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Classical Macabre's tunes from Cold Rush and others. Acardipane style. Dark Doom french style.

The programm with a personality, It will get on all your discs.
It will infiltrate your brains.

Yes it's (malware) bizzarre!

It will stick to you like glue and it will modify reality, to send in the bizzarre.

Forbidden Teachings is honoured to welcome back Italian artist Nigh/T\mare for the release of his first full-length album on the label. Across ten carefully crafted pieces, “Through” channels the artist’s singular sound, one that resonates through the bones and awakens what lies dormant within. Through pain and despair, through love and hope, the album becomes a passage through impermanence itself, revealing the fragile veil that both binds and defines us. Can the soul ever truly break free, or are we destined to remain shaped by these shifting forces? “Through”offers no answers, only a mirror for those willing to look.

Never Sleep charity tape series ends up in Thornton Heath, London for the grimiest of bedroom work outs.

Early Fruity Loops philosopher Plasticman aka Plastician teams up with fellow trailblazers DJ Suicide & N Double A crew for a prompt internet radio set of prototype Grime. Rugged, raw and filled with the occasional KAOS Pad trigger / gunfinger FX; the devilish miscreants bring the lyrical vehemence.

Broadcasting from his parents place and utilising early productions Plasticman keeps the fibre optical momentum burning with early production, laser precision polyphonic instrumentals and quantified eski.

N Double A crew have so many quotables but its a "pass the mic" affair as limited equipment fort his bedroom bedlam. L Man spits certified gold on demand whilst Narstie echoes his signature cadence, Typah goes in hard with the colder than waiting in a queue outside Plastic People flow and Uzi destroys the stream with typical flair.

A landmark moment in innovation, internet radio was a key player in the growth of Grime and Dubstep. Helping build profile, connections and galvanize the online community.

Red Deviil returns to X-IMG with their first ever vinyl release titled “Tesoros Infernales” featuring five original cuts of their uniquely sinister Techno Body Music topped off by three exquisite remixes by distinguished veterans of the underground dark electronics scene. The LP consists of forty minutes of sinister, brooding, groovy & cutting edge tracks with a bonus digital track included with the attached download code. Remixers include Filmmaker, Arnaud Rebotini & Mind | Matter. This release follows their incredible first X-IMG debut album from 2023 titled “Tendencias Ocultas”.

Red Deviil is the project of Guni Ca & Blak G hailing from the deceptively picturesque town of Tuxtla Gutiérrez in Chiapas Mexico. They are based out of their Astro Bar headquarters & event space where they host regular nights of underground electronic music, cultivating the local scene in Mexico while inviting and performing alongside international acts. The pair’s thick & heavy dark electronic music output contrasts heavily with their idyllic surroundings where they play a key role in developing the local underground community.

Originally released on France's Megaphone Records back in 2002, People's Process in combination with Jean Marie Kone thrown down three different variations of title track, Incidental Beats. Strictly dancefloor business only !

The incredible story that began with The Most Mysterious Song on the Internet (TMMS) now enters an exciting new chapter: Skyscraper, the debut album by FEX.

Skyscraper features ten original tracks recorded in the early to mid-1980s-carefully re-transferred, remastered, and brought back to life. The album cover, designed by Darius S., brings the story full circle. Darius is the very person who preserved the now-iconic track Subways of Your Mind by recording it from NDR radio in the mid-80s. Without him, FEX may never have been discovered.

FEX's debut opens with its namesake, Skyscraper-a brooding, previously unreleased track the band once described as part of their "psychedelic phase." With haunting synth-helicopter textures and deep guitar riffs, it immediately sets the tone and raises tension.

The release flows naturally into the energetic and fully remastered studio version of Subways of Your Mind. This version of the TMMS - re-discovered on the "yellow label tape" by Reddit user Marijn-was long believed to be from a smaller home studio, but was actually recorded in November 1984 at Hawkeye Studios in Ganderkesee, near Hamburg.

