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Gelobt sei das allmächtige Riff! Triumphaler, wunderschöner, schwerer und kraftvoller Stoner Metal: „Sirens“ von Moon Wizard hat triumphale,
wunderschöne und kraftvolle Stoner Metal-Vocals und instrumentale Hooks, die hymnisch sind und süchtig machen und jede Minute wert sind.
Einfach nur melodischer, schwerer Stoner Metal und insgesamt eine tolle Atmosphäre. Moon Wizard, gegründet von den langjährigen Freunden
Aaron, Joe und Ashton, haben sich von ihren Black- und Death-Metal-Wurzeln gelöst und eine einzigartige Mischung aus Doom und Stoner Metal
geschaffen. Nach ihrem Debüt mit dem selbstbetitelten Album im Jahr 2018, fügte die Band 2020 die Chicagoer Sängerin Sami Wolf hinzu, die ihrem
Sound eine neue Dimension verleiht. „Sirens“ zeigt die kontinuierliche Entwicklung der Band und gibt einen Ausblick auf das, was als Nächstes
kommt.

The world's first album released as a 140g EcoRecord rPET LP, made from recycled PET. Each LP is made entirely from, on average, nine recycled
plastic bottles.

This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

Genau zwei Jahre nach 'Ha Ha Heartbreak' kehrt Warhaus, das Soloprojekt von Maarten Devoldere, mit dem vierten Studioalbum zurück: 'Karaoke Moon'. Wer sich noch an den herzzerreißenden Vorgänger erinnert, wird vom Opener von 'Karaoke Moon', der ersten Single 'Where The Names Are Real', überrascht sein. Devoldere hatte nach zwei Jahren disziplinierter, mönchsgleicher Arbeit mehr als 50 Songs geschrieben. Doch was sagte Produzent Jasper Maekelberg, als er diese Demos einreichte? „Das kannst du besser.“ Die beiden musikalischen Seelenverwandten verbrachten darauf neun intensive Monate in einem Dachgeschossstudio in Brügge. Das Ergebnis ist das bisher aufregendste Warhaus Album.

In 'Karaoke Moon' spielt Warhaus mit unseren modernen Ansichten über Männlichkeit. Mit subtilem Humor umgeht er Unbehagen und macht sich mit zweischneidigem Witz über sich selbst und seinesgleichen lustig. Oft scheint es, als würde Devoldere mit seinen eigenen Gedanken schattenboxen und mit den heimlichen Gedanken seines Unterbewusstseins jonglieren. Die Kontraste in 'Karaoke Moon' lassen dieses Album mit jedem Anhören wachsen und verführen dazu, Schicht für Schicht, Zeile für Zeile tiefer in Warhaus einzigartiges Universum einzutauchen.

Genau zwei Jahre nach 'Ha Ha Heartbreak' kehrt Warhaus, das Soloprojekt von Maarten Devoldere, mit dem vierten Studioalbum zurück: 'Karaoke Moon'. Wer sich noch an den herzzerreißenden Vorgänger erinnert, wird vom Opener von 'Karaoke Moon', der ersten Single 'Where The Names Are Real', überrascht sein. Devoldere hatte nach zwei Jahren disziplinierter, mönchsgleicher Arbeit mehr als 50 Songs geschrieben. Doch was sagte Produzent Jasper Maekelberg, als er diese Demos einreichte? „Das kannst du besser.“ Die beiden musikalischen Seelenverwandten verbrachten darauf neun intensive Monate in einem Dachgeschossstudio in Brügge. Das Ergebnis ist das bisher aufregendste Warhaus Album.

In 'Karaoke Moon' spielt Warhaus mit unseren modernen Ansichten über Männlichkeit. Mit subtilem Humor umgeht er Unbehagen und macht sich mit zweischneidigem Witz über sich selbst und seinesgleichen lustig. Oft scheint es, als würde Devoldere mit seinen eigenen Gedanken schattenboxen und mit den heimlichen Gedanken seines Unterbewusstseins jonglieren. Die Kontraste in 'Karaoke Moon' lassen dieses Album mit jedem Anhören wachsen und verführen dazu, Schicht für Schicht, Zeile für Zeile tiefer in Warhaus einzigartiges Universum einzutauchen.

