno on a hand stamped 12".

Six years before the release of his landmark Mother Earth’s Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn’t You Hear?

While not much is known now about the exact nature of their collaboration, Here's Garson’s magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn’t You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then.

As Jochem Peteri returns his attention to the jewels buried in his back catalogue, including last year's reissue of the 154 LP Strike, it's a 01 The Force.mp302 Star Power.mp303 NoworldbutU.mp304 Avon Sparkle.mp305 Trespassers.mp306 The Tide You Can't Feel.mp307 The Dead Bears.mp308 Shine Eyed.mp309 NY.mp310 Kirana's Lament.mp311 Kemo Sabe.mp3relief to know this understated rough diamond is getting the appropriate reissue treatment. 3xLP remastered, recut, a full 11 tracks deluxe edition of this timeless gem, TIP!

This EP is a must have and real weapon on any dancefloor. New York's finest Mr. Tony Rohr & Dietrich Schoenemann deliver you a monster track which was remixed by Perc, Metalogic and Alland Byallo to complete this outstanding package.

Welcome To Binary Soulcode Records, A Label Who Is Born For The Love For The Classic Sounds Of Detroit Techno And Chicago House, Always Looking For New Ways Of Expression In Both Electronic Styles And Never Forgetting The Innovation That Both Styles Ment Since Their Birth In The Beginning Of The 80's.

Since completing his two-decade-long hip-hop trilogy as Dabrye in 2018, Ann Arbor-based artist and Bopside label head Tadd Mullinix has engaged his arsenal of aliases with renewed heat. First came the debut of X-Altera, a new project flexing a wildstyle hybrid of drum & bass and deep techno. Now, he returns to James T. Cotton, a moniker which dates back as far as Dabrye and helped define Spectral Sound, the dance imprint of Ghostly International. While historically tagged as Mullinix’s acid house alias, JTC has always expressed with a more pliable sense of genre, freely fusing an eclectic blend of classic electronic sounds; helpings of Chicago acid, Belgian New Beat, and the leftfield techno stylings popularized both in Berlin and Detroit. With Indigo, Flesh and Fire, Mullinix moves closer to the latter city, adopting a bright, optimistic tone informed by minimalism and futurism.

"I have been more withdrawn and introspective on a personal level, in a positive sense, and I think that fact has made my creativity reach toward feelings about peace, positivity, fantasy, wonder, and openness,” says Mullinix.

The EP is packed, but still playfully ambiguous; a club-ready set built to max out mixing boards with spacious and nuanced melodies and motorized percussion. Five tracks, each with roughly five-minute run-times, offering all but a few breaths in a quest for highly operative dancefloor hypnosis. The record wastes little time locking in; on the first track, “Innerloire Rendezvous,” a dense square kick plows through a brisk four-on-the-floor routine phasing over harmonious synth stacks of rubbery fifths and sevenths. The title track splatters a lenticular static spray between thumping kick, billowy melodic swells, and staticky clicks, snaps, and claps.

Mullinix’s distilled musical vocabulary, developed by his many years in the game, gives the set a misty-eyed quality without compromising its contemporary merit. This is music, inspired by history but fiercely forward-thinking, that feels both subterranean and airborne; in the grind on the ground and soaring above in an iridescent super-charged fog.

key selling points: - Debut release on Spectral Sound - Past releases on Firm Tracks, Nite Owl Diner, Sweat Equity, FCR, Clave - Limited to 300 copies worldwide.

Sardinian “Claudio PRC” is a well renowned name in the scene, known for the peculiar, meditative and introspective sound he’s delivered over the years. Claudio is no stranger to our label, kindly gifting us his beautiful track “Void” on the AWRY005 compilation early last year.
With his forthcoming release “Insel,” he shows us different sides of his sound, creating 3 tracks with varying moods, each dedicated to experiences during his time in the city of Berlin. The B side features a remix of “Ost” from label owner Wrong Assessment, marking his return to AWRY after his “Asa Nisi Masa” EP release."

(Vinyl Only) Driving rough cuts from “Disx3” on the 4th chapter of Shlomi Aber’s Vinyl
Only Limited series “Lost Episodes”

Ellen Alliens take A Stand' Bekommt Vier Remixe Anbei Gestellt, Welche Die Unbändige Power Des Originals Gleichermaßen Unterstreichen Wie Verstärken. Von Kobosils Hymnenhafter Rave-bombe Über Cosmin Trgs Atmosphärischer Neubearbeitung Und K' Alexi Shelbys Chicago House-interpretation Hin Zu Jonas Kopps Hypnotischen Percussion-rework Hebt Dieses Vielseitige Remix-paket take A Stand' Auf Ein Neues Energielevel.

