The new L.A.W. is definitly HC oriented !
Mastering is done by Ultramars in a very specific way :
Both Crystal Distortion and Sadistic tunes are playing 45 RPM, even if on the same side the other tunes are playing 33 RPM.
This to enhance the sound for the 45RPM ones...
The extract on the site are made with the vinyl, so you can hear the sound of it.
Enjoy Hardcore ! Enjoy vinyl !
expected to be published on 30.10.2026
Jazzbois Around The World - a project built around mutual musical respect, encompassing MCs from all around the globe - Some who we've had the pleasure of meeting personally, some who we connect with online. Much love to all of you for being a part of this.
Absolutely born out of an admiration of live hiphop and beats culture - a musical collage of international collaboration. So proud of all our culprits:
now available on 500pcs limited edition 12" vinyl
-Franky Bones
-Goya Gumbani
-Jah Digga
-Craneo / Slothbrite
-Kaicrewsade
-CLBRKS
-Capriisun
-AWON
-INQ.
-Kid Abstrakt
-BluntOne
-FAKT
-Pogány Induló & Ótvar Pestis
Bless you all!
Artwork/Illustration: Roland Herczkó
Print master: Lobotworks
All tracks produced by the jazzbois
Track 6 co-produced by Franky Bones
Track 3 co-produced by FAKT
Track 1 co-produced by MrSlipz
Track 10 co-produced by BluntOne
All tracks mixed & mastered by Czirják Tamás / jazzbois
Jazzbois are
Bencze Molnár - keys, sampling, editing
Viktor Sági - bass, guitars, sampling, editing
Tamás Czirják - drums, editing, drum sampling
expected to be published on 30.10.2026
2 tunes from 2 masters ! BANG !
expected to be published on 30.10.2026
Celebrating 30 years since ‘Buena Vista Social Club’ was released, this classic will be made available on limited edition pearl vinyl and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.
Masterminded by the trio of Cuban bandleader Juan de Marcos González, American producer and guitarist Ry Cooder, and British producer and label owner Nick Gold, 'Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album they recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at over 8 million copies, outselling any other record in the same genre.
The acclaim of the original album elevated the artists (including Ibrahim Ferrer, Rubén González, Eliades Ochoa, Compay Segundo and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, a Tony Award-Winning Broadway Musical and contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder and Executive Produced by Nick Gold for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this album will go down as one of the landmark recordings of the 20th century.
On Stock and ready to ship
On Stock and ready to ship
On Stock and ready to ship
Dj Dial-On gets the call, we need more jams! This is the follow up to ‘Lil’ Mo b/w Take A Dip’ released back in 2021. The Montreal native DJ, producer & plumber sets you up with all the fittings needed to make the connection. Club music from working hands for all hours of the night.
We are also greatly honoured to include a remix from one of our favourite players on the scene. A great DJ/Producer & provider of incredible music via Safe Distro, Århus’ own C.K. It’s a wonderfully evocative version that will keep any dance floor bouncing
Skillfully mixed by Gabriel Rei, Mastered by Cristobal Urbina, Design by KG, pressed by Mother Tongue in Verona… it’s a beautiful thing!
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Bruce Ivery returns to Stilove4music, and we couldn't be happier to welcome him back. A true master of his craft, Bruce has delivered some of the label's most celebrated releases, each one leaving a lasting mark on dancefloors around the world.
Born and raised in Chicago and a key member of the legendary Chuck Brothers collective. Bruce's reputation as both a producer and editor speaks for itself. His latest work, a release on Ryan Elliott's Faith Beat, is further proof of his talent. This new drop is no exception—it will have you questioning your own sanity.
It's disco time once again, and it's Bruce Ivery time on Stilove4music. We're beyond excited to share these tracks, designed to create mayhem on discerning dancefloors.
expected to be published on 31.10.2026
New dope release is coming on Macadam Mambo!
We are very glad to present this masterpiece of contemporary leftfield music by Pieter Kock and Nate Davis under their project ‘Sports Café’. If you liked the previous 2xLP of Pieter (The End ll), you will love this new one pairing with Nate. The 2 buddies deliver the perfect soundtrack for lazy afternoons and kinky listening session: put the record on the turntable, play ON, first pop, the feelings is good, you want to chill, you go in the fridge, you open a can of beer, sit on the sofa, start to roll your cigarette, the guitars (Vini Reilly style) are playing, the acid lines show up, nice melodies are coming, nice synths too, little vocals here and there that can remind some sort of PMU’s cafe rooms vibe (it’s from where the name of the project is coming from)… it’s cool, yeah baby, you enjoy, you feel good!!, the more you listen to it the more you love it… A proper shroomy excursion if you are into the trip. Trust us this album is a must have, big TIP ;)
expected to be published on 01.11.2026
expected to be published on 02.11.2026
Who would expect that a new Krautrock release on Macadam Mambo would come from a Japanese band called Heavenphetamine?! The duo/couple have been touring all over Europe in the past two years, and started to build a serious fan base, as every performance they deliver is leaving an imperishable memory. This is on a date in Belgrade at Karmakoma that they met with Sacha. They had this album recorded and auto-release on tape but not on vinyl, and it came completely naturally to decide to release it as a LP on Macadam Mambo. The tracks on the album are new versions a bit different from the tape, let’s say a bit more mature and minimal than from the first ones recorded and give the feeling of listening to a masterpiece in the genre. It can be dark and profound but also enough light to bring back this little sun that has trouble to shine in the winter. This album has been highly influenced by their experience with the war in Ukraine, and the friendship they made there, where it has been recorded, and it express this mix of emotions due to the feeling of exasperation and the hope to see someday this conflict come to an end and the relief of the peace…
expected to be published on 02.11.2026
2026 Repress
King Street Sounds continues to reissue house classics from their legendary back catalogue, this time releasing a second VA sampler featuring four deep soulful house tracks.This compilation showcases dancefloor fillers from notable artists such as Dennis Ferrer, Lil Louis, Masters at Work, Mood II Swing, and Kimara Lovelace. These underground anthems have stood the test of time and still sound as fresh as when they were first released.House music enthusiasts can once again come together and take the opportunity to own these incredible tracks on this fantastic EP.