Goldrush, first teased in raw form on FEX's YouTube channel, bends toward mechanical rhythm and shimmering synths, a snapshot of the band's experiments with programmed drum machine sound. Rückwardt's lyrics point to greed and criticizes materialism, and while the music leans toward pop sensibilities, it carries a raw, fractured edge.

Heart in Danger and I've Got My Eyes On You offer contrasting experiences-one rooted in classic post-punk tension, the other floating in melodic synth layers. The latter in particular feels like a fragment from a parallel radio history: a precise and one of a kind synth pop love song with a progressive touch.

From a rehearsal tape comes Dirty Slapstick, its urgency intact. Missing keyboard parts were later reconstructed by Michael Hädrich using his original DX7 synthesizer-recovering lost elements without rewriting the past. The lyrics take a wry look at forced optimism. Also included are the songs Talking Hands, Jenny and Strange Feeling, the latter being a slower blues-tinged cut, revealing yet another facet of the band's reach and Rückwardt's songwriting diversity.

The album closes where the legend began-with the original radio recording of Subways of Your Mind from Darius' cassette. This version of The Most Mysterious Song features alternate vocal effects, contributing to the track's enigmatic aura. Digitally transferred using a high-end Revox machine and carefully remastered, it now has its long-deserved official release.

The cover features a photo of the Eichenberg Bunker in Kiel-one of FEX's original rehearsal spaces and a symbolic monument to their sonic legacy.

2026 Repress

For the next SlapFunk outing, the Amsterdam stronghold welcomes fellow Dutchmen Malin Genie and Frits Wentink for a joint adventure down synth-lane.

A 4-tracker crafted in the depths of the underworld: gritty, wall shaking frequencies stay true to the SlapFunk style whilst pushing their best foot forward. On all 4 tracks, techno influences run deep, relying on hypnotic builds for a no-thrills experience powered by two of the most revered producers of the modern era. The duo went all out, flexing their knowledge for a release built for any dancefloor ready to blend both the past and the future.

Trademark sounds-- a Blood Meal for anyone looking to get the function jumping.

By 2005, Drugsex Recordings had firmly established its own identity within the Tech House scene, providing a platform for deeper, sounds for the heads and also could further push the peak-time cuts for the era. For the label's fourth release, founder Rob Pearson teamed up with Chris Pascoe. Pascoe’s distinctive style had already earned him recognition through a string of acclaimed underground releases and Rob & Chris kept meeting through the underground party scene so friendship and collaboration were a natural step.

The collaboration resulted in One More Time, a beautifully balanced meeting of two production styles. Combining Pearson's trademark rolling grooves with Pascoe's musicality and deep, understated funk, the track perfectly captures the stripped-back sound that defined the best of mid-2000s UK Tech House.

On the flip, Rob Pearson takes centre stage with the solo production Shadow Maker. Deep, hypnotic and effortlessly understated, the track showcases the signature South London sound that became synonymous with both Evasive and Drugsex Recordings—tight percussion, warm analogue textures and an irresistible groove built for long nights on discerning dancefloors.

2026 Repress

Marlon George is a British DJ and producer based in London renowned for his "slightly spacey, casually jazzy, and fully groovy house music," with support from names as illustrious as Kyle Hall and Jimpster. But really, if he's getting signed by the legendary Trelik, then that's all you need to know about his skills. He lays them bare across three tasteful cuts here, starting with the liquid dub of 'My Secrets Are Safe With Me' with its wispy shards of light piercing the water's surface and glistening against the dusty hi-hats. 'Najagen' has more drive but no less depth and warmth to it and 'Do The Rha!' is another smoky, minimal, heady dub house roller that sneaks right under your skin.

Made For The Dancefloor debuts with a clear statement: this is built for the club. Costas delivers four hypnotic, driving cuts, stripped of excess and locked into groove.

A focused introduction defining the label’s identity from the very first hit.

