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Preservation Act 2 is the 1974 follow-up to The Kinks’ 1973 Preservation Act 1 RCA album, and their thirteenth studio LP.

The album is a finely produced concept of story, theatre, instrumentals, announcements, guest singers and songs.
A further installement of Ray Davies’ musical drama, with the character sketches, wry observations and ballads seen on Preservation Act 1.

Full of The Kinks’ distinctive and unique charm, featuring gems such as ‘Money Talks’, ‘He’s Evil’, ‘Mirror Of Love’ and ‘Artificial Man’.

This is a 2LP black heavyweight 180g vinyl in gatefold sleeve, with original artwork faithfully reproduced. The first repress, apart from a limited edition 2008 US pressing, since the original release in 1974.

Having announced that Snapper Music will be representing Porcupine
Tree’s Transmission label worldwide, new CD and LP reissues of the band’s catalogue continue to be rolled out throughout 2021.

The concept for ‘The Incident’ (the band’s much lauded 10th and most recent studio album from 2009) emerged as Porcupine Tree’s creator Steven Wilson, was caught in a motorway traffic jam whilst driving past a road accident.
“There was a sign saying ‘POLICE - INCIDENT’ and everyone was slowing down to see what had happened... Afterwards, it struck me that ‘incident’ is a very detached word for something so destructive and traumatic for the people involved. The irony of such a cold expression for such seismic events appealed to me, and I began to pick out other ‘incidents’ reported in the media and news, I wrote about the evacuation of teenage girls from a religious cult in Texas, a
family terrorising its neighbours, a body found floating in a river by some people on a fishing trip, and more.

Consisting of 18 tracks, each song is written in the first person, attempting to humanise the detached media reportage of each associated event. The first 14 tracks form part of a 55-minute song cycle, with the last 4 having been recorded later (and originally released as a second disc to stress their independence from the song cycle).

The album was nominated for a Grammy Award for Best Surround Sound Album and reached the Top 25 in the US and UK album charts. It was awarded “Album Of The Year” in Classic Rock and German magazine Eclipsed.

‘The Incident’ marked another step forward in the incredible journey of the band that began as a solo studio project and grew to a multi-Grammy nominated act and one of the world’s most revered live bands, selling out arenas across the globe and wowing fans with their incredible performances.

This new Transmission 2021 reissue of ‘The Incident’ remains faithful to the original artwork and all 18 album tracks are presented on one disc housed in a digipack with 8-page booklet or as a gatefold double LP on 140g black vinyl.

“An intriguing and truly inspiring album” - Rock Sound
“The title suite is the Tree’s finest hour: a mounting drama of memoir and realnews trauma, animated with slicing guitars, ghost-song electronics, mile-high harmonies and smart pop bait - Rolling Stone

Puscifer wurde irgendwo in der Wüste von Arizona geboren und ist eine Elektro-Rock-Band, ein Multimedia-Erlebnis, ein Wanderzirkus und Überlebende einer Entführung durch Außerirdische. Der Katalog der Gruppe besteht aus drei Studioalben - V is for Vagina (2007), Conditions of My Parole (2011) und Money $hot (2015) - sowie einer Reihe von EPs und Remixen. Neben dem Kerntrio, bestehend aus Maynard James Keenan (Gesang), Mat Mitchell (Gitarre, Produktion) und Carina Round (Gesang, Songwriting), umfasst die Gruppe Greg Edwards (Bass, Gitarre, Keyboards), Gunnar Olsen (Schlagzeug), sowie eine Reihe von Charakteren wie Billy D und seine Frau Hildy Berger, Major Douche, Special Agent Dick Merkin und viele mehr. Die Gruppe ist bekannt für ihre mitreißende Live-Show, bei der die Grenzen zwischen Konzert und Theater verschwimmen.

Demonstrates the deep blues feeling and technical mastery Archie Shepp has on the tenor saxophone. Comprised of four standards - "Things Ain't What They Used to Be," "Body and Soul," "Pannonica," and "'Round Midnight" - this set is one of Shepp's most enjoyable ever.

The reasons are myriad, but it is in large part due to
the fluid, loping bass of Richard Davis. Recorded in a club in front of a live audience, Shepp digs deep into his own history of influential tenor players and comes out not wanting, but on par with them, from Eddie "Lockjaw" Davis to Sonny Rollins to John Coltrane.

His playing here is big, meaty, and warm, full of subtle emotions as well as bleating cries. Davis' sense of time and melody is nearly incredible on the title track and on "'Round Midnight." The interplay Shepp shares with him is tasty, coming from fragmentary elements in Monk's changes; Shepp and Davis move around the lyric and cut to the heart of the tune's colour and ambiguity...a major addition to the saxophonist's catalog." - Thom Jurek, All Music Guide

Malian and French duo Siraba drop the second single from their debut album on Secret Teachings, ‘Kômo Fôlly’, backed by a rare remix from electronic music icon St Germain.

A new alias from Malian hunter Boubacar Samake and Damien Vandesande, one half of French electronic band dOP, Siraba is a unique and expansive project set to merge ancestral music passed down by Malian hunters with electronic-leaning spheres with nods towards the future. Recently debuting on the label with their debut single ‘Ngana Fôlly’, the first single from their forthcoming album set to arrive in September this year, the pairing return to Damian Lazarus’ alternative imprint Secret Teachings for their follow-up single, ‘Kômo Fôlly’ - once again unveiling a tapestry of traditional and modern soundscapes as they deliver a tribute to Boubacar’s father, Sibiri Samake.

With Boubacar returning to the Ngoni and uncovering further lyrics and words in Bamabra, ‘Kômo Fôlly’ builds from traditional Malian tones into an expansive trip through shimmering synths and crisp, organic percussion. It’s a spellbinding and captivating trip into the minds of typically contrasting worlds while uniting the two effortlessly to provide and produce a slice of electronic excellence. A true pioneer of the electronic realm, Ludovic Navarre, known to many under his legendary St Germain alias, is an artist who needs little introduction, having been responsible for some of house and techno’s most iconic productions across a 30-year career on labels such as F Communications and Blue Note. Turning his hand to the track and providing an extremely rare remix, the renowned talent brings his typically vibrant sound palette to the fore as he harnesses the original’s vocals and weaves excellently worked drums, subtle snaking grooves and resonant chords effortlessly for typically classy interpretation while rubber-stamping the fascinating and exciting project in the process.

