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Kid Katana Records teamed up with Digital Eclipse / Atari to bring the legendary Wizardry remake game OST, for the first time on vinyl. Winifred Phillips crafted a unique soundtrack, which was recognized by the 2025 Grammy Award Winner for Best Score Soundtrack for Video Games and Other Interactive Media.


This OST is steeped in ancient history and culture, with Phillips using authentic period instruments from around the world, including gitterns, nyckelharpas, dulcimers, and bone flutes, and a choral battle anthem in the ancient language of the Wizardry spellbook.

Inspired by Kenneth Grahame's 'Wind in the Willows', the sonic endeavours of Mole have so far given us two cassettes (Before I Glare Up At The Sun Through The Top Soil and Mole's Uninvited Guests) and a top class library CD of covers. With ‘For Red Riverbank’, The Sprigs return to bison for their first full length LP, this time joined by Ratty and Badger to form a full three piece band, and to help Mole take on the developers working above ground…

Armed with guitars, pipes, samples and bric-a-brac, it’d be easy for the Sprigs to succumb to a totally romanticised nostalgia for an imagined British folkloric tradition. There’s enough of it going around. Instead, the gang create a ramshackle, ruddy faced blend of introspective hibernation, real-world anxiety and some absolutely knee slapping, joy inducing tunes. It’s a masterwork of folk collage - where beautiful straight-to-tape guitar sketches are cut up amongst British labour history with the help of Leon Rosselson and Ash Reid, giving way to waves of depression and relief in equal measure. Such is life!

"Ultra, The 12 Singles", a collector's edition deluxe box set, contains eight 12" vinyl discs presenting four singles - "Barrel of a Gun", "It's No Good", "Home", and "Useless" with key B sides, mixes and live recordings contemporaneous to Depeche Mode's ninth studio album, Ultra, originally released April 14th 1997. Three of the 12" vinyl discs in Ultra The 12" Singles are comprised of tracks first released on CD singles throughout 1997. Each of these new 12" discs features artwork reflecting the original CD single releases, now expanded to 12" vinyl for the first time. Audiophile quality 12" vinyl, with audio mastered from the original tapes. The artwork for the exterior box sets draws on iconography inspired by the original releases, while the vinyl sleeves themselves feature the original single artwork. Very limited. Stock will be allocated.

includes DL code and insert with English & Japanese lyrics

The terms “nursery rhymes” and “children’s songs” may give rise to visions of idyllic innocence and the charms of childhood, but "Play Nursery Rhymes and Children's Songs" by Tokiyo Ooto & Orhythmo, their first release on EM Records, brings forth quite different aural imagery: this is an eerie and unsettling sonic picture book which hints at the darkness and mystery which form the hidden heart of many traditional songs and rhymes. The length of the songs provides a hint: each piece delves deeply into the latent uncanniness of the music, with superficial innocence gradually displaced as electric guitar, bass, field recordings and concrete sounds draw the listener into a chilly forest, while Tokiyo Ooto’s voice croons dark “lullabies for adults,” blending elements of folk, slowcore and dream pop. The Tokiyo Ooto & Orhythmo duo formed in 2023, releasing their first album in 2024. This release updates two pieces from the first album, and also includes a traditional Japanese children’s song from Shiga Prefecture and a masterpiece for children by composer Yasushi Akutagawa. Both musicians are Osaka-based: Ooto is a guitarist and singer-songwriter who also works in band and solo contexts; Orhythmo is a bassist with hardcore punk roots who focuses on improvisation, drone, noise and ambient sound. This release is available on CD, vinyl and DL; physical versions feature a printed insert with Japanese and English lyrics. The evocative cover is by Yoshitomo Ano.

John Edwards’ early releases, mainly at Aware Records under the tutelage of Floyd Smith, thrilled soul lovers with his consummate vocals and impressed the multi-million selling Spinners enough to hire him to replace their revered vocalist Philippe Wynne.
Edwards’ first Aware hits, such as ‘Stop This Merry-Go-Round’ and ‘Careful Man’, led to his eponymous debut LP. As the label’s major male artist, the company followed up by recording a second album and were probably anticipating a further hit. But Aware collapsed thanks to the label owner’s criminal activities, putting paid to that proposed disc.
When the master tapes were uncovered in the ’90s, the tracks were issued on the 1996 Kent CD ‘Careful Man’ and handful of singles were issued to great acclaim.
At last, we have collected the tracks on vinyl and the beauty of ‘Tin Man’, ‘How Can I Go On Without You’ and ‘Cold Hearted Woman’ can be enjoyed as they were originally intended. Modern soul fans will be able to sleep easily again.

