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Initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, Future Four returns after a hiatus of several years, pushing into new eras, machines and ideals with 'Connection'. Initially a solo project of Andy Meecham, the brains behind Emperor Machine, Chicken Lips, and Bizarre Inc., 'Connection' is the first Future Four release to feature the contribution of Erol Alkan as a permanent member, and is a coupled with a remix from I:Cube.
A veritable powerhouse of synths, vintage drum machines and all man-ner of effects, 'Connection' unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. Cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of FM synthesis and psy-chedelia.
On the remix, I:Cube takes the unpredictable rhythm of 'Connection' and coaxes it's versatile, multiple elements into a timeless slice of boogie house. Nurturing the outsider Casio feel of the track under a musical heat-lamp, the always forward-thinking Frenchman emerges with a cut that could easily soundtrack both sun deck and space station.
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Parisian "Geo Balasta" pulls an extra-lucid extra techno from the earth's surface that has allowed him to open for Salut C'est Cool. His unexpected productions, bordering on derision, constitute the DNA of an acidic shiver which finds its sources in Green Velvet, the Horrorist or Gigi d'Agostino and which will soon be released on the 'Johnkôôl Records' label.
Last delivered 3 years ago
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HouseDeepElectroDanceTechnoTechno
Santé's AVOTRE returns for its 58th release with 'Trust the Matrix' EP, two tracks from Mathias Kaden and a remix courtesy of Joey Daniel.
Hailing from Berlin, Kaden has released on an array of respected imprints, notably Freude am Tanzen and Vakant which shaped his early production and DJ career. Following a busy schedule of international touring, the Cocoon Ibiza resident now steps up for his AVOTRE debut.
Lead track 'Matrix' jumps immediately into peak-time pace, a winding bassline laced with jacking and hypnotic melodies. 'Trust' follows suite and is an unassuming dancefloor destroyer which is already a staple of label boss Santé's sets.
Rotterdam's Joey Daniel delivers a robust reinterpretation of 'Matrix' that rounds off this weighty package. Daniel's been a mainstay of the Holland house scene having carved his career via his renowned 300MPH parties.
DJ Support:
Roman Fluëgel, Archie Hamilton, Maceo Plex, Joseph Capriati, Tiga, Nicole Moudaber, Richie Hawtin, Claptone, Kollektiv Turmstrasse and many more.
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Sometimes special events cause equally special responses, and we at THEMA must admit we felt blessed the first time around when Norm Talley stepped up for us and delivered one of our biggest bombs to date. Even with such a universally respected name, we just weren't ready for all of the feedback we received; truly it was overwhelming, and we thank all of our followers and fans for letting us know how it sounds over there.
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"Taken from Drome 001 - Phuture Classical Appendix A (1992)
Part 1 of a 3-Part Series released on Tabernacle Records (2018)"
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Skudge's passion for machine driven music and his artful approach to loops get reflected in this new release for Sungate. "Grain" and "Anyon" are two hypnotic, warm and dubbed out original tracks lying in that undefined area between house and techno. Smooth dub contours and slippery grooves for your enjoyment. Stojche's interpretation of "Grain" completes the release with an excellent dreamy and dancefloor-friendly remix.
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The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.
Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.
As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.
Kicking off Part 6 Belgian ballista, Charlotte de Witte, makes her Drumcode debut unlocking a thick-edged club bomb in 'Remember.' The A2 sees Reset Robot land on Drumcode for the first time, having been the most released artist on Beyer's imprint Truesoul, with an exhilarating workout in the shape of 'Self Existence'
The B1 sees a welcome return for Ramiro Lopez with his infectious track, 'Delta', a full frontal, heavyweight slammer that builds and builds to a monumental peak.
Last but by no means least, techno veterans Christian Smith & John Selway unleash 'Burning Chrome', a formidable synth-laden track destined to be played on massive soundsystems, showcasing why these two producers are still two of the best in the game.
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Dave Simon delivers 4 (+1 digital bonus) steaming tracks. The A-side is slightly deeper than the B-side, which is a bit more pounding. This EP strikes the perfect balance between profound and powerful techno.
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vier deepe pumende technotracks !!!
