Suche:miss

For our ninth release, we are glad to have Konerytmi with a 5 tracker EP. Konerytmi?s CMYK is a dedication to the 80's. This is not a just simple tribute but own interpretation of the tastes of 80's generation. All tracks are homage to the musical fashion of those years. Timbres & drum sounds & melodies & harmonies takes you back to those times. If you don't have a time machine and you miss the 80's just listen to this 12.

Ten years of history, sweaty nights, and raw techno are celebrated with a very special vinyl. Umwelt, Silex92, Ancient Methods, and Phase Fatale come together to pay tribute to Lanna Club and its legacy in the underground scene.

This vinyl isnt just a collection of tracks its a statement. A decade of passion, resistance, and club culture in northern Spain. Dont miss the chance to own this unique piece of Lannas history.

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.

Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters. Nfaly Diakité is named after his grandfather, the late Nfaly Diakité, one of Mali’s most respected donso chiefs. His grandfather did not play, but as a leading figure in the donso brotherhood, he was always accompanied by musician Yoro Sidibé. Nfaly grew up alongside Yoro Sidibé, who became his first master of the donso ngoni, a type of eight-stringed antelope skin harp. After leaving school to devote himself to his instrument, Nfaly continued his apprenticeship with Diakaria Diakité and Oumar Sidibé, two donso masters from the Wassolo region.

He quickly made a name for himself in the donso community and was much asked to play at the traditional ceremonies of his brotherhood. He then met percussionist Ibrahim Sarr and joined the BKO Quintet, with whom he recorded an album and toured Europe and the United States. His virtuosity on the donso ngoni soon attracted attention, and he took part in numerous music and dance festivals in Mali and abroad, with the aim of raising awareness of this little-known traditional instrument.

Nfaly Diakité is also a Kônô, meaning that he is responsible for passing on the history and culture of the Bambara people through music and song. He pursues his mission by combining tradition with more contemporary sounds and by collaborating with artists from a wide range of musical backgrounds. For him, music is a means of conveying messages of peace, love and harmony, and his compositions evoke the values of respect, tolerance and open-mindedness.

‘Tribute to Toumani Koné’ is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama. Nfaly Diakité is a representative of the new generation of donso ngoni players and he wishes to pay tribute to Toumani Koné, who throughout his long career has been a symbol of courage, daring, loyalty and honesty.

The nine-track of this solo album leaves no room for hesitation. Three instruments (donso ngoni, voice and keregne) manage to carry one into another dimension without ever tiring. The fitting and precise rhythm is a deep but melodious transe. Nfaly’s voice plays between expressive urgency and calm wisdom, and the choruses with his own voice multiply the planes of dimension of the music. The donso n’goni, of which Nfaly is an excellent player, sounds rough and earthy but always clear and sharp. All the strength of a music that does not belong to a single musician but to a long cultural tradition of which he is the spokesman is expressed here. The young Nfaly, thanks to his experience and sensitivity, succeeds on his own in pushing us into this world without feeling the weight of tradition but only the liberation of music that sounds all the more contemporary. This album is to be listened to in its entirety as one tight journey between repeated formulas, highlights and moments of rest within the same relentless rhythm. The densest moment is probably found in the heart of the album, between the tracks Nankama (the predestined one) and Mogote Diabeye (no one can please everyone). Here, the message, which can be deciphered from the translation of the lyrics, seems to transcend language barriers and intepret us directly about our human condition, urging us to move our bodies to the dense rhythm of life.

The third release from the renowned W3IRD.LTD label continues its exploration of deep house, minimal, and groove-focused sounds in the exclusive ‘only vinyl’ format. Major Tom EP, created by ØNE+1 (Rubén Solar & Alexander) and Chelu García, delivers a perfect blend of elegance and dancefloor energy.

Side A features “La 2 (Steve O’Sullivan Remix),” a deep, raw old-school masterpiece with hypnotic percussion and a minimal aesthetic, followed by “La 1 (Maher Daniel Remix),” an exquisite reinterpretation with added groove and elegant minimal-house elements.
Side B begins with “La 1 (Original Mix),” a dreamy deep house track enriched by Chelu’s signature keyboard melodies, and closes with “La 2 (Original Mix),” a dynamic fusion of powerful percussion and evocative melodies.
Produced in collaboration with Dancing Vinyl Distribution, this exclusive vinyl is available for both retail and wholesale purchase. Don’t miss this high-quality release, perfect for selectors and collectors alike!

Here is our Hot Sauce Volume 5 showcasing some seriously groovy and rare Rocksteady,
Boss and Reggay tracks mixed expertly for yet another thrilling early Reggae experience on vinyl.


Here is the much anticipated volume 5 of the HOT SAUCE compilation LPs dedicated to the Trojan related labels between 1965 and 1975.
HOT SAUCE volume 5 features outstanding original Rocksteady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits. The record labels showcased on this fourth volume are Amalgamated, Bread, Downtown, Duke, Explosion, Grape, Harry J Records , JJ Records, Rio, Splash, Upsetter and Techniques.

