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Loren Connors & David Grubbs - Evening Air

Evening Air is the result Loren Connors and David Grubbs’s first trip to the recording studio in the two decades since their first duo album, Arborvitae (Häpna). Arborvitae stood out for its spellbinding, utterly unhurried meshing of electric guitar (Connors) and piano (Grubbs).

With this long-awaited return, Connors and Grubbs take turns trading off on piano and guitar, with Grubbs at the keyboard for the two gently expansive pieces on the first side and Connors taking over the instrument for three gorgeous miniatures on the flip, including an album-closing and perfectly heart-stopping version of Connors’s and Suzanne Langille’s “Child.” The album’s wildcard is “It’s Snowing Onstage,” which finds the two locking horns with two electric guitars before Loren blew the minds of all present in the studio by unexpectedly switching to drums.

Loren Connors is one-of-a-kind, one of a handful of deservedly storied musical greats gracing us with their presence, and with Evening Air David Grubbs again demonstrates that he’s a stellar musician who also ranks among the most simpatico of collaborators.

A cover painting by Connors — another wordless signalling — sets the tone for this most beguiling of seances.

pré-commande30.08.2024

il devrait être publié sur 30.08.2024

27,10
Bobby Gillespie - 5 Hectares LP

"In the summer of 2021 I was introduced to the French filmaker Émilie Deleuze in Paris. She asked me if I would create a soundtrack for a film she intended to make titled Cinq Hectares. When I asked Emilie what the story of the film was about she replied "It's a comedy and road movie , about a guy driving a tractor across France". I love road movies and I had never composed a movie soundtrack before so I immediately said "yes". I recorded the soundtrack in the summer of 2022 in east London with the help of producers James Rand & Thomas Gorton of @godcolony and a bunch of great young musicians they introduced me to, one of which @alwhite who now plays saxophone with Primal Scream. Émilie's film is an absolute cracker and I'm very proud of the soundtrack. Hope you enjoy listening to it as much as we did making it”

Bobby Gillespie, June 2024

pré-commande16.08.2024

il devrait être publié sur 16.08.2024

28,99
BEAR MCCREARY - THE SINGULARITY LP 3x12"

The Singularity is an epic rock concept album, graphic novel, and concert experience from the mind of Grammy-nominated, and Emmy and BAFTA Award-winning composer Bear McCreary. The album features an extraordinary lineup of rock talent, including Slash, Serj Tankian, Rufus Wainwright, Corey Taylor, Jens Kidman, Joe Satriani, Buck Dharma, Asdru Sierra, Griogair, Kim Thayil, Scott Ian, Brendon Small, Billy Boyd, Eivør Guthrie Govan and Bryan Beller (The Aristocrats), Mike Keneally (Frank Zappa), Ben Weinman (The Dillinger Escape Plan), Steve Bartek and John Avila (Oingo Boingo), Warren Fitzgerald (The Vandals), Esjay Jones (We Are PIGS), Sigurjón Kjartansson (HAM), Raya Yarbrough (Outlander), rapper Mega Ran, and legendary metal drummer Gene Hoglan (Strapping Young Lad, Dethklok). McCreary’s brother, Brendan McCreary, also co-wrote and co-produced the album, and sings lead vocals on eight songs.

Though undeniably hard rock, the music also bursts with cinematic energy from use of live orchestra, choir, and international colors including morin khuur, bagpipes, and nyckelharpa.

pré-commande09.08.2024

il devrait être publié sur 09.08.2024

67,65
ASMAA HAMAZAOUI - BNAT L'BNAT TIMBOUKTOU LP

Asmaa Hamzaoui stands out as a pioneering female figure in the traditionally male-dominated realm of Gnawa music. With her group, Bnat Timbouktou, she brings a dynamic and spiritual dimension to the genre, infusing it with the vibrant energy of desert blues. Despite the essential role women have played in Gnawa rituals, female musicians have historically been underrepresented. Hamzaoui, however, is at the forefront of changing this trend. Born into a family deeply entrenched in Gnawa traditions in Casablanca, Hamzaoui was immersed in this musical heritage from a young age. Her father, a master musician, and her mother, a dancer, provided a rich environment for her early education in music. She learned to play the guembri, a three-stringed lute central to Gnawa music, and began performing with her father's band on the qraqeb, metal castanets used in Gnawa music, and in the choir. Encouraged by her father, she eventually formed her own group, Bnat Timbouktou. The group's debut album, "Oulad Lghaba," recorded in collaboration with the Swedish label ajabu! Records, was critically acclaimed and nominated for a Songlines Music Award. This album, along with their upcoming release "L'bnat," showcases Hamzaoui's commitment to preserving and revitalizing Gnawa music. "L'bnat," will emphasize the female traditions and spiritual aspects of Gnawa culture. Hamzaoui's performances are characterized by her powerful voice and the rhythmic, percussive playing of the guembri. Her music not only pays homage to the spiritual and healing qualities of Gnawa but also aims to keep the tradition alive by introducing it to new audiences worldwide.