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Medusa Outdoor presents the third chapter of its Vinyl Collector series: MO_03 – The Vinyl Collector III, featuring six carefully selected techno tracks across different generations, curated by resident dj's Michael Forzza and Jochen Robberecht. The release brings together internationally renowned artists including Nicole Moudaber, Johannes Heil, Envoy, Frank Biazzi, Flug and Steve Nash. Among its highlights is the long-awaited return of Johannes Heil’s “Paranoid Dancer”, presented as a Re-Mastered Original and appearing on vinyl for the first time since its original 2002 release, alongside Envoy’s timeless techno classic “Dark Manoeuvres” and Nicole Moudaber’s powerful “Movin’ On”. From rare collector material and timeless classics to contemporary techno, MO_03 brings six outstanding tracks together on one distinctive bordeaux-coloured vinyl, housed in a beautiful gatefold sleeve. Six tracks. Different generations. One shared techno legacy.
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Inhibitions are to be checked at the door with the arrival of Farsa on Step Ball Chain. The inconspicuous (for now) Beirut based producer steps up for number 19 with an EP of intentional, timeless club music; deeply intimate, dynamic and understatedly sexy. Promiscuous Dubz is laced with an infectious bounce; that pure unadulterated groove which starts ground up and doesn’t stop til it hits you in the face and leaves you gathering your jaw. The 4 track record (+ exclusive bonus digital) features a bratty breakneck remix from label head(less) Roza T herself, rounding off a chic&freaky collection of introspective, stylish tracks for headphones or heads down in equal measures.
All tracks written, produced & mixed by Farsa in Beirut, Lebanon.
Mastered by Anne Taegert at Dubplates & Mastering.
Distributed by One Eye Witness.
Artwork by Dylan Batelic.
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Mikkel Rev returns to A Strangely Isolated Place with Evocation, his third full-length album shaped deep within the forests of Norway.
Since Mikkel’s debut, The Art of Levitation first arrived on ASIP in 2023, Mikkel has been quietly building his own corner of the label’s catalog. Last year's Journey Beyond expanded that vision further, revealing an artist increasingly comfortable balancing the emotional pull of early trance with a more reflective, ambient-leaning approach. While his work elsewhere naturally gravitates towards the dance floor through his own collective, Ute Recordings and other club-focused outlets, his ASIP releases have always evolved differently. Beginning with a larger body of material that’s gradually shaped together, each album seeks to find a narrative without a dancefloor in place; one that moves naturally between momentum and stillness, carrying something of the spirit found in those early-'90s records that drifted effortlessly between peak-time energy and the quiet hours in room two.
Long-form compositions like "Step Inside" and "MRI" favor gradual development over immediate impact, while "Dream Sand" introduces shimmering rhythms that subtly shift the album's momentum and pace. The piano-led "The Infinite" offers a definitive nod to the enduring emotional pull of classic trance before "Sanitorium" closes the record with one of Mikkel's most restrained and affecting pieces to date.
Evocation continues Mikkel Rev's remarkable run on ASIP, extending a catalog where echoes of trance's formative years find new expression through the communal energy and natural surroundings of the Nordic forest gatherings that have become an integral part of his world.
Ventral Is Golden returns on artwork duties, with Lupo handling the mastering and cut. Released on August 28th as a gatefold double LP on dusty purple smoke and digital.
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In the seclusion of a house in the Bavarian Forest, something unfolded that felt less like a conventional album production and more like an internal process of condensation. This house wasn’t a studio - it was a retreat. Its 1960s-inspired interiors, creaking wooden stairs, and crackling fireplace shaped the sound of Carl Gari as much as the instruments themselves. Though the house no longer exists, its atmosphere remains present in the recordings.
The music of Carl Gari - Jonas Yamer, Till Funke, and Jonas Friedlich - resists easy categorization, a trait that continues on this monumental new album. From the friction between electronic music and guitar textures, the trio forges a distinctive, idiosyncratic sound. Distorted electric guitars and pulsating basslines intertwine with analog drum machines, tape delays, and intricate effect chains, creating music that is raw, organic, and psychedelic. A new element on the album is the trio’s first use of vocals: Jonas Yamer, usually on bass, raises his voice in a punk-tinged, invented language that hints rather than narrates, unsettling more than it explains.