When ELEH's debut "Floating Frequencies/Intuitive Synthesis I" was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while ELEH continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of ELEH as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus.

From the original packaging, "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young"

ELEH began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. ELEH highlights the physical presence of sound as it has been inspired by the physical world. There is also something ‘cathedral-like’ and cosmos-inducing in the sound constructed by ELEH.

This audiophile quality presentation of ELEH's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock.

"Nuances of sound turn symphonic." New York Times

“ELEH’s sounds move by stealth and are sculpted from the world rather than from ego. Eleh is not a personality; Eleh is an idea about sound. ELEH forces you to contemplate the cosmos and your place in it. “ Gramophone

"ELEH demonstrates how a single amplified gesture delivered just so can reveal the inner workings of an entire cosmos." Tony Herrington/Wire

“Floating Frequencies/Intuitive Synthesis more than lives up to the mythic status that ELEH has ascended to. “ Brainwashed

"ELEH's music electrifies whatever space it engages. With the flip of a switch, it exposes the ways in which all space is, potentially, electric." ~ Frieze

White Vinyl. Having balanced tradition and innovation for over three decades, Taake remains fiercely independent while continually pushing its own creative boundaries. That uncompromising vision finds new expression on the ninth full-length album, En Skog av Nidstang. Past years of increasing isolation, detached from contemporary trends and largely removed from the influence of other music, the creative drive of songwriter Hoest has only intensified, resulting in four expansive compositions that flow naturally from the inspired mindset behind 2023's critically acclaimed Et Hav av Avstand. The recordings for En Skog av Nidstang were completed south of Bergen, in the moss-covered forests around the island of Borgoy. In the surroundings depicted by the ill-fated Norwegian painter Lars Hertervig, Taake embraced the focused seclusion of the landscape, relying less on modern technology or studio excess, but on intuition, confinement, creativity, and a mastery of the rudimentary tools of the trade. And it sounds unmistakably like Taake. Reckless thrashing riffs mix with brooding gloom, chilling melodies emerge from violent intensity, and moments of desolate reflection give way to untamed aggression. The result is an album that celebrates the enduring power of an unyielding artistic vision; proof that, after 33 years, Taake remains as vital, distinctive and relevant as ever.

White Vinyl. Having balanced tradition and innovation for over three decades, Taake remains fiercely independent while continually pushing its own creative boundaries. That uncompromising vision finds new expression on the ninth full-length album, En Skog av Nidstang. Past years of increasing isolation, detached from contemporary trends and largely removed from the influence of other music, the creative drive of songwriter Hoest has only intensified, resulting in four expansive compositions that flow naturally from the inspired mindset behind 2023's critically acclaimed Et Hav av Avstand. The recordings for En Skog av Nidstang were completed south of Bergen, in the moss-covered forests around the island of Borgoy. In the surroundings depicted by the ill-fated Norwegian painter Lars Hertervig, Taake embraced the focused seclusion of the landscape, relying less on modern technology or studio excess, but on intuition, confinement, creativity, and a mastery of the rudimentary tools of the trade. And it sounds unmistakably like Taake. Reckless thrashing riffs mix with brooding gloom, chilling melodies emerge from violent intensity, and moments of desolate reflection give way to untamed aggression. The result is an album that celebrates the enduring power of an unyielding artistic vision; proof that, after 33 years, Taake remains as vital, distinctive and relevant as ever.

New album of the US psychedelic rock Legends DEAD MEADOW! "Foundlings" - a 7-track collection that digs deep into the band's archives, spanning over two decades of sessions, tributes and unreleased gems. Known for their hypnotic blend of heavy riffage, dreamy atmospherics, and mesmerising grooves, Dead Meadow have been delivering their organic, masterful and utterly transportive sonic recipe for nearly thirty years now. The Foundlings rarities collection promises to illuminate the band's evolution, featuring previously unheard material that showcases their unique ability to channel classic influences - from Sabbath-inspired heaviness to shimmering Cure-like textures - through their own hazy lens, while also serving as a tribute to bassist and founding member Steve Kille, who passed away two years ago after a long battle against cancer.

Aqua Blue Vinyl. Limited to 250 copies. New album of the US psychedelic rock Legends DEAD MEADOW! "Foundlings" - a 7-track collection that digs deep into the band's archives, spanning over two decades of sessions, tributes and unreleased gems. Known for their hypnotic blend of heavy riffage, dreamy atmospherics, and mesmerising grooves, Dead Meadow have been delivering their organic, masterful and utterly transportive sonic recipe for nearly thirty years now. The Foundlings rarities collection promises to illuminate the band's evolution, featuring previously unheard material that showcases their unique ability to channel classic influences - from Sabbath-inspired heaviness to shimmering Cure-like textures - through their own hazy lens, while also serving as a tribute to bassist and founding member Steve Kille, who passed away two years ago after a long battle against cancer.

