MPX 2 features 3 cuts of blisteringly linear, apocalyptic techno from A Saggitariun, fresh from the release of his recent album on Running Back. The record also features a remix from Mor Elian (Fever AM, HyperColour) who reimagines "No Drama" as an almost sub-aquatic dub-excursion.
MPX is both a new vinyl only label from Man Power that explores raw forms of Techno, as well as also being an alias for the producers own occasional technoid excursions.
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Kicking off the new decade, Control Freak co-founder Customer Service makes his production debut with five tracks of adventurous outsider electronics.
On the A-side, ‘Dance First, Think Later’ is a bass-heavy dancefloor destroyer guaranteed to send the club west. It's followed with the ethereal sound design and off-kilter rhythms of ‘Recalcitrance’.
On the flip, ‘Betty’s Audition’ takes the pace down a notch with rolling, hypnotic drum programming and plenty of low end punch, whilst ‘B1SM’ deploys a skeletal breakbeat - one for the early hours. Rounding things off, ‘Exquisite Corpse’ locks into a rigid 4/4 groove combining acid with delicate, textured pads.
Control Freak Recordings is the sister label of London-based party Cabin Fever. They are next at The Cause on 20th March with Inga Mauer and Dark Entries. In April they head to Corsica Studios with Anthony Linell and Barker.
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For VENT’s 20th release, VENT is visited by Eastel, who delivers her signature straight- forward dark techno. Industrial aggression at its finest. Tolga Baklacioglu reinterprets “The Day After” in a remix vibrating in the same frequency as Eastel’s original, whilst adding melodic timbres with its haunting synthline of ecstasy frozen into despair. Not much further ado is needed; tracks like these make words superfluous.
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The latest edition of our Breaking New Soil series proves that time flies when you´re having fun: This is number 10! Once again presented by label head Gregor Tresher, and this time with two exciting contributions by the man himself, we are proud to announce a very versatile lineup: We have Hybrasil, who Gregor met at a gig in Dublin, presenting a beast of a peaktime track with - Flexo . Returning to the label is Ferdinando Apicella from Naples, better known as Kernel Key, who delivers another non-conforming techno jam that will go big with all the real Techno heads. Next up we have label favorite Fac3off - returning with not one but two amazing tracks presenting his signature sound - we´re sure we´ll be hearing a lot more from this talent in the future! The Yellowheads, hailing from Spain, had a storming EP release on BNS last year and return in very strong shape with - Caelum . Last but not least there is Antipolar from Cologne, with whom Gregor recently shared the decks at Cologne underground club - Gewoelbe - he´s new to the label and is debuting with a very unique sounding production called - Mandal . We hope you enjoy playing and listening to Breaking New Soil Volume 10 as much as we enjoyed compiling it.
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New Light Remix EP’ presents two remixed tracks by Nicola Cruz and Rafael Aragon from Mamazu’s latest release via his label Hole and Holland. The remixes serve to create a psychedelic, folkloric sonic journey into the borderless realms of contemporary lectronic music, transcending musical boundaries and exploring elements of mystique and ritual. This side’s ‘AloMlo’ remixed by Rafael Aragon, provides a stripped back journey that clicks, chimes and chants its way towards a progressive melody delivering a blissful head down and eyes closed finale. Nicola Cruz’s remix of ‘Dada’ on That side offers an expressive modular synthesized, psychedelic and percussive exploration into rhythm and sound.
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Foureal Records start Vinly series In the past release Japanese Artist only release 1st release Artist Miruga released Ethereal Sound,BlanceAesthetic AudioRawthenticity 3tracks of characteristic of his atomospheric&emotinal This tracks use from morning of open air party to club in early time.modan Japanese techno
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This EP, titled "Een", or "One" in Dutch, is a testament to my first release as a producer. An ode in a way to my Australian/Dutch roots, all three songs were produced in either, or both, of my two homelands.
