Long-awaited vinyl edition of Adia’s 2021 album. UK live dates due in the summer (announced soon!).
In Adia’s words: "This album is the culmination of years spent digging for the subtext of southern identity, and the bones of belonging down in Dixie. it was the challenge issued forth by Skip James, Victoria Spivey, Bessie Smith, Jessie Mae Hemphill, Junior Kimbrough to keep on contextualizing the blues."
With A Southern Gothic Adia continues her journey through the conflicts of the American South and the troubling resonance of its past. Sonically, the album is full of frequent juxtaposition. It is equal parts historical montage and modern prophesy, dark and light, love and loathing. The 14 tracks are the musical embodiment of the relationship that so many people, especially Black women, have with the South.
A Southern Gothic, was executive produced by T Bone Burnett, and features guest contributions from Jason Isbell, Margo Price, and Matt Berninger.
High Focus Records linchpin Fliptrix announces his 8th solo album ‘Light Work’. The 16-track project is a complete representation of Fliptrix as both an artist as well as reflecting the person behind the artistry. The album tackles deep rooted issues within society, the current state of the world as well as portraying an overarching message of peace, openness and optimism.
“Light Work is the culmination of years of experience, emotion, research and love. Crafted to heal, fulfil my desire to create and further raise vibrations.”
The London born, Brighton based lyricist’ creative CV has become one of legends. His long-standing trade as a solo artist is paired with him being one-quarter of the acclaimed collective The Four Owls (Big Owl), adding in Founder and Director of High Focus Records and not to forget becoming a first-time dad earlier this year. Operating at this level has been achieved by years of self-development and his mission is to pay it all forward.
Both Fliptrix and High Focus Records have been irreplaceable cogs in the UK HipHop machine for well over a decade. He and the label have been there for the hard times and the glory days but have never sought out fame or verification. Albums such as ‘The Road To The Interdimensional Piff Highway’ and ‘Patterns Of Escapism’ were pioneering amongst peers and resulted in multiple global tours and a dedicated fanbase across the world.
Kicking off the album is the title track ‘Light Work’ which starts with faded, eerie laughter whilst Fliptrix unleashes a barrage of flows ending with “DMT be elevating my consciousness”. An introspective cut,
‘Light Work’ expresses his undeniable passion for his craft whilst tackling personal demons and overcoming them through altered states of consciousness. ‘Multicolour’ paints a raw psychedelic picture and encourages us to think outside the box and not take everything for face value. His vivid storytelling continues throughout with feelings of being burnt out expressed in ‘Broken Glass’ whilst ‘Powerizm’ switches up the tempo and he conveys his daily grind whilst paying homage to his fallen friend and legendary London graffiti artist ‘POW’ as well as his recently born first child. Tracks ‘Problem, Reaction, Solution & The Realisation Part 2, tackle the world's current situation head-on with a no holds barred viewpoint. Coming full circle, Fliptrix closes the project with ‘Vibes’ which is full of positivity and hope.
No stranger to talking openly about his mind-altering experiences, spirituality, quest for knowledge and dedication to the exploration of consciousness, Fliptrix’s raw flow and intricate lyricism perfectly portray the albums hard hitting narratives and set him apart from the rest of the scene. Self-reflection, personal improvement, determination and revolution are at the core of ‘Light Work’ and they come together harmoniously under one roof.
The “Dystopia – EP” features 6 face-melting tracks of rocktivity incl. some previously unreleased goodness! Cover versions of “Sleeping My Day Away” (D-A-D) and “Ace In The Hole” (Winterhawk) are newly recorded versions which will help Dead Lord to further climb the rock Olympus! Furthermore, the EP contains “Hands Down” (Moon Martin – Cover), “Moonchild” (Rory Gallagher – Cover) and “I staden som aldrig slumrar till” (Swedish version of “Letter From Allen St.”). Those tracks were only featured on the Ltd. CD Edition of “Surrender” and are now available for the first time on vinyl and digitally. The title track “Dystopia” (last track on “Surrender”) was too good not to give this one more attention. Therefore, this EP stands for this track, which will later also be adorned with an official video! The EP will be available as 180g LP and Digital Album!
