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EDISON MACHADO & BOA NOVA - EDISON MACHADO & BOA NOVA LP 2x12"

Gatefold 2LP

Far Out Recordings proudly presents a landmark discovery in Brazilian jazz: the long lost album by drumming pioneer Edison Machado. Recorded in New York City in early 1978 but never released, Edison Machado & Boa Nova captures a pivotal figure in Brazilian music history at the height of his artistic powers.

Combining North and South American jazz traditions with Machado's revolutionary samba innovations, Edison Machado & Boa Nova represents a triumph against the odds. After facing persecution under Brazil's military dictatorship and being forced to sell his drum kit in 1976, Machado found renewed creative purpose in New York with the Boa Nova ensemble. The resulting album captures the essence of his genius - sophisticated yet wild, controlled yet daring, leading an ensemble of some of the best jazz, samba and bossa nova players of the day.

At just fifteen years old, Machado revolutionized Brazilian music through an accident that would change everything - when his snare drum broke during a performance, he began playing samba rhythms on the cymbal. This innovation, known as "samba no prato" (samba on the cymbals), brought new layers of dynamism to samba and proved instrumental in the development of bossa nova alongside contemporaries like Antonio Carlos Jobim and João Gilberto.

A complex and passionate figure, Machado was notorious for his militant perfectionism and "attacking" style of drumming. Having spent some years of his youth in the Brazilian army, musicians often remarked that he played as if he were at war. But his innovative style, while exhibiting complete control and sophistication, somehow so often danced right on the edge of chaos and wild abandon.

After making his name in Rio's legendary Beco das Garrafas (Bottles Alley) in the 1950s and early '60s, Machado went on to form Bossa Três - the world's first instrumental bossa nova group. His influence spread internationally through collaborations with Stan Getz, Sergio Mendes, Antônio Carlos Jobim, Milton Nascimento, and Chet Baker, while his 1964 album Edison Machado É Samba Novo stands as a masterpiece of Brazilian jazz.

At 80 minutes in length, Edison Machado & Boa Nova, the lost 1978 New York sessions, is a singular achievement in Brazilian jazz. The format itself is a rarity in the canon. It’s packed full of exceptional technical precision and creative vitality, with sophisticated arrangements and masterful improvisation from its exceptional sextet of Brazilian and US musicians: Paulinho Trompete (flugelhorn/trumpet), Ion Muniz (tenor saxophone), Steve Sacks (baritone saxophone), Mozar Terra (piano), and Ricardo dos Santos (double bass).

The album features unheard compositions by Brazilian masters Dom Salvador (Salvador Trio, Harry Belafonte, Edu Lobo), Guilherme Vergueiro (Raul De Souza, Leon Ware, Joyce), Aloisio Aguiar (Arthur Verocai, Airto) amidst the plethora of captivating original material by the members of the Boa Nova ensemble.

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Last In: 17 months ago
26,85 €
Andreas Tilliander & Goran Kajfes - In Cmin

Across eight tracks, Tilliander and Kajfes masterfully balance slow, lumbering machine pulses, delicate synth textures, and impeccable trumpet lines. Tilliander's use of both analog and digital synths carve out the structure of these sonic sculptures, while Kajfes's elegant trumpet playing pushes against them, infusing the dreamy soundscapes with both acoustic tension and melodic detail. Individually, Andreas Tilliander and Goran Kajfes have long been recognized as leading names in Swedish electronic music and jazz, respectively. Both have consistently pushed and transcended the boundaries of their genres. Tilliander has explored everything from techno, drones, and dub to clicks'n'cuts under monikers like TM404 and Mokira. Kajfes has been a relentless innovator in jazz, playing a central role in bands such as Oddjob, Subtropic Arkestra, Tropiques, Nacka Forum, and Fire! Orchestra. Now, they join forces, forging a new path for both ambient and jazz music.

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Last In: 17 months ago
20,80 €
Triola - Triola Im Fünftonraum (Remastered 2025)  (LP)

Originally released on CD only – those were the days – “Triola im Fünftonraum“ counts as one of the most iconic albums of the early Kompakt era. Experience this timeless masterpiece of lush electronica lovingly restored and remastered for the first time on vinyl – 21 years after its inception.

We found this review from back in the days that perfectly sums up what “Triola im Fünftonraum” is all about:

The press material for “Triola im Fünftonraum” made allusions to home listening, when the album is mostly about movement… in a car …preferably a fast one … on a muggy spring day.

This might catch followers of producer Jörg Burger off guard. Up until this point, the producer’s Triola tracks – limited to three consecutive appearances on Kompakt’s yearly Pop Ambient series and a spot on “Leichtes Hören Teil 1” – were free-floating ambient washouts (albeit wondrous free-floating ambient washouts) with no pulse. The album, on the other hand, is beat-driven. Though still resolutely ambient – more an update of Burger’s lushest Bionaut tracks, only fully engaging instead of mildly diverting.

The soft, synthetic hand drums and tranquil vapors of “Leuchtturm” from Pop Ambient 2003, remain untouched and begin the album. Two other tracks that might sound familiar receive dynamic overhauls, now supported with quick dance rhythms and additional layers of synth gauze; the whispy flute trills and lightly flickering keys of “AG Penthouse”, for instance, are melted into a churning rhythm and some singing keyboard vamps that resemble a relaxed take on Tangerine Dream’s suspenseful soundtrack work for “Thief” (minus the crazy guitars).

What really makes the whole thing glow is the manner in which the tracks are attached, flowing in and out of another, rising and cresting and receding, with supreme poise – even if its title provides no indication, the album is as much a travelogue as Carl Craig’s “Landcruising”, Morgan Geist’s “Driving Memoirs” and Model 500’s “Deep Space”.

These are some of Burger’s most inventive productions, a remarkable feat since he’s been doing this so long. Catch yourself in the right frame of mind and you’ll wonder if everything he has released has been one extended ramp-up to this. In this age, it’s also refreshing to have a purely ambient techno album with absolutely no connection to “Boards of Canada”.

In other words, it’s a landmark for both its label and its genre.

Andy Kellman

Copyright 2025 TiVo Corporation
Ursprünglich nur auf CD veröffentlicht – das waren noch Zeiten – zählt „Triola im Fünftonraum“ zu den ikonischsten Alben der frühen Kompakt-Ära. Dieses zeitlose Meisterwerk schwelgerischer Electronica erscheint nun 21 Jahre nach seiner Entstehung erstmals liebevoll restauriert und remastered auf Vinyl.

Wir haben diese zeitgenössische Rezension gefunden, die perfekt zusammenfasst, worum es bei „Triola im Fünftonraum“ geht:

Das Pressematerial für „Triola im Fünftonraum“ spielt auf das Zuhören zu Hause an, obwohl es in dem Album hauptsächlich um Bewegung geht … in einem Auto … vorzugsweise einem schnellen … an einem schwülen Frühlingstag.

Das könnte die Fans des Produzenten Jörg Burger überraschen. Bis zu diesem Zeitpunkt waren die Triola-Tracks des Produzenten – beschränkt auf drei aufeinanderfolgende Auftritte in der jährlichen Pop-Ambient-Reihe von Kompakt und einen Platz auf „Leichtes Hören Teil 1“ – frei schwebende Ambient-Auswaschungen (wenn auch wundersame frei schwebende Ambient-Auswaschungen) ohne Puls. Das Album hingegen ist beatgetrieben, obwohl es immer noch entschieden Ambient ist – eher eine Aktualisierung von Burgers üppigsten Bionaut-Tracks, nur dass es voll und ganz fesselt, statt nur leicht abzulenken.

