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DDR004 is "Mapagkeun Kawani," the debut 12" EP from Bandung’s own Xin Lie. This three-track offering skillfully combines the ethos of Bandung's hardcore punk scene with the evocative rhythms of Sundanese Dogdog drums, crafting a sound that is reflective of Xin Lie’s diverse musical background and connection to Indonesia's musical history.

Xin Lie, born Diannov Pamungkas, has navigated multiple worlds, starting from his days in the hardcore punk scene to exploring the traditional performing arts of his Sundanese heritage. This journey informs his approach to production, particularly his use of traditional percussion which he samples and recontextualizes into a modern electronic drum palette.

The EP includes two remixes: producer Bagvs delivers a sharp, stripped-down take on "MAPAGKEUN," while New York's Laenz transforms "PANEN" into a fast-paced, percussive wormhole.

Mastered for vinyl and streaming by Enyang Ha, mastering engineer for Bjork, Arca and Tzusing.

All tracks written by Diannov Pamungkas
Artwork by Spaceheadtr
Design by Jesse Pimenta
Mastered by Enyang Ha / Urbiks
Mixed by Raphael Valensi

Lewis Fautzi new alias Non Cyclic's debut album happens in his own imprint and is the reflection of the profile stablished beforehand of a faster and more physical techno.

Non Cyclic delivers a free tour to the depth of his creative mind, an invitation to his own fantasy universe where abstract and spacey pads combine with fast, complex and violent kicks, frantic and melancholic melodies.

Through the complete Enigma LP we can experience an adventure through the vast unknown of outer space and always keeping in mind that we are part of an ever-evolving world that seems boundless and offers endless opportunities to explore and innovate. Non Cyclic did exactly that by creating his own approach through a vigorous work ethic and commitment that we are fortunate to witness.

With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - EOE”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

Feedback Waves - the new imprint from independent label Rings of Neptune - is proud to present Trill, the first and only album by Palomatic. Almost thirty years after its original release on CD in 1995, this beautiful nine-track work is now available on vinyl for the first time.

Palomatic is an alias of Koji Takahashi, an active member of the bubbling Japanese electronic music scene of the early-to-mid 90s. Besides his solo work, he was a core member of Takahashi Tektronix (with Nic Yoshizawa) and Mutron (with Kiyoshi Hazemoto, aka Interferon), as well as working as a synth programmer for supergroup Denki Groove.

Following the release of his debut track 'Halo' on Syzygy Records in 1993, Takahashi made a series of contributions to compilations on the scene-defining Transonic label. His first and only full-length album, Trill, combined these tracks with original material to form an absorbing and versatile standalone statement of the Palomatic sound.

From the oscillating lilt of 'Flutter', which opens proceedings at a measured 104bpm, through to the symphonic epilogue of 'Soar', Trill is rooted in the fertile territory between organic and synthetic sounds - ground that was nourishing the work of many likeminded producers worldwide at the time. West Coast psychedelia and East Coast funk, the moody bass weight of Bristol trip-hop and Sheffield bleep, and the chemical rush of German techno and Belgian trance: with a distinctly Japanese sensibility, Trill drew these strands together into an elegant musical tapestry. The result is timeless - indeed, album centrepiece 'Foaming Waves' would sound right at home on the faster-paced dancefloors of today.

This double LP features an alternative artwork by Feedback Waves co-founder Max Binski.

In spring,
Again.
But it's true this time.

In Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.

If the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.

Their geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.

"Done before,
And I'll do it again"
Ringing in my head
While I try
To feel

Adiel's "Il Significato Delle Parole Remixes" EP Returns with Captivating Remix Package includes Donato Dozzy & Pinch

In the ever-evolving landscape of electronic music, where sonic landscapes morph and intertwine, Adiel's "Il Significato Delle Parole" EP stands as a testament to the power of artistic collaboration and sonic exploration. Now, this boundary-pushing release returns with a mesmerizing remix package, featuring reinterpretations by acclaimed artists Donato Dozzy, Pinch and Adihell.

Originally conceived as a collaborative effort between Adiel and musician Flavio Accorinti, "Il Significato Delle Parole" delves deep into the intersection of techno and experimental sounds. Its tracks serve as conduits for a journey through fragmented realities, weaving together elements of cyberpunk futurism and introspective dreamscapes.

