Techno Novedades

+plattform delves into uncharted territories juxtaposing familiar beats with unfamiliar voices.

New Tape of Inguma Records,
Smashing songs of Casual Treatment that burn the dance floor bangers!!

Fifth installment for the Orbitr Vinyl Series.

One of Europe’s most popular queer parties launches its record label, showcasing the residents who made Adonis such a cult, must-attend event. The four-track ‘ADONIS 001’ EP is released on 25 February, featuring four tracks from residents Nyra and Wilson Phoenix, representing the different music styles experienced across both rooms at their infamous party which ended its four-year residency at The Cause with a bang on New Year’s Day this year.

Long-term resident Nyra delivers both A-Side tracks, presenting the uplifting, main-room house sound of Adonis. Opening with ‘Used To Love Me’ which evokes classic early New York house with its sultry “you used to love me, basic lover” vocal refrain alongside deep atmospheric beats and hypnotic saxophone sounds. ‘Visions’ sparkles with vibrant electro beats which bounce and shimmer throughout, combined with the Italo house inspired synth chords for an anthemic track perfect for peak-time dance-floors.

Resident Wilson Phoenix, known for delivering the faster paced, darker sound of Adonis, provides both B-Side tracks. As the BPM rises, the vibe gets harder. The thumping yet euphoric ‘Dash Und’ flexes its muscles from the out, with its punchy 909 matched by robotic synths and nostalgic acid and rave influences. ‘K-12’ ups the intensity; a sweat-soaked techno stomper with stabbing hi-hats which make for the ideal heads down cut.

"How that time has gone, vanished beneath night’s cover, just as if it never had been! The wall, wondrous high, decorated with snake-likenesses, stands now over traces of the beloved company. The ash-spears’ might has borne the earls away—weapons greedy for slaughter, Fate the mighty; and storms beat on the stone walls, snow, the herald of winter, falling thick binds the earth when darkness comes and the night-shadow falls, sends harsh hailstones from the north in hatred of men.



All earth’s kingdom is wretched, the world beneath the skies is changed by the work of the fates. Here wealth is fleeting, here friend is fleeting, here man is fleeting, here woman is fleeting—all this earthly habitation shall be emptied."



— Exeter Book (1072)

“Clockworks”, composed in the 1970s by computer music pioneer Laurie Spiegel at Bell Laboratories on the GROOVE digital/analog hybrid system, is a mesmerizing and mathematical polyrhythmic number. Machineries of Joy is proud to present two remixes of this seminal piece of electronic music.

On the A side, SØS Gunver Ryberg turns in an intense and atmospheric interpretation of the original, while on the flip side, David Morley crafts an elegant, focused and hypnotic excursion.

Original Sonic Groove family member, Reade Truth returns to the label after a 20+ year hiatus. His latest effort, “2nd Qtr ” consists of four hard-hitting acid techno workouts. Once again Reade bristles with his uniquely psychedelic style that has many of the techno vinyl purists paying high prices for his past releases on Discogs. Get ready for an intense acid fueled journey thru your mind and into the stars beyond.” A1 An Acid Break (Or So It Seems) A2 Night House (Acid To Body) B1 Chemical Play Skool B2 Divided Pleasures

After albert's album debut, we are proud to present the remixes package curated by Stanislav Tolkachev, Inigo Kennedy and kessell

Last Night On Earth kick off 2020 by welcoming the prolific Deadbeat with a special vinyl ‘Deadbeat in Dub’ compilation, featuring a new Sasha exclusive. The DJ/producer, sound artist and music tech educator already has an extensive resume of labels and collaborators including Echocord, Mutek, Sonar, RBMA, and Monolake.

Deadbeat aka Scott Monteith has reworked his eight favourite cuts from the LNOE back catalogue, creating 'dub' interpretations of tracks from Sasha, Hunter/Game, Ejeca, Jody Barr, VONDA7, Alex Niggemann, Jon Gurd and Dubspeeka. The Canadian-born, Berlin-based producer has delivered the dream – reworks which could stand up as single tracks in their own right, while preserving the gravitas of the original cuts. Furthermore, Sasha’s ‘Float Collapse’ is an exclusive track from the label head, never before released.

Along with eleven albums, 20+ singles, countless remixes and collabs, Deadbeat also has a peerless dub archive spanning early Jamaican roots, through the 80s/90s to today’s evolving global scene. His DJ mix ‘Radio Rothko’ in 2010 is rated by various publications as one of the most genre defining mix CDs of all time.

For Deadbeat, his debut for Sasha’s imprint is especially meaningful. ‘I saw Sasha play for the first time in Toronto around 1996, and while we have travelled in quite different musical circles since then, it was a real honour to put this project together. The LNOE catalogue has so many melodically rich dance floor killers, it was a real pleasure to rework them into a more meditative, cerebral mode. Hopefully listeners will savour these new versions in the comfort of their living rooms as so many have enjoyed the originals on the dance floor over the years.’

Retro-Future beats for stubborn ravers.
Phase O'Matic is a London based promising producer.
Philoxenia is delighted to have him on board.

Repress!

Neighbourhood number five, a various artists compilation. The Hive is about bringing all these fantastic artists connected with Neighbourhood together and showcasing their incredible music as one collection.
The music tells a story in some way, but also leaves it to the listener to interpret in their own way. The Hive really represents what Neighbourhood is about, a proper UK techno sound. Reaching the 10th year of the parties next year, it felt the right time to bring together various artists, who aren't normally associated with each other and the music matches the ethos of the parties, good music brought to you from the Neighbourhood. Opening up to other Neighbourhoods for future releases!
dBridge - perfect intro track, deep, spaced out, four four business, with some robot alien chatter intertwined! dBridge coming with the goods!

Paleman - one of his many modular jams that pricked the ears! Fantastic shifting drum patterns and hypnotic drones.

Cadans - Dutch don with a proper, stand out UK sound!! Catchy yet gritty as hell. It's a bit of an anthem!
Roberto - Techno staple, simple stepper, does the damage on the dancefloor, swinging you into a frenzy.
Ben Sims - Veteran keeps you locked in forever to the beats, with a real, raw b boy style.

Tasha & Kamikaze Space Programme - Collaborative magic, inspired by the nine, for those that know!

Reflec - one of Manchester's finest, rolling out a brilliant, percussive, heavy weight drum track of pure love.

Roberto & Yelhsa - Yelhsa is a new alias of Skeptical. Beautiful collaborative production, wrapped up in Auckland, expectant of a rinse out rhythm, it's a deep yet ravey roll out, the perfect closing tune.

"1959" is a concept album dedicated to my father. The main theme is based on my particular perception of travel and movement, which are both narrated with similar and different electronic sounds at the same time. The double vinyl edition is divided into 4 sides entitled "Moon", "Flight", "Space" and "Land". The vocals of some tracks, such as "The Aircraft", were made with fragments of vocal announcements recorded in the airports during my tours. The plane, already featured on the cover of the single "Lux", is interpreted as a mysterious vehicle that travels in space-time. The album cover instead portrays my father's motorcycle, as if it were suspended in the sky during the transition from night to day, which in this case symbolizes the transition from the noise of earthly life to the stillness of eternity. In this new work of mine I found my Synth-pop, Electro and Ambient influences, combined with rhythms that lend themselves well both to listening and to the dance floor. Enjoy it!