The guest artists do not merely decorate the sound - they alter its very structure at critical points. Polygonia contributes layered vocals that mesh seamlessly with the album’s technoid architecture. Will Brooks of Dälek delivers a dark rap feature on ‘Poison Shyness (Anti-Social)’, his words carving the sonic space with precision. Coby Sey adds introspective vocals that hover between experimentation and restraint on ‘Inner Link’. New York rap pioneer Sensational introduces a deliberately rough, individual counterpoint on ‘Disco Lights’, while the German percussionist Simon Popp drives the album forward with an uncompromising drum performance that insists rather than accompanies on ‘Zeitesser’.
The cover photographs, taken by Jonas Yamer, project images of corridors onto paintings located in the now demolished house where the album was recorded. Visually, this reflects a key motif of the album: spaces exist only as overlays and echoes - not mystical ghosts, but traces of a place that has physically vanished.
Recorded between 2016-2024 in Neunburg vorm Wald and Munich. With kind support by Kulturreferat der Landeshauptstadt München.
Mixed by Johannes Wagner aka J.Manuel at Apollo Studio, Berlin (A1, D1 w/ Fadi Mohem). Mastered & cut by Stefan Betke at Scape Mastering.
Photography by Jonas Yamer. Packaging design by Sepehr Mokhtarzadeh.
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On Stock and ready to ship
A well needed vinyl re-issue of these sought after Break 3000 Electroclash classics from the period 1999-2003.
Originally released on Meuse Muzique in Maastricht, The Netherlands.
"Plastique People feat. Zusi" became a club hit again these past few years and saw the original vinyl prices soar on Discogs. "Last Emotion" was previously unreleased and brought back to live again thanks to the great Argentinian label "Calypso's Dream" who did the fine "The Rise Of Poseidon I" release three years ago that also included the fierce banger "Sacrifice", which became a hit back in the days when it was first featured on the massive DJ Kicks compilation by Tiga in 2003. The re-issue by "Calypso's Dream" sold out in a few weeks and was never re-pressed. The vocoder anthem "Emolotion" saw a vinyl only comeback on the cool Italian label "Mondo Phase" from Milan together with "Plastique People" in 2023, these limited copies were gone in days as well.
As a lot of people missed out on these Electroclash anthems by Break 3000 in the first vinyl re-issues we thought now is the right time to give them another run and make them available again. Enjoy!
All tracks were re-mastered by Salz Mastering in Cologne. Music & Art by Break 3000.
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Digwah returns once again, masterfully weaving carefully selected samples into forward-thinking tech house productions built to ignite today's dance floors. Blending precision, groove, and underground energy, this latest installment delivers the signature sound producers have come to expect—fresh, driving, and ready for peak-time sets.
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The most beautiful thing we’ve ever released?
It is virtually impossible to describe with mere words how emotionally powerful this work of art is. Just listen. Listen, listen, listen...
A blissed-out 80-minute epic, Hatchback's Phaser For The Ocean, Chorus For The Moon is his magnum opus, a sprawling masterwork that encompasses ambient, new age and environmental music to wondrous effect. Moving, hypnotic and deeply meditative, it's FFO Mike Brooks, Deuter, Klaus Weiss, Innovative Communication, Harmonia, Cluster, Ashra's New Age of Earth, Stomu Yamashta, Haruka Nakamura, Yoshimura, Hosono, the works.
A record truly deserving of the deluxe Be With treatment, the vinyl was specially cut at Abbey Road Studios whilst the original stunning artwork has been pleasingly expanded. Now, an eye-catching holographic-foil layer moon is set against the original tones, wrapped up in a sumptuous double-gatefold jacket.
Soaked in Californian consciousness and limited to a run of just 500 copies for the world, this release is a treasured balm like no other for these troubled times.
Hatchback is the atmospheric, melodious ambient alias of California-based artist Samuel Milton Grawe. Sam creates music that sings of the Cosmos, full of deep resonant tones, glistening arpeggios, lush pads and harmonic motifs.
"When I first was getting into the creative side of music making in my teens, I was heavily influenced by concept albums like Quadrophenia and The Lamb Lies Down on Broadway, as well as epic pieces that took up an entire side of a record: Pink Floyd’s Echoes, Yes’ Close To The Edge, Klaus Schulze’s Nowhere Now Here, Miles Davis' Shhh/Peaceful and He Loved Him Madly. In the extreme, these ideas coalesced in double albums where each side of each record is occupied by a single title - Yes’ Tales From Topographic Oceans and Tangerine Dream’s Zeit being primary examples. When I returned to making music after moving back to Northern California in 2020, the first piece I recorded landed around the 20-minute mark, and the idea of creating three other long pieces to realize a full album felt like a natural - if indulgent - goal. From there, each new piece followed sequentially. Four songs. My fourth album." - Sam Grawe
Phaser For The Ocean Chorus For The Moon is a pure expression, informed by a lifetime of deep listening unbound by algorithms or AI. These are songs for the sunrise and the sunset - and every colour in between.
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Timeless is a brand-new 10-track compilation featuring rare and unreleased studio recordings from Prince’s legendary vault. This unprecedented album encompasses tracks spanning every phase of Prince’s illustrious career, from 1977 to 2016. The project has been meticulously mastered by Grammy-nominated engineer and producer Chris James, a former Prince engineer whose notable credits include HITnRUN Phase Two, Art Official Age, and Plectrumelectrum. Timeless will be available on CD & black vinyl, providing profound insights into Prince’s creative process and musical evolution.
