Search:mi favo

2026 Repress

Mihai Popoviciu, one of the most esteemed names in the deep house and minimal scene, is set to unveil his anticipated new album, ‘Puzzle Box’, on Bondage Music. As one of the label’s core artists, Popoviciu returns for his second full-length album release on the imprint following his successful 2016 album, ‘Home’ - available on vinyl from 15th November 2024.

With a career spanning over a decade and with releases on numerous influential labels such as 8Bit to Berg Audio, Popoviciu has firmly established himself as a go-to within the minimal-leaning realms of house music. Known for intricate soundscapes and deep, hypnotic grooves, his work continues to captivate audiences globally. On ‘Puzzle Box’, he delves deeper into his signature stripped-back yet soulful aesthetic, offering a diverse collection of tracks that traverse through various sonic textures.

“With Puzzle Box, each track unlocks something deeper with every listen” - Mihai Popoviciu.

Consisting of thirteen tracks in total, ‘Puzzle Box’ showcases the Romanian’s sound to its fullest. On the vinyl edition, fans are treated to standout tracks like ‘Batiscaf’, ‘Storm Rider’, and ‘Far Gone’ — vinyl-only gems that capture Popoviciu’s talent for layering subtle, dubby tones with groovy rhythms. The opening track, ‘They All Say’, sets the mood with smooth, atmospheric beats with a skippy groove, followed by the dynamic “Video” and the driving, pulsating energy of “Frankfurt.”

Popoviciu’s skill in crafting versatile productions is showcased throughout the album, with each track offering something unique.
From the sleek, melodic strains of ‘Puzzle Box’ to the hypnotic, rolling basslines of ‘Kinetic’, this LP is a journey into his meticulously constructed sound. The digital version also features the bonus track ‘Body Count 2’, offering a final, rhythmic flourish to round off the release.
‘Puzzle Box’ further cements Mihai Popoviciu’s role as a mainstay on Bondage Music, a label which continues to champion forward-thinking, minimal-leaning house music. With this latest LP, Popoviciu once again proves why he remains a favourite, building on his storied career with another masterclass in refined, deep electronic music.

Goldmin Music label founder Romain Lanteaume alias EinKa meets Detroit minimalism master Terrence Dixon aka Population one for a truly conceptual techno 12".. Terrence Dixon is one of our favorite artists and biggest inspiration.. Detroitborn artist released his first 12" back in 1994 followed by several quintessential records and 2 epic albums "From the far future" on legendary Berlin-based label Tresor. Terrence is not only a great techno producer who makes subwoofers roar in clubs, he is a man obsessed by a concept, an idea that he's following from the very beginning.. "Minimalism" in the reaaaaal sense of the word.. For example, when thousands producers are wondering what's eventually missing in their new track, Terrence is rather wondering what's useless, what could be removed and that's definitely what he gets to share on his own "Reduction" imprint. After the release of Terrence's track "Steve Austin's mile" on Goldmin Theme Lp, Romain got to meet him in Detroit during summer 2014. The aim was to make an abstract record that could still be linked to a feeling or a situation.. A1 The edge track is probably a good example as it's designed and built to make you feel like you get closer and closer to the edge while the track is slowly growing until you fall.. Can you feel it :) As for the other tracks, there is also a special idea behind them but we better let you interpret it your way

"After years of audio exploration and creativity together, Bizarre Trax co-founders B.Love and oliver.r unveil their much-anticipated LOVE.R alias with a dynamite, four-track EP on the ever-vibrant Dias de Campo imprint. This powerhouse pairing has been on the label's radar for a while, and their Dos Cremaet Por Favor EP proves exactly why.

Brimming with intricate textures, playful grooves, and the duo's unmistakable flair for left-field dancefloor energy, each track delivers a heady mix of quirky rhythms and off-kilter beats that define each of their signature sounds. The A-side marks the grand entrance of LOVE.R with two innovative collaborations, while the flip lets each artist shine with a solo cut of their own.

And if that's not enough, you can catch these prolific tastemakers lighting up the decks at this year's festival. See you front left."

The corner of the cover is slightly wrinkled, STILL A VERY GOOD PLUS COVER

For their first release, it was pretty obvious for Hypnophone to give a new life to an all-time favorite but forgotten project : GLO. Released in 1995 on CD’s only, « Even As We » is the first and last album of the duo, composed of Stephan Lewry and Gilli Smyth, both ex-members of the legendary rock band GONG and pioneers of psychedelic music.