IDE003 contains 4 remixes from the release IDE002 (Jiska Huizing & Rudi Valdersnes, 2019, Ideophone Records) by well known artists rRoxymore, Yhdessa, Nkisi and newcomer JIJU. Each artist has really managed to make the original tracks their own and their unique sounds and styles really shine in this very diverse collection of remixes, which ranges from leftfield techno to experimental electronics and ambient.

This is the Second edition of Illegal Alien LTD new Various Artists Compilation Series called ‘Between Lands & Oceans’ this series will become an annual compilation and it will be presented in Vinyl, CD, Cassette and Digital format. For our first Volume, we are proud and delighted to count with all this great artists, some of them already with a very successful career and others with a very promising future. Nothing but quality Techno music inside this Various Artists and we thank everyone that is involved on the second Volume of Between Lands & Oceans’.

After relaunching his Dima alias two years ago with a new ep “Sounds of Life” and with more releases coming soon, Pascal Arbez-Nicolas, aka Vitalic, aka Dima, is re-releasing his Fuckeristic ep on Citizen Records, his label. This iconic ep, now 20 years old, gives us an insight into the journey and evolution from Dima into Vitalic in the early 2000s.

Pascal Arbez-Nicolas, aka Vitalic, aka Dima, tells us how Fuckeristic came about:

"Back in the day I was just getting started and didn't have a lot of hardware. It was expensive! The ep was made with a Studio Electronics ATC-1 synth, Novation Drum Station and Yamaha VL1. I'd only just got the Yamaha and the ep was the first I used it on, essentially for the choir and tinkler sounds, although to be honest I felt they both sounded too digital. Anyway, I had only a few machines to work with and everything was different back then, before the internet really came into its own. I even used to record my tracks on a DAT machine, which I'd bought second-hand, and send the cassette by post to be mastered!"

"For my first ep as Dima (Bonne Nouvelle) and the track 'Untitled', released on the Choice label based in Dijon, I was making music influenced by English techno and bleep tracks. For Fuckeristic, I wanted to create something with a stronger techno feel, something a bit harder but with melody and a rhythm that was almost rock. You could say the ep falls somewhere between Dima and Vitalic, which I went on to launch two years later. These two identities have common sonic elements: vocals, melodies, bells, rock rhythms… In the break at the end of "Poetry (Shit Again Mix)" I used my Mac's voice synthesiser (this was way before Siri existed). It was meant as a tool for the visually impaired - you typed in your text and the computer could say it in three or four different voices. The signal was low-quality, kinda dirty, but it's a technique that has been used quite a lot in techno."

"As well as the synthesised voice from my computer, there's also the voice of James at the beginning of "Poetry (The Year 2000 Remix)". James was my flatmate when I lived in England. One night he was really drunk, and I recorded him and used his voice. Back then I'd been living in Guildford, 30 miles away from London, for a year and a half. I studied languages and economy there for a year, and the Fuckeristic ep was recorded partly there and partly in Dijon. I was based in England but returning to the mainland quite a lot - two or three times a month - for weekend gigs in a few clubs and quite a lot of raves."

"At the time, the rave sound was pretty tough, with a lot of hardcore and hard techno. It wasn't really my thing - I wasn't making that kind of music because I wanted my techno to have melody to it. "Poetry" was stilled played a lot at raves though, although pitched up to make it faster. Laurent Garnier and DJ Hell liked it a lot, and this led to me releasing an ep on Hell's label Gigolo. Once, he played 'Poetry' at the Love Parade in Berlin and people loved it. At the time I had a girlfriend who was an intern at Gigolo. She told Hell she knew me, and he said he liked my sound and that if I had any new tracks I should send them in. So a year later, I did. Those were the tracks that would become the Poney ep, my first 12" for Gigolo, under a new name - Vitalic."

"After having released tracks on Choice, a label from Dijon, the Fuckeristic ep was released on Step 2 House Records, part of the Parisian label Happy Music. Step 2 House was a respected label that a lot of DJs followed. At the time, I had also done two remixes, one of "Fadin'away" for The Hacker on GoodLife, which was really well received, and one for Elegia, "The Essence Of It" on F Communications that got a lot less attention. Either way, those two remixes, like the Fuckeristic ep, allowed me to move on from Dima to Vitalic. In fact, one night at the Rex Club, Elegia said to me "The music you make isn't techno, it's rock!" And that's why, for the Poney ep, I called one track La Rock!"

Sergii Galan, the Ukrainian producer also known as Haze, makes his debut on the Kyiv-based Rhythm Buro imprint. The artist who released his first ever EP just two years ago (the excellent "Somewhere In Time" EP on Anagram Records) is now joining the roster of the label affiliated with the event series of the same name. While the Rhythm Buro events are best known for keeping the Ukrainian capital's dance floors busy, the Rhythm Buro label is set to hit its fifth release with Haze's RB005. As is evident with the EP's artwork, RB005 marks the beginning of a new era for the label, breaking the ties with what was previously its signature visual mark.

The record's opening tune is the heaviest on the EP, good reason as to why it was chosen as the title track. "Aimless" is bottom-heavy and bass-rich, done in the true "acid eiffel" face-melting fashion. However, its successor on A2, "Inner Voice", takes a completely different route sound-wise, referencing timeless old-school breaks and vocal samples, which showcase the diversity of Haze's palate. To further confirm this notion, "Prism" on A3 appears as the EP's "slow burner", the acidic-psychedelic-downtempo tune you wouldn't often come across on a record filed under "techno" in 2019.

In line with Rhythm Buro tradition of sorts, the B-side of the record is dedicated to the deeper tunes, which blur the lines between techno and house. "Majula Sunset" on B1 is both trippy and melodic; with a groovy rolling bass line only a quality sound system could handle properly. Closing the record is Ben Buitendijk's remix and combination of two of Haze's tracks from the EP: "Prism" and "Aimless". As indicated by the title, this track "Natura" is not only a rework of Haze's tunes, but also homage to one of Rhythm Buro's most original events of the same name, which Buitendijk has played, an event which is held in the forest outside Kyiv every summer.

Humanoid strikes back on De:tuned with a remastered version of the pioneering 1988 crossover UK number 1 Dance Single "Stakker Humanoid". This major influential UK acid house cut has been breaking down UK culture barriers since its original release. Humanoid's music was also used in Stakker "Eurotechno", now housed in The Museum of Modern Art located in New York. De:tuned have invited personal favourites Autechre, Luke Vibert and Mike Dred to rework the new and uncompromising update "sT8818r" (previously released on DE:10.08) to complement the classic original. Prepare to have your mind blown once more!

