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The Cruel Visions - The Cruel Visions LP

There are few hidden gems that we can find on the different streaming channels, and it is precisely our job to have them for you. This Saturday we want to bring you a Chilean band that is born from transversal rock and its variants. We talk about The Cruel Visions. The Cruel Visions is the name that Pablo Giadach (founder) proposes to imagine a luminous and nostalgic interior landscape, expressed in songs of subtle composition and evocative beauty. The guitarist and musician in the bands Casino, Trancemission and The Ganjas, brings with him an album weathered by the passage of time in nightly improvisations and his recording studio, influenced mainly by the sounds of the early 80's, new wave, paisley underground, post punk and dark wave. The Cruel Visions was born from the idea of grouping together different recordings that Pablo made in parallel to his work with The Ganjas between 2015 and 2017 at different times and formats. Most of the album is a collection of demos and improvisations with a Rickenbacker 12-string guitar, an echo chamber and a drum machine, which were then worked on for almost 3 years in the free time at Estudio Lautaro, where he also performs. as an engineer and producer. His authorial present discovers the ethereal and light sounds that bands like The Cure or The Jesus and Mary Chain decanted, who left the initial rawness to give way to a more atmospheric and personal repertoire, which, although luminous, maintains traces of the darkest noise of the post-punk era. This time the path taken in other formations where Pablo provides precise sounds, completed with effects such as reverb and distortion, gives shape to a more personal list of songs that sails with the wind in its favor through foggy waters, already known to listeners of English 80's alternative music. Vocals and some arrangements were done at Woodbine St Recording by John A. Rivers, who has produced records by Love and Rockets, The Specials, Nikki Sudden, Close Lobsters and Dead Can Dance, among many others

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

27,69
Revision 1.1 - Bouffe la rouille

Revision 1.1

Bouffe la rouille

12inchKOREINE01
Klynikal
22.11.2024

MINT copy (sleeve original mint as well, with the sticker :)

Hardcore killa'. Autorpodutcion de qualité. Et efficace. Nikel.

pre-ordina ora22.11.2024

dovrebbe essere pubblicato su 22.11.2024

24,33
Claire Martin - Almost In Your Arms LP

On her new album, ‘Almost in Your Arms’, Claire returns to a previous successful formula: her highly experienced Swedish trio of pianist, Martin Sjöstedt, double bass player, Niklas Fernqvist and drummer, Daniel Fredriksson accompanied by several superlative guest musicians. The songs Claire has chosen for the trio indicate her wide-ranging interest and knowledge in the many sub-genre areas of popular music and jazz. Claire’s innate enthusiasm for fresh stimulus and intriguing contrasts was invested in assembling a selection of material which she, with the assistance of James McMillan, found strong personal resonance with. Claire Martin is one of the most accomplished and inspired jazz singers in the world today. Full stop. This is a statement that would find virtually universal agreement with jazz writers, reviewers, broadcasters, listeners and live-performance audiences.

pre-ordina ora20.11.2024

dovrebbe essere pubblicato su 20.11.2024

23,95
FACTORY FLOOR - A SOUNDTRACK FOR A FILM LP SET 4x12"

Krauty electrocis from FACTORY FLOOR re-promoted now! The music is taken from a project originally commissioned by London's Science Museum to live score Fritz Lang's 1927 cinematic landmark, Metropolis on its 90th anniversary. The band performed the score live at the Science Museum's IMAX in April 2017 in an event that was part of the acclaimed Robots exhibition. This new release is a studio recording of the 150 minute score, recorded in its entirety and mixed by Nik Void with the exception of the tracks `Heart of Data' and `Babel' which was mixed by award-winning producer Marta Salogni. It's something of a rite of passage for electronic artists to compose music for the classic sci-fi movie Metropolis, and with the simply named Soundtrack for a Film, Factory Floor join the ranks of Giorgio Moroder and Jeff Mills. ... While Soundtrack for a Film is subtler than Factory Floor's albums, it still bears the duos signature approach. ... Soundtrack for a Film also takes Factory Floor's skill at making expansive, evolving tracks to its logical conclusion, and the album could be heard as one two-and-a-half-hour cut. Despite its length, Gurnsey and Void never lose focus thanks to their carefully chosen motifs. ... As Factory Floor balance the organic and mechanical aspects of Metropolis and their music on Soundtrack for a Film, they achieve the best of both worlds -- a commissioned work that's just as original as their own albums. - Available as a box set comprising four 12" vinyl on the band's own imprint H/O/D Records. The artwork is by British artist Haroon Mirza adapted and arranged by Nik Void in collaboration with illustrator Sam Moore.

pre-ordina ora15.11.2024

dovrebbe essere pubblicato su 15.11.2024

22,27
THE CHARLATANS - UP TO OUR HIPS LP 2x12"

Zur Feier des 30-jährigen Jubiläums von The Charlatans drittem Album "Up To Our Hips" gibt es ab dem 08.11.2024 eine erweiterte Neuauflage der Platte. Das Set wird als 2LP, 2CD und digital erhältlich sein und neben dem Originalalbum zehn Bonus-Songs enthalten, darunter Live-Tracks und seltene Mixe. Das Album kommt mit einem neuen von Nik Void gestalteten Artwork und wird als petrolblaues Bio-Vinyl gepresst. Mit dem Album "Up To Our Hips", das 1994 erschien, schlug die Band eine neue Richtung ein. Es grenzt sich von den beiden Vorgängeralben ab, die wesentlich poppiger waren, klingt dunkler, schwerer und bedient sich vermehrt an Orgelklängen. Die Band hörte zur Zeit der Entstehung viel Musik von Künstlern wie Small Faces, The Beatles und Dylan und schaute David-Lynch-Filme. Zur gleichen Zeit gab es einige interne Schwierigkeiten. Viele Lyrics spiegeln diese Unruhe wider. The Charlatans, bekannt für ihre markante Mischung aus Hammond-Orgeln und Northern UK Soul, treibenden Gitarren und Tim Burgess" sehnsüchtiger Stimme, bleiben eine der prägenden Brit-Pop Bands der letzten Dekaden. Seit 1989 veröffentlicht die Band regelmäßig Alben, von denen drei die Spitze der britischen Charts erreichten. Trotz zahlreicher Herausforderungen - Nervenzusammenbrüche, Suchtprobleme, damit einhergehende Geldprobleme und der tragische Verlust zweier Gründungsmitglieder - haben The Charlatans sich immer wieder neu erfunden und erfolgreich Musik veröffentlicht.

pre-ordina ora08.11.2024

dovrebbe essere pubblicato su 08.11.2024

29,37
Keshavara - III LP

Keshavara

III LP

12inchPCR091LP
PAPERCUP RECORDS
07.11.2024

Keshavara tragen prächtige Schnurrbärte, verwegene Kopfbedeckungen und sprechen ein abenteuerliches Patois aus Englisch, Hindi, Deutsch und Gibberish. Auf ihrem neuen Album "III" kreieren die Kölner um den deutsch-indischen Musiker Keshav Purushotham Klänge, wie andere Leute Drinks mixen, nachdem sie schon drei genossen haben: Verwaschener Kraut-Pop und diasporische Dub-not-Dub-Exkursionen werden nach Augenmaß miteinander kombiniert und wild geschüttelt. Zuckersüß mäandernde Melodien, entlehnt einem fantastischen Niemandsland in der Grenzregion zwischen exotischen Library-Kompositionen und psychedelischen Soundtracks, verschmelzen mit den Grooves einer Rhythmusgruppe, die sich auch in den Tonstudios des funky Beirut der Mittsiebziger Zuhause gefühlt hätte. Das Ergebnis sind mