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You wait positively yonks for a new Amit record and what do you know, two turn up pretty much at once. Not that we're complaining, especially as this is quite a different beast to its dubby downbeat predecessor on the Slough producer's Amar label. A double sided collaboration with Bedford's Outrage, 'Trigger' showing the pair taking the most well worn of ingredients - crackling Amen breaks and disorientating synths - and turn them on their head, reshaping them into something you've never heard before. On the flip, 'Zulu' is another hardstepping big hitter with precision beats, plenty of drama, truly disgusting bass pressure and beats that evoke ancient memories of Digital at his most individual. There's drum & bass and then there's 'proper' drum & bass, and it doesn't get much more proper than this.

Several years after the release of ‘Metamorphosis’ (with Sid Hille), Multicast Dynamics (Samuel van Dijk) reemerges on Astral Industries with ‘Circles’ - an enchanting two-part work venturing into deep unconscious realms. Sonic landscapes unfold in a sequence of hidden spaces and intimate revelations, featuring detailed sound design and rich thematic content.

Circle One initiates the process, opening gently with glassy drones and the patter of distant voices. A faint light shimmers through swirling pools of liquid memories and melting forms. The atmosphere builds, and everything is engulfed in the act of transfiguration. 

Passing through the threshold, Circle Two traverses further into cavernous territories. Boundless drifting soon becomes a gravitational pull toward something deeper. Submitted to the powerful undercurrent, incoming primordial pulsations signal a quest that reaches its fated culmination. 

Perhaps the revelation of something long-lost, entering the Circle eludes to that which on the surface remains hidden, yet its rediscovery inevitable.

Passages in Time, the third album from Kasper Bjørke Quartet, traces the contours of a blend of spiritual jazz reverence and the calming grandeur of '80s ambient. Inspired by Christopher Nolan's observation that "time is the most fundamental part of our human experience," the compositions are approached as fragments of time and memory. Meditations on the elusive nature of time form the heart of the work, merging freeform jazz improvisations with cyclical synthesizer patterns that mirror its quiet undulations.
Dreamy synths intertwine with guitar, harp, trumpet, flugelhorn, saxophone, and flute, creating a spacious environment for contemplation. The music invites reflection on the choices that shape our lives and the lives of those closest to us, and on the quiet weight of our priorities within the brief span we call life on this planet. Each passage unfolds as a fleeting moment suspended in time. The subtitles hint at fragments from someone's diary, tender observations of love, parenthood, and connection. Together, the passages form a musical memoir of sorts, where memory and emotion are gently woven into the compositions.
Passages in Time does not impose structure or meaning, it reflects them, offering an open space as the instruments drift in and out of focus, tracing time's subtle rhythms and inviting the listener to infuse their own memories and meaning into these passages.
The album also marks a transformation for the Quartet project itself. Langstrakt (Claus Noreen), part of the original ensemble, continues to operate the synthesizers alongside Bjørke, while the wider constellation of contributing musicians has evolved. Strings and piano give way to flute and saxophone by Oilly Wallace, guitars by Danish ambient composer Anna Roemer, trumpet and flugelhorn by Malthe Kaptain, and cascading orchestral harp by Katie Buckley, principal harpist with the Icelandic Symphony Orchestra.
The cover painting is by American artist Marcus Leslie Singleton, courtesy of V1 Gallery, and reflects the meditative and timeless atmosphere of the music.
Passages in Time is released on Bjørke's own imprint, Sensitive Records, following the two previous Quartet albums released on Kompakt Records: The Fifty Eleven Project (2018), a debut that introduced Bjørke's ambient and neoclassical explorations, and Mother (2022), which expanded the ensemble's sound with emotive choir compositions and guest appearance by Sofie Birch (Unsound / Stroom). Together, these three albums trace a journey of artistic growth, from introspective experimentation to a fully realized, contemplative expression of time, memory, and human connection.

It is often in times of crisis and upheaval that the most fascinating music emerges. It is clear that times are grim, not only but particularly in the USA. On the ‘Numb Denial EP’, Orlando Voorn reflects on the emotional climate in his adopted home and conveys his uncertainty, his pain and also his anger. He impressively expresses his emotional states musically through the instrumentarium of timeless Detroit-style technosoul. These tracks are among the most moving, immediate and beautiful he has created in his decades-long career. To quote Roxy Music: “Dance away the heartache, dance away the pain.”

Mit gerade mal 17 Jahren releaste Joey Bada$$ sein erstes Mixtape "1999" welches den Sound der goldenen Hiphop-Ära der 90er Jahre adaptierte, so authentisch und selbstverständlich als sei er mit dabei gewesen.
Die Kritiker überschlugen sich in ihren begeisterten Rezensionen und es folgten Features mit Asap Rocky, Kendrick Lamar, Mac Miller & Action Bronson. Der junge Brooklynite ist schon längst mehr als nur ein Geheimtipp. Die ersten audiovisuellen Kostproben gab es in den vergangenen Monaten in Form von "Big Dusty" und "Christ Conscious". Am 20. Januar erscheint nun sein Debütalbum, das den Titel "B4.DA.A$$" trägt.