pré-commande31.07.2024

il devrait être publié sur 31.07.2024

36,09
JIMETTA ROSE & THE VOICES OF CREATION - THINGS ARE GETTING BETTER LP

Things are getting better is a bold statement to make in a time when the world seems to be on the verge of world war 3 and the cost of living is rising beyond most of our reach. Five years ago when I started the Voices of Creation with Jack I knew the world would need new songs, new mantras and prayers for this new day that is dawning. We would need more faith, we would need love, we would need vision, and we would need each other. A part of every beginning is an ending, this is an observable law of nature. So it is with unyielding faith and a hopeful heart that I look out at this world and find reasons and ways to keep moving forward with love; making music that echoes with the sparks of this new world I’m working to see come into view. Things may be falling apart, old ways of being becoming unsustainable; death, war, chaos, genocide, famine, and floods; symptoms of the internal combustion of a society wracked with fear and given more access to weapons than to their own feelings.

This collection of songs are my testimony in a way, a sonic exploration of finding my faith and figuring out how to use my faith to navigate life and this great big old world after losing family (my mother Betty and my brother Keith) and in a way losing my sense of hope for what my future could even be. Through the writing and singing of these songs I healed myself of the doubt and mistrust of the unknown. I found a way to forge my faith into what is now a mighty sword of song, community, and ministry with the intention of healing myself and others. I’ve always felt as though melody and language were tools that could be agents of change and healing if used with intention and integrity. To witness the expanding joy and shared purpose grow within the choir and to see the contagious nature of faith and togetherness through our rehearsals and shows showed me how necessary it is to the human experience. This has been truly revelatory, further anchoring me in what I feel my purpose is on the planet; and that is to sing and bring to life more joy, peace, love, community, unity, faith, and praise. With more of those energies flowing around the planet, things will surely get better and better and better…ad infinitum. Word to Nina, Jimmy & Betty, and all my angels and ancestors riding wit me. We still here and God is still good.

"An artist's duty, as far as I'm concerned, is to reflect the times." Nina Simone

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25,17

Last In: 20 months ago
LILACS & CHAMPAGNE - FANTASY WORLD LP

Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

pré-commande19.07.2024

il devrait être publié sur 19.07.2024

25,17
Odie Leigh - Carrier Pigeon LP

Odie Leigh

Carrier Pigeon LP

12inchLPMPC748
MOM+POP
12.07.2024

Odie Leigh would never have called herself a musician before the depths of the 2020 pandemic when her rapper roomies made a bet: Whoever records a song that goes viral first, wins. Slightly ticked off that they hadn’t included her in the wager, she decided to hit them with her best shot, and Leigh was crowned the victor when a track she wrote blew up on TikTok. “I was like, ‘I’m gonna show y’all. I’m gonna win.’“ Four years after posting what she calls “that silly joke song” on TikTok, Odie Leigh has continued to transform and evolve as an artist — from what she calls “acoustic, ethereal folk sad girl music” to harder-edged tunes that flirt with early Aughts pop-punktivism.

Born and raised in Louisiana, Odie Leigh sang in the church choir, sure — her grandfather built the building, after all, and her family attended three times per week. But after moving to New Orleans to study English, she fully intended on making her bones in the film industry. That 2020 wager changed things, though, when Odie realized that she could win hearts in addition to bets. After her releases began gaining steam on social media, Odie Leigh started hitting stages hard. She toured Europe, North America, and played Newport Folk in 2023, followed this year by gigs at Boise, ID’s Treefort Music Fest with more to come.

pré-commande12.07.2024

il devrait être publié sur 12.07.2024

33,82
Izo FitzRoy - How The Mighty Fall LP

Repress!

Vocal powerhouse Izo FitzRoy exploded on to the scene in 2017 with her debut LP 'Skyline', the album incorporating a stunning fusion of styles spanning gospel, funk and soul as Izo's raw bluesy tone and direct lyricism took centre stage.

Her new album 'How The Mighty Fall' builds further on the soul foundations of her debut. Recorded between Paris, London and Sheffield, it sees her collaborating with three stellar producers and a host of talented musicians.

