Techno News

ROD strikes back with 4 powerful Techno jams recorded in 1 take under his hardware-only Rod20 alias.

Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.

“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.

One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.

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Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene.

Avantroots is one of the leading dub related labels in recent years taking the genre to its furthest and freshest perspectives while still respecting the history and the figures inside it. One of those historical figures is the legendary Linval Thompson who's credits and list of those he influenced are pages long.
To have Linval be the lead on this project truly makes this a unique and special release. 'World Crisis' is Linval's message and it is as definitive as ever. There is a lot of thought put into each step and portion of this project. The overall traditional dub concept is to feature different voices over the same instrumental where this, flips the script and each version has a different electronic music producer add their talents to create their own signature account. The result is an extraordinary and well composed EP. Deepchord, Deepnaut, Pulshar and Braulio Lam were specifically chosen to head up this treasured task of taking 'World Crisis' into their realms.
The Deepnaut version is a true essence of the future of a more mature island late night cultured dub techno sound. The track shimmers in a euphoric glow that covers you like a sun on the beach in summer. Linval's voice is front and center and one could say this may be the most single oriented as it uses the most vocals of any of the renditions here. Braulio Lam's submission has all the makings of a classic styled dub track. While the beat is transcendent, everything else is processed in a new school way. And the technique is next level to be clear. Next is Deepchord's version. To say this is the deepest and most techno might not be much of a surprise. The groove is addictive and the chords sampled into the rhythm while the melody ebbs and flows are pure magic. Lastly, Pulshar breaks things down to the starkest of the choices and one of the most hypnotic. Pablo Bolivar and Sergio Sainz Vidal from Pulshar have a knack for injective some serious island vibes to the electronic scene.
The artwork is also special here. It respects the history of dub culture while advancing the application as it uses AI generated images combined with human elements. The pictures support the message of the 'World Crisis' speaks on by Linval Thompson. This is a special release no doubt. Avant-Roots are very happy with the variety offered by the artists of their label and this release. They shined when it came to harnessing the essence of this track and infusing it into their
particular version of electronic dub.

Repress!

After a 5 years break, there are finally all new songs from ECHO WEST. On their 9th album they present 10 analog Minimal Wave / Electro tracks (incl. one bonustrack) in the style of early minimal electro heroes. During the creation of these songs, analog equipment was used consciously, in order to do justice to the spirit and feeling of their EBM idols THE KLINIK, VOMITO NEGRO and especially DAF.

A homage to the revolutionary “analog 80s” and a departure or breakout after the long Corona-forced break and the endless weeks in isolation. 10 songs to dance to and enjoy a new freedom.

Label favorites Pornbugs return with another triumphant release, on the ever-reliable Bondage-Music.

Kicking off with the title track 'Juvania', a deep and sophisticated subtle groover, with its deep bass setting the tone. A filtered vocal hook loops around while trippy percussive adds an additional vibe, while the gated vocal adds a sparkle to proceedings.

Remix duties see Rhadow adding some intrigue, as this bubbling bass led re-tweak unfurls, with trippy vocal fx and tasty percussion, while a warm and magical muted melodic flavor encases things wonderfully.

Next, we find 'Mudita', with its moody rolling groove, and spoken style vocal that adds a little bounce to this workout, while some dubby elements are sprinkled nicely. The breakdown is a hypnotic and cosmic vibed affair, as the spoken word plays with your mind before returning to the track with a real throb. 

Nicola Brusegan steps up to remix Mudita, taking us deep, but keeping the energy levels high, as this deep driver with a classic feel lets go. Punchy goodness!

Repressed

Holístico Records is proud to present the release of its first EP. Containing 4 dancefloor orientated tracks. HR 001 introduces three Uruguayan artists: Nicolás Amaro, wilowm representing the Holístico Records Crew and a featured guest artist, Pi.

Bitterfeld Musik returns with their second sampler, FOR A BITTER TOMORROW: Band 2. With this we welcome back label mainstay, Interviews along with additions to the label, Salomo, Qwerty and Jónbjörn for a collection of detriot electro, techno and braindance.

Marc Houle has long been an influence to electronic music, as well as many of our Dirtybird flock. Having been an integral part of Richie Hawtin's Minus label in the early 2000s, he's well known for being a live act and producer—with an affinity for analog gear and a sound that crosses between Detroit & Chicago with a new wave influence.

He made his first appearance on Dirtybird in 2017, where Claude hand-selected him to remix 'Whose Afraid of Detroit' for the 10th anniversary. He's back again on the label, this time with his own EP 'Min and Driver'.

The lead track 'Car and Driver' begins with a ferocious acid line and never lets up, with weighty drums and his signature synth elements weaving in and out.

The flip side, 'Min and Soda', is a trippy minimal monster with sparse and bouncing discord throughout, and using negative space to create a track that is full and impressionable.

Up next on Non Series with a four-track brute is the successful German producer Savas Pascalidis who has been putting out records since the mid 90s. This will be his fourth EP on the Spanish label after releasing NON006, 011 and 016, all since 2012. As a label owner himself of Sweatshop and Lasergun, plus an extensive catalog under his belt from labels such as Figure and 909 Pervertions, Pascalidis is not messing around.
The EP opens with 'Year Two Alpha', a timeless composition sticking to the fundamental roots of techno, classic to the Non Series sound. On the other hand the added sharpness of 'Interpositive' originates from dirty, agitated and unfiltered chords climaxing into speedy rhythmic hihats.
On the flip side, 'Cold Front' presents itself with a rolling bassline using symbols to build dynamism throughout the track where the final cut differs as the smooth melody of 'Quartz' stomps away at a smoother bpm building a comfortable rhythm.
All in all a perfect fit for Non Series, exuding the minimalistic energy of the label.

M.E.R - Montevideo Electric Recordings is an Uruguayan record label named after its capital city, Montevideo. Supporting vinyl's cultural heritage, this was the chosen format for releasing their work. For its third release they present the debut for the label of two local artists. One track from one of the minds behind the project : Cabanelas, with a hypnotic techno track for the dancefloor. Also debuting, M.E.R proudly introduces a great Uruguayan artist, Hernán González as Two Phase U.

Two tracks from the label’s roster Juan Dairechsion and Santiago Uribe, both showing a different side of their productions and musical imprint complete the release.

2022 Repress


Almost 23 minutes of voyage inside the techno abyss.!
CLTD002 is the second vinyl release- the original track bares the signature of Donato Dozzy and Neel, as Voices from the Lake. 531KHz, is without a doubt, a techno track conceived for the dancefloor, but with the dark settings and mental shades that characterize and make unique the work of Donato and Neel. Very few variations, a wall of bass, and an energy that engages mind and spirit.
On the B-side, Kab and Minilogue give us a remix that is a true masterpiece, not many artists are able to deliver their own personal vision without changing the nature of the original project.