NEHRUVIANDOOM is Bishop Nehru's debut album. Produced by Metal Fingers and featuring MF DOOM vocals on several tracks, it's a compact nine track, 30 minute long player.

Bishop Nehru's breakthrough mixtapes, released from the age of 15 saw him rhyming over DOOM produced instrumentals. DOOM joined the line of MCs who co-signed the young rapper including heavyweight lyricists Kendrick Lamar and Nas, who introduced him on stage during his set at SXSW as 'The future of music'.

Still only 17, Bishop has wrapped up his debut album for Lex, a collaborative project with MF DOOM.

The highly anticipated collaborative album, GOLDFISH, sees two of contemporary hip-hop's most revered and distinct production minds, Hit-Boy and The Alchemist, finally join forces for a full-length statement. Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision.

GOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.

The result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer/MC albums.

In just five years, The Spy has gone from underground newcomer to one of the most talked-about names in the European electro and EBM dark electro scene. Early releases on Osáre Editions and Mechatronica quickly placed him on the radar of forward-thinking clubs and selectors across Europe. Now landing on Oráculo Records, he presents his most wave-driven and club-oriented material to date: pure, physical electro built for dark rooms and late hours. Driving basslines and sharp machine rhythms—infused with subtle, classic post-punk tension—define a sound that connects the dancefloor with the shadows, drawing clear parallels to artists like L.F.T, Credit 00 or Gesloten Cirkel. This is music made to move bodies without sacrificing attitude—raw, confrontational, and far removed from formulaic club clichés. Five years in, the message is clear: this is not hype, but momentum—an artist fully in command of a modern electro language built for the underground. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

The Spoiled is an Italian post-punk project led by Giovanni Santolla, blending electronic beats, distorted synths, and reverb-soaked guitars into a dark, romantic, and nostalgic sound.

In 2024, the project self-released the debut EP Time distributed by Manic Depression, followed in 2025 by the full-length Living Ghosts via Swiss Dark Nights—an album that firmly established The Spoiled within the contemporary post-punk scene. Following the album’s release, Giovanni collaborated with international acts including This Eternal Decay, Darkways, Corlyx, Chaos International, and Hinfort, while maintaining a dense touring schedule across Europe and sharing the stage with artists such as Traitrs, Hinfort, Darkways, and Ductape.

The new album When It Rains, set for release on Avant! Records on April 17, 2026, expands The Spoiled’s artistic vision with a focus on intense, romantic soundscapes that delve deeply into human intimacy and interpersonal relationships. Embracing a warmer and more personal sonic direction, the record blends elements of indie rock and electrogaze music that enrich and revitalize the dark, melancholic palette that has defined the project’s earlier works.

Still playing homage to the forefathers of the genre such as Clan of Xymox, The Sound and Pink Turns Blue, When It Rains opens the path of The Spoiled to new soundscapes, exploring broader emotional territories while preserving the atmospheric depth and introspective tone that have become its signature.

FFO: Twin Tribes, Clan of Xymox, She Past Away, Mareux, The Soft Moon, Pink Turns Blue.

‘White Series #4’ marks the debut EP of Marc Feldmann and Dominik André as a producer duo. The record opens with ‘Natural Oscillation’
, a hypnotic techno piece where flowing percussion meets subtle trance influences. ‘A Breeze of Mistral’ builds on this energy with layered repetition and a deep pulse that unfolds gradually, drawing the listener further in. On the flip side, Audrey Danza reinterprets Natural Oscillation with a direct, dancefloor-focused approach. She sharpens the groove, raises the tempo, and pushes the track forward with her signature, driving drums and a tightly locked kick, transforming the original’s hypnotic flow into a no-frills cut. The EP slows the pace with ‘Discernible Rhythms’, a reflective, 80s-influenced synth chugger that adds warmth and restraint to the record. Released as a hand-stamped white label on Subject To Restrictions Discs, White Series #4 reflects and continues the label’s contribution to the more understated forms of electronic club music.

The debut EP Danza Nel Vulcano by Rotterdam duo Vesuvio Vortex is the first release of the label Radio Tornado Records. Rooted in italo disco, the music rolls into nearby genres with restless grooves and rough edges. In short: energetic, slightly melancholic, and always moving.

Audio Vesuvio opens with a bright, welcoming energy, setting the scene. Robot Cop brings a lively rush, the rhythms bouncing and colliding. Overexposed Polaroid slows things down, drifting through hazy reflections of what just happened. Vortex closes the EP in a softer, darker glow, the afterparty fading but the melodies lingering, like a dream that refuses to end.