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2026 Repress
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".
"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.
On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.
With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
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Hiromasa Suzuki, the hidden force behind Hiroshi Suzuki’s ""Romance"" and Jiro Inagaki’s ""Breeze,"" gathered a superb lineup of musicians and perfected the crossover sound on this masterpiece.
Hiromasa Suzuki was a composer, arranger, and keyboardist who played an active role not only in jazz, but also across the wider Japanese music world, including kayoukyoku, film, television, and commercials. From the late 1960s through the mid-1970s, he was deeply involved in works by Terumasa Hino, Akira Ishikawa, Jiro Inagaki, and others during their most cutting-edge periods, fully demonstrating his remarkable skill. His innovation, always one step ahead of the times, reached a kind of culmination in this work, recorded in 1976. Featuring young Shuichi “Ponta” Murakami, Akira Okazawa, and Masayoshi Takanaka, this is a masterpiece of pre-fusion and crossover.
expected to be published on 06.11.2026
A hot slice of Latin dance music — produced by the legendary Masters at Work, the house icons and masters of that Nuyorican sound, “Little” Louie Vega and Kenny “Dope” González — from Los Amigos Invisibles, the Venezuelan band who have spent decades perfecting the art of getting away with everything.
Packed with raunchy songs (of course) that fuse every American genre under the sun — from salsa to acid jazz to disco to funk — this record tore up dance floors twenty years ago.
expected to be published on 06.11.2026
*Originally pressed in 2021 - this is a brand new master and cut.**
In partnership with Analogue Foundation, Oshu Records is proud to present the exclusive vinyl repress of "Laroyê" in a thick cardboard tip-on gatefold jacket on 2x 180g vinyl.
Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing on Friday 1 May via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his collaborations and research deepened, the music project started to take on its own life:
"Laroyê evolved through weeks and months of research and collaborations into the album that it is now. That means that all the sessions were done in different apartments, small studios, often with borrowed equipment, which all adds to the character, but makes the creation of a coherent sound a challenge. Benjamin Tierney, Erik Breuer and Analogue Foundation did an incredible job with the mixes and with this new remaster. I truly believe that we are able to hear the tracks in a new light, with even more depth and clarity."
Coming from the West African Yoruban language, Àbáse stands for "collaboration" – a key element of the music perfectly encapsulated on 'Laroyê'. Recorded in Rio de Janeiro and Salvador, Àbáse spent five months working with diverse artists, from young talents to veterans of the Brazilian scene including Letieres Leite, Luciane Dom, Dofono d'Omolu, Afrojazz and more. The album explores the rich heritage of afro-brasilian culture through samba, MPB and Candomblé, mixing these with broken beat, hip hop and afrobeat, creating a contemporary homage to the classic Brazilian sound. Szabolcs shares:
"Despite already leading and managing musical projects that are close to my hearth, I always felt that one day I would like to start a solo project, where I could take full responsibility for the artistic direction and the music would reflect a truly personal vision. In 2017, I decided to take five months to fulfil a childhood dream and travel to Brazil to expand my creative horizon and expose myself to new influences."
An album standout is the bass-heavy, afro-brazilian ‘Agangatolú, which Àbáse describes as "best exemplifying the story and concept of Laroye as a collaborative effort - a research project exploring the rich heritage of Afro Brazilian culture through my own lens." The track features singers and percussion players Jadson Xabla and Gabriel Santana - two artists based out of one of the oldest terreiros (houses of worship) in Bahia, whilst drummer Jorge Dubman is an integral part of one of the most famous afrobeat bands from Salvador IFA. The contributions of one of Szabolcsoldest collaborators - Hungarian flautist Fanni Zahar - also made the track a full-circle moment.
On a quest for cosmic grooves of unity, Àbáses music pulls from an eclectic blend of global reference points, including modal jazz, Hungarian folk, West African, Brazilian, hiphop and underground electronic music. His work has drawn widespread critical acclaim from the likes of MOJO, Songlines, Soulection and The Guardian, and been supported by key tastemakers including Gilles Peterson, Jamz Supernova and BAMBII. As a keyboard player, Szabolcs has also collaborated with the likes of Wayne Snow, Dele Sosimi, Patti Smith, Emmanuel Wilkins, Gulty Simpson and Zeitgeist Freedom Energy Exchange.
'Laroyê' (2026 Remaster) will release on Friday 1st May via Bridge The Gap & Oshu Records.
expected to be published on 06.11.2026
Colorful, powerful and elegant. A watershed masterpiece that embraces before then and after that by Kiyoshi Sugimoto, the master of the era.
Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as “Country Dream” and “Babylonia Wind.” This work was recorded with Akira Ishikawa, Hiromasa Suzuki, Takao Uematsu and others right after studying in America for about a year. Starting with the groovy and luscious “Our Time” and “Marmalade Sky”, the dubious keyboards of “Jones Street”, and the melancholic and beautiful “Quiet Pulse”, it can be said to be a gap between jazz rock and fusion. There are attractive songs. This work represents Sugimoto’s work in the mid-1970s.
expected to be published on 06.11.2026
The second CBS/Sony album by internationally acclaimed Japanese keyboardist Himiko Kikuchi, "SEVILLA BREEZE," originally released in 1988, is finally available on vinyl for the first time.