The impeccable Ian Anderson at The Designers Republic created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. Stay tuned!

clear magenta vinyl
Humanoid strikes back on De:tuned with a remastered version of the pioneering 1988 crossover UK number 1 Dance Single "Stakker Humanoid". This major influential UK acid house cut has been breaking down UK culture barriers since its original release. Humanoid's music was also used in Stakker "Eurotechno", now housed in The Museum of Modern Art located in New York. De:tuned have invited personal favourites Autechre, Luke Vibert and Mike Dred to rework the new and uncompromising update "sT8818r" (previously released on DE:10.08) to complement the classic original. Prepare to have your mind blown once more!

The impeccable Ian Anderson at The Designers Republic created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. Stay tuned!

feat John Shima remix

Mihail P brings us a 4 tracker, including a special John Shima remix. We start with the title track "Relinquish", a nice journey through deep space at a modest tempo. It features electro breaks rhythm patterns and harmonics to send you in to orbit. Following is "Shifting", a more acid tech vibe and straight 4/4 chugger, in line with proper Detroit / UK lushness from the 90's and forward. Flip to the B side for "Reliquish John Shima remix". It's hard to say which track is the peak, but this one's a contender. John Shima is known for his signature bleepy, but danceable sound. He adds layers of synth programming intelligence and great basslines as usual. Finally the B2 "Close to Zero" is the closing tune. Similar to the opener, we find more electro breaks, synth basses and a cool pad to complete the perfect journey.

"Mean Friend", ein Track aus Modeselektors erstem Mixtape "Extended", erscheint als zweiteilige EP-Vinylserie mit acht unterschiedlichen Versionen und Bearbeitungen. Während sich "Komm" durch den hypnotischen Gesangsbeitrag von Blixa Bargeld (Einstürzende Neubauten) auszeichnet, spendieren Bob Weston (Shellac) und der ehemalige Sepultura-Drummer Iggor Cavalera mit "Brush Your Teeth Mean Friend" ein rhythmisches Feuerwerk. Darüber hinaus gibt es drei Neubearbeitungen von Modeselektor selbst, sowie Remixe von DJ Stingray, Giant Swan und Telefon Tel Aviv.

If you can’t get enough of Space Disco? ….. there is more…. Also available soon the album Android album titled Spaceman’s Return. 6 brand new tracks no fillers only the best but that’s not all! Also included the original versions of the two classics Skydancer and Aliens on the album. The album Spaceman’s Return is produced and written by Marc Hartman.

Recorded and mixed @Neverland Studio with special thanx to assistant engineer Twitzii for the assistance and inexplicable off-world effects on the album.

On a Journey we go… lift off!

BLO is new sensation in LA’s the New Beat scene. Their classical song structures and arrangements with a modern twist capture and transport immediately to the golden era of the Belgian macro clubs of the late 80’s. Their debut EP include 3 original songs and a cover of Depeche Mode classical hit “Breathing in Fumes”

Banging breakcore and speedcore acid experimental stuff... Crazy shit coming with stickerz and a poster !

Incl. Schacke Remix

Having been extensively road-tested this past year by DJs including Daniel Avery, HAAi and Gerd Janson, Highdive arrives with tangible anticipation. The work of less-than-shadowy figures Gramrcy and John Loveless, the pair have passed lockdown and beyond remixing artists such as WH Lung, Discovery Zone and Ghost Culture. Debuting their first original material, closely following Gramrcy’s recent appearance on Loveless’s own Hot Concept imprint, Highdive is a long-anticipated explosion of energy.

Built around a sonic-boom breakdown, glossy rave chords and pounding post-punk drums, Highdive feels immediately at home on Phantasy. Having worked closely alongside founder Erol Alkan in recent years to shape the imprint's diverse output, Loveless' collaboration with the Peach Discs founder nods to the electro landscape of the label's earliest days. Having never left dance floors since, Gramrcy & John Loveless take a golden opportunity to plunge dancers into the sublime and the ridiculous.

While a stripped-down ‘Beats Mix’ sees the pair adopt a less-maximal approach, leave it to Schacke to stretch Highdive into hardcore rave heaven. The already-influential Copenhagen artist underscores his refreshing funk in the ‘fast-techno’ scene through which he has risen, turning the screws and upping the tempo with intense but elastic results.

Repress

On behalf of rediscovery records, it is with great excitement that we announce the Hyaline EP Extended by Human Mesh Dance. New York native and multi-talented media artist Taylor Deupree, was the man behind this electronic act. Taylor was a fixture in the Northeastern American electronic music scene in so many ways. From art design for Instinct Records entire first decade of discography to being a part of legendary live acid techno act Prototype 909. He was also one half of the highly regarded Seti ambient project and by the late 1990’s thru today, he has run 12k records to over 100+ ambient releases from artists around the world. rediscovery focuses in on his debut Hyaline EP from 1993 from early on in his career (which we added 2 additional Human Mesh Dance tracks never on vinyl). A post-rave audio glimpse into the bedroom sound of the Aquasphere; Taylor’s home studio that helped give birth to the sound of Instinct Ambient. Chill out on the verge of the new millennium. Spacey melodics, futuristic visions and sci-fi themes were the inspiration for a new brand of deeper sounds that challenged listeners on couches instead of warehouses. The analogue verging on a digital sunrise having some re-define their definition of ‘what is trance?

25 years ago, one of the most essential deep & dubby techno projects put forth its roots in the form of the 'JS' and 'MCMLXV' labels. Two decades later the consistency & quality of James' output is as solid as ever. The aptly titled Universe EP showcases the breadth of his talent; from the atmosphere-skimming feel of 'Refracted', to the melodic vibes of 'Cyclic'. The flip sees more familiar territory in the abrasive 'Gravity Waves', and the expansive & soaring 'Blueshift' has future classic written all over it. Timeless material.

Electro banger !!!

In 2009 Synus and Maks launched a new electronic music label called Panel Trax Records. Panel Trax is a Hungary, Budapest based label.

But it has grown international due to its producers and its trax which are being played all around the globe.

We are opened to oldschool and new things as well and we don’t want to follow the actual trends. We just focus on the atmosphere and sounding.

Well Street Records present their second release of 2022 and third in the Various Artists series. Enjoy 4 broken beat gems from emerging talents First Epoque, Practitioner, Planete and label head Robert Fleck. Limited pressing!

DJ Feedback

DJ Plead:
"Outstanding as always"

Jon K:
"Top one!!!"

Midland:
"These are all sounding great"

Or:la:
"Loving Bromine"

Pessimist:
"Sick - I like the whole EP"

Peverelist:
"The levels are high as usual."

Sputnik One:
"Damn that’s tasty stuff."

Tessela:
"Wicked as always."

Will Bankhead:
"Wicked!"

LANK002 is a compilation that gives a future listen of what’s to come for the new Belgian label. Side A starts out slowly whilst side B highlights the up-tempo vision of the label. The release focusses on different electronic styles but it also takes a look beyond. Every track, put aside the exception, is performed and recorded in one take. The cassette is numbered, limited to 50 copies and comes with a download code, including some extra bonus tracks.