Signature Dark is a sub-label of the Signature Dark label. The first release, ”Signature Dark Remixes”, is a collection of remixed versions from the tracks of Signature Dark’s first two albums, ”Foghornia” by Tapani Rinne and ”Dark Days” by Aleksi Myllykoski. The collection will be released digitally and later as a vinyl series.

The publication will contain thirteen works from top notch Finnish techno producers. Dub techno aesthetics is represented in remixes by Roberto Rodriguez or Roope K, while its techno counterpart is found in remixes by Samuli Kemppi or Tuomas Narvio.

Chris Liebing drops 'Love Those Who Fight With Passion And Faith EP' on CLR this January.

For the first CLR release of 2023, Chris Liebing drops a heavy-hitting EP for his own imprint, the two-track 'Love Those Who Fight With Passion And Faith EP'. Leading the release, 'For Those Who Fight' combines sub-rattling kicks and siren-esque bleeps with rousing vocal samples and shimmering percussion for a warehouse-filling club cut. 'With Passion And Faith' keeps the energy levels high with dubbed-out FX, twisted atmospherics and sizzling drum machines.

While 2022 was dominated by Liebing's 'Another Day' LP and remix version, 'Another Night', for Daniel Miller's Mute, 2023 will see Liebing in full-on singles mode with some notable collaborations to come.

Liebing's iconic CLR imprint started in 1999 and returned in 2021 after a five-year hiatus. Now titled Create Learn Repeat, CLR reemerged in the techno underground with releases from Liebing himself, followed by newcomer Frankie Bromley, upstarts Hertz Collision & Gene Richards Jr, DEAS, Truncate, Drumcell and techno legend Luke Slater.

After some quiet, comes a new storm. Fresh on the heels of his first solo album, 6th Floor or Basement, which just came out on Key Vinyl, Dimi Angelis is set tot release a new EP on his own imprint. ANLGS 009 features three fine tracks.

Fifty Fifty is a whizzing powerhouse, its syncopated arpeggios driving it along. Eastern Phantasy takes the listener across a dark and revolving landscape of sound. Mysterious and alluring at the same time. Final track Magnetik is the odd one out on this EP. In terms of sound design, certainly not in terms of impact. Repetitive, industrial stabs interlaced with a subtle driving synth make for a compelling whole.

Surrender to the call of NowNow Records as Lee Ann Roberts presents her second release via the imprint, the Alter Ego EP - featuring remixes from Tred, Milo Spykers, and Lokier.

With the ethos that even the most brutal beats can feature soul and subtlety, Lee Ann Roberts' brand of contemporary techno demands full listener attention. Equally inspired by yesterday's rock n roll misfits as she is with dance visionaries, the Amsterdam-based, South African-born artist has found a prominent place within the global industry since her Beatport-hit Suara debut, Miyamoto. Thanks in no small part to a relentless work ethic and a willingness to travel far and wide as an ambassador of sound, Roberts has climbed the echelons of the harder side of dance through sheer determination and creativity. From humble beginnings to underground Los Angeles nights to the stages of international destination festivals like Caprices, BPM, Verknipt, and DGTL, Lee Ann's vibrant touch sets decks aflame wherever she goes. With NowNow Records, she guides a platform for like-minded artists, urging spontaneity and open-mindedness through its colloquial translation "soon".

After NowNow's first-ever V/A release, Lee Ann Roberts provides her second release Alter Ego via the imprint NowNow Records. The four-track Ep is nothing short of what you'd expect from Roberts and NowNow - a ravey throwback with interpretations for all hours. Her eponymous A-side is a percussive driver not for the faint of heart. But, equally dominating as it is enigmatic, Alter Ego sets the pace for things to come. Berlin, by way of Australia's Tred provides the Ep's first remix, a high-powered, relentless ode of rave nostalgia. Next, Antwerp underground hero Milo Spykers takes the reigns with the Eps B1. His take sees Alter Ego transform into the galactic territory - extra spacey but equally bold. Finally, Berlin's one and only Lokier puts the icing on the 90s rave-inspired cake with her psychedelic, peak-time stormer of a remix. If you've caught any of Lee Ann and Lokier's back-to-backs over the last year, you know what you're in store for here - a staple track of those sets.

(Amsterdam | NL) Surrender to the call of NowNow Records as the imprint from Lee Ann Roberts' sets the release of its first V/A compilation. Featuring Aida Arko, Brecc, Blicz, and Geerson, NowNow Various 1 sets the space between the subtlety and soul of Hard Techno with a tasting of proper talent. Pre-orders are available starting on 30 September 2022.

The now Amsterdam-based South African artist, Robert's created NowNow Records as a destination for communities and cultures to come together in sonic bliss. NowNow Records has championed off-the-grid Techno through its inherent state of urgency since Robert's kicked off the imprint with 2021's I Want You Ep. Since, NowNow Records has been celebrated as a go-to destination for the harder edges of Techno, with releases from WarinD, OGUZ, Ana Lilia, and Benny Guzi all offering their respective takes on this unmistakably relentless sound.

After two successful years, NowNow Records' first V/A features Vienna's Aida Arko, whose A Long Night Into Dunwall kicks things off with her typically industrial, dark, and percussive groove before melding into Brecc's appropriately titled Praise the Rave. The Utrecht-based artist, known for his relentlessly energetic sets, draws from much experience with this one, and it shows! Next, Paris' enigmatic Blicz lets the music do the talking with Independance Night before fellow Frenchmen Geerson closes the affair with the bonafide banger, Domenical Mass.

The complete release is not one for the faint of heart but definitely for those looking for that moment where the music takes you travelling without ever having to leave where you are.

Porta dei Mondi is the title of the new vinyl release of Distant Echoes on 24/H.

A solid work, the one proposed by the artist, a journey through sounds and atmospheres reminiscent of nature that with its dynamism and precision creates very special rhythms and melodies.

A return to the origins could be the key to this work, in a world that is splitting into increasingly distorted and chaotic visions, Distant Echos' research wants to bring back classic techno in its music, but with a more modern and futuristic vision

After a frenzied 2019 debut on Pinkman under his scarcely-used Amato alias, The Hacker brings his seminal sound to Mindri for the sublabel's 3rd release. Exploring desolate cityscapes and windswept tundras shrouded in winter's gloom, he provides 6 club tracks that are suitable for dancefloors at any stage of the night. From feverish 4/4 kicks to stalking electro and a chugging after-hours stomp, stripped back rhythms dominate throughout. Punching their way through misty pads in a relentless chase with metallic synths that are icy to the touch, these are 6 slabs of machine-driven grooves from a master of the art.

AKME keeps being in a good form and is back with a new EP “Radical Forgiveness” with 4 original tracks and 2 solid remixes from Mikkel Metal and Altone.