Prose of Days, Poetry of the Moment presents four refined explorations of Deep Tech House from long-standing MixCult affiliates and genre veterans. Blending fluid grooves, spacious dub atmospheres, and memorable melodic elements, the EP delivers a sound that is both sophisticated and deeply immersive.

Opening the release, Lava Lungs by Kirill Matveev and Nikdo sets the tone with evolving textures and hypnotic grooves. What's Left After You follows with a more introspective mood, allowing subtle harmonies and dub-infused atmospheres to unfold naturally.

On the B-side, Ambivalent 1 balances intricate rhythmic detail with playful, dancefloor-focused energy, while Adria Duch's Why You Mad (Matveev Rework) closes the record with a vibrant and hypnotic blend of melody, groove, and contemporary Deep Tech House aesthetics.

Rooted in the fluidity of modern Deep Tech House and inspired by the melodic sensibility of the Acid House era, Prose of Days, Poetry of the Moment reinterprets familiar influences through a contemporary lens, offering a refined and forward-thinking contribution to the evolving language of underground electronic music.

Adlibitum Tum Tunes is a division of MixCult Records.

Prose of Days, Poetry of the Moment presents four refined explorations of Deep Tech House from long-standing MixCult affiliates and genre veterans. Blending fluid grooves, spacious dub atmospheres, and memorable melodic elements, the EP delivers a sound that is both sophisticated and deeply immersive.

Opening the release, Lava Lungs by Kirill Matveev and Nikdo sets the tone with evolving textures and hypnotic grooves. What's Left After You follows with a more introspective mood, allowing subtle harmonies and dub-infused atmospheres to unfold naturally.

On the B-side, Ambivalent 1 balances intricate rhythmic detail with playful, dancefloor-focused energy, while Adria Duch's Why You Mad (Matveev Rework) closes the record with a vibrant and hypnotic blend of melody, groove, and contemporary Deep Tech House aesthetics.

Rooted in the fluidity of modern Deep Tech House and inspired by the melodic sensibility of the Acid House era, Prose of Days, Poetry of the Moment reinterprets familiar influences through a contemporary lens, offering a refined and forward-thinking contribution to the evolving language of underground electronic music.

Adlibitum Tum Tunes is a division of MixCult Records.

LP,180g, 2027 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

When Alan Parker recorded the killer library soul-funk LP The Voice of Soul with session vocalist Madeline Bell in 1976, some bright spark at Themes decided to also release all of the backing tracks as a separate, and equally innocuously title LP called The Sound of Soul. Thank goodness for bright sparks.
Released as a collection of unobtrusive musical backings in various rhythmic styles', the LP's original description dryly explains these tracks have been issued without melody and are therefore particularly suitable for use behind commentary. Female vocal versions of these tracks are issued on TIM 1021 The Voice Of Soul and it is possible to edit from vocal version to instrumental version or vica versa where commentary or scene changes occur'.Madeline Bell was backed by The Rhythm Section, who were for all intents and purposes the Themes International Music house band. So what we end up with here is entire album of instrumental work-outs by a band comprised of the formidable talents of Alan Hawkshaw on keyboards, Alan Parker on guitars, Barry Morgan on drums, Les Hurdle on bass guitar and Frank Ricotti on percussion.
Without Bell's vocals these backing tracks are given all the room they need to breathe. Each one more than stands up on its own.
The Sound of Soul is a real diggers' delight and, unsurprisingly, a must-have counterpart to The Voice of Soul.
As with all ten re-issues, the audio for The Sound of Soul comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.

COLLECTING ORDERS FOR 2026 REPRESS
London-based RUKI joins forces with Japanese producer DJ Himitsu for a playful and percussive EP rooted in the natural world. DJ Himitsu’s polished productions collide with RUKI’s love for nature, creating an energetic and esoteric four-tracker.

