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Vinyl includes lyric booklet with hand-written lyrics and exclusive photos and download card. Has collaborated with MF Doom, Czarface, Ghostface Killah, Dennis Coffey, and more. Kendra Morris, the Brooklyn-based Artist is back with her fifth LP, entitled I Am What I’m Waiting For, on Colemine/Karma Chief Records. Co-Written and Produced by Torbitt Schwartz (Run The Jewels, Killer Mike, Rubble Kings, Chin Chin), this collection is Kendra’s most personal album to date. It was spring of 2022 and Kendra had just released Nine Lives, her first new album in almost a decade and her first release on Colemine Records. She felt an urgency to get back into the studio, but something felt different this time. Returning to her usual ways, places, and people that she had been creating with felt like dragging herself back to a familiar and comfortable place - but that wasn’t what she was looking for. “I had to step into a new, unknown process because I knew it was the only way that I’d continue to grow,” she explained. She took a small batch of songs to Torbitt’s studio and the two began to write. “He challenged me to find the best version of every lyric,” she shared. “When I listen back, I’m so proud of the time we spent, because every single line is deliberate. I challenged myself to write just to write. No love songs this time around. Torbitt and I wanted to create a record that felt like you cracked open the ooze in my head. There are a lot of layers to me but I only recently through age and experience have fully accepted the weird little nuances that I’m made of. I’m a messy introvert that pretends to be an extrovert so I can feel like I fit in.” From top to bottom, I Am What I’m Waiting For is sincere. It’s a fresh take on a timeless sound, and Kendra exudes power. “My heart has always been in soul music,” she shared. “On this record, you’ll hear my influences and then some. You’ll hear all the bits of me….the vulnerable bits, the silly bits, all of it.This record is my melting pot.” Whether you’re a longtime listener or just now beginning to explore the whimsical world of Kendra Morris, the relatable lyrics and modern soul sounds on I Am What I’m Waiting For are sure to turn you into a fan

Wild Is The Wind, Nina Simone’s sixth album for Philips, has all the variety her work for the label was known for—from the minimal title track to the traditional folk song “Black Is The Color Of My True Love’s Hair” to the banned-on-radio “Four Women”. In 2020, the album was ranked 212 on Rolling Stone's 500 Greatest Albums of All Time.

Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Sun Ra and the various groups he led were as prolific as they were innovative. By conservative estimates they produced around 200 recordings over a fifty year period, and the early 70s was as fertile a time as any. In a typical burst of creative energy Ra and an ensemble he dubbed The Solar Myth Arkestra produced enough material to be spread over two albums or two volumes, that amount to a kind of sonic odyssey which has no end of twists and turns, as befits a group of such singular character.

Shania Twain veröffentlicht eine Neuauflage ihres mit vielfach Platin ausgezeichneten ”Durchbruch” Albums „Come On Over“ als Diamond Edition. Mit der Neuauflage feiert die globale Ikone den 25. Jahrestages des Albums.

„Come On Over“ wurde bereits mehr als 40 Millionen Mal verkauft und featured auf der Diamond Edition herausragende Künstler*innen wie Elton John, Chris Martin (Coldplay) und die Backstreet Boys.
Zusätzlich ist das brandneue Live Medley „Holding On To Love (To Save My Life)” & “That Don’t Impress Me Much” sowie neue Remix-Versionen enthalten.“Come On Over” wurde als das meistverkaufte Country Album und als das meistverkaufte Album einer weiblichen Künstlerin aller Zeiten zertifiziert und manifestierte Twains Status als globaler Superstar.

Die Neuauflage von „Come On Over“ (Diamond Edition) ist als 2CD Deluxe, als Doppel-Vinyl & als 3CD Super Deluxe Version erhältlich.

My bioluminescent heart is glowing. My post-apocalyptic fae world is here for you to journey into. My wings have been ripped out, but I’ve built them anew using WEEDKILLER machine parts. I am the one sent here to eliminate you, WEEDKILLER.

Debut album WEEDKILLER is a collection of irresistible songs that perfect the bold, genre-blending sound that has defined Ashnikko’s work to date. However, as Ashnikko fans will know, she is known for transporting listeners into her universe and WEEDKILLER is no exception. The WEEDKILLER universe that Ashnikko has created is a dystopian fantasy that tells the story of a fae civilization occupied and destroyed by machines that feed on organic matter where the faerie protagonist seeks revenge by becoming part machine - a poetic commentary on environmental disaster and the rapid evolution of technology. Full of equal parts naked vulnerability and joyful rebellion, WEEDKILLER gives a thundering voice to the oppressed.