Inspired by Georges Bizet's opera "Carmen" and traditional Spanish music, this masterful Latin jazz/fusion album showcases Kikuchi's dazzling keyboard work soaring freely over a powerful rhythm section and a razor-sharp horn section. Highlights include the breathtaking high-speed Cuban-Latin jazz workout "Toreador"; interpretations of "Gypsy Song (from Carmen)" and "Seguidilla (from Carmen)" from Bizet's "Carmen"; the Latin-funk fusion gems "Sevilla Breeze" and "Primavela," featuring Naoki Watanabe (bass), Tsuguo Okamoto (drums), and Yoshinori Nami (percussion); and the mellow, laid-back tracks "Blue Gibraltar" and "Siesta."
(This is a limited production edition.)
expected to be published on 06.11.2026
A landmark of 1970s Turkish psychedelic funk, Zafer Dilek’s Oyun Havaları returns to vinyl 50 years after its original 1976 release on the legendary Yonca Müzik label.
One of the defining figures of the 1970s Turkish studio scene, Zafer Dilek transformed Anatolian melodies through his distinctive microtonal electric guitar and groove-driven arrangements. Across twelve instrumental reinterpretations of regional Turkish melodies, psychedelic guitar, bağlama, heavy bass and tightly locked percussion meet in a sound deeply connected to the golden age of Yeşilçam cinema and embedded in Turkish collective memory.
The album’s influence reaches directly into today’s global Anatolian psychedelic movement: Altın Gün later reinterpreted two tracks from the record, while Khruangbin championed the cult dance-floor cut “Yekte.”
Long sought after by collectors in its scarce original pressing, Oyun Havaları is finally available again as an official archival reissue, restored from the original master tapes, mastered and lacquer cut by Frank Merritt at The Carvery, London, and pressed on 180g black vinyl at Record Industry, the Netherlands.
expected to be published on 06.11.2026
PYRAMID TRANSMISSIONS are excited to present our next release by one of our favourite artists on the scene, FLECK E.S.C (Franck Collin)
Hailing from FRANCE but resident in TOKYO, FLECK's music is a myriad of Scifi sound design, pulsating funk ridden beats and this release reaches Autechre like intricacy.
He has recorded for many labels such as ELECTRIX, SCIENCE CULT, SHAMELESS TOADY and PYRAMID TRANSMISSIONS among may others.
This is a sonic masterpiece of Electro and IDM!!!!!!
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We don’t know much about Ariane Bonzini. Her age, perhaps. Her first name, certainly – but it’s confusing, as you’d expect. The rest, he keeps to himself, tucked away somewhere between Villeneuve-Saint-Georges and the Landes in the off-season.
What we do know is that at 16 he left everything behind to try his hand at rap. That six years later he left everything behind, again, without really saying why. That he taught himself sound engineering as one might learn a dead language.
And then came Magenta. In 2025, for three months, Bonzini set himself a challenge bordering on the absurd: to produce one track a day, write it, record it, mix it, master it, film himself doing it, and post it on social media. Without planning, without taking a step back, working until 3 am behind the screen. His monthly listeners went from 35 to 100,000.
For ‘Mec Normal’, something changed. Bonzini headed to the Rue Boyer studio – a space steeped in analogue charm, where some of the synths had once belonged to Christophe – and surrounded himself with a team for the first time: Crayon on production, Renaud Letang on mixing.
Chilly Gonzales spotted him, and from their meeting came ‘Gonzini’.
Thirteen tracks suspended between gentle melancholy and a willing detachment. Soaring synths. Recurring, obsessive ‘you’s’. A voice that whispers where others would shout.
Ariane Bonzini is unlike anything we’ve heard before. That is undoubtedly what makes her so unforgettable.
expected to be published on 06.11.2026
,Manifold of Partially Actualized Realities" ist das neue Album bei Kou Records von Randall Dunn - Produzent, Komponist und einer der markantesten Gestalter von Low-End- und räumlichen Klängen in der zeitgenössischen Musik, bekannt für seine Arbeit mit Sunn O))), Oneohtrix Point Never, David Torn und unzähligen anderen aus den Bereichen Heavy-, Experimental- und Avantgarde-Musik. Das Album ist eine Meditation über zerbrochene Realitäten, Zeit und Sterblichkeit - ein Spiegel, der sich auf sich selbst zurückfaltet und darüber, wie zukünftige Ereignisse die Vergangenheit beeinflussen. Sein tragender Geist ist Philip K. Dicks ,Pink Light Experience" von 1974, in der der Autor berichtete, eine Übertragung von einer gewaltigen, außerirdischen Intelligenz empfangen zu haben: informationsreich, uralt und überwältigend. Dunn nähert sich dem sowohl als Konzept als auch als kompositorische Logik - Musik, die in Schichten auftaucht, zusammenbricht, sich neu formiert und sich einer Auflösung verweigert.? In vier Stücken setzt Dunn ein ganzes Arsenal an Vintage-Synthesizern ein - Korg MonoPoly, Korg MS-20, PPG Wave, CS-80, Juno-60, Waldorf Strings, Fizmo - neben einer außergewöhnlichen Ensemblebesetzung. Spoken-Word-Beiträge von Jim Jarmusch (basierend auf PKDs Prosa) und Laima Leyton (basierend auf Robert Graves' ,Time") verankern zwei der vier Stücke in Sprache, ohne sie zu erklären. Das Album bewegt sich von orchestraler Kammermusik über elektroakustische Abstraktion hin zu einem abschließenden Stück - ,Ayn" -, das sich zu ekstatischem Jazz entfaltet, mit Cyro Baptista, Briggan Krauss, Henry Fraser, Charmaine Lee und Robert Aiki Aubrey Lowe. Wahre elektroakustische Komposition im vollsten Sinne: spektral, körperlich und weit offen. Produziert und gemischt von Randall Dunn bei Circular Ruin, April 2026. Aufgenommen und gemastert von Ben Greenberg. Dolby-Atmos-Mischungen von Ben Greenberg. Lackschnitt von Paul Gold bei Salt Mastering. Cover- und Rückseitengestaltung von Steve Rude.