Opening strong with the rainforest-infused rhythmic house of ‘Mint’, the EP then turns to the hypnotic percussion of its title track ‘Sometime’. On the flip, ‘Matane’ offers a buoyant, uplifting contrast in 4x4, while the low-slung psychedelic-infused breaks of ‘Door’ close proceedings in a surreal fashion.

Pressed on EcoVinyl, ‘Sometime’ removes up to 50% of the record’s traditional carbon footprint by repurposing the offcuts from coloured pressings

Professor Roth's debut EP, self-released on his newly formed label Maestro, is music that feels half remembered. Familiar enough to settle into, strange enough to keep shifting beneath your feet, it lives in that sweet spot where groove and abstraction lean into one another. Dusty textures, hazy melodies and understated rhythms never demand attention, yet quietly refuse to let go. Every track feels like another realm of the same dream: warm, weightless and just slightly out of focus.

‘Daydreaming’ is an inviting first step into the haze, opening the door without ever fully revealing what's on the other side. Gentle movement carries drifting melodies that seem to appear and disappear with every listen. An ethereal vocal breakdown creates the feeling of being quietly carried away from its hypnotic groove before pulling you back under its spell. Patient and understated, ‘The Way It Is’ lets the groove do the talking while subtle details gradually come into focus. Dubby percussive chaos is softened by warm, lifelike pads, encouraging your body to move while your mind wanders elsewhere.

As the name suggests, ‘Swells’ arrives in waves. Layers fold over one another, building and dissolving without urgency. There's a beautiful tension between motion and stillness, leaving the track suspended somewhere between the dancefloor and a reverie. ‘Shades’ is a fitting close that blurs the edges even further. Soft, hypnotic and quietly psychedelic, it feels less like an ending and more like waking up slowly. Content to linger in that in-between a little longer, glitchy samples drift through swirling soundscapes, keeping the dancefloor gently spun until the very end.

Sucre Discos returns with its second vinyl release, continuing to shape the label’s identity with music made for the dancefloor.

For SUCRE02, Donnie Cosmo, Andy Somoza and Santiago Ritacco join forces across four cuts packed with groove, personality and pure club energy.

Rooted in the spirit of 90s house, but with a fresh and contemporary approach, the EP moves through infectious basslines, playful rhythms and timeless grooves designed to keep bodies moving.

SUCRE02 keeps the label’s essence alive: club music with personality, made for the dancefloor and for selectors looking for house with groove, soul and quality.

In the year 1997 a German house label called Superfly caused a stir in electronic club land. One of the most remarkable releases on this imprint was van Bellen‘s „Let me take you (on a journey)“.

The track introduced a new genre with grovvy and pumpin‘ beats meeting a harmonic composition of warm and chilly pads and strings.

Now it‘s time to reissue this timeless tune remastered plus a brandnew interpretation of noone else than Belgium‘s finest house export Maxim Lany plus two already released but still hot mixes by Guy Mantzur & Roy Rosenfeld plus Sebastien Leger (All Day I Dream).

For Club Vision’s 15th anniversary, we wanted a record that would move beyond genre classifications, reflecting a project always driven by passion and musical discovery.

Giuglio’s CV11 follows this philosophy, with five tracks exploring different rhythms, atmospheres and sonic territories while coming together as one coherent journey.

“Spell Caster” opens the EP with dark, hypnotic Techno, blending deep basslines with an ethereal and melancholic melody. “Back in Time” moves into warmer Housy and Progressive territory, echoing the label’s sonic roots.

On the B-side, “Dumb” delivers a direct and dynamic energy, while “Transfer” brings the record to its peak with a dirty, acidic bassline and sharp melodies, built purely for the dancefloor.

The EP closes with “Made Man”, a deeper and more trippy track that brings the journey into a suspended, introspective dimension.