Once in a while I hear music from a new talent which I feel is onsistently great and at a high production-level. Allan Feytor is one of those producers. Allan has been super creative in 2020 and together we handpicked 4 tracks which complimented each other and felt sounded for Noir Music. Allan then perfected every little detail until we both felt all tracks were at their best. The result is this fantastic
debut on Noir Music entitled “Orbit”

2 artists, 2 tracks, 2 remixers. I am very proud to present this DUAL release from artists A_GIM and Alex Mine who both deliver some hard hitting peak time stompers for the dance-floors around the globe. And I am equally proud to have the 2 remixers I admire Yan Cook and Moteka onboard for the more underground remixes of the tracks. I honestly love all versions. The involved artists really delievered some special treats for Noir Music and I am so happy with the end results for this release. People who have attended my gigs the past 5-6 months have heard these tracks out loud. Now its time to unleash the goodness to the world. Dual is here.

After releasing his first Album Liber Novus' on Form Music, followed by 'Liber Secretus' and 'Liber Tertius' on his Praedikat imprint, Christian Hornbostel now presents 'Liber Prodigiorum' (Book of Prodigies). Hornbostel's previous releases have garnered support from major players like John Digweed or Richie Hatwin and are regularly popping up on Joris Voorn's Spectrum. Liber Prodigiorum confirms the full diversity of Hornbostel’s various strands and his interesting look on techno makes it a worthwhile listen, especially if you're fond of the progressive sweeping club floors.

A label that has pathed careers for the likes of Nightwave, Hodge, Special Request/Paul Woolford and many more, DEXT Recordings announce 'Blizzard'; a fresh 12" from the enigmatic Russian techno-head, Dawn Razor.

Following releases on A R T S, Scuffed and Holding Hands to name but a few, he is best known for both his live performances and DJ sets of broken beat techno, electro, mutated bass, post-trance and everything in between.

On remix duties enters Desert Sound Colony (Holding Hands/Dr Banana), portraying his own inimitable two-step spin on 'Blizzard'. Utilising the pads to create a unique air that sits around a playful and warm bassline, the choice of remixer truly sits perfectly with the overall palate of the record.

A collection of ten tracks by a mysterious artist, characterized by melancholy, nostalgia, and introspection.

Ecstatic and refined aesthetics encompass the whole playtime, providing an enticing reverberation of self-consciousness and revelatory effects.

Themes such as nature, cosmos, and mysticism are well-represented in this album. From beatless to 4/4 with organic drum patterns, the outcome is always warm and pleasant.
A wonderful narration ranging between laid back meditative moments to more uplifting parts that keep the listener in an energetic lucid dreaming state.

The sensitivity of the artist emerges through exceptionally programmed soundscapes that transport the listener into a lush exploration of self.

Overall, the full length provides a dreamy, mind-altering and timeless experience that will hardly be forgotten.

Cassette only edition limited to 60 copies.

What is techno if not a powerful conduit for energy? The movement of a sequence, the surge of an effects rush, the respondent reaction in every individual dancer and the moving mass of the crowd as a whole. Whether the frequencies transmit directly into the brain through the intimacy of a headphone reverie, reverberate through the architecture of a space or fill the formless void of the open air, techno’s potency to initiate and stimulate energetic events is profound. This is something Pfirter understands intimately, having spent more than 15 years exploring ways of manipulating the energy on a dancefloor.

Of course, energy is not just about volume and aggression. Tonality, spatial processing and composition can have just as profound an effect as the thump of the kick drum. On his new album Altered States, Pfirter proves that point by zeroing in on the cerebral, psychedelic elements of his craft across 10 incisive tracks. The Argentine producer consciously approached his second album (following 2019’s The Empty Space) with a minimal mindset, using a very focused set of drum machines and synths to achieve a consistency across the record. Captured over a short burst of creativity, it’s the sound of an artist pushing a limited array of tools as far as possible. Despite this concise palette, it’s not an album that repeats itself, but rather an extended trip that flows from one detailed, textured immersion to the next.

The dense, febrile waves of hard-oscillating ripples in ‘A Future In Chaos’ and the sparkling, off-key chimes adorning ‘Yearn’ all speak to Pfirter’s gift for extravagant, surrealist expression within his tracks. ‘Altered States’, by way of contrast, succeeds in its absolute immediacy – a piledriving statement of bleep-driven intent. ‘Boiler’ and ‘Convergence’ land somewhere in between, coiling around kinked rhythmic incantations which still push forwards with precision while offering a different angle from which to approach the dancefloor. Cementing the idea of the whole album as a listening experience, Altered States is bookended by ‘Venus’ and ‘Dissolution’, two minimal exercises in drone-oriented mood setting.

Pfirter understands the role of his music, and his own instincts as a performing artist. It’s crafted to be captivating for DJs as much as the attentive listener. Spanning linear rhythms and broken beats, moments of calm and writhing intensity, Altered States offers a multitude of energetic possibilities in the mix or as a standalone piece of music. Ultimately, it’s a masterful return from a leading light of the contemporary techno scene.

This is MindTrip!

ltd. dubplate / full colour sleeve / hand-stamped

Out-ER is delighted to celebrate ten years with a peculiar compilation featuring a group of artists who contributed to create the label crew and sound. For the last years, we have been a recurring platform for the music of the founders and few label adepts, welcoming old school overseas artists as well as talented ones. This will be the last release of the OUT-ER label.

We will continue our sound research, releasing electro- acoustic music and ambient albums with our sister label Pregnant Void. An heartfelt thanks to every artist, friend, supporter and promoter for supporting and believing in our vision and love for music during last 10 years. The compilation will be released in digital format with a single tracklist while on vinyl it will be split on two records.

Following big releases on Circus Company and LPH WHITE in 2015, Borrowed Identity continues the good form with his first release of 2016, the Amplified House EP on Ben Sims Hardgroove imprint.

The infinitive is the basic dictionary form of a verb when used
non-finitely. It is also the form chosen by Danieli and Purl
for the tracks of WHS 03: return to the basics, simplicity, pure nature distilled into music.
Pulsate starts with an ethereal soundscape, created to then open to a deeper underwater exploration. There´s a universe down there and the listener will be guided to appreciate its beauty: lanternfish giving the tempo of this journey, marine life to marvel at. We take a step back to observe and fill our eyes and ears. We come back to the surface, finding peace and calm.
Opening in a slow, thoughtful and majestic way, Compensate is a
hymn to balance. Since the very beginning, the listener will notice a contrast between gloomy atmospheres and lighter sounds, resulting in a chasing sensation that´s uncomfortable, yet fascinating. Desire to explore, together with acceptance, surrender to the things we simply can´t understand as humans.
The listener is then invited to explore darker, faster, more pounding atmospheres. Intimidate anticipate it all in its title : sounds, tempos, images, they all chase each other to create an atmosphere that's daunting and fascinating at the same time.
A track to accompany one's journey, be it real or spiritual, a trip where we let things happen as they come, accepting the flow of life.
Resonate closes the B side drawing with sounds the depth of our
natural state. Close your eyes and transport yourself in lost woods, alone in a tent at sunset, when the day is almost over and ready to make room for the night. The wood is speaking, the animals are awake, it's frightening but incredibly beautiful.
Crickets are singing their songs, frogs are bouncing from one pond to another, water connects with air, resonate with earth and with the smallnes of man in the face of nature.