New York, NY (May 09, 2023) - Techno powerhouse, Charlotte de Witte releases her highly anticipated EP, Overdrive as the anchor to her larger Overdrive Campaign within the KNTXT Label. Following de Witte’s breakthrough to the top of the electronic music scene in 2019 with her signature sonic approach that refuses to be boxed in, Overdrive is a reflection of this ethos. The EP aims to showcase street style that is both rough and energizing, while delivering high-energy tracks meant to pull listeners into the fast-paced thrill that unlocks one's turbocharged version of themselves. Listen HERE.

“While making Overdrive, I didn’t fully realize how applicable the lyrics are to my philosophy of life,” said de Witte. “The fast-paced tempo, which goes full force without looking back, is all about the feeling of being on the edge and living life to the fullest.”

Best known for her “dark and stripped-back” brand of techno and underground music, DJ, record producer, and label head de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that have won her a dedicated fan base and critical acclaim.

“Overdrive is a love story between hip hop and techno, it’s inspired by both genres, but coated in a techno jacket,” said de Witte. “It’s meant to be played loud while driving at night and watching the city lights pass by, and where better to experience that than in New York City?”

Overdrive marks de Witte’s first release since her single “High Street,” and first EP on her KNTXT label since her last EP, “Apollo” which was released in October 2022 as well as her collaboration with fellow techno artist Enrico Sangiuliano on the “Reflection” EP in March 2023. De Witte had previously worked with Sangiuliano on their remix of “The Age Of Love”, which amassed over 40 million streams on Spotify and achieved certified gold status in Belgium. De Witte’s other recent releases include her “Universal Consciousness” EP in 2022 and her “Formula” EP in 2021, which featured the chart-topping lead track “Doppler”.

"What do you get when 2 esteemed Belgian producers/DJ's collaborate with their favorite New York / New Jersey MC's? You get a bullseye. The long awaited release of the international album 'Moving Targets' by Chillowproductions & DJ Grazzhoppa is in sight.

On March 10th, the first single ""Fly Ego"" will drop. Moving Targets pretty much speaks for itself. For this single, the duo set their scopes on New Jersey rapper Venomous2000. While he's aiming for you!"

Sophistication is a very apt description of both the music and the performing artist that is Bill Albright (real name Anthony Bills). Born in 1961 and raised in Baltimore, MD. Albright received a vocational as well as an associates degree in Electrical Engineering and Technology during 1981 the same year as he was blessed with the birth of his son Anthony Jr. From 1982 through to 1985 Bill had moved to New York City to model professionally for several major retail corporations such as Macy’s and Bloomingdales making good use of 170 pounds, six feet tall frame and handsome photogenic looks, while still finding time to hone his singing, songwriting and studio engineering skills through attending art Composers Theatre. His musical management and composing skills were to continue upon his return to his native Baltimore in 1986 as the prelude to him joining the national fundraising touring team for The United Negro College Fund in conjunction with the National Basket Ball Association (NBA) Slam Dunk Contests. Interacting with such celebrity players as Magic Johnson, Arsenio Hall, Spike Lee and Robert Townsend and Atlanta Hawks team mates Spud Webb and Dominique Wilkins.



Through his travels during 1989 Albright decided to settle in Atlanta, GA, making it his home to this present day. Once settled he founded his own cleaning business ‘All Bright Cleaning Services Inc’ built on good old-fashioned ethics of hard work and a strong determination to succeed, the exact same traits that he would later display in his future musical journey. While providing his cleaning services to major commercial companies, home, office and car detailing Albright found the time to continue pursuing his musical ambitions with a strong emphasis on live and recorded performances. In 1993 Albright formed ‘Bill Albright Productions Inc’ working with the late Keith “Keecho” Rawls the former Keyboardist and Musical Director for Peabo Bryson. Albright’s work has often been likened to Peabo’s for obvious reasons as well as Luther Vandross and Johnny Gill, He also draws inspiration from the stars of his youth Nat King Cole, The Isley Brothers, Frankie Beverley and Marvin Gaye amongst others. Albrights productions while being contemporary still retain an old school leaning which widens his appeal to a broader audience. Feeling that the time wasn’t right to release his material Albright continued with his successful cleaning business and live performances, that was until 2022 when he released the first of his productions (as a download only) the stylish “Sitting By The Phone” which gives more than a passing nod to Billy Stewart’s timeless classic “Sitting In The Park” but recorded in Albright’s own unique way. Albright’s second and forthcoming release is the more contemporary mid-tempo mover “In The Middle Of The Night” (only available as a download in the United States) but is due for a simultaneous vinyl 45 release in the UK paired with the aforementioned “Sitting By The Phone” as Soul Junction’s next 45 outing.

Hailing from Seoul but now firmly based in Amsterdam, Naone delivers a superb EP on Warning, mixing her emotional background with her more contemporary roots, the perfect bridge between both worlds, Asia and Europe, or perhaps between her inner self and the outside world. Starting with Perfectly Harmless, the mysterious track develops into deep feelings that really unfold and expand in Hondon-Ui Kaosu (Chaos of Chaos), where the electro breakbeat responds to a melody with hints of pop consciousness.

On the flip side, the Korean artist unleashes her passion with the deep psy-trance infused enigmatic techno groover Haengjin (Marching), followed by a sensitive downtempo acid closer aptly titled What's Happening. Ultimately, this is about the process of making music, channelling emotions and perceptive energies to create a balanced representation of past emotions and memories.

Soul Jazz Records’ new Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 is a one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Record Store Day 2023.

he album draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caesar, Dorothy Norwood, Andraé Crouch and others crossed over into secular soul music during this period.

Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Blige

MARMO, a collaborative project between Christian Duka (Vādin / Amoenus) and Marco Maldarella (Sinestesie), was born out of friendship and shared passion for music-making. Starting off respectively as the electric guitarist and singer in a metal band nearly a decade ago, the pair have worked their way through various flavours of electronic music inhabiting someplace between ambient and dance music, arriving at their singular aesthetic on this, their second album and first for Utter.

'Epistolae' - Latin for 'written letters' - was created between London and Bologna during the COVID-19 pandemic, an ode to friendship and as a way to keep connected during a time of isolated separation. The album is conceived as one continuous musical experience, with each track flowing effortlessly into each other in sequence as is heard on the final cut you are listening to now. A veritable sonic journey, as one might say.

The outcome is an undulating collage carrying emotion as its common thread, with rich ambient textures giving way to bursts of percussion, simmering with shrouded whispers and spoken word, embossed with rhythms and borrowing influences from downtempo, dub, breaks, techno and tribal electronica.

'Epistolae' is available on limited vinyl and digital formats, mastered & Cut by Anne Taegert at D&M. Artwork by Marco Maldarella.

Following a 2020 debut on DJ Monchan’s Dailysession Records, Tinker’s Knob returns with a five-tracker on a new imprint, Pinehurst Music. “These edits were selected from projects dating back to 2017,” he explains, “and most of the revisions have to do with structure and arrangement, which are indispensable. I’m beholden to the original musicians and producers for providing the ‘bones’ of these edits. Some of the recordings are uncommon, some less so, but each has elements of magic, sparks blowing off of a burning branch that drove me to follow them into the night.”

Highlights from the collection include: “Juice,” an early Tom Moulton mix refreshed and dripping with strings (fiddle, not philharmonic); “Thief,” a looped-up boogie number with a break that goes all the way across the urban highway; and “Happy Air Dance,” a heartfelt homage to the late Hamilton Bohannon. Limited to 212 copies.

"Applying elements of minimalism or electronic music to their compositions, Carcascara's second studio album is deeply rooted in folk, blues or jazz. Borrowing from American primitivism, this acoustic guitar trio based half way between London and Zumaia, stretch the boundaries of tradition with a fluid and developed command of the string instrument.

Coming out 14 years after their self-titled debut, highly recommended for fans of Robbie Basho, Steve Reich or John Fahey."

Pressed 45 RPM full-out sound...
with A-side, from Exzakt... and second one from The D.exorcist...
Exzakt, pure legend of the Miami Bass sound, with Monotone, brings a cool teknoïd electro music here, quiet hard and agressive... rare sound !

Dexorcist goes England Electro, in the pure tradition of it... Game addicts style ! "Get funky ! Get Brown !"

A classic NYC club anthem gets a re-work from Charles D. 'Final Chapter' by Mike Macaluso was first released in 1999 on Dieselgroove and immediately became an omnipresent classic. "I would hear it all the time on every house music mix CD I got my hands on," buzzes Charles D. "Once I started actually going out in the mid-2000s, it was still being played at legendary clubs such as Sound Factory, Tunnel, Pacha and Avalon. It was quite literally the soundtrack to New York nightlife at the time."

The original, clocking in at over nine minutes, is a golden dancefloor trip taking in elements of house, trance and Hi-NRG, and is famous for its rousing bell sample throughout. It's an iconic sound signature that brought many a dance fan to a weepy state of delirium.

Paying due respect to the original, Charles D gives it a modern techno touch up, retaining elements of the melody and famous bells throughout.

Back again, Dold and Blue Hour are teaming up on yet another split EP for Arsenik. The two explore new and diverse sounds, broadening the label output with four tracks ranging from dub soaked and dreamy house to early rave and obscure techno/electronica. Blue Hour hosts the A-side opening up the record with ‘Straight up’, a raw drum work out with dubbed out attitude, deep sub bass and tumbling chords. Next is ‘Phases’, which feels lighter in comparison with a mood embracing after-hours moments wrapped in warm pads and emotional string melodies that are reflective of his early productions and signature sound. The B-side by Dold switches the mood up with both tracks referencing the early years of dance music. Ninety-three is a enchanting tribute to when genre cross pollination in the UK was prevailing. Closing the EP ‘Odyssey’ traces further back with a surprising twist of techno/electronica reaching into a futuristic soundscape and through the cosmos.

In the debut EP 'We Are The Ones/Fire/Forever', Chicago DJ legend Rahaan collaborates with an incredibly talented group of musicians, including Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass. Together, they create a 3-track EP that perfectly showcases Rahaan's production skills and the musical talents of the entire group. Rahaan's experience and expertise as a DJ and producer are evident in each track, with grooves that are sure to keep the dancefloor moving. The title track, 'We Are The Ones', is a story of adventure and return, with a twist. Created by Rahaan and The Ones while under the influence, the track was lost for years as it was unnamed on his computer. However, Rahaan's determination to find it paid off, and with the help of Ohio Players' Kenny Anderson on the horns, he built upon the elusive skeleton track. With Marcus J. Austin on lead vocals and Nancy Clayton on backing vocals, 'We Are The Ones' delivers a soulful, 4-to-the-floor anthem that showcases the vocal talents of the group. And in 'Fire', Todd Swope's guitar skills shine through, creating an epic production that draws spiritual inspiration from traditional AfroBeat rhythms. It's worth noting that The Ones features some truly talented musicians, including Carnell C. Newbill (Spike Rebel) on keyboards and backing vocals. Spike Rebel is a well-known producer and musician in his own right. With his soulful vocals taking center stage, Carnell Newbill leads the charge on "Forever," he also superbly delivers on bass, keys, percussion, and guitar. Expertly mixed by Rahaan, this track is sure to become a dance floor anthem. In summary, 'The Ones' EP is an impressive collaboration between some of the most talented musicians in the Chicago underground House and Disco scene. With Rahaan at the helm, this project is sure to be a hit with anyone who loves to dance. Mastered with Love by the Grammy nominated The Carvery Studios, this is one for any worthwhile DJ’s record bag.