In 2023, Kraków-based composer Martyna Basta and Los Angeles-based sound artist claire rousay were invited to Poland by Unsound for a short residency, where they spent a few days trading ideas and concepts, and brainstorming their first collaboration. Initially motivated to create lengthy, expansive pieces together, they also ended up experimenting with shorter vignettes, and ‘hotel room’ expresses these two extremes, featuring three long-form tracks and three brief, euphoric songs. “It wasn’t something we specifically planned,” explains Basta. “It just unfolded that way.” The most important stage of the process, however, was the period that followed the residency, when rousay and Basta began working on their sketches in isolation, trading drafts and sculpting the sounds independently before rousay handled the final mixdown. In the comfort of their own bedrooms, they were better able to reflect their individual creative routines, organically reaching a junction where their music felt truly unified. Even while they were in Poland, the duo joked that it might have been easier if they’d been holed up in separate rooms emailing each other.

Both artists have had an energetic few years: after steadily building a reputation for her diaristic and candid concrète experiments, rousay signed to Thrill Jockey in 2023, releasing the acclaimed ‘sentiment’, ‘a little death’ and the more eaze collaboration ‘no floor’; Basta, meanwhile, followed up 2023’s hallucinatory ‘Slowly Forgetting, Barely Remembering’ and her debut for Belgium’s Stroom imprint, ‘Diaries Beneath Fragile Glass’ with a studio album on !K7’s 7K sublabel: ‘Winged in Collapse’. The title of their collaboration reflects rousay and Basta’s hectic touring schedules in the wake of these releases, the constant feeling of displacement and the emotions that emerge when the environment is in flux. “I know we aren’t the only musicians traveling and creating work at the same time,” says rousay, “but being able to speak about that experience and all the things that come with it was comforting.” And the music itself, assembled from hypnagogic field recordings, spectral voices, electronics and filtered instrumental improvisations, sounds bewitchingly unmoored, not tied to a specific location but hovering around the uncanny space in-between.

Scratchy ASMR sounds introduce us to the opening track ‘zoom’, initially obscuring the duo’s elegiac harmonies. They are careful to let the various elements evolve at their own pace, with the fictile guitar drones melting into the foreground while Basta’s dissociated whispers and rousay’s illusory synths pick out the subtlest subliminal shades. It all builds to the piece’s dramatic third act, when layered chords ring out like organ blasts, enveloping the negative space. The shorter, more anxiety-provoking ‘denim’ is remarkably divergent, a dismantled folk memory pieced together from skeletal piano notes, vaporous choral echoes, haunting string plucks and pulsating feedback. Where the music aligns is in the mood itself, capturing a feeling that’s neither completely abstract nor fully referential. Not ambient exactly, ‘hotel room’ is a suite of soundscapes that gesture towards structure while repeatedly folding in on themselves.

On ‘Lost and Found’, wordless Autotuned ad-libs spiral around delicate guitar plucks and washing waves, coalescing into a faded Polaroid of opiated Americana, and on ‘Where Are You Now’, operatic squeals and corroded orchestral scrapes are juxtaposed with nauseous low-end tones. Evaporating until only industrial whirrs and music box chimes remain, the latter encapsulates the entire album’s chilling liminality, smudging saturated voices with casual electro-acoustic interjections before it erupts abruptly, transforming into a dense, pitch-skewed hymn. ‘hotel room’ plays like a surreal travelogue, teasing listeners with airy familiarities as it humidifies dry, awkward spaces. More a labyrinth of catacombs than a single, fixed chamber, it’s Escher-like – cryptic and seductive – and decked out with personal asides and intimate details that reward the most patient, curious listeners.

Corrie is back with 3 fresh tracks, all made this year, and they're exactly what you'd want from him: fun, catchy, and built for the dancefloor. Driving percussion, basslines that stick in your head, and mischievous vocal samples weave together across all three, built to work instantly in any set.

No unnecessary frills, no gimmicks, just club house made with craft, steady groove, and that cheeky edge Corrie has kept intact throughout the years.