Yoo-hoo_ ein leises Flüstern hinter dem Vorhang, ein Leuchtfeuer in der Dunkelheit, das dich durch die Nacht führt. Shintaro Sakamotos fünftes Soloalbum ist eine intime Traumlandschaft: subtile brasilianische Grooves, überlagert von schwärmerischer Steel-Gitarre, hauchzarter Flöte und sanftem Saxophon, in deren Mittelpunkt Sakamotos hypnotischer, melancholischer Gesang steht. Psychedelische Exotica aus einer Geisterstadt jenseits der Zeit! Yoo-hoo spiegelt Sakamotos Live-Erfahrungen im Ausland wider und präsentiert gleichzeitig eine bisweilen unbeschreiblich vielfältige Klangpalette, darunter Soul der 1960er Jahre, Surf-Instrumentals, Tropicalia und Mood Kayo. Das von Sakamoto geschriebene und produzierte Album Yoo-hoo wurde mit seiner Live-Band eingespielt, bestehend aus AYA am Bass, Yuta Suganuma am Schlagzeug/Percussion und Tetsu Nishiuchi an Flöte/Bläser, während Soichiro Nakamura (Boris, Guitar Wolf, Yura Yura Teikoku) für Mix und Mastering verantwortlich war. Shintaro Sakamoto ist ein japanischer Komponist, Produzent, Autor und Sänger, der in Tokio lebt. Er begann seine Karriere 1989 als Mitglied der gefeierten Psych-Rock-Band Yura Yura Teikoku, in der er 21 Jahre lang Gitarre spielte und sang und mit der er 10 LPs veröffentlichte.

The Alan Parsons Project"s critically acclaimed, multi-million selling album "I Robot" (1977), is reissued in this 2LP 180gm heavyweight, 45 RPM Audiophile edition. Expertly cut by Miles Showell at Abbey Road Studios, November 2024 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers that were made from Eric Woolfson"s rarely played mint condition duplicate masters. The album was a worldwide hit selling in excess of two million copies, achieving platinum and gold status in numerous countries including the USA, Germany, Australia and Canada.

New Jersey malevolents FUNEBRARUM uncloak their third full-length; the sheer magnitude of "Beckoning The Void Of Eternal Silence" rains down world-ending Doom tenebrosity with searing scowls of Death Metal assailment. With a perturbed atmosphere writhing around the entire record, the pulsation of which "Beckoning The Void Of Eternal Silence" breeds is an expertly calculated Deathdoom craftsmanship and yet emitting at times a surreal bridging between extreme genres in orchestra-like precision. The core DNA of FUNEBRARUM has remained intact albeit the exalted darkness have shaped themselves to be cut from a different cloth. Recorded at Elektric City Recording (Ascended Dead, Coffin Rot, etc) by Charles Koryn with additional recording and mixing duties by Stephen DeAcutis at Sound Spa Studios (Ripping Corpse, Evoken, Disma, etc). Mastered by Daryl Kahan at Winterdark. Cover artwork by Daryl Kahan.

ABOUT WORLD WITHOUT GOD: Alongside the band's early '90's counterparts 'World Without God', Convulse's first proper full-length, helped pave the way for a new generation of death-metal extremity. ABOUT CONVULSE REISSUES 2026: Finland's CONVULSE present the official 2026 Remastered, Reissues of their classic titles "World Without God", "Reflections" & the new demo compilation "From Resuscitation to Reincarnation - The Early Years" All three remastered titles are streaming now & pre-orders are out July 31, 2026 on LP/CD/CS formats. Convulse original member Rami Jämsä comments on the reissues: "I am very grateful for the Relapse Records from all these three classy Convulse reissues. "World without God" (1991) is our best known debut album with full of rotten old school death metal notes. But don't miss our hidden gem "Reflections" (1994), which is our second album and will be released first time ever on vinyl format. Death 'n roll album "Reflections" comes to home on Relapse Records after 30 years with a brand new layout and a brilliant remastered sound. Third release will be "From Resuscitation to Reincarnation" which presents Convulse's transformation from the straightforward death metal band to more diverse death&rock band. It includes our first demotape "Resuscitation of Evilness" (1990) and "Lost Equilibrium" EP (1992)." All 3 Convulse titles were Remastered by Jaakko Viitalähde/Virtalähde Mastering (Oranssi Pazuzu, Havukruunu).