This double LP, carefully handcrafted and redesigned, is the result of a lovely 2 years collaboration between Hypnophone and Stephan. A cosmic, unique masterpiece, who also features a new thirteen minutes track, specially produced by Stephan while remastering the album in 2025. In the dear memory of Gilli ♡

Note: Includes two printed inner sleeves, transparent red vinyl and an A5 insert.

2026 Repress
The ocean- the infinity, the beauty, the colour, the sound: a truly seductive place. With the sound of ocean waves Smallville's beloved artist Moomin invites us to enter his second full length album A Minor Thought". A selection of wonderful tracks initiate some exciting house music moments at our favorite clubs, improved at Panorama Bar, Robert Johnson and of course the Golden Pudel among many others.. Engaged with a fantastic collection of analogue synths and drum machines, Moomin is always on a hunt of the most delicate samples. After his big first album The Story About You' and a number of beautiful works on his own imprint Closer", he was already back on Smallville's new little baby Fuck Reality' to deliver a 12 for the 2015 summertime. Of course Moomin was also part of the Smallville 10 years Compilation Smallville Ways' and delivered again for Smallville 46. Now he appears with another string of beauty- A Minor Thought. There will be a lovely fullcover artwork package with printed Inlays for the vinyl version by Smallville's one and only Stefan Marx.

2026 Repress
The ocean- the infinity, the beauty, the colour, the sound: a truly seductive place. With the sound of ocean waves Smallville's beloved artist Moomin invites us to enter his second full length album A Minor Thought". A selection of wonderful tracks initiate some exciting house music moments at our favorite clubs, improved at Panorama Bar, Robert Johnson and of course the Golden Pudel among many others.. Engaged with a fantastic collection of analogue synths and drum machines, Moomin is always on a hunt of the most delicate samples. After his big first album The Story About You' and a number of beautiful works on his own imprint Closer", he was already back on Smallville's new little baby Fuck Reality' to deliver a 12 for the 2015 summertime. Of course Moomin was also part of the Smallville 10 years Compilation Smallville Ways' and delivered again for Smallville 46. Now he appears with another string of beauty- A Minor Thought. There will be a lovely fullcover artwork package with printed Inlays for the vinyl version by Smallville's one and only Stefan Marx.

4 carries on the celebrated series, showcasing selections from the legendary Sub-Urban catalogue, bringing together a selection of classic garage house cuts from some of the scene’s most respected names.

Featuring standout tracks from Tommy Musto under both his Tribute & Unifunkation guises, Kenny Dope as well as Matthias Heilbronn & Mike Delgado as Lift, the release captures the soulful, groove-led sound that helped define New York and US garage house throughout the 90s.

Including favourites such as Kenny Dope presents James Rouse’s Dance and Unifunkation featuring Alexander East’s Feel Me, this fourth volume brings together a selection of proven club records in one DJ-friendly vinyl package.

The Reflex has been back remixing on his multitracks again and if you have been out anywhere decent in recent times you might already have heard this one as it has been a favourite of those DJs in his inner circle. Finally, the unrelated rework of a legendary disco diva arrives on wax and dazzles from front to back. 'Lolita' has it all - the deft hi hats sliding above funky bass, a rhythm driven by busy piano chords and lung-busting vocal full of burning soul. 'Camels' rides funky, chunky drums and has more expressive tones this time in unison with an off-balance chord sequence and fluttering sax. Lovely stuff.

LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

The two sides of 1973's Big Business / Wind of Change are mainly the work of thegreat Keith Mansfeld but there's a killer cameo each from Alan Hawkshaw and David Snell to help deliver a thematic suite, diverse in mood, applicable to dramatic and environmental situations'. A Be With favourite and truly one for the heads.
The Big Business of side A is all the work of Keith Mansfeld. It's heavy on the suspense and features the vital Hot Property', an insistent groove so good that Madlib sampled it to lace the ace Long Awaited' by Lootpack with Dilated Peoples.
Sleeping Giant 1' is a more feshed out version of the equally-dazzling Fatal Error', evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly
eerie soundscape. Complete with guitar flls that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.
The horn-and-fute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of Whistle Stop Tour' and its sister groove Clean Air.'
Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain't no fller. Snell's shufing International Flight' sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw's Road And Rail' is about as luxurious and strung-
out as the great man gets and it might just be the highlight of this whole set.
Not to be outdone, if Mansfeld's Balance Of Power' doesn't make you feel like king of the world then you must be playing it wrong. Oh, and did we mention World In Action'!
As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regularSimon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's
brand identity.