Italian artist Future 16 is back with a new vision of abstract, out of
this world techno, and shares this lovely piece of wax with one of top techno producers from Poland - Larix, who delivers an intense percussive journey for our 18th chapter of Counter Pulse Series.

The ever in-form Endlec is here on remix duties with an explosive 136BPM remix of "The Counter", and our good old friend Sev Dah produces an intelligent techno groover of Larix's "Tart".

All beautifully mastered by Counter Pulse in-house engineer Mattias Fridell, this release has already passed the tests on some of the worlds best dance floors.

White Vinyl

"Gerra & Stone - Polarism" split.
C/D disc at a discounted price.

For our new release, our dreamteam for conceptual techno music have come up once again with two tracks perfectly incorporating their signature sound, which originated over eight years ago on their first release. Many landmark productions later on labels such as Music Man, Cocoon or our sisterlabel Break New Soil, we are happy to have them back - and boy, did they deliver! Please enjoy „Sirens“ and „Headless“ - and lose your head on the dancefloor once again!

British techno stalwart Kirk Degiorgio steps up for the next SUARA release with three heavy hitting originals alongside a stomping remix from Mark Broom. ‘Arc Mode’ is drenched in 303 acid lines, pounding kicks and resonating cymbals, it’s ready-made for big rooms and dark dancefloors as surges of synths pulse through.

Another 90's powerhouse Mark Broom takes to remixing ‘Arc Mode’ dialling down the acid in place of full-frontal stabs, squelching bass synths and dizzying hats. On the flip, Degiorgio unleashes ‘Redeemer’ an amalgamation of swirling, siren-like synthlines, rising percussion and the kind of urgency that will raise fists over heads wherever it’s heard. Closing out the EP ‘Astral Cell’ is a bleepy, space searching cut to get lost in that’s both immersive and stirring in equal measure.

DJ Feedback: (1) Ramiro Lopez - Solid EP. Mark Broom always making a great job as well. (2) Joseph Capriati nice, will try soon! (3) Jeff Derringer - Very nice record!! (4) M.I.T.A. - Mark Broom, killer remix! (5) Drumcomplex - Mark Broom Remix is massive! (6) Klaudia Gawlas Redeemer is awesome! (7) Josh Wink - More diverse music from Kirk!

... Always surprising and never letting down!

AZZUR owner, Melokolektiv returns on Galaktika with his first solo vinyl Ep on the imprint 'Where Are You Earth '.

A side brings three amazing original tracks to the table made of synthetic melodies, spacey beat and acid basslines. "Control the Night" and "How to be Drawn" will, with no doubt, pleased the dancefloor while "Where are You Earth" presents something deeper and melancholic.

On the B side, we are happy to welcome two of our all time favorite producers.

First, Langenberg, who offers us a sublime reinterpretation in the line of his deep and organic releases on Liebe*Detail, Drumpoet Community and Poker Flat.

Then, UK legend Mark E who delivers a functional, raw and hypnotic reinterpretation. Definitely something which will please Dj's. Timeless!

The wait is over as Eric Prydz returns under his Pryda alias to offer up four tracks of classic Pryda gold. Rich in sonic goodness, weighty arps, hard-hitting kicks and swelling synths it's a stand out e.p. for the 39th offering from the Pryda catalogue. As ever, there's an expert exhibition of musicianship and production on display in each of the tracks, a depth of character to the music that will sound monumental on any system they're played on.
Both dark and magical at the same time it's a real journey of a record and is sure to do damage whenever, and wherever, it's dropped.

It's been over a year since we at Suction Records last raided RX-101's archives, but far be it from a lack of quality material. In fact, we've been holding back this special batch of melodic, chilled out techno and electronica for 'Dopamine,' RX-101's first full-length vinyl LP. Dopamine (suction047) is a cohesive body of work with clear references to Aphex Twin's 'Selected Ambient Works 85-92', Polygon Window's 'Surfing on Sine Waves', and Warp Records' 'Artificial Intelligence' series.

