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O'JAYS - Super Bad

O'jays

Super Bad

12inch741869399224
LITTLE STARS
20.06.2025
  • A1: Now He's Home, Written-By – Bobby Massey, Lester Mckenzie, Robert Dukes
  • A2: Little Brother, Written-By – Richard Alvin Shann*, Walter Williams
  • A3: Crossroads Of Life, Written-By – Cornell C Wells*, Fred Wellington Butler*, Edward Levert*, William Powell
  • A4: La De Da (Means I'm Out To Get You), Written-By – Bob Massey*, Bobby Dukes*, Tracy Mitchell (3), Walter Williams
  • A5: Peace, Written-By – H B Barnum*
  • B1: Shattered Man, Written-By – Fred Butler, John Owens (3)
  • B2: Your Turn This Time, Written-By – Bobby Massey, Eddie Levert, Walter Williams
  • B3: Just To Be With You, Written-By – Bobby Massey, Bobby Dukes*
  • B4: Gotta Get My Broom Out, Written-By – H B Barnum*
  • B5: Never Gonna Say Goodbye
pre-order now20.06.2025

expected to be published on 20.06.2025

34,16
ANDY BELL - PINBALL WANDERER
  • A1: Panic Attack
  • A2: I'm In Love..., Guitar – Michael Rother, Vocals – Dot Allison, Written-By – The Passions
  • A3: Madder Lake Deep
  • A4: Apple Green Ufo
  • B1: Pinball Wanderer
  • B2: Music Concrete
  • B3: The Notes You Never Hear
  • B4: Space Station Mantra
pre-order now20.06.2025

expected to be published on 20.06.2025

32,90
DRIVE-BY TRUCKERS - THE COMPLETE DIRTY SOUTH
  • A1: Where The Devil Don't Stay
  • A2: Tornadoes
  • A3: The Day John Henry Died
  • A4: Putting' People On The Moon
  • A5: Goode's Field Road
  • B1: Carl Perkins' Cadillac
  • B2: Tva
  • B3: The Sands Of Iwo Jima
  • B4: Danko / Manuel
  • C1: The Boys From Alabama
  • C2: The Buford Stick
  • C3: Never Gonna Change
  • C4: Cottonseed
  • D1: The Great Car Dealer War
  • D2: Daddy's Cup
  • D3: Lookout Mountain
  • D4: Goddamn Lonely Love
pre-order now20.06.2025

expected to be published on 20.06.2025

46,68
FLEETWOOD MAC - RUMOURS

Fleetwood Mac

RUMOURS

12inch603497825066
WARNER RECORDS LABEL
20.06.2025
  • A1: Second Hand News
  • A2: Dreams
  • A3: Never Going Back Again
  • A4: Don’t Stop
  • A5: Go Your Own Way
  • A6: Songbird
  • B1: The Chain
  • B2: You Make Loving Fun
  • B3: I Don’t Want To Know
  • B4: Oh Daddy
  • B5: Gold Dust Woman
pre-order now20.06.2025

expected to be published on 20.06.2025

36,51
GOOD LOVELIES - WE WILL NEVER BE THE SAME
  • A1: Young At Heart
  • A2: Tip To Toe
  • A3: Keep Moving
  • A4: Baby I (Say What You Need)
  • A5: I Should Tell You More
  • A6: Wilderness
  • B1: Blurry Days
  • B2: All My Days
  • B3: Not A Lost Cause
  • B4: Slow Down
  • B5: Insomnia
  • B6: Find Our Way Home
pre-order now20.06.2025

expected to be published on 20.06.2025

25,76
OFFSPRING - Splinter (20th Anniversary Edition) (RSD 2024)
  • A1: Neocon
  • A2: The Noose
  • A3: Long Way Home
  • A4: Hit That, Songwriter – Bryan Keith Holland*
  • A5: Race Against Myself
  • A6: (Can't Get My) Head Around You, Songwriter – Bryan Keith Holland*
  • B1: The Worst Hangover Ever
  • B2: Never Gonna Find Me
  • B3: Lighting Rod
  • B4: Spare Me The Details
  • B5: Da Hui, Songwriter – Bryan Keith Holland*, Greg Kriesel, Kevin Wasserman, Pete Parada
  • B6: When You're In Prison
pre-order now20.06.2025