One of the UK’s best loved and most respected dance music producers, Michael Gray, unveils his exciting third artist album, ‘You & Me’, on his own ever vibrant Sultra Records. Featuring a superb array of both fresh and regular vocal and musical collaborators, Michael delivers another superb helping of lovingly crafted discofied, boogie and soulful dance treats, where meaningful songwriting, passionate vocal performances and impeccable musicianship combine to create one of Michael’s best bodies of studio work to date!

“I’m really excited about this album. I enjoyed making ‘Optimism’ 2 years ago, but I feel like my sound and creativity have developed further during the production of my third album ‘You & Me’. I think there will be a few tracks that people are not expecting from me… and that’s the joy of making an album! You can really get creative”. – Michael Gray

Across the album, Michael brings together an impressive array of world class talent. Rising 29 year old vocalist Bran Mazz features prominently, delivering fresh performances on the standout cover of Maxwell’s ‘Ascension (Don’t Ever Wonder)’, as well as on ‘I Like The Way’, ‘Medicine’ and ‘Breaking Away’. Chi town house legend Mike Dunn joins Michael on the title track ‘You & Me’, built around a clever sample of Freeez’s ‘Flying High’. Vocal powerhouse Tania Foster turns up the heat on the Latin disco flavoured ‘Shake’. New York singer Kelli Sae lends her unmistakable soul to ‘Give It To Me’ and ‘Detonate’, the latter also featuring singer/songwriter Errol Reid (China Black / Axwell). Jamiroquai’s Derrick McKenzie adds his signature live drums to ‘Detonate’ and ‘I Like The Way’. Sian Lee appears on the current single ‘Gravity’, which is sitting at the top of the Traxsource chart. ‘Universe’ sees Michael deliver an instrumental jackin’ house twist, set for a full single release on Toolroom in June. Adding further depth to the album, superstar diva Phebe Edwards brings her impeccable soulful tone to a cover of Cleo Sol’s ‘Life Will Be’, Brit soul favourite Dyanna Fearon shines on ‘I’m Falling For You’, and Audrey Martells lifts ‘Beautiful’ with her stunning, uplifting vocal.

First Word Records proudly present ‘One 4 Detroit’; the third single from Above The Clouds (aka kidkanevil & Magic Manfred), complete with a remix by 14KT.

This 7" vinyl release follows on from last Summer's MF DOOM cover 'Arrow Root', which received strong support from the likes of Japan's DJ Koco and Philadelphia's DJ Jazzy Jeff, and their recent cover of ‘Change’ which was originally by Shadez of Brooklyn, most notably appearing on DJ Premier's 1997 mix album 'New York Reality Check 101.

One of the original First Word roster, UK Producer/DJ and all-round laptop music geek kidkanevil has developed a distinctive and progressive sound over the years, gleefully exploring the beats and bleeps of the electronic music universe to international recognition. Leeds born, sound system bred and raised on a (un)healthy diet of video games and anime, his solo work inhabits the curious space between bass frequencies and otaku culture. But as a devoted teenage backpack rap nerd, somewhere in the back of kid's mind was a lingering desire to reconnect with his first love, hip hop.

Not long after moving to Berlin he joined a studio space in graffiti plastered Kreuzberg, where he met multi instrumentalist wizard Magic Manfred; a disciple of all things boogie, disco, funk and soul. Born and raised in Berlin, and currently a touring musician for many an act, Manfred's musical map joins the dots from piano lessons at four, to starting a band with his teenage friends, leading him to his true calling - the bass - via the club vibrations of his hometown, which introduced him to the world of DJing and production, and a stint studying in the explosive London jazz scene to finalise his Jedi training.