expected to be published on 06.11.2026
,Ma Waraa Al-Shaabi" - ,Beyond Shaabi" - ist das neue Album bei Kou Records von Rizan Said, dem legendären kurdisch-syrischen Keyboard-Virtuosen aus Ras Al Ain in der Region Jazeera im Nordosten Syriens und dem wichtigsten musikalischen Kopf hinter Omar Souleyman. Rizan Said ist ein musikalischer Botschafter aus einem verschwundenen Syrien. Es war einmal vor nicht allzu langer Zeit, als die Jazeera - ein kulturell reiches Grenzgebiet kurdischer, arabischer, syrischer und armenischer Gemeinschaften - von einer unverwechselbaren musikalischen Tradition geprägt war: Handtrommeln und Rohrflöten, Hochzeiten, die tagelang dauerten, Dabke, die schon seit Jahrhunderten getanzt wurde, lange bevor Electro, Disco oder Orientalismus auftauchten, um ihr einen Namen zu geben. Rizan war das Wunderkind dieser Szene, ein Ausnahmetalent an Percussion- und Rohrblattinstrumenten, das zum Meister der Synthese in der Region wurde - er programmierte Korgs so, dass sie Zurna, Saz, Tanbura und Buzuq nachahmten, und vereinte die traditionelle Instrumentierung in einem einzigen Paar Hände, das sich blitzschnell bewegte.? Dies ist sein drittes Soloalbum nach ,King of Keyboard" (Annihaya, 2015) und ,Saz U Dilan" (Akuphone, 2019) - und sein bisher weitreichendstes. Aufgenommen im Sundlaugin Studio von Sigur Rós Sundlaugin Studio in Island aufgenommen und von Randall Dunn produziert, in Koproduktion mit Mark Gergis (Syrian Cassette Archives), führt ,Ma Waraa Al-Shaabi" syrische und kurdische Dabke in unbekanntes Klanggebiet: sieben Stücke, die die Hitze und Geschwindigkeit der Kassetten-Szene in etwas Weites, Fremdes und Lebendigeres als je zuvor übertragen.? Aufgenommen im Sundlaugin Studio, Island, im Mai 2026. Produziert und gemischt von Randall Dunn. Koproduziert von Mark Gergis. Zusätzliche Produktion: Ulfur Hansson. Gemastert von Ben Greenberg. Dolby-Atmos-Mischungen von Ben Greenberg. Lackschnitt von Paul Gold bei Salt Mastering. Cover-Artwork von Rebeka Arce; Porträt auf der Rückseite von Randy Ortiz.
expected to be published on 06.11.2026
Limited repress of mu tate's sought after LP on soft lilac vinyl!
Utter (in collaboration with 3XL) presents mu tate's second album 'they're with you always', featuring Joshua Inyang (Space Afrika), Nikolay Kozlov, Desirèe Monique, Igor Dyachenko and Mathilde.
Housed in a high-gloss sleeve artworked by Lucas Dupuy and Art Crime. Mastered by Ike Zwanikken then transferred and cut by Anne Taegert at D&M.