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“ We now know that every particle has an antiparticle, with which it can annihilate. There could be whole antiworlds and antipeople made out of antiparticles. However, if you meet your antiself, don’t shake hands! You would both vanish in a great flash of light.” - Stephen Hawking.
We focus our music and concept firstly to make good records.
Matterwave Records goes on its rol of seeking monotonic and melodic sounds with the third EP of the label, ”Planets & Constellations” is the name of this release that counts with 2 original tracks by Spanish producer and dj named Pushmann (NN Records), a friendly techno guy shows us how with few elements a track can make you dance forever. Also this record includes super cool remixes by Mike Storm (Subsist, Symbolism Ltd, Chronicle Recordings) and Aiken (Timeline, Symbolism Ltd, Chronicle Recordings)
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Rekids boss Matt Edwards debuts on Rekids Special Projects under his prolific Radio Slave moniker with ‘Command Z’, marking the twentieth release on the offshoot series.
Undeniably one of house and techno’s most sought after and beloved producers and remixers, Matt Edwards kickstarted Special Projects as a techno focused series in 2017. Since then it has gone on to host incredible artists like FBK, Shinedoe, P.Leone, Hemka and Dustin Zahn, not to mention SRVD - Edwards’s collaborative project alongside club kid Patrick Mason. Three years later, the Berlin-based Brit finally graces the label under his most revered
pseudonym.
‘Command Z’ opens with roaming synth patterns, slick kicks, delicately placed plucks and a haunting soundfloor which gives a sense of allure alongside it’s thundering rhythm. On the flip, ‘Command X’ situates itself perfectly for cavernous warehouse spaces or intimate club environments with its rattling snares, arpeggiated keys, lively saturated claps, rawly reversed pads and rippling cymbals.
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'SHRR02' is a 2-track compilation EP consistanting of music released by Ronan O Ciosoig on One Louder Recordings between 2001 - 2002. A peculiar and short-lived Irish label, One Louder recordings only released two records, both of qhich are now highly sought after and practically begging to be repressed. Remastered for both a vinyl and digital 2019 release, we hope to make this music accessible again.
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Takahisa Mitsumori (aka Mergrim) presents the Cntnr EP, a five-track package of warped minimal grooves and microscopic sound design due March 25th on his own moph records imprint, which he has run since 2007. Takahisa Mitsumori has released 4 albums under his down-tempo moniker "mergrim." He is also a sound designer, live performer, and booking director of KGR'n in Tokyo, whilst being based in Berlin since 2017. This forthcoming EP will be his first release under his real name "Takahisa Mitsumori." On it he explores the trippier spaces of glitching, subdued house. Employing a
hazy textural palette, Takahisa weaves woozy synths and angular glitches through hypnotic drum patterns. Mastered by Schnittstelle Mastering, Berlin..
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In the tireless pursuit of Tensal to finish the whole alphabet, the letter I is up next. In this new work called "Certain Magnitude" he explores the limits between the dance floor and more industrial concepts, the energy that is unleashed and calculated in equal parts in this game of textures recaptures the classic essence with an avant-garde approach.
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German producer and DJ Boys Noize has announced the release of his much-anticipated cover version of Adamski and Seal's 1990 rave classic 'Killer' on 12 vinyl, via The Vinyl Factory and Boysnoize Records.
Featuring vocalist Steven A. Clark, the original 12 version is backed by an instrumental, both of which you can listen to below:
As Boys Noize says: 'Being a '90s kid I kind of grew up with this song which later became one of these tunes I'd play out at the end of the night. When I met Steven and heard his voice for the first time I immediately thought of that track and the idea of doing a cover version was born. It was initially just for fun but it turned banging and lit the dance floors wherever I'd drop it.'
Adamski and Seal's original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the UK Singles Chart in the summer of 1990.
Speaking to journalist Dave Simpson in The Guardian in 2013 Seal explains the impact the song had on his career: 'Within a week, I went from being a relative nobody - this weird guy at raves, with silver bits in my hair - to a household name.'
Boys Noize' 'Killer' is out now digitally and on 12 vinyl, limited to 500 copies.