About From Resuscitation to Reincarnation - The Early Years: "From Resuscitation to Reincarnation - The Early Years" presents Convulse's transformation from the straightforward death metal band to the more diverse death & rock band. It includes CONVULSE's first demotape "Resuscitation of Evilness" (1990) and the "Lost Equilibrium" EP (1992). ABOUT CONVULSE REISSUES 2026: Finland's CONVULSE present the official 2026 Remastered, Reissues of their classic titles "World Without God", "Reflections" & the new demo compilation "From Resuscitation to Reincarnation - The Early Years" All three remastered titles are streaming now & pre-orders are out July 31, 2026 on LP/CD/CS formats. Convulse original member Rami Jämsä comments on the reissues: "I am very grateful for the Relapse Records from all these three classy Convulse reissues. "World without God" (1991) is our best known debut album with full of rotten old school death metal notes. But don't miss our hidden gem "Reflections" (1994), which is our second album and will be released first time ever on vinyl format. Death 'n roll album "Reflections" comes to home on Relapse Records after 30 years with a brand new layout and a brilliant remastered sound. Third release will be "From Resuscitation to Reincarnation" which presents Convulse's transformation from the straightforward death metal band to more diverse death&rock band. It includes our first demotape "Resuscitation of Evilness" (1990) and "Lost Equilibrium" EP (1992)." All 3 Convulse titles were Remastered by Jaakko Viitalähde/Virtalähde Mastering (Oranssi Pazuzu, Havukruunu).

Iconic return with “II”, a second album that doesn’t just continue the band’s journey — it defines it. Where their debut introduced the chemistry between five world-class musicians, II sharpens that vision into a clearer, heavier, and more confident sonic identity, delivering a sound that is more powerful, more direct, and unmistakably rock. At the heart of the album lies the electrifying guitar partnership of Joel Hoekstra and Michael Sweet, delivering a masterclass in soaring melodies, blazing solos, and muscular riffs that perfectly balance technical brilliance with pure hard-rock attitude. Beneath them, the rhythm section of Tommy Aldridge and Marco Mendoza drives the record with thunderous authority, creating a groove that is both massive and relentless. The album kicks off with “Cry No More”, a high-octane opener that immediately sets the tone — an energetic slice of hard rock packed with driving riffs, explosive drums, and a chorus built to stick. On the other side of the emotional spectrum, “Tears Keep On Falling” showcases the band’s dynamic range, unfolding as an electrifying power ballad where melody, atmosphere, and intensity come together in dramatic fashion. Towering above it all is Nathan James, whose performance on II is nothing short of extraordinary — powerful, soulful, and commanding, elevating every track with unmistakable presence. With bigger riffs, deeper grooves, and a stronger sense of identity, II captures Iconic at full force: a band no longer introducing itself but fully owning its sound.

Magyar Posse’s third album Random Avenger out on vinyl for the first time ever in July via Svart Records Looking back, it was the golden age of Magyar Posse. The album Kings of Time had received a tremendous response from both critics and music lovers. The band was touring intensely in Finland and abroad. By now, the band was a well-oiled machine, ready to capture the successor to their celebrated second album. The band decided to follow a different path compared to the creation of Kings of Time: they would record their third album alongside the well-known, slightly eccentric engineer and producer Jani Viitanen. The recognizable Magyar Posse style was present in the pieces of Random Avenger, but something was slightly different. The new music was more rhythm-based, more riff-based and in places more joyous than the dynamic minor key avalanche of Kings of Time. Consciously or unconsciously, the band members saw that they had travelled the Slavic melancholy road as far as possible with the previous album. The success of Kings of Time felt like a positive push, not an extra pressure on their shoulders. It was only natural to strike again while the iron was hot. Many of the pieces had been already developed by the time Kings of Time was released, which eased the production of Random Avenger. After the meticulous but relatively swift mixing and mastering process, the band members were satisfied with the result. The only component that made some of them blush was the cover art – graphic designer Tom Backström had glaringly used photos of empty stages in forgotten community centres and the like. The beauty or the ugliness is once again in the eye of the beholder. Right after its release, Random Avenger got a very positive response, but not as overwhelming as Kings of Time – which was to be expected, as the previous Magyar Posse album had probably been the most universally praised Finnish album of the whole decade. Mikko Elo, musician / journalist, Pori, Finland, March 1st 2026