We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat equity vacuumed up off the dance floor by corporate parasites when the real future’s in decentralized skanking? But that’s why people in my position - the top one-percent in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has been described as “operating at the absolute vanguard of rave.” Please remember that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought, Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”

Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback, the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s problems go away by pressing records, I would. And I can, so I will. This is only the beginning."

Francois Dillinger brings his futuristic visions to this classy new EP on EC Underground. It finds the sonic sculptor kick off with a warped bassline underpinning an eerie and slow motion electro cut on 'The Pilgrimage.' 'Tangential' is another snaking rhythm with mysterious pads and bouncing bass that makes for a truly original vibe.

'Message Failed To Send' has a hint of Kraftwerk retro-ism to its snappy snares and talk box vocals then 'When It Was Free' classes down with a gritty mix of celestial charm and deep space unknown.

These are next level sonics as always from Dillinger.

Silver Vinyl

„Rainbow Delta“ von der vierten 12“ Veröffentlichung überhaupt auf Ostgut Ton brachte in 2007 den Berghain Sound der frühen Sonntagmorgenstunden auf den Punkt. Der Track spiegelt die Stimmung, die einem dort nach der Peak Time, nach dem Climax empfängt: es ist ein deeper, schwebender Technotrack mit Dubchords und perfekt akzentuierter Percussion, pumpend und kontemplativ zugleich. Dieses Gefühl mag heute im Berghain in den Montagmorgen gerutscht sein aber Len Faki’s Track passt heute noch genau wie damals. Ähnlich wie auf der O-TON LTD 01 gibt es wieder einen Remix des Originals auf der B-Seite, hier die Jerome Sydenham Version von der O-TON 08 EP, die den Track in eine tonnenschwere, deepe Technonummer umfunktioniert. Beide original Platten sind lang vergriffen und die zwei “Rainbow Delta“ Versionen sind hier zum ersten Mal vereint auf einem Tonträger erhältlich. Streng limitiert gibt es nur diese eine Pressung, wieder kommt die Platte im geprägten Ostgut Ton Cover und ohne weitere Worte.

english version: “Rainbow Delta“ from only the fourth 12“ on Ostgut Ton released in 2007 managed to perfectly capture the Berghain Sunday morning sound, this special atmosphere, right after the peak time, the climax. A deep and floating Techno track with dub chords and perfectly set percussion; pumping and contemplative at the same time. At Berghain today this moment might have shifted to Monday mornings but Len Faki’s track still reflects this mood the same way it did then. Similar to the O-TON LTD 01 the B-side features a remix of the original, here it is the Jerome Sydenham version taken from O-TON 08, which transforms the track into a very heavy, deep techno track. Both the original vinyl records are long out of print and here both versions of “Rainbow Delta“ are issued side by side for the first time. Strictly limited there will only be one pressing of this EP and again it is issued in the embossed Ostgut Ton sleeve without further words.
Downloads

Our favorite anonymous duo lands on Brvtalist S.R. with a brand new EP which fuses the project's diverse sound and attitude. From the streets to the club, G-Spotlight highlights techno, trance, electro and more for 3 ultra-sentimental original cuts that may have you crying as you dance. From the title track to the pure nostalgic bliss of "Code 187 On Main Street", we are also thrilled to have a remix by Danish star Schacke which adds even more euphoria to the original.

Porter Brook debuts on Trule with an EP bringing together deep, rugged techno with deftly programmed, steely UK breaks, intricate sound design, and shimmering pads.

Taupe's imprint Colours proudly presents another palate of delicate musical brush strokes that aims to captivate and bounce its spectator. While Taupe's refines his art, this ep has the audacity to retain itself and focus on balance and control. It's a wonderful slice of wax that has many hidden sides to it, which for that reason make it a marvelous mystery to listen to. The ep starts off with a wish-wash of stabs, creating a pressing feeling of urge and uncertainty. Whilst its progressing, things seem to shake and tumble, but never falling. The inner A-side, however, has a clear purpose! An all-present tom knocks your socks off right off the bat, followed by a moist atmosphere and an appetizing hat. While A1 aims to disorient, A2 transports you right to an intimate car-drive at 5am. Flipping the wax won't flip the theme. B1 Perpetuates the feeling of nostalgia and unknowingness by tempting and dissolving the listener with fairytale-worthy arps. Swaying from left to right, follow this dream ride! And to top off this marvelous ride, B2 gently pushes the brake in order to ascertain a comfortable speed that is exquisite for some old-skool head-bobbing. Absorb that addictive bounce!

For all those who cruise part 2.

2023 Repress orange vinyl

Stay Up Forever Records back on it! The Entrepreneurs vs. Trip Hazard. Banging! Do You Like Drugs

The last installment of Adam X's recently revealed long running mini series ' The Secret Initiative' goes out with a huge bang. Adam returns with two infectious EBM techno club cuts 'Cognitive Circuits' & 'Incorporeality' paying hommage to the early 90's Frankfurt / Dorian Gray Techno EBM sound which played a big role in Adam's youthful musical upbringing.

Repress

Amotik's 4th release on the Berlin label, with 4 more driving / hypnotic tracks.

Inner Tension back with its second release again by label owner, Blazej Malinowski. This time with a Dasha Rush 'Darker Shades' remix. 4 highly playable tracks for any and all moments in the night or the day. Another quality release touching on dark and tripped out techno journeys.

Blue Vinyl
Steve Bicknell presents: 27

“Track 12” and Reinterpretations.
“Flame in Darkness” EP – Released 1993

It was back in 1993 when Steve Bicknell first resealed “Track 12” on Cosmic Records.
27 years later the veteran artist travels back in time and teams up with KR3 to re-issue this techno masterpiece, inclusive of the original re-edit plus three new interpretations by Jing, Metro Skim & Heartless.

Available from September 28th both on vinyl from Ready Made Distribution, 27 symbolises a meeting point between past, present and future of techno.
The music is there to remind us that time is circular, nothing is still and everything evolves.

For the third vinyl compilation on KONFLKT, dotwav invites renowned producers Elad Magdasi, Gonzalo MD and Kitkatone. The label is proud to present different artists with very distinct styles from all over the world.

Lifted From Basses-terres Highly-anticipated Followup To The Superb 'counting Pulsations'. A Precious 6-track Mini-album Designed In Diverses Influences...

Repress

Brenda debut 12"

Deep Space Network was a joint project by David Moufang (Move D) & Jonas Grossman and it explored electronic music that wonderfully combined ambient, chill out themes, sci-f techno and idm. Originally released on David Moufang's Source Records and distributed by Instinct Records in America a year after. Now, 27 years later, finally released on vinyl for the very first time.