Disco royalty – Dimitri From Paris (Glitterbox, BBE) directs fellow Parisians Cotonete on her smash single 'I Want Magic'. Studio wizard Shawn Lee (BBE, Ubiquity) brings the funky AOR vibes on 'Slim Pickings' and the Mercury Prize nominated - Colin Elliott (Richard Hawley, Jarvis Cocker, Paul Weller) who produced the bulk of the album, completes the trio. Guesting on the record are the UK's most in demand brass section – The Haggis Horns and Izo's long-time collaborators - Soul Sanctuary Gospel Choir.

Conceived during the aftermath of the breakdown of her long-term relationship, Izo looked to this personal experience for inspiration for the album as well as casting further afield at the wider themes of mental, societal and communication breakdowns.

Despite the strong material, at one point it seemed the record might never materialise. Just as the world was getting on board with her debut LP and international touring was taking off, Izo lost the use of her voice and required surgery on her vocal chords in the second part of 2018. A long schedule of vocal rehabilitation was necessary to get back to a position where she could first talk, then sing regularly enough to get back to work.

Thankfully after this difficult personal period for her, the silver lining from the experience was that post-recovery she gained a whole new octave at the top of her vocal range! This in turn has influenced her song writing on the album & allowed her to enhance her compositions with more vocal light and shade from this unexpected gift.

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21,81

Last In: 21 months ago
BONBON VODOU - AFRODIZIAK EP

"Direct heir to the fusions of Maloya rhythms from Réunion Island, like Alain Peters, Danyel Waro, René Lacaille... Bonbon Vodou is the sweet and sour confectionery concocted by Oriane Lacaille and JereM Boucris. Bathed in the sweetness of clear voices and carried by a devastating groove, Bonbon Vodou distills joy and propagates a trance wave.

Bonbon Vodou renews in French and Reunion Creole the melodic-fantastic marriage of grouple (couple group) Areski B./B. Fountain.

On her unique mini-drums, Oriane makes bodies shake to the pulsations of the Island of Meeting. JereM, with his oil can body guitar and North African reminiscences, hybridizes these rhythms of heady melodies.

The creoleness of Bonbon Vodou is expressed in a bonfire, which summons Brassens in choir as well as the explosive ternary of the Indian Ocean. To make this fire crackle a little more, the duo joins in a fantasized “side band”: the Piment Piment, three captivating musicians for an enhanced Bonbon Vodou formula. Roland Seilhes: the pied-noir blanc-bec at the hips (sax, clarinets and flute) Juliette Minvielle: the aerial wildness of Béarn (string drum, keyboards and percussion) Yann-Lou Bertrand: Panam ivory (bass, flute, trumpet, percussion)

Bonbon Vodou as a quintet explores even more deeply maloya and the mosaic of swaying and telluric rhythms gleaned from the four cardinal points.

If the duo adopted the Creole spelling of AFRODIZIAK it is because it extends the very real dream of their African roots.

Singing about the beauty of crossbreeding and the harshness of metic life.

The quest for hidden treasure, the lives of migrations and island lives are imbued with it.

“Bonbon Vodou sides with the practices of enchantment” Vinciane Despret "

* The title Afrodisiak quotes “We love life as much as possible” by Palestinian poet Mahmoud Darwish

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13,03

Last In: 3 months ago
Joanna Gemma Auguri - Hiraeth LP

Joanna Gemma Auguri releases her new album "Hiraeth" on 28th June via Duchess Box Records Joanna Gemma Auguri is a Berlin musician, songwriter and actress. In the various stages ofher musical solo and band projects, she incorporates influences from folk, ambient andavant-garde music.Being five years old she escaped with her parents from Poland, which was under martial law,and had to learn at an early age what uprooting means. This experience is reflected in her music as an expression of personal sadness, compassion, but also despair about the state of the world.2021 she released her solo debut "11" on her own label Lavender Music. It was mainly characterized by accordion, zitherand her vocals. Her new album "Hiraeth" was recorded at Candy Bomber Studios in Berlin by Ingo Krauss, with a large number of musicians. Besides choir, double bass, lap steel guitar, drums, cello, horns , different organs and keyboards her original instruments accordion and zither still shine through from time to time. Joanna's voice sits unmistakable on top of the majestic,nearly monumental compositions which despite their richness always stay basic and delicate. "Hiraeth" is an untranslatable Welsh word that describes the longing for a home, a place or a feeling that no longer exists or never existed.The album will be released June 2024 on Duchess Box from Berlin.

pré-commande28.06.2024

il devrait être publié sur 28.06.2024

28,99
London Music Works - Music From Succession LP
 
23

Immerse yourself in the immersive world of Succession like never before with the Official Soundtrack on vinyl. Discover the soundscape that accompanies the gripping drama of the Roy family's power struggles, brought to life through a selection of tracks that capture the essence of the acclaimed series.