Robert Fleck makes his return after a lengthy spell on the side-lines, delivering a stellar EP packed with genre-bending purlers. Limited pressing!

„Ich folge dem goldenen Strom.“ So singt es Rosa Anschütz im Titelstück ihres neuen Albums, mit kalter, klarer, entschlossener Stimme. Darunter sirren erst goldene Störgeräusche, dann setzen mächtige Elektrobeats ein, und im Refrain künden Trompetenfanfaren vom Sieg über die Elemente. „Goldener Strom“ ist zweite Album der 24-jährigen Künstlerin, die in Wien und Berlin lebt – ein erstaunliches Werk. Man kann dazu tanzen, man kann es aber auch wie ein Konzeptalbum hören; es ist ebenso voller Beats wie voller Gedanken. Rosa Anschütz spielt Klavier, Trompete und Querflöte, zu Beginn ihrer Karriere hat sie viel mit Modularsynthesizern gearbeitet. Ihr musikalisches Erweckungserlebnis war das Atonal Festival in Berlin, später hat sie auch viel im Berghain getanzt, und der Berghain-DJ Max Kobosil remixte ihren Song „Rigid“. Ihren enorm wandlungsreichen Gesang – der vom flehenden Hauchen bis zur kalten New-Wave-Sprechstimme reicht – unterlegt Rosa Anschütz denn auch mit einem entschlossen voranmarschierenden Four-to-the-Floor-Techno; doch finden sich unter diesem immer wieder polyrhythmische Abweichungen. Es scheppert und zittert, tiefe Bässe wühlen im Boden, während hoch droben schillernde Klangschleier wehen. Rosa Anschütz schließt an die Traditionen von Dark Wave und Postpunk an, aber furcht tiefe Kerben in deren Klangbild und romantische Glätte. „Goldener Strom“ ist ein großartiges Pop-Album, voller Melodien, Sentenzen und Beats, die sich sofort im Ohr verhaken. Zugleich ist es ein Manifest künstlerischer Souveränität – kostbar und klug in unseren Zeiten der stromlinienförmigen Kunst.

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch.

Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Neue EP des Londoner Produzenten Wordcolour mit seinem verspielten 2021er Track 'Bluster' plus drei nagelneuen Remixes vom New Yorker DJ Python, dem britischen Klangzauberer Djrum und einer Hälfte von Matmos, The Soft Pink Truth. 'One to watch' - The Guardian

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(Vinyl Only) “Suicide In Paradise” on the 3rd chapter of the Vinyl Only Limited series “Lost Episodes”

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Repress on black vinyl.

With the second release of PRIMUS, we are welcoming Ferdinger on board.

Palette, which literally reflects the colorful imagination of the artist, brings dreamy synths and piercing rhythms together.

Mike Storm is one of the true exponents of cosmic and advanced techno, his relentless output has seen the light on the best labels around and has been a favorite for dj's like Jeff Mills and Oscar Mulero to name but a few.

In his first output in our label, both physically and digitally he offers a total of five cuts, four on wax and five on files.

His sound has not changed during the years, always pulsating, cosmic and abstract. With a high BPM rate and continuous and unpredictable structures and arrangements.

This is the soundtrack of a cosmic voyage out there where there is no atmosphere nor barriers, the music score of a timeless space adventure.

Skillful dj's will love this work, perfect to be use as layering tools or to stand on their own as proper club tracks.

Definitely not for everyone this is an a-temporal statement on how proper techno should be.

Donnerstag. In German, day of Thor, the Scandinavian god of Thunder, where the strength of this curious EP lies. This vinyl travels along a path of different textures of sound and style. Starting with Mirnha's -the label's founder-dancefloor techno to open a second door to Omar Amo's -AKA Magoo- groovy techno. The B side delights us with touches of excellent acid by Diego Cid (ARG). Both artists are members of the notorious group "Urban Groove", which has edited in solid labels such as Kumquat Records, Illegal Alien Records, Beathey Recordings, among others. The disc tops off with progressive techno in charge of Lucas Vazz (CL) -Inherencia's resident- impregnated with fine and cosmic Berliner sounds."

Otherworldy sounds on Boulderhead's Craigie Knowes debut. 3 space-age mutations that traverse the space between techno, minimal, and breaks.

David Temessi is back on Neuhain, after his last solo EP in 2018 he has supported Marco Ginelli and Kamil Van Derson for his new release.

In addition to an original version of "Function", there are also remixes by Atze Ton, who recently shone with publications on DSR Digital or miniTek Records, the Hamburg-based Claas Herrmann and Domla Records label boss Dolby D.

After debuting on Mr. G's Phoenix G imprint in 2016 with the Unfamiliar Territory EP, Jayson Wynters makes an appearance on DBA for this, his second release, backed by a Kowton remix.

Jayson Wynters is a DJ that is able to combine many genres in one set and make it work. Wynters was first known as a garage MC in Birmingham, before rising to prominence in the city's underground radio and club scene, where he showcased an impressive knowledge of rare groove and house music. As he got older his taste for music began to mature, his collection began to grow, and he soon began to DJ. Using music as an outlet for expression, whether in the form of DJing or having fun on some drum machines and synths, is one of the most defining features to Wynters. He continues to fuel his passion by keeping an eye on the future rather than the past and striving to remain different.

Over the past few years, the Techno world has seen the incredible rise of a young Brazilian artist, Marcal. Having released on some of the most heavyweight record labels on the scene such as RSPX, Uncage, Sam Paganini's JAM, Ramon Tapia's Say What? and now on Suara - his music is quite rightly occupying the highest positions in the charts with support from the likes of Amelie Lens, Richie Hawtin, Marco Faraone, Charlotte de Witte, Enrico Sangiuliano, Len Faki, Monika Kruse, Adam Beyer and beyond.

Across 2 x 12 inch 180g vinyl, ‘Time Is What A Clock Reads’ showcases just how accomplished a producer Marcal has already become. Intelligent drum programming, considered synthwork and choice sampling make for eight tracks of blistering techno that are destined to cause serious damage on the dancefloor. The music speaks for itself - there is no doubt that we are witnessing the growth of a star.

Detroit influenced 4 tracker by Patty Pat on Nighttripper! Heavy grooving fast-paced classic techno tracks on this versatile release. From stripped-down dubby techno to fierce peak time techno tools.

The musical exchange between Paul Rose (Scuba) and Luke Slater began last summer when the Hotflush boss put his touch to Slater’s 1997 classic ‘Love’, dedicating it to London’s Kings Cross raving institution Bagleys, where he first heard the track. Slater’s gift back to Scuba is similarly stirring, taking his hand to the glistening This Is For You’, an early 2020 highlight.

The ‘Luke Slater Long Version’ serves as a proper electronic jam session charting a course from dubby techno climes, to ecstatic string-laden builds, jazzy introspection and dreamy pads over a thrilling 22 minutes. Epic in every way.

“I was honoured to remix the Luke Slater classic 'Love' in 2019, and in return Luke has delivered some amazing remixes under two of his aliases. It's great to have him on the label for the first time – it goes without saying that I've been a huge fan of his for many years and he's been a big influence on me both as a producer and a DJ.” - Scuba

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Shlomi Aber Kick off his new "Lost Episodes" vinyl only label with an industrial and dark sounding 4 tracker EP. Limited copies on this Must Have Release.