Drittes Album der schwedischen Metal-Band Prime Creation. Auf Prime Creations "Tell Freedom I Said Hello" ist das Thema dystopisch. Es handelt sich jedoch nicht um ein Konzeptalbum; Jeder Song ist eigenständig und inspiriert von Büchern/Filmen und der Weltgeschichte. Die Songs haben oft einen melodischen, aber auch melancholischen Touch, der die Musik und die Texte auf faszinierende und fesselnde Weise miteinander verbindet. Gitarrist Robin Arnell schrieb die gesamte Musik für das Album, inspiriert von vielen verschiedenen Bands und Künstlern. Die Musik selbst hat einen etwas anderer Ansatz als die beiden vorherigen Alben der Band und ist noch härter geworden, ohne die Melodien und Harmonien zu vergessen. Prime Creation ist eine schwedische Metal-Band, die 2015 gegründet wurde und aus erfahrenen Musikern besteht, die modernen, treibenden, melodischen Heavy Metal spielen. Die Band erhob sich aus der Asche der Power-Metal-Band Morifade.

In dem Moment, als die Nadel auf die neue A Giant Dog-Platte fällt, krümmt sich die eigene Vorstellung davon, wie eine A Giant Dog-Platte klingen soll, wie Raum und Zeit um ein Raumschiff, das mit Lichtgeschwindigkeit fliegt. Bite ist ein Konzeptalbum, in dem es um Charaktere geht, die sich in einer virtuellen Realität namens Avalonia bewegen und zugleich ist es das erste Album von A Giant Dog mit eigenen Songs seit Toy von 2017.

Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low und Andy Bauer - auf ihrem Höhepunkt als Musiker, fordern sie sich mit komplexeren Arrangements heraus und versetzten sich hinein in die Köpfe der Figuren, die dieses vermeintliche Paradies Avalonia bewohnen. "Wir mussten uns in den Hauptfiguren wiederfinden oder uns in die Hauptfiguren hineinversetzen. Wir entwickelten sie, lernten ihre Gedanken, Emotionen und Motivationen kennen und brachten diese dann in neun Songs zum Ausdruck", erklärt Ellis. Themen wie Sucht, Geschlechterfluidität, ethisches Leben in einer kapitalistischen Gesellschaft, körperliche Autonomie, Geiz, Trauer und Zustimmung sprudeln unter dem versprochenen Glück von Avalonia.

Dies wird in Songs wie "Different Than" deutlich, in dem Ellis singt: "My body can't explain the things my mind don't comprehend", als ob der gesellschaftliche Geschlechterdruck seine Protagonistin aus ihrer Haut herausquetscht. Die Songs auf Bite sind voller Bombast und erinnern abwechselnd an den raumfahrenden Opernrock des Electric Light Orchestra und die hohe Dramatik einer Ennio Morricone Filmmusik. Der erzählerische Bogen des Albums ist von epischer Tragweite, seine Charaktere stehen vor unmöglichen Unwahrscheinlichkeiten und sind mit dem sicheren Untergang konfrontiert, und ist so bequem vergleichbar mit der Sci-Fi-Grandezza von Thin Lizzy's Jailbreak wie auch mit der High Fantasy von Dio und Iron Maiden. Passenderweise sind A Giant Dog bis an die Zähne bewaffnet mit neuen Ideen zu dieser Erzählung gekommen, mit Synthesizern und Streichern, um das zu schaffen, was Ellis als orchestral beschreibt: symphonischen, futuristischen Punk. Um dies zu erreichen, verließen sie ihre Heimat Austin, Texas, in das La Cuve Studio in der Nähe von Angers, Frankreich.

Auf dem französischen Land legten A Giant Dog ihre Zukunftsvision vor einer ausgesprochen pastoralen Kulisse nieder. Auf den Wanderungen von Angers nach La Cuve, so Ellis, sahen sie "viele Dinge, und auch gar nichts. Schwäne auf dem Fluss. Romani, die in kleinen Anhängern leben, mit einer Hütte für ihren Hund an der Seite Ein Jongleur auf einem Einrad - ich verarsche dich nicht. Wir dachten, wir dürften nach dieser Reise nicht mehr nach Frankreich zurück, um ehrlich zu sein", fährt sie fort. "Fünf laute, stampfende, klatschende, randalierende Amerikaner, die im November 2022 drei Wochen lang durch die Straßen von Angers gelaufen sind." Diese Erfahrung war der Höhepunkt von zwei Jahren Planung und Schreiben, in denen das Universum von Avalonia Gestalt annahm. Die daraus resultierenden neun Songs besetzen nicht nur diesen Raum: Sie haben darin gelebt und sie wollen raus.