Die sanften, synthetischen Handtrommeln und die ruhigen Dämpfe von „Leuchtturm“ aus Pop Ambient 2003 bleiben unangetastet und bilden den Auftakt des Albums. Zwei weitere Stücke, die einem bekannt vorkommen könnten, erhalten eine dynamische Überarbeitung, die nun von schnellen Tanzrhythmen und zusätzlichen Schichten von Synthesizer-Gaze unterstützt wird; die flüsternden Flötentöne und leicht flackernden Tasten von „AG Penthouse“ zum Beispiel verschmelzen zu einem aufgewühlten Rhythmus und einigen singenden Keyboard-Vamps, die an eine entspannte Version des spannenden Soundtracks von Tangerine Dream erinnern, der für „Thief“ (ohne die verrückten Gitarren) verwendet wird.

Was das Ganze wirklich zum Leuchten bringt, ist die Art und Weise, wie die Tracks miteinander verbunden sind, wie sie ineinander fließen, ansteigen und ihren Höhepunkt erreichen und wieder abklingen, und das mit höchster Gelassenheit – auch wenn der Titel nichts darauf hindeutet, ist das Album ebenso ein Reisebericht wie Carl Craigs „Landcruising“, Morgan Geists „Driving Memoirs“ und Model 500s „Deep Space“.

Dies sind einige von Burgers einfallsreichsten Produktionen, eine bemerkenswerte Leistung, wenn man bedenkt, wie lange er schon dabei ist. Wenn man sich in die richtige Stimmung versetzt, fragt man sich, ob alles, was er bisher veröffentlicht hat, eine einzige Vorbereitung auf dieses Album war. In der heutigen Zeit ist es auch erfrischend, ein reines Ambient-Techno-Album zu hören, das absolut nichts mit „Boards of Canada“ zu tun hat.

Mit anderen Worten: Es ist ein Meilenstein für das Label und das Genre.

Andy Kellman

Copyright 2025 TiVo Corporation

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Last In: 17 months ago
21,81 €
Frank Popp Ensemble - Waves LP

Das vierte Album des Frank Popp Ensemble auf Unique Records. Geschrieben. aufgenommen und produziert 2024 in Spanien. Wie beim Vorgänger sind diverse Gastsänger auf den il brandneuen Stücken zu hören.
Gerry Love, einst Leadsänger der legendären Teenage Fanclub, der laut Popp fast alle Lieblingsstücke der Glasgower Kult-Band geschrieben und gesungen hat. verleiht hier seine hinreißende Stimme einer orchestralisch-souligen Version von „Save", ein eher unbekanntes aber geniales Stück, welches Love 2004 für die Schotten schrieb. Gerard Love trug bereits mit einem Cover von Frank Popp's "The World Is Waiting" zur Under Covers' Compilation bei und hat nun auf Waves ein weiteres Mal wundervolle Arbeit geleistet.
Ein weiterer Held aus Popp's Plattensammlung ist Nicke Andersson. Früher Schlagzeuger bei den Death&Rollern Entombed, dann bis heute Sänger der unvergleichlichen Hellacopters und Mastermind hinter weiteren top Bands wie The Solution, Imperial State Electric, Lucifer, etc., ist auf „Caught In AWeb" zu hören. Ein Northern Soul Stomper in klassischer Magic Touch* Manie.
Emma Noble, eine aufstrebende Soul-Sängerin aus London singt auf dem girl-groupigen Soul-Anthem Unstoppable*. Die zweite Single-Auskopplung vom Album hat das Zeug zum nächsten UK-Floorfiller und wurde bereits Ende 2024 in Craig Charles Soul Show auf BBC gespielt und angepriesen.
Ein absoluter Ausnahme-Künstler ist J Mahon, der auf 5 Stücken des Albums zu hören ist und erheblich zum Album beigetragen hat. Seine zuckersüße Stimme funktioniert sowohl auf seinen Stücken, als auch bei _Going Going Gone". welches die erste Single-Auskopplung ist und durch die eingängigen Bläser-Hooks und J's androgyne Soul-Vocals an gewisse junge Motown-Künstler in den frühen 70s erinnern.
Audrey Ollesen aus Köln, eine alte Bekannte aus der rheinischen Mod-Szene. kam durch Zufall hinzu. nachdem Popp durch private Aufnahmen auf ihre Gesangs-Skills aufmerksam wurde. Auf .Co|mm|on Stranger* ist Audrey zum ersten Mal auf einem Tonträger zu hören.
Auf "Waves" vereint Frank Popp Northern Soul. Psychedelia, 90s Indierock und orchestralischen Soundtrack-Feel zu einem homogenen, überzeugenden Werk, was vielversprechend wirkt und sich verdammt gut anfühlt in einer nicht so rosigen Zeit. Wir sind alle gespannt...

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22,31 €
Tank - Filth Hounds Of Hades (LP)
  • A1: Shellshock
  • A2: Struck By Lightning
  • A3: Run Like Hell
  • A4: Blood, Guts And Beer
  • A5: That's What Dreams Are Made Of
  • B1: Turn Your Head Around
  • B2: Heavy Artillery
  • B3: Who Needs Love Songs?
  • B4: Filth Hounds Of Hades
  • B5: (He Fell In Love With A) Stormtrooper
also available

Ultra Clear Vinyl[22,65 €]


High Roller Records, 180g black vinyl, ltd 700, 425gsm heavy cardboard cover, insert, 2-sided poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels.The ultimate audiophile edition of this eternal NWOBHM classic!

pre-order now11.04.2025

expected to be published on 11.04.2025

22,65 €
Tank - Filth Hounds Of Hades (LP)

High Roller Records, 180g black vinyl, ltd 700, 425gsm heavy cardboard cover, insert, 2-sided poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels.The ultimate audiophile edition of this eternal NWOBHM classic!

pre-order now11.04.2025

expected to be published on 11.04.2025

22,65 €
V Don & Willie The Kid - Deutsche Marks 4 (LP)
  • A1: Exxon
  • A2: Flew
  • A3: Briefcase Rap (feat. The Alchemist)
  • A4: Scapegoat
  • A5: Guns & Roses (feat. Ankhlejohn)
  • A6: Divisible Interlude
  • A7: Requiem
  • B1: Having My Way (feat. Abe Linx & Tully C)
  • B2: Phenomenal
  • B3: Stay Connected
  • B4: Rare Find Interlude
  • B5: Lessons (feat. Eto & Rome Streetz)
  • B6: Win Lose Draw

Willie The Kid and producer V Don reunite for the fourth chapter of their acclaimed "Deutsche Marks" series, delivering another masterclass in underground hip-hop. This latest installment pushes their signature blend of gritty, cinematic production and razor-sharp lyricism even further. V Don’s beats are moody and atmospheric, laced with haunting samples and hard-hitting drums, creating the perfect backdrop for Willie The Kid’s vivid, lavish storytelling.

The album features an elite lineup of guest appearances, including The Alchemist, who brings his signature touch to the project, as well as Rome Streetz, Eto, Ankhlejohn, and Tully C, all delivering standout verses. Notably, the late great Abe Linx also contributes, adding a poignant layer to the record. The chemistry between Willie The Kid and V Don remains undeniable, with *Deutsche Marks IV* serving as a testament to their consistency and creativity. This project is a celebration of both their growth and the timeless essence of street rap.

pre-order now11.04.2025

expected to be published on 11.04.2025

27,69 €
Andreas O. Hirsch - The Salamander Treaty LP

ver the years, Andreas O. Hirsch has shaped a distinctive sound, exploring the possibilities of the electro-acoustic instruments he const- ructs. The Carbophone as well as the Electrified Palm Leaf are plucked instruments akin to the African Kalimba or Mbira. In combination with effects and loops, Hirsch creates an experimen- tal space, influenced by early electronics, Asian and African music as well as the possibilities of editing and collage. The majority of the pieces on The Salamander Treaty were made using the Carbophone Jr., a small traveling version of his original Carbophone which was the basis of the previously released Early Carbophonics. Shaped by the joy of discovery, the eight tracks traverse peculiar worlds of sound, carried by a warm downbeat and analogue vibe. Alongside the Car- bophone Jr., other instruments come into play: a vibrato-soaked guitar leads through the slowly evolving ‘Rise’, marked by a recurring Shepard tone and sounds made by striking the bars of an antique wall clock. In the straightforward yet sub-aquatic ‘Te- atime Unlimited’, a pitch-shifted Morse key wanders erratically in the background. Tape-delayed har- monicas serve as a flying carpet for ‘Drifting Newts’, and rubber bands make their melodic-rhythmical appearance through ‘Back Door Minimal’.