Featuring both original compositions and carefully selected classics, the Succession vinyl soundtrack offers an emotional journey through the highs and lows of the Roy dynasty. From moments of intense family conflict to triumphs of corporate conquest, each track takes you deeper into the heart of the story, making it a must-have for fans and collectors alike.

Treat yourself to the luxurious experience of vinyl and enhance your listening sessions with the rich, warm tones that only analogue audio can offer. Add the Succession vinyl soundtrack to your collection today and immerse yourself in the world of power, wealth and family intrigue

pré-commande28.06.2024

il devrait être publié sur 28.06.2024

25,63
The Threshold Houseboys Choir - Amulet LP 3x12"

The music released as Amulet (or The Amulet Edition) is Peter "Sleazy" Christopherson's semi-secret testament. Originally available in exceedingly limited quantities at live shows and via direct mail-order in 2008 as a hand-assembled 4 miniCDR set housed in a circular Thai Amulet case and never properly distributed, the material finally receives the wider re-release on vinyl and CD it so richly deserves.

Only the second and sadly already the final release in his post-Coil solo guise as The Threshold Houseboys Choir "Amulet" sees Christopherson in a more playful mood than ever, don't be fooled by reviews calling this suite of songs "incomplete" or "working stage", these are rough little diamonds, often imbued with a bittersweet melancholy joy, unsurprisingly reminiscent of some of the final Coil offerings, but additionally steeped in exotica, inspired by his new East Asian home and the ghostly voices of his digitally generated choir ("a vocalist that wouldn't crash", as he would say). At times these tracks sound like a warmer, less analytically complex counterpart to the work he created simultaneously with CoH's Ivan Pavlov in the celebrated Soisong project.

Bonus tracks feature rare earlier THBC compilation tracks and a few previously unreleased exclusive sketches. Let's be perfectly clear though, "Amulet" is not some half-finished cutting-room floor left-overs, it's a genuine but very little heard fully fledged album released by Christopherson with some of the tracks performed live on his last ever tour, the unforgettable intimate Evenings with Uncle Sleaz.

The Infinite Fog edition, presented as a 3LP in a triple heavy Gatefold sleeve and a 2CD Digipak, both including a poster of Peter Christopherson in his infamous Cruella Deville coat has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Oleg Galay overseen and with additional guidance from "our man in Thailand" Peter Jenx.

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54,41

Last In: 18 months ago
Kavinsky - Odd Look

Kavinsky

Odd Look

12inchREC107
Record Makers
19.06.2024

repressed !

Kavinsky’s ‘Odd look’ is one of those songs which will haunt you for a long time after hearing them, one of Kavinsky’s acclaimed ‘Outrun’ highlights for sure.

The deep, raw and soulful instrumental brings a cinematic sound which has the power to litterally put you in a virtual movie just listening to music ! And SebastiAn’s vocal part on top is a unique rendering, somewhere between Stevie Wonder and HAL.



The Weeknd was invited to sing on the song by Kavinsky himself. As a big fan of his singing skills, the zombie wanted him to give his song the real soul touch that he’d had in mind for ages. His performance reminds of Michael Jackson, a fast and swinging vocal line, extremely addictive !



A-Trak who has been Kavinsky’s pal for years now delivers a banging remix with bass & drums and a beautiful & strange vocal hook. The kind of tune that can be played in a NYC hip hop party, as well as in a techno warehouse in Berlin with the same effect : arms up ! A-Track rules it as always.



Midnight Juggernauts have taken the spacey-progressive path for their approach towards ‘Odd Look’. Trancey sounds built around those Scarface-like choirs surround you and bring you back to the early 9O’s chill out era, It’s emotional music, as on their recently released ‘Uncanny Valley’ album.



Prince 85 is the newcomer of this selection of X-tra strong producers. His new-hip hop sound fits Kavinsky’s moods perfectly, adding a brilliant re-cut work and some exquisite additional keyboards. Real drinving music, that’s the deal.



Surkin has the recipe for producing absolute club anthems, his re-do of Kavinsky’s tune is one more proof of his skills. Sirens, brilliantly produced vocal excerpts and his signature synth sounds alltogether create a happy and hysteric mood that one could imagine create club riots !