Bonding over their mutual love of '90s hip hop, a friendship and musical kinship developed, coupled with a desire to honour past eras but push things forward, Above The Clouds was born; named after their joint favourite Primo beat, with a touch of irony regarding their basement based studio of a windowless variety.

kidkanevil explains that “after we made a bunch of piano joints it felt like time for a switch up, I had these raw drums looped and Manfred started playing this simple synth line on the Prophet - it kind of happened in an instant. This one was really a case of capture a moment and let it be. It had this cold, industrial bounce to it that really felt ‘Detroit’ somehow, so it became something of a tribute to that sound. Obviously there’s a rich musical history there that’s beyond anything we could encapsulate, but I hope the respect comes across. From Berlin to the D with love!


We felt pretty strongly that if we’re gonna nod to Detroit, we needed a remix from someone who reps there directly. I’ve been a fan of 14KT since the early 2000s beat scene, and as he’d previously released music on First Word, it made perfect sense to approach him. We asked and did he oblige!! I’m very comfortable saying we got schooled! He really blessed us with an amazing remix that brought a life and soul to what was originally a pretty stark beat, we’re super honoured to have this as our first ever remix.


‘U3P1’ (named after a synth preset so we didn’t forget!) is on the flip - this also came about pretty fast. I was thinking Ummah-era Tribe with the drums, and Manfred once again put down this super nice riff and it grew from there. It kinda felt like it needed some trumpet and it's always nice to highlight some of the amazing musicianship lurking beyond the club systems here in Berlin, so we called up Berlin based trumpeter and composer Paolo de Jesus, who blessed us with a beautiful performance and arrangement. And that was that; we hope you enjoy!”

‘One 4 Detroit / U3P1’ is released on limited 7" vinyl & digital platforms, June 12th 2026.


b 02: One For Detroit (14KT Remix) feat. 14KT


b 02: One For Detroit (14KT Remix) feat. 14KT


[b] 02: One For Detroit (14KT Remix) [feat. 14KT]


[b] 02: One For Detroit (14KT Remix) [feat. 14KT]


[b] A2 | One For Detroit (14KT Remix) [feat 14KT]

Yaka slips into the APPX catalogue a hi-def 8 part narrative. Coated in silky sonic camouflage the Philadelphian sound designer, producer, and apparent amphibophile, conjures an aquatic instrument-rack straight out the estuary, and re-engineers it into a kind of amphibient-bass eco-system: part poolside bio-luminescence, part Severn-side subsidence. Welling with emotion ‘Dream Big’ is a joyride with your favourite frog-sage homies. It’s devotional, yes, but with a wink. Orchestrated by a bayou-mystic who’s just as likely to kiss the ring-modulator as they is to throw a shaka from his boogie board as they carves a line down stream.

The opening track “chrysalis of peace” builds like a choral summoning, beckoning you outward. “blubstep” shakes itself off and stretches into scattered breaks, sprinkles of underworld energy flickering beneath the surface. On “la pari,” the daemons find their stride in a huge leap into bass, punctuated by vocal satire, kitschy melodic fun, and an Amazonian sweat capable of humidifying any dancefloor. “miss that beach” slows the A-side into a thoughtful drift on a lilo, the distant sounds of cousins playing while wind lifts leaves overhead.

Flipping the disc, “buggged” arrives as a beat you can imagine bounding out of a Timbaland studio, tiptoeing in and out of 4/4 club jack. “back at the pad” breaks stride with a halftime depth that keeps you poised, like the surface tension of a water droplet in zero gravity. “weavin’ web” threads ascending melodic patterns over raised nodules of rhythm. Closing the album, “secret dream” dissolves into a private horizon — something half-remembered, half-invented — left for the listener to discover on their own.

About Yaka
A sound designer and musician based in Philadelphia, Pennsylvania. Their work blends emotive aquatic ambience, thick bass layering, and playful rhythmic structures, with an essence that sits somewhere between spiritual and satirical. Their earlier releases Somewhere In That Water introduced a practice rooted in the melancholic and bitter-sweet cuteness dipped in a deep affinity for wet environments.
Beyond their solo work, Yaka co-operates Inner Most, a label run between Philadelphia and Reykjavík alongside Echinacea. The imprint has become a home for boundary-blurring electronic music and features a number of Appendix.files favourites, including a release by our own secret getii, reinforcing a shared ethos of porous scenes and cross-continental collaboration.