expected to be published on 20.06.2025

37,77
2 CHAINZ / LIL WAYNE - Welcome 2 Collegrove (RSD 2024)
  • A1: Scene 1: Welcome 2 Collegrove; Narrator – 50 Cent
  • A2: G6
  • A3: Big Diamonds; Featuring – 21 Savage
  • A4: Presha
  • A5: Long Story Short
  • B1: Scene 2: Duffle Bag Boys; Narrator – 50 Cent
  • B2: Millions From Now
  • B3: Crazy Thick
  • B4: Transparency; Featuring – Usher
  • B5: Significant Other
  • C1: Scene 3: Ladies Man; Narrator – 50 Cent
  • C2: P.p.a.; Featuring – Fabolous
  • C3: Oprah & Gayle; Featuring – Benny The Butcher*
  • C4: Shame
  • C5: Bars
  • D1: Scene 4: No Fent; Narrator – 50 Cent
  • D2: Godzilla; Featuring – Vory (2)
  • D3: Crown Snatcher 2:36
  • D4: Can’t Believe You; Featuring – Rick Ross
  • D5: Scene 5: Never Was Lost; Narrator – 50 Cent
  • D6: Moonlight; Featuring – Marsha Ambrosius
pre-order now20.06.2025

expected to be published on 20.06.2025

40,97
Various - Juan Atkins presents The Future Sound EP

To celebrate our 50th release, we dug deep into Juan's back catalog and rediscovered four gems that had never been repressed since 1993. After a proper restoration, a new mastering and a precise cut, we are happy to re-introduce those incredible tracks on vinyl and digital. The Future Sound EP is a great example of Juan Atkins' curation for Metroplex Records. Different artists were invited to the studio to give their interpretations of what the label is about.

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13,87

Last In: 6 months ago
N-Zino - Music & Territory

N-Zino

Music & Territory

12inch180GR001
180 GR Records
17.06.2025

Born from the warm and vibrant local markets of Italy, 180 GR has always been a celebration of vinyl culture. Now, it takes the next step—evolving into a full-fledged record label dedicated to strictly 180-gram pressings, in vinyl-only, limited quantities, crafted for true collectors and connoisseurs.

The label’s inaugural release, Music & Territory, is helmed by none other than its founder, N-Zino. On the A-side, the Original 180 GR Mix of You Can’t Change Your Mind takes you on a mind-expanding journey—soulful, sensual, and deeply immersive.

Flipping to the B-side, the legendary Glenn Underground graces us with two masterful interpretations. His vocal version is a lush, organic groove filled with warmth and virtuosity, while the instrumental mix strips it back, letting the raw musicality shine through. Both versions embody the unmistakable touch of Chicago house—authentic, deep, and timeless.

This is more than just a record—it’s a collector’s gem, a piece of house music history pressed in its purest form.

To quote GU himself, HOUSE MUSIC WILL NEVER DIE.

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14,08

Last In: 7 months ago
VARIOUS ARTISTS - Chrono Cross: The Radical Dreamers Edition
  • A1: 夢よ、夢よ、我が魂の日々よ = Dreams Of The Past, Memories Of My Soul; Arranged By – Mariam Abounnasr; Lead Vocals – Aisling Mcglynn; Lyrics By
  • A2: Chrono Cross 〜時の傷痕〜 = Chrono Cross - Scars Of Time -; Arranged By – Mariam Abounnasr; Music By – Yasunori Mitsuda
  • A3: 忘れじの夢 = A Dream Never Forgotten; Arranged By – Mariam Abounnasr; Music By, Arranged By – Yasunori Mitsuda
  • A4: 風と夢の誓い = A Vow Of Wind And Dreams; Arranged By – Mariam Abounnasr; Chorus – Lucy Champion; Lead Vocals – Aislyng Mcglynn; Lyrics By
  • B1: 航海 アナザー・ワールド = Sailing (Another World); Arranged By – Nikolaj Busk
  • B2: テルミナ アナザー = Termina (Another World); Arranged By – Ale Carr
  • B3: 運命に囚われし者たち = Bound By Fate; Arranged By – Rune Tonsgaard Sørensen
  • B4: 溺れ谷 = Fossil Valley; Arranged By – Nikolaj Busk