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9,87

Last In: 15 months ago
@ - Are You There God? It’s Me, @ LP

In March 2023, @ turned heads with their debut album Mind Palace Music that utilized an array of acoustic instrumentation and densely layered harmonies, like the great outsider folk records of the 60s and 70s and placed it in a modern setting. If Mind Palace Music was @ playing on story mode, their new EP Are You There God? It’s Me, @ is the darker, stranger side quest.
Mind Palace Music was written in very specific circumstances. The band was formed while they were confined to their homes during quarantine — Victoria Rose in Philadelphia and Stone Filipczak in Baltimore — exchanging musical sketches over iMessage and email. Even though the world has opened back up and they’ve been able to play together live, this EP was again created remotely while in their respective cities. What did change, however, was the production.
Are You There God? It’s Me, @ is @’s foray into electronic music — consisting primarily of software instrumentation (with the occasional flute, guitar or bass part sprinkled in). The band’s experience producing in this style was minimal, but they found the new process to be a rewarding exercise allowing them to explore new textures and structures made possible by computer music. Where their previous acoustic recordings had a looser and more human feel, these new songs allowed them to experiment with autotune and quantized beats. Rose was able to resurrect her passion for classical choir by singing and recording a capella vocal arrangements to be incorporated into Filipczak’s instrumentals.
Across five songs, @ call upon a higher power, as the title suggests, in search of fulfillment. While they try to remain hopeful, daily suffering casts doubt on whether that high power even exists. On “Soul Hole,” overtop an autotuned vocal loop and hyper-pop-esque production, Rose repeats “I’m going to the soul hole and I’m never coming back,” hoping to leave behind the material world and the desires that comes with it. “Webcrawler,” named after the pioneering search engine, might be considered Are You There God?’s epic. @ sees their search for meaning in life akin to how search engines pull together data from all over the internet to find answers. The music itself is even reminiscent of dial-up internet connection, with droning keys and machine-like drum programming until overheating and erupting into chaos, in the form of heavy-metal shredding, only to cool down again back on a loading screen.
While the band confesses the departure from their usual sound may only be temporary, it’s an exciting listen full of twists and turns that surprised even themselves. “We’re both really dramatic in our musical sensibilities and don’t shy away from ridiculous choices,” Rose recalls, “which can really be exaggerated when working mostly with electronic sounds.” Full of soul searching and sonic experimentation, Are You There God? It’s Me, @ is an encapsulating spiritual saga for the digital age.

pré-commande14.06.2024

il devrait être publié sur 14.06.2024

15,34
Marco Glühmann - A Fragile Present LP

Die Komfortzone seiner eigenen Band zu verlassen, um sich auf neue musikalische Pfade zu begeben, erfordert Mut. Daran sollte es MARCO GLÜHMANN als Sänger einer der erfolgreichsten deutschen Artrock-Bands SYLVAN nicht mangeln, da er es ja gewohnt ist, ganz vorne im Rampenlicht zu stehen. Es spricht für seine enorme Kreativität, eine längere Schaffenspause seiner Haupt-Band zu nutzen, um sich ohne die notwendigen Kompromisse, Vorgaben und Beschränkungen seiner Mitstreiter neu auszuprobieren. Herausgekommen ist ein fantastisches Album, das voller Energie und Esprit steckt und irgendwo zwischen Rock, Artrock und anspruchsvoller Popmusik wandelt. Nachdem seine SYLVAN-Bandkollegen Volker Söhl und Johnny Beck letztes Jahr das Projekt VIOLENT JASPER vorstellten, darf man nun auf das Werk "A Fragile Present" ihres Frontmanns gespannt sein!
Speziell die erste Single "My eyes are wide open" hat Marco nicht nur in kürzester Zeit geschrieben, sondern auch die Lyrics sind geblieben. "Die Textstelle 'Lay your head on me, oh my little boy' bereitet mir immer noch Gänsehaut, da ich mir hier mich und meinen Sohn vorstelle und die Liebe, die Kurzweiligkeit des Moments, aber auch Verantwortung spüre, ihn in diese Welt zu ‚schicken'." so der Künstler weiter. Dass gerade dieser Song von keinem geringeren als MARILLION-Gitarrist STEVE ROTHEREY veredelt wurde, einem von Marcos musikalischen Helden, setzt ein ganz besonderes Ausrufezeichen.
Apropos Musiker, das Line-up liest sich wie ein "Who is who" der Artrock-/Progressive-Rock-Szene: neben dem bereits erwähnten STEVE ROTHERY gibt auch BILLY SHEERWOOD von YES ein Gastspiel: er steuerte die Chöre bei "Hear Our Voice" in allerbester YES-Manier bei. RPWL-Gitarrist KALLE WALLNER spielt die meisten Gitarren auf dem Album und war nicht nur als Co-Produzent, sondern auch als Arrangeur maßgeblich beteiligt. Natürlich gibt sich SYLVAN-Gitarrist JOHNNY BECK die Ehre und die Rhythmusgruppe besteht aus Drummer TOMMY EBERHARDT und dem Bassisten MARKUS GRÜTZNER (RPWL). All das wurde aufgenommen, gemischt und produziert von RPWL-Mastermind YOGI LANG in den Farm-Studios, der zudem noch einige Keyboards beigesteuert hat.