Magyar Posse’s third album Random Avenger out on vinyl for the first time ever in July via Svart Records Looking back, it was the golden age of Magyar Posse. The album Kings of Time had received a tremendous response from both critics and music lovers. The band was touring intensely in Finland and abroad. By now, the band was a well-oiled machine, ready to capture the successor to their celebrated second album. The band decided to follow a different path compared to the creation of Kings of Time: they would record their third album alongside the well-known, slightly eccentric engineer and producer Jani Viitanen. The recognizable Magyar Posse style was present in the pieces of Random Avenger, but something was slightly different. The new music was more rhythm-based, more riff-based and in places more joyous than the dynamic minor key avalanche of Kings of Time. Consciously or unconsciously, the band members saw that they had travelled the Slavic melancholy road as far as possible with the previous album. The success of Kings of Time felt like a positive push, not an extra pressure on their shoulders. It was only natural to strike again while the iron was hot. Many of the pieces had been already developed by the time Kings of Time was released, which eased the production of Random Avenger. After the meticulous but relatively swift mixing and mastering process, the band members were satisfied with the result. The only component that made some of them blush was the cover art – graphic designer Tom Backström had glaringly used photos of empty stages in forgotten community centres and the like. The beauty or the ugliness is once again in the eye of the beholder. Right after its release, Random Avenger got a very positive response, but not as overwhelming as Kings of Time – which was to be expected, as the previous Magyar Posse album had probably been the most universally praised Finnish album of the whole decade. Mikko Elo, musician / journalist, Pori, Finland, March 1st 2026

180 gram audiophile vinyl

Deluxe sleeve finished with linen laminate

Widely considered a landmark minimalist masterpiece

Glassworks is one of Glass’s most accessible and influential albums

Limited edition of 2000 individually numbered copies on translucent blue coloured vinyl

2026 Repress

New colour cover (fluorescent and metallic) and new ‘Crystal Red Method’ colour for the vinyl.

Recut from the Silver Sonyare masters in November 2008 at Chicago Mastering Service, features a new blue cover , BLUE VINYL, and comes with a free MP3 download of the album.


racks 1-8 are from the first Minor Threat 7". Tracks 9-12 are from the "In My Eyes" 7 Inch. The Digital version of this record includes the song "Stand Up," from the Flex Your Head compilation. All songs are available on CD.

Recorded: April & August 1981
Released on 12": June 1984

Ian MacKaye vocals
Lyle Preslar guitar
Brian Baker bass
Jeff Nelson drums

In the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, Pelagic is reissueing OH's Oscillation (2019) and Myriad (2022) on vinyl. Myriad captures OH HIROSHIMA at their most focused and ambitious. The album moves between crushing despair and fleeting moments of catharsis weaving heart-wrenching melodies into towering walls of noise and explosive crescendos. The incorporation of trumpet, cello and trombone adds new dimensions to the band's sound, resulting in a record that resonates far beyond the post-rock scene and highlights the band's continued artistic evolution. Following the departure of bassist Simon Forsberg in early 2021, OH HIROSHIMA were reduced to a duo _ a shift that challenged the band to rethink and expand their creative approach. While Myriad remains firmly rooted in post-rock, brothers Jakob Hemström and Oskar Nilsson use the album as an opportunity to push beyond the genre's familiar boundaries, drawing from a far broader musical palette than ever before. To get a sense of what the album has to offer, watch the music video for "Humane". Guitarist & vocalist Jakob Hemström comments: "Humane might be the most direct and intense song we've created as a band. For us it marks a somewhat new direction that we wanted to explore and we're very proud of how it turned out. We felt right away that this was the first song of the new album we wanted our listeners to hear. The lyrics revolve around themes of human hubris and the video was filmed, directed and edited by our drummer, Oskar." Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and once again mixed and mastered by Magnus Lindberg of Cult of Luna, Myriad blends soaring melodies with immense emotional weight and dynamic intensity and stands as a compelling testament to the band's continued evolution. Classic black or rosé (Dead Flamingo) vinyl available. FOR FANS OF Alcest Mogwai God Is an Astronaut Karnivool pg.lost