Last delivered 2 years ago
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Front Left Records founder Elad Magdasi is next to appear on Sinfol's Anagram Label with four stirring cuts entitled 'Liquid Dreams' this June. Originally hailing from Tel Aviv, Magdasi moved to Berlin in 2013 where he has immersed himself in the scene whilst honing his craft in the studio. Primarily a platform for his own productions, he launched Front Left Records in 2015 and later debuted on Anagram's 'Phasing Faces' VA in 2017 alongside Anetha, Dvide and Sinfol. He now returns to the label with a four track release of his own. 'Liquid Dreams' opens the release with a mesmerizing spoken word sample, twinkling melodies and layered atmospherics whilst sporadic hats rattle throughout. Thudding kicks, escalating synths and quivering bass then combine together in 'Water Damage' before moving into the mesmerizing 'Silver Lights', which conjures up an otherworldly aesthetic courtesy of arpeggiated notes and crashing cymbals. Lastly, 'Never Let Go' exhibits a cacophony of elements such as crystalline chords and a meandering bassline that generate a heightening suspense from start to finish.
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And he is back! Ilija Djoković, one of the best producers of melodic driving techno releases with another big ep on Terminal M. Enjoy. (Monika Kruse)
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Blossoming from the depths of Saint-Etienne, Worst Records is proud to present the second release of its catalogue. Jacques Satre delivers with « Anatole Trance » a radical hallucinogenic journey through warped horizons of the mind. This long time member of the Positive Education crew sets up a curious yet fascinating mixture of bassdriven downtempo techno, free range acidalia and fierce sense of absurd humor. The three tracks evolve slowly, building up between litanies for wrecked concrete samples and colourful enchantment. This ambivalence results in dancefloor burning tunes that could also be the soundtrack for mesmerizing off-time afterhours. A concentrate of local wizardry that unveils once again hollow zones of the sound of Saint-Etienne.
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Following last year's 'Vitriol' EP and 'Otider' album, SSTROM is back on Rosten with 'Drenched', 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX). SSTROM's output is explicitly immersive, relying on tense immediacy and spontaneity. The subtle 4x4 pulsations frame vivid narratives, rich layers of texture with lush harmonies surfacing from the warm and alien flow. On his 'Otider' LP SSTROM manifested a sonic diversity relating to his personal experiences and incorporated a diversity of genres and elements ranging from '90s rave to hints of minimal synth or outsider house melodic sensibility, yet everything carefully merged into a coherent whole. On 'Drenched' SSTROM concretizes his ideas even further. The EP's came to life after he broke his computer by spilling a drink on it. It forced him to try out different techniques of composing and recording. With limited ways of working, a more minimalistic form of expression emerged, based on very short but mind-bending harmonic structures and layered pulsations. The process proved to be very creative and resulted in these twelve tracks whose magic will work best on EP format and for the floor.
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Part curse, part declaration, part Rorschach test, Varg's new collection of EPs is a barely balanced inferno. Side by side, raw club burners arrive from the wretched plateaus levelled out by chaotic neurotransmissions, while sweet and soft anthems take the pain away. The first EP, Sky City: Even in the Heart of Heaven, Angels Can Still Feel Fear, affirms Varg's deft and agile take on techno. Here minimalism spars with blissed out programming, unafraid to pepper sedate hooks with intricate percussive rufige. With each track's eyes on the raving kru, Varg restates his permit to take it to the floor. It's foreboding, but it always has been--and Sky City: A Weak Heart to Break (Spit) makes this its method. Launching itself under the opening track's dazzling melancholic sweep, the EP loses its way in every direction at once by the last track's glitching gabber meltdown. Fair warning is required for the demonic and cosmically unhinged piece of rhythmic noise that begins the second side.
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Zeta Reticula is the Electro alias of Umek, a Techno legend that has 25 years of production and chart topping hits. Zeta Reticula has strong releases on top labels such as Electrix & Mechatronica. With this EP for Monotone, we experience the solid sounds and refined Electro styles that Zeta is known for. The title tune, Digital Card is groovy while maintaining a constant build up of energy throughout. The remix from Exzakt & BFX takes it to a different place with their signature deep bass sound. Both of these are ready to tear up speakers in clubs around the globe. The B side keeps the EP going with a brilliant number, Endless Clue. Solid percussion and industrial growling basslines. Going a bit deeper however maintaining the club vibes. Finally Message In Code offers a fantastic ending to this Electro EP. 303, 808 & 909.
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"999999999 welcome Brecc on their label with a devastating hard-hitting Techno EP"
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Leftroom carries on their 15 year anniversary celebrations in fine style with a new EP from Detroit legend Norm Talley, who serves up two of his own bombs next to remixes of a previously released Ataxia track.