"Wired" ist ein harter Neustart für Basement. Es markiert das erste Album der britischen Band seit acht Jahren, eine Wiedervereinigung mit ihrem ursprünglichen Label Run For Cover Records und eine Rückkehr zu jener ungebändigten Leidenschaft und kreativen Intuition, die schon immer ihr bestes Material ausgezeichnet hat. Seit ihrer Gründung im Jahr 2009 besteht Basement aus denselben fünf Freunden - Sänger Andrew Fisher, den Gitarristen Alex Henery und Ronan Crix, Bassist Duncan Stewart und Schlagzeuger James Fisher - und derselben alchemischen Verbundenheit. Das Einzige, was sich in den letzten Jahren verändert hat, ist ihr erneuertes Gefühl von Zielstrebigkeit. Und das macht ihr neues Album deutlich hörbar. "Wired" ist das dynamischste, mutigste und inspirierteste Werk, das Basement je geschaffen haben, und bewahrt zugleich die zeitlosen Grundlagen ihres einzigartigen Sounds: grollende Gitarren, mitreißende Refrains und eindringliche emotionale Sprache. Basement sind zurück und laufen auf allen Zylindern, aber sie haben kein Interesse daran, alte Erfolge zu wiederholen. Die gesamte Band war entschlossen, dass "Wired" ihr bisher klarstes künstlerisches Statement werden musste. Der Titelsong ist das drängendste Stück ihrer Karriere - ein sicherer Live-Favorit, getragen von stechenden Gitarren, einem wuchtigen Schlagzeug und einem himmelhohen Hook, bei dem Fishers Stimme in Bestform ist. "Broken By Design" zeigt den gegenteiligen Charakter: düster, zart, bassgeführt, aber dennoch typisch Basement in seiner sofortigen Eingängigkeit und stimmungsvollen Atmosphäre. Nichts auf Wired klingt stagnierend, kein Teil wirkt unausgereift. Die Band ließ sich von einer Vielzahl abenteuerlustiger Vorbilder inspirieren (R.E.M., Interpol, Smashing Pumpkins, um nur einige zu nennen), ohne jemals wie eine dieser Bands zu klingen - und auch nicht wie eine Kopie ihrer selbst. Der Albumtitel fasst all das in einem einzigen Wort zusammen. Die texturalen Konnotationen von "Wired" - metallisch, scharf, zackig - spiegeln die stählernen Klangwelten des Albums wider. Auf konzeptioneller Ebene spricht der Titel für die unerschütterliche Zähigkeit der Band: eine analoge Band, die in einer immer digitaleren Welt erfolgreich bleibt, ohne sich auf nostalgische Bequemlichkeit zu verlassen. Fünf Freunde, die mehrere Trennungen und Neuanfänge überstanden haben und dabei als Menschen und musikalische Einheit gewachsen sind. Basement müssen ihr Schicksal akzeptieren: Sie sind einfach dafür gemacht.

Named after the Latin word for the humble house spider, Oonops started his career as a club DJ in the early 2000s and has been collecting and playing strictly vinyl ever since.

In 2013, he started his own radio show » Oonops Drops«, a monthly mixtape-style show featuring a host of international top DJs, broadcast on Brooklyn Radio in New York City. This show inspired the first volume of this compilation, which was released in early 2018 on Agogo Records, alongside the album and 7-inch releases featuring artists from his radio network. Then, exactly five years ago, Oonops finally founded his own sustainable music label bearing the eponymous name. Now, just in time for the 200th episode of his Brooklyn Radio show, Oonops returns to Agogo Records with Vol. 3, which is packed with favourites and rare gems discovered through his extensive community of like-minded collaborators. As you would expect, it includes many unreleased songs that were previously only available digitally or were incredibly difficult to obtain on vinyl – true rarities from the crates. Expect a broad selection of genres, ranging from Japanese jazz and head-nodding beats and hip hop to samba-esque funk, rare groove, reggae and Brazilian-influenced styles. Get ready, enjoy and rewind!

Scruniversal never misses, no matter what he takes aim at, be it disco, jazz, funk or whatever else. Here, label head Scru's friends are assembled to edit and remix a fine pair of jams. The first is a curious one that marries clary 80s electro and hip-hop with a hint of Latin percussion and jungle bird calls, filtered spoken word and a taught bass twang. It's body popping bait at a slow, inviting tempo. Martem & Ferdi Ferreira then step up with 'Chumba Lala,' which has muscular analogue drums and grinding bass, snappy hits and old school house chords that all add up to a colourful wedge of playful, rigid proto-breaks funk.

Charlotte de Witte announces three brand new tracks in the form of her richly resonant EP ‘Amor’, out April 30th on her KNTXT imprint. The vinyl will include an additional Instrumental Mix of her track ‘O Movimento’.

The world's number one techno artist recently celebrated her 15th career anniversary with two monumental Flanders Expo 23k capacity performances, her long-awaited debut album (plus a new Deluxe Edition), and press support from Vogue, Grammy Museum, BBC 6 Music, DJ Mag (with cover), Mixmag, Rolling Stone, Billboard, Zane Lowe, Clash, Flood Magazine (cover).