In the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, Pelagic is reissueing OH's Oscillation (2019) and Myriad (2022) on vinyl. Myriad captures OH HIROSHIMA at their most focused and ambitious. The album moves between crushing despair and fleeting moments of catharsis weaving heart-wrenching melodies into towering walls of noise and explosive crescendos. The incorporation of trumpet, cello and trombone adds new dimensions to the band's sound, resulting in a record that resonates far beyond the post-rock scene and highlights the band's continued artistic evolution. Following the departure of bassist Simon Forsberg in early 2021, OH HIROSHIMA were reduced to a duo _ a shift that challenged the band to rethink and expand their creative approach. While Myriad remains firmly rooted in post-rock, brothers Jakob Hemström and Oskar Nilsson use the album as an opportunity to push beyond the genre's familiar boundaries, drawing from a far broader musical palette than ever before. To get a sense of what the album has to offer, watch the music video for "Humane". Guitarist & vocalist Jakob Hemström comments: "Humane might be the most direct and intense song we've created as a band. For us it marks a somewhat new direction that we wanted to explore and we're very proud of how it turned out. We felt right away that this was the first song of the new album we wanted our listeners to hear. The lyrics revolve around themes of human hubris and the video was filmed, directed and edited by our drummer, Oskar." Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and once again mixed and mastered by Magnus Lindberg of Cult of Luna, Myriad blends soaring melodies with immense emotional weight and dynamic intensity and stands as a compelling testament to the band's continued evolution. Classic black or rosé (Dead Flamingo) vinyl available. FOR FANS OF Alcest Mogwai God Is an Astronaut Karnivool pg.lost

In the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, Pelagic is reissueing OH's Oscillation (2019) and Myriad (2022) on vinyl. Oscillation marks a significant step forward for OH HIROSHIMA. On their third studio album, the Swedish band further refines its distinctive blend of atmospheric post-rock, weaving together shimmering guitar lines, weightless vocals and understated electronic elements into seven richly textured soundscapes. Balancing intimacy with grandeur, Oscillation unfolds like a lucid dream_at once delicate, expansive and quietly captivating. OH HIROSHIMA began with Resistance Is Futile, a largely instrumental post-rock debut that already hinted at their atmospheric sensibilities, with only subtle early traces of vocals. On In Silence We Yearn, the band's identity became more defined, with vocals taking on a more central role and their sound expanding into emotionally driven, shoegaze-tinged post-rock. With Oscillation, they refined this approach into more complex, denser song structures, balancing clarity and abstraction while deepening their cinematic atmosphere. To get a sense of what the album has to offer, watch the music video for "Darkroom Aesthetics". Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and mixed and mastered by Magnus Lindberg of Cult of Luna, Oscillation unfolds in vast, immersive soundscapes where fragile melodies drift through reverb-drenched space before building into powerful, cathartic waves of sound. FOR FANS OF Alcest Mogwai God Is an Astronaut Karnivool pg.lost Classic black or white 2LP available!

In the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, Pelagic is reissueing OH's Oscillation (2019) and Myriad (2022) on vinyl. Oscillation marks a significant step forward for OH HIROSHIMA. On their third studio album, the Swedish band further refines its distinctive blend of atmospheric post-rock, weaving together shimmering guitar lines, weightless vocals and understated electronic elements into seven richly textured soundscapes. Balancing intimacy with grandeur, Oscillation unfolds like a lucid dream_at once delicate, expansive and quietly captivating. OH HIROSHIMA began with Resistance Is Futile, a largely instrumental post-rock debut that already hinted at their atmospheric sensibilities, with only subtle early traces of vocals. On In Silence We Yearn, the band's identity became more defined, with vocals taking on a more central role and their sound expanding into emotionally driven, shoegaze-tinged post-rock. With Oscillation, they refined this approach into more complex, denser song structures, balancing clarity and abstraction while deepening their cinematic atmosphere. To get a sense of what the album has to offer, watch the music video for "Darkroom Aesthetics". Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and mixed and mastered by Magnus Lindberg of Cult of Luna, Oscillation unfolds in vast, immersive soundscapes where fragile melodies drift through reverb-drenched space before building into powerful, cathartic waves of sound. FOR FANS OF Alcest Mogwai God Is an Astronaut Karnivool pg.lost Classic black or white 2LP available!

Futurismo are proud to present the iconic 1982 debut album, Only Theatre of Pain, by gothic legends CHRISTIAN DEATH. Available on deluxe 2xLP, CD digipak.

Hailed as a masterpiece of it’s genre, and considered by many as ground zero for Deathrock, Only Theatre of Pain is a seminal work of unholy power and pitch black emotion. Whilst this record may have it’s roots in punk - the origins of this true original version of Christian Death took place in Southern California during the early 80’s hardcore explosion - it cannot be overstated how important this record was in shaping the subsequent landscape. Emerging like an adrenaline shot into the heart of darkness, this unrestrained and mysterious recording still remains unclassifiable.