No introduction required for the The legendary No Call From New York EP by the uks cult electro act Transparent Sound, the finally reissued for everybody that missed out previously is finally here.

A long time Favourite of Helena Hauff, stingray and B traits the essential track of the year twice on radio one.

Transparent Sound repress this classics slap of forward thinking electro in its original format including remixes from Sync24, Mr Velcro Fastener and Larry McCormick. Grab it quick before its sells out and prices get crazy on discogs again.

West Coast tech house had long since taken shape by the time it made its way over to the UK at the turn of the new millennium, and that's in part because of the pioneering work of the Casa Del Soul crew. The "DJ-first, producer-second collective" was founded in Denver in 1999 by a bunch of artists including DJ Darrell Foxx, who put out several records that laid out the blueprint for this raw, gritty sound across several EPs. His debut, 'The Collective EP', was one of them - two live-session, warehouse-ready tracks of low-slung and stripped-back tech with swing in the drums and dust in the percussion. The original DAT tapes were lost in a blizzard, which meant original copies have become ever more scarce and pricey on the second-hand market... until now. This fantastic remaster brings them back to life with the same distinctive rawness that made them favourites with Doc Martin and Tyrant (Craig Richards and Lee Burridge) the first time around. Utterly essential.

The Diary by Scarface returns to vinyl for the first time since 2014, now expanded to a 2xLP and featuring the never-before-released bonus track “Ease Up Now.” Newly remastered, this definitive edition includes the original 1994 artwork, carefully restored for vinyl by acclaimed designer Mr. Krum. Featuring fan favorites like “No Tears” and “I Seen a Man Die,” this platinum-certified classic is presented with upgraded audio and an expanded format, making it the most comprehensive edition to date.

The Diary by Scarface returns to vinyl for the first time since 2014, now expanded to a 2xLP for the very first time, including a previously unreleased B-Side!
Newly remastered, this definitive edition features the original 1994 artwork, carefully restored for vinyl by acclaimed designer Mr. Krum
Originally released October 18, 1994, The Diary debuted at No. 2 on the Billboard 200 albums chart, marking one of Scarface’s most commercially successful releases.

Indie Exclusive 2xLP on Opaque Red Vinyl with 8x10 Glossy Insert. Contains Bonus Track "Ease Up Now"

Uncompromising Italian DJ/producer The Southern makes his vinyl debut on Mutual Rytm's sub-label, Spectra, with remixes from Alarico, Temudo and Sciahri. An EP marking an impressive label debut, Carmine Portarulo, aka The Southern, lands on Mutual Rytm’s sub- label Spectra with a powerful showcase of his much-loved sound. With the lead track featuring as one of label head SHDW's most requested IDs of the year so far, and packaged alongside outstanding remixes by close label associates Alarico, Temudo and Sciahri, the EP comes having established himself with a sound rooted in old school value and pure techno, favouring energy and authenticity over hype. The track’s backstory comes from the moment Carmine and his partner found out they were expecting a child and went for their first ultrasound appointment. Overwhelmed by the emotion of the moment and the beauty of what nature is capable of, he returned home and poured those feelings into the music. The result, ‘Ultrasound’, is an anthemic, punchy techno cut with euphoric energy rising up through the synths and its catchy lead melody. Joyful melodies sparkle amid vocal groans, adding a raw emotional pull as the warm, driving drums march on. Berlin-based artist Alarico is the first to remix on his return to the label, and his ‘Sad Mix’ has a more melancholic mood, with dark chords and tightly programmed drums that bring lo-key funk. Hayes Collective founder Temudo also returns and flips the vibe on his ‘Neuro Interpretation’ with a more psyched-out, twisted tune featuring trippy synths and booming drums for peak-time impact. Italo-Iranian Sublunar Records head Sciahri then drops his trance- inducing, hypotonic ‘Tunnel Vision Mix’, followed by two digital bonuses: ‘The Stripped Mix’, a bouncy workout with futuristic melodies, and Temudo’s ‘Neuro Interpretation 2’, which is raw, textured, and dark.

It's time to celebrate five years of Paryìa! From the heart of the label, this compilation brings together our two favourite genres, bridging house and techno. Showcasing different cultures and backgrounds, this compilation represents the many different shades the electronic music scene has to offer. Finding that sweet spot through diverse moods and tempos, each track reflects the individual vision of the artist while taking its place within a collective journey that embodies everything the label stands for.