Leading the remix charge is none other than Donato Dozzy, whose masterful touch breathes new life into the EP's ethereal atmospheres. His reimagining of "Nulla Resta" takes listeners on a hypnotic voyage, layering intricate textures over a pulsating rhythm, while maintaining the track's emotive core.

Joining him is Pinch, a visionary producer known for his genre-defying approach to bass music. His Remix of "Sospesa" injects the track with a sense of urgency, blending dark trip-hop aesthetics with futuristic sound design to create a truly immersive sonic experience.

The EP also includes Adihells' captivating remix of "Nulla Resta," returning after leaving an indelible mark on the original release. This rendition adds another layer of depth and intrigue to the already mesmerizing collection. It's worthnoting that Adihells isn't merely an alias but rather a darker iteration of Adiel, embodying a distinct sonic persona.

Adiel is a visionary artist whose sonic explorations defy conventions and push boundaries. With a keen ear for intricate soundscapes and a fearless approach to experimentation, she continues to captivate audiences worldwide.

With these remixes, Adiel's "Il Significato Delle Parole" EP transcends its original boundaries, inviting listeners to explore new dimensions of sound and emotion. As words continue to shape our understanding of the world, this release serves as a reminder of the transformative power of music to unite and inspire.

Embrace the journey and let the music speak for itself.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.
Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

Sleep Now Forever is the second and final album released by Sorrow, the post-Strawberry Switchblade group fronted by singer Rose McDowall. Originally released in 1999 and long since deleted it is a cornucopia of pastoral, elegiac folk music, swirling atmospherics, hymnal compositions and above it all the alternating towering and fragile vocal performances of McDowall. Recorded in the late 90s with fellow band member and co-songwriter Robert Lee, Sleep Now Forever is the definitive statement by the now defunct group and Rose McDowall’s most complete long-form work to date.
Released through the group’s own Piski Disk Records, Sleep Now Forever was distributed by World Serpent which struggled through the early 2000s with financial woes, eventually folding due to bankruptcy in 2004. Due to the company’s troubles, Sleep Now Forever was never distributed widely and was a victim of the company’s failure. Released on CD only, original copies are now rare and only traded on second hand channels. Remastered by Mikey Young for a limited vinyl release, Sleep Now Forever will be released on April 20th on double vinyl format, with one side an exclusive etching by Glasgow artist Holly Allan.
Despite its rarity, Sleep Now Forever enjoys a firm cult following. The album’s textures are expansive, lush, deliciously detailed and celestial. Recorded in home study Velvet Hole by Rose McDowall and then-husband Robert Lee, the album enlists an array of players from the underground Neo-folk / industrial scene: Nigel McKernaghan (Uilleann pipes, Whistles), Susan Franknel (Bassoon), John Contreras (Cello) and Lawrence Frankel (Oboe, Cor Anglais). The eleven songs here revolve around McDowall’s instantly recognisable voice. Brought up singing in the Catholic Church, McDowall’s vocals are impeccable and angelic, particularly on tracks like Turn Off The Light where her experiences with religion are canted over soaring oboe and guitar backing. By far the most evolved and realised version of Sorrow’s vision, it feels somewhat criminal that music this beautiful could be lost to time until now.
McDowall’s lyrics throughout Sleep Now Forever deal frankly with mental health, depression, altered states, death and redemption. Wave upon wave of harmony drench each song, McDowal’s vocal multi-tracked and imperious. Opener Soldier benefits from Robert Lee’s use of the studio as instrument, summoning forth a lilting group performance of sparkling guitar and percussion that recalls the Velvet Underground. Mikey Love’s master treats the compositions to brand new frequency dynamics and space. Harmonium and string drones form the counter to McDowall’s vocal on Love Dies, a slow, lurching lament that feels transcendent. On Haunting, the arrangement is orchestral and aching, bleeding into Fear Becomes You, with chord and harmony structure that recalls the baroque sixties pop of West Coast Pop Experimental Art Band or the 60s psychedelic folk movement. A towering, beautiful statement, this elegy for times lost and moonlit-illumination is finally resurfacing from the darkness.