they're with you always
inspired by a true story
expected to be published on 06.11.2026
,The Long Ear" ist das Debütalbum von Noh Age _ Charmaine Lee (Parabolmikrofon, Feedback, Gesang), John McCowen (Kontrabassklarinette, Bb- Klarinette, Blockflöte) und Li-Chin Li (Sheng) bei Kou Records - live aufgenommen über drei Tage bei Brooklyn Recording im März 2026 live aufgenommen und von Randall Dunn (Sunn O))), Oneohtrix Point Never) produziert. Das Parabolmikrofon hat seine eigene Geschichte: ein Überwachungsinstrument aus dem Kalten Krieg , das dafür konzipiert war, aus der Ferne zu lauschen, um das zu orten und zu verstärken, was sonst unhörbar bleiben würde. Hier ist es nach innen gerichtet - nicht auf einen Feind, sondern auf den Klang selbst, der durch vier Vintage-Röhrenverstärker geleitet wird. Die Parabolantenne spürt Resonanzen auf, die durch den Raum übertragen werden, und stellt sich auf Frequenzen ein, die von Kontrabassklarinette, Sheng und Gesang erzeugt werden, bis sich eine Rückkopplung entlädt - ein vierter Interpreter mit eigener, unvorhersehbarer Wirkmacht. Das Ergebnis ist spektrale Musik in ihrer viszeralsten Form - verwurzelt in der Tradition von Gérard Grisey, Kaija Saariaho und Iancu Dumitrescu, doch herkommend von der Überwachungsstelle, dem Abhörposten, der Abhörleitung. In sechs Stücken, die auf kompositorischen Rahmenwerken aus zellulären Automaten und grafischen Partituren basieren, bewegt sich das Trio zwischen extremen Registerbereichen - CBC-Grundtöne gegen dichte Sheng-Cluster-Klänge , die kristallklaren Obertöne von Blockflöte und Mini-Sheng - während das Feedback durch all das wandert, sich verdichtet, auslöscht, wiederkehrt. Cover- und Rückseitengestaltung von Shintaro Kago - einem in Tokio ansässigen Manga-Künstler und Pionier der ,Ero-Guro"-Tradition, der international für seine Arbeit an Flying Lotus' ,You're Dead!" (Warp, 2014) bekannt ist. Aufgenommen, gemischt und produziert von Randall Dunn. Zusätzliche Synthesizer und Sounddesign von Randall Dunn. Gemastert von Ben Greenberg. Dolby-Atmos-Mischungen von Ben Greenberg. Schablonenschnitt von Paul Gold bei Salt Mastering.
expected to be published on 06.11.2026
21 Bum Salute is the fifth album from Sydney experimental psych-noise-pop duo Party Dozen. The work of Kirsty Tickle (saxophone, vocals) and Jonathan Boulet (drums, loops, production), 21 Bum Salute finds the critically-acclaimed, semi-improvised duo feeling liberated - from their peers, their worries, and what the nell they're supposed to sound like now.
Emerging in 2017 from the warehouses of the Sydney experimental noise-rock scene, Party Dozen arrive at the release of their fifth album, 21 Bum Salute, in peak form. Over the course of four, increasingly perverse albums of psych-tinged rock peppered with pop noise and bursts of doom in equal measure, they've transformed from gleeful noise-makers producing DIY albums from a tiny room in Marrickville, NSW, to globe-hopping, critically-adored favourites - producing DIY albums from a tiny room in Marrickville.
As well as tours with Amyl and the Sniffers, King Gizzard and the Lizard Wizard, Tropical F*ckstorm, Algiers and more, Party Dozen had Nick Cave appear on 2022 single Macca The Mutt', collabed with New York rapper billy woods, performed an incendiary live set on KEXP, signed international deals, firstly with Temporary Residence LTD (Mogwai, Explosions in the Sky,
Along the way Party Dozen self-released their first two albums, The Living Man (2017) and Pray For Party Dozen (2020), struck a chord internationally with album The Real Work (2022), which sent them on tours of Europe, North America, Japan, China and New Zealand, while fourth LP, Crime in Australia (2024), an ode to Aussie noir that leaned beyond rock into moodier moments, repeated it.
Party Dozen recorded, mixed and mastered 21 Bum Salute completely themselves, over a three month span. Inspired by spooky "old recordings" as well as the primal impulses of acts like ESG and Bikini Kill, 21 Bum Salute - named after a peculiar, larrikin ritual in Australia's arid Northern Territory - condenses consecutive years of jam sessions, loops and improvisations into just over half an hour's worth of fizzing, strutting, striking sonics from the fringes.
expected to be published on 06.11.2026
clear vinyl[23,32 €]
21 Bum Salute is the fifth album from Sydney experimental psych-noise-pop duo Party Dozen. The work of Kirsty Tickle (saxophone, vocals) and Jonathan Boulet (drums, loops, production), 21 Bum Salute finds the critically-acclaimed, semi-improvised duo feeling liberated - from their peers, their worries, and what the nell they're supposed to sound like now.
Emerging in 2017 from the warehouses of the Sydney experimental noise-rock scene, Party Dozen arrive at the release of their fifth album, 21 Bum Salute, in peak form. Over the course of four, increasingly perverse albums of psych-tinged rock peppered with pop noise and bursts of doom in equal measure, they've transformed from gleeful noise-makers producing DIY albums from a tiny room in Marrickville, NSW, to globe-hopping, critically-adored favourites - producing DIY albums from a tiny room in Marrickville.
As well as tours with Amyl and the Sniffers, King Gizzard and the Lizard Wizard, Tropical F*ckstorm, Algiers and more, Party Dozen had Nick Cave appear on 2022 single Macca The Mutt', collabed with New York rapper billy woods, performed an incendiary live set on KEXP, signed international deals, firstly with Temporary Residence LTD (Mogwai, Explosions in the Sky,
Along the way Party Dozen self-released their first two albums, The Living Man (2017) and Pray For Party Dozen (2020), struck a chord internationally with album The Real Work (2022), which sent them on tours of Europe, North America, Japan, China and New Zealand, while fourth LP, Crime in Australia (2024), an ode to Aussie noir that leaned beyond rock into moodier moments, repeated it.