For those of you new to the story, RX-101 is Dutch producer Erik Jong, who recorded hundreds of top-tier AFX/Rephlex-style tracks to cassette tape from 1997-1999, but never sent out any demos ('I didn't think my own tracks were good enough, or feel the need to share my tracks with others. I simply wanted to make music without any pretension or specific purpose'). Suction Records discovered RX-101's output via Erik's Soundcloud page, which had been much discussed on Aphex Twin fan forum We Are The Music Makers, where many speculated that Erik was in fact a secret Richard D James alias. We were blown away the vast treasure trove of golden era '90s electronics in Erik's archive, and began work on an ongoing campaign to release the music of RX-101.

Although Erik was initially driven to electronic music production through the influence of house and techno, especially Detroit-area heavyweight labels Underground Resistance, Plus 8, and Transmat, it should be clear to anyone who listens that RX-101's primary influence is the work of Richard D James. While RX-101's output to date has been like an overview of many facets of the AFX/Rephlex catalog, from Caustic Window-style crunchy techno, to Bochum Welt-style synth pop, to Universal Indicator-style acid, the focus of Dopamine's sound palette is firmly guided by the slow, funky and crisp 808 patterns, warm analog basslines, and evocative chords of Aphex Twin's landmark 'Selected Ambient 85-92' LP. It's an immersive listen from start to finish - 13 tracks of armchair techno of the highest order.

Sendai is the collaborative project by Yves De Mey and Peter Van Hoesen. Both artists are longtime friends and share a deep passion for exploring the outer limits of the electronic music spectrum. Sendai combines De Mey's skillful extraction of deep and dynamic sounds from his modular synthesizer system with Van Hoesen's keen sense of digital composition and sound design.

Like many Canadians, Joseph Shabason and Ben Gunning like to untangle themselves from urbanity and disappear up north a few times a year. Unlike other cottage-goers, Ben and Joseph don’t while away the ur-time on jet-skis and lounge on docks reading pulpy mysteries. Instead, they bring a car full of synths, drum machines, saxophones, guitars, samplers, effects, and recording equipment to jam the days away in a cabin-fever inducing haze of wood smoke, cedar musk, hot wires and jazz sweat.

Muldrew, recorded on the northern Ontario lake by that name, is the culmination of several years of this collaborative tradition. Resisting their penchant for composition and arrangement, the duo embarked on this project with only an open framework that encouraged restraint. The result is a sparse and improvisational album, hung on enough structure for each song to evoke a distinct, albeit ambiguous mood. Space is paramount and even the most digital elements breathe with the resonance of the room and mingle with creaking floors. The resulting album is steeped in the placid stillness and northern ambience of a lake at dawn, and the emotive expanse of a forest at dusk. Imagine an ECM cottage-series, or Jon Hassell and John Martyn scoring a Bela Tarr film set in rural Canada. This is the future-proof music of metropolitan polyglot minds invigorated by nature’s mute refusal to follow a click-track.

DMM Pressing. Limited Edition of 500.

The Brabant Shrobbelèr is a searing 20 minutes of classic and unreleased New Beat tributes by James Kirby aka TheCaretaker aka V/Vm, comprising material produced and originally produced in 2006. It was selected and sequenced by Jerk van den Boschalottt and mixed and chopped to mucky perfection by Miles ov Demdike Stare, marking up a personally important 5th instalment of our BK12X12 series, while also providing an arguably fitting headstone to one of V/Vm's most cultishly
adored projects.New Beat has long become the black sheep of Manchester's dance music canon, wilfully unacknowledged by successive generations of DJs who continue to suckle at the entrails of the Haçienda, when in fact New Beat was a crucial part of the Manc Dance make-up, most often mixed up with Chicago, Detroit and New York house, and whatever UK bleeps and boops were bubbling thru at that time.
James Kirby aka V/Vm is all too aware of the fact, and thanks to the influence and legendary DJ sets of V/Vm card holder, Acid Alan - whose New Beat collection spilled over the racks at a now defunct NQ record shop - its memory and place in Manchester's rave folklore has been preserved by only a select few souls who really.cannot.be.fucking.chuffed. with the constantly regurgitated putative history of our city's club and warehouse culture.
Now, 30 years since New Beat was syncretised and sonified by the weekending loons of Flanders from the the best/worst bits of synth-pop, EBM, house and electro - arguably giving birth to
the rave techno paradigm we know and love in the process - V/Vm's sincerely dark, sexy, and unforgiving dedications take on a new afterlife, resculpted into the oft-maligned but temporally
appropriate format of a MegaMix, as was found on dozens of original New Beat and Acid House compilations and 12's.
Driving from Be-Dash's over-the-limit jackoff, Must Do to the curdled acid gargle of Euro Hit via pure smuts in I Wanna Fuck Miss Nicky Trax, also taking in 'Animal' Andy McGregor's Fuck My Pussy and Hear Me Coming, and previously unknown gold such as Russell Grant and Bajs Grotta, this is the sort of record that deserves its own plinth in the Arndale, preferably somewhere in front of the sweaty gammons and chicken elbows at Gabbott's farm shop...