Malted Milk's 1975 album tackles subjects that concern the band's singer in particular, but also paints a picture of a society with which many people identify. Difficult present times, a broken family and dependent children. The character oscillates between moments of great lucidity and optimism, and moments of anger. Feelings that are reflected in a general vision of the world we live in today, devastated by the abuses of the powerful ones and rendered insensitive to the "false" freedoms they offer us. Could it be that the personal condition of the album's character is also the result of a twisted society?

Malted Milk takes a stylistic journey from strong soul and funk roots to resolutely more modern musical influences, all seasoned with sweet hooks ranging from disco to folk-world. Malted Milk is newly committed to speaking openly about uncomfortable subjects and honestly reflecting its passion for American and pop music. The result is an authentic album, in which the singer becomes kind of a spokesman for the band and the listener.

repressed !

● Essential 14 track collection of "WaJazz" music selected and compiled by renowned Japanese jazz expert Yusuke Ogawa, owner of the Universounds record store in Tokyo.

● Gatefold 180g heavy double vinyl LP. Comes with extensive track-by-track liner notes by Yusuke Ogawa.

● All tracks licensed by Nippon Columbia, Tokyo, Japan.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

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Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!

"Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also theShōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has been a growing trend to move away from the DJ-focused perspective and to appreciate jazz with a deeper understanding. Nowadays, there is more and more interest in the background and roots in which jazz has developed in Japan, with Japanese jazz as a whole now considered as its own distinctive genre.

Of course, even if we speak about "WaJazz" as one genre, there is a truly wide variety of styles within it. However, when Japanese musicians play, there is something uniquely Japanese flowing through that creates a kind of synergy. It may be the melody, the rhythm, or even something deeper, like an inexpressible flicker. I would be happy if some of its charms and secrets emerge from the fourteen tracks included in this collection." (Yusuke Ogawa)

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

In 2020, L'Osmose began its artistic collaboration by combining 70's psychedelia with catchy rhythms.

Blending auto-tune, electric guitars, percussion, and analog synthesizers, their music is a reflection of their incessant experimentation and their desire to explore new sonic avenues.

After several radio appearances (couleur3, Worldwide FM, Radiovostok), and opening acts for international artists (Chilla, Yin-yin, OBF, old Farka Touré, Arp Frique), the Geneva sextet has built a certain reputation within the Swiss cultural scene.

Spotted by L'Éclair in 2022, the group continues its rise by recording, with their help, a promising first album which they will sign on the Stone Pixels Records label.

While waiting for the release of this project, immerse yourself in the raw, sincere and captivating energy that their performances emit.

n Greyscale's continued focus on evolving and expanding the experience of the label, we have some exciting news to share with you. We are launching a new series on Greyscale - the Spectrum Series! This premier outlet will be dedicated to the most special and colorful projects, stepping away from our usual black and white visuals. For the first project, we dug in the vaults and chose to put out a legendary Lithuanian dub track - “Kasdienybės Šventykla” by grad_u & Eazystyle MC. It was recorded back in 2009 which means we are celebrating its 15 year anniversary! Back in 2011 we recorded an English version and released it as a double CD that came with a string of memorable remixes. Now, and for the first time on vinyl and in
the true roots of dub, released on a special 10” record. But that's not all! Each new Spectrum release will include a full cover print with specially created artwork.
For those that are new to the track, 'Kasdienybės Šventykla' is a pure representation of the origins and the lineage of dub music from the 70's and early 80's. As a result, you will find the full vocal on the A-side while the instrumental graces the B. On the original, you have Eazystyle MC wherein he speaks about what is most important in the world...everyday life. "Don't look far, because you will find everything here..." he urges us all to keep the world small and focus on the things right in front of you and the environment you live in every day. Wise words to live by. Ones that resonate as well as the cool echoed out chords do. We couldn't think of a better way to kick off the Spectrum Series! This sets the stage for a new and exciting extension
to Greyscale that we know you will love and enjoy. With grad_u at the wheels we can trust in his direction to lead us.

Long awaited new record YOIONWAXOO9 is finally here!

We've been preparing for it for a really long time.
But there's a reason for that.

First of all, meet a brand new kind of records in our series - printed vinyl! Let's tell you a secret, our distributor made it exclusively for YOI, for which we thank him for such support and faith in our art! Now the incredible artwork made by our boss Alexey Mikheev is even easier, more exciting and fun to watch! So YOI becomes the first and only dance music label who makes printed vinyl with animated artwork.