‘Amor’ EP: each track features the breathy, full-toned vocals and Portuguese lyrics of CERES. The Brazilian singer, DJ & producer favours techno with tasty slices of UKG. Add to that, subtle motifs link the three tracks, giving the impression they form a suite. ‘This EP is inspired by my love for Portugal and Brazil, the countries, the people, the food, the culture. Made with lots of amor.’ - Charlotte de Witte

Title track ‘Amor’ (feat. CERES) delivers a galloping beat starred with spacey FX, as a hoover siren builds tension and CERES begins her rhyming chant. A sprinkle of acid becomes a sulphuric tidal wave. Next, ‘Sem Ar’ (feat. CERES): ‘Airless’; frantic rattling percussion overlays the fast beat to breakbeat-adjacent. CERES’ resonant voice is showcased in an acapella breakdown before her soulful voice becomes an acid robot’s, sharp and penetrating. Finally, ‘O Movimento’ (feat. CERES); ‘Movement/motion’, speeding beat with hi-hat backbeat duels with CERES’ voice, now sounding almost breathless, before acid filters in as the track builds.

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC.

Much remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the human touch, unafraid of imperfection. A form of worship rich in texture, best experienced on hazy afternoons and mist-laden mornings.

With their self-titled release on Titrate Records, Post Coma presents two twenty-minute times even dissociation — treating the improvisation as a shared descent into the inner psyche. Listening as much to each other as to the remnants of their own decisions, the music emerges as a kind of cognitive experiment — a document of mutual attunement and the debris that gathers in its wake. The result lies suspended between motion and conclusion, leaving space for what lingers beyond.

4LP vinyl boxset - pressed on opaque red, green, blue and yellow vinyl housed in printed inner sleeves with disco holes within a hardbound book jacket. The back cover is a Ludo board and the package contains Ludo game pieces, dice and instructions on how to play.

The Best of the Black President is the 13 track guide to Fela Kuti’s massive and manifold creative career. Fela was a musician, arranger, producer, political radical, outlaw and the originator of Afrobeat. This is the first time the complete compilation is available on vinyl. It is a 4 LP set, with updated cover art in a hardbound book jacket and printed inner sleeves. The individual LPs are pressed on red (sides A/B), green (sides C/D), blue (sides E/F) and yellow (sides G/H) vinyl. This edition features a Ludo game board as the back cover and comes with a perforated set of game pieces, dice, and instructions on how to play. Limited edition of 3000 for the world.



The release of this special edition coincides with the 12 episode podcast on the life and legacy of Fela, Fela Kuti: Fear No Man, produced by the Obamas and hosted by Jad Abumrad (Radiolab, Dolly Parton’s America). The series features dozens of interviews including Burna Boy, Paul McCartney, Questlove, Ayo Edebiri, David Byrne, Santigold, and President Obama himself. It was initially released on Audible on 9/15/25 and had a wide release across all podcast platforms on 10/15/25

Double 7“ in colored vinyl (transparent yellow and turquoise)

Vinyl only!

A new EP by Extrawelt is always something special, as they continually manage to reinvent themselves while remaining unmistakably true to their sound. The a-side „Moonster“ of their latest record forms a subtle and almost magical bridge to early musical influences such as Immortal Coil, Chris & Cosey, The Cure, and Throbbing Gristle.
In doing so, they reclaim, or rather reintroduce, a powerful, mystical element into their music, one that is integrated so naturally it feels as if it has always been an essential part of Extrawelt’s sonic DNA. Beyond that, the track unfolds through numerous facets, constantly shifting and evolving. Just when you think it is settling into a familiar direction, small variations emerge, keeping the piece remarkably alive and unpredictable.
You can clearly sense how much fun Extrawelt had working on this track. It is bursting with ideas, energy, and vitality, radiating a playful confidence that makes it endlessly engaging.

The b1 track „Bettermaker“ takes a different route, dedicating itself entirely to a single mood. Through subtle pitch bending and a carefully shaped tonal palette, the track unfolds with a slightly eerie, enchanted atmosphere.
From beginning to end, „Bettermaker“ remains focused and unwavering. There are no breaks or dramatic shifts in direction, instead, the piece commits fully to its initial setting. A monolithic, almost mantra like motif forms the core, creating a distinctive ambience, mystical, shadowy and faintly oriental in character.
This atmosphere is carried and reinforced by percussive, ethno inspired drums, which add an organic, ritualistic pulse. The result is a hypnotic soundscape that draws its strength from consistency and depth rather than contrast, inviting the listener into a secluded, otherworldly space.