[a] A1 夢よ、夢よ、我が魂の日々よ = Dreams Of The Past, Memories Of My Soul; Arranged By – Mariam Abounnasr; Lead Vocals – Aisling McGlynn; Lyrics By [Original Lyrics] – Masato Kato; Music By, Arranged By – Yasunori Mitsuda; Translated By [Gaelic Translation Of Lyrics] – Michael McGlynn, Éabha McMahon


[d] A4 風と夢の誓い = A Vow Of Wind And Dreams; Arranged By – Mariam Abounnasr; Chorus – Lucy Champion; Lead Vocals – Aislyng McGlynn; Lyrics By [Original Lyrics] – Masato Kato; Music By, Arranged By – Yasunori Mitsuda; Translated By [Gaelic Translation Of Lyrics] – Michael McGlynn, Éabha McMahon
[e] B1 航海 アナザー・ワールド = Sailing (Another World); Arranged By – Nikolaj Busk [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[f] B2 テルミナ アナザー = Termina (Another World); Arranged By – Ale Carr [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[g] B3 運命に囚われし者たち = Bound By Fate; Arranged By – Rune Tonsgaard Sørensen [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[h] B4 溺れ谷 = Fossil Valley; Arranged By – Nikolaj Busk [Dreamers' Circus]*; Music By – Yasunori Mitsuda

pre-order now17.06.2025

expected to be published on 17.06.2025

44,08
69DB - KGB 002 Repress

69Db

KGB 002 Repress

12inchTOOLBOXKILLERZ23
Toolbox Killerz
16.06.2025

Repress of the KGB002... that was never repressed since 1998.

One legendary tubular Tribe speedaz tune... and one more Dub-Techno tribal 69DB pure style (in the vibe of the Trax or the Drop bass 23...)

The Toolbox Killerz 23 was never out so far because we really wanted this one to be the KGB002, as KGB is part of our history for those who knows...

We did dig some cool old flyers and pictures and did a patchwork printed sleeves with some souvenirs :)

-------------------------
Mastered by Stefan ZMK and cut by Simon The Exchange.

Tunes have been re-calibrated to regular tempo (as it was a live the tempo was moving, somehow...)

ENJOY !

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17,02

Last In: 10 months ago
Various - Skinhead Reggae 1969

2025 Repress

The Sound of Now...mentioned in 'The Return of Jack Slade' by Derrick Morgan was the sound of 1969/1970 and that sound was the sound of Jamaican Reggae.The look at the time was the Skinhead fashion borrowed heavily from the Jamaican Rude Boy style.
The Skinhead movement started around 1968 and by the following year of 1969 became the style and fashion of many British teenagers.The uniform of the Skinheads consisted of boots,braces and jeans and the upbeat Reggae sound seemed to match the style perfectly.
Never before has a music matched a look more perfectly than that of the Skinhead/Rude Boy and Jamaican Reggae sound.
So stand up and move your feet one more time to the Skinhead Reggae Sound!!!
Hope you enjoy the set....