A1. & A2. Cutting edge London based DJ producer "Duel" launches his Ibadan Records debut with super track "Zed". In the studio Duel hooks up with his comrade "Dos" and execute their production skills and in addition Jerome Sydenham enters the Frey to get down on the mix. The result is a healthy dose of avant-garde Deep House on one hand and a virile dose of Tech house on the other. This DJ friendly romper is a sure banker!
B1. Jerome Sydenham enters the deep Techno realm in true Vanguard style unleashing "Dogon". Sparse vocals and tinges of Acid and fat kicks shape this underground piece and put it right in the pocket.
B2. "Mirror Lines" is a beautifully crafted contempo Deep House track effortlessly combining a spirit of happiness with energetic resolve. This New York meets Detroit flavor is the brainchild of Jerome Sydenham and Amsterdam Techno/House superstar Shindoe, who is also making her Ibadan Records debut. Enjoy!

Everyone is a moon and has a dark side which he never shows to anybody. Judas is back with one of the biggest collections of records since today, presenting more sides of his vision as an artist and as a conceptual persona, these are 4 cuts that brilliantly put you in the zone, right when the needle drops on the record. Judas present this project in 2 parts, both part of the same creature, and of the same concept, 'Unsaid' goes far beyond the usual aspect of the functionality, in this case, functionality is a pure tool, every single work shows you a path into his mind.

It was about time: Julian's first EP at home. 6 tracks showing his versatility and taking us on a ride through what he's aiming for NALI. Including 3 tracks in collaboration with Caiva, who adds her voice to create this delicate aesthetic of which they alone have the secret.
Made for home listening and sweaty dancefloors...

Pressed with Green Vinyl Records
100% recyclable records / 90% energy saving / less waste during production process.

Spandau 20’s Nikk debuts on Dance Trax with 3 original jackin' club bombs backed with a glitched out remix from techno legend Mark Broom.

Red Vinyl

Monogold EP is raw, polished and bold. The drums hit hard and the chords that shadow them are constantly on the move. It is where techno meets meditation, strangeness and mystery. Equipped with a Efdemin remix to keep the dancefloor going. Vinyl-only!

Limited amount of part 6 of the Herdersmat series available now. This vinyl was previously available only by purchasing the full MORDBOX001. Generic black sleeve.

Back in 2021, when Volodymyr Gnatenko agreed to work on his debut album, none of us could have predicted it would be released, post-pandemic, against the backdrop of war. At the time, the 23-year-old producer from Lutsk was riding high on a string of well-received 12s for labels such as Where We Met and Animals On Psychedelics, besides local Ukraine labels such as LSS557 and Rhythm Buro. He was, between covid closures, playing live at Kyiv clubs such as Closer and Kureni, looking to tour in Europe, and spending every spare second making music.

How things change. When missiles began to rain on Kyiv, Gnatenko, alongside a few friends from Closer, hid in his studio. For a while, the bombings did not stop. But for the producer, neither did the music-making. Choosing to stay in the city, he continues to make beats, managing only to mix down between bombing raids. He changed his first name to match that of his president, ditching the previous spelling of his name because it was the same as the aggressor, “the same as my worst enemy, I am ashamed and disgusted that I started my career with it”.

The album speaks of softer, easier times. A combination of rich ambience, and laidback breaks alongside loose progressive and trance-fused dancefloor tracks, this debut brings together all the strands that Gnatenko plays with. The process, he says, was exhausting and long. Yet the results are lighter, fresher. Maybe because, he says, “it is dedicated to my future wife. All the tracks are my words of love for her". Deeply hypnotic and freely moving between ideas, it feels like it was made a lifetime ago, not a matter of months. Now, it resonates with a new defiance. It is a debut with an extra layer of meaning.

French electronic producer Blutch is back with another supremely trippy EP “Condate” on home label Astropolis Records, featuring a remix from Azo.

This Brittany native has a broad, borderless sound that mixes up electronica, breakbeat, house and IDM with stirring emotional undercurrents that range from nostalgia to melancholy. Last year he served up his superb ‘Terre Promise’ album on the label, and once again, it combined a raft of different sounds on one majestic record. He again shows off his ability to layer captivating melodies over compelling rhythms on this fresh new EP which extends his LP released last year with a more dancefloor suite. "Condate" is the original name of the city of Rennes in Brittany, France, where he lives. A city he loves passionately. The tracks featured in this EP are mainly taken from his live act "Terre Promise". The cover artwork also comes from the audiovisual live act: a motion design work made by Romain Navier, mixing landscapes from Brittany and hallucinated 3D creations, dressing Blutch's stage with a fabulous work around the album's theme. These tracks represent the more festive part of the live show, just as Blutch's love for Rennes is also linked to its festive character.

First single ‘Condate’ is a physical cut driven by a slick breakbeat. Melodic rain falls down the face of the track as booming bass roots you to the dance floor, and once again, the whole track is doused in heavenly synth work and subtle waves of euphoria.

‘Condate’ is a perfectly impactful EP, both physically and emotionally. The EP drops on the 24th March (vinyl/digital).

This EP is again driven by Florian Meindl's live act performances which are mainly done on a highly effective, stripped down hardware setup.

The Wild Sequence series continues with number 5 accelerating in speed and intensity.

Pulsar marked the beginning of Florian Meindl's appearance at HÖR live stream Berlin and the end of his ARTE Concert set, after countless live interpretations it was time to press it on wax.

Steve Parker celebrates the launch of his MUTED Records imprint with the sounds of LSD. This package contains two mind boggling cuts of energy laden techno + two remixes by some of Parker's most appreciated peers. "LSD" is a work of high endurance that cruises along at a steady pace. Growling fx sounds are firmly placed on top of thundering drums and a squelching drone sound. "Psychedelic Therapy" showcases a more subtle side of Parker's palette. This track revolves around an acidic bass sound, chaotic arps and a soothing pads that glues the whole together. To top thing of we find Gotshell and ARKVS on remix duties. Gotshell does a gripping industrious approach of "LSD", whereas ARKVS smooth things out for their rework of "Psychedelic Therapy".

Wicked open minded free Tek Acid mental sound EP !

After releases on Involve Records and Arts we’re very happy to present you Turin based duo Exilles that signs the third vinyl release of 24/H Records.

Marco and Norberto spent one day at Tempio del Futuro Perduto Studios (24/H Records HQ) working with personal and resident machines to craft out Night Illusion EP: 2 tracks journey into purest form of their sound.

A full immersion daily session after a tour through Tempio's walls generated acid, spatial, overdriven but melodic cuts: A1_Night Illusion opens the release supported by dreamy A2_Remix from 24/H Records resident MBM and then continued with B1_Rupture with dedicated B2_Remix signed by Label Owner Marthial.