In the realm of computer-generated music, all compositions are essentially binary, consisting of zeros and ones, representing data and information. Within this binary structure, every musical event exists amidst a backdrop of unchosen possibilities, creating a sense of absence and mourning for what could have been. The bittersweet emotional quality often found in certain electronic music may stem from a combination of its underlying aesthetic principles, a yearning for a lost vision of the future, and the subtle interplay between presence and absence inherent in the creative process itself.

Released for the first time on vinyl and including 2 unreleased tracks, Tales From The Silent City is a deep electronic journey with the unmistakable Niko Tzoukmanis's sound and sensitivity. The album features sequences that shimmer and persist, while gentle pads offer soothing relief to weary listeners.
Tales From The Silent City not only draws inspiration from a nostalgic era of sequencer-driven music but also anticipates the trend of seeking solace in '90s-influenced ambient techno during uncertain times.

Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour lyric sheet / poster exclusive to this edition.

After releasing the critically acclaimed Alphabet 1968 on the seminal Type label (Grouper, Jóhann Jóhannsson, Yellow Swans), Richter chose De Stijl for this 2012 album, an American label that had just put out future classics by the likes of Circuit Des Yeux, Hype Williams and Wolf Eyes.

EARTH is a 2009 silent film by Ho Tzu Nyen, one of Singapore's foremost visual artists. After hearing Black To Comm's Alphabet 1968 Ho Tzu Nyen invited Richter to accompany the film at Berlin's Asian Film Festival, Unsound in Krakow and several other art biennals and music festivals around the world.

In his own words: "Most of the music was composed under the influence of heavy pain killers while recovering from a broken leg (the recordings literally took place in bed). The music (like the film) is about slowness and decay, states of unconsciousness, sleeping and waking up, dying and being reborn. The film is a post-apocalyptic collage based on paintings by classical European painters (Caravaggio, Delacroix, Rembrandt, Gericault) -- the music translates this concept employing corresponding collage-based sampling techniques using loops made from vintage vinyl and shellac records combined with acoustic and electronic instrumentation and voice."

From the original De Stijl one-sheet:
"Richter’s already formidable expressive power stretches over all of EARTH. Reflecting the countless cyclical forces that make up, oh, more or less everything we know and are, the music on EARTH is bracing, lovely, bustling and still, and at times bittersweet, a commingling of sensations and emotions that can’t be neatly separated from one another. (EARTH is complex, as you know.) Guests on EARTH include David Aird, a.k.a Vindicatrix (on the Mordant Music label), contributing startling vocal work; Renate Nikolaus on an array of instruments and noise devices; Rutger Zuydervelt (singing bowls); and Christopher Kline (singing saw). EARTH is Black to Comm’s seventh album and his debut for De Stijl, following the acclaimed Alphabet 1968 (on Type) and last year’s vinyl-only collaboration with Mike Kelley of Destroy All Monsters (on the En/Of label)."

Alex Neilson in The Wire:
"The most marked aspect of Earth is the voice of David Aird, aka Vindicatrix. Imperious and dolorous, he has the gravity of post-Climate Of Hunter Scott Walker, David Sylvain or Klaus Nomi stripped of the pathetic ritz. This is something that's easy to do badly, but Aird pulls it off with aplomb. On "The Children" he breaks into a morose yodel, rolling the words around his palate and colouring each syllable black before gifting them to the air. The meaning isn't understood verbally as much as viscerally. Beneath Aird's ululations, Richter casts handfuls of angelic debris from keyboards and digital devices, generating a celestial electronic tapestry reminiscent of Japanese musician Nobukazu Takemura. Sounds vie and twist at frequencies you can't so much hear as feel in the bridge of your nose, and the variety and full-bloodedness of the accompaniment is what prevents Aird's vocal from occassionally lapsing into shtick."

The collaborative bi-coastal project between Andi (NYC) and Machino (LA) is dark, spiraling music that conflates the tension of running EBM basslines with the monstrosity of electro-saturated, industrialized beats. In 2021, Andi and Machino began sending music back and forth to each other virtually—thousands of miles apart—as they built upon their passion for creating off-the-cuff, dangerously degenerate dance tracks.

Parafernales, their first release out this summer on Mannequin, is a conceptual EP that deals with power struggles: love and lust, strength and destruction, dominating and domination. Andi's vocals are spoken, whispered, and yelled simultaneously, as if to mirror the mania of having control and losing it at the same time. The EP title, Parafernales, is a nod to Machino's first language of Spanish and stems from the idea of miscellany: it is parafernalia for drugs, or, simply, accessories for unsavory activities. With inspirations from turn-of-the-90s erotic thrillers to the Chilean post-punk band, Los Prisoneros, the duo collide in a manner that is unadulterated and, at times, completely unhinged.

Machino is an electronic performer and music producer from Mexico based in Los Angeles who started out making moody ambient, techno and has now pivoted towards industrial music. He has released several EPs on different labels such as Tresor and X-IMG. Andi is a DJ, producer and music journalist based in NYC. She runs the nine year strong label/party SYNTHICIDE in NYC.

Spaceman, otherwise known as Stephen Munson or Stephan James, is the former lead singer of English cult glam punk band Living In Texas, one of the very first bands to play an MTV Europe session when MTV was in its infancy, one of the last bands to play at the legendary Elixir Festival in France, once #3 in the Italian charts (1985.),...

At the end of Living In Texas, Munson continued to form other projects without such conviction and to write songs, until meeting Christelle Canot aka Confused, a moment which he describes as his epiphany. He entrusted her with the production of his first (double) solo album.

This follows during the pandemic by the production of a double album featuring 9 songs already recorded in 2000 and the composition of 16 others with musicians from all over the world, carried by the same punk and DIY spirit that has always lived with him.

Poet, director, an artist touching everything and a great lyricist, his songs are personal and universal, love letters to his children, to nature, to our addictions, confessions of weakness, regrets, his life passes through these 25 songs that range from the folk lo-fi masterpiece "frEND" to pure postpunk sound straight out of the 80s "Everybody's Hooked On Something", to folk-rock ballads like Martin's Garden, eternal songs with "Loving Ways" or ballads of Lynchian love... As many universes as eras crossed with the greatest sincerity through the eyes of an eternal child.