The final piece of the EP „Popcorn Forever“ reveals another side of Extrawelt’s thinking. The track unfolds like a curious experiment in motion. Instead of building toward a predictable climax, sounds are gradually tossed into an ever running loop fragments, textures and small rhythmic ideas appearing almost casually, as if the piece were assembling itself in real time.
At first the elements seem loosely connected, sometimes abstract, sometimes slightly mischievous in the way they twist and bend. It almost feels like an impossible construction task. But Extrawelt’s experience quietly guides the process. Bit by bit the scattered parts begin to communicate with each other.
Repetition becomes the hidden engine. With every return of the loop new details slip into the structure, and what once appeared random slowly starts forming relationships inside the listener’s mind. The track never forces a clear explanation, yet the brain begins to tie the loose ends together almost automatically.
Popcorn Forever therefore works beautifully as a kind of transit piece within the EP. It moves between ideas, linking moods rather than closing them off. In typical Extrawelt fashion, the result is playful, slightly surreal and full of subtle discoveries that reveal themselves over time.

Baby‘s Gang - Happy Song, der Italo-Disco-Hit aus dem Jahr 1983 ist stilvoll zurück auf farbiger Maxi-Vinyl.

Auf Seite A befinden sich die Original Versionen und auf Seite B gibt es zwei exklusive, neue Remixe von Pulsedriver und BK Duke – perfekt für Sammler und DJs, die den RetroSound mit frischem Drive schätzen.

Prince De Takicardie takes the reins at Opia for our 19th release, channeling a heady mix of polished trance and shimmering prog through his deep dancefloor excursions into all things euphoric. Bass lines twist and roll to ground the EP in a strong sense of pace and momentum while hazy pads and arpeggios whirl and hum to gently nod towards a mellower Balearic influence, all the while still maintaining the energy needed to slot neatly into a peak-time record bag.

With Get Together III, the journey moves into its next chapter, as four artists come together once again to bring the many colors of electronic music to life.
modul808 opens the journey with deep, warm chords and a driving groove that instantly pulls the listener into the depths of its sonic landscape. In “Kamuro”, shimmering details line the explorer’s path, while the magical vocals of Igor Pose are elegantly woven into the arrangement, creating a dense and hypnotic atmosphere. With “Habits”, Heidmann continues the journey in a similarly groovy fashion, leading the way to sunlit clearings filled with memorable melodic gems. Cie effortlessly picks up the uplifting mood on the B-side, where the magnificent “Schlosshotel” unfolds with majestic chords and shimmering strings, inviting every house lover to stay for a while.
Finally, the journey home begins with Dip’s “Module”, which follows a deep path once more, uncovering sparkling sonic secrets along the way.
Together, the four tracks form another chapter in the Get Together series - a warm and timeless deep house journey shaped by four distinct artistic voices.

Mit Get Together III geht die Reise in ihr nächstes Kapitel: Vier Künstler kommen erneut zusammen und bringen die vielfältigen Farben elektronischer Musik zum Leuchten.
modul808 eröffnet die Reise mit tiefen, warmen Chords und einem treibenden Groove, der den Hörer sofort in die Tiefen seiner Klangwelt zieht. In „Kamuro“ säumen glitzernde Details den Weg des Entdeckers, während die magischen Vocals von Igor Pose elegant in das Arrangement verwoben sind und eine dichte, hypnotische Atmosphäre entstehen lassen. Mit „Habits“ führt Heidmann die Reise ebenso groovig fort und öffnet den Weg zu sonnendurchfluteten Lichtungen voller einprägsamer melodischer Klangperlen. Die gute Laune greift Cie auf der B-Seite mühelos auf: Vor ihm erhebt sich das prächtige „Schlosshotel“, das mit majestätischen Chords und schimmernden Strings jeden House Liebhaber zum Verweilen einlädt. Beschwingt beginnt schließlich die Heimreise mit Dip’s „Module“, das erneut einen deepen Pfad einschlägt und auf seinem Weg funkelnde klangliche Geheimnisse offenbart. So entsteht ein weiteres stimmiges Kapitel der Get Together-Reihe - vier Künstler, vier Perspektiven und eine gemeinsame Reise durch warme, zeitlose Deep-House-Landschaften.