In dem Moment, als die Nadel auf die neue A Giant Dog-Platte fällt, krümmt sich die eigene Vorstellung davon, wie eine A Giant Dog-Platte klingen soll, wie Raum und Zeit um ein Raumschiff, das mit Lichtgeschwindigkeit fliegt. Bite ist ein Konzeptalbum, in dem es um Charaktere geht, die sich in einer virtuellen Realität namens Avalonia bewegen und zugleich ist es das erste Album von A Giant Dog mit eigenen Songs seit Toy von 2017.

Sabrina Ellis, Andrew Cashen, Danny Blanchard, Graham Low und Andy Bauer - auf ihrem Höhepunkt als Musiker, fordern sie sich mit komplexeren Arrangements heraus und versetzten sich hinein in die Köpfe der Figuren, die dieses vermeintliche Paradies Avalonia bewohnen. "Wir mussten uns in den Hauptfiguren wiederfinden oder uns in die Hauptfiguren hineinversetzen. Wir entwickelten sie, lernten ihre Gedanken, Emotionen und Motivationen kennen und brachten diese dann in neun Songs zum Ausdruck", erklärt Ellis. Themen wie Sucht, Geschlechterfluidität, ethisches Leben in einer kapitalistischen Gesellschaft, körperliche Autonomie, Geiz, Trauer und Zustimmung sprudeln unter dem versprochenen Glück von Avalonia.

Dies wird in Songs wie "Different Than" deutlich, in dem Ellis singt: "My body can't explain the things my mind don't comprehend", als ob der gesellschaftliche Geschlechterdruck seine Protagonistin aus ihrer Haut herausquetscht. Die Songs auf Bite sind voller Bombast und erinnern abwechselnd an den raumfahrenden Opernrock des Electric Light Orchestra und die hohe Dramatik einer Ennio Morricone Filmmusik. Der erzählerische Bogen des Albums ist von epischer Tragweite, seine Charaktere stehen vor unmöglichen Unwahrscheinlichkeiten und sind mit dem sicheren Untergang konfrontiert, und ist so bequem vergleichbar mit der Sci-Fi-Grandezza von Thin Lizzy's Jailbreak wie auch mit der High Fantasy von Dio und Iron Maiden. Passenderweise sind A Giant Dog bis an die Zähne bewaffnet mit neuen Ideen zu dieser Erzählung gekommen, mit Synthesizern und Streichern, um das zu schaffen, was Ellis als orchestral beschreibt: symphonischen, futuristischen Punk. Um dies zu erreichen, verließen sie ihre Heimat Austin, Texas, in das La Cuve Studio in der Nähe von Angers, Frankreich.

Auf dem französischen Land legten A Giant Dog ihre Zukunftsvision vor einer ausgesprochen pastoralen Kulisse nieder. Auf den Wanderungen von Angers nach La Cuve, so Ellis, sahen sie "viele Dinge, und auch gar nichts. Schwäne auf dem Fluss. Romani, die in kleinen Anhängern leben, mit einer Hütte für ihren Hund an der Seite Ein Jongleur auf einem Einrad - ich verarsche dich nicht. Wir dachten, wir dürften nach dieser Reise nicht mehr nach Frankreich zurück, um ehrlich zu sein", fährt sie fort. "Fünf laute, stampfende, klatschende, randalierende Amerikaner, die im November 2022 drei Wochen lang durch die Straßen von Angers gelaufen sind." Diese Erfahrung war der Höhepunkt von zwei Jahren Planung und Schreiben, in denen das Universum von Avalonia Gestalt annahm. Die daraus resultierenden neun Songs besetzen nicht nur diesen Raum: Sie haben darin gelebt und sie wollen raus.

'Spectra' is the fourth full-length LP from Los Angeles psych-garage-pop (etc.) songwriter, Jenny O. “Spectra refers to the many ways we identify. It references our multitudes, the ways we identify and experience life, as a nebula. Nuance, variation, not one thing or another, but somewhere between, unfixed, in all directions. Spectra explores connectivity and contains overt expressions of love for others, one's self, and nature. It is my favorite record I have made and my most joyful." -Jenny

Reuniting after 35 years, multi-platinum selling artist Belinda Carlisle and iconic songwriter Diane Warren come together to release Kismet – a 5-song EP that comes out on Diane’s imprint RAF through BMG.