2026 Repress.

What a debut from Mad Honey on the newly grown Space Grapes label! All original material - the music has a strong reference to the 70s/80s New York disco sound from the likes of Patrick Adams or Leroy Burgess. TIP!

2026 Repress

The 2nd release by Mad Honey, performed and recorded live to tape. Aside from being a studio project for some time, they have just started touring locally and are currently working on their first album for the label. TIP!

Space Grapes is an independent and artist-run label by Bobby van Putten and Danilo Plessow (MCDE), focusing on the best in contemporary live music.

Man of the moment Tino makes a big splash landing on M.A.D Records.

Fun, playful and deadly this EP has it all and without a doubt our most requested ID’s every time we play. A 4 tracker of tried and tested weapons already picking up huge support from the likes of Eris Drew, Dr Banana and Moxie.

Born and raised in the birthplace of House Music, Paul Johnson was known for his raw, soulful, and infectious sound, that helped shape Chicago's house scene and inspired generations of DJs worldwide in particular he was a massive inspiration to Daft Punk and the 'French Touch' scene.
Releasing a vast amount of music throughout the 1990s for some of the most consistently underground dance labels including legendary Chicago imprints Cajual, Relief and Dance Mania he finally gained global fame with his 1999 hit “Get Get Down,” a dancefloor anthem that topped charts across Europe. Despite facing physical challenges, including losing both legs in accidents, he remained an unstoppable force in music—touring, producing, and uplifting others with his resilient spirit and signature groove.
Re-pressed for our 35th anniversary, Paul Johnson’s classic 1995 debut album on Peacefrog, Bump Talkin is a timeless showcase of Paul’s signature deep, soulful house sound, blending irresistible peak-time, piano-driven anthems with a playful touch of bouncy Ghetto House energy.
They dont make em like this anymore...
RIP Paul Johnson.

Collecting Orders For 2025 Repress

Backing it up can mean so many things. According to the urban dictionary, it means to carry on drinking the next day in spite of a rather large one the night before. According to Apple, it means to take your I-phone and attach it to an I-pad or Apple Mac - and copy the information to the cloud. Or the device. But in music.....what we mean is basically this....."Damn......that was a big hit......how the hell are they going to emulate that success on the next one."And it's hard for so many reasons. Was it luck Timing That one in a million sample With all the pressure, soon the artist can start second guessing themselves........and that's when backing it up becomes a real problem.But not for our boy PURPLE DISCO MACHINE. If BODY FUNK, his last outing on CLUB SWEAT, wasn't one of THE biggest songs of last year, from Ibiza to Miami and back again.....played by every single DJ under the sun, from BLACK MADONNA to JAMIE JONES to your mama......then I'm not sitting at my lap top writing this shpeel....which I'm very sure I am. AND I'm going to back myself (see what I did there) - and say that DISHED (MALE STRIPPER) is the best way to back up a hit ever. With another hit. Doesn't sound the same....doesn't worry about what the last one did...just does what it does.....which to be honest - is GO OFF!!!! It builds and builds and builds and......In the same way that BODY FUNK masterly made the sum of 2 disco songs bigger than their parts had ever been, this time PDM takes some Italo Disco from MAN TO MAN MEET MAN PARRISH's MALE STRIPPER and mashes it with the aptly named ELLIS D's DISHAPELLA to create a 12/10. Back it up PDM - you are a legend!!!!

Electric Mud is the fifth studio album by Muddy Waters, with members of Rotary Connection serving as his backing band. Released in 1968, it imagines Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters recorded it in an attempt to appeal to a rock audience. The album peaked at number 127 on Billboard 200 album chart. It was controversial for its fusion of electric blues with psychedelic elements.

Collecting Orders For 2025 Repress

Featuring PDM hits, Music in You, Body Funk, Love For Days, the Faithless collab on 'Let The Music Play', CeeLo Green fronted 'Pray For Me' alongside super hit 'Devil in me'

Repress!