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13,40

Last In: 4 years ago
ELIZABETH PARKER - FUTURE PERFECT

Elizabeth Parker

FUTURE PERFECT

12inchJBH103LP
Trunk
16.06.2025

First ever release of pioneering radiophonic / experimental / electronic / soundtrack composer you may never have heard of but really should have by now. 26 tracks in all.
As we began the mammoth task of whittling down material for this album Elizabeth recalled the time she met Delia Derbyshire. It was during a party for existing and former Radiophonic Workshop composers at BBC Maida Vale in the early 1980s. Delia introduced herself with typical energy and exuberance proclaiming "It's up to you now - I'm passing the baton. Show these men how we get things done". That must have been quite an honour and responsibility for a young, female composer establishing herself within the male-dominated environs at Delaware Road.
Looking back over a musical career spanning almost five decades, it's clear Elizabeth rose to the challenge and made her mark. She was consistently in demand with television and radio producers, composing for an array of ground-breaking, critically acclaimed and popular BBC projects. Whilst Delia's legacy has achieved mythical status with her position as an innovator and feminist icon secured, the majority of Elizabeth's recorded work remains unavailable so her contribution to the output of the Workshop and evolution of British electronic music is somewhat under-appreciated.
Perhaps this record will help start to remedy the situation. Included are early tape experiments, home demos and non-BBC commissions from the early 1970's to the late 2000s. Having listened to 260+ digital audio tapes from Elizabeth's personal archive we have barely scratched the surface but hope to provide an indication of the breadth of her compositional and sound design skills.
Classically trained in cello and piano, Elizabeth graduated from the University of East Anglia with a degree in Music in 1973. She was mentored by Tristram Cary who helped her to become UEA's first recipient of a Masters in Electronic Music and later awarded an Honorary Doctorate by Staffordshire University. Joining the BBC as a studio manager in 1975, Elizabeth transferred to the Radiophonic Workshop in 1978. One of her first tasks was to create special sound effects for Blake's 7 using tape loops, the EMS 100 and trusted VCS3.
Her celebrated score for The Living Planet in 1982 featured early use of the PPG synthesizer and earned an Emmy nomination. Over the following years studio technology evolved rapidly, but Elizabeth transitioned from analogue recording techniques to newer digital platforms with relative ease, using samplers, midi sequencing and computer controlled workstations.
With an incredible 1,400 commissions to her name, she created special sound for The Day Of The Triffids, Lord Of The Rings, countless radio dramas including Iris Murdoch's The Sea, The Sea, Harold Pinter's Moonlight, all of Howard Barker's plays, productions of King Lear, Wordsworth's Prelude and The Pallisers. The success of The Living Planet led to further work for the BBC Natural History Unit followed by numerous commissions for The Natural World. At one point in the late 1980's at least five of her signature tunes were being broadcast every week including Points Of View, Horizon, Doctors To Be and Everyman.
After the closure of the Workshop in 1996 Elizabeth became freelance, arranging Faure's Pavane for the BBC World Cup '98 coverage (reaching no. 9 in the UK singles chart). She wrote additional music for Monty Python's Holy Grail DVD, scored Michael Palin's Full Circle and Sahara TV series, The Lost Gardens Of Heligan and The Human Body with Robert Winston.
Retiring from the music industry in the late 2000's, Elizabeth recently returned to her East Anglian roots and now lives near the coast. She walks daily, listening to all kinds of music, new and old, on her beloved air-pods.

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18,28

Last In: 10 months ago
DJ Ojo - Tongue Tied

Dj Ojo

Tongue Tied

12inchPM004
Pain Management
16.06.2025

Pain Management welcomes London cult favourite DJ ojo, who arrives on the label with a hazy three tracker of trademark nether zone system music. On his most dubbed out full length to date, ojo span’s the full emotive spectrum of dub sonics with a range of both the eerie and more tender expansions of low end atmospherics, the resulting 12” equally suited for the club and the journey home alike.

‘Tongue Tied’ opens the record, a lysergic offering from the darker edges of dub music. A slippery fugue-state hit of narco-ambience built around a crooning, intelligible vocal refrain and chest shot sub weight. A real nightfall system pusher built to simmer in the early hours. It kicks off the EP on an amorphous, hypnotic note that sustains throughout.‘Oil Dub’ sinks deeper into the fog, melodic kinesis and expansive delays upholding an underworld of feedbacked percussion and tongue in cheek sub motion; a seven minute sound bath of ambiguous dub ASMR.

The B-side balances out the darker strains found on its counterpart with an overtly tender digidub closer. Clocking in at almost ten minutes long ‘Cloud Suck’ is a nebulous bliss of perpetually ascending late-summer warmth. The kind of liminal dream-state embrace that you wish would never end. True to the name, it evokes tender, dusk and dawn hued moments, a quiet ride-home flash of introspection on the way to or from some pursuit of meaning. Pain Management essential right here.

Limited run of 200 hand-stamped 12” records available now.