Discussing working with Diane Warren, Belinda Carlisle commented, “Twenty-seven years on from making my last English language pop record I really wasn’t thinking I would ever make one again...... and I was quite happy with that idea. Then a chance encounter in a coffee shop led me back to the wonderful Diane Warren and she gave me the incredible gift of this song and the other songs on my upcoming EP.”

Carlisle goes on to add, “Diane’s songwriting is both a joy and mystery to me. She makes it look so easy, where I imagine it must be unbelievably hard, to do what she does so amazingly well over so many years

The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences, Latin, African, and more.

MAJOR REISSUE OF MAKOTO KUBOTA'S SUNSET GANG ALBUMS RECORDED IN THE 70S WITH HARUOMI HOSONO FOR THE SHOWBOAT LABEL AND FEATURING HIS BLEND OF JAPANESE FOLK, BLUES AND R&B WITH HAWAIIAN, OKINAWAN AND NEW ORLEANS INFLUENCES. THE ALBUMS ARE RELEASED IN COLLABORATION WITH MAKOTO KUBOTA AND COME WITH ORIGINAL ARTWORK, REMASTERED BY MAKOTO KUBOTA HIMSELF.

"Dixie Fever" recorded in Hawaii in 1976 was co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself....

Described as a ‘minor classic’ by Luke Haines.
Available on vinyl for the first time in 36 years. and CD for the first time in 30 years.
12-Track LP compilation pressed on Clear Vinyl with printed innersleeve.
CD in digipack with 8 page booklet. Sleeve notes by Luke Haines.
Band features Luke Haines, Martyn Casey (The Triffids/Nick Cave & The Bad Seeds ) & Alsy Macdonald (The Triffids).
Includes: DW’s ‘Westlake’ album from 1987; BBC session recorded with members of The Go-Betweens plus two studio demos of unused songs.
David Westlake’s first album finally gets a new day in the sun in the wake of his brilliant current LP ‘My Beautiful England’. 36 years after it first appeared in 1987 on Creation Records
David Westlake formed The Servants in 1985, who released 2 excellent singles and appeared on the NME compiled C86 LP.
Searching for a stable Servants line-up to release an album he recruited Luke Haines (The Auteurs/Black Box Recorder) via an NME advert , who came on board, and stayed for five years. After failing to find a committed rhythm section, he enlisted the help of Martyn Casey (The Triffids/Nick Cave & The Bad Seeds ) & Alsy Macdonald (The Triffids)and recorded the 1987 ‘Westlake’ album for Creation. Overlooked at the time, the record was later described as a minor classic by Luke Haines himself. It is included here on Side One of the album, available on vinyl for the first time in 36 years. and CD for the first time in 30 years
Side Two contains the previously unreleased Janice Long BBC session recorded in the summer of 1987 featuring Go Betweens members Robert Forster, Amanda Brown & Robert Vickers
As chronicled in an interview in US music magazine The Big Takeover (issue 53, 2004), Belle and Sebastian frontman Stuart Murdoch was a huge Westlake fan and tried to locate him in the early 1990s in hope of forming a band with him, before launching Belle and Sebastian in his school class instead

Demon Records presents a brand new original story, part of the Doom’s Day story arc presented on
Translucent Purple and Blue Vinyl.
Hired assassin Doom is on a mission to save her own life before Death catches up with her. If she can find
the Doctor they might be able to help her – but where in Space and Time are they?
These four missions - The Steel Cascade, The Martian Dilemma, An Ood Halloween and Dark Space - take
Doom to a Mediterranean cruise ship in 1966, the planet Mars in the distant past, San Francisco in 1999,
and finally a desolate planet in a dying solar system.
Along the way she meets former TARDIS travellers Ian and Barbara, the mighty Ice Warriors, and Brian the
Ood. But when a mysterious stranger with silver hair and sunglasses turns up, will he be Doom’s salvation?
Written by Darren Jones and read by Sooz Kempner, Jaye Griffiths and Silas Carson, these four original
adventures form part of the multi-platform Doom's Day adventure to celebrate Doctor Who’s 60th
anniversary.
2 x 140g Translucent Purple & Blue vinyl LPs, in fully illustrated inner bags, are presented in an attractive
‘Doom-laden’ wide-spine outer sleeve.