Following on from the House-infused punch of her Peach Discs release in June, Bristol’s Daisy Moon treats us to a shapeshifting debut on Timedance - entering a new era with a splash sure to be felt in most abyssal zones.

‘Shadow Of Silhouettes’ showcases a singular exploration of tough yet scintillating sounds, between wiggy electro, bass-laden grooves and inspired bursts of FWD techno- pop.

In this diverse body of work, Daisy’s vocals are the glue tying things together. They appear like sonic silhouettes, abstracted through sound design and unveiling a taste for the experimental. In other moments they are stripped from their abstract form and float above the surface, revealing Daisy Moon’s blossoming talent for ear-worm melodies.

A Rocket to the Moon (ARTTM) was an American rock band signed to Pete Wentz and Patrick Stump's Fueled by Ramen imprint Decaydance. To celebrate the 15th anniversary of the band's RIAA gold-certified album On Your Side we will be releasing the album for the first time on vinyl. The 2LP set will feature never-before-released demos. (Note: ARTTM's former drummer Andrew Cook performs with Dan & Shay.)

DJ Support: Marco Gallerani, Manu Archeo, Faze Action, Thomas Wood to name a few

Calm, a highly regarded and influential beatmaker known for his lush downtempo sound, re-issues on LTD transparent vinyl his timeless album “Quiet Music Under The Moon”. This album showcases Calm's signature ambient style, featuring gently evolving pads and sustained, meditative chords that envelop the listener in a soothing atmosphere. Perfect for late-night introspection, this tranquil album offers a serene auditory experience, acting as an adult lullaby to calm even the most restless minds.

Moon White Vinyl. All her life, Emma Hardyman has wrestled with contradictions. After all, she was practically rendered a living, breathing contradiction the moment she was born into her half-Peruvian, half-white working-class Mormon family. In young adulthood, Hardyman became increasingly disillusioned with Mormonism's righteous black-and-white thinking, as well as its exclusionary elitism, and decided to leave the church. But she also acknowledged that the institution's all-or-nothing philosophy had become a part of her, resulting in a considerable test of grace and unlearning. As the singer-songwriter behind Little Moon, the Tiny Desk Contest-winning, Utah-based avant-folk project, Hardyman uses music as an outlet to illuminate contradictions of all kinds. Following the release of her 2020 debut LP Unphased, Hardyman set out to write a romantic album about her newlywed husband Nathan (who also sings and plays guitar in Little Moon), but the universe had other plans. After Nathan's mother tragically passed away, Hardyman recalibrated her vision and started work on a love-as-grief, grief-as-love album titled Dear Divine. The record serves as a mirror for the darkest parts of ourselves, allowing us to examine our ego_not to dismantle it, but to better understand how we love, process adversity and move through the world. Centering the classical music, folk, video game soundtracks and Tabernacle Choir hymns she grew up with, as well as ephemeral snapshots of personal significance, Dear Divine is an abundant tapestry of Hardyman's life. As enlivening melodies radiate from a string trio, you can envision the classical music that thrums from her parents' radio 24/7, as Hardyman sings in an otherworldly coo, you can imagine her younger self swooning over the tranquil records of Vashti Bunyan and Joan Baez, and as arpeggiated synths twinkle, you can visualize the enchanting kingdom of Hyrule from The Legend of Zelda: Ocarina of Time that she still adores. Songs like "now" and "messy love" embrace the gloriously jumbled stew of life, with the former chronicling Hardyman's arduous quest for love and trust and the latter patiently navigating the ways romantic partners can mirror each other's shortcomings. As Dear Divine attests, Emma Hardyman may not have it all figured out, but that's kind of the point. Through grief, faith crises and all-encompassing love, she's found the most wisdom in life's maddeningly consistent inconsistencies, as well as the subtle ways one can cultivate a feeling of home. Dear Divine doesn't take a red pen to life, it brings an open heart, an open mind and achingly beautiful, opulently weird folk songs.