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14,08

Last In: 9 months ago
SQUARE - R.E.S.O.R.T (Limited Edition)
  • A1: Omens Of Love; Music By – Hirotaka Izumi
  • A2: Feel Alright; Music By – Masahiro Andoh
  • A3: Chances; Music By – Masahiro Andoh
  • A4: Stimulator; Music By – Toyoyuki Tanaka
  • A5: We'll Never Have A Trouble; Music By – Masahiro Andoh
  • B1: In The Grid; Music By – Masahiro Andoh
  • B2: Merylu; Music By – Hirotaka Izumi
  • B3: Prime; Music By – Masahiro Andoh
  • B4: Forgotten Saga; Music By – Hirotaka Izumi
pre-order now16.06.2025

expected to be published on 16.06.2025

41,47
ELVIS PRESLEY - Elvis Styles

ELVIS PRESLEY

Elvis Styles

3x12inch783707
L.M.L.R.
16.06.2025
  • A1: Santa Claus Is Back In Town (Take 7, Master)
  • A2: One Night (Of Sin) (Master)
  • A3: It Feels So Right (Take 3)
  • A4: A Mess Of Blues (Take 3)
  • A5: Like A Baby (Take 2)
  • A6: I Fee So Bad (Take 1)
  • A7: Give Me The Right (Take 2)
  • A8: Beach Boy Blues (Movie Version)
  • A9: Reconsider Baby
  • B1: Blue Moon Of Kentucky (Master)
  • B2: Have I Told You Lately That I Love You (Take 13)
  • B3: When My Blue Moon Turns To Gold Again (Take 10, Master)
  • B4: Old Shep (Take 5)
  • B5: Your Cheatin' Heart (Take 9)
  • B6: A Fool Such As I (Take 3)
  • B7: Just For Old Times Sake (Take 4)
  • B8: I'm Left, You're Right, She's Gone
  • B9: I Forgot To Remember To Forget
  • C1: (There'll Be) Peace In The Valley (Take 7)
  • C2: It Is No Secret (What God Can Do) (Take 5)
  • C3: His Hand In Mine (Take 4)
  • C4: I'm Gonna Walk Dem Golden Stairs (Take 5)
  • C5: Milky White Way (Take 5)
  • C6: I Believe In The Man In The Sky (Take 1)
  • C9: Working On The Building (Take 4)
  • D1: Mean Woman Blues (Take 7, Version 2)
  • D2: Baby I Don't Care (Take 1)
  • D3: King Creole (Take 17)
  • D4: Blue Suede Shoes (Take 1, Master, Movie Version)
  • D5: Rock-A-Hula Baby (Take 3)
  • D6: What A Wonderful Life (Take 2)
  • D7: King Of The Whole Wide World (Take 1)
  • D8: Girls! Girls! Girls! (Take 3, Master)
  • D9: One Broken Heart For Sale (Take 1, Movie Version)
  • E1: Tonight Is So Right For Love (Take 7)
  • E2: Wooden Heart (Take 1)
  • E3: Tonight's All Right For Love (Take 8)
  • E4: It's Now Or Never (Take 4)
  • E5: Surrender (Take 6)
  • E6: Can't Help Falling In Love (Take 26, Movie Version)
  • E7: Almost Always True (Take 5)
  • E8: No More (Take11)
  • E9: Silent Night (Take 9, Master)
  • F1: How Do You Think I Feel (Take 7)
  • F2: Ito Eats (Take 2)
  • F3: Kiss Me Quick (Take 4)
  • F4: For The Millionth And The Last Time (Take 7)
  • F5: You'll Be Gone (Take 4)
  • F6: Fountain Of Love (Take 9)
  • F7: We'll Be Together (Take 10)
  • C7: Joshua Fit The Battle (Take 2)
  • F8: The Walls Have Ears (Take 12, Master)
  • F9: Mama (Take 9)
  • C8: Swing Down Sweet Chariot (Take 3)
pre-order now16.06.2025

expected to be published on 16.06.2025

38,87
Marconi Union - The Fear of Never Landing LP 2x12"
  • Through The Heat Waves
  • Eight Miles High Alone 07:46
  • In Motion
  • Inhale
  • Crystalline 06:38
  • Exhale
  • One More Rush
  • Silence Is Gliding 05:56
  • Cloud Surfing

Marconi Union, one of the most influential names in contemporary ambient and electronic music, announce their twelfth studio album, The Fear of Never Landing, set for release 6th June via Just Music. The news is paired with the release of first single Eight Miles High Alone, out 20th March on all major streaming platforms.