The Salamander Treaty refers to War with the Newts, a prophetic and black-humoured science fiction novel by Karel Čapek from 1936, which tells the story of the rise of the salamanders, who become in- creasingly intelligent and eventually begin to compete with mankind. The album is a pacifist response to this dark scenario: Hirsch’s salamanders prefer to hang out under the stars (‘Drifting Newts’), drink tea (‘Tea Time Unlimited’) and — as illustrated on the back cover — write conspiratorial-pacifist demands instead of calling for war (e.g., ‘Teaoism International’, ‘White Lilies’, ‘For Congress’). In image and word, the album invites looking at the term ‘treaty’, which phonetically contains the words ‘tree’ and ‘tea’, as a friendly reminder that the drafting of every treaty and agreement on this planet should be accompanied by a peaceful spirit.

Music, mix and artwork by Andreas Oskar Hirsch. Mastered by Volker Hennes. Pressed on BioVinyl by Optimal, who state that their manufacturing process reduces CO2 emissions by approximately 90% for the PVC component. 12“ LP, coloured sleeve, download code included,

LIMITED TO 100 COPIES!.

pre-order now11.04.2025

expected to be published on 11.04.2025

21,43 €
Roland Kirk - Now Please Don’t You Cry, Beautiful Edith

Mit der Verve Acoustic Sounds Serie bietet Verve Vinyl-Fans in Zusammenarbeit mit dem bekannten
amerikanischen Acoustic-Sounds-Label seine erste audiophile LP-Serie. Die Fertigung erfolgt mit rein
analogen Produktionsschritten vom Erste-Generation-Masterband bis zur 180g-Pressung bei Quality Record
Pressings in den USA. Den luxuriösen Rahmen bieten laminierte Tip-On-Gatefold-Sleeves und wattierte Innenhüllen.
Multiinstrumentalist Roland Kirk, der 1977 mit nur 42 Jahren starb, war ganz sicher eines der skurrilsten Originale des Jazz. Dass er auch ein außergewöhnliches Händchen für betont groovige Musik hatte,
bewies er 1967 erstmals auf dem Verve-Album ”Now Please Don’t You Cry, Beautiful Edith”.

pre-order now11.04.2025

expected to be published on 11.04.2025

34,41 €
LORADENIZ - SUN SHONE

‘SUN SHONE’ is a multidisciplinary music and art project of Istanbul-born, Amsterdam-based Deniz Omeroglu AKA Loradeniz,. ‘SUN SHONE’ marks the arrival of her debut full-length album: eight tracks of ambient electronic music painted masterfully with a palette of synthesizers, effects, percussion and ethereal voice.

‘SUN SHONE’ was conceived in two parts: the first tracks coming spontaneously to life in the aftermath of heartbreak, with Omeroglu trusting the creative flow and using it as a method of self- healing. What was initially planned as an EP release grew into a full-length album as she spent one month consciously working on the perfect B-side to complement the music.

Omeroglu wrote, performed and produced everything on the album, drawing on her deep knowledge of music theory and production; in addition to studying classical piano in the Conservatory from an early age, she holds both a Bachelor’s degree in Composition Studies and a Masters degree in Sound Design.

Many of the compositions on ‘SUN SHONE’ centre around interplaying synth arpeggios, oscillators expertly tuned for an equal degree of menace and sweetness that balances on a knife-edge. This ambiguity is echoed lyrically across the record, with its recurring themes of love lost and memories revisited. From the spoken word of opener ‘Saint Odds’ and ‘Swimmer’ to the layered choral swells of ‘No Moon’ and the melodic hooks of ‘Brick House’, Omeroglu’s voice is central to ‘SUN SHONE’, employed with impressive versatility. At times, it feels simultaneously fragile and powerful, perhaps nowhere more so than in the yearning swells of “Cloud Sofa’, a healing lullaby for lost love that offers up one of the most delicate moments on the album. 


Whilst this may loosely be referred to as an ‘ambient’ album, Loradeniz’s knowledge of modern day production techniques and experience as both a sound designer and seasoned DJ (both in clubs and on radio) makes its presence felt throughout; echoes of Artificial Intelligence-era IDM appear in the dancing arpeggios and rhythmic pulses of ‘Sea Serpent’ and ‘Waterbear’, while the album closer ‘Aftersun’ could easily be imagined working as the euphoric last tune of a club set at sunrise. 


With her debut album, Loradeniz weaves together an impressive breadth of styles and sounds, all held seamlessly together by a feeling; a cathartic desire to bring out all the melancholia from within. The album opens with the words ‘The search of love continues in the face of great odds’ a suitable mantra for a record that manages to combine melancholy with intense rushes of positivity and hopes for the future.

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Last In: 17 months ago
23,11 €
Enemy - Fiend

Enemy

Fiend

12inchEDNLP1266
Edition Records
11.04.2025
  • Monks
  • Fiend Bypass
  • Faster Than Light
  • Countdown
  • Liability
  • Sun Flex
  • Neglecting Number One

The new live album from Enemy, marking their fourth release, captures a decade of fearless exploration and deep musicalconnection between pianist Kit Downes, bassist Petter Eldh, and drummer James Maddren. Reuniting with Edition Records after three albums that spanned Edition, ECM, and We Jazz, this album was recorded over a two-day residency at Bird’s Eye in Basel.

It’s an ambitious retrospective and forward-looking statement, covering pieces from each record while presenting new material that reflects how Enemy’s sound has evolved—balancing intensity with a striking, refined subtlety. Known for their masterful use of poly rhythms, Enemy’s live performance pushes their collective improvisation to new heights, with the trio freely transitioning between themes and compositions without a set list. Signature tracks like “Faster than Light” showcase an evolving interplay, where intensity meets lightness and bursts of colour emerge from unexpected places.

This album also nods to the spirit of 90s studio jazz, with layered tunes and a playful yet sophisticated approach that challenges the boundaries of thepiano trio.

Kit Downes’ remarkable profile growth has only enriched the trio’s dynamic, bringing an ever-expanding lyricism to Enemy’s sound. Petter Eldh and James Maddren, both with deep ties to Edition through Eldh’s Project Drums and Maddren’s many Edition collaborations, add their own layers of innovation and depth to this release.

Together, they create an electrifying conversation thatis both intricate and instinctive—this is Enemy at their most potent, capturing a decade of artistic synergy and setting the stage for the next chapter.

pre-order now11.04.2025

expected to be published on 11.04.2025

25,17 €
Miles Davis Quintet - Relaxin' with the Miles Davis Quintet
  • If I Were a Bell
  • You're My Everything
  • I Could Write a Book
  • Oleo
  • It Could
  • Happen to You
  • Woody 'n You

One of Mile Davis's fnest recordings, an example of one of the 20th century's great ensembles reaching the pinnacle of their craft, a masterpiece by any measure Like his other titles, Relaxin' features a variety of material the band performed simultaneously in concert: the format is perfect for Davis (trumpet), John Coltrane (tenor sax), Philly Joe Jones (drums), and Red Garland (piano). The results are consistently superior in both song selection and execution.

pre-order now11.04.2025

expected to be published on 11.04.2025

21,64 €
Invaders - Spacing Out LP

Invaders

Spacing Out LP

12inchNA5262LP
NOW AGAIN
11.04.2025
  • A1: It's Your Thing
  • A2: Lost Times
  • A3: Can't Get Next To You
  • A4: The House That Jack Built
  • A5: Look A Py Py
  • B1: Bossa Blue
  • B2: Spacing Out
  • B3: Where Are We
  • B4: Latin Lips