"A Fragile Present" ist ein wahres "Bilderbuch"-Album, das man sich schöner nicht wünschen könnte. Tolle und einprägsame Melodien, die einen nicht mehr loslassen, hochemotionale Musik und grandiose Musiker. All das will einen das Album wieder und wieder genießen lassen.

Line-Up:
Marco Glühmann - vocals, keyboards, guitars

Steve Rothery (Marillion) - guitar on "My eyes are wide open"
Billy Sheerwood (YES) - choir on "Hear our voice"
Kalle Wallner (RPWL) - guitars
Johnny Beck (Sylvan) - guitars
Yogi Lang (RPWL) - keyboards
Markus Grützner (RPWL) - bass
Tommy Eberhardt - drums

Die Presse meint:
eclipsed 8.5/10 - ALBUM DES MONATS: "Insgesamt ein wunderbares Album und Beispiel für gelungene Kooperation."

Piranha/Start: "Von dieser Progrock-Basis aus wagt Glühmann den Schritt in Richtung intelligenten Mainstream-rocks: Songs wie "For A While" oder "Reach Out" würden ins Programm der Rockpop-Sender passen, die noch 80s-Rock wie "Boys Of Sum-mer" oder "Kayleigh" in ihrer Playlist haben."

Rock Hard 7.5/10: "…eine ohrenfreundliche Progrock-Scheibe… die etwas straighter und rockiger daherkommt als die Sylvan-Platten. Die stilistische Ausrichtung kann überzeugen, und kompositorisch ist auch alles im deutlich grünen Bereich."

Good Times: "Bei solchen Cracks versteht es sich von selbst, dass mit A FRAGILE PRESENT ein lupenreines - äußerst lyrisches - Prog-Rock-Werk entstanden ist."

pré-commande14.06.2024

il devrait être publié sur 14.06.2024

22,65
Keith Hudson - Playing It Cool & Playing It Right LP

Keith Hudson was a one-of-a-kind musical innovator with an impeccable track record from the start: his first studio recording involved former Skatalites, and his earliest releases provided solid-gold hits for Ken Boothe (“Old Fashioned Way”, 1967), John Holt, Delroy Wilson, U-Roy and the others.

With Pick A Dub Hudson produced one of the best dub albums ever, and with The Black Breast Has Produced Her Best, Flesh Of My Skin, Blood Of My Blood he released the first concept album in reggae history, bringing his all-around talents to full fruition as early as 1974. Thematically dedicated entirely to Black history, the latter of these two albums is a masterpiece that captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson's eccentric vocals. Like Lloyd Bullwackie Barnes, his splitting from tradition was dynamic and all his own.

As his career moved on, Hudson found himself working outside of Jamaica, more frequently in London and New York studios and for transatlantic audiences, his dark experimentalism becoming increasingly better suited to the LP than the cardinal 7” reggae format.

Playing It Cool & Playing It Right was released in 1981 on the Joint International label, in NYC, with Lloyd Bullwackie Barnes as the executive producer. The Love Joys and Wayne Jarrett, stalwarts of Barnes' record label, Wackies, would also inimitably feature Hudson at the microphone. Like Bullwackie, Hudson was a devotee of Coxsone Dodd’s Studio One and Playing It Cool & Playing It Right follows Dodd’s then strategy of overdubbing his signature rhythms. The Studio One sides were aimed at the dancefloor and Hudson’s reworkings of tracks like “Melody Maker” are more psychological. Here, deep Barrett Brothers rhythms are made deeper with reverb, filters and distortion; everything pitched down and overlaid with new recordings of guitar, percussion, keyboard, and voice, often heavily treated.