It's time now for Jimi Jules' second installment of exclusives from his recent Watergate Mix compilation and this one is heavily focused on Jules' collaborations, remixes and edits. Starting off with his collaboration with Jules & Jesaya +4 BPM edit of heavyweights Âme's 119 BPM, where hefty, pumping low end and slick, rigorous hats set the pace for a brutal but sexy bassline guaranteed to demolish any dance floor at any moment. Jimi Jules & Domenico Ferrari's 'Parkuhr' follows up with a focus on slick, low slung minimalism as a seemingly simple groove is highlighted with playful vocals, wobbly sonic effects and a real life conversation interjected as the break.

Changing gears, Jules takes a dive into the past on his remix of Egopusher's 'Flake' where cinematic storytelling and flickers of Italo Disco seem to blend seamlessly creating a timeless composition that will shine for an eternity to come. For the final cut of the EP, Jimi takes us back to a place we seem to know him best on his remix of Ed Ed & Petja Virikko's 'Sundroina feat Jinadu' where he creates wildly sexy cuts with his signature organic percussion palette, lavish keys and starry eyed vocals.

Limited to 100

This is the 22nd release on RIOT Radio Records, an independent techno label based in Scotland.

Moscow based Bermind AKA Ksenia Volker is a producer and DJ who’s known for her twisted, distorted and atmospheric industrial techno that often verges into the experimental realm. A tough kick, overloaded percussion and an all-encompassing ambience of agony permeate every track she creates while the DJ sets she lays down are overtly tough and powerful, showing no signs of mercy.

Continuing with our ‘Limited As Fuck’ series of 12”s, the menace that is Bermind brings her unique and insanely berserk sound to the RIOT label with full force on her first ever vinyl release.

There’s seven obliterating tracks on this incredibly scored industrial paragon including an intro and an outro with all Hell breaking loose in between. The full width of Bermind’s compositional excellence being exhibited is a startling piece of twisted production with sounds reminiscent of an Akula class hunter-killer attack submarine on the warpath in the deepest darkest recesses of the oceans during the Cold War. Full of dark ominous pandemonium from the get go, including a lethal remix by Green Fetish Records boss Mickey Nox, the sheer brutal power of this weapons grade release will having you running for fear you’re under nuclear attack, literally.

WARNING: THIS MUCH HYSTERICAL DELIRIUM WILL CAUSE YOU TO RAISE YOUR HAND ……….. AGAIN

Limited As Fuck black & white marbled vinyl 12” of 100 copies

This is the 21st release on RIOT Radio Records, an independent techno label based in Scotland.

Cymbol is the brainchild of a twisted mind-meld specialising in various forms of sonic manipulation via techno and fragmented electro. Formed in 2001 by former members of Wave 7 as a reaction to the generic club music of the era, their style is a fusion of intense polyrhythms and intricate synthesis composed with a combination of software and electronics ranging from harmonic electro soundscapes through to dissonant 'baby in the blender' doom montages.

Continuing with our ‘Limited As Fuck’ series of 12”s, Cymbol have come out of the shadows to unleash their first full release on the label after appearing on our ‘STAY TUNED Sampler Vol. I’ V/A triple vinyl album with ‘Transient’ a couple years ago.

There’s four utterly savage tracks on this wraith like manifestation. Starting off with the beat of heavy tribal overtones it twists and turns into a jacking frenzy, followed up by an intense militaristic march, ending with such annihilating terror it perfectly epitomizes the full spirit of bone crushing techno.

WARNING: BEWARE OF THE PHANTOM, IF NOT BANISHED IT WILL SEND YOU BERSERK

Having been one of the most in demand names across Europe and even further afield for quite some time now, KETTAMA has his sights set on cementing his status as an electronic big hitter entering 2021. Emerging from a crowded crop of producers in Ireland and in turn putting the country on notice to a crowd of hungry ravers and fans, his new label G TOWN looks set to bring those rough and ready sounds together in one place, while putting himself and Galway at the tip of everyone’s tongue in the process.

Launching with a robust three track EP that showcases the tougher elements of his production capabilities, we get a good idea of what we’re going to be hearing from G TOWN as a label itself.
Following on from a stacked catalogue of sporadic drops of more experimental and varied tracks over lockdown, GTOWN001 is a statement release from KETTAMA, with three of the most in demand tracks of the year finally seeing the light of day. Despite the lack of club play, plenty of airtime on Rinse FM and beyond have given each track more than enough time to familiarise themselves with a receptive fanbase, while looking to leave a dent in dancefloors globally come next year.

The EP kicks off with We Plant The Roses; a synth led, kickdrum laced anthem that sets the tone for what’s to come thanks to an unapologetic marriage of almost videogame-like sounds with unrelenting drums throughout. 5 Pound Spesh does exactly what it says on the tin, giving a clear scope of the KETTAMA sound right now, while we finish things off with the more uplifting and euphoric tones of Ski Mask.

All and all, GTOWN001 is a new beginning for one of electronic music’s most prolific and effective artists of the past couple of years, one that is going to kick off an expansive chapter in the months and years ahead.

HC Records, had previously published four compilations in digital formats with artists who fully matched the conceptual and musical ideals of this collective. Twelve of those tracks now see the light in the label's eighth vinyl reference, a special limited edition on double 12”, with the iconic Hypnotica colours: yellow and black.

First vinyl release from this label. The leaders Vegim & Flekitza sign this first reference. Industrial and techno music that will set the dancefloor on fire.

Blueprint welcomes Token's Kr!z to the label with his second ever solo EP.

Kr!z, hailing from Ghent (Belgium) has always had a strong empathy for the gloomier, dark, raw sound of techno with artists like Jeff Mills, Surgeon and James Ruskin playing a major influence in the 90's, helping him to define his musical taste and develop his own identity in the Techno scene. As a respected and established figure in Belgium for almost two decades, his DJ schedule takes him all over the world. In 2007 he launched his own label, Token, which he's rapidly established as a firm fixture with its timeless and powerful sound.

In 2019 he released his debut solo EP 'Mantra' on Token, and with James Ruskin being a big supporter we now come full circle with the release of his 'Neutrino EP' on Ruskin's own Blueprint.

This is the 13th release on RIOT Radio Records, an independent techno label based in Scotland.

Mickey Nox is a techno enthusiast, label owner, DJ and producer from Melbourne, Australia. His impressively unique style and attitude towards his constantly evolving productions and DJ sets is dark, menacing, and always maniacally exhilarating as he becomes progressively more entangled within his heavy hitting hardware.

This 2 x 12” vinyl has five original tracks and three insane remixes from a trinity of head bangers. Not only are all the original tracks on this release techno missiles solely intent on becoming club destroyers, but the additional remixes from Ayarcana, Myler and Ansome devilishly turn it into a weapon of true annihilation.

WARNING: THESE ‘FUCKING HAMMERS’ ARE INSTRUMENTS OF ASSAULT TO POUND YOUR SUBJECTS INTO SUBMISSION.