Perfectly reflecting the sonic profile of the artists these 4 cuts are designed to massively hit the dancefloors.

All tracks were written and produced within 24 hours.

purple marbled vinyl

100 times Snork. 100 times yellow & black. 100 times genuine underground techno. Who else could honor this anniversary release better than label owner Christian Schachta aka Syntax Error himself. For more than 20 years, he has committed his music career to the underground scene. As he has seen many others come and go, he himself remained a constant member of underground techno. And his sound has always been one that you would recognize in the middle of hundreds.
In 2019, while others are busily discussing whether future is female, male, diverse, vegan, non-plastic or cosmopolite – Syntax Error’s answer comes loud and clear: Future is Human. The name of his new release and live set is a statement against the omnipresent hype – pleading for less talk and more drive. It is a call to let go from time to time and let techno do its job, which is in fact to create a neutral space where politics, gender, religion and other stigmatism need no signs – whether to forbid nor to unite them. They are simply as they are and you can talk about it or not. And you don’t have to be perfect, politically correct or cool. Drink your vodka redbull or your green smoothie. A lot or a little. Just do it and let go. Because future is human. Future is loud. Future is many things. And whatever else it is, one thing is safe, future will come – already tomorrow.
Having premiered in classic underground locations, this live set has proven more than club-compatible and the new tracks made of tight bass-lines, tricky sound arrangements and a powerful attitude are ready to enter the whole scene.
As a special anniversary gift to himself, he has asked one of his most liked fellow artists to contribute a bursting remix to this release. And Oliver Chesler aka The Horrorist was happy to do that in his very own merciless style.

SYNTAX ERROR
Exactly this world of the deep and groovy techno music is the well-known territory of Syntax Error. Having started as techno DJ in the late 90ies, he soon found his very special sound favoring deep wobbly bass-lines, harsh snares, FM tones and drones, deep bass drums and tricky percussion. Like a syntax error, he breaks with commonplace regularities and creates a wholly new sound experience that is highly recognized within the techno scene.
Up to 2019, he has produced over 20 different 12” releases on the labels Snork Enterprises, Feinwerk, Relax2000 and UNDERtheGROUND Records. Each of his releases is an authentic, passionate creation of sound always mirroring some experience from his personal life - whether it’s from his adventures as scuba diving tycoon, as sonar operator or as DJ and producer enthusiastically roaming the techno club scene in Germany and abroad. In 2018, he finally realized his dream and went on his first Japan tour performing amongst others in the well-known Contact Club in Tokyo and live on air on the famous Japanese media platform Dommune.

THE HORRORIST
The Horrorist is one of those unique artists that only come around once in a while. Recording since 1989 he and has released over 80 12" singles and 5 full length albums. He had a Number 1 hit on the German Dance Charts (DDC) with the song "One Night in NYC" and his album "Manic Panic" went to Number 1 on the German Alternative Chart (DAC). The scope of his music catalog is huge and he has recorded for every major label (Universal, Sony, Warner, etc...) and all the best known techno labels (Tresor, Gigolo, Industrial Strength, Neue Heimat, Credo, etc..). The Horrorist has worked with the biggest names in techno including Chris Liebing, Ben Sims, Frankie Bones, Ricardo Villalobos, DJ Rush and many more.
His ability to make song structured music work on the dance floor is a big key to his success. His vocal technique is quite original and unique. He also refuses not to stick in one genre so on any given record expect styles from indie new wave, electro, EBM, techno, to synthpunk.
The Horrorist is a sensational live act. A mixture of industrial attitude and punk style with synth-techno music. The show is comprised of Chesler's in your face vocals, video projection and live drum machine and synth. The Horrorist performs regularly around the world and has played in every major nightclub and for most major event organizations.

SNORK ENTERPRISES
It's a distinct sound diving deep down into the spheres of genuine underground techno where bass-lines surround your mind and the fascination of a gloomy yet groovy world of sounds inevitably enters your head.
Founded in 2004 by techno DJ and producer Christian Schachta, known as Syntax Error, Snork Enterprises is a base for modern underground electronic techno music. It's not at all about being pretentious or arty for the sake of it. It's about real depth on the dance floor. Short and sweet: very snorky! It's a journey with friends such as Cristian Vogel, Phil Kieran, Jens Zimmerman, Daze Maxim, DJ W!ld and other big names from the techno scene having dedicated themselves to an uncompromising, stunning beat to go even further on a trip to the instantly exceptional, experimental sounds, ranging back to various roots of electronic underground.

First release of Tangram & Stikdorn with their new project TSP on 180g Vinyl. Analogue jams textured in reverberating sounds covering up a wide range of styles. Limited to 150 hand-stamped copies. Composed by Tangram & Stikdorn in between 2018-2022 in Cologne.

Michele Mausi presents the second various artist from the triology called "Those Who Dare" on his label R3volution Records.

This time in one 12" you can find new exclusive tracks from Norbak, Magna Pia, Eric Fetcher, Vil and of course Michele Mausi.

Five techno tracks ready to destroy your dancefloor.

For release number three on Syntax Error, there's a harder distortion laden track of label owner Louk which Paul Mac manages to turn into something musical (fair play!), and two excellent tracks from Rotterdam DJ & producer combo of Erik Pijl and Stephanie Noordermeer.

Space Textures returns for our third release here we bring together talents from across the electronic spectrum. Textures is a various artists concept to facilitate the release of some of our favorite and most influential producers. In Textures 1 we present – Infinity, Petit Astronaute, Fernie, and Motion Symmetry providing 4 exclusive tracks with sweepings pads and hypnotic rhythms.

incl. 2 posters

Five years in the making, label boss Emmanuel aimed to deliver what for him was the very best selection of artists and people he could ever imagine in one single roof. We have repacked and redesigned our very first compilation after the great first run. 20 artists, 5 records, 1 box.

The Box is a meticulous work of one entire year, every artist of the 20 selected delivered something that connects deeply with the label and the reason why they are part of it. The study goes beyond when artists get different colors of palettes and a different surface to paint, their known soundscapes come with something freer than the usual approach that they did in their singles.

This is a pinnacle for a label that always placed music in front of everything but kept the design and the aesthetics on a top-level each release, each year. ARTS V.

Moon Harbour marks its historic 20th anniversary with a 10-track compilation of all new music. It features old friends like Marlow and Luna City Express, icons like Steve Bug and Butchand new
signings like Black Circle, so it is a fine representation of the label's famous sound.

Matthias Tanzmann founded Moon Harbour in 2000, and since then it has been at the forefront of the tech house scene. Even in the face of the major shift from vinyl to digital, a distributor going bankrupt
and the coronavirus pandemic, careful A&R and Matthias's own productions have ensured the label has remained utterly relevant. The Leipzig label has released countless EPs, LPs and compilations
and hosted label showcases all over the world. It has nurtured the careers of artists like Sable Sheep and Ekkohaus and has given a vital platform to new stars like Miane, Detlef and many more.