Featuring contributions from Brittany Howard, Daniel Tashian (Kacey Musgraves, Demi Lovato), Julien Baker + more. Since moving to Nashville to start their music career in 2012, Becca Mancari has been lauded for their dextrous songwriting and prodigious guitar playing. Their sophomore album The Greatest Part, released in 2020, was an indie rock opus that garnered acclaim from The New York Times, NPR, and more. After its release, however, Mancari was despairing. An illness in their family, coupled with a realization that their alcohol dependency had become untenable, led Mancari to begin the hard work of taking ownership of their existence by mending broken relationships and investing in their mental health. "I didn't realize it then, but looking back, I was a passenger in my own life," Mancari says. The transformative period of self-reckoning was the catalyst that ultimately steered Mancari to write and produce their triumphant new album, Left Hand. After a disheartening studio session with an outside producer, Becca became convinced that they were capable of rendering their vision independently. Close friend and musical ally Juan Solorzano, who has played on all of Mancari's albums since the debut of Good Woman in 2017, joined them in the studio to co-produce the majority of the record. In addition, Daniel Tashian (Kacey Musgraves, Demi Lovato) co-wrote and co-produced the song "Don't Close Your Eyes," encouraging Mancari to track every instrument on the initial demos. As much as self-producing this album was an act of resilience and growth in one's own craft, Mancari brought trusted friends like Brittany Howard, who they play with in Bermuda Triangle, Julien Baker and Zac Farro into the process. Insecurities that had dogged Mancari since childhood couldn't weather the force of energy in that studio, where they executed decisions with newfound certainty. The title track, "Left Hand," is named for the Mancari family crest. After a lifetime spent feeling like they didn't belong, Mancari unlocked a perfect metaphor in the crest: "In many cultures children born with a dominant left hand were taught not to use that hand, and were told that using the right hand was `normal' and `correct.' Similarly, queer children are often times told that it's not `normal' for them to love who they love and that they need to `change.'" On Left Hand, Mancari offers the listener a collection of songs that should be played in moments when we are in need of reassurance and encouragement. No song exemplifies this better than the ebullient track "Over and Over," which is a reminder to friends that happiness doesn't need to be fleeting. "I wanted to write a queer pop song that has meat on its bones," they say. Inspired by one of many reckless and joyful hangs with dear friends in Nashville, the enlivening pop song makes a promise to them, and to the greater community Mancari embraces on this album. "There is something to the feeling/ Head hanging out of the window/ Being ok that we don't know," sung on the chorus over a beat replete with congas and shakers. What follows is a promise to anyone who ever feels like the greatest moments of their life are disappearing in the rearview: "We can have it like we used to, over and over and over and over again." For Fans of boygenius, Phoebe Bridgers, Julien Baker, Julia Jacklin, Caroline Rose, Miya Folick, Molly Burch, Widowspeak.

Celebrate Hip-Hop At Fifty, Bad Boy records and the 25th Anniversary of the Double Platinum Sophomore Album from R&B heavyweights 112.
This Limited Edition Black & White Split Vinyl includes hit singles like "Anywhere" and "Love Me," featuring labelmates Mase & Faith Evans, plus Lil' Kim.

JAUZAS THE SHINING - MECHATRONICA, BROKNTOYS, SHIPWREC , SPECIMEN.

Jauzas the Shining was known as Adjust before taking that new alias - which is a salute to Kubrick's movie and the telepathy of his young character.

Since 2001, he's one of the most active electro producers in France, with several solid EPs released on Shipwrec, Last Known Trajectory, Transient Force, New Flesh, Minimum Syndicat, Mechatronica or Brokntoys and collaborate with iconic artists like Heinrich Mueller, Orgue Electronique, Ekman, Shemale, Faceless Mind, Specimen, and Ultradyne. He shared the decks with the hall of fame of electro music.

From the 90s IDM influences, Jauzas The Shining is a deep odyssey into the cold groove of electro sounds, using his sickness on skyzophrenic beats from his electronic dark side.

Hidden in the shadow of this room, Jauzas looks himself in a broken mirror but he doesn't recognise himself, he doesn't remember..the only thing he knowns is that he's now on board the nautilus ship, deeper and deeper is an ocean of sounds ...Artificial lights, mechanical noise and metallic walls..He starts hearing these voices but he doesn't know who they belong to? Utilising his sickness on skyzophrenic beats and abstract electronic dark side, he became "Jauzas the shining" The mysterious and miraculous journey of Jauzas who spent his nights and days on Formentera.