New Gospel Revisited is the new album from the fearless and formidable American composer and trumpeter Marquis Hill. A live recording that revisits and reinterprets his debut 2012 album New Gospel, this time round employing a band of super-heavyweight musicians including Walter Smith III, Joel Ross, James Francies, Kendrick Scott and Harish Raghavan. Marquis Hill’s rise over the last few years has been striking and there’s no letting up. Since winning the prestigious Thelonious Monk Institute Jazz Composition award he has demonstrated full command of his art and built a reputation for synthesizing what he describes as the essential elements of the Africa-American creative heritage including contemporary and classic jazz, hip-hop, R&B, house and neo-soul. Now, his sights are set even higher. New Gospel Revisited, is an extraordinary live recording that reimagines his debut as a leader with a new band, a new focus and a sharpened ear as a bandleader, composer and performer. The set is breathtakingly good with a band that sounds as inventive and creative as it reads on paper. “… New Gospel was my debut album and my first completed production. To revisit this music in a fresh way, with a new band has been uniquely invigorating —and hugely rewarding.” Marquis Hill
"The Mysterines have enjoyed some incredible success to date. This includes a sold-out tour just before lockdown in February 2020 a 2nd sold out tour coming in autumn, playlists at BBC Radio 1 and BBC 6 Music.
A note from Lia on the first single off the album:
In My Head appears to be a love song but that was not the original intention. I did want it to superficially be seen as that but in reality, it's a song about people who struggle with their mental health. Partly autobiographical it is about how sometimes life can feel like you’re being haunted by something out of your control. The song was produced and mixed by Catherine Marks. "
Siavash Amini is a composer from Tehran, Iran. He Has worked with labels like Room40, Hallow Ground, Opal Tapes and Umor Rex for the better half of the past ten years. He has performed at festivals like CTM & MUTEK and many other well known international events. Apart from it Siavash is a co-founder of the “SET experimental art events” and “SETfest” in Tehran, Iran. His work ranges from fragile ambient pieces and brittle IDM (incorporating his distinctive style of atmospheric guitar playing) to noisy drones and bleak modern classical pieces. His compositions have been inspired by films such as Andrei Tarkovsky's The Mirror as well as novels by Dostoyesvky and poems by T.S. Eliot.
Saffronkeira is the Sardinian sound researcher Eugenio Caria being active in the electronic music scene since almost two decades. His most recent work - a cooperation with the Italian jazz trumpet legend Paolo Fresu - earned a lot of praise from the international music press for the pure timelessness of the album.
"Upon hearing a small snippet of sound an image is conjured, not a memory but not unfamiliar. A shell of a memory, thousand events superimposed on each other. While trying to extract points of a narrative to ease the discomfort of this recollection, I try to separate and unfold the image and with it the points of the spectrum which make up the sound, a shell of a narrative. Here is an album based upon an almost entirely imagined/ synthesized happening upon hearing a snippet of sound. It sounded like of a whole story that never happened but yet I felt myself amongst it’s participants, a sound triggering a false memory. Each sound in Eugenio’s collection of sounds and ideas guided me a to a point in the narrative and it’s construction. He had handed me a portals of some kind to a few scenes of the whole narrative. This is the soundtrack for that false memory from all the perspectives I can think of."
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"So Happy It Hurts" is the brand new album from platinum selling, award-winning artist Bryan Adams.
Bryan Adams is one of the most exciting live musicians in the world and his energetic performance, effortless stage presence and incredible vocals are guaranteed to thrill and entertain. Adams’ influence extends 4 decades, over which time he has released 14 studio albums. His song writing has garnered him numerous awards and accolades including three Academy Award nominations, five Golden Globe nominations and a Grammy Award.
Of the new album Bryan says: “The pandemic and lockdown really brought home the truth that spontaneity can be taken away. Suddenly all touring stopped, no one could jump in the car and go,” says Adams. “The title song ‘So Happy It Hurts’ is about freedom, autonomy, spontaneity and the thrill of the open road. The album of the same name, touches on many of the ephemeral things in life are really the secret to happiness, most importantly, human connection.”