Spacing Out is an instrumental masterpiece only ever issued in Bermuda at the turn of 1970. A mix of the band's out-there original compositions and extravagant covers of The Meters, The Temptations, Aretha Franklin and The Isley Brothers, it established this band as one of the greatest instrumental bands of any genre, and helped kickstart the retro-soul/funk scenes that birthed the likes of Daptone and Big Crown Records. It's certainly a lodestar for Now-Again Records. This reissue was done with the license and participation of the entire Invaders band, with their story told in great detail in an oversized booklet penned by Jefferson "Chairman" Mao, complete with rare photos of this rarely seen ensemble. From the proverbial stank face-inducing opening bars of reverb-drenched drums and congas that announce Spacing Out, you're thrust into something visceral and fleeting: a pocket universe in which technical excess, chemistry between players, and the uninhibited energy of youth align in a kind of glorious imperfection. Spacing Out is one of the greatest instrumental albums of its or any period in that unmistakably raw - as in honest - way only a crew of largely self-taught young uns could catch a groove

pre-order now11.04.2025

expected to be published on 11.04.2025

29,62 €
DEAD MILKMEN - BUCKY FELLINI
  • 1: THE PIT (2024 REMASTER)
  • 1: 2TAKE ME TO THE SPECIALIST (2024 REMASTER)
  • 1: 3I AM THE WALRUS (2024 REMASTER)
  • 1: 4WATCHING SCOTTY DIE (2024 REMASTER)
  • 1: 5GOING TO GRACELAND (2024 REMASTER)
  • 1: 6BIG TIME OPERATOR" (DUANE HOUSER, J.D. MILLER) (2024 REMASTER)
  • 1: 7INSTANT CLUB HIT (YOU'LL DANCE TO ANYTHING) (2024 REMASTER)
  • 1: 8THE BADGER SONG (2024 REMASTER)
  • 1: 9TACOLAND (2024 REMASTER)
  • 1: 0CITY OF MUD (2024 REMASTER)
  • 1: ROCKETSHIP (2024 REMASTER)
  • 1: 2NITRO BURNING FUNNY CARS (2024 REMASTER)
  • 1: 3SURFIN' COW (2024 REMASTER)
  • 1: 4(THEME FROM) BLOOD ORGY OF THE ATOMIC FERN (2024 REMASTER)
  • 1: 5JELLYFISH HEAVEN (2024 REMASTER)
  • 1: 6(UNTITLED INSTRUMENTAL) (2024 REMASTER)

The first re-pressing of the Dead Milkmen's classic "Bucky Fellini" since its original release on Enigma Records in 1987. This album is a fan favorite and contains the Billboard charting "Instant Club Hit (You'll Dance to Anything)". Remastered by Phil Nicolo for contemporary vinyl, pressed in DUCKY YELLOW VINYL. The newly designed gatefold includes the original front and back covers on a beautifully produced tip-on jacket. The interior is filled with news clippings, previously unseen photographs, show posters, and QR Code WAV and MP3 downloads--all collaged together by the one and only Dean Clean. Also included, for the first time, is an inner-sleeve with lyrics and all new song-inspired art from Joe Jack Talcum. Additional bonus materials include a reproduction of a beat up, original Bucky Fellini poster and a link to download the elusive "Boner Beat" remixes. Hear what The Toronto Star deemed "a sarcastic masterpiece that takes the mickey out of a dozen cherished American icons" like never before. The Dead Milkmen aren't as stupid as they'd like to be ... Now they sound as if they might know how to play their guitars, and they produce some on-target commentary such as 'Instant Club Hit (You'll Dance to Anything)'. - eople Magazine As with all Giving Groove releases all label profits are directly donated to a 501(c)3 music-related charity-the recipient being the wonderful Philadelphia based organization Rock to the Future.

pre-order now11.04.2025

expected to be published on 11.04.2025

32,35 €
BRYAN  BELLER - SCENES FROM THE FLOOD LP 2x12"
  • THE SCOURING OF THREE & SEVENTEEN
  • VOLUNTEER STATE
  • EVERYTHING AND NOTHING
  • A QUICKENING
  • STEINER IN ELLIPSES
  • ALWAYS WORTH IT
  • LOOKOUT MOUNTAIN
  • THE STORM
  • THE FLOOD
  • BUNKISTAN
  • AS ADVERTISED
  • ARMY OF THE BLACK RECTANGLES
  • THE OUTER BOUNDARY
  • ANGLES & EXITS *
  • THE INNER BOUNDARY
  • WORLD CLASS
  • SWEET WATER
  • LET GO OF EVERYTHING

Bryan Beller's (Joe Satriani, Aristocrats, Dethklok) epic progressive double concept 2019 album feat. 26 all-star musicians now on Blue Swirl 2LP in gatefold jacket available! Bassist/composer Bryan Beller (The Aristocrats, Joe Satriani, Dethklok, Steve Vai) presents a sweeping, epic-scale modern progressive double concept album that asks the question: When the storm comes for us, the big one after which things will not be the same, who are we and what do we become in those defining moments? What do we keep, and what do we let go? "Scenes From The Flood" employs an all-star cast of 26 musicians to explore themes of ambition and loss, intentionality and reality, hope and disillusionment. It uses every second of its 18-song, 88-minute running order to tell an emotionally consuming and unforgettable musical story. Produced and composed by Bryan Beller (except "Angles & Exits," composed by Janet Feder), mixed and mastered by Forrester Savell. "Scenes From The Flood" is performed by: Christopher Allis, Bryan Beller, Nili Brosh, Paul Cartwright, Darran Charles, Julian Coryell, Mike Dawes, Janet Feder, Guthrie Govan, Ray Hearne, Gene Hoglan, Mike Keneally, Jamie Kime, Fred Kron, Teddy Kumpel, Jake Howsam Lowe, Evan Mazunik, Nate Morton, Rick Musallam, Mike Olekshy, Griff Peters, John Petrucci, Matt Rohde, Joe Satriani, Rishabh Seen, Joe Travers, Leah Zeger.

pre-order now11.04.2025

expected to be published on 11.04.2025

36,09 €
DOSEONE & STEEL TIPPED DOVE - ALL PORTRAIT, NO CHORUS
  • 01: THAT WORK
  • 02: RESTAURANT NOT
  • 03: WENT OFF (FEATURING OPEN MIKE EAGLE)
  • 04: TA DA
  • 05: DIAL UP (FEATURING M.SAYYID)
  • 06: SCALES SWAY
  • 07: INNER ANIMAL
  • 08: RECYCLING NIGHT (FEATURING FATBOI SHARIF)*
  • 09: UNTOUCHABLE
  • 10: NO COPS
  • 11: WASTELAND EMBRACE (FEATURING BILLLY WOODS)
  • 12: EPINEPHRINE PEN
  • 13: BREAKNECK (FEATURING MYKA 9)
  • 14: NOT FOR AIRPORTS
  • 15: BEST METRIC (EXTENDED)

All Portrait, No Chorus is the new album from indie rap pioneer doseone and NYC producer Steel Tipped Dove. Together, these two artists have crafted an uncompromising masterpiece. Knowing the caliber of MC he is paired with, dove skillfully paints with every color on the palette, and doseone skates effortlessly on every track, whether skating languid figure 8s or landing lyrical triple axels. Somehow the veteran sounds sharper than ever and the songs are lean and hungry, cut to the quick. It is no accident that this project is released under the Backwoodz Studioz imprint; the road that leads to this collaboration starts with, of all things, a ShrapKnel demo. Here is how dose explains it: "I have been inspired by Backwoodz for a while, in many ways, but the most potent being all these distinct pens. September 2023, I had heard a nearly done version of ShrapKnel's latest record, and something snapped in me. Hearing that perfectly hungry, inspired rapping turned my power back on. For me, being inspired warrants telling those who are inspiring you, so once I heard Decay I reached out and sent Fatboi Sharif and Dove some kind words about that record. The rest is history." At the end of December 2023 Dove sent dose the first beat pack. Somewhere around the second week of January 2024 dose already had five songs written and recorded. By the middle of March, a rough album framework was essentially done, and they brought on Minneapolis producer Andrew Broder to freak the turntables across the whole project. Then, as a final piece, dose and dove added select collaborations from some of their favorite rappers. By the end of April it was done. "I'm not really a features guy, but to align with and connect with those who inspire me, I called in some beautiful humans I had never worked with but always meant to: Open Mike Eagle, M.Sayyid, billy woods, Fatboi Sharif, and Myka 9 connect eras, artists, and styles of unconventional rap I hold incredibly dear," doseone explains. Listening to All Portrait, No Chorus you can hear the battery in doseone's back as he pythons his way through each instrumental. For his part, Steel Tipped Dove_a prolific producer over the last two years_delivers some of the most diverse work of his career. The result is a dynamic, propulsive listen that casts its crackling energy in every direction except backwards.