Early DJ Feedback:
Christian Seitz / Show "Neuland" on Radio Z
A beautiful compilation that brings together deepness and dancefloor
Sebastian / f.a.r.e.s / Bass And Space
Great EP, thanks!
ed2000 / Dangerous Drums, Cashmere Radio, Face Radio, dub intervention
Very nice set of tracks, support and thanks radio and dj set plays.
Sasha / Circus Recordings, Renaissance, Global Underground
Cool from Cie
Anthony Pappa / Selador / Renaissance
Nice tunes. Thank you.
Timo Maas / Cocoon Recordings, Crosstown Rebels, Rockets and Ponies, Mobilee, Moon
Harbour, Tenampa, etc etc
Nice Heidmann
Stéphane Chambord / Radio Resonance ("DeeJay Academy" Radio Show)
repérages : Kamuro & Habits je prépare une émission spéciale avec un mix des productions du label
Cyprien Rose / Lui, Houz-Motik, Waxdoesmatter
Amazing > Modul808 - Kamuro feat. Igor Pose
Rob Zile / Brain Food Radio (Kiss FM) / Brain Food Records
Great deep tunes
John Digweed / Bedrock Records
Downloading
T. Carlita / In My House
Good Vibe
Laurent / WTM
Another wtm's playlist is coming soon…;)
Douglas Arellanes / Radio 1
Cool chilled out vibe on this record.
Valerio Vaudano
I like "Kamuro" and "Habits". Will try these warming up the dance floor. thx for sending
Stuart Bruce / Chain DLK
Downloading for possible review on ChainDK
Noah Pred / Thoughtless, Biotop, Highgrade
Some nice ones here, thanks.
Ninu / Hipodrome
I like Habits
BARRcode / Backseat Mafia
Solid release.
Carl Craig / Planet-E
dl 4 erno thx!
Ilario Alicante / Cocoon Recordings, Alphahouse, Bosconi, Prism
Downloading for Ilario Alicante, thanks for the music!
Andrew Till / Machine, Fnoob
Cool dubbed out grooves ,,,Heidmann - Habits is my pick.
Ju / Upperberry
Dope =)
Kat Davids
nice and smooth!
Como Las Grecas / Kali Modernphase, Denis Yurgens, Alejandro Club, German MT, Como Las
Grecas
Deep mind in house groove. Interesting VA of deep house.
Dole & Kom / Death By Disco, Mixmag
Really liking Modul808's and Cie's traxxx Thank you

Human Tree Records proudly presents Ghost Town, the third EP by Bam Bam’s Boogie, landing on 30 January. Following the exclusive vinyl release on Bandcamp, this marks the digital edition of the record

The project unfolds across four tracks that push the band’s hybrid language into darker, heavier territory, while also marking a new point of departure. Ghost Town consolidates what makes the trio so compelling, a rare alignment of sound, research, and pure energy, sharpened into a focused statement that still refuses to sit inside one genre.

Ghost Town is a collision of drum and bass, funk, breakbeat, and afro inspired grooves, built for maximum impact. Expect pounding rhythms, sharp textures, infectious melodies, and lyrics that cut deep. At the core is Jacopo Aluzzi, producer, bassist, and multi instrumentalist, transforming the bass into guitars, synths, and otherworldly noise through live looping and effects. On vocals, Kiko King delivers haunting words with magnetic presence, while Eric Oder on keys and synths expands the palette and amplifies the band’s live intensity. A visceral soundtrack for nocturnal movement, a chase through neon streets and empty corners, where the ghosts of the title feel uncomfortably close.

A. WandalHouz – Jazz Do it
Full 13 and a half minute ride, Wandalhouz wanted you to nab some quality use of your favorite material on this earth (vinyl) to its fullest potential. “Jazz Do It” sparks the same feeling and vibe as a sit in studio in session. Using a unique spacey Sci Fi sound creation as its main loop character, its main stand out is its big, bouncing fatty synth bass. Each introduced sound is eloquently placed upon its next, giving each individual sound its own time to welcome itself to the greater whole, and no moment is wasted. Each sound is playfully placed, perpetuating a bounce between the synths rubbing the low end frequencies, while the melodic pipe organ stabs shine bright through the ebbs and flows of sweeping fx to give it movement through the entire wave of sound. Its a driving deep, jazzy, and funky House track that truly encourages you to “Jazz Do It” on the dance floor, and as much as you can, for as long as you can.


B. Dj Mourad TD216 – Summer night talk
“Summer Night Talk” is Deep House cut that meets Electronic Jazz for a drink, at a Broken Beat art show, thats coming from the brain of a Techno OG, and Professor with years of producing, Djing, remixing, and sound design.

Mourad uses “Summer Night Talk” as his latest musical canvas. His machines are his paint brushes, and this song is his poem for its soundtrack. Mourad delivers thumping bass, peppy percussion, skippity snares, and fx that grab attention like poppin off fire crackers inside an art museum. Hypnotizing bass rumbles up your backside, creeps over your shoulders, and then whispers in your ear with a moist breath “Listen….” With each kick of the drum, each new brassy and chunky horn that graces your ear drum, you get further lost in the groove. His melody grab and spin you around, making you take another moment to catch your balance. “Summer Night Talk” is thumping and melodically techy in all the right ways to keep it deep, and true to its title.

Zwar hatten sich die charakteristischen Merkmale des Afrobeat Mitte der 1970er Jahre herausgebildet, doch Fela experimentierte bis zu seinem Lebensende musikalisch weiter. 'Confusion' zum Beispiel hat nichts Kodifiziertes an sich und wirft alle vermeintlichen Regeln über Bord. 'Confusion' knüpft an Ginger Bakers trippige Produktion He Miss Road an und beginnt mit einem fünfminütigen, frei rhythmischen Dialog zwischen Schlagzeuger Tony Allen und Fela am E-Piano. Voller verzerrter, spaciger Texturen klingt es wie die Ouvertüre zu einem Science-Fiction-Film. Und das ist erst der Anfang. Ursprünglich erschienen bei EMI.