'Fuck Varg' is Varg2TM--the artist formerly known as Varg--at his most chaotic and ornate. Streamlining a plethora of techniques and motifs into his inimitable and fearless style, there's reckless charm and misanthropy turbulently sequenced to perfection. Charting a route through the cybergothic psychedelia of the opening track, to the wistful anthemic charge of 'Thirst (Dressed in Nothing But UV Paint and Biodegradable Glitter)', and finally landing on the peak dead-eyed sermon of 'Parasites (Honest Music for Dishonest People) ft. G19', the digital EP's presentation rounds off on a lean and severe remix from VTSS. It's an EP of restlessness, ruins, and ecstatic keyboard mashing because there's not an emoji that's demonic enough.

Aus Der Community Rave Point (welche Seit ´93 Im Umfeld Der Gerberei Aus Schwerin Aktiv Ist)
Entstand Die Idee Für Einen Sampler. Gesagt Getan, Nach Einer Umfrage In Der Gruppe Gab Es Schnell
Interessierte Produzenten, Die Die Hier Vorliegenden 4 Tracks Beisteuerten. Die Idee Hinter Dem
Konzept Ist, Künstlern Im Umfeld Der Elektronischen Musik Eine Plattform Für Releases Zu Geben. Nun
Starten Wir Mit Dem Ersten Vinyl, Dem Rvp001. Rvn...frvr...

This first EP of the band is the synthesis of the sensibilities of the collective and the logical extension of their live performances of ALEA (s). Beyond the music, drawing and animation find their place there with neat artwork (and a limited series which includes drawings by FSTN the illustrator of the collective) and a vinyl which includes hundreds of drawings forming a mini animation movie loop if the disc is played under a stroboscopic light.

Following on from last year's album, Heart Of Sky, Damian Lazarus joins forces once again with his
spellbinding live project, The Ancient Moons, on Crosstown Rebels this April. He invites two of
Crosstown's most recent signees, BUTCH and Ae:ther, to provide their own take on the track.

The original cut of All I Need To Get High opens up with an atmospheric, broken beat intro. Lazarus explains
that he 'started with the pretext of the melody from the Marvin Gaye and Tammi Terrell classic and built a
psychedelic journey inspired by Pink Floyd and gospel choirs'. The breathy and soulful male vocals blend
effortlessly into the euphoric and hypnotising strings as the underpinning bassline drives the track onward.
'The song is deep, soulful and a little strange and I'm very proud of it,' Damian says. BUTCH creates a more
club aesthetic, adding a deep and rolling bass with squelchy synths and minimal vocals. A mesmerising
break bleeds back into the gritty bass. Next to provide their take is Ae:ther. He creates a more sinister and
foreboding feel with trance-like elements and an urgent beat.

Damian Lazarus & The Ancient Moons have unleashed a plethora of enchanting releases on Crosstown
over the past few years. 2015's album, Message From The Other Side, received high praise from the media
with The Fader calling it 'a journey into techno's dreamiest recesses' and Vice naming it a 'psychedelic
masterpiece'. Taken from last year's Heart Of Sky album, All I Need To Get High, features the vocal talents
of London singer Jesse Appiah, who has worked alongside Michael Kiwanuka, Jamie Woon, Kwabs and
Jess Glynne. BUTCH has worked alongside big names such as Ricardo Villalobos and released on the likes
of Rekids and Cocoon. His hard work has seen him awarded the title of Best Producer from Groove
Magazine two years running. As well as providing this remix for Lazarus, Ae:ther's debut album has also
been signed to Crosstown. 2019 will see the Berlin-based producer release once again on Afterlife as well as
unleashing his dazzling live-show on the world.

The second vinyl only release by Secret Keywords is a split record combining firstly two production versions by label head
Gianmarco Silvetti and Dahraxt. The second half or flip side is an original production from Giordanø alongside a remix from Conrad Van Orton.

Gianmarco's opening version of "Interstellar Cowboy" is made of stern stuff. Blistering claps, spaced out acid and an old school flare give this a unique feel.