Sit down in your comfiest jawn, strap those noise-cancelling jawns on and prepare for those jawns in your eye sockets to tumble out your head when you hear this collection of thumping jawns whipped up by Philadelphia's BPMF. One half of legendary electro duo Synapse with John Selway (who he co-runs the equally-esteemed Serotonin imprint with), BPMF has been churning out no-nonsense electro smangers and experimental techno since the early 90s. Currently he holds the title of Eastern Pennsylvania's premier live-PA electro dad while also running his own label, Schmer. Various Jawns is exactly that; four varied jawns packed on one plate. 'Tell Mommy Bye' is an electro ripper in the true American lineage while 'Trunq' and 'J'pn' are lighter, more noodling affairs. This plate's entrée, 'House of Jawn', is a fourteen-minute knob-twiddling trip through the twisted fever dream of a raver long past. Thankfully our esteemed producer has given us a respite from the beatdown about halfway through. Drop the needle there to start the adventure at the Lower House of Jawn if brevity is your thing, man.
I am fortunate to present the remixes of CAITLIN Freaks & Misfits by Victor Ruiz and myself on Electric Ballroom.
Freaks & Misfits is CAITLIN’s first solo release after years of producing electronic music and songs along side contemporaries like Noir, Patrice Bäumel and Thomas Schumacher.
CAITLIN and I have collaborated on the original three track EP released on WIR Musik as well as two of the remixes on this three track offering. (Thomas Schumacher)
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The fourth release on Neighbourhood is Forest Drive West's first straight techno release, going in with a four tracker. Driving, yet stripped back tracks which keep you on a cliff hanger in their own individual way. UN is a straight up groove, Wait, a heavy hitter, Reshape, a percussive delight, and Functional, a bleepy dream.
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House, disco and hip hop smashed together from
cut&paste producer Jun Kamoda, who also raps in
Japanese on a couple of the songs.
Previous releases on Mister Saturday Night and
Mallgrab's Steel City Dance Discs, as well as two
EPs on Black Acre.
For fans of Daphni, Avalanches and Beastie Boys.
Full colour vinyl sleeve by the painter Hisano (Jun's
wife) and cartoon booklet insert by Jun (who is
also a cartoonist).
Tough, to the point, no-nonsense machine music is a longstanding Midwestern tradition.
Drawing a line all the way back to the old guard, The Bunker New York's latest EP is Walk The Distance, courtesy of Mark Verbos, a techno veteran and New Yorker by way of Milwaukee who put together four pieces of heavyweight dancefloor artillery, informed by an intimate, inside-out knowledge of the machinery used in the production of these tracks.
"I've been doing this for a long time. In the beginning, there was only hardware, and it feels better to make music with physical objects. Plus, I make hardware, too," says Verbos, recounting his production processes. Verbos not only produces music, he also produces the hardware he uses to make music—his company, Verbos Electronics, manufactures Eurorack synthesizer modules with a vintage sensibility. When he's making music, Verbos says, "I try to get to know the devices I use well enough that whatever I imagine can come from them. Techno is machine music. When I'm recording, it's just me and the machines."
The music, however, speaks for itself. No punches are pulled here—the record starts in top gear with "Start Up Drive," a devastating techno bomb centered around a throbbing, repeating bassline and a meaty kick drum that builds to a massive climax in the span of five minutes. "In The Back Room" kicks the tempo up a notch, featuring spaced-out atmospheric synth leads floating atop syncopated percussion. "Just A Little Late" is funkier than the other two, built around a rubbery, insistent synthesizer groove that worms its way deep into your head and doesn't let go.
The aforementioned three tracks alone would comprise a solid techno EP suitable for any number of dancefloors. But the last track on the record—its namesake—shifts gears entirely. "Walk The Distance" is a moody, pulsing slow burner, introspective and emotional. It's a haunting listen that adds remarkable depth and complexity to the record. "Walk The Distance, the track, is a reference to the fact that music is not a career. Any advice you could offer someone on how to have a successful career doesn't really apply to a career in music. By that I mean to say, process is everything, and the results don't really matter."