pre-order now11.04.2025

expected to be published on 11.04.2025

32,35 €
Kenny Burrell - On View at the Five Spot Café: The Complete Masters LP 3x12"

Ein Highlight innerhalb der erfolgreichen BLUE NOTE TONE POET SERIE: Kenny Burrells berühmte
Konzertaufnahme - längst ein Live-Klassiker - erstmals komplett mit Bonustracks.
Das 1959 aufgenommene Live-Album gilt unter Jazzgitarristen und Fans des Genres als Klassiker. Laut
dem ehemaligen Police-Gitarristen Andy Summers spielt Kenny Burrell auf “Lover Man” “eines der besten
Jazzgitarrensoli, die je aufgenommen wurden”. Ursprünglich auf einer einzigen LP veröffentlicht, erscheinen
nun erstmals die kompletten Aufnahmen mit sechs bislang unveröffentlichten Bonustracks auf drei LPs und
zwei CDs.
Ausstattung 3-LP: mit rein analogen Produktionsschritten vom Erste-Generation-Masterband bis zur 180gPressung bei Record Technology Incorporated (RTI) in den USA gefertigt, laminiertes Triple-Tip-OnGatefold-Sleeve, wattierte Innenhüllen
Ausstattung 2-CD: Jewelbox, 18-seitiges Booklet
LP und CD enthalten ein Booklet mit bislang unveröffentlichten Fotos von Francis Wolff, einem Essay
von Syd Schwartz und einem Interview, das Blue-Note-Chef Don Was mit dem heute 93-jährigen Kenny
Burrell führte.

pre-order now11.04.2025

expected to be published on 11.04.2025

72,06 €
Masahiko Togashi & Masayuki Takayanagi - Pulsation LP
  • A1: アーミッシュ・アット・ダスク = Amish At Dusk
  • A2: いそしぎ = The Shadow Of Your Smile
  • A3: ジョニー・カム・レイトゥリー = Johnny Come Lately
  • A4: ヘッズ = Heads
  • B1: トワイライト・ゾーン,トワイライト・トーン = Twilight Zone, Twilight Tone
  • B2: ラプソディー&ブルース = Rhapsody And Blues
  • B3: シャムの子供のマーチ = March Of The Siamese Children
  • B4: イン・ラヴ・アゲイン = In Love Again

Closing out the Special Sound Series in style, we are proud to present the long-awaited vinyl reissue of Shigeo Sekito’s 1985, an instrumental masterpiece that arrived nearly a decade after his iconic Kareinaru Electone Special Sound Series of the 1970s. A true pioneer in the world of Electone music, Sekito’s name—instantly recognizable in katakana—has left an indelible mark on the genre.

This album showcases his signature artistry across eight captivating tracks, blending originals and covers with his distinct sonic palette. The cosmic allure of the original composition “Amish At Dusk” stands out among the set, while the Manhattan Transfer cover “Twilight Zone, Twilight Tone” brims with dynamic, fast-paced arrangements. Meanwhile, Sekito’s take on The Crusaders’ “Rhapsody And Blues” unfolds with a laid-back groove, gradually building into an uplifting crescendo.

Drifting between chill-out and ambient sensibilities, 1985 captures a wistful, melancholic beauty—where the rich textures of the Electone transport listeners into a world of nostalgia and dreamlike introspection.

This final reissue in the series is a must-have for collectors and fans alike. Experience 1985 in its warm, analog glory—now on vinyl.

pre-order now11.04.2025

expected to be published on 11.04.2025

24,33 €
Nightsteel - Nightsteel
  • Nightsteel
  • Darkness Reigns
  • Screams of Agony
  • Warlord's Betrayal
  • Whispers of The Heart
  • Eternal Fight
  • Calm Lake
  • Win Or Lose
  • Panagioti
  • Damned
  • Sorrows

Debut album for the brand new Greek heavy/power metal band conceived by songwriter and bass player Bill Sam Featuring Travis Wills (Crimson Glory, Infdel Rising), Craig Cairns (Tailgunner, Induction), Rob Lundgren (Reveal, Mystery Moon), Mauro Elias on vocals, and Igor Paspalj (Guitarist of the Year 2020 by Guitar World and Guitar Player magazines) on lead guitar.

Produced by Bill Sam, mixed and mastered by Loz at Fat As Funk Studio.

Cover artwork, LP, CD and booklet art by NobotX (Arch Rival, Hansel, More Than Anything)

pre-order now11.04.2025

expected to be published on 11.04.2025

28,53 €
Shigeo Sekitō - Special Sound Series Vol.5: Artistic Electone
  • A1: アーミッシュ・アット・ダスク = Amish At Dusk
  • A2: いそしぎ = The Shadow Of Your Smile
  • A3: ジョニー・カム・レイトゥリー = Johnny Come Lately
  • A4: ヘッズ = Heads
  • B1: トワイライト・ゾーン,トワイライト・トーン = Twilight Zone, Twilight Tone
  • B2: ラプソディー&ブルース = Rhapsody And Blues
  • B3: シャムの子供のマーチ = March Of The Siamese Children
  • B4: イン・ラヴ・アゲイン = In Love Again

Closing out the Special Sound Series in style, we are proud to present the long-awaited vinyl reissue of Shigeo Sekito’s 1985, an instrumental masterpiece that arrived nearly a decade after his iconic Kareinaru Electone Special Sound Series of the 1970s. A true pioneer in the world of Electone music, Sekito’s name—instantly recognizable in katakana—has left an indelible mark on the genre.

This album showcases his signature artistry across eight captivating tracks, blending originals and covers with his distinct sonic palette. The cosmic allure of the original composition “Amish At Dusk” stands out among the set, while the Manhattan Transfer cover “Twilight Zone, Twilight Tone” brims with dynamic, fast-paced arrangements. Meanwhile, Sekito’s take on The Crusaders’ “Rhapsody And Blues” unfolds with a laid-back groove, gradually building into an uplifting crescendo.

Drifting between chill-out and ambient sensibilities, 1985 captures a wistful, melancholic beauty—where the rich textures of the Electone transport listeners into a world of nostalgia and dreamlike introspection.

This final reissue in the series is a must-have for collectors and fans alike. Experience 1985 in its warm, analog glory—now on vinyl.

pre-order now11.04.2025

expected to be published on 11.04.2025

29,20 €
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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Last In: 6 months ago
40,76 €
B From E - Saṃsāra Cycles - After Life

Saṃsāra Cycles – A Spiritual and Ode to Dance Music Trilogy by B From E

Rising French label Happiness Therapy unveils Saṃsāra Cycles, an extraordinary trilogy of EPs crafted by Danish treasure B From E. This ambitious and evocative project dives deep into the spiritual dimensions of music while paying homage to the transformative power of dance.

Through Saṃsāra Cycles, B From E demonstrates the full breadth of his artistic and technical mastery. Spanning ethereal dream house, uplifting garage / piano house and hypnotic neo trance, each record in the trilogy is a testament to his unparalleled versatility and creativity.