Party Dozen recorded, mixed and mastered 21 Bum Salute completely themselves, over a three month span. Inspired by spooky "old recordings" as well as the primal impulses of acts like ESG and Bikini Kill, 21 Bum Salute - named after a peculiar, larrikin ritual in Australia's arid Northern Territory - condenses consecutive years of jam sessions, loops and improvisations into just over half an hour's worth of fizzing, strutting, striking sonics from the fringes.
expected to be published on 06.11.2026
Out soon via Heads In The Clouds - H004 - Josh Wink & DJ ESP - Stairway To Headphones (12") Re-issue from 1995
Communique Records re-issues an classic by Josh Wink & ESP aka Woody McBride on the sublabel "Head In The Clouds"
from 1995. All tracks are re-mastered and re-recorded from original DAT.
Highly recommended!
On Stock and ready to ship
Rubbermaidxxx is a recent music performance project by the Irish artist Anna McCarthy, rather than simply the title of one autonomous artwork. Rubbermaidxxx is a character or unstable identity, an emancipatory underdog with a heart for daredevilry. The project sits naturally within McCarthy’s larger practice, which moves between drawing, assemblage, happenings and collective actions.
Clad in a black balaclava and fetish climbing wear, she abseils from buildings before entering the stage. For the first performance in New York City, she was invited by Kyp Malone of TV on the Radio to perform at his club Francis Kite Club in Alphabet City, NYC and since has continued to make a name for herself hanging off façades, singing, dancing and mopping the floor together with her performance collaborators Miss Philip a.k.a. Philip Errico and Michael Tapper at Pianos NYC, Kottbusser Tor and Genezarethkirche Berlin or the Villa Stuck Museum in Munich.
The album was produced in Munich and New York in 2025 in collaboration with her brother Nick McCarthy (Franz Ferdinand) and Anton Kaun (Rumpeln). What started as a quick improv turned into a high-energy 4-hour session of the siblings playing manic ball with beats, bass, guitars and vocals resulting in what laid the basis to this album. In the weeks following, Anna McCarthy, who is known for her cut-up production style, reminiscent of albums such as White Noise or Flying Lotus, continued to develop the vocals, performance and music by mixing in an amalgam of field recordings with her narrative spoken word, including sounds of protests, dollar stores or ice-cream trucks, as well as collaborating with the noise artist Rumpeln for the last two tracks of the album.
McCarthy is also known as the lyricist and singer of What Are People For? (debut 2022 on Alien Transistor) with its dystopic dance music candy-cane shows and equally humorously critical tongue-in-cheek bangers such as Bring back the Dirt, Drones or Partytime. Anna McCarthy's spoken word, social urgency and enthusiasm to experiment across mediums is comparable to other contemporaries such as Moor Mother, Miho Hatori, Gonjasufi, Tricky, or Cibo Matto.
The name itself is telling. Rubbermaidxxx evokes elasticity, artificiality, domestic labour and the commercial world of cleaning and garbage. It suggests a body capable of stretching, absorbing filth and cleaning up after society – only to revolt against the role it has been assigned.
Rubbermaidxxx is a master of deception, juggling fact and fiction as a reflection of our times – a diamond thief, a protester, or even responsible for the Louvre heist? This album invites the listener and viewer in, playfully dismantling hierarchies and power structures as she goes through a hopeful amalgam of dance, protest & love songs.
expected to be published on 06.11.2026
****COVER WITH AUGMENTED REALITY**** Argentinian producer Translate synthesises states of consciousness and perceptions into his semantics of sound, creating a distinct language of mental techno through hypnotic repetition, precision and deeply immersive atmospheres. His presence in this realm extends through his label Relativity, whose latest EP brings together tracks by Mike Parker and Oscar Mulero, while his own productions have appeared on Svreca’s Semantica Records. For his DIG release, Translate shifts into a broader spectrum, revealing a side of his production that has remained unexplored until now. DIG Curated captures this moment of a new sonic expansion between his signature hypnotic journeys and a stripped-down techno sound. Expansive opens the record with Translate’s distinct mental techno, pushed into an added psychedelic dimension. With a vast and trippy sound, the track steadily fills the space, inviting the dancers to go inward and simultaneously reach out into a collective morphic field. With Discursive, the coordinates shift, introducing a very stripped-down techno side of Translate’s production and a palette rarely heard from him before. Reduced to its essential elements, the track cuts directly through the floor with a functional groove, whilst retaining the tension embedded in his sonic DNA. On the B side, Fuse accelerates with fast-moving pads, mechanical drums and swerving loops that gradually lock the body into trance. Quirky textures spiral throughout, with robotic glitches sounding like organic beings. Coefficients closes the record by pulling the listener into rich bass and expanding loops over a cold melody that guides the final journey into a cosmic unfold. Hypnotic sci-fi vocals emerge from an interplanetary future, traversing space in search of earthly traces. The record ends suspended somewhere between the transmission and unknown, like a sonic threshold. Words by Lora Mateeva Animation/Artwork - Marcin Pospiech Master - Nihad Tule Graphist - Ferdinand Prat
expected to be published on 06.11.2026
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, funk and jazz while retaining an original and distinctive voice.
Sextant from 1973 was recorded just before Headhunters, and can be seen in the same vein, but it’s more than just an introduction to a masterpiece. It features a kind of post-modal, free impressionism while gracing the edges of funk. Three long instrumental tracks explore how far minimalism in jazz can go.
Sextant is available as a limited edition of 2000 individually numbered copies on blue marble vinyl.
expected to be published on 06.11.2026