Sage advice indeed, but judging by Walk The Distance, Mark Verbos has figured out how to produce results that matter.
Special remarks : 12' Vinyl +Downloadcode Tracklist 12: A1 Take A Moment A2 Action And Reaction B1 Eye Contact Info text: Dub and acid are the words as Marlon Hoffstadt goes deep on 'Simple Communication' the sixth EP in his Midnight Themes series. The Berlin producer has maintained a busy release schedule in 2018 and is intent on carrying through into 2019, starting with three tracks that fly the flag for his current sound: deep, dubby and subtly euphoric. Opener 'Take A Moment' is a finely tuned piece of weighty dubbed out techno with whiffs of vintage pool parties and a lonely acid line creepin'n'bleepin on the horizon. 'Action and Reaction' harks back to the 90s, rolling out waves of pads and melodies that ascend and descend while a mean old bassline keeps proceedings on track. Clocking in at 11 minutes, the two act play of 'Eye Contact' closes the EP on a blissed out note.
Inner atmos and next time – rain into rivers, rivers to rain.
Sequence is subjective, irrelevant – it’s where we stand. Out of order, we dissolve and reform, coming together to come undone. There is no first, no now, no next – just precision points in the wide deep sky.
Another bang, another – it’s the reading which is important. Repeating in parallel, the natural loop is healing; repair, resonance, return. We live in a fragment; soft light and clouds drift like dreams into memory, showing movement in the mirror.
“Here the performer becomes free like the playful clouds high above the world of pain, suffering, happiness, ecstasy, disappointment, greed and ambition of human life”
In this present, we are touched to have unreleased business from Memphis. In unlocking the stoic DAT tapes we open a direct channel from 1993 to this now; three tracks which are meditative, essential rhythm with direct, organic charge. It’s Dream Night Dance Music and Osram 509, with RHK, En-Trance, and Microgravity.
More poetry in remembering our first release was also Memphis. Big complex loops and inner paths. Who’s been here before? All of us, one of us, none of us.
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Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.
After Structures From Silence was released, Steve was receiving invitations to create music for the emerging meditation yoga and healing arts community in Los Angeles. Quiet Music 1 was originally commissioned for a meditation video, which featured a collection of video images of lush forested areas, wild flowers and natural serenity. But by the time the piece was completed the producer passed away and the project was never completed.
Quiet Music 1’s direct connection to a distinct environment set the tone for the trilogy of albums. Quiet Music 2 was inspired by Steve spending a lot of time in deserts and was created as a natural progression from Structures From Silence, and the more nocturnal feeling of Quiet Music 3 were pieces designed for Steve’s personal healing practices.
The Quiet Music series was released in a timeline that is often seen as linear but this music was created directly along side the dynamic fully electronic albums like Now, Traveler, and Empetus. In the early 80’s Steve would be shifting between the invigorating sequencer-percussive driven music and then move directly into weightless drifts and contemplative spaces.
This way of creating grew naturally out of a desire to not settle into one place sonically and to nourish himself with a space that could be creative and fine tuned, creating a calm and renewing zone while living within the hectic pace of urban life in Los Angeles.1,
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The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing.
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Traumer is happy to announce his forthcoming album by that new EP on Skryptom. He starts very strongly with 2 amazing groovy techno original tracks and the B side is dedicated to pure dark techno with C and J Theory. He proposed us such a huge album and Eps we couldn't let it pass. Traumer is on fire and we love it ...
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Dead Fader jumps from Kimochi Sound over to Tesuji with a rolling, dreamy, euphoric rendition of future electro. Essential, optimistic, forward-thinking. On the other side, Bassiani's HVL flips the beat on its head for more ominous perspective, complete with klaxon acid line and sinewy breakbeats.
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Bionic Romance EP is Anetha's second release on Blocaus series following 2017's very successful "Leftover Love EP".