Secondly, of course, the whole situation in the world cannot go unnoticed, and we cannot and do not want to remain silent about it, because we are as always, as from the very beginning, for unity and art, creation and development, friendship and love, happiness and peace. So this record once again brings together artists from different countries: Mariche from Argentina, Italian Sbruf, label boss Watsche from Russia and Englishman Yogi P, and the artwork reflects our planet, which is spinning thanks to our dancing day and night everywhere where the best house music is played!

‘Out There’, the first album by the duo KOLORA, is a continuous collection of warm and layered soundscapes. The organic guitar sound of Liloe Barend in combination with the synthetic synthesizer sounds of Koenraad Wiering provide a calming sound palette.

The collaboration between Liloe & Koenraad arose during and because of the corona period. Both musicians live in the artist commuity ‘Heesterveld Creative Community’ in Amsterdam South East and were restricted by the corona measures. However, these limitations turned out to be fertile ground for a new musical collaboration: KOLORA.

In addition to KOLORA, Liloe Barend has her own solo project ‘Liloe Rix’ and is a guitarist in the cover band Steam Sister. Last summer she released her new EP with her solo project as a singer-songwriter.

Koenraad Wiering works in the music world as a producer and DJ. You can find him on stage as a DJ under his own name ‘Koenraad’ and also under various pseudonyms including: DJ Beukeboom and 06NRG. In addition to music, he also designins and build light installations.

Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant
worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism.

Coral Morphologic are the Miami duo of marine biologist Colin Foord and musician J.D. McKay; since 2007, they have used a variety of multimedia projects to generate environmental awareness of marine biodiversity—most notably Coral City Camera, an underwater webcam streaming live from an urban reef ecosystem in PortMiami.

Their citymate Nick León is a linchpin of South Florida’s contemporary leftfield electronic scene, with releases for Tra Tra Trax, Future Times, and NAAFI, and credits on records by Rosalía, GAIKA, and Iceboy Violet, among others.

This collaborative project dates back to 2022, when Coral Morphologic mounted a monumental projection-
mapping installation on Biscayne Boulevard. For five nights in late November and early December, macroscopic films of corals played out across the exterior of Knight Concert Hall. The installation was, on the one hand, a glimpse into a possible future, imagining how the city’s skyline might appear if unchecked global warming and rising seas led coral reefs to colonize the built environment. But it also represented a look back into the deep past, a reminder that Miami is literally built from marine limestone mined from the Everglades. Its concrete foundations began life, eons ago, as a marine ecosystem—the same ecosystem that may one day reclaim them. As above, so below.

As an album, Projections of a Coral City is a suite of interconnected movements spread across two sides of vinyl. The tones are watery, the mood elegiac, the colors a washed-out pastel. Forms that appear static on the surface gradually open up to reveal hidden depths teeming with microscopic movement. You might detect resonances with other aquatically minded works—Jürgen Müller’s Science of the Sea, Harold Budd’s liquid piano compositions, even the slow-moving melancholy of Dr. Roger Payne’s Songs of the Humpback Whale. But ultimately Projections of a Coral City creates the impression of a world unto itself—a hauntingly beautiful space at the meeting point between sorrow and hope.

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Balmat is a label with a cloudy outline. Jointly shepherded by Albert Salinas and Philip Sherburne, two friends living in Cardedeu, Catalonia, and on the Balearic island of Menorca, Balmat grew out of Lapsus Radio, a weekly show born almost ten years ago. Balmat’s mission is simple: to foster new ideas, expand upon personal obsessions, and put enveloping sounds out into the world.

“Balmat” means “empty” or “void” in Catalan. But quite apart from any negative connotations, we prefer to think of it in terms of possibility: a space waiting to be filled.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.
Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

Here is the new “EP Volume 2” by Italian dj producers Marco Fratty (FPI Project), Marco Flash and Alex Time.

After achieving an excellent result with the EP Vol. 1 the three DJ producers create this new album with 2 tracks super Afro on Side A, the first is the cover of "Happiness" by Fuhrs Frohling and the second also on Side A is an unreleased modern Afro Beat entitled "OM" already released digitally on their label Audio Recordings.

Side B is instead markedly Funk, with the first track “Ultrafunk” inspired by a song from the 70s and the second, “Excellent Funky”, with a more pronounced dancefloor beat.