"Evolution is a natural process and important to artists as well as to labels," explains Matthias. "Music is always redefined and subject to trends. New generations of musicians want to create their own
identities through their sound. As a label, we listen to a lot of new music and try to stay open-minded within our own aesthetic range."
After a year of re-releasing classics from the label's back catalogue, the 20 Years of Moon Harbour compilation is all about fresh and exclusive music. It kicks off with Andrea Oliva's 'Return To The
Dancefloor,' a bumping cut driven by naughty bass before raw percussive energy from ANEK and tense cosmic melody Black Circle. Butch layers up tribal grooves and exotic vocals, then Luna City
Express mark the mid-point with the steamy house of 'Mami Wata' featuring Sunru's soulful vocals.

Marlow throws it back with some old school piano energy on 'Corktown,' Matthias nails a perfectly slinky tech house groove on 'Binford' and Ninetoes' 'Polanco Hills' ups the pace and drives forwards.

Closing out is the punchy and stripped back house of Steve Bug's 'Going Up' and Sven Tasnadi's loopy and hypnotic 'Cuckoo.'
This essential collection is further proof that Moon Harbour continues to shape the sound of contemporary European house music. Here's to the next 20 years.

Hellcat industries is the latest scheme from the forever audacious bbbbbb family, focusing on cheeky dance floor bangers channelling the fun 90s not-so-serious techno anthems combined with the bbb oddball spirit, the modernised sound of 2k20 future stars and mad in-house label artwork.

‘Chanting from a Tiny Book’ is the second chapter of Hellcat where Bjarki and VTSS split a twelve inch together. "H311CAT02" follows the success of the first V/A with VTSS, Cadency, Kuldaboli and Bjarki on board, and continues sharing the tales of the cat from
hell.

After the behind the scenes work VTSS did as curator of the first V/A, the bbb team unanimously invited the polish selector and producer to continue her involvement with Hellcat naming her the labels A&R.

The tracks selected by VTSS for the second installation include her own productions with the banging ‘Batman Church’ and the more anthemic ‘How to Win Big’, complemented by the BBBBBB-SIDE which features Hellfire and Safety Savage from Bjarki - tunes VTSS has playing relentlessly in her sets over the past year.

The two collaborators come from quite different backgrounds but have been working together for two years finding and embracing a common ground and mission - to bring back the fun to techno.

The labels plans for 2020 include a couple of V/A’s and EP’s putting attention on maybe still a bit lesser known artists but with (in the eyes of Bjarki & VTSS) a bright future - another crucial mission of HELLCAT - with remixes from the label daddy and mommy included in digital form for every release.

"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.

Compilation, concept and production by Fizzé, Orsett & Fischer

Analog mastering by Tim Stollenwerk

Drawings, obi strip and insert layout by Anne-Marie Gratton

The record cover represents the acrylic painting "Till" by Alex Rabus

***
they stood in silence
brushed the dew
from their sleepy eyes
wandered violent paths
to get away from it all
***

Red Marbled Vinyl

Following two sturdy & well-received releases on his own label, Border One returns with the dazzling, club focused ‘Morph’ EP.

Be aware of the rabbit hole, as the 4 cut EP sends you spiraling in between spaced out synths, topped off with delicately placed drum patterns.

Amniote editions readies the DCX capsule with two beat oriented releases focused on tripped out atmospheric sounds.

Moloch Horridus debuts with four beautiful cuts of electro belters spanning from straight-in-your-face-no-bullshit stompers to more meditative moods.

DCX-4: Moloch Horridus - Self Guard EP
12” & digital
All tracks written & produced by Tred

Parietal Eye returns in collaboration with Cantil for two versions of Final Destination - explorations of sizzling hi-tek sci-fi soundscapes and turbo-driven drum programming.

DCX-6: Parietal Eye & Cantil - Final Destination
Mesh print & digital
All tracks written & produced by Yuri & Internazionale

The artwork is designed and imagined by Amniote household art director and co-founder Rose Marie Johansen.

Originally conceived as a standard EP, the remixes of The Human & Assets' original composition Jugem Jugem have proven to be an eclectic array of high-quality tracks, ranging from warm and rounded minimal sounds to rumbling low-end rigidness - and a few classic techno bombs to round things off.

The project turned into a two-disc collection of remixes, each giving the listener a specific and original flavour of electronica. Remix duties were masterfully executed by Japan's own Ko-ta, known by his sly releases on DJ Nobu's Bitta label; rising underground marvel and Edit Select Record's household name Linear System, with his hypnotic syncopations - and to finish the release off in massive style, French heavyweight Moteka (Skryptom) brings his colossal version of the original.

repressed !

Dominik Eulberg, of Traumschallplatten, Cocoon and Kompakt notoriety, presents the next installment of the Hertzblut Recordings EP series in the form of 'Backslash'. The EP opens with 'Opel Tantra', a delectable example of a living, breathing techno orchestra in full effect. B-side 'Noch Ein Bass im Ärmel' sees plucked strings and key stabs pick out an alluring groove, as distant chimes twinkle evoking the enchanted forest ever-present in Eulberg's thoughts.

The Abstract Eye is back once again with his first offering on the Technoindigenous Studies label, and it’s a heavy one! Here he gives us another mega banger with his Nine Oh Nine EP. This record uses one of the most historically important drum machines throughout its entirety: the Roland TR-909. The classic drum machine used by his predecessors in electronic dance music also happens to have been released during the year of his birth. You almost surely know the sound of the TR-909 in other contexts, but, as he always does, he adds his atypical twist to it and uses it in a timeless context. Each of the record’s four pieces could have been released decades ago or far into the future. Another Gifted & Blessed production sure to please and set the dancefloor ablaze!

DJ Haus Enters The Unknown is a yearly compilation looking back at the last 12 months of UTTU releases - some obvious highlights but emphasis on overlooked b sides too. It's also an opportunity to work with friends outside of the UTTU label by including exclusive collaborations and tracks from the UTTU extended family. Ahead of the full compilation release UTTU present a triple vinyl edition of the exclusive tracks and collaborations featuring: Legowelt, DJ Deeon, DJ Seinfeld, DJ Normal 4, Marquis Hawkes, DJ Boring & many more.

'Following a string of successful releases in 2015, head of Gråtone: +plattform is the mind behind the second release from the Norwegian imprint.
tm22 features three trancy cuts framed within in +p's signature percussive work.'

freshly repressed ! The pairing of Andreas Baumecker (nd_baumecker) and Sam Barker (Voltek) seemed almost destined to result in some outstanding music. The fruits of a friendship and production partnership closely founded upon their love for more experimental dance sounds, the 'Candyflip' EP introduces the pair's debut output.