Deluxe Edition of PDM's massive Exotica LP features 2 x Purple Vinyl, 2 x Printed Inner Sleeves in Embossed Gatefold Sleeve with A2 Poster includes full Exotica album plus 3 bonus tracks: “In The Dark” with Sophie and the Giants “Rise” featuring Tasita D’Mour “Twisted Mind” featuring Agnes. Limited Edition.

Heavy collection of west coast house classics and unreleased tracks produced by Jay Tripwire in early 00’s.

Exquisite choice of underground grooves that were played over the years by Ricardo Villalobos, Raresh, Margaret Dygas to name a few.

Heavy collection of west coast house classics and unreleased tracks produced by Jay Tripwire in early 00’s.

Exquisite choice of underground grooves that were played over the years by Ricardo Villalobos, Raresh, Margaret Dygas to name a few.

2025 Repress

Introducing Accented Measures Series (AMS), compiled and arranged by Accented Meausres. A mini-series unleashing unreleased and new materials with honorable associates in the game. Starting off with the mighty Space Drift EP, four new dancefloor tracks, a combination of 90s underground energy with modern grooves.

The 4th and closing part of the extended compilation produced by modern house legend - Jay Tripwire.

Featuring some of his biggest classics such as Dumbek, What Kind Of Voodoo and sought after unreleased Swag tracks. Essential club music.

Collecting Orders For 2025 Repress

Emotional Response's 10th-anniversary celebration are brought to a superb close with Benedikt Frey. He serves up a magnificently dubbed out and psychedelic cover version of Joy Division's 'She's Love Control across four different versions. The vocal version might be the best for us - it retinas that compelling dark drum funk you expect from the band with eerie synth additions and hefty bass. The instrumental is more slow and dubbed out in a traditional sense with the Lucas Croon dub doused in endless reverb. Last of all is a dub by Frey himself that is full of open space and bass bin distorting headiness.

2024 Repress

Number 03 in the Dolly TS series is Italian techno wonderboy Rosati. 'First impression' has its own unique techno signature, raw energetic techno funk with a Detroit flavor directly from the machines. 4 straight up heavy groove hitters on this 4 track EP!!!

Repress

The vinyl is titled Final Call, in the A side there are two tracks: A1 Bogdan Andrei - Before and After genre Romanian house, as the second track A2 Bogdan Andrei and Mila Lexi - Final Call this track is the main vinyl from which it takes name, also this genre Romanian house.


In the B side of the vinyl there are 2 tracks: B1 Bogdan Andrei and Libe - Zero genre minimal techno, as the second track Bogadn Andrei and Alex Rusu -Secret also this minimal techno.

Nobody thinks it is strange anymore that an artist changes his nom de plume to reflect a new direction; a metamorphosis of his art. As listeners, we must resist the temptation to compare a new expression with previous works but instead allow the artist the necessary leeway to follow where his muse leads. So it is with Lone Wolf & Friends. There is a departure from his previous work that is his alone to define. We are simply recipients and must let the work wash over us like waves on the beach and be slightly moulded by the force of each one.

By definition, a Lone Wolf has no friends so we are left with the nagging question of why the name has significance. Perhaps Lone Wolf’s friends are his previous artistic incarnations and although he alone created this work, those earlier versions were there to encourage his creative drive. We are never truly loners, are we?

Written, composed and produced in Vancouver, Canada, by Lone Wolf & Friends.
Mastered in Groningen, the Netherlands, by Johanz Westerman at Balyhoo Studio Mastering.
Designed in London, UK, by Irene Fo + Agente Morillas + Positivland.

Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.

The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.

"One of the most innovative new names around" NME

"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR

"Kaleidoscopic techno-pop" DJ MAG

"A real anti-depression remedy"LINE OF BEST FIT

"Their main goal? To make everybody dance" METAL MAGAZINE

‘It’s hard to find an act as distinctive as PPJ » MIXMAG