INTERSPECIES RECORDS, an inter-disciplinary label that brings together not only DJs and producers, but also visual artists, electronic instrument engineers, and other specialists in sound and space, is proud to release its fourth 12-inch record!

For our latest offering we present the return of Recloose, a veteran producer who has created numerous masterpieces on labels like Planet E, Rush Hour, Peacefrog, and other global imprints since the late 1990s. He continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike.

This release also includes stellar remix work from Middle Point, DJ NORIZM and kashi, the label crew of INTERSPECIES RECORDS. In the spirit of their label, each remix presents a unique twist on the original by pushing musical boundaries, fusing elements of Balearic, Loft House, Dub, UKG, Jazz House, and African sounds.

As is the case with the world’s best DJs, this is a piece of music that conjures a new, unknown world by freely mixing without restraint.

El Nido: a welcoming embrace in uncertain times. The world changed forever in the second quarter of 2020. The life we were used to ceased to be, as we were overcome by constant fear, distrust in all that surrounded us and a fatalist attitude towards the world we lived in. With the pandemic came lockdown, mandatory isolation for months, empty streets, face masks, hand sanitizer, the fear of going out, an absurd roll call of Covid fatalities, the daily tension of not knowing when it would all end and the urge to "get back to normal," something that certainly never happened. Out of that pandemic saturation and that urge for "normality" came El Nido ("The Nest"), the third album by Italy-based Colombian producer Montoya, who describes this record as "becoming virgins of destiny again, facing up to that fatalist world and creating that longing for tranquility. Savoring that moment prior to the pandemic, that instant when the most important thing wasn't the immediate reality or the global situation." Montoya sees El Nido as that quiet place that you think of when you close your eyes; it is a beach or a mountain, a sunrise or a sunset, a wave in the sea refreshing your body, or an almost-whispering wind that immediately silences everything around you. On his previous records, Iwa in 2015 and Otún in 2019, his work as a producer prevailed, feeding the growing wave of Latin American electronica, fusing IDM and techno with indigenous root music, Andean folklore and rhythms from the tropical Caribbean coast and ancestral Pacific in terms of instrumentation. But on El Nido Montoya splits the balance, offering us five merely instrumental tracks and six collaborations with Latin American artists, including Colombians Nidia Góngora on "Soñé," Montañera on "Sierra" and Pedrina on "Nubecita." It also features Mexican artist Pahua on "Flor del Mar," the Peruvian Lara Nuh on "El Faro" and the Franco-Venezuelan La Chica on "Palosanto." Starting from the name itself ("The Nest"), an evocation of home, El Nido is also a Filipino municipality on the island of Palawan, a place that turned out to be Montoya's last live experience before the pandemic. That place with crystal clear seas and white sand became the scene and starting point for this work, reflecting on the abstraction of a chaotic world and proposing blurred destinations with each song, like places that exist within memories when we close our eyes, letting us inhabit them, for a couple of minutes at least. On the other hand, it's a record that approaches love; as a yearning and a refuge, as a guide and an anchor, but also as a rhetorical figure that makes us vibrate and elevates us, while at the same time keeping us grounded and letting us settle in the place that we can use as our shelter.

"Spirals" goes back to the roots of jazz, funk, and disco and brings elements of these music streams into house music. In the appearance of swing, jazz was originally a dance music genre, which later developed in many directions. Various other genres were born from it. Even electronic music streams like house belong to those genres.

Bearing this in mind, "Spirals" connects different points in the history of these genres. Bringing this fusion to life, the MIMIKOTO project works with electronic elements (analogue synths, drum computers, electronic modulations) as well as acoustic instruments (saxophones, keys, trumpet, bass, drums and percussions).

The MIMIKOTO project was founded in 2019 by Fabio Kumori as a collective of musicians related to jazz, funk, soul and electronic music, after a certain period of composing and playing as duo, trio and quartet. One of the central goals of the MIMIKOTO project is to include people from different backgrounds - to be inclusive regarding the music and the musicians themselves.

May the sound of "Spirals" be a social room in which everyone is invited to participate, and may this idea be spread everywhere where it will be played.

In the realms of modern day late night ambient exploration Manchester's Marconi Union often draw comparisons with Brian Eno and Biosphere, perhaps Sigur Ros, but the graceful manner with which their richly melodic compositions unfold and the emotion these evoke sets them apart from their peers.

'Weightless' topped a scientific list of the most relaxing pieces of music of all time, research suggesting that it can slow the heart rate, reduce blood pressure and decrease cortisone levels.

Continuous worldwide spotlight on this track sparks new interest daily in Marconi

Union and all their music as the story continues its viral reach across the globe online and in print, on radio and TV.

Consistently topping the Billboard Digital Song Sales Charts, iTunes Electronic Music Chart, UK Independent charts, European and Australian charts and the Amazon Ambient Music bestsellers list, Marconi Union are considered one of the leading ambient (and electronic- synth) acts in the world, continuously topping many lists as the most important contemporary ambient artists around today. They have released 12 albums on the Just Music label since their 2003
debut, continually refining and developing a unique musical identity that seamlessly blends elements of dub, jazz, ambience and electronic music.

Originally released in 2014 and their most successful album to date, the band's 7th studio album Weightless (Ambient Transmissions Vol 2) is now to be released on vinyl.

Catorce reflexiones sobre el fin (Fourteen Reflections on the End) originated from an installation exhibited at the Museo de Arte Contemporáneo de Oaxaca, Mexico, in 2019. Fourteen magnetic bodies of tape that dialogued with the fourteen pieces of electroacoustic music now contained in this album composed from the sound anthology of Angélica Castelló. Thus, Catorce reflexiones sobre el fin is a complex piece consisting of multiple parts that, although articulated with each other, hold a life of their own.