Once again, Anetha continues to play to her strengths and delivers four tracks - diverse and rich in the depth, texture and hypnotism of techno deep space explorations. On the A-Side, "Myiuki & Patrizia" starts the release as an intricate, atmospheric title track with warm synth lines; "Ultra Speed Dating" features a muscular four-to-the-floor beat and a perpetual stomp to devastating effect perfect for peak-time.
On the B-Side, "Silicon Desire" takes us in a slightly melancholic direction with its hypnotic pulses. "Virtual Ritual" closes the EP as no nonsense purified techno with a raw groove.
Absolutely essential!
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Borai & Denham Audio follow up last year’s official release of rave banger ‘Make Me’ with a varied club tool focused EP for E-Beamz. 5 tracks ready for any time of night.
DJ Support
Ludwig A.F. Röhrscheid, Hans Berg, FYI Chris, Rich Hawtin, Banoffee Pies, My Nu Leng, Deft, Neinzer, Nick Craddock, Ame, Tensnake, Iron Curtis, Lovefingers, Shadow Child / Polymod, ABSOLUTE., Extrawelt, Samir / Happa, Nightwave, Maceo Plex / Maetrik
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Border One is one of the emerging names from Belgium. He has attracted his attention in the scene for his ability to create perfect deep and groovy tools. These are four tracks that 100% confirm that.
12" Vinyl Only
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Left for top, right for bottom, colours for every piquant taste your deepest thoughts dare to divulge,
your hankie tells tales, and orange tells the most. Anything, anytime, nothing is left off the table. An
open invitation to explore and excite. Looking for a ride
This is the story behind the third single and opening track from DJ Hell's critically-acclaimed fifth
album Zukunfstmusik, 'Anything, Anytime' pays homage to the handkerchief code, a unique flagging
practice most popular during the most critical creative explosion of club music.
Barbed, delicate, bittersweet and introspective, the 14-minute track's softness and gradual sense of
piano-laced theatre carries certain shades of a love song. In many ways, it is.... There's love in a brute
sense. Physical openness in its most honest and forthright form. But there's also a sense of romance
for the most sensational outburst of hedonism and pleasure that dancefloor music ever experienced
- the 70s gay movement wherein major metropolises throbbed awoke and boundaries and barriers
were challenged and shattered every night.
These lightning strikes of illicit freedom, carnal energy and momentary abandonment are the
deepest seeds of all forms of electronic music, sentiments that echo throughout Hell's unhurried,
unrestrained salvo. Percussive connotations of leather, the cavernous reverb conjuring open
industrial spaces such as you might find in New York City's meatpacking district at the time. The
palpitating heartbeat, occasional flashes of sense-blurring giddy physical fizz... Up above, down
below, choose your colour, while many love songs are babymakers, 'Anything, Anytime' is much
more of a bed breaker.
While the original wears orange with pride, the remixes wear their own colours. The first of two
remix packages, both Solomun and Argy come at Hell's original from contrasting sides. Solomun's is a
light blue. The molten bass and slinky electro breakbeats creating a sensual, slippery experience that
could lead to absolutely anything, it writhes and continually pleasures with every twist and turn.
Argy's, meanwhile, is bold jet black. Dominant, intense and unrelenting. It's 'straight outta hell' by-
line fulfilled with every sweaty arpeggiated peak and vivid flashing strobes, this is visceral, sweaty
techno and there's no release without the safeword.
Two more remixes will follow imminently while the original comes complete with its own stark visual
representation. In keeping with Hell's use of Tom Of Finland's cult visuals on the artwork of the
album's first single 'I Want U', 'Anything, Anytime' continues to reference seminal cultural
documents of the era. This time with its video, a stylised and provocative, black and white piece that
riffs on the ground-breaking 1980 Al Pacino movie Cruising. An exploration of the iconography and
stark fashion that visually represented progression, a celebration of overt sexuality but also a sense
of restraint and composure... The calm before any storm your handkerchief may cause. Let's go
cruising...