Charlie Ingui a veteran blued eyed soul singer who formed the band The Soul Survivors In the 60's is back with a brand new single.

'Wake Up Old World' is a song about making the world a better place.

Charlie explains 'This has always been a theme in our songs inspired very much by our collaboration with Kenny Gamble and Leon Huff of Philadelphia International Records whose songs like "Love Train" and "Love Is The Message" had a positive and spiritually uplifting message.'

In 1967, Charlie Ingui formed the band The Soul Survivors. They scored a #2 record with Gamble and Huff' first major hit with the song "Express Way To Your Heart.' They were a bunch of hoods from The Lower East Side of New York.

They were part of the same scene in NY with The Rascals, Joey Dee and the Starlighters, The Soul Survivors, The Vanilla Fudge, and many other Blue Eyed Soul Bands that paved the way for folks like Hall and Oates.

Originally they were a trio and had a third singer, Kenny Jeramiah, who went on to have success in Atlantic City.

They went on to have several other great records. The first was in 1969 with Muscle Shoals producer. Rick Hall. The Swampers with Duane Allman played on that one. In 1974, Gamble and Huff got a custom CBS label – Philadelphia International Music and signed the Soul Survivors once again. They made a fantastic record with their amazing band, Charlie and Richie Ingui, John "Beedo"Dzubak The amazing Fred Beckmeier on bass. He was a major influence

Wake Up Old World is going to be the first side of a limited edition 7" vinyl to come on LRK Records.

Went straight in at num one in the UK soul breakers

Spun on all the indie soul stations like starpoint, solar etc

The renowned Disco Dandies have made a triumphant return, emerging from their creative haven at the Old Course of the St. Andrews Golf Club. Following the success of their previous chart-topping hit, “Inside Your Love” (2 People), which went to number one TWICE at Traxsource, they present their latest offering, a rework of the Miami T.K. Disco classic by Tamiko Jones, “Let It Flow.”

This new release showcases a heightened tempo and a fresh interpretation that irresistibly beckons the dance floor. The Disco Dandies, known for their meticulous attention to detail, have patiently crafted a musical gem that has received the coveted final seal of approval. Now, in the year 2024, they are ready to unveil their creation to the world.

n stark contrast to the hurried pace of some, the Disco Dandies adhere to a philosophy where haste has no place; instead, they embrace patience as the key to their artistic process. The anticipation surrounding their latest work has been met with great reward, and the wait for this musical delight has proven to be truly worthwhile.

Get ready to immerse yourself in the infectious rhythms and the Japanese, Cherokee soulful voice of Tamiko Jones and the Disco Dandies.

Companion’s fourth full-length excursion comes from Naarm newcomer Declan. Following the release of his debut single Aqueduct on CMPN003, Declan returns to the label with an entrancing 5-track EP that gently unwinds through boundless, sun-drenched dreamscapes. Awash in the golden hues of 90s chill-out tent culture, Soul Arch embarks on a trance-inducing trip that fuses new age influences, balearic spirit and feverish, hypnotic repetitions.

The release gracefully shifts between moments of restraint and hidden depths, soaring to elevated and distant peaks. The effect is expansive, characterised by protean vocal samples, pulsing pitter-pat percussion and weightless pads as though gently breathing. Suited for late-nights beneath dust shrouded stars and the peaceful mornings after, Soul Arch is best listened from start to finish, with one eye cast towards the sunrise.

All tracks written and produced by D. McNamara
Mastered by P. Twigg
Artwork by X. Ford-Legrand
Design by G. Butterfield
Worldwide distribution by One Eye Witness
© Companion 2024

Rhino rediscovers the magic of Madonna's "Celebration" album with an upcoming 4LP repress, releasing on 1 March 2024. This album highlights the chart-topping success of Madonna in the UK, offering a carefully curated collection of her greatest hits across four discs. It's a nod to the enduring influence of the Queen of Pop, who recently performed six dates at the O2 for her Celebration world tour.

The repress has been hotly anticipated from fans and we plan to run heavyweight online promotion including new content from the Madonna socials.