The album So Happy it Hurts, scheduled for release March 11, 2022, marks Bryan Adams’ 15th release and features 12 new songs co-written by him
Drunk Uncle hail from Austin, TX, but their namesakes are probably drawn from someone you know. Think about your last family gettogether- Uncle Bill is halfway through a six-pack when the alien conspiracy theories start pouring out of his mouth. He starts chaotic and loud, then gets quiet and sad as he keeps drinking. His mood will swing wildly in-between emotions. His speech is raw and his vulnerability is beautiful. Bottle that energy up into music form and you have Drunk Uncle. Drunk Uncle's debut album "Look Up" draws on catharsis. Picture yourself in a grimy basement surrounded by your best friends, watching a band as music washes over you and you feel like everything is in the right place. You smile as frantic guitars fill the room and gruff vocals push out every emotion you could possibly feel. Drums and bass slow down and speed back up as the music moves from anger to regret to hope. You feel it all- every note, every hit, every strain. It feels good to feel. You open your eyes and you are in your room alone. You flip the record back over and you are back in the basement. All is right.
This spring Gymnasty is debuting with his release Yugoslavian Space Program. Alongside satellites, rockets and asteroids you will get a chance to discover a country that was once a bright star itself. Get ready for a nostalgic journey from ambient scapes to electro club slappers.
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Norwegian musician and novelist Jenny Hval
announces her new album, ‘Classic Objects’.
‘Classic Objects’ is a map of places; past places,
like the old empty Melbourne pubs Hval’s band
used to play in, public places Hval missed
throughout lockdown, imagined, future places, and
impossible places where dreams, hallucinations,
death and art can take you. It is interested in
combining heavenly things and plain things.
‘Classic Objects’ is Hval’s version of a pop album.
Every song has a verse and a chorus. There are
interchangeable moments of complexity,
interesting melodies throughout, and a feeling of
elevation and clarity in the choruses. Heba Kadry
mixed it to sound as though it’s played through “a
stereo in a mysterious room.”
Since 2019’s ‘The Practice of Love’, Hval
published the English translation of her third novel,
‘Girls Against God’, and released an album under
the name Lost Girls.
Hval will play London’s EartH venue on 11th April,
2022.
Wir erbauen unser neues Imperium aus der Asche eines alten“ – mit diesen Worten kündigt die GRAMMYprämierte, schwedische Instanz der theatralischen Rockmusik, GHOST, die bevorstehende Veröffentlichung ihres fünften Studioalbums, IMPERA, an, das am 11. März über Loma Vista Recordings erscheint. Nachdem der Vorgänger, das 2018 für das beste Rock-Album mit einem Grammy nominierte PREQUELLE, im 14. Jahrhundert und zur Zeit der europäischen Pest-Pandemie angesiedelt war, sehen sich Ghost mit IMPERA wortwörtlich hunderte von Jahren in der Zeit nach vorn katapultiert. Das Ergebnis ist das ambitionierteste und textlich prägnanteste Werk in Ghosts Album-Kanon: Im Verlauf des 12-Song-Zyklus‘ von IMPERA, entstehen und vergehen Imperien, betreiben Möchtegern-Messiasse ihre (gleichermaßen monetär wie spirituell motivierten) Hype-Marktschreiereien und werden Prophezeiungen gemacht, während das Firmament mit Himmelskörpern von göttlicher und menschgemachter Natur erfüllt wird. Das thematisch aktuellste Ghost-Album bislang spielt sich vor einem hypnotischen, düster-bunten melodischem Hintergrund ab, was IMPERA zu einem unvergleichlichen Hörerlebnis macht.
Wir erbauen unser neues Imperium aus der Asche eines alten“ – mit diesen Worten kündigt die GRAMMY prämierte, schwedische Instanz der theatralischen Rockmusik, GHOST, die bevorstehende Veröffentlichung ihres fünften Studioalbums, IMPERA, an, das am 11. März über Loma Vista Recordings erscheint. Nachdem der Vorgänger, das 2018 für das beste Rock-Album mit einem Grammy nominierte PREQUELLE, im 14. Jahrhundert und zur Zeit der europäischen Pest-Pandemie angesiedelt war, sehen sich Ghost mit IMPERA wortwörtlich hunderte von Jahren in der Zeit nach vorn katapultiert. Das Ergebnis ist das ambitionierteste und textlich prägnanteste Werk in Ghosts Album-Kanon: Im Verlauf des 12-Song-Zyklus‘ von IMPERA, entstehen und vergehen Imperien, betreiben Möchtegern-Messiasse ihre (gleichermaßen monetär wie spirituell motivierten) Hype-Marktschreiereien und werden Prophezeiungen gemacht, während das Firmament mit Himmelskörpern von göttlicher und menschgemachter Natur erfüllt wird. Das thematisch aktuellste Ghost-Album bislang spielt sich vor einem hypnotischen, düster-bunten melodischem Hintergrund ab, was IMPERA zu einem unvergleichlichen Hörerlebnis macht.