This trilogy, available on vinyl and digital formats, will be released between February and April 2025. Each EP embodies a unique stage of the Saṃsāra cycle, creating a cohesive narrative that connects sound, spirituality, and the energy of the dancefloor.

out of Stock

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Last In: 7 months ago
12,82 €
Resh G & Nash - TEKNO KARAVAN LP 2x12"

Resh G&Nash

TEKNO KARAVAN LP 2x12"

2x12inch130LIMITED06
130 Limited
09.04.2025

Electro Swing Master Resh-G is back on vinyl !
DZ never surrender ?
Toolbox never surrender ?
Lets invite a newskool Nash for a gatefold supa collector sleeve.

Some privates jokes a bit everywhere then...

Superb album.

Mastered by FKY the magician (to make it pump !)
Cut by Simon the master.

And finally we'll get a pure jewell... Probably never repressed as it's a gatefold double pack... Not really that easy to make ^^

Enjoy the sound an go for any open air after parties level up !!!

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Last In: 15 months ago
34,03 €
Stannik, Dazed - Desillusion / Across The Space

Grinding industrial Acid mental Tekno... 2 tunes loud cut, with a sweet story telling...

Are you ready for this ?

Mastered by Stefan ZMK
Cut by Simon The Exchange

out of Stock

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Last In: 17 months ago
13,03 €
Denzel Curry - King Of The Mischievous South Vol. 2

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

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Last In: 17 months ago
32,98 €
Ixindamix, MC Scallywag - Go Psycho

Ixindamix,Mc Scallywag

Go Psycho

12inchATXKOLABZZ01
AUDIOTRIX
09.04.2025

The first in a new sub series from Audiotrix Records, Kolabzz 1 feats the one and only MC Scallywag, famous for his unforgettable shouts back in the heady days of Spiral Free Raves in the U.K.
Music was composed in the Audiotrix soundlabz Brandenberg Division and Vocals were recorded in RMS rehearsal studios Putney, London.
Synth by Fred’s Lab Manatee apart from in Busted by Novation Circuit.
Graffix are also a colaboration between Audiotrix resident Graphist Feenix 13 and Ixindamix.
Mastered at Finyl Tweek.

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Last In: 17 months ago
16,18 €
eb_Flow - Boundless EP

Eb_Flow

Boundless EP

12inchFUSE061
Fuse London
08.04.2025

London favourites FUSE continue their busy start to 2025 with the latest offering from eb_flow, the previously anonymous project from founder Enzo Siragusa and Burnski, as they officially reveal their identities for the first time. A project shrouded in mystery since its debut in late 2022, eb_flow has captured the attention of the global underground house and minimal realm with their signature fusion of deep grooves and hypnotic soundscapes. With speculation surrounding the masterminds behind the alias since its launch, the ‘Boundless EP’ officially confirms what many had suspected – that two of the scene’s most respected producers are at the helm. The EP marks the duo’s second release on FUSE and their third overall, following their debut on the label and their ‘Sunshine’ EP on Burnski’s Constant Sound.

The three-track EP showcases eb_flow’s dynamic sound, perfectly balancing signature and trademark touches from both artists. ‘Celestial’ is a cosmic journey through sweeping pads, shimmering textures, and crisp drums, bringing a simmering cut to the fore. The title track, ‘Boundless,’ is a dancefloor weapon, built on tight percussion, heavy low-slung basslines, and atmospheric flourishes that take things deeper. Closing the EP with a hypnotic and immersive groove, ‘Illusion’ layers wonky yet intricate drum programming with subtle electronic elements to craft a trippy late-night roller.

Essential fixtures in both Siragusa and Burnski’s sets, this latest instalment cements the project’s status as a driving force with a reveal many have been patiently awaiting.

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Last In: 10 months ago
14,24 €
Fresh & Low - Interact/ Get Up

RAWAX proudly presents the 6th release by Fresh & Low on their own RAWAX TREASURES series!
This time we have the honor to re-issue "Interact/ Get Up" formerly released on Bomba Records in 1996!

The new version on RAWAX is re-mastered

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Last In: 5 months ago
13,66 €
Janiva Magness - Back For Me (Ltd. LP)

Das neue Album 'Back for Me' ist eine Schatztruhe mit weniger bekannten Perlen bekannter Künstler (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson), produziert von Janiva Magness' langjährigem Mitarbeiter Dave Darling. Auf dem Album sind die erstklassigen Gitarristen Joe Bonamassa, Sue Foley und Jesse Dayton zu hören, die ihren jeweiligen Gastauftritten ihren Stempel aufdrücken. 'Back For Me' ist ein Kraftpaket, das vom Chicago-via-Texas-Stück 'Masterpiece' bis zum schmerzenden Gospel-Soul-Funk von Bill Withers' 'The Same Love That Made Me Laugh' reicht. Es geht um Herzschmerz und Liebeskummer, aber auch um Selbsterkenntnis und Verantwortungsbewusstsein und die Stärke und Kraft, die daraus entsteht. Janiva Magness hat acht Blues Music Awards gewonnen, darunter den begehrten B.B. King Entertainer of the Year Award, und wurde 2016 für einen Contemporary Blues Album Grammy nominiert.

pre-order now04.04.2025

expected to be published on 04.04.2025

24,33 €
Freddie Scott - (You) Got What I Need 7"

Neck-snapping soul masterpiece from Freddie Scott, famously sampled by Biz Markie for his melancholic pop-rap hit "Just A Friend" and a surefire piano-driven basement party anthem in its own right.

The work of the legendary producers Gamble & Huff, the track was also sampled by Ghostface Killah for the wonderful "Save Me Dear" with Jay Dilla also utilising the crunching drums to lace many memorable productions for A Tribe Called Quest and Slum Village.

A peerless piece of deep soul and hip-hop history, here's your chance to own the first ever officially licensed reissue on 45.

On the flip, "Powerful Love" is uptempo guitar-soul with finger-popping swing. Featuring delicate horns and gorgeous backing vocals, it's an unfairly slept-on gem but, given the weight of the A-Side, this is perfectly understandable.

This special 7" single comes housed in a heavy duty custom printed full-colour company sleeve and is limited to just 500 copies.

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Last In: 18 months ago
15,55 €
Witch - Introduction

Witch

Introduction

12inchNA6103-1
NOW AGAIN
04.04.2025
  • A1: Introduction • A2. Home Town
  • A3: You Better Know • A4. Feeling High
  • A5: Like A Chicken
  • B1: See Your Mama
  • B2: That’s What I Want
  • B3: Try Me • B4. No Time
also available

Private Press Version[29,37 €]


Archival reissue of the garage-psych Zamrock masterpiece (1974)

PRESSED ON OPAQUE RED VINYL

“Electrified by a diet of James Brown, the Stones and Deep Purple,
WITCH were the stadium-filling kings of 70' Zamrock." - MOJO

Our comprehensive overview of Zambia’s premier garage-, psych-, prog-, funk-,afro-rock ensemble WITCH, We Intend To Cause Havoc!, is now sold out in its 6LP box set form. So we are making the first four WITCH albums available in archival reissue form. As with our box set, the audio is nigh-perfect - restored and remastered from the original master tapes. WITCH’s musical arc is contained to a five year span and, in retrospect, is a logical one. The band’s first two, self-produced albums - released in unison with the birth of the commercial Zambian recording industry – are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown. Thus Introduction, their first, is the perfect starting point for anyone interested in delving into the WITCH band, or Zamrock in general.

pre-order now04.04.2025

expected to be published on 04.04.2025

23,11 €
Nail - Shake Two EP

Nail

Shake Two EP

12inchRBN001-RP
Rhythm By Nature
04.04.2025

Rhythm By Nature, the latest addition to Berlin's vibrant music scene, proudly unveils its inaugural release featuring none other than Nottingham's seasoned virtuoso, Nail. "Shake Two EP" is a testament to his enduring prowess, promises a distinctive auditory experience that transcends boundaries. The tracks showcase Nail's mastery with a distinctive sound that encompasses proper deep house excursions, Detroit and Chicago vibes, with dubby elements.