The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity.
These tracks are all outstanding tracks, “killer tracks”, there is no “filler” whatsoever.

Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting
with the Rocksteady songs on the A side and the 70s songs on the B side.
The HOT SAUCE series is a musical journey across Trojan and its labels showcasing early Jamaican Reggae’s diverse musical genres and outstanding artists.
Since the early 70s’ “Tighten Up” and “Club Reggae” series, no compilations have really explored these labels in depth on vinyl.
It might be the last volume of the series as we know it so we wanted to make a splash for volume 5.
It is a nod to self-censored lewd Reggae covers from Trojan and Pama in early 70s. So don't fret,
a collectible yellow sticker has been strategically applied on the shrink-wrap to cover Miss Rocksteady's bottom!!
With its striking cover and its thrilling Reggay selection, volume 5 is bound to become another successful album in the Hot Sauce series...

To Celebrate its 60th release, Syncrophone proudly presents 'The Syncrophone Remixes Vol. 1' by Rolando. Featuring electrifying reworks of Derrick Thompson, Zadig, and Malvito, this collection brings a powerful, Detroit-inspired sound that echoes the future of techno. Available soon—don’t miss these exclusive remixes. Vol. 2 is just around the corner, promising even more groundbreaking surprises.

We’re thrilled to announce the first-ever vinyl release of "Panko Day" by Sébastien Léger and Roy Rosenfeld, a track that has been a favorite among fans and selectors alike. The duo's signature blend of deep, melodic grooves, intricate percussion, and hypnotic energy has made this track a standout on the dancefloor, and now it’s ready to take its place in your vinyl collection.

In addition to "Panko Day," this release features an exclusive vinyl-only track, "Milka," another stunning collaboration between Sébastien Léger and Roy Rosenfeld. The track delivers the same mesmerizing vibes and intricate textures, making it a perfect companion to the lead release.

Don’t miss out on adding these exceptional tracks to your collection. Be sure to grab your copy before it’s gone!

BDQ Records are super happy to finally be releasing this absolute banger, we recorded this 25 years ago but for some reason we never released it, fast forward 25 years and whilst tidying up the studio we found the original tape, which we thought was lost, transferring it from tape was a mission, however we did it and then set about re-recording it. Currently both sides are being played out across the clubs and on radio, we’re getting some seriously good feedback from everyone. Also, it’s been our fastest selling preorder on Bandcamp.



Side one is a cover of the Timebox classic Beggin’ with fabulous vocals from the wonderful Sarah Orpen. its a Banger.



On the flip is Take me for a little While originally penned by Trade Martin, this fantastic slice of pure Northern Soul is getting some amazing reactions from Djs and folk on the dance floor, again Sarah knocked the vocal out of the park.



Released on limited Vinyl 45 this one is gonna be an instant classic.

Phonomena are back and this time joined by Haste on a mission to Andromeda with 4 Hardcore Jungle tracks ready to do damage on the dancefloor.
Kicking off with a remix of Paul Renegade’s Multiverse from London based Jungle veteran Haste that has been floating around on dub for a little while. Taking the tempo of the original up a notch this is the perfect track to start the EP with its Mentasm fuelled mayhem.

Rage and Renegade then drop their first track on wax together with Best Served Cold, taking a sample from a 92 classic then twisting it up with some distorted bass before switching things up as the track progresses. This was made over a bunch of Saturday nights late in 2024 and continues the vibes from the first two records.

At the end of side A there’s some scratch samples for DJs to battle with, pitched to the perfect tempo to use with Hardcore and Jungle.
First up on the flip DJ Rage drops a bass heavy breakbeat workout with Ready To Roll. This was made to contrast with Haste’s remix, a bit more laid back at first but slowly building up to a euphoric tear out towards the end.

Paul Renegade closes out the EP with Dark Carnival, a trip to the underworld with haunted samples and effects that drops into some full on bass, no letting up here with more Hardcore pressure to rattle your speakers!
Coming on ice blue translucent vinyl with hand stamped labels, these Kniteforce exclusive versions come with in an Ice Blue (single colour) label or Electric (double colour). These special editions are limited to 30 copies each.

After the big success of Call Edan , Sounds Better collective comes back with 4 banger tracks from the crew Pop Panic , Aut Zebel , DJ GLC and G PUNX. Mix of 2000's vibes with electro and uk tech house , absolutely don't miss limited copies!

‘Belgium is too small for pianist Alex Koo’ – De Tijd

‘Stunningly original’ – Downbeat Jazz Magazine

‘Fabulous technique, sounding downright genius at times.’ – London Jazz News

‘When listening, Keith Jarrett’s name came to mind several times. Not because Koo’s playing is similar to that of the American master, but because it is of the same exceptionally high level.’ – Trouw

‘Koo’s compositions and playing are absolutely world class.’ – Written in Music

The son of a Belgian missionary sent to Japan in the seventies and a Japanese peace activist, pianist and composer Alex Koo refuses to be boxed into any traditional category. As the renowned German Jazzthetik magazine put it, "Alex Koo defies categorization."