Fellow Berliner, Dahraxt aka Mannella runs PicNic34 and its sublabel JTseries that has included contributions from Blawan, Sunil Sharpe for example.
Track two is his take on "Interstellar Cowboy" opting for a bubbling bassline with wild, looping samples, obscure textures but with a clear dance floor influence.

Giordanø is an Italian artist who has released music Illegal Alien, Affekt and Granulart.
His original track "Shimmer Mist" works a menacing gritty, analogue hook with a solid groove. Fairly stripped back and functional this is proper DJ weapon.

Conrad Van Orton rounds off the artists on this release. His remix of "Shimmer Mist" adds a more streamlined approach with a driving pulse. Additional deep chords add a classy melodic touch, but don't be fooled, this is a powerful masterpiece of sound architecture.

Lone and KETTAMA met at Glastonbury festival last year after being booked together for a B2B DJ set.
Although they had never DJ'ed together before their styles complimented each other perfectly and it was only natural that they get in the studio together.

The EP features one collaborative track and an original each from both artists but they way the tracks fit together you could be forgiven for thinking the whole EP was collaborative.

We know at R&S that Lone is capable of creating many different feelings with his music, working alongside KETTAMA seems to have pushed the euphoric, endorphin heightening 4/4 feels to the forefront. In turn KETTAMA reaches for some some synth lines that could have come straight from the Lone playbook. The influence of each artist on the other is plain to see and the results are three killer club tracks that people are going to be hard pushed to pick a favourite from.

We'll leave the final words to the artists:

KETTAMA:
"Matt (Lone) is a person I respect so highly as a producer so working with him on this EP was a seriously good time! The whole record came together so naturally in the end and super happy with the way it came out!"

“Releasing on R&S really is a mammoth thing for me personally. The label is not only, in my opinion one of the most iconic, long standing and diverse record labels since its inception but is also home to a lot of the music that stays most memorable to me when growing up and going out to raves when I was first getting into electronic music. The label is also where I first discovered Matt’s music through YouTube digging many moons ago and have been so influenced by it ever since. The combination of all these things makes it all the more special to do this record with him on this special label.”

Lone
“The first time me and Evan met in person was literally 15 minutes before our set together at Glastonbury last year. The set felt so natural and fun - it was clear to me we had the same ear for a vibe then and there - hearing his music for the first time gave me that buzz as well - effortlessly banging and euphoric so it felt right to carry that feeling over for this project. We didn’t need to talk too much or over analyse what we were doing, it was just about catching that vibe that I think connects our solo music so strongly. Evan is a beast producer, his music is some of the most exciting club music out there so it was a total honour to collaborate on this EP - and for it to land on R&S is a huge deal for the both of us… This project is about having fun, catching a vibe - total escapism exactly what we need at this time.”

collecting orders for repress

Alongside Farfa And Roby J, Miki The Dolphin Kicked Italy's Tuscan Techno Movement Into High-gear During The 1990's. Earning His First Residency 38 Years Ago, The Captivating Sounds Purveyed By Miki And His Compatriots Would Go On To Influence The Entire Italian Peninsula For The Greater Part Of A Decade. Miki Can Still Be Found Fusing Elements Of His Avant-garde Past With Future-leaning House And Techno In His Dj Sets Today, Having Assembled A Cult-following Thanks To His Sought-after Mixtapes, Highly-collectable Releases And Research Into The 432hz Phenomena. Originally Released Between 1996 And 1997, The Tracks On This Phonographic Disk Have Been Remastered And Re Edited With Contemporary Standards In Mind For Your Listening Pleasure And Playability. Lead Track, Apple, Incorporates Live Instrumentation With Tough, Northern Italian Rhythms. Caterpillar Glimmers And Undulates Across Its Pristine Psychedelic And Progressive Landscape; Sacre Graal Is A Fine Slice Of Timeless, Electronic Body Music. One For Those Who Know.

Fresh from Budapest comes Obrotka for Astronaut Music. With a healthy back catalogue behind him, the Hungarian supremo takes us on a 'Strange Trip To Mars' with remix support from the one and only Christian Hornbostel.

The original mix is a clever crossover of prog sensibilities and deep house swagger. Atop a sturdy percussive foundation the crystalised sonics trip pleasantly on the ear. While on the flipside, German production superhero, Hornbostel, delivers a restrained masterclass in groove and tension.