Limited As Fuck black & silver marbled vinyl 12” of 100 copies)

This is the 20th release on RIOT Radio Records, an independent techno label based in Scotland.

Devoted to music from a very young age, Nomad has been writing electronic music and DJing for the last three decades. His DJing skills earned him gigs at many of Scotland’s top clubs and in Europe, eventually taking up residency at Edinburgh’s legendary ‘Dogma’ where he helped shape the infectious club with his rampant track selection and turntabalism. However, 2015 saw him change direction, craving something other than DJing in clubs, which resulted in the spawning of highly successful radio shows and record labels under the RIOT banner.

Continuing with our ‘Limited As Fuck’ series of 12”s, with his very first release on his own label, Nomad finally unleashes his instantly recognisable form of brain twistin’ techno with three screaming tracks, literally. Starting with a drilling acid workout that’ll rip your mind to pieces, it continues to send shivers down your spine as the howls of ‘Hannibal’ take you over the edge, plunging you deep into another brutal acid laden frenzy to finish. Definitely not for the faint hearted.

WARNING: IF YOU SCREAM!!! LOUD ENOUGH YOU WILL BE ABLE TO BANISH THE PHANTOM

Crafty dubbed out & carefully drifting House / Downtempo excursions, luxury gatefold cover.

One NL Mentalcore oldschool banger and 2 Experimenta lbroken tunes... What is underground ?

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Tetrabass factory double LP compliation of praised unreleasqed tunes on vinyl !

Massive dancefloor weapon !

Hand stamped limited press and as always vinyl only, Hut Vibez Records returns, Jase is back with a dreamy trip of lush minimal electronic on the new 12'', The full A side Metanoia is a stomper for anytime of the day or night and a joy on the ears with big kicks, catchy riffs & a neat bass.....B sides, Law of Nature takes a minimal 90s approach with a tight groove to keep you well locked in, and second track of the B side Nubigavant is a bassy, heavy breaks track, high above the clouds, with bass, dirty breaks and trippy vocals perfect for late mornings, the music speaks for itself & will put you in a good place.

I am happy to have the new talent Skober back on Terminal M. I love his deep emotional style. Enjoy the soulful techno tracks :-) (Monika Kruse)

Toma Kami returns to Livity Sound for a third EP of provocative, experimental club gear. At the helm of his own Man Band label the French producer continues to explore a hybridised style which favours fractured beats, playful samples and occasional psychedelic flourishes.

Compared to the busier sound of previous releases, minimalism informs Toma’s approach on LIVITY053 as he sits his crunchy drums and weighty low-end in a tangibly spacious mix on ‘Amapicante’. Even within a stripped-down context, his unique approach shines through as ‘Later To The Bone’ progressively ramps up in scratched and scuffed sonic interference and ‘Mzecal’ trips over its own fragmented found-sound drum formations.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

We are proud to have ‘Oleka’ apart of the Green Fetish brand. He brings his signature sound across 3 original tracks and really amplifies his own originality. All 3 tracks warp and distort the common sound of “techno” with sharp polished sound design stabs driven by break beat and off beat drum sounds. He really pushes and stretches different sounds past it’s limit but in such a unique way that it still fits into a realm of dance floor tracks that will keep the rave going. Adding diesel to the release, we have saucy remixes from Mickey Nox and the infamous ‘Lag’. All up this 5 Tracker is stacked with power start to finish. #fuckinghammers

Born in the US, Avernian grew up in a household that was a melting pot of cultures. With his mother being German and his step-dad being Peruvian, he was exposed to many different kinds of music from a young age. Cumbia, Afro-Peruvian and even Guaracha were constants in his life.

Fast forwarding to his late teens, Avernian moved to Germany to study and get in touch with his German heritage. By doing this, he discovered his love for electronic music and delved into producing. Over the years, he found that the UK sound resonated with him in ways that reminded him of his childhood and so he decided to move to the UK and immerse himself. Avernian’s music pays homage to all of these influences that have played a part in his journey. Elements from these influences can be heard clearly in his output. A sound that cannot be pigeon holed or defined by a singular genre.

Now living in Manchester, he runs his own label and party series by the name of Lurch, regularly inviting down friends and artists he feels a personal connection with in their music. On this debut album, Avernian wanted to showcase every different influence in his music; from Cumbia, Dancehall, UK Funky, Techno, UK Techno, Shaabi. It’s an accumulation of 2 years work also features samples from family recordings & videos to show the connection between Avernian’s music and childhood.

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The 8th offering in the PRRKWHT series is a 4-track counting slab of wax which offers both some top names from the Rotterdam scene as well as international house hold names within Techno music. For the A1 Rotterdam based artist Ben Buitendijk offers a dubbed out Techno cut that fits this branch of the PRRUK operation perfectly. ARKVS offer a staggering and deep Techno cut that would soothe any dance floor situation. Echologist and Matrixxman open up the B side with ''Threshold'', a funked out Techno cut that uses immense chords and a thumping bass. Steve parker closes down this well balanced VA with the excellent ''Destination Moon''.

300 copies only

NCA frontman Brassfoot releases his first, eagerly anticipated full length project. ‘SWEAT’ aka NCA 005 delivers 9 volatile club tracks, perfectly curated for peak-time DJ sets, or sweat inducing gym sessions alike. Showcasing his signature sound, Brassfoot opens another chapter of this ever-growing NCA story.

Chevel's Air Of Freedom remixes comes from Happa, Leeds-based producer on the rise, and Parisian dance-floor prodigy French Fries.

(Part 2 of 2 ) The third release for NON series in 2015, are the Backward Loops Part I &II spread over two separate 12" singles from Italian producer Chevel (Stroboscopic Artefacts / Enklav)

Next on Psyk's non series, comes Distant Echoes, another techno innovator who has landed on Rodhad's Dystopian and the Out-ER label with this dark, bleak sounds.

StrMrkd label is for the forward thinking: Axis will aggressively release the like-minded people's music from the label. DJ Surgeles released "Something In The Sky Mix" (SITS008) and "The Betty Hill Case" (SITS012) under Axis Records so far.

East Man returns to HI TEK SOUNDS with something a little different… A foray into stompy mechanical Techno, as well as his own hybrid amalgamation of Grime and Techno, 8 Bar Techno, which he has honed over the last few years.

The titular track, Underground Software, opens with a burst of static noise before launching into a stomping kick drum and stab combo, gradually adding hi hats and snares as the track progresses, building into a funky mechanical groove.

The second track is something of a signature tune for East Man, bringing Techno and Grime together to create the hybrid genre of 8 Bar Techno. It fires out the gate from the off, doing exactly what the title implies. This is one for the Grime dances and the Techno raves.

The last track is Primary Source. A slower beat with a plodding thud that folds into a squelchy Techno groove. Full of funk and flavour this EP covers a wide range while maintaining a coherence that few others manage to pull off.

Non series welcomes Nastia Reigel for her first release on the label

Struck but not beaten, 777 crawls back out to present Nasty King Kurl's next mischievous achievement: Baba Bass Tunes

777_24! A barkin' bad electro bass release with five booty bustin' tracks leaving no body unturned!