Featuring the late visionary Rozz Williams (then only in his teens) alongside punk luminary Rikk Agnew (guiding light in the Adolescents), James McGearty and George Belanger, Only Theatre of Pain’s musical exploration is adorned with psychosexual lyricism and an innate struggle with faith. Rozz’s vocals creep and possess, demonic and haunting, against the captivating, unmistakable guitar work of trailblazer Agnew. It’s a performance, but also a truth, perhaps Only Theatre of Pain is an art show, as much as it is an era defining record.
Aside from their spellbinding sound, it may have also been the lore of Christian Death that set them apart from other LA goth bands of the time. A near-nude Rozz Williams nailed to a cross at the Whiskey a Go Go may have played a part, but what it is apparent when you listen to the unhallowed musical stages on Only Theatre Of Pain is a depth of vision and orchestration that goes beyond the simple stance of brooding many of their contemporaries emulated, delving into the realms of pure unadulterated catharsis. The result is an eradefining statement that remains as unsettling, innovative, and resonant today as it was over four decades ago.

Only Theatre Of Pain is presented here in a new remastered deluxe pressing with a second disk containing early demo’s and rare material, further demonstrating why Christian Death stood alone in their sound and approach. This journey of religious depravity, recorded by the legendary producer Thom Wilson in a matter of days, harnesses the huge concepts of band projecting older than their years. Ahead of the curve in sonic artistry and visual aesthetics, this slab of sacrilegious American punk is nothing short of essential listening for the gothic inclined. A must for fans of The Misfits, Bauhaus and The Cramps.

This classic LP comes in deluxe super limited edition ‘California Hell’ coloured vinyl and contains a second disk of bonus material. It is packaged in a gloss laminated sleeve with metallic ink, containing printed inner sleeves, a large fold out poster, redux artwork featuring the photography of Edward Colver, and liner notes by Lisa Fancher of Frontier. Also available as CD digipak

Above The Trees
Written and produced by Vietnam Siren
Mastered by Joe Farr
Photography by Jelle Reynders
Layout and design by Sam Londero

Celebrated drummer, bandleader, and composer Cindy Blackman Santana has been a force to be reckoned with since her 1987 debut album, Arcane, featuring jazz legends Wallace Roney, Joe Henderson, Kenny Garrett, and Buster Williams. Fast forward to 2026, and Cindy commands that same power with her new album, Coherence: a once-in-a-lifetime musical journey combining jazz, rock, fusion, and spirituality, featuring special guests John McLaughlin and Carlos Santana. Buckle up for a masterclass in modern music from one of the most electrifying drummers to ever do it.

London’s thumbprint marks it’s debut release via Warsaw’s Pridi and his EP ‘Apricity’ – four varied cuts that each leave their own impression.

Distributed by One Eye Witness
Mastered by Tim Xavier @ Manmade Mastering
Mixed by Jean-Patrice Rémillard a.k.a Pheek

After a critically acclaimed trilogy of albums and a 10-year hiatus, Romain Turzi, the underground pope of uncompromising French music, returns to the helm to compose and produce his new opus “Drop!”. He is joined on vocals by his longtime friend Oliver Gage, whose autobiographical and melancholic writing brings to life an intimate and redemptive musical epic, woven with oblique pop songs and club tracks that reconcile punks and dancers.



An album of diverse influences, it draws on the masters of film music (Goblin, Angelo Badalamenti), the titans of electronic and techno music (808 State, Dopplereffekt), the hedonistic spirit of ’80s Brit rock (Happy Mondays, The Stone Roses), the finely crafted melodies of timeless folk singers (Woody Guthrie, Neil Young), and the sonic power of My Bloody Valentine or the productions of Andrew Weatherall.



A record born of friendship and fearless creative freedom, “Drop!” is an invitation to escape the heaviness of the present and brush against a form of utterly necessary ecstasy.

Souldynamic celebrates the 10th year anniversary of their all time classic “Equatoriale” with two special re-edited and re-mastered versions, including an instrumental mix and released on vinyl format only on Excedo Records.

“Equatoriale” became Souldynamic's biggest track after the release of the legendary video showing Lil Louis playing it at Concrete in Paris with the acapella of Chuck Roberts - My House.

The 12 inch record also includes two more fresh new tracks which make this record perfect for the summer heat.

The third release for Parallel Line comes from Aberystwyth-born, Berlin-based, Severin Black. He works closely with woodwind, electronics, low-end and feedback, runs his own label Archaic Vaults, and has played everywhere from the ICA to a 460-year-old church with a giant pipe organ. The last album, Country Music, featuring Pavel Milyakov and Vanessa Bedoret, showed how far his Celtic-rooted improv style has reached across the experimental dub community.