"So Happy It Hurts" is the brand new album from platinum selling, award-winning artist Bryan Adams.
Bryan Adams is one of the most exciting live musicians in the world and his energetic performance, effortless stage presence and incredible vocals are guaranteed to thrill and entertain. Adams’ influence extends 4 decades, over which time he has released 14 studio albums. His song writing has garnered him numerous awards and accolades including three Academy Award nominations, five Golden Globe nominations and a Grammy Award.
Of the new album Bryan says: “The pandemic and lockdown really brought home the truth that spontaneity can be taken away. Suddenly all touring stopped, no one could jump in the car and go,” says Adams. “The title song ‘So Happy It Hurts’ is about freedom, autonomy, spontaneity and the thrill of the open road. The album of the same name, touches on many of the ephemeral things in life are really the secret to happiness, most importantly, human connection.”
The album So Happy it Hurts, scheduled for release March 11, 2022, marks Bryan Adams’ 15th release and features 12 new songs co-written by him
The Shires are the biggest selling UK country music act having sold over 400,000 albums. Formed in 2013, they are the first country act to score a Top 10 album with their debut release ‘Brave’ in 2015 and its follow up ‘My Universe’ becoming the fastest-selling British country album of all time following its release in 2016.
Paving the way for British country artists, Crissie and Ben were the first UK act to have received a highly coveted award from the American Country Music Association. Their last album ‘Good Years’ was recorded in Nashville and hit #3 in the UK charts in March 2020. Having been awarded the CMA for International Country Broadcaster in 2020, Ben now has his own radio show on Absolute Country, and the band also co-present a coveted Apple Music Country Radio show, the only UK act to do so. As they move into their 10th year the band now release their fifth album 10 Year Plan.
Robert Hampson, the indefatigable visionary behind inspirational sonic architects Loop, whose eagerly anticipated fourth LP Sonancy (Latin for “to create noise”) is the perfect document for these strange times. Dynamic, dystopian, righteously angry and unashamedly Loop-ian, it’s an album that marks a vital re-emergence for Hampson and co. Formed in South London in the mid-1980s, Loop blazed a trail with their potent mix of motorik beats and heavy guitar riffs, recording a trio of brilliant albums that set the indie charts alight before imploding in 1990 after the release of album number three, A Gilded Eternity. As critics enthused at the time, Loop were the sound of Suicide jamming with the Stooges aboard a spaceship built by Hawkwind and piloted by CAN. They were post-psychedelic, pre-shoegaze figureheads in a world of anodyne pop jangle and baggy rhythms, and even their closest contemporaries like Spacemen 3 and My Bloody Valentine didn’t plough such a distinctive furrow as theirs. Today, Loop stand as innovators in a musical world that has embraced and followed their defiantly individual sound – there are hundreds of contemporary neo-psych artists out there who arguably would not exist without Loop’s pioneering music, music that continues to evolve and grow in the most startling of ways on Sonancy.
Robert Hampson, the indefatigable visionary behind inspirational sonic architects Loop, whose eagerly anticipated fourth LP Sonancy (Latin for “to create noise”) is the perfect document for these strange times. Dynamic, dystopian, righteously angry and unashamedly Loop-ian, it’s an album that marks a vital re-emergence for Hampson and co. Formed in South London in the mid-1980s, Loop blazed a trail with their potent mix of motorik beats and heavy guitar riffs, recording a trio of brilliant albums that set the indie charts alight before imploding in 1990 after the release of album number three, A Gilded Eternity. As critics enthused at the time, Loop were the sound of Suicide jamming with the Stooges aboard a spaceship built by Hawkwind and piloted by CAN. They were post-psychedelic, pre-shoegaze figureheads in a world of anodyne pop jangle and baggy rhythms, and even their closest contemporaries like Spacemen 3 and My Bloody Valentine didn’t plough such a distinctive furrow as theirs. Today, Loop stand as innovators in a musical world that has embraced and followed their defiantly individual sound – there are hundreds of contemporary neo-psych artists out there who arguably would not exist without Loop’s pioneering music, music that continues to evolve and grow in the most startling of ways on Sonancy.