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It’s more than a year since his last EP on the label but it feels like right on time to deliver his most powerful tracks up to date. He hasn’t been quiet all this time, with remixes and appearances on labels like Obscuur Records, Konflkt or Enotaktik, 2019 was a prolific year for the spanish producer.
Four dancefloor oriented cuts including a massive remix of the rising Irish artist and labelfriend Tommy Holohan. Ladies and gentlemen, this is what we call techno. From the driving bass of “Spontaneously” to the rave anthem “Die Suppe”, these tracks won’t let your feet stick to the floor.
Limited release. 250 Copies
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Nathan rouses his Cambria Instruments label for his first album since 2017s ‘Providence’. ‘Blizzards’ is a returns to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection.
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Words like soulful techno, real techno and true techno are easily thrown around these days but what really is a 'true techno' record? Arguably we could put Nu Era's debut 1994 "Beyond Gravity" album in that bracket.
"EVOLVE" follows in that footpath and in some ways goes back to an earlier techno sound, pretty hard to do that while still sounding futurist. EVOLVE does just that, its Nu Era still evolving without loosing formation. From the opening track "Metal Butterfly" the 909 drum machine powers through classic Marc Mac (4hero) chords and melodies, that 909 kick drum and baseline work in combination to deliver a more edgy techno belter on "Flying Colours".
The 4x4 kick is broken up on tracks and electrified on "Theme From Joe Smoke" the yin and yang forces provide a haunting but uplifting electro master class. "Closer To Mars" creeps into a fusion style tech workout, with jazzy, soulful keys and melodies intertwining, EVOLVE is complexed but simply soulful with big influence from Detroit and has all the hallmarks of a classic in waiting.
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"Content" is the 9th album of the US based producer Ricardo Donoso.
Terry Waite was taken hostage in Beirut in the late 1980s, before ISIS, before smartphones, before the Internet as we know it. He endured a mock execution during the first year of his five-year captivity, which was spent mostly in solitary confinement. Years later, during a Q&A session, he was asked to identify the main thing he had learned from his ordeal. The answer, came as a shock—it was not the excruciatingly hard-won appreciation for life and loved ones that one expects to hear. “Contemporary humanity,” declared Waite, “has lost the ability to engage in productive solitude.”
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Riccardo Schiro continues his exploration for the dancers and deejays out there with this massive acid-mental track for big rooms. On the flipside "Islands", an immense ambient jam recorded live by the Gravity Graffiti crew, a genuine psy-kraut voyage.
On 1972, veteran producer and live musician Tobias Freund offers up four tracks of layered and meticulously-crafted techno using his extensive archives of tape recordings collected since childhood.
Referencing a mix of profound political events in German history
and esoteric meditation guides, the Berghain resident's warm, detailed sound edges beyond the floor toward brain-tingling home listening and wanderlust autobahn escapism. The EP begins with the titles track’s buzzing synths panning rhythmically across the stereo field like a hypnotist’s pocket watch, while a somber, sampled string melody pushes further into cosmic territory before concluding with a bi-lingual eulogy. “Schism” soars with a never-ending snare roll and sparse kicks – an entire track floating on a break that never lands.
On “The Wisdom Of No Escape”, Freund combines soft,
polyrhythmic bleeps with esoteric vocal samples on an inward
path of hallucinogenic internal discovery. EP closer “Electric Storm” makes a turn for the ultrastoned, with hats and writhing vocals disintegrating and reforming over a soft, round steady pulse.
Overall, 1972 features a sound that Tobias. has honed for over 30 years, having initially made a name for himself mixing various pop hits in the 80s and 90s while simultaneously producing experimental electronics under various pseudonyms including Metazone, Phobia, Pink Elln, and Zoon. On his own Non Standard Productions imprint he has regularly collaborated with the likes of Max Loderbauer and Ricardo Villalobos and most recently with visual artist Valentina Berthelon as Recent Arts. His releases and lengthy live techno sets with AtomTM continue to set the bar high for improvised electronics.
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