Like every body, these have a unique history made up of mixed fragments spun by Angélica, ranging from field recordings, references, and self-references to previous pieces, experiences, and voice recordings made specifically for these compositions re-recorded in various formats, from lo to high fidelity, analog and digital, composed, decomposed and recomposed (Castelló, A., 2019). Likewise, as any body, they also reflect on their end, whether absolute or temporal, of the many ways of being finite and of saying goodbye.

During the Catorce reflexiones sobre el fin, Castelló takes you on a journey that is difficult to locate. An ethereal space between shattered glass, stridulation of cicadas, war drums, murmurs in French, Italian maledictions, and soft recitations in Spanish. From uproar to solace, all wrapped in a soft abstraction that only allows access to the subtle whisper of these expressions. A gesture between invitation and sharing because who does not recognize oneself in this emotional storm?

First, the approach of the winds, the first breeze that caresses the body. Then the bewilderment announced by the scent of uncertainty condensed in the air’s humidity. The prelude to the storm, to something that will shake you from head to toe, something from which there will be no return.

To the acceleration of the winds comes the percussions, the tremor of the storm with its lightning. la Ira (1). A vibration running through the whole body, unstoppable. This reverberating sound, resulting from its re-percussion with our body acoustics, owes its tones and echoes to the cavities and organs of different masses. From what is hollow and what is full; what is void and what is matter. There is no turning back. It is a dive into the void; to fight and resist because there is no other way to go. It is a matter of survival.

Ma fin est mon commencement Et mon commencement ma fin (2)

After this, the cicada resumes at the crack of dawn, a gentle breeze, and solitude, that temporarily musical silence of embraces (3) with hints of harpsichord and bells.

The breaking of the waves in Sicily is accompanied by the antenna that picks up radio transmissions that already invite other tastes. The Mediterranean and its currents mingle and divide tense routes of escape, exchange, and struggle between Blutorangen, tides, and birdsongs.

An immersion into deep waters.

And in the end, we all commit sins! Queste maledette! (4)

Lorena Moreno Vera, 2023

Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P), following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album, released on cassette in 1983 under the P.A.P. label from Bremen.

To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.

At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.

For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.

The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!

Rock and Roll Hall of Fame® inductees, Songwriters Hall of Fame inductees, and GRAMMY® Award-winning music legends The Isley Brothers proudly present their anxiously awaited new album, Make Me Say It Again, Girl. It marks the duo’s first full-length LP since 2006 and thirty-first original album overall. They originally set the stage for the record with a recreation of The Isley Brothers classic 1975 love ballad, “Make Me Say It Again, Girl,” joined by none other than Beyoncé. It recently catapulted to #1 on the Billboard Adult R&B Airplay Chart, standing out as their first #1 since “Contagious.” It incited a flurry of critical applause from the likes of The FADER and Vulture who proclaimed, “For this one, Bey is out of Club Renaissance, trading lines with Isley over a smooth, polished track.” Make Me Say It Again, Girl THE ALBUM places the pair’s classic sound in the spotlight for a whole new era. Whether it be the cinematic scope of “Long Voyage Home” or R&B escapism of “Disappear,” they lean into the hallmarks of their signature style with undeniable energy. They’ve also brought a few friends—both old and new—along for the ride. El Debarge and Earth, Wind & Fire team up with The Isley Brothers for the generational banger “There’ll Never Be,” while Rick Ross flexes with pure lyrical fire during “Biggest Bosses.” Elsewhere, Quavo and Takeoff ignite the irresistible and infectious “Keys To My Mind.” After more than 60 years of creating massive hits, The Isley Brothers continue to produce timeless and impactful music showing why they are international treasures who are firmly woven into the fabric of our culture.

Rock and Roll Hall of Fame® inductees, Songwriters Hall of Fame inductees, and GRAMMY® Award-winning music legends The Isley Brothers proudly present their anxiously awaited new album, Make Me Say It Again, Girl. It marks the duo’s first full-length LP since 2006 and thirty-first original album overall. They originally set the stage for the record with a recreation of The Isley Brothers classic 1975 love ballad, “Make Me Say It Again, Girl,” joined by none other than Beyoncé. It recently catapulted to #1 on the Billboard Adult R&B Airplay Chart, standing out as their first #1 since “Contagious.” It incited a flurry of critical applause from the likes of The FADER and Vulture who proclaimed, “For this one, Bey is out of Club Renaissance, trading lines with Isley over a smooth, polished track.” Make Me Say It Again, Girl THE ALBUM places the pair’s classic sound in the spotlight for a whole new era. Whether it be the cinematic scope of “Long Voyage Home” or R&B escapism of “Disappear,” they lean into the hallmarks of their signature style with undeniable energy. They’ve also brought a few friends—both old and new—along for the ride. El Debarge and Earth, Wind & Fire team up with The Isley Brothers for the generational banger “There’ll Never Be,” while Rick Ross flexes with pure lyrical fire during “Biggest Bosses.” Elsewhere, Quavo and Takeoff ignite the irresistible and infectious “Keys To My Mind.” After more than 60 years of creating massive hits, The Isley Brothers continue to produce timeless and impactful music showing why they are international treasures who are firmly woven into the fabric of our culture.

Feel the ground shake beneath your feet as swarms of infected march towards your colony! The soundtrack for They Are Billions was composed by Nicolas de Ferran, a prolific composer who already has about fifteen soundtracks to his credits and experience as a Music Editor on OSTs like A Plague Tale: Innoncence, Vampyr, and more.

Due the game's humble beginnings, the music was originally produced on a low budget, using only samples and virtuals instruments.

However, following the overwhelming success of the Early Access, the music was re-orchestrated and completely re-recorded with the National Slovak Symphony Orchestra in Bratislava. A 60-piece orchestra recorded the music for the game for an entire day in the concert hall of Slovak Radio, with sound engineer Peter Fuchs (known for Fable, Total War, Call of Duty and more).