Motor City star Talley has been defining a stripped back, dubbed out tech sound for many years on labels like Landed, FXHE and many others. He opens this EP with Pulscocks, a dark and chattery cut with a menacing bassline that lingers down low. It's a high pressure track for sweaty back room clubs. Cosmic Reality is a spaced out and hypnotic roller with deft minimal pads and an eerie sense of atmosphere that encourages you to get lost in thought.
His superb remix of his good friends Ataxia's Rickaverse comes in two forms - the MF Mix, which is classic Norm Talley with its razor sharp hi hats and dubby, watery chords, and his house leading 313 Treatment, which rolls smooth and deep with lush piano chords and warped bass.
These are four more cultured cuts from the always excellent Leftroom.
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Repress
DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.
Duke about this EP:
It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene
so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.
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TechnoAcidTechnoBeatsBreak-Beat
Perc & Truss' statement of rave intent 'Leather & Lace' returns when you least expected it, this time in the form of three new remixes from an all-star cast of producers.
Leading the charge are Perc Trax's breakout starts of last year Ghost In The Machine who build upon their trademark kick drum volley with Reese basslines, swearing pads and a stretched out arrangement that showcases all that they are capable of. Flip it over and Tectonic main man Pinch takes a different approach with his uniquely Bristolian take on techno, featuring everything from primitive computer bleeps to the kind of broken rhythms he and his label are known for. Closing things off is the wildcard of the set as Mumdance and Logos step away from their weightless sound to serve up a tough, acid driven take that nods it's head to the classic sounds of Bonzai and Eye-Q.
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Summa Cum Laude finally is ready with a various artists, that describes the soul of the label. In the project are involved names
like Collin Strange from LIES Records, Gaja, Belgium's rave legend Coexsystems and Domenico Crisci to name a few.
The package contains the power of techno, no prisoners, no compromise at all, the real techno sound. The all musical project has been curated by Domenico Crisci and the artwork by the Neapolitan artist Marcello Simeone with an art piece that was exposed at Mori Art Musem of Tokyo. "The Wandering Queen" features a Vespa with a Napoli licence plate leaning against a wall, which is a sign of youthful experiences, trips and escapes.
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TechnoElectroTechnoBeatsExperimental
Schwarzes 180g Vinyl im Gatefold inklusive Download Code
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Mighty DNAonDNA (Heteroerotic Asphyxiation, Oiwa) manufactures STRICTLY STRICTLY's magical 3rd release and offers nothing than power, power, power: Erratic opener THE//GRIND pushes you into the flow with restless UK-ish breaks before HAIFA slaps you hard with its violent rhythm and epic bassline. DON'T MOVE on the B-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. A dangerous adventure!
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Reasonably Hardtek, reasonably Tribe. A very good spirit, excellent style. Minimal tribe oldschool.... a new olschool style is born with this Label.
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Boasting a discography of over 18 releases, inclusive of composers such as Special Request and Mark Broom, through to Nightwave and Hodge, DEXT Recordings celebrate 5 years with a V/A compilation from label affiliates Commix (Endian), Appleblim, Otik, and Pugilist.
'eleVAte Vol. 1' explores the more profound and invigorating, sonic excursions that the label's artists have to offer.
Fresh from an EP on Midland's intergraded imprint, Otik returns for a disjointed offering with paranoid synth work and an arpeggio that fizzes through the tweeters.
Pugilist offers up dub stabs, analogue sirens with blips of space echo on 'Eclipse', with a garage swing and Rhodes, contrasting a ruff and ready sound palate of bass weight.
Metalheadz signee Commix, (AKA Endian), returns to DEXT for a tumbling UK bass track with swung percussion and side-chained textures of rising crackle.
Skull Disco, Applepips boss and dubstep icon Appleblim, returns from a recent album on Sneaker Social Club, offering 'Hydrothermal Vents', that sees him taint a 126bpm framework with his dubstep-tinged roots, providing room for the groove to move.
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This record contains: filters, singing, Polish railways samples, the right touch of big beat and melodies & it can help you clean the air of the club.
Solpara is an agile performer, both in sense of the nature of his live acts, background and tour schedule. Brutaż is also about nimbleness and acrobatics so it was only logical for their paths to cross. Both are connected with record dealing (Record Loft, Berlin and Halcyon, NY, respectively) and both are emotional and undergoing changes.