The A1 track, "Thoughts," takes listeners on a deep house excursion with mystic undertones, deep percussion, spheric vocals, and a euphoric after-hours feel, creating a truly distinctive ambiance.
On the B-side, Nail's groovy craftsmanship continues with "Ribs," offering his typical quirky minimal groove, influenced by funk and housed within a danceable, swirling soundscape. Additionally, label head SaPu contributes to a more dubby approach on the original B1, a spacey filtered infused groove excursion, with old school sample-based elements, phat basslines and deep atmospheric synths.

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Last In: 5 months ago
12,40 €
Silje Nergaard - Tomorrow We'll Figure Out the Rest LP
  • A1: Silje Nergaard / Vince Mendoza / Stavanger Symphon - You Are the Very Moon 4:20
  • A2: Silje Nergaard / Håkon Kornstad - Lover Man 3:58
  • A3: Silje Nergaard - Mamma og pappa synger 0:36
  • A4: Silje Nergaard / Vince Mendoza / Stavanger Symphon - A Perfect Night to Fall in Love 3:49
  • A5: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Vekket i tide 4:26
  • A6: Silje Nergaard - Before You Happened to Me 4:10
  • A7: Silje Nergaard - Silje synger 0:58
  • B1: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Dance me Love 6:51
  • B2: Silje Nergaard - My Man My Man 5:24
  • B3: Silje Nergaard / Håkon Kornstad - Brooklyn Rain 4:21
  • B4: Silje Nergaard - Silje og pappa snakker 0:48
  • B5: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Tomorrow We'll Figure Out the Rest 5:03

Die mehrfach preisgekrönte norwegische Jazzsängerin und Songwriterin Silje Nergaard präsentiert ihr neues Album "Tomorrow We'll Figure Out the Rest". Dies ist eine zutiefst persönliche Hommage an ihre Eltern und eine musikalische Reise, inspiriert von Erinnerungen, Momenten mit ihrer Familie und Szenen aus ihrem Leben."'Tomorrow We'll Figure Out the Rest' ist nicht nur der Titel eines Albums, sondern auch das, was das Leben im Moment ausmacht - die Erlaubnis, nicht alles perfekt durchdacht haben zu müssen", erklärt Silje Nergaard. "Diese Inspiration stammt aus einer Quelle, die mir sehr nahesteht: meinen Eltern. Sie haben mir gezeigt, wieviel Freude die Musik in ein Zuhause bringen kann - die Freude und auch die Traurigkeit, die sie in unsere Herzen bringt. Sie haben mir beigebracht, dass das Leben nicht immer bis ins letzte Detail geplant sein muss."Mit ihrer besonderen Fähigkeit, bewegende Geschichten mit Musik zu erzählen, vereint Silje auf "Tomorrow We'll Figure Out the Rest" intime Jazzklänge mit orchestralen Arrangements. Dabei wird sie von führenden europäischen Jazzmusikern begleitet, darunter Helge Lien (Piano), Jarle Vespestad (Schlagzeug), Finn Guttormsen (Bass), George (Jojje) Wadenius (Gitarre) und Håkon Kornstad (Saxophon). Ergänzt wird das Ensemble durch das renommierte Stavanger Symphony Orchestra, dirigiert von Vince Mendoza, der die emotional-farbigen, bisweilen geradezu cineastischen Orchesterarrangements für das Album komponiert hat. Mendoza und Nergaard arbeiteten bereits bei dem Grammy-nominierten Album "A Thousand True Stories" zusammen.Besonders bewegend sind die persönlichen Einblicke, die Silje Nergaard in dieses Album eingebaut hat: "Es hat ein paar kleine Momente, die zeigen, wie mein Leben als Kind aussah. Ich habe eine alte Kassette gefunden, auf der ich mit meinem Vater spreche - da war ich gerade mal fünf Jahre alt. Darauf singen meine Schwester, meine Eltern und ich zusammen. Diese Aufnahmen haben mich tief berührt, und ich freue mich, sie mit euch teilen zu können."Das Album vereint die intime Atmosphäre eines Kammer-Jazzensembles mit dem majestätischen Klang eines großen Orchesters. Silje Nergaard beschreibt es als eine Sammlung von Erinnerungen, die die Vergangenheit feierlich nachvollziehbar machen, aber auch einen hoffnungsvollen Blick in die Zukunft werfen. "Das Cover des Albums zeigt ein altes Foto meiner Eltern, als sie jung und frisch verliebt waren - ein Moment purer musikalischer Freude, ohne Gedanken an den nächsten Tag. Dieses Bild und diese Stimmung haben mich inspiriert."Mit "Tomorrow We'll Figure Out the Rest" zeigt Silje Nergaard einmal mehr, warum sie zu den herausragendsten Künstlerinnen der Jazzszene gehört: persönlich, authentisch und musikalisch brillant.

pre-order now04.04.2025

expected to be published on 04.04.2025

26,47 €
Coflo - Syncopatience

Coflo

Syncopatience

12inchOCH290
OCHA Records
04.04.2025

FENYAN & COFLO merge broken-beat with jazz influences on A1, while a remix from CEE.SIDE's debut LP is transformed into a dynamic groover to round out the side. On the flip, COFLO and STEVE HOWERTON deliver a percussion- forward, soulful masterpiece with vocals from NIYA WELLS.

out of Stock

Order now and we will order the item for you at our supplier.

Last In: 3 months ago
16,60 €
Municipal Waste - The Fatal Feast LP 2x12"
  • A1: Waste in Space (Main Title)
  • A2: Repossession
  • A3: New Dead Masters
  • A4: Unholy Abductor
  • A5: Idiot Check
  • A6: Covered in Sick/The Barfer
  • A7: You’re Cut Off
  • A8: Authority Complex
  • A9: Standards and Practices
  • B1: Crushing Chest Wound
  • B2: The Monster with 21 Faces
  • B3: Jesus Freaks
  • B4: The Fatal Feast
  • B5: 12 Step Program
  • B6: Eviction Party (bonus track)
  • B7: Death Tax

Gold Vinyl

pre-order now04.04.2025

expected to be published on 04.04.2025

27,94 €
Benediction - Ravage Of Empires LP
  • A1: A Carrion Harvest
  • A2: Beyond the Veil (of the Grey Mare)
  • A3: Genesis Chamber
  • A4: Deviant Spine
  • A5: Engines of War
  • A6: The Finality of Perpetuation
  • B1: Crawling over Corpses
  • B2: In the Dread of the Night
  • B3: Drought of Mercy
  • B4: Psychosister
  • B5: Ravage Of Empires
also available

Petrol Green Vinyl[28,28 €]