2024 of New Interplanetary Melodies begins with a new album and an EP signed by ABYSSY. The historical producer from Bologna who returns to Simona Faraone’s label after a few years since the release of his previous works, Magnetic Archive (NIM001,2016) under his alias Soulomon, and TWO Scorpions EP (NIM002, 2017) under the name ABYSSY, which marked NIM’s adventure in the world of contemporary Italian independent record labels. “Extra Meta" was born from the passion for a certain electronic sound ecosystem of the 70s and 80s, a journey that embraces minimalism of the “Berlin school” and extends to the beating heart of the soul/funk of Detroit techno. A journey into the abyss of emotions and the unknown of the human spirit, as the deep darkness of the ocean intertwines with the unfathomable darkness of space. An invitation to explore new sound boundaries, to let yourself be lulled by waves that repeat without ever repeating themselves and to immerse yourself in the reflective mystery of discovery and of evolution, a dance in darkness and light, and where the abyss of emotion merges with the infinity of imagination: ABYSSY.

In 1993, during the incredible years when music, house and techno, were so incredibly big and fresh, IST Records was born as sub label of the hardcore / gabber labe Industrial Strength Records from New York City, Owned by Lenny Dee.

In those years, one of the main man for the italian scene was Andrea Raggi aka Cirillo. With his incredible and legendary sets all over the world, Cirillo was considered as a key and fundamental icon in the techno / hardcore scene.
His long and pure friendship with Lenny dee, started back then, and so, Cirillo was the first one to release on IST Records with the masterpiece “Mr. Chill ’s Back” (Door 1, Door 2 and Door 3) under the alias CYBERIA (in partnership with the studio master Pierluigi Melato).

Cirillo always been an inspiration for us at BAR Musica, we were lucky to grow up next to him and learn a lot from him. We call him “Daddy” for this reason.
In these years we’ve seen this record been played by many, but we were lucky to have the version that nobody ever had, found in old DATs from those years, produced by Cirillo himself.

We are extremely delighted and proud to celebrate the 30th anniversary of this record, releasing the main two original version (Door 1 and Door 3) but also giving the light fir the first time to the unreleased versions, Door 4 and Door 5.

To celebrate, we are also releasing a limited number of t-shirts designed by @lyc.eu

2026 Reprss

Hi-NRG synth pioneer Patrick Cowley moved away from his usual robotic steeliness on 1982’s “Primitive World,” drawing instead on the groove rock of early 1970s gay discos. It’s a percussion track influenced by Baba- tunde Olatunji’s 1959 hit “Jin-Go-Lo-Ba,” made more famous by Santana’s 1969 cover. Cowley updated the sound for the 1980s with electronics and drum machines but kept the playful attitude of the original. Two choirs of voices chant back and forth to each other, giving Cowley a chance to include many of his friends from the San Francisco dance music community.

This has been DJ Hifi Sean’s year, with a best-selling album with David McAlmont , count- less live gigs and high-profile remixes to his name. His interpretation of Cowley’s “Primitive World” can be counted among his best, bringing an intense TB-303 acid house vibe that perfectly complements Cowley’s weird electronic blips and bleeps. The effect is a disorienting mix of psychedelic 70’s groove, 80s synth pop, and 90s tacky house vibes. “Primitive World,” is one of the brilliant standouts on Cowley’s final record, Mind Warp, the so-called “death album” written as his health was rapidly sinking. Hifi Sean’s new remixes pay tribute to Cowley’s genius while fusing the track even more strongly to dance music’s electronic future.

Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.

Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.

"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.

The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.

The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.

Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.

Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.

Record Kicks presents Keep It To Yourself, the new album by premier Dutch soul band The Tibbs, out next January 26th.

Dutch vintage soul combo The Tibbs are back with their highly anticipated new album Keep It to Yourself, to be released on LP, CD and digital format next January 26th on Milan-based label Record Kicks. Produced by Paul Willemsen (Michelle David) and mastered in Nashville by soul veteran Bob Olhsson, who used to cut vinyl for Motown back in the day, the new album Keep It to Yourself is the band's third Long Play. It contains 12 fresh 'n vibrant tracks that once again will take you back to the golden days of soul music. Prepare to be swept away on a groovy, soulful odyssey with one the most sensational and enchanting soul bands from the Netherlands!