This album features Hermano's first song in nearly 20 years, as well as an unreleased song from their last album. 'When The Moon Was High' is completed by 4 live songs culled from the HellFest and W2 festivals.

Back in print! Dead Moon's final album remastered with VERY radically improved sound and reissued here for the first time ever. 'Dead Ahead' is filled with all time great rockers and ballads. Some of the legendary band's heaviest work. The world's greatest rock band's swan song is not wasted - dark corridors are explored and conquered. Remastered from the original tapes with amazing new dynamics and the murk reduced to the noise layer it was meant to be.

Ukraine's living house legend, SE62, returns with his latest EP Moon Light Dance, marking the eighth release on Raw Soul. Known for his iconic 2013 track "True Force" on My Love Is Underground, SE62 has continued to evolve his sound, combining his love for raw, e-mu sp1200 driven music with a modern edge.
SE62 regularly plays in Belgium and its surroundings, solidifying his presence in the European underground. Moon Light Dance showcases his refined approach to timeless house music, blending heavy, groovy basslines with emotional depth and modern flair.
The A-side opens with "Fantasy" (A1), a track powered by a driving kick and lush piano chords, elevated by the soulful vocals of singer, producer, and DJ Javonntte. The second track (A2) is an uplifting house anthem, featuring a hypnotic saxophone hook and a deep, bumping bassline, guaranteed to give you goosebumps.
The B-side takes a more stripped-down, slightly faster approach, offering a modern vision of deep house music without losing its soul. It's raw, dynamic, and perfect for those deeper moments on the dance floor.
With a history of standout releases on Hot Haus and SlapFunk, SE62 continues to push boundaries while staying true to his roots. Moon Light Dance is a must-have 12" for any house music enthusiast.

Back In Stock!

Debuting on Fluid Funk with a lush and lax voyage dreamy coastal scapes, Dutch artist Uzu Moon dishes out feel-good, Cali-funk-informed vibes by the dozen over the course of four delectably smooth tracks, infused with elements of LA beat, soulful house and post-balearic elevation - including a rework from Cody Currie.

A bespoke late-summer joint to bump out loud in your open-top, "Asa" gets the ball rolling slo-mo style, brittle piano stabs chiming alongside mangled rap samples, playful acid spurts and a languid jazzy shuffle to drive it all. Funky synth hooks blazing, "Sunder, Love" lets off washed-out RnB vibrations over beds of 303-emulating squelch, topped off with a guitar solo a la Santana like you're chilling out in Venice Beach.

"When I Get Home, I'll Know It's Over" then heads for the opposite side of the Pacific with its koto-esque resonances, soft tapping drums and rugged acid loops weaving a melancholia-laced, loungey narrative for the dance floor and not. "Sunder, Love" as reshaped by Shall Not Fade affiliate Cody Currie revs things up two notches further, turning the original into a doped-up chugger, primed for sustained hustlin' n bustlin' in the ballroom with its convulsive congas and vaporous melody fluttering like a groovy butterfly.

Originally released in 1959, this is Blue Mitchell's third release as a leader. The brilliant trumpeter is joined by an all-star lineup that includes Wynton Kelly on piano, Philly Joe Jones on drums, Sam Jones on bass, Curtis Fuller on trombone, and Jimmy Heath on tenor sax. A great piece of forgotten late '50s hard-bop, it is truly a treasure of an album finally resurrected by Wax Love. This is one of the most precious jazz recordings of a year that would soon give sway to the Blue Note sound, and is in many real and important ways as much of a prelude as any other statement. It's a must-have for all serious mainstream jazz fans.

Little Elements neues Album Trippy Moon ist ein akustischer Trip zwischen Alpen und karibischem Strand
Die Innsbrucker Produzentin, Singer-Songwriterin und Multi-Instrumentalistin Lisa Aumaier alias Little Element lässt auf ihrem zweiten Studioalbum Trippy Moon Genre-Grenzen verschmelzen und erschafft dabei psychedelisch angehauchte Sound-Welten zwischen Trip-Hop, Indie-Pop und ihrer charakteristischen Mischung aus Neo-Psychedelia, Dub und World Music-Einflüssen. Ganz nebenbei produziert und komponiert die authentische Multiinstrumentalistin auch noch alles selbst - mal am Meer, mal im eigenen Studio in den Tiroler Bergen.