Black Vinyl

“Sometimes They Come Back” is not just the title of a horror movie based on a macabre tale by Stephen King, it is also a summary of what happened to UK death etal veterans BENEDICTION, yet you might ke to add a “better than ever before”. While never officially disbanded, 2020’s Scriptures, the group’s eighth studio album achieved what is usually not an easy feat. It connected well with classics like Transcend the Rubicon (1993) and its immediate and memorable songwriting, the heavy-as-a-brick Grind Bastard (1998), and also saw legendary vocalist Dave Ingram return with his merciless roar and knack for morbid, twisted lyrics. After two albums with Dave Hunt on vocals, Scriptures was BENEDICTION’s first record in over a decade impressing with aggressive up-tempo attacks like ‘Iterations of I’ and ‘Rabid Carnality’ or the neck-breaking mid-tempo barrage of ‘Stormcrow’, songs that became live staples alongside ‘evergreens’ such as ‘I Bow to None’, ‘Magnificat’, ‘Subconscious Terror’ or ‘Vision in the Shroud’ in no time. With Scriptures, BENEDICTION even almost cracked Germany’s top ten by entering at a phenomenal #11 of the Official German Charts showing that the death metal veterans founded 1989 in Birmingham, England, offered an extremely well received sonic catharsis when due to the pandemic, people were locked down and pissed off.
When the shroud of Covid-19 lifted, the quintet finally could start to promote the album onstage with numerous festival gigs including Summer Breeze (DE), Copenhell (DK), Mystic Festival (PL), UK Deathfest, Alcatraz (BE), Party.San (DE), Obscene Extreme (CZ), Eindhoven Metal Meeting (NL) and Rock Hard (DE) to name but a few, played triumphant shows in South and Middle America as well as in their home country and all over Europe.
Kicking in the door without further warning, fast paced opener ‘A Carrion Harvest’ that mounts in a vicious Slayer-style break, starts with Ingram growling ‘Brace for impact, go!’ giving an unmistakable hint at what to expect during the following 47 minutes and 11 songs. With tremolo riffs and hammering grooves in spades, tracks like ‘Engines of War’, ‘Genesis Chamber’, ‘Crawling over Corpses’, ‘In the Dread of the Night’, and ‘Psychosister’ show a remarkable consistency and Scott Atkins, who produced the record at Grindstone Studio once again, ensures with a crisp and massive sound that the aforementioned impact leaves no bone unshattered. Garnered with artwork by Wolven Claws Artist, Ravage Of Empires continues BENEDICTION’s flawless discography on Premier League level and promises to become one of 2025’s undisputable old school death metal highlights!
With their brilliant new record in tow, founding members and guitarists Darren Brookes and Peter Rew, longtime vocalist Dave Ingram, drummer Giovanni Durst, and Nik Sampson (bass) will travel far and wide once more. Already confirmed are the Tales of the Triple Death Tour with Jungle Rot and Master kicking off on album release date as well as confirmed appearances at Wacken Open Air and Maryland Deathfest. More to be announced soon!

pre-order now04.04.2025

expected to be published on 04.04.2025

22,48 €
Benediction - Ravage Of Empires LP

Benediction

Ravage Of Empires LP

12inch4065629721640
Nuclear Blast
04.04.2025
  • A1: A Carrion Harvest
  • A2: Beyond the Veil (of the Grey Mare)
  • A3: Genesis Chamber
  • A4: Deviant Spine
  • A5: Engines of War
  • A6: The Finality of Perpetuation
  • B1: Crawling over Corpses
  • B2: In the Dread of the Night
  • B3: Drought of Mercy
  • B4: Psychosister
  • B5: Ravage Of Empires
also available

Black Vinyl[22,48 €]


Petrol Green Vinyl

“Sometimes They Come Back” is not just the title of a horror movie based on a macabre tale by Stephen King, it is also a summary of what happened to UK death etal veterans BENEDICTION, yet you might ke to add a “better than ever before”. While never officially disbanded, 2020’s Scriptures, the group’s eighth studio album achieved what is usually not an easy feat. It connected well with classics like Transcend the Rubicon (1993) and its immediate and memorable songwriting, the heavy-as-a-brick Grind Bastard (1998), and also saw legendary vocalist Dave Ingram return with his merciless roar and knack for morbid, twisted lyrics. After two albums with Dave Hunt on vocals, Scriptures was BENEDICTION’s first record in over a decade impressing with aggressive up-tempo attacks like ‘Iterations of I’ and ‘Rabid Carnality’ or the neck-breaking mid-tempo barrage of ‘Stormcrow’, songs that became live staples alongside ‘evergreens’ such as ‘I Bow to None’, ‘Magnificat’, ‘Subconscious Terror’ or ‘Vision in the Shroud’ in no time. With Scriptures, BENEDICTION even almost cracked Germany’s top ten by entering at a phenomenal #11 of the Official German Charts showing that the death metal veterans founded 1989 in Birmingham, England, offered an extremely well received sonic catharsis when due to the pandemic, people were locked down and pissed off.
When the shroud of Covid-19 lifted, the quintet finally could start to promote the album onstage with numerous festival gigs including Summer Breeze (DE), Copenhell (DK), Mystic Festival (PL), UK Deathfest, Alcatraz (BE), Party.San (DE), Obscene Extreme (CZ), Eindhoven Metal Meeting (NL) and Rock Hard (DE) to name but a few, played triumphant shows in South and Middle America as well as in their home country and all over Europe.
Kicking in the door without further warning, fast paced opener ‘A Carrion Harvest’ that mounts in a vicious Slayer-style break, starts with Ingram growling ‘Brace for impact, go!’ giving an unmistakable hint at what to expect during the following 47 minutes and 11 songs. With tremolo riffs and hammering grooves in spades, tracks like ‘Engines of War’, ‘Genesis Chamber’, ‘Crawling over Corpses’, ‘In the Dread of the Night’, and ‘Psychosister’ show a remarkable consistency and Scott Atkins, who produced the record at Grindstone Studio once again, ensures with a crisp and massive sound that the aforementioned impact leaves no bone unshattered. Garnered with artwork by Wolven Claws Artist, Ravage Of Empires continues BENEDICTION’s flawless discography on Premier League level and promises to become one of 2025’s undisputable old school death metal highlights!
With their brilliant new record in tow, founding members and guitarists Darren Brookes and Peter Rew, longtime vocalist Dave Ingram, drummer Giovanni Durst, and Nik Sampson (bass) will travel far and wide once more. Already confirmed are the Tales of the Triple Death Tour with Jungle Rot and Master kicking off on album release date as well as confirmed appearances at Wacken Open Air and Maryland Deathfest. More to be announced soon!

pre-order now04.04.2025

expected to be published on 04.04.2025

28,28 €
R. MAN PRINCE & THE SOUL FOUNDATION - EVERYONE HAS GOT TO

Much sought after “Everyone Has Got To Go”, a militant 1976 roots stepper by Jamaican/Canadian singer Prince Robinson, aka R. Man Prince.

Born in Rockfort, East Kingston, Robinson auditioned, like many other hopefuls at Studio One, in his early teens, but it was not his time and he would not record in Kingston until a decade later.

After migrating to New York and then Canada, Robinson returned to Kingston in 1976 to record two incredible roots anthems at Joe Gibbs studio “Everyone Has Got to Go” and the impossibly rare “Funny Dream”. He was joined by The Soul Foundation, a vocal trio who laid the track's beautiful harmonies plus some of Jamaica’s greatest session musicians, including Sly Dunbar and Robbie Shakespeare, who were not yet superstars.

The track was mixed at Channel One and the explosive “Super Bionic Version!” Dub by Ernest Hookim and Barnabas enters truly apocalyptic territory.

Luckily for all of us, inside a now battered briefcase that he took to Jamaica in 1976, Prince has kept his mastertapes and promo photos in pristine condition, knowing that his music had value and biding his time.

out of Stock

Order now and we will order the item for you at our supplier.

Last In: 18 months ago
13,24 €
Art Pepper - Modern Art

Art Pepper

Modern Art

12inch4849851
Tone Poet Series
04.04.2025
  • A1: Blues In
  • A2: Bewitched
  • A3: When You're Smiling
  • A4: Cool Bunny
  • B1: Diannes' Dilemma
  • B2: Stompin' At The Savoy
  • B3: What Is This Thing Called Love
  • B4: Blues Out

Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper’s Modern Art for the Intro label featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman on piano, Ben Tucker on bass, and Chuck Flores on drums. This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

pre-order now04.04.2025

expected to be published on 04.04.2025

34,03 €
Teddy Edwards - Sunset Eyes
  • A1: Tempo De Blues
  • A2: Vintage '57
  • A3: I Hear A Rhapsody
  • A4: Up In Teddy's New Flat
  • B1: Sunset Eyes
  • B2: Teddy's Tune
  • B3: Takin' Off

A little-known tenor saxophonist deserving of wider recognition, Teddy Edwards made two Pacific Jazz albums including 1960’s Sunset Eyes, which was a showcase for his rich, powerful sound and featured a cast of musicians including pianist Joe Castro, bassist Leroy Vinnegar, drummer Billy Higgins, and others. This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

pre-order now04.04.2025

expected to be published on 04.04.2025

34,03 €
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