Known for their ability to craft cinematic, immersive soundscapes that blur the lines between ambient, electronic, and experimental music, the Manchester-based duo once again push the boundaries of sonic exploration. The Fear of Never Landing takes us on a dynamic journey that’s atmospheric, diaphanous and never short of mesmerising. While the new record is certainly infused with a sense of hope, there’s more than a soupçon of anxiety too, as the title suggests.

A 55-minute odyssey presented as one seamless piece divided into nine movements, they transcribe the nexus of modern living into a mostly wordless odyssey. The album encapsulates Marconi Union’s ability to translate the complexities of the human experience into sound, all while maintaining a stunning sense of cohesion.

While the music feels effortless, the creative process was anything but. During the two years it took to complete the album, members Jamie Crossley and Duncan Meadows faced creative struggles that even led them to briefly question the band’s future. A pivotal moment came when they performed a live soundtrack to the 1975 skateboarding film Downhill Motion, rekindling their connection to atmospheric composition. By testing new material live and returning to their roots, Marconi Union redefined their creative process, leading to some of their most emotionally impactful work to date.

“We’ve always made atmospheric music but we had started to lose that aspect. Other than some rough ideas, we had no sense of what we were doing anymore, a kind of musical wilderness. Eventually a couple of things fell into place, and it was like, ‘Ah, okay.”
With a foundation to build upon, they went back to basics and decided to take their time going forwards. “We tried out a few new tracks live which gave us the opportunity to see what worked and what didn’t. We've never given ourselves that luxury before.”

The first track to be shared, Eight Miles High Alone, is a mesmerizing sequencer-driven track that builds an immersive, atmospheric soundscape. Its hypnotic pulses and intricate layers evoke a sense of solitude and weightlessness, perfectly capturing the album’s blend of tension and introspection. “Eight Miles High Alone was the first piece that we managed to complete and helped to inform our approach to the rest of the album.”

Formed in Manchester in 2003, their debut album, Under Wires and Searchlights (2003), introduced their signature sound, but it was their 2011 release of Weightless that brought international acclaim. Developed in collaboration with a sound therapist, Weightless was scientifically recognised as “the world’s most relaxing song”, praised for its ability to reduce anxiety and heart rates. With over 900 million streams and widespread coverage across media, the track remains a cultural phenomenon.

Over the years, Marconi Union has continued to evolve, producing critically acclaimed albums such as Signals (2021), Ghost Stations (2016), and Tokyo+ (2017). Their work has been hailed for its emotional resonance and sonic depth, with The Quietus noting their ability to find “beauty in the bleakest places” and The Sunday Times describing them as “amongst today’s most talented musicians.”

Beyond their studio albums, Marconi Union has collaborated with visual artists, provided soundtracks for installations, and remixed notable acts like Max Richter and Vök. Their invitation by Brian Eno to perform at Norway’s Punkt Festival further cemented their reputation as innovators in the ambient music sphere.

With The Fear of Never Landing, Marconi Union once again showcases their unmatched ability to create immersive soundscapes that resonate deeply. The album reaffirms their position as masters of atmosphere and emotional storytelling, making it an essential addition to their storied catalog.