Psyk releases on his own Non Series imprint for its 30th instalment, showcasing the label's sonic vision of contemporary techno with a perfectly balanced EP. Subtly blending thunderous and warm atmospheres with driving rhythms as the unifying structure, the release also includes the track 'Falling' which was featured on DVS1's recent Fabric mix.

Japanese Ryogo Yamamori releases his first solo ep on Non Series. Four Pure, Hypnotic and minimalistic cuts.

I started this album simply writing a script, I think it is important that an album has a continuity that gives the album a cinematic sense, basically this must to tell you a story. For this time I chose the topic of: the development of human evolution in the future.'
I find it interesting to experiment with the sound and textures of the classical music, but not with the idea of how to adapt a techno track with classical instruments, I prefer to writing scores from scratch for each of the instruments and adapting synthesizers as part of that orchestra. I think that all this brings us an epic ingredient, that from the beginning I think it was the link between classical and techno music.
Besides the classical music, I have been experimented with different kinds of recording and synthesis, also I created almost all the sounds from zero. I have included different fx sounds, developed it with techniques as morphing and overlapping layers of sound, all to setup the tracks with a complex and rich textures, but with care about do not obtain something pasty.
I worked a lot with the space' in the tracks, trying to place each sound in a particular three-dimensional situation with clean reverbs, also the feeling of tension' is highly significant in this work, but ultimately the most important thing has been to build on a script written -as I said before- so that the narrative is a fundamental part of the album.

'non' is the dance imperative incarnation for high-end tool techno. Raw analogous sounds for the underground with no regret.

Worldwide exclusive.

ltd. dubplate / full colour sleeve / hand-stamped

Out-ER is delighted to celebrate ten years with a peculiar compilation featuring a group of artists who contributed to create the label crew and sound. For the last years, we have been a recurring platform for the music of the founders and few label adepts, welcoming old school overseas artists as well as talented ones. This will be the last release of the OUT-ER label.

We will continue our sound research, releasing electro- acoustic music and ambient albums with our sister label Pregnant Void. An heartfelt thanks to every artist, friend, supporter and promoter for supporting and believing in our vision and love for music during last 10 years. The compilation will be released in digital format with a single tracklist while on vinyl it will be split on two records.

Fresh from the label's second release 'Robot Romance', supported by the likes of Laurent Garnier, Fred P, Jane Fitz, Jennifer Cardini, Rossko and more. David Agrella returns via his spaced-out house EP 'Freedom Unfolding'. Remixes are delivered by London favourite N-Gynn (Pleasure Club) known for drawing on left-field, ravey sounds and esteemed German live techno act and Muller Records/Acid Orange boss Beroshima.

Elastic basslines and tumbling percussion unfasten the A-Side with 'Walking Loud' as sinister synths convulse around the beat before N-Gynn provides a frisky reshape with sharp snares, golden keys and subtle, loopy vocal samples on a chuggier tip. The eclectic experience continues on the B-Side with title track 'Freedom Unfolding' as swinging basslines carry dream-like pads and fluttering samples, while Beroshima's acid-infused, broken beat rework provides an anthemic finale to the release.

Clear Vinyl

A fresh but already affirmed face, Joannes likes his techno solid. With Noordster he gives us a showcase of a certain aesthetic, which on a certain day, for a certain ear, on a certain floor is simply the shit. Spartan in his sparsity, varied in diversity, Joannes knows what he wants. With 3030 he takes us into a Millsian orbit warp, Whisper lands us on Hoth where ice and wind abound. Tripyness is the chugger here, deep and beautiful, like the sea in a storm. Wake goes down the quirky path, with small audio-phonic nuances piercing the air and the riddim holding the groove. And then, out of nowhere comes Ghetto bird, as soft and gentle as the Nightingale and the Rose. Wilde stuff. To top off the package, we go south, to the lands of sun, sea and dance with Housey Yo! Nice tribal atmospherics and smart Four Tet-like melodies. This one has that B-side moment. Let’s make it happen. All in all, a welcome addition to the label, bring on the sounds Johnny boy.

Leeds-based producer Krotone, takes the listener on a journey through the past, present and future of underground dance music, as he pays homage to his home city with Stranger, a 5-track EP that traverses the outer limits of UK club music.

incl. Orlando Voorn mix

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Throughout his career, Roger Semsroth has followed a deep intuition for experimentation in sound, wrapping club music around eerie microtonal motifs and industrial sensibilities. This new work for Tresor takes a step forward, as the first true techno album from Sleeparchive, where his previous LPs have exhibited themselves more conceptually, or under di erent names and his Nord Vest label.
Semsroth has been active in electronic music since the late 90s. He received initial attention first for his electro productions under the alias Skanfrom and the 80s minimal synth inspired Television Set. These projects echoed his love for these sounds, which the East Berliner had steadily immersed himself with after the end of the GDR. Upon hearing the bleeps of Mika Vainio and Plastikman, he began to engage with his strain of techno. Over the last decade, he has focused on his Sleeparchive alias, which dates back to 2004. Alongside close friend DJ Pete, he performs live techno as TR-101. His relationship with Tresor began in 2011, first releasing the Ronan Point EP and following up with the crucial A Man Dies In The Street series in 2013.
With this new album, Sleeparchive's impact on the techno sound is ever more relevant. Awaking in constant locomotion, locked-in, unrelenting and dry. Sleeparchive’s churning loops etch visions of tight minimalism at times densely frenetic and others serenely galactic. This predilection continues throughout the four sides on the album, eschewing conventional arrangement styles with gradual probabilistic change. Tracks such as 'Needle' and 'Peccant' o er up precise, sinewy techno. 'Leave' recalls the Detroit sound of Terrence Dixon, with its cascading synth tones and droning atmospheres. The album closes with a di erent version of 'Trust' to that found on last year’s Revised Recordings EP released on Tresor, with its now-familiar nerve-inducing pizzicato strings even more at the fore with its mechanic delivery.

Always hot on the steel-hard plates and murky subterranean atmospheres, Public System turns in a haunted double package from the crypt. Spanning hi-octane indus bullets, half-baked mutant salvos and shadow-clad juicers from a host of reputed names and rabid underdogs, this new comp collates ruff’n’tuff joints from gritty techno don Container, genre-unbound explorer E-Saggila, Berlin’s electro arsonist Privacy, acid-spitting hydra DJ Loser x Penelopes Fiance, basement guerillero Yabboq Penuel alias Le Syndicat Electronique, neo-punk beat thrasher Crave, Yves Tumor collaborator and sine-wave crusher Anthem, expert circuit dissector Beau Wanzer, Liquid G as remixed by Mick Wills, Night Gaunt’s Lower Tar, occult machine funk preacher Maenad Veyl, DJ Chupacabras under new guise 110, soundwaves cross-pollinator DJ Richard, vibrant mood-scapist Gavil�n Rayna Russom, as well as label boss Myn going ubiquitous with studio fellows Kluentah as Myntha, and R Gamble as Fade Accompli. A much desirable feast of raw, unhinged, all-round spine-tingling jams for the club and not.

3x12" Pack !