Support: John Digweed, Petar Dundov, Paco Osuna, Luigi Madonna, Max Graham, Quivver, Graham Gold, Daniel Mehlhart, Olderic, Sash BBC, Chris Fortier, Soul Button, Dimitri Schinder, Sanjai Dutta, Javier Orduna, Be Svendsen, Alex Nemec, DJ Harvey, John Johnnson...

WC0016 releases the fourth installment on ALLISANDNOT in collaboration with Abono.
This is his most personal work since the label was launched and it reveals the artist's true multidisciplinary facet.

The next strut of Lanthan.audio comes from curator Christian Gerlach himself. After an intense episode of exploring human architecture, it is time to open a new chapter and devote itself to the far more complex and graceful architecture of nature. With this five original tracks Christian shows the diversity of his productions facets and ranks in the series of his label.

An intricate lattice of runaway storms are tailored into E-Saggila's latest EP, 'Anima Bulldozer.' Careering off the edge from its own furious torque at some intersections, E-Saggila resolves the heady gains of the commotion with some of her most soothing composition to date by the EP's close.

grey & green marbled vinyl

We're glad to share another vinyl relic by adept veteran Feral. 'Woodland' takes us on a trip through his immaculate craftsmanship and inimitable sound, lacing contemporary minimalist deep dub techno with tribal psychedelia.

Feral consistently carries a thread of spirituality throughout his work. Embodying the sound of deep techno through his passion for audio engineering, hardware experimentation and fascination for percussive instruments, as well as an affinity for the shamanic becomes apparent when we swirl in tribal timbres and rhythms.

Finding comfort in the solitude of his studio; the sounds of Feral unearth the path of his multidimensional world, transporting the listener to a haunting, yet grounding refuge within.

The record will be pressed in two color alternatives and come sheathed inside our custom cut hansaboard sleeves, printed in full color with an oil painting by Gabriella Holmstrom.

Forthcoming release on Soma Records from Forward Strategy Group's : Patrick Walker

Excellent acid techno power-tracks from the biggest artists out there!

Leading through experimentation, Luca Vollaro aka Electrorites has been an unyielding force throughout the global techno scene. After establishing Nightmare Factory in 2010 and the subsequent release and success of his 2016 acclaimed album “Structures”, the Italian producer has not ceased in his expedition for excellence. Now releasing the 4th iteration of his archival series, “STR004 Archives Vol.4”, is a monolithic EP of digital soundscapes.
Releasing through his newly established label, Structures Records, “STR004 Archives Vol.4” is a relentless battery of hard techno basslines and abstracted beats. Composed of three archived tracks, 010, 011 and 012, this EP is a cavernous inception of industrial techno.
Leading the charge, Archive 010 is a robust and tireless propulsion into the depths of Electrorites’ mind. Hi-hats and computational effects ring throughout producing high powered and hysteria inducing sequences. Distorted and unclear at points, the track feeds off its adrenaline spiking nature to entrap listeners.
To follow, Archive 011 begins with a clean and rigid bassline, that eventually devolves into a futuristic and chaotic pass. Swept up in the evolution of the track, the mind is carried out of the body for a rhythmic onslaught of the senses. Then, out of seemingly thin air, a voice cuts through the noise, the voice of Charlie Chaplin in The Great Dictator. The uplifting monologue conjures up emotions and ignites the commonality of man, creating a unified electro-body.
Concluding the EP Archive 012 is the final assault in Electrorites’ work. Carrying similar kick and bass arrangements to tracks past, Archive 012 blares out uncompromising tones and is remorseless in its inflexibility. Ending on an abstract flurry of sound, Electrorites has once again demonstrated his techno prowess and electronic dexterity. “STR004 Archives Vol.4” is to be released in the end of June via Structures Records.

Jesse is one most interesting electronic acts of the Northern countries. Stiletti-Ana and Kalifornia-Keke make up the core of the band that plays with new genres and often explores new musical areas. In the bands residence, the studio in Helsinki with a collection of retro futuristic synthesizers that would make even William Onyeabor envy, the members are toying with new influences and creates deep pulsating and atmospheric songs. Höga Nord Rekords now release two of them as a 7”.

This single has more in common with Stiletti-Anas solo record from 2019 than of earlier releases by Jesse and is more oriented towards and ambient- and leftfield sound than “Fluids” from 2018. The songs bubble and flows beneath a tense surface. The music is suggestive and soft, still with a club nerve in it.

Jesse often chooses new musical paths and this release is the start of such a new direction.