This record is a new era. The desire to create something larger than yourself, that will infiltrate people’s hearts like well oiled machines, to paint pictures that will shake them and create a resounding push forward towards something more. In our pandemic isolation, what we wanted was to play a loud collage of music, unconfined by preconceived notions of what it should be, and to transcend ourselves in a room full of breathing, screaming, vibrating human beings - to let the darkness out in a cathartic squeal of noise, eclipsing it with light. We wanted to feel it all at once with you and to escape this fucked up world and find our way into a better one together.
Ferris & Sylvester release their debut album, ‘Superhuman’, a
body of work highlighting the very best of the duo’s timeless
songwriting.
The British pair have evolved their sound into a distinct
combination of Blues, Americana and Rock ‘n’ Roll, sitting them
somewhere between Alabama Shakes, Jack White and First Aid
Kit.
Their twelve track album, recorded in Seattle, USA and
Cornwall, is available on white double vinyl, standard black
double vinyl and CD.
With the artwork shot entirely on film in Iceland, this album is
both an expansive yet deeply personal record to collect and
takes the listener on a journey through the duo’s world where
genres intertwine and emotions are stripped down to the core.
Ferris & Sylvester release their debut album, ‘Superhuman’, a
body of work highlighting the very best of the duo’s timeless
songwriting.
The British pair have evolved their sound into a distinct
combination of Blues, Americana and Rock ‘n’ Roll, sitting them
somewhere between Alabama Shakes, Jack White and First Aid
Kit.
Their twelve track album, recorded in Seattle, USA and
Cornwall, is available on white double vinyl, standard black
double vinyl and CD.
With the artwork shot entirely on film in Iceland, this album is
both an expansive yet deeply personal record to collect and
takes the listener on a journey through the duo’s world where
genres intertwine and emotions are stripped down to the core.
If this word "music" is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.
- John Cage
Kista returns from a long hiatus with his first ever all instrumental LP.
Songs From The Seas Edge takes us on a journey into the mind of producer and Graffiti Writer Kista.
It's an album where all his early influences or things that intrigued him, all come together, his love for Sc-Fi Movies, Hip Hop, 80's Arcade Games, John Carpenter Soundtracks and Films (you will notice a few vocal samples from his films nestled away among the songs) and many other things that influenced him growing up as a kid.
In a world now dominated by Playlists and the digital age, Kista took a step back to try and make an album that all fitted together, a concept album based around living on the coast as a kid in the 80's.
“ I started going through samples i put aside years ago and started to go back to them, to try and make them all fit and blend together to form an instrumental album”.
“It's kind of hard to explain where Songs From The Sea's Edge fits to my previous work” explains Kista
“ I wanted to make something for myself that I could then share, a journey, something to listen to from start to finish,with certain samples making an apperance in more than just one track.
Songs From The Sea's Edge has an hypnotic and haunting synergy to it, it's atmospheric, melodic but is still firmly rooted in Kista's love for Hip Hop.
The Berlin Alternative Rock Duo Saint Chaos is SEEING RED!
13 captivating songs delivered in a unique blend of alternative and electronic beats.
The debut album includes their hit single WALK as well as the hard hitting title track SEEING RED featuring Sam Tinnesz & Vo Williams.
The Neptune Power Federation brings back the love song and rocks as furiously as ever on their fifth studio album, Le Demon De L’Amour! The Imperial Princess and her crew of Aussie rockers lord over eight love songs that prove few can push the boundaries of rock and metal like The Neptune Power Federation! Heading into the creation of their fifth studio album, Le Demon De L’Amour, Australian psychedelic rock and roll brigade The Neptune Power Federation couldn’t let go of the fact that love songs had been commandeered, in their words, by “soft rockers, bedwetters and the introvert crowd.” Whereas rock had its glory period during the 1970s and 80s, the art of the love song is now lost within heavier music. Few bands are now willing to venture into such territory — metal and rock have settled comfortably into typical, predictable lyrical tropes that fail to pull at the heartstrings the way they used to. On Le Demon De L’Amour, The Neptune Power Federation reclaims the art of the love song as their own. Off the heels of their acclaimed 2019 Memoirs of a Rat Queen studio album, the members of The Neptune Power Federation utilized the unexpected downtime afforded from the 2020 COVID-19 pandemic to craft an album that takes more chances than its predecessor. While the band’s trademark rock swagger and prog tendencies still come into play, Le Demon ups the voltage and energy. True, there is a multitude of genre-blurring taking place, but the album’s infectious choruses and leaden riffs easily re-imagine metal and rock’s glory eras without blatant thievery.