The EP opens up with a flute loop leading the eerie track "Brandy", not quite like anything else. "Yarmouth" goes darker and more ritualistic, with haunted stepper vibes. Then the B-side is nine minutes of "Cautious (Dub)", a stretched-out live take that takes you on a slow, dreaded journey.

Mastered by E-mura, artwork by Zodiak. Photo by Thom Mac Gillavry.

Textures, ambiances, drones for inside explorations... Industrial ambient masterpiece.

Excellent dancefloor Hardcore. A rave masterpiece !

DJ Mix tape from Disrupt the renowned Jahtari operator, 8bit digi-destoyer, master circuit mangler and munchie savant. BIG TIP!

A mix of tracks from the Jahtari catalogue that have been inspired by video game soundtracks - many of them unreleased demos, gameboy re-works or dubby-fied interludes originally made for Jahtari live performances.

Mixed with absolute classics and a few hidden gems from across all the video game eras and added live Dub effects, this tape by disrupt is a 61 min pixelated love letter to the unsung heroes of electronic music.

'Under the name The 4th Street Orchestra, Dennis Bovell released a series of limited-edition albums in the mid-70s specifically for the UK sound system scene. Yuh Learn! stands as a prime example of Bovell’s creativity and production prowess. With its strong Jamaican Roots appeal, it is a record cherished by sound system selectors, capable of taking every listener on a deep journey through the many shades of dub.
'The album features two of Real Rock Records’ favorite tracks. First, the instrumental The Grunwick Affair, recorded in solidarity with the striking workers of the Grunwick Film Processing Laboratories in Willesden. This historic industrial dispute paved the way for the socio-political shifts of the late 70s and remains a landmark in British labor history. The track was even hailed by Time Out as one of the top 100 songs about London. The horn section features also the legendary Rico Rodriguez, Michael ‘Bammy’ Rose, and Eddie Thornton on trumpet. Also included is the classic sound system anthem Rowing Down The River.
'Presented here in an extended version, Bovell’s vocals ride the rhythm perfectly until a heavyweight dub version takes over. The musicians performing as “The 4th Street Orchestra” deserve special mention. The lineup includes drummer Jah Bunny, a foundation musician who played on crucial albums with Bovell and the late Jah Shaka, and John Kpiaye, a leading figure in the British reggae scene and “Lovers Rock” producer. Kpiaye has collaborated with Dennis Brown, Aswad, and I Jahman Levi, and serves as the resident guitarist for the Dennis Bovell Dub Band backing Linton Kwesi Johnson.The late Eddie “Tan Tan” Thornton on trumpet, an Alpha Boys School alumnus and legendary session man also for The Beatles and Jimi Hendrix, brings his expertise to the project, having also contributed to masterpieces like Rico Rodriguez’s Man From Wareika.
This is a limited-edition, vinyl-only first reissue of one of the rarest and most sought-after albums from Dennis Bovell’s legendary catalog.'

Cool Instrumental Jungle, and smart Chilling Breakbeat. A very musical record, full of world music influences, at the break-trance frontier. Totally uncommercial through... Russian indie production full of poetry at the end of the day. Luv' this !

A quarter of a century after the original release, Hans went back to it and re-pressed Wako 2 himself.
Since the original only had two tracks, two new ones were added in the same style.
To give it proper punch, the record was cut on a Neumann VMS80, with mastering handled by Shane the Cutter, delivering heavy bass and crystal-clear highs.
The label artwork was completely redesigned.

For the first time in its 27-year history, Defected compile its greatest hits, underground anthems and bonafide house music classics into a 5 volume triple vinyl collectors series.

Spread over the three records, Volume Three collects twelve of Defected’s most established and sought after releases. Featuring the UK No.1 hit; MK’s remix of Storm Queen’s ‘Look Right Through’, Bob Sinclar’s anthemic ‘I Feel For You’ that has seen an Ibiza revival this summer, Jamie Jones’ ‘My Paradise' and Pete Heller’s classic ‘Big Love’, plus productions and remixes from Inner City, Louie Vega, Dennis Ferrer and more.

Racing Mount Pleasant began as a group of friends and like-minded musicians in Ann Arbor, anchored at a single creative house that various members of the band have frequented and, to this day, continue to live in near the University of Michigan.

After an early album and smattering of songs under the name Kingfisher, including one beguiling and ambitious album released in 2022, the band reimagined themselves as Racing Mount Pleasant.

Now the band are reintroducing themselves under this new moniker with a beautiful, challenging self-titled debut album that draws on each member’s academic mastery of their instruments, but also a spirited defiance of conventional song structures—or even what a contemporary band looks or sounds like.

The band supported Geese in the fall and embarked on their own headline tour in 2026.