From the very first note, The Tibbs' musical prowess exudes a soulful, funky energy that is nothing short of mind-blowing. Among the 12 new tracks of Keep it To Yourself, we find the first single "Ain't It Funny", a high-energy stomper that sets the tone for the entire album, the New Orleans funk inspired "Can't Teach an Old Dog New Tricks" and "Chicken Bones, "In Orbit", an emotional and heartfelt love ballad that allows the velvety vocals of singer Roxanne to take center stage or the northern soul belter "Give Me A Reason".

Lyrically, Keep It to Yourself is a poetic wonderland, delving into the depths of love, heartache, but also social issues and the need to preserve the world we're in. Roxanne's vocals, rich and velvety, take you on a euphoric journey through the peaks and valleys of human emotion. The harmonious blend of the horn section weaves an exhilarating tapestry of sound that can only be described as a symphonic supernova. The rhythm section is an unstoppable force, driving each track with a pulsating groove that is pure sonic adrenaline. Keep It to Yourself is a true tour de force, a symphony of soul that will leave you awe-inspired, foot-tapping, heart-soaring, and utterly enthralled.

Based around Amsterdam, The Tibbs is a group of seasoned musicians who draw inspiration from the timeless music of the 1960s, channeling the emotional depth and raw authenticity of that era's classics. Led by their charismatic female vocalist and backed by a powerhouse lineup of drums, guitar, bass, organ and a three-piece horn section, they have been wowing audiences with their live performances. They took off in 2012 working right from the start with producer Paul Willemsen (Beans & Fatback, Lefties Soul Connection, Michelle David & The Gospel Sessions). In 2016, their first LP Takin' Over marked their debut with Milan-based imprint Record Kicks. In late 2018, singer Elsa Bekman decided to focus on a solo career and The Tibbs duly began their search for a truly worthy successor, bringing astonishing vocalist Roxanne Hartog and the band together for the first time with their sophomore album Another Shot Fired, released in November 2020. Now, with their third album Keep It to Yourself, a testament to their dedication to keeping the soulful spirit alive, The Tibbs are once more ready for lift off.

Repress.


Bassist of the band Lo'Jo until 2016, Kham Meslien has performed on all continents, from the big stages of the world's cities to the Australian and American deserts With this solo double bass project, he embarks on a new adventure that mixes overdubbing with samples and special guest Anthony Joseph on one track. He
also plays in the trio Sweet Back and has collaborated, on stage or in the studio, with many international musicians: Robert Plant, Archie Shepp, Robert Wyatt and Justin Adams.

Following the huge succes of “Serious”, remixed by Michael Gray, we now dive into the enchanting world of “Joy & Pain,” a timeless masterpiece penned by the legendary Frankie Beverly of Maze-fame. The brilliant Donna Allen and expertly remixed by the maestro himself, Dr Packer. With his trademark nu disco groove, Dr Packer unleashes an irresistible sonic force, propelling you into a realm where Donna effortlessly takes the reins with her divine R&B prowess. Together, they embark on an awe-inspiring journey, catapulting you into the very heart of dance floor ecstasy. Dr Packer unveils a package of unparalleled excellence, breathing new life into this classic gem and ensuring its enduring legacy. Get ready to surrender to the irresistible allure of pure dance floor heaven!

Mystic Transfers is a label focusing on experimental music and club cuts from around the world, taken from the suburbs. MYSTIC VALLEY - Mystic Valley is the new musical project by Andrea B, architect, collector and producer from Florence, Italy. His sound is best described as a melting pot of Italian psychedelic influences, from obscure downtempo to new beat, as well as English breakbeat and German EBM. After years of Tropical Animals he started with Felis Oxiana the project ‘’Galattica’’ and from 2021 is one of the founders of Mizuna. Heading coach of the post punk group Zona Utopica Garantita, he began to work with them since they started to play, and together they launched the label ‘’Mystic Transfers’’, focusing on experimental music and club cuts from around the world.
SPO - Drummer in the ’00 of the underground scene in Florence fond of the 70s Progressive Rock sounds and experimental, co-founder in 2006 of the DIY label La Statua Sommersa Produzioni.
Currently in Florence after the experiences in Rome and 5 years in Berlin with many gigs around Europe and albums with his solo project Die Lust! and the italo-german duo Bloodygrave & Die Lust! establishing itself as a producer and composer in the electronic european musical scene Minimal Wave e Synth Wave. From 2017 began a new solo project named SPO (Solo Per Oggi).

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.