J. Alberts “config” EP for Couldn’t Care More is one more step into his very own microcosm of electronic music wizadry: There is the flickering groove of “Armor”, myriads of cut-up sonic pieces morphed into a glorious track somewhere next to Techno and House and there’s the distorted quiet beauty of slowly breathing “config4”, ambientesque but filled with tension like Huerco S does it. There are the holographic breakbeats of “config5”, with voice samples and synth stabs melted in New Yorks fiercest heat and there’s the sped-up ambient groove of ghostly “config2”. The last track “Court” sums it up, a breathless groove mutation topped by spheric keyboard sounds. J. Albert gets it all together and he does it with a quite uncanny certainty. A different level.

On behalf of re:discovery records, it is with great excitement that we announce the 1st of a 3EP set highlighting the music on 1990's Norwegian electronic act Neural Network. In 1993-1995 they released 2 full albums or Origo Sound that featured label mates Biosphere. In 1993 they opened up for Prodigy and shared the bill with other seminal acts like AFX, Autechre, Orbital and H.I.A among other heavyweights. However, their 2 full albums 'Brain-State-In-A-Box' & 'Modernité' did not get picked up by any other label or distributer and their popularity stayed regional. In fact a 3rd album was never released (Until part 3 comes from this series!) and sadly they went their separate ways to form other electronic acts in 1997. We hope to shine a bright light on their early music. Side A features the wonderful aquatic adventure in 'Aqueous' followed by a shift into the sci-fi realm with the mysterious 'Mechanical Heart'. Two great examples that show off the group's deep post rave sound for the future. A real melding of styles. All 3 EP's have inserts where the band shares their memories of the early days.

All these tracks in the series are placed on vinyl for the first time with fantastic artwork by UK's Grid Pattern. Dare to Dream! Its not only our credo at re:discovery records but it's also our goal in hearing music that was made for the stars.

Terence Fixmer's path through the changing techno landscape of the past 20 years has been anything but direct. Indeed, the French born producer, musician and Planete Rouge label founder has long been influenced by the periphery of continental European dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, EBM-inflected techno with classic releases such as 2001's Muscle Machine or the collaborative Between The Devil LP with Nitzer Ebb's Douglas McCarthy as Fixmer/McCarthy. While the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, Through The Cortex sees Fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. Across eight tracks at a compact but varied 40 minutes, the LP touches on an aesthetic hinted at in recent Ostgut Ton releases (2016's Beneath The Skin EP and 2017's Force EP), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility. Through The Cortex is techno with a voice - or rather multiple voices - guiding listeners through hypnotic, space- and social-themed terrain as a kind of dark soundtrack to darker days. The result ranges from the slow John Carpenter-inspired Escape From Precinct 13 funk of 'Expedition' and the patient yet muscular stomp of 'Fury' to the mesmerizing Suicide-like pop of single 'Accelerate', where Fixmer, using his voice as an instrument, chants the track's ambiguous title in an invocation of systemic change/collapse. Elsewhere, the story is told with more abstract and wailing vocals like on 'Shout in A Black Hole', or in the warm, entrancing chords floating across the stereo image in ostensibly changing time-signatures on 'A Halo Somewhere' - the LP's uncharacteristically kosmische musik come-down. The track, and Through The Cortex as a whole, reflect what can be described as Fixmer's idiosyncratic take on both techno subgenres as well as the larger pool of electronic music in general. This broad approach translates into a sound that is not only difficult to pin down, but also one that lends itself to multiple listens.

Originally from Manchester now based in Lewes, Kalli co-runs the GODDEZZ parties and record label.

Sonically, Kalli can't hold back when interconnecting the dots of hoover synths, electro, gritty rave and off-kilter weirdness.

Soft Play is a primal techno beast with punk undertones and monstrous hoover rave drop.

Gems Per Capita shows Kalli in full club mode, unleashing a bass heavy electro tinged track with a killer Acid break; a peak time weapon.

The memory of trying to naively connect to an identity, along with searching for daily eccentric enjoyment in a rural, rainy post-industrial town’ Kalli.

Response & Pliskin joins forces once again for another essential drum & bass release, limited hand stamped copies..

First release from the Italian composer Sancra on Ipso Facto.

4-track ep with different styles and emotions, composed in Rome (2021-2022).

Lagowski’s ‘Teratology’ (named after the study of the causes and patterns of abnormal development) is a collection of hard, driving tunes that was originally self-released on CDR in 2003. The album is a collection of dark and atmospheric prototype and original techno tracks, featuring heavy use of synthesizers, samplers and digital effects, and its bleak and haunting soundscape reflects this theme.

‘Teratology’ is notable for its use of cutting-edge electronic production techniques at the time, such as convolution sample synthesis and time stretching (bear in mind that these tracks were recorded between 1989-1992). Lagowski’s use of unconventional sound sources and processing techniques helped to push the boundaries of electronic music and influenced many artists in the genre.

repressed !

Maruwa logs back on to infiltrate the S.C.D.D. network, disrupting systems with a 5-track cluster of interface-melting dance music.

The Saint Petersburg programmer re-codes Techno – encrypting it with hypnotic acid lines, dreamy Trance atmospherics and her very own vocal processing on ‘Dvizhenie’.

No firewall can stop this complete anatomical takeover.

Rush Hour-affiliate and Amsterdam local Relmer is back with what may well be his best work so far. ‘H2O’ expertly displays the vibrant energy he’s known for around these parts with two Amazon-inspired deephouse groovers, a melancholic walk through the jungle, a Detroit-infused progressive anthem and a hypnotic midtempo floorwarmer. Absolutely stellar stuff from A to Z.

“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams

"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha

Vinyl Only

Detroit's finest Rick Wade lands on FRL Classic Edition. A true House music legend, who don’t needs any introduction, pioneer of a new deep house sounds style in the two last decades.

Here with a massive repress of one of his first ever release!
The mood is deeper an emotive house, with keys aplenty and smooth buvvling grooves! Arguably one of Rick Wade's finest records.

Brace yourselves for a heavy dose of hi-tech futurisms from a long time Sneaker associate. Laurie Osborne has held true to his free-spirited musical demeanour since his breakthrough dubstep years, springing across tempos and styles while holding fast to a deep-rooted raver's instinct. His profound appreciation and knowledge of vast oceans of music injects his sound with a boundless, playful enthusiasm. As was evident with his 2018 LP Life In A Laser and his ALSO collaboration with Second Storey, Osborne speaks fluently in the techno and electro vernacular as much as UK soundsystem gear, channeling a sparkling, melodic energy which typified those genres at their inception. On Infinite Hieroglyphics, Osborne trips into expansive imagined vistas and fizzy furrows with a pervasive sub-bass footing.

back in !