Italian multi-instrumentalist, composer, producer and vocalist Alex Puddu is returning with at brand new album "Francia Meccanica" A strong set of songs with catchy hook lines and up tempo groove. Taking us back to the late ’80s and early ’90s disco-house production with refined, sexy vibes that introduces eroticism in both Italian and French. It’s a perfect cocktail mix that pairs seamlessly with Alex’s voice and performance, beats, funky bass, acid sax, and sultry French spoken words. Alex Puddu brings pop disco and retro vibes back in trend — always essential to his style and musical world — and sweeps us into wild French nights blending transgression and romance.

Drama On The Corner makes a powerful return with "ORIXA", its second EP, with a vinyl release on
Betino's Records.
Designed as both a collector’s record and a club-ready release, ORIXA draws deeply from Adrien de
Araujo’s brazilian roots, reimagining Brazilian funk, samba-funk and 70s rare groove through a bold,
modern and warm production.
With these six tracks, the duo delivers instant classics, blending candomblé rhythms, broken beat, soul
and forward-thinking house music

Number 5 of Fluyo Records arrives with The Headmaster, a project conceived in the early 90s from an attempt to “master my own head” and express feelings through sound. The music is mainly instrumental and beat-driven, focusing on emotion and atmosphere rather than vocals, though the right vocal sample can sometimes enhance a track , like B2 - Eternity ¨

Growing up around the Melbourne electronic music scene inspired me to have a go at making music myself. The Melbourne rave scene of the 90s eventually sealed my fate, leading me to perform live, DJ, and release tracks on various Australian and European labels.

"after releasing an album in 2017 on the late lyon-based label s.k. records, and a tape on lost dogs entertainment, the duo OD Bongo — aka édouard ribouillault and amédée de murcia — have teamed up with carton records, zamzamrec, prix libre record, and basalte to present bongoville, the latest episode in their musical saga.

for nearly ten years, OD Bongo has been performing across europe, often late into the night, carrying drum machines, samplers, and synths. the duo's raw setup is designed for instinctive interaction, allowing them to shape their tones and mutant beats.

bongoville captures this energy in a story tinged with hazy techno, rusty dub and industrial trap, with juke & gqom influences. the rhythms bounce, accelerate, disintegrate, creak and eventually explode in a cloud of laughing gas.

in this frantic stop-motion race, chaos comes alive with heavy reverb: a possessed rollercoaster tracing saturated colours and playful distortions, where the loop prevails, where the delays stretch and where the bass saturates.

since 2015, édouard ribouillault and amédée de murcia blend genres such as techno, dub, noise and industrial in a wild bass music bubble."

The Zurich rooted duo H:B:E:M (Antinio Di Benedetto & Alfonso Bianco) deliver a deep and hypnotic journey on Moto Music 22, blending raw techno energy with emotional and atmospheric depth. The opening track “In Orbita” sets the tone with a driving bassline and a subtle oldschool hit sample, perfect for dark peak time moments. The talents from Prince De Takicardie take things into proto trance territory on his remix of “Jupiter Love”, injecting a warm, nostalgic and uplifting vibe. The original “Jupiter Love” dives into mental, melodic deep techno with an addictive bass and immersive flow. Spacetravel delivers on B2 a smooth and atmospheric reinterpretation of “Interstellar Overdrive”, keeping things hypnotic and refined, while the closing track explores breaky ambient textures with swirling rhythms and a dreamy, cinematic feel. A versatile and classy release built for both the floor and deeper listening.

Evighet proudly presents its sixth release, EVIGHET006, featuring the distinctive sound of Healing Force Project, the long-running creative vision of Italian artist Antonio Marini. For more than a decade, Healing Force Project has explored the intersections between electronic experimentation, free jazz and electroacoustic research. His work unfolds with a rare sense of spontaneity and depth, merging intuition and technical precision into a sound language that feels timeless and deeply personal. Over the years, this unique approach has earned him a cult reputation across the underground and avant-garde music scenes. EVIGHET006 is the result of a free creative process, a series of recordings shaped by intuition rather than concept or structure. Within this collection, elements of jazz, drill-inspired beats and dubstep textures emerge and intertwine. The music alternates between dark tonalities and unexpected shifts toward melodic and almost folkloric moments, inviting the listener into an evolving, immersive experience. A highlight, “Playing Tabla and Smoking Weed with Aliens”, reveals the hypnotic pulse of the tabla, guiding the piece through a steady percussive flow that feels both ancient and futuristic. Elsewhere, rhythmic improvisations and fragmented breaks form intricate layers that dissolve and reform with subtle tension. With this release, Healing Force Project continues to move along his own path, shaping sound as a form of exploration and reflection. EVIGHET006 captures an artist in constant evolution, translating instinct into form and intuition into movement.