pre-order now13.06.2025

expected to be published on 13.06.2025

37,77
Powerplant - Crashing Cars
  • A1: Crashing Cars
  • B1: Never Smile

‘You are behind the damn wheel every day and you don’t even know it’ , weightily remarks Powerplant’s band leader Theo Zhykharyev on the reading of his latest single. London-based project signals the return to signature formula of marching drum machines and wailing synthesisers, matured by life experiencing of prolonged touring. ’Car is life, brother. Sometimes you drive it, other times - the car drives you. And, statistically, we’ll all see the airbags go off sooner than later as consequence of choices made by us or onto us, consciously or not.’
Crashing Cars breaks out the gates to the heavy low end driven dance floor. ‘I was listening to a lot of Bladee when I wrote it and needed a similar thick kick to get you moving’, says Theo. Its an emotionally loaded cannon of a track that will keep you in its grip until it has run its course and told its story. Yearning from connection unfulfilled, rings out through the heartbroken and weeping synth and choir lines. The ever-morphing and dynamic bass works in tandem with razor sharp guitars. The instrumentation, through combined ‘no looking back’ forward charge and immediacy, conjure a manic and emotional forward momentum, which rings out in the song’s lyrics. The vocal performance ranges from the trademark Powerplant goblin squeaks, to more mature, tour-hardened singing. On a sonic aesthetic level, Crashing Cars vibrates in a familiar fashion to Powerplant’s biggest hit Dungen. However, this time far less playful and harder hitting. Described as the fallout of “avoiding, chasing and running away”, lyrically it paints a dead end in human relationships concluding it car-crash heading for the scrapyard. The song concludes with a loaded four line spoken word poetry segment, that hangs over the fleeting outro.
The B side of the single, Never Smile, rolls the speed back, but throws in jangly guitar hooks and bouncy bass lines. Zhykharyev’s vocals sit in a lower register, hence are more stoic and melancholic. If this track had to be a day of the week, it would be a calm, introspective Sunday. With lyrics about looking into evil omens, the sky and reading people as ‘not something different’, it paints an ambiguous, but heavy conclusion about the world and its people. It tells a story about circumstantially settling into an identity and playing the assigned part for the convenience of the external world. It’s easier to fit than to stand apart. It's a perfect balance of mid-tempo radio-rock that builds and changes, before exploding into a shaggy guitar solo, only to go into an unexpected ethereal outro and this 7”s crescendo.
‘Both of these songs are kinda old now, sitting at around 4 years old. And although I haven’t changed the lyrics since then, I somehow find new meaning in them as time goes on. Being Ukrainian and going into the fourth year of the full scale Russian invasion back home, the chorus “my death to you - a better price to pay” makes a lot of sense looking at how the world powers are trying to spin the devastation of my people for a quick profit and an easier life for themselves. This single coming out now at this very point in my life feels both profound and very ironic. Life never ends’, summarises Zhykharyev.

pre-order now13.06.2025

expected to be published on 13.06.2025

12,40
Puffer - Street Hassle

Puffer

Street Hassle

12inchSSR126
Static Shock
13.06.2025
  • 1: Jimmy
  • 2: I'm Out
  • 3: Gimme The Bone
  • 4: Never Enough
  • 5: Cement Shoes
  • 6: Concrete Jungle
  • 7: I've Seen It All
  • 8: Don't Wanna Be Like Me
  • 9: One Big Step
  • 10: Blood On The Streets
  • 11: Pressure

This is not the end of a dark alleyway in some US city, this is not the bottom of a platform heel in England, this is not the back corner of some dusty drawer at a record fair in Holland. These are not the places you’ll find rock and roll. This is Quebec: A different sensory perception of rock and roll. A heightened awareness of the highest highs and the lowest lows. This is Belgium with snowmobiles, Catholic Texas, Ugly France. All the crumbling highways, the coldest beers, and the loudest joints. Guitars do different things in Quebec. PUFFER shimmy across the invisible barricade between Montreal and the rest of the world not just as another crop of punks but as the great descendants and inheritors of modern greats like INEPSY’s “Rock and Roll Babylon” and ANNIHILATION TIME's “II.” Loud, brash, unrelenting. You’ll go deaf before you get bored of it.
Self produced, self recorded, and mixed by the band, this is the vanguard of punk that has lived long beyond it’s moments of origin. This pure blast of 1979 by way of the hellish weimar end-times of 2025 never made the necessity of punk rock feel so real.
FFO SLAUGHTER AND THE DOGS, the 222s, THE DISCORDS, MOTORHEAD, INEPSY, AA Restaurant, Montreal pool room, Katacombes, and the eternal flame of punk in La Belle Provence.

pre-order now13.06.2025

expected to be published on 13.06.2025

22,27
Items per Page:
N/ABPM
Vinyl