• NRG is one of the most important artists the rave scene ever saw, with an endless string of classic releases under his belt!
• This box set contains the vast majority of his back catalogue, gloriously remastered, as well as brand new remixes from some of the most talented people in the business old skool and new: Altern 8, New Decade, Hyper On Experience, Bay B Kane, Luna-C, Paul Bradley, and Al Storm.
• It is very limited in number with only 500 being pressed, so once it is gone, it is gone.

Club / DJ Support
Billy Bunter, Jay Cunning, Hixxy, Danny Byrd, D Bridge, The Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many, many others.

It's 18 years ago now that Paul Mac found his mission into dj'ing and 10 years that he laid his foundation stone as producer. Since that, Paul Mac recorded tracks for over 30 labels and with nearly 100 releases now to his name it's probably fair to call him an inveterate artist of the scene. The past couple of years have seen Paul's profile raised dramatically thanks to his high profile releases on Primate, Intec, Primevil, Phont or on Ben Sim's label Ingoma. Paul Mac's first album "Old School Former Pupil" was released in 1998 on Fragmented Recordings and five years later his second album "Push Came To Shove" on Primate. In Septemer this year Paul will release his third album "Defined By Association" on Ingoma and besides the traditional labels as usual also his first 12inch on Kanzleramt. Paul's "What Are You" sounds really mental and all four tracks are energetic floorfiller, have their own qualities and it's just a question of your individual choice which one rocks the crowd!

Apollo proudly presents a full release of the stunning debut album released by SW. SW's lush sound design and hypnotic arrangements nestles snugly alongside the classic 90's Apollo releases of Biosphere and Robert Leiner in all their balmy glory.
Originally issued on vinyl only via SW's own SUED imprint, this Apollo re-release represents something of a coup in that it's the first of the label's music to ever be presented digitally.
As a label, SUED has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both SW and SVN, as well as collaborations and comradeship with other analogue obsessed auteurs such as Dynamo Dreesen (who teams up with SVN as Dresvn), DJ Sotofett, DJ Fett Burger, PG Sounds and Club No-No, AKA Snorre Magnar Solberg.Ensconced in his studio in South West Germany, SW creates in isolation, exploring textures, dreamy melodies and mesmeric grooves within laid back 4/4 structures. 'The Album' was the first time anyone had experienced his music over a long player format and allowed SW to delve deeper into his influences. In addition to the aforementioned sublime electronica 'The Album' also takes its cues from the iconic house and techno of the mid / late 90s - SW manages to fuse these influences together to create a beguiling, modern take on classic sounds and rhythms that remains thrillingly unique and elusive. Resident Advisor bestowed a rare 4.5 out of 5 on the record, describing it as 'a lesson in how to put together a dance music album' Despite his comfort residing in the shadows, SW's stunning debut album richly deserves the exposure that this broader release on Apollo should rightfully bestow.

In the fourth Modern Cathedrals release, Altstadt Echo crafts three original works with a focus on experimentation with broken beat structures and grainy percussive texture, against a backdrop of austere atmospheres. Varg contributes a remix that emphasizes the despairing tones of "The Descent," contrasted with glistening treble percussion and and stumbling bass. To end the release, Evigt Mörker offers an extended hypnotic version of the track that slowly develops from a functional framework into an atmospheric drift.

The thematic aspects of the release follow the development of Modern Cathedrals as a label, expressing existentialist themes centered around the search for meaning in a life that forbids it. The label art features photographs of the beautiful remains of one of Detroit's many unused churches.

Another early 90s breaky rave missile, this EP features three original versions from 1992 of “Futurama” on the A side: the “Space Mix”, “Dream Mix” and the slow building “Hold It Held It Lost It Mix”. And two newly made remixes by Berlin's finest Juan Ramos and Trent. Making you fully equipped to make the right choice behind a DJ booth. Powerful breakbeat rhythms, driving bass lines, tripped out vocal samples, all the boxes are checked for maximum club impact, another highly effective dance floor recipe by Morgan King and Nick Hook, the two virtuosos responsible for previously re-issued on Sound Metaphors “Older Brother From the Rock” by Om. Profusely remastered at Berlin's manmade mastering.

We are back with our fourth vinyl release between the Berlin-based Colombian producer Brayan Valenzuela and Cologne-based native polish artist Rezystor. These guys are already connected with BRVTAL., because they released tracks on SZROGH compilation and participated on our podcast series.

On the tough side Brayan who is a well-known modular synthesis enthusiast hit us with his heavy hard tracks, like a road roller in your face, but it's all done with the best humor, the dark side has never been so cheerful!

While Rezystor on the banger side delivered his own professional obscure sound with high speed tempo and deep melodies. Long awaited perfect rave anthems on the altar of the best period of trance area!

Real name Fernando Cappelletti, the Rosario native's early releases arrived on AirDrop Records, followed by appearances on Esperanza before launching

Savor Music alongside Jorge Savoretti in 2011. Since then the label has hosted the likes of Felipe Valenzuela, Martinez, Kastil, Marcman and Franco Cinelli whilst garnering a reputation as one of Argentina's key purveyors of house and techno.


The album's subterranean aesthetics are present from the beginning, with mesmerising tape echoes in 'The Real', deep pads in 'Trb' and the rhythmic energy of 'Rainforest'. 'Geibi' then demonstrates intricate pops and glitches before 'In Amour' settles for a compelling groove. 'Flavor' is then a percussive number with a hypnotizing appeal until 'Faiser' concludes the album with a punchy, dancefloor driven workout.

Our third release comes from Feph.
4 tracks- Drifting grooves meet otherworldly atmospheres.
Catered to DJs and meant for the club.
Made in USA.

vinyl only

With its sixth release NEW YORK TRAX continues the mission of highlighting the jewels of the New York underground. Liquid Asset is a Philadelphia-born Brooklyn-based hardware virtuoso who has made a name for herself by virtue of appearances on labels such as E-Saggila's Summer Isle Brooklyn's own Primitive Languages
Jacktone and Acid Etch where she has recently delivered a furious 7' split with Isabella. Liquid Asset built her own 808 and 303 clones by hand. The modified 303 is particularly audible in the opening track of the record Ephemeral Nights' where she did not waste time on an intro and went straight to creating a sonic pandemonium by blending an airhorn sound with frenzy acid basslines and a hardcore-leaning 909 kick. Contact' is a merciless creature of the night with its relentless dark groove building up throughout this composition cannot easily be classified as a representation of any particular genre. Controlperception' opens the B side. Here Liquid Asset plays with a cheerful acid line over a dreamy landscape often punctured with bleeping sounds. Finally in Forgetmenot' two opposite sounding basslines intertwine creating a minimal yet very capturing composition to close this one of a kind record.