Błoto has never cared much for dominant aesthetics. Instead, the band has consistently chosen paths less travelled, unexplored territories and uncharted routes where experimentation is not so much a conscious decision as a natural state of being. After years of a rather hermetic approach to recording their albums, the time for change has come. A trip to Bucharest and the opportunity to collaborate with the community of musicians associated with the underground label Future Nuggets, led by Ion D, resulted in many hours of recordings, which will be presented by Astigmatic Records in a series of releases across 2026. It opens with a 7-inch vinyl titled Zmiany / Schimbări, recorded in collaboration with Ion D and Plevna.

With Black Koyo, Mattias De Craene enters a sound world at once intimate and vast. Born from journeys in Morocco and Brussels, the project traces the rhythms, chants, and spirits of the Gnawa tradition, revealing a quiet resonance that echoes De Craene's own search for depth and presence. Guibri, qraqueb, call-and-response chants, saxophone, loops, and electronics come together in a trance-induced dialogue - ritualistic, elemental, and dreamlike - creating a space where listening becomes immersion, tradition meets imagination, and music unfolds as a shared act of reflection and wonder.

About Mattias De Craene
Mattias De Craene's artistic path is marked by rare coherence. As a central voice in Nordmann and MDC III, he developed a physical, rock-inflected jazz language driven by propulsion, volume, and trance-like collective energy. Over time, a period of personal rupture - burnout, tinnitus, depression - shifted his focus inward. The saxophone became a breathing, textural presence, and in his solo work, he weaves saxophone, electronics, loops, and minimal forms into a cinematic, hushed world where repetition, resonance, and silence slow perception. Rooted in ambient and introspection, his music prizes attention over impact, precision over excess - a quiet intensity recognized with a nomination as Musician for the Music Industry Awards (MIA's).

About Black Koyo
Black Koyo is a Brussels-based ensemble and one of the most compelling voices of the Gnawa tradition outside Morocco. Led by maalem Hicham Bilali, the group brings guibri, qrraqueb, and call-and-response chants to life with trance-like intensity and ritual precision. Their music is both rooted and contemporary, weaving earthbound rhythms and vocal invocations into ecstatic, immersive soundscapes, creating a space where ancestral resonance meets present-day imagination.

About Jan Bang
Jan Bang is a pioneering Norwegian producer and musician, celebrated for his mastery of live sampling and his ability to merge electronics with improvisation, rhythm, and texture in real time. He mixed the album and occasionally joins live performances, bringing his signature approach to sound as co-founder of the influential Punkt Festivaland collaborator with artists such as Jon Hassell, David Sylvian, Arve Henriksen, and ECM Records' roster. As a performer and sound architect, Bang creates immersive, trance-like sonic textures where silence and sound carry equal weight. Within Mattias De Craene ftBlack Koyo, his live sampling becomes an organic instrument, weaving saxophone, electronics, and Gnawa rhythms into hypnotic, physically charged soundscapes.

Line-up & credits
Mattias De Craene - sax, electronics | Hicham Bilali - guibri, vocals, qraqueb |Ismael Akhraz - vocals, qraqueb | Marwan Abantor - vocals, qraqueb
All tracks are original gnawa traditionals played by Black Koyo and arranged by Mattias De Craene.
Album produced & recorded by Mattias De Craene in Essaouira, Morocco and hometown Ghent, Belgium 2025.
Text by Hicham Bilali.
Mixed by Jan Bang at Punkt Studio
Mastered by Lieven Van Pee
Artwork by Marina Sviridova
Design by Benoit Van Geel
Manufactured and distributed by N.E.W.S.
Executive production by W.E.R.F. records
Supported by Flemish Government, Jazzlab, nona, HA Concerts, Aubergine artist Management,
KAAP, La Bestia (Wout Van Putten) & mdcmu.sic vzw.
2026 (c) W.E.R.F. records

repressed !

New Berlin based vinyl only label from Amotik. The debut EP features 3 heavy techno cuts.. Not much else to say, but hit play, and enjoy.

Supported by: Pfirter, Truncate, Kwartz, Eric Cloutier, Norman Nodge, Tommy Four Seven, Cari Lekebush, Cleric and many more!

Diggers' delight - after a short hiatus label Putch returns with a new vinyl release hidden diamonds excavated from forgotten corners of music history, carefully reshaped into refined house edits for DJs and collectors.

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. This first additional EP brings four tracks, by Dutch pioneers Spasms and Random XS, and Chicago heavyweights Mike Dearborn and Gene Hunt. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. This second additional EP brings two fourteen (!) minutes long journies by Acid Junkies feat. The Doctor and by Purple Plejade, an early outing by Thomas P. Heckmann and Holger Wick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.