Playing It Cool & Playing It Right continues Hudson’s psycho-acoustic journey into the abysses of existence, and overwhelms with the beauty of artistic self-empowerment. "Too much formula," sings Hudson, whose voice is occasionally reminiscent of Sly Stone or even Tom Waits. "Darkest night," answers an echoing background choir elsewhere. Even more fascinating is Hudson's production, which reflects Black history in even the smallest sound detail, the flashing whip of the slave driver still echoes in the sound of the snare drum. Rarely has a roots sound been made so electrifying, so expansive in all directions, so crystal clear, so bass-warm and echophonic as on these 30 minutes of music.

Playing It Cool & Playing It Right is legendary, strange, utterly compelling music that has possibly never been more topical than it is today.

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28,53

Last In: 17 months ago
Panthera Krause - Aside The Aeons LP

Respected Leipzig based multi-instrumentalist Panthera Krause arrives on KANN with New Age appeal! Delving into a more mysterious sound than the label is commonly known, the artist draws from the dark side of the pool, taking in Baltic choir inspirations, 80s cinema themes (Tarantino's favourite) and lyrical GDR rock for good measure. Produced in secrecy over the past 12 months, Krause gets in touch with his inner Stereolab by creating an enchanting new full length entirely on headphones. Drip fed to those close to him over the past year, he was convinced to share these audiobooks to a wider audience, now resulting to: Aside The Aeons. Adding almost only sounds from Korg M3R, Roland Aeorophon and a JX 03 synthesizer to the action - the record explores an unique musical universe and head trip for the astral plane.

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Last In: 21 months ago
Keeley Forsyth - The Hollow LP

Keeley Forsyth

The Hollow LP

12inchLP13-56
130701
06.06.2024

The bleak and foreboding landscape surrounding Keeley's North Yorkshire home seems to inhabit her third LP, 'The Hollow'. The moors, visible from her studio window, impact upon a music that feels made of these places: windswept, rain-soaked and blinking through the low-lit landscape. The album's title derives from discovering a long-abandoned mining shaft whilst out walking - the past lurking within and haunting the present we now occupy. A connection to time that places us within it, facing what is gone and what may come. But also, perhaps that time has no concern as to whether we're here or not.

Keeley's unique elemental voice again sits centrally within this world-building. Her cathartic reflections are exorcisms in song. We hear an artist making sense of her life, willing to expose vulnerability without ever appearing weak. Working again with producer Ross Downes, the LP features Matthew Bourne and Colin Stetson, Forsyth sought to expand both her voice and music. Taking aspects of sacred music, minimalist post-classical, dark ambient, film and theatre soundtracks, she layers her vocals into chamber choirs, applies pitch shifts and other digital processing, moves from clear articulate intention to mumbled numb utterances.

Composer Mihály Vig's score to Bela Tarr’s film 'The Turin Horse' is reimagined as a pressurised outpouring, recasting the everyday within a mythical light of survival and hope. On ‘A Shift’, Mal Finch's protest song ‘We Are Women, We Are Strong ‘, originally sung by wives and daughters in support of the '80s miner’s strikes, is recontextualised in solidarity for an experience of creative labour.

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Last In: 22 months ago
Andrea Laszlo De Simone - Uomo Donna LP

Andrea has his roots in the independent musical scene in the first decade of the 2000s. In addition to his compositional and live experience as the first Nadàr Solo drummer, he is one half of the Turin duo Anthony Laszlo with Anthony Sasso, ex guitarist and singer of Milena Lovesick. Andrea Laszlo De Simone made his debut in 2012 when he released his first homemade album, Ecce Homo. Recorded at home by makeshift means and accompanied by the following videos: Solo un uomo, 11:43, I nostri piccoli occhi, Perdutamente.

At the beginning of 2014, he met some experienced musicians from Turin’s underground scene that later, after a few months in a rehearsal room, became his band: Damir Nefat (guitar/backing vocals), Dani C (bass guitar/backing vocals), Filippo Cornaglia (drums/backing vocals), Zevi Bordovach (keyboards/backing vocals) and Anthony Sasso (keyboards/backing vocals/percussions).

Anticipated by the individual tracks Uomo Donna, Vieni a salvarmi and La guerra dei baci on June 9, 2017 - for 42Records - Uomo Donna came out. It’s Andrea Laszlo De Simone’s first real album, a well received work by both audience and critics. It also was pointed as one of the best albums of 2017 by several national music magazines.

Uomo Donna is a complex, articulate and vital album that lives in its own time - where past, present and future coexist. It’s a time in which a sonic world takes shape blending classic and modern, Italian songs with psychedelia, Battisti and Radiohead, Modugno and Verdena, the Beatles and Tame Impala, the magical flight of Claudio Rocchi and the earthly flight of IOSONOUNCANE.