Die britische Band The Telescopes wurde 1987 gegründet. Das Line-up der Band ist seitdem im stetigen Fluss, so können zwischen 1 und 20 Musiker*innen an einer Aufnahme beteiligt sein. Die einzige Konstante ist der aus Northumbria stammende Stephen Lawrie, Komponist und Gründer der Band. Ursprünglich bei Cheree Records gesignt, wechselte die Band später zu What Goes On Records und erreichte regelmäßig die Spitze der Indie-Charts; ein Deal mit Creation Records führte dann auch zu einem größeren Mainstream-Erfolg. Die Musik der Telescopes kennt keine starren Grenzen, sie umfasst viele Genres und folgt - stets von Stephen Lawries Inspiration geleitet - ihrem eigenen Kurs. Im Laufe der Zeit hat sich gezeigt, dass die Musik von The Telescopes nicht nur dem wiederholten Hören standhält, sondern auch bei jedem Hören etwas Neues offenbart - ein roter Faden, der sich durch ein äußerst einflussreiches, mehr als drei Jahrzehnte umfassendes Werk zieht. The Telescopes wurden als Einfluss auf viele Künstler aller Genres auf der ganzen Welt zitiert.

Die britische Band The Telescopes wurde 1987 gegründet. Das Line-up der Band ist seitdem im stetigen Fluss, so können zwischen 1 und 20 Musiker*innen an einer Aufnahme beteiligt sein. Die einzige Konstante ist der aus Northumbria stammende Stephen Lawrie, Komponist und Gründer der Band. Ursprünglich bei Cheree Records gesignt, wechselte die Band später zu What Goes On Records und erreichte regelmäßig die Spitze der Indie-Charts; ein Deal mit Creation Records führte dann auch zu einem größeren Mainstream-Erfolg. Die Musik der Telescopes kennt keine starren Grenzen, sie umfasst viele Genres und folgt - stets von Stephen Lawries Inspiration geleitet - ihrem eigenen Kurs. Im Laufe der Zeit hat sich gezeigt, dass die Musik von The Telescopes nicht nur dem wiederholten Hören standhält, sondern auch bei jedem Hören etwas Neues offenbart - ein roter Faden, der sich durch ein äußerst einflussreiches, mehr als drei Jahrzehnte umfassendes Werk zieht. The Telescopes wurden als Einfluss auf viele Künstler aller Genres auf der ganzen Welt zitiert.

Repress.

Acen's Trip To The Moon series is simply unmissable, and these color vinyl represses are severely limited in number. Spanning all the original mixes, plus new material and new remixes from the likes of Pete Cannon, Danny Byrd, Phuture Assassins and Scott Brown, every EP in this series is essential.

Let Me Comfort You: The Hush Rarities collects the bonus tracks from High Moon Records’ critically lauded CD Gemini Girl: The Complete Hush Recordings. Appearing on vinyl for the first time, these 11 alternate takes, demos and previously unissued songs hail from the sessions for Laurie Styvers’ two unjustifiably obscure LPs Spilt Milk and The Colorado Kid, recorded in early 1970s London, and recently tagged by Pitchfork as “a sharp and idiosyncratic snapshot of how it feels to try growing up.” Akin to a “lost” third album, this remarkably well-rounded package is a further showcase for the honey-voiced intimacy of this youthful Texas singer-songwriter, with a program of lovelorn gems doused in splendid orchestration. RIYL Carole King, Judee Sill, Weyes Blood. Packaged with a four page lyric insert.

"Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here.

For the past 30 years, Nada Surf has had the same core lineup: Matthew Caws, Daniel Lorca, and Ira Elliot. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. For the recording, Matthew, Daniel, and Ira were joined by their friend and longtime keyboard player Louie Lino.

Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up."