With its cinematic epicness, stressful ambiences and inspiring melodies, this album is a must-have awaited by the whole community! "They Are Billions has been an incredible experience in my career and I'm very happy to be able to keep the music of this game alive with Microids Records" Nicolas de Ferran

In collaboration with Timmion Records, Daptone is proud to present My Echo, Shadow and Me, the debut album from the soulful Chicano brother, Johnny Benavidez. Hailing from San Diego (via El Paso, TX), Johnny's desire to sing was influenced by his grandfather, John Lorenzo Guzman, who as a teen in the early sixties spent some time harmonising with groups in El Paso, most notably Sonny Powell and the Night Dreamers. When he was 13, Johnny was given a record player and a box filled with R&B, Doo-Wop, and Soul 45s that he studied obsessively, employing the harmonies and melodies therein to cultivatehis own unique voice. After a chance encounter with the legendary Dimas Garza, Johnny's career began to blossom and soon he would find himself singing alongside stars like Eugene Pitt and Archie Bell, garnering the interest of Timmion Records..


Backed by the incomparable Cold Diamond & Mink (Bobby Oroza, Pratt & Moody) two incredibly successful singles were cut and plans for a full length were struck, culminating in 11 original songs penned by Benavidez. From the uplifting bounce of the title track, the doo-wop dinged "Dedicated to You", the Latin flare of "Uncle Sam," to the Sweet Soul masterpiece "Somebody Cares" (licensed and released on a Penrose Records 45), My Echo, Shadow and Me is not only an aweinspiring display of Jonny's versatility as an artist but also serves as a window into the eclectic array of soulful sounds that inspired him to fall in love with music and become a singer. A must have for fans of Daptone, Timmion, Penrose, et al.

Debütalbum der Stuttgarter Hard Rock/Metal Band Front Row Warriors. 2019 von Jay-G, (Drums/ Shining, Sharon), Elkie Gee (Gesang / Ampyre, Antares) und Sorin Badin, einem bekannten rumänischen Gitarristen (Cardinal, Samsara, Crystal Maze) gegründet. Hinzu kamen noch Richie Seibel (Keyboards/ Lanfear, Ivanhoe, Them) und Timo Michels (Bass / 5. Staffel, Pump) und Gitarrist Stef Binnig-Gollub (Septagon). Eine musikalische Reise durch die Ära des Hardrock und Metal der letzten 30 Jahre, mit herausragender Gitarren- und Keyboardarbeit und eingängigen Hooklines. Jedes Bandmitglied repräsentiert einen der verschiedenen Stile und Einflüsse, die den Sound der Front Row Warriors ausmachen. Die Band wurde 2021 vom Verband Deutscher Rock- und Popmusiker zum "Besten Hardrock-Act Deutschlands" gekürt. Die gelungene Mischung aus AOR, getriebenem 80er- und 90er-inspiriertem Hardrock und flotten Uptempo-Nummern sowie epischen Balladen findet sich nun auch dem mit Spannung erwarteten Debüt. Als Special Guest glänzt der US-amerikanische Sänger Todd Michael Hall (J. Starr's Burning Starr, Riot V) auf dem Song "Dystopian Times", für den Sängerin Elkie vom Deutschen Rock- und Popmusikerverband zur besten Hardrock-Sängerin des Jahres 2022 gewählt wurde.

ME LOST ME led by Newcastle-based artist Jayne Dent announces a new album RPG via Upset The Rhythm on 7th July, and is touring across the UK including support dates with Pigs x7. RPG (recorded in Blank Studios with Sam Grant of Pigs x7) is ME LOST ME’s fourth outing as a collective, having transitioned from an ambitious solo project in 2017, Jayne now regularly collaborating with acclaimed North-East jazz musicians Faye MacCalman and John Pope.
ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. Hauntological in part, RPG is concerned with tales and with time - are we running out of it? Does insomnia cause a time loop? Do the pressures of masculinity prevent progress? Jayne Dent asks these questions and more on RPG, her homage to worldbuilding and the story as an artform, calling back to those oral traditions around a campfire, as well as modern day video games - bringing folk music into the present day as she does so.
ME LOST ME presents sound reaching in opposite directions, straddling time towards the archaic and timeless traditions of folktales, and towards the possible and potential futures of pastoral Britain and the world at large. Part speculation, part reminiscence, what results on the new album RPG is music that sounds ultimately displaced and yet omnipresent, adjacent to a hapless Vonnegut hero whose life is scattered throughout time and history, but full of wonder and curiosity rather than fear.
On track “The Oldest Trees Hold The Earth”, we see time stretched out between the branches of impossibly old beings in the woods. This track was co-written in Aarhus, Denmark with fellow Newcastle folk musician (with Danish heritage) Ditte Elly. The pair wordlessly passed a sheet of paper between each other to write the lyrics, inspired by Højbjerg and Mosegård, the woods they were sitting in. “How long should I wait/Before the moss grows?/On my skin, on my outstretched arms,” the lyrics are sung in a round, the close harmonies delicate and detailed.

A central thesis of this album is the joy of creation, something which is paid homage to in the album’s final track, “Science And Art” (Not because we need it to last/just because we needed to make it - so we invented the words/this language). It is also reflected in the definition that Jayne gives for “folk” itself. She comments, “To me, folk is quite an expansive idea. I think of it as creative work that's often made ad-hoc, with things that are at hand and more often than not it's born of a DIY ethos. It is songs and stories of the people, as in the traditional sense, but also creative coding, game design etc. Whatever outlet someone has for their creative expression could be described as folk. It's the things we make because humans need to make things, and the stories we tell about ourselves and the world around us.”
Crucially, on latest album RPG, Dent expands her songwriting and looks towards the unreal locations of worldbuilding in video games for inspiration. She comments, “I think the main similarity is the importance of a song's setting/environment to inform its narrative and textures, I'm often most inspired when out walking in the natural landscape, in cities and travelling to places I've never been before - the environment I'm in really impacts the work I make. While writing this album, however, I found myself inspired by imaginary landscapes, those in video games, paintings, etc. I was writing stories into these unreal locations instead. Even the songs inspired by real places, like The Oldest Trees Hold the Earth, have a very surreal quality to them in the songs, like they're being warped and turned into something not of this world. I think that's the main difference for me in terms of the thematic content and inspiration behind this album - I've been getting more and more interested in balancing surreal and fantastical environmental elements with ordinary and everyday settings.”
RPG upends the concept of the eternal return - we may be in the midst of inevitable repetition, but we tell stories whilst awaiting the passage of time.
"Being familiar with, and a fan of Jayne's earlier work, it was great to get the opportunity to work with her on the production of her new record. I had in mind a sense of what the record might be, but what came of the sessions, led by the vision Jayne had for the record, totally exceeded my expectations. As far as albums go, it has a breadth of writing and a sonic depth that made it a truly brilliant record. Having Jayne join us on a leg of the Pigs x7 tour in April is going to be ace. The creative nature, the sincerity and bold strokes of ME LOST ME put it in that space outside of any genre pigeonholes, and between our two sets I imagine the audience is going to have a proper sonic bath..."
Sam Grant, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 2023
“The music of Me Lost Me is beguiling, idiosyncratic and cinematic - or should that be video-game-omatic? This suite of songscapes often hits the sweet spot between ancient and modern with its masterful blend of stark folk, neon electronic burbling and unusual arrangements. Jayne's singing is refreshingly straightforward and nuanced - it's exquisite! - and perfectly punctures the nebulae of synths and brass which billow around the old wooden frames of the songs. Whilst listening I had images in my mind of what Northumberland might look like through the eyes of Simon Stalenhag - foggy moors, a robot looking across the sea to Lindisfarne, twinkling lights on metal towers.... that sort of thing. It's a really great album.”
Richard Dawson, 2023

A1 - Burst Transmission

ASC returns with another stellar solo EP and Burst Transmission dives straight in head first to kick things off, pulsing crafted breakbeats and computer FX intertwine and stack with smooth synths, keys and trademark vocal hits. A powerful undertone bassline perfect for the dancefloor keeps the momentum going with blissful speckles of detail in the composition, including expertly tuned bongo drums scattered throughout.

A2 - Whispers

Sci-fi vibes take center stage as ASC channels that classic 720 energy with Whispers, a track which utilises sharp stabbing snares in distinct, forceful drum patterns which develop and adapt over halcyon synthwork. Respite comes in the middle of the track as the breaks change and settle the vibe briefly, before we are thrust forward again with those epic breaks commanding our attention once more.

AA1 - Psionic bond

ASC continues the retro sci-fi vibes with Psionic Bond, entering with zapping laser FX and a haunting vocal sample echoing before thunderous breaks thrash their way into the track, epic kicks and sharp thrusting snares dominate proceedings while through the wooshing layers of synthwork a distinctive bassy melody elevates the composition. This one is going to send the lucky discerning dancefloor into extra-sensory fever.

AA2 - Future Music

Ending the EP with something a little different, Future Music gives us a true taste of the old school brand new. A building intro lashes you with jabbing bass and effects, classic hi-hats rattle and slowly the 90's jungle breakbeat edits are released in waves as the piece progresses. The construction of the breaks is staggered sparingly, weaved with an influx of effects and samples creating a truly unique experience.

The first ever episode of Doctor Who aired on the 23rd of November 1963.

To celebrate sixty years of the TV show that has become a national institution,

Silva Screen Records are releasing the soundtrack to Series 5 as it first appeared on CD back in November 2010.

Steven Moffat’s new vision of Doctor Who, with Matt Smith as the eleventh Doctor, was perfectly matched by Murray Gold’s score in Series 5.

This album features music from all 13 episodes of Series 5 on triple coloured vinyl in a special gatefold sleeve.



“I think that Murray Gold is incredible, totally incredible, a genius” - Matt Smith

Music performed by The BBC National Orchestra Of Wales and Crouch End Festival Chorus

Solo Vocals by Yamit Mamo, Melanie Pappenheim and Dorie Jackson

Conducted by Ben Foster

Following a groundbreaking cassette-only release on electro label du jour Casa Voyager, Montreal-based producer Simial releases his first full vinyl EP on Gated. This is raw braindance unlike anything else from an exciting new talent you’ll be hearing more from in the future. Over six tracks, Simial takes us into unexplored and highly personal territory, with music that drops and kicks, stutters and starts in unexpected and melodic ways. Watch out for the little surprise vocal hidden in B3.

The label is crated by Mathtiiaas Rosén (Mattias Lindgren) AKA Microman in 1995 in Stureby outside south of Stockholm Sweden.
in the beginning as a way of getting out things that Plumphuse Records did not...

After moving to UK in 98 more got in to it´s own "style" much because of London and that market, ...The label is just Microman´s backyard for experiments and try fix the holes in a dj set, the tunes needed in between the other. A techouse deep house funk house techno hybrid, now lately with the Ahab 13 taking the jump in to Brake Beat and Jungle looking back paying respect to 1998 old school.

Ahab 15 is here and Microman is on the case with a four track ep called: Freja - With a melodic yet stomping sound for both the bar before the gig.

A1: Stoopid Geneie 126 BPM a dark random bass and motion progressive rhymes.
A2: Omberg 122 BPM deep house soft rumble bass positive cords... To the more Techno style.
B1: Freja 132 BPM hybrid techouse journey with a brake down after 03:30 going into strings and full bass line revealed.
B2: Lite mer forskning 130 BPM balearic style sound with electric live bass and steel guitar melancholic melody.

Psycho Bummer is proud to present UFO!, a true originator for bass music in the United States and a hero to us since before we can remember. As part of San Francisco's Phunckateck crew in the 90's, UFO!'s early music staked out a militantly abstract form of techstep that was unlike anything else around at the time. Releases like "Science Fact / Enemy Infiltration" in 1999 were among the first US-produced drum'n'bass records that many stateside ravers bought, and while we can only speak for ourselves, UFO! was a huge inspiration in getting us to make our own music.

On the "Level Up" EP, UFO! continues a recent exploration of jungle, footwork, and juke-influenced tracks that are completely unpretentious and fun yet carry a certain strain of weirdness that links back to his early music. From heads down rollers like "Operation Drag n Drop" to the bizarre rush of "Level Up", this stuff is unmistakably UFO! and it's an honor to have him on our label. We hope you'll love these tunes as much as we do.