Featuring contributions from Cinthie, Fireground, Toobris, DJ Babatr, DJ Maria, Isabel Soto, Nesa Azadikhah, and Zombies in Miami.

Luke Wyatt created Sladazj as a place for beat-driven cinematic downshift. These were darker doorways than Torn Hawk could step through. Beyond the arches were Sladazj’s favorite landscapes. We’re talking hovercrafts buzzing over dark marshes as Zartan the bad guy from GI Joe changes faces and plays cards with the guy who swings the cinder block on the axe handle. Cinders and ashes, axes and unbelievers. “Second Device” is the second real long-form proving ground for these moves, the second ash pit. Sladazj is the prince of the pit.

The 41st release on TECHNO Records marks a defining milestone: the first full- scale solo record by the label’s founder, Nastia, in her music career. It opens up a new depth of detail within the character and identity of both the artist and the catalogue.

Rather than making a loud statement, Nastia focuses on a restrained and functional approach to techno, shaped through subtle shifts in tension, texture, and rhythm. The tracks move with intention, avoiding obvious peaks in favour of gradual development and controlled energy—a familiar methodology and a direct analogy to the evolution of the label itself. Crafted with dancefloor energy in mind but not bound by it, the release offers a fresh perspective on the author’s persona, stripping away excess and overexplanation. It leaves ample room for the listener’s imagination and a versatile, expert application within a DJ set.

The trajectory of ascents and shifting attention in an artist’s career is the only honest path, providing material for reflection and the anchoring of values. This depth of experience cannot be replicated by overnight success or short-lived peaks—only decades of exploration, trial, and error can forge a work built to endure. Studio work becomes a new instrument for Nastia to build value capital, while her debut solo EP stands as an artefact marking a historic point for the author and the label.

TECH041

A1 “Indoctrinated” — a masterclass in rhythmic interplay used as a narrative device. It functions as a sonic manifesto: universally accessible yet distinctly individual. A process-driven track, its strength lies in its ability to repeatedly shift the listener’s focus. It serves as an ideal transitional tool, offering a calculated awakening from a hypnotic state.

A2 “Ignorance Is Keelleeng” — a structured dancefloor powerhouse built on a precise understanding of peak-time energy. Functioning as a set-defining anchor, it allows the DJ to pivot the mix in any direction without losing momentum. A true catalyst track that opens up new sonic horizons.

B1 “True Majority” — the most forward-thinking cut on the record, providing a definitive blueprint for the hypnotic techno sound of summer 2026. It presents a multi-layered, all-encompassing sonic tapestry that interacts with the listener while maintaining a strictly restrained narrative. A motif-driven track that subtly exposes an underlying tension.

B2 “Additive Integration” — best conceptualised within an extended set where the goal is to gradually establish the atmosphere and dictate the rules of the journey. A track built on anticipation, it conserves energy and conceals its inner mechanics until the final acts. It compels the listener to decode its sonic language for full comprehension.

“Beautiful. Feels like every corner has been lovingly created. Highly recommended" Jamie Cullum, BBC Radio 2

“Incredible. One of my albums of the year” Dom Servini, Jazz FM

“What a beautiful message” China Moses, Jazz FM

“Completely envelopes you” Soweto Kinch, BBC Radio 3

“An uplifting, articulate soundtrack which instils hope and uncontaminated warmth” Backseat Mafia

“Scrimshire delivers a superior example of the style thanks to his musicality and inventive imagination” Jazzwise

“He has stepped up: a stronger musician, and a braver one, with nothing here that plays as filler” UK Vibe


DJ Support: Cerys Matthews, Gilles Peterson, Gideon Coe, Zakia, Jamie Cullum, Patrick Forge, Maflada, Dom Servini, Tony Minvielle, China Moses, Yolanda Brown

Drawing on influences from Charles Stepney to David Axelrod, into expansive folk-soul and jazz from the 60s, Bring Our Light To Every Corner is a deep and enchanting masterpiece from Scrimshire.

With captivating features by Dwight Trible, Idris Rahman, Faye Houston and Indian classical legend Mahesh Kale, the album holds together a suitably diverse set of ideas in a seamless journey full of heart.