Here he conjures up a concoction of deep ocean meanderings and spellbound nights, underneath the shooting stars and radiant waters. Images of the past merged with future, becoming a collage of voices across projected shapes which make presence in their ghostlike form. This is another outing which explores the surreal and the abstract, which expressed though Jauzas's electro-musicalities with Specimen.

"Die Dunkelheit wimmelte immer von unerklärlichen Geräuschen..." (HPL)

Mit "Nahab" - dem zweiten Teil des Disharmonium-Zyklus - kehren BLUT AUS NORD wie getrieben in die unheimlichen, alptraumhaften Jenseitswelten von H.P. Lovecraft zurück, um sie in einem Spiegel erschreckenden Black Metal-Wahnsinns zu reflektieren.

Ähnlich wie die beiden dunklen Kammern des 2022 erschienenen Erstlings "Disharmonium - Undreamable Abysses" und der dazugehörigen Kompilation "Lovecraftian Echoes" ist diese neueste Emanation ähnlich gebärmutterartig, detailreich, verstört und transformativ.

Musikalisch nur durch das umfangreiche Oeuvre der Band beeinflusst, hat "Nahab" im Vergleich zu BANs jüngsten Lovecraft'schen Erkundungen einen erhöhten Anteil an derangierter Vokalmanie, die unheimliche Dynamik ist besser umgesetzt, die unverwechselbare melodische Kraft der Band verstärkt, die Gitarren - tiefer gestimmt für zusätzliche Resonanz - fließen im Tandem mit taumelnden Grooves wie ein stygianischer Tsunami.

In der totäugigen Trance eines dämonisch Beschworenen haben BLUT AUS NORD einmal mehr esoterische Folklore und moderne Gewalt in ein weiteres phänomenales Stück Außenseiterkunst kanalisiert, das ihrem eigenen Mythos und ihrer Monstrosität mehr als gerecht wird. In der Tat ein krönender Abschluss des Grauens.

Monumentale Ausdrücke, inspiriert vom Rauschen des Ozeans!

Atmosphärischer Death/Doom Metal! Gothic Death/Doom Metal für die verlorenen Seelen, inspiriert von der Düsternis des UK Death/Doom, der Mystik des antiken griechischen Kults und der Depression des finnischen Death Metal der 90er! Der Kern von Asphodelus' Sound ist in erster Linie Death/Doom Metal mit einem kleinen Hauch von altgriechischem Black Metal, der in einigen Momenten durchscheint. Es gibt ein zerklüftetes Gefühl der frühen 90er Jahre und nichts davon wird mit Glanz oder dem Bedürfnis nach perfekten Takes dargeboten, was absolut dazu beiträgt, den 'Code' dessen zu knacken, was die frühesten Arbeiten ihrer 90er Inspirationen etwas Besonderes und Ernsthaftes waren.

Wenn Sie ein Fan dieser Art von Musik sind, schwimmen Sie zweifellos bereits zu dieser neuen utopischen Insel, um unter ihrer Majestät zu brüten und zu ertrinken, es ist eine Nische, die so selten mit einem geschmackvollen Eintrag gefüttert."Sculpting from Time" ist ein liebevoll gestaltetes und leidenschaftlich ausgeführtes Album. Asphodelus ist das Geistesprodukt dreier finnischer Herren. Jari Filppu trug die Hauptlast bei den Aufnahmen und übernahm Gesang, Bass und einige Gitarrenaufgaben.

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

Hailed as "gospel titans" by Rolling Stone, the Blind Boys of Alabama defied the considerable odds stacked against them in the segregated South, working their way up from singing for pocket change to performing for three different presidents over the course of an 80-year career that saw them break down racial barriers, soundtrack the Civil Rights movement, and help redefine modern gospel music forever.

The five-time Grammy-winners’ latest album, Echoes Of The South, draws its name from the Birmingham radio program that hosted the group’s very first professional performance back in

1944. Pairing traditional spirituals and long-lost gospel classics with vintage soul and R&B tunes, the collection is as moving as it is timeless, transcending genre and era to touch something deep and fundamental about the human condition.