Of course, all roads to The Neptune Power Federation run through lead vocalist Screamin’ Loz Sutch and her stage persona, “The Imperial Priestess.” Le Demon’s eight cuts find the indomitable frontwoman in top form, belting out tales of love from a female’s perspective, weaving in stories of cult worship, murder and hypnotism. The album’s artwork (created by guitarist Inverted CruciFox) also introduces her new nemesis — The Wizzard Princess. Recorded at bass player JayTanic Ritual’s The Ped Food Factory in Marrickville, Sydney, with mixing duties provided by Clem Bennett, Le Demon De L’Amour leads The Neptune Power Federation into their tenth anniversary next year. Their journey has taken them from the sweaty clubs of Sydney to a global audience. Now armed with eight love songs sure to melt and captivate the most hardened metal hearts, The Neptune Power Federation boldly goes where few bands dare to go.
"Maybe their best album so far!" - Deaf Forever (DE), 8.5/10, Soundcheck pos. 7 !!
"They can even top the phenomenal predecessor!" - Metal Hammer (DE), 5.5/7
"'Le Demon De'L'Amour' is definitely their most mature and complete album to date!"
"Finest party rock music of the most beautiful kind!" -(DE), 9/10
"An album full of thick, good riffs, solos, melodies and choruses that stick in mind - definitely recommended!" - Rockmuzine (NL), 85/100
"They are in impressive form!" - Saitenkult (DE), 8.5/10
"The Neptune Power Federation add a great piece of music to their list of achievements." - Heavy Music Blog (DE), 8/10
"The band rocks a bit straighter and more pleasing than before through their love song concept." - Rock Hard (DE), 8/10, Soundcheck pos. 6 / Dynamit !!
Hailing from Liege in Belgium, David Body has been put on our radar with releases on the fine Endless Music — but this EP for Exploited’s Black Jukebox series looks set to propel him to a new level.
‘I Bird You’ is a seriously charming affair, led by a colourful, sugary-sweet refrain that twinkles and sparkles in cute fashion. A warm deep house groove crafted through swirling Rhodes chords builds the vibe before the flowery melody explodes into life, pushing the track into an altogether more magical direction.
‘Jack Me Baby’ channels rubbery bass and a galloping house beat, with minor piano chords creating a dramatic feel as a classic vocal sample whoops away in delight. The enormous snare-rolled propelled build-up thrusts the track into overdrive, with a delightful, balmy synth line woven in to provide a mystical counterbalance.
‘The Talking Mouettes’ is a supremely feel-good slab of Balearic-tinged house, with choice piano chords cut up and cascading over a high-energy groove. Big squelchy melodic bass wiggles under the chords and shoulder-popping chime riff, with plenty of power and punch scattered throughout to keep the vibes rolling.
‘Endless Love’ is an absolute monster to close the EP, a soaring, triumphant electro beauty that overflows with euphoric melody and ecstatic, eyes-closed-and-rolling tingles. It just keeps building and building through layer upon layer of synth mastery to an explosive, epic climax.
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The first remix series on PROLETARIJAT brings together 3 Techno Proletarians! Nihad Tule, Skudge and Stanislav Tolkachev recreated the sound of Sev Dah on this release to push the struggle for resistance further and created the fundament for the future remix series on PROLETARIJAT.
Nihad Tule created a forward-going shaker with the "Marija Bursac" remix while Skugde closed the A side with his dreamy remix of "Lisina" in his style.
On the B side Nihad Tule took again the challenge and reinforced the sounds of "Kozarcanka" into the more mystical vibe. Stanislav Tolkachev rounded up this remix series with a spacey and experimental rework of "Kozarcanka" with new patterns and moods to make this release suitable for every taste! Revolutionary Proletarian working-class stuff!
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Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, MLD) focused on making dubbish Post-Punk.
In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline.
On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect to shatter your brain.
Retakes from the mysterious ambient artist Civilistjävel! are more brooding.
Introspection and faded horizons are the main purposes here but a glimpse of hope still glow.
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