With ten uniquely personal tracks, Blame It on My Chromosomes is more than a musical statement; it is a form of self-therapy. "The only way not to spiral into depression as a jazz musician nowadays is to vent and lose yourself in the music," Koo shares. "Music needs a purpose beyond self-promotion. For me, it's about accepting who I am and letting go of anything else."

Featuring celebrated trumpeter Ambrose Akinmusire on two tracks, Blame It on My Chromosomes highlights Koo's fearless versatility. One of these tracks, "Jonass," is dedicated to Koo's childhood friend who tragically passed away, adding a deeply personal layer to the album. "When we were kids, we would skate and do stupid things with shopping carts, inspired by Jackass," Koo recalls. "That's why we called Jonas 'Jonass'-he had the biggest smile you could imagine, his laugh was contagious, yet he also was the most reckless one among us."

Koo, praised as "stunningly original" (Downbeat Jazz Magazine), is known for creating music that transcends genre boundaries, blending jazz, indie, contemporary classical and film music with innovative freedom. A native of rural West-Flanders, Belgium, he began his musical journey as a classical piano prodigy at the age of five. In his teens, he developed a passion for jazz and improvisation, earning praise from jazz legends such as Kurt Elling, Kenny Werner, and Brad Mehldau. Koo has even been described as "of the same rare high level as Keith Jarrett" (Trouw). His 2019 album, Appleblueseagreen, featuring Mark Turner and Ralph Alessi, was included in Downbeat's Best Albums of the Year.

Alongside Koo, Blame It on My Chromosomes features his longstanding trio, whose fearless interplay brings the album's narrative to life. The trio, with Koo on piano, Dré Pallemaerts on drums, and Lennart Heyndels on bass, represents the very best of the Belgian jazz scene. Their intuitive chemistry and artistry are the driving force behind the album's emotive power, with special guest Ambrose Akinmusire adding a transcendent layer on two standout tracks.

Introducing What I Love by Orlando Voorn + Han Litz - A 4-Track EP Get ready to dive into the rich fusion of soulful beats and sophisticated grooves with What I Love, the latest 4-track EP by electronic music pioneer Orlando Voorn and jazz flautist Han Litz. This release perfectly captures Voorn's innovative mastery in electronic music paired with Litz's exquisite melodic touch. What I Love is a sonic journey, mixing the best of house, jazz, and electronic fusion with a unique, timeless vibe that fans of both artists have come to adore. Each track on this EP is crafted to captivate and elevate - from soulful harmonies and intricate rhythms to Litz's mesmerizing flute lines that add an organic, uplifting energy to Voorn's powerful beats. Whether you're a DJ, a long-time fan of house music, or new to the genre, What I Love offers a fresh take on sophisticated soundscapes. Don't miss your chance to experience this extraordinary collaboration. What I Love is out now, so bring it to your collection and let the groove take over!

Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.

Embark on a timeless musical journey: "Overture", one of the most iconic works from the golden era of progressive trance, is making a grand return.

Released in 1999, this Dutch masterpiece quickly established itself as a quintessential classic, starting in Belgium before taking dance floors across the globe by storm. A resounding success, played not only by club and trance DJs but also by those with a broader musical range, "Overture" is a track with a unique aura. Over 25 years after its release, it continues to electrify retro parties and remains an elegant, timeless standard.

To celebrate this legendary track, we are proud to present a special reissue, elevated by an exceptional remix from the talented Maxim Lany, the mind behind the iconic hit "Renaissance". The Belgian DJ and producer, renowned for reimagining classics with his modern touch, delivers a 2025 version that will resonate with both nostalgic fans and a new generation of listeners.

Maxim Lany shares:

"Reworking this epic classic has been an exciting creative journey. Inspired by the depth of the vocals and the power of the original strings, I set out to transform this track into a version worthy of 2025's dance floors while staying true to its timeless essence."

This exclusive vinyl release is a must-have for collectors, progressive trance enthusiasts, and DJs seeking a centerpiece for their collection. And as always, the Serious Beats touch ensures the original has been fully remastered to deliver an incredible sound, especially for vinyl purists.

Don't miss this chance to relive history while looking to the future. Act fast before it's too late!

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.

“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.

West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.

Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.

“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing

Delirium Records re-issues the high demanded record by Acidkraut from 1995!!!
The re-mastered version will be available end of February 2025.
Don't miss this gem and don't feed the Discogs Sharks!

This package contains the special printed anniversary sleeve with the first two 12" vinyls (Side A, B, C & D).


Get ready to explore the depths of acid with the Time Paradox LP, a 3x 12" vinyl release with special printed sleeve featuring 15 acid techno tracks from SOUR.

Celebrating 25 years of Zodiak Commune Records, this album will take you on a journey through time and space with its mind-bending acid lines and pulsing beats.

Don't miss out on this incredible release!