These are songs of love and friendship, joy and gratitude, faith and perseverance. Uplifting as they are, the recordings can feel bittersweet at times, too: 91-year-old Jimmy Carter retired from performing following the sessions, while two longtime members, Paul Beasley and Benjamin Moore, Jr., have since passed away. Despite the losses, the Blind Boys of Alabama show no signs of slowing down.

“The spirit of the Blind Boys isn’t about what you can’t do it’s about what you can do,” says singer Ricky McKinnie. “As long as we stay true to that, as long as we sing songs that touch the heart, this group will live on forever.”


The most honored and revered group in Gospel music.
Winners of 5 GRAMMY; including Lifetime Achievement.
Echoes of the South brings the group back to Muscle Shoals, Alabama to record, album produced by
Matt Ross-Spang and Ben Tanner, band features Phil Cook, Dennis Crouch and Chad Gamble.
Global touring schedule planned for 2023/2024.
Documentary film to be released in conjunction with the album, book on career to be released in early 2024.

Following two albums and an EP fronting Portland's most beloved "psychedelic doom boogie" bar band TK & The Holy Know-Nothings, Taylor Kingman returns with 'Hollow Sound', his first solo album since 2017’s 'Wannabe'. The album finds Kingman soaking his darker, more ruminative solo material in a starkly expansive, minimalist sound bath. 'Hollow Sound' was recorded in his childhood home, a hundred-year-old Oregon schoolhouse. It was engineered to tape by Ryan Oxford (Y La Bamba) as Kingman, guitarist Jon Neufeld (Martha Scanlan), bassist Jeff Leonard (Fruition), and pedal steel player Jason Montgomery (Barna Howard) performed the songs live in a half-circle.

Everybody loves a good comeback story. After releasing five genre-defining albums and building a fiercely loyal fanbase, Turnpike Troubadours — the Tahlequah, Oklahoma kings of Red Dirt music — all but fell apart in 2019, taking a three-year hiatus to find clarity amidst the noise of a red-hot career. But after the break, something remarkable and even unprecedented happened: the band returned more popular than ever. Not to mention stronger. The proof is in the group’s sixth studio album, A Cat in the Rain. Produced by three-time Grammy winner Shooter Jennings and recorded at the legendary FAME Recording Studios in Muscle Shoals, Alabama, and in Los Angeles, the 10-song album is a tale of reliability, rebirth, and redemption. It’s the story of brothers — frontman and chief songwriter Evan Felker, fiddler Kyle Nix, steel player Hank Early, guitarist Ryan Engleman, bassist RC Edwards, drummer Gabe Pearson — six musicians who ran the gauntlet of success, scrutiny, and even personal troubles, and would fight tooth and nail for one another. Turnpike Troubadours’ fans can feel this. That bond is in the band’s songs and in their live performances — they’ve racked up 1.5 billion streams globally and are selling out arenas and headlining festivals. Still, to some, they remain a mystery…the most popular band they’ve never heard of. But with A Cat in the Rain, that’s all about to change.

Laura Nyro Live In Concert in 1994! Previously available only in Japan Includes live versions of the classics “And When I Die,” “Wedding Bell Blues,” “Stoned Soul Picnic,” and more Member of both the Songwriters and Rock & Roll Halls of Fame A member of both the Songwriters and Rock & Roll Halls of Fame, Laura Nyro not only wrote songs that became hits for acts including The 5th Dimension, Blood, Sweat & Tears, Three Dog Night, Barbra Streisand, and many more, but has been cited as a major influence by Kate Bush, Elton John, Elvis Costello, Cyndi Lauper, Todd Rundgren, Broadway composer Stephen Schwartz Godspell, Wicked, and countless others. She recorded 10 studio albums (one released posthumously), but a live performance from Nyro was always an event. Originally issued only in Japan as Live In Japan in 2003, these 16 tracks recorded at Kintetsu Hall, plus 5 recorded at On Air West return as Trees Of The Ages: Laura Nyro Live In Japan. From Nyro-penned hits including “And When I Die,” “Wedding Bell Blues,” and “Save The Country,” to covers of Bacharach/David, Smokey Robinson, and Phil Spector classics, Trees Of The Ages is an essential document of Laura’s February 1994 historic visit to Japan. With Laura on piano and vocals, with harmonies by Diane Wilson, Dian Sorrell, Diane Garisto, the performances are sublime. Newly remastered by Grammy®-winner Michael Graves, and produced for release by Grammy®-winner Cheryl Pawelski and George Gilbert with the approval of The Laura Nyro Trust, the packaging contains updated artwork and new liner notes from author and musician John Kruth. Looking and sounding incredible, this essential addition to Nyro’s discography is available worldwide for the first time. Trees Of The Ages: Laura Nyro Live In Japan cements the legend of the incomparable Laura Nyro.