Contrary to his previous endeavours (incl. on Nicolas Jaar's Other People), Solpara's release does not quite want you to relax, it's fast and slow, it's emotional and rackety, it's fire and water. This Lebanese-American raconteur seem to have a similar goal to Polish complainers of Brutaż - records are not meant to wreak havoc, their purpose is to refresh the perimeter. Woda różana stands for "rose water" - it's about scent, touch & flavour.
Last delivered 7 years ago
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- A1: Special Request - Codename Turbo Nutter
- A2: Source Direct - Vigilante
- B1: J Majik - The Lost Tribe
- B2: Shackleton - Drawn & Quartered
- B3: Pinch & Trim - That Wasn't It
- C1: Daniel Avery - Whilst We've Got Metal In Our Blood
- C2: Mantra - Embers
- C3: B Traits - Mameya
- D1: Groove Armada - Wesley Nightshade
- D2: UNKLE - Catch Me When I Fall (Fabric club mix)
TechnoTechnoBeatsBreak-BeatJungleDubstepExperimental
Die 2CD besteht aus jeweils 10 Fabric- & FABRICLIVE-Exclusives, die beiden LPs erscheinen entsprechend separat. Fabric steht für den Londoner House- und Techno-Underground, ob melodisch von Nina Kraviz, electroid von Steffi oder experimentell von Margaret Dygas. Der neue Resident IMOGEN serviert Dark Techno, Marcel Dettmann seinen klassischen Late-Night-Sound. Call Super (Houndstooth) lässt es deep-melodisch angehen, Maya Jane Coles spielfreudig-housig und der britische Dance-Pionier Sasha bestreitet das Finale mit euphorischen Höhen aus Vocal- und Melodiestrukturen. FABRICLIVE repräsentiert das beste aus Dubstep, D&B, Jungle, Breaks und Experimental-Beats. Den Anfang machen Junglist Special Request (Houndstooth) und die D&B-Koryphäen Source Direct und J Majik. Shackleton und Pinch & Trim zeigen die neuesten Entwicklungen in der Bassmusik auf, Daniel Avery und B.Traits ihre Dancefloor-Flexibilität, Mantra die Zukunft des Londoner Undergroundsounds. Das Finale bestreiten zwei der frühesten Gefährten des Clubs, Groove Armada und Original-Resident James Lavelle als UNKLE.
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Repress
With a broad interpretation and appreciation for diversity within electronic music, the fresh Dutch artist Vela Uniform is always looking out to the right balance between dense textures and complex rhythmic structures. In this EP he shows three solo tracks and one more track collaborating with the English Berlin based Blawan, a name that doesn't need an introduction for who anybody who knows the techno scene of the last 10 years.
12" - Vinyl Only
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TechnoTechnoExperimentalBeatsAmbient
Arad, real name Dara Smith, is the latest to join the VOITAX catalogue. The multidisciplinary artist previously made seminal moves with his work as one half of Lakker, alongside Eomac, dropping groundbreaking music on heavyweight labels such as R&S, Blueprint and Stroboscopic Artefacts. This time for VOITAX, the Irish artist serves us up "Radiance Haze" - a 6 track EP, spanning from heavy-hitting breaks to the ethereal ambience, with heavy features of Smith's vocals.
Early support by Blawan, Dave Clarke, Eomac, Francios X, Inigo Kennedy, Lucy, Marcel Dettmann, Vivian Koch, Neumann and many more.
Last delivered 2 years ago
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London's FREQUENCIES UNKNOWN present their maiden transmission 'INTAZONEZ', a collection of fractured and futurist melodic machine experimentation with a human soul. Label operators INTAREALITY give a 4 tracker that channels myriad influences while retaining a rare air of mystery and the essence of hazy studio encounters and programming sessions late into the night. Woven through the threads of each track is a reverence for London, Sheffield, Detroit and Berlin, a lifetime of passionate study, pirate radio and raves, these cuts are the soundtrack to your night-time journeys circa 2028. Music to zone to through unfamiliar corners 'INTAZONEZ' is a 4 part quest constructed deep into the early hours.
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Last delivered 12 months ago
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Nicole has returned to Drumcode all guns blazing with her new 'Bittersweet EP'. The A-side 'I Know Where I've Been', is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature Moudaber techno! 'Bittersweet' is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. The repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.
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Last delivered 6 years ago
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Collecting orders for repress
ASC is an integrated artist in our label, for many of us he is a big inspiration with each release, each record, and each track. If you put enough smart people together in one space, good things happen. this is our theory, and this artist is definitely one of them that can even lead us musically and technically, this is 'Chaos Thory' the new work of our man ASC.
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