The album was self-produced and then post-produced by Andrea in collaboration with Giuseppe Lo Bue, a sound engineer from Bologna. The recordings were made between October 2014 and the end of 2016 with experimental techniques straddling digital and analogic.

After playing in some important Italian festivals as Siren Festival and TOdays -- that earned him a special mention in the live scores by Rolling Stones -- on October 28, 2017 the first Uomo Donna album tour started in the clubs of the major Italian cities.

On November 30th 2017, Andrea Laszlo De Simone presented his video, Sogno l'amore, during the Torino Film Festival as a short film, shot in Sicily and directed by Francesca Noto and Andrea Laszlo De Simone.

On March 15th 2018 the music video of Gli uomini hanno fame was released, the most political song of the album, an overlook through ferocious human emotions, an eleven and fifty minutes trip within human nature portrayed even in its most ferocious instincts. The music video was directed by Andrea Laszlo De Simone and the mysterious duo Sans. The official cycle of Uomo Donna ends on 31 December 2018 with the music video of Sparite Tutti created by the creative collective Irene&Irene.

2019 was a year of new goals for Andrea, in fact, the album Uomo Donna leaves national borders and got a special mention on social media by the famous American band The Lumineers which included Andrea Laszlo De Simone and Uomo Donna among the most interesting discoveries of the international musical underground and inserts Solo un Uomo in the Spotify playlist “Inspirations”. A few days later, Solo un Uomo was broadcasted by KEXP Radio. On November 4th Andrea and his band were chosen to open for The Lumineers’ only Italian show at Alcatraz, in Milan.

On November 8th Andrea released a brand new work, digitally and on vinyl for 42Records, Immensità, a ‘suite’ of four singles: Immensità, Conchiglie, Mistero and La Nostra Fine. Turned into a medium-length film using Immensità as the soundtrack.

Immensità was presented with four special sold out concerts in Rome, Turin, Padua and Milan. For these shows Andrea Laszlo De Simone was accompanied on stage by a mixed orchestra composed of synths, electronics, choirs, strings and woodwinds. Classic and modern instruments that are intertwined in a nine elements formation: an immersive concert, a contemporary version of chamber music.

In March 2020 Immensità was released also in France, UK, Canada, Belgium and the United States with Ekleroshock/ Hamburger Records (Roster: Benjamin Clementine, Polo & Pan, Limousine and many others). The response of the transalpine press and media, sector and not, was unexpected: major French newspapers and magazines - from Le Monde to Liberation, Vanity Fair and Les Inrockuptibles - dedicated entire pages and rave reviews to Immensità and Andrea Laszlo De Simone. The track Immensità entered, after a few days, at the fourteenth rank of Spotify’s Top viral 50 playlist and broadcasted on France Inter and Radio Nova.

“Immensità” is a complex cross media work of music and images. A project divided into four chapters (the songs) for nine tracks (each chapter has a prologue or a conclusion). A true suite, using the classic term that best describes an instrumental composition in several stages, that can be enjoyed in its entirety only by listening to vinyl or digitally in the innovative single track format, without pauses: a single symphony of 25 minutes and 6 seconds.

In September 2020, Dal giorno in cui sei nato tu was released on all italian platforms, a song dedicated to Andrea’s children, a real love letter in the form of a small speech, where he tries to give them the three keys to approaching life: fantasy, music and irony. Martino, 8 years old, replies to his father’s love letter by making the video accompanying the song, created in Super 8. It's the story of the world through the eyes of the child. It is also an homage to the new little girl in family, Lucia.

pré-commande31.05.2024

il devrait être publié sur 31.05.2024

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Ennio Morricone - Allonsanfan OST LP

1974 soundtrack from Ennio Morricone Pressed on Red Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.

“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano and reworked in a thrilling way by the full orchestra; Giuseppe Tornatore liked it so much that in 2009 he asked Morricone to write a similar musical theme for a sequence of the film “Baarìa”. This motif is alternated with the bucolic passages for flute and orchestra of “Ritorno a casa”, the festive “Dirindindin”, the classical piece “Te Deum Laudamus” for orchestra and choir and “Frammenti di sonata” for solo violin and small ensemble.

This score was only partially issued on vinyl in 1979, and subsequently only on CD; for the first time, then, it’s here released on clear red vinyl in an extended version, including a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

pré-commande31.05.2024

il devrait être publié sur 31.05.2024

31,51
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