The transatlantic project of Parissa Tosif and David Ansari, Vallis Alps return with their debut album Cleave, due August 24.

“Tropic” is Edouard Salier’s new movie, out in France on August 2nd, 2023. Edouard Salier, French director previously did many short films and music videos (Massive Attack, Justice, Air, 30 Seconds To Mars..

Movie synopsis : France, two trained astronaut twins go through a lot when one of them is contamined with a mysterious residue from space.

John Fogerty’s first solo album originally released in 1973, reissued for the first time on 180g vinyl
Fogerty arranged, produced, and played all the instruments on this set of 12 hand-picked traditional country songs, including “Jambalaya (On The Bayou)” and “Hearts of Stone”
Lacquers cut at Bernie Grundman Mastering

'Easy' is the debut album by the Australian rock band The Easybeats, recorded in just a few days at the EMI Studios in Sydney. The album was originally an Australian-only release but became internationally available during the '90s.

Celebrate Hip-Hop At Fifty, Bad Boy records and the 25th Anniversary of the Platinum Sophomore Album, written & produced by the artist herself.
This Limited Edition Black & White Split Vinyl features Evans' Top Ten singles "All Night Long" and "Love Like This."

Internationally renowned singer/songwriter and folk-rock high priestess Alanis Morissette released her greatest hits album The Collection nearly twenty years ago. Now, for the first time ever on vinyl, this collection of hit records is being reissued as account exclusive double LPs in varying shades of violet, alongside a standard black version for the general market. Beautifully assembled and repackaged for vinyl, this collection spans the decade between 1995 and 2005 when the Canadian popstar first broke out in the States. It includes a number of Morissette’s well-known singles, plus a few interesting soundtrack selections, and a cover of Seal's smash single "Crazy".

Internationally renowned singer/songwriter and folk-rock high priestess Alanis Morissette released her greatest hits album The Collection nearly twenty years ago. Now, for the first time ever on vinyl, this collection of hit records is being reissued as account exclusive double LPs in varying shades of violet, alongside a standard black version for the general market. Beautifully assembled and repackaged for vinyl, this collection spans the decade between 1995 and 2005 when the Canadian popstar first broke out in the States. It includes a number of Morissette’s well-known singles, plus a few interesting soundtrack selections, and a cover of Seal's smash single "Crazy".

Better get ready! Next up on Potency's ever expanding catalog of club
ready tracks, Cromby delivers three more cuts for the floor.

On the A side 'Namaste' goes straight in with an off its head bongo lead on top of an infectious groove and bass line that will get any dance floor moving.

On the flip, 'Voyager' a euphoric trance filled ode to the sounds of Frankfurt in the 90's, if you listen carefully you can almost hear your mate telling you how much he loves you over a sweaty dance floor hug! 'Mythology' wraps up the release, a trademark driving acid tool that dips and dives throughout thunderous leads and soaring pads.

London label Mysticisms knows how to dig out some truly lush house grooves whether that's in the form of unreleased house meets IDM, classic reissues or debuts from new school artists. N-GYNN falls into that latter camp having started to make waves on the likes of Hamam House Pleasure Club and his Superlux Records label. He explores a dreamy and cuddly house world here with rolling analogue drums, wispy new-age percussion and whimsical cosmic melodies that all make for otherworldly grooves. 'Journeys' has the feeling of an ancient ritual in the sky, 'Alistera' is a kaleidoscope of colour and 'Kebaya' has a more earthy Afro feel. 'Funk Break Beat' closes with a jumbled groove peppered with dial tones, string loops and bulbous acid.

To comemrate the the 20th anniversary of her death, rediscover the greatest interpretations, studio and live, by the iconic singer Nina Simone on a nice double vinyl.

The sublime music of Kaoro Inoue is the subject of this essential new compilation on Mysticisms. Inoue describes himself as an "extreme music lover" and has been for more than 30 years. His Chari Chari alias is all about self-expression and the music here has previously only been available digitally. It fuses ambient, house and techno soundscapes across four sides of vinyl with a deeply spiritual outlook and soul-soothing sound. Organic percussion, traditional instruments and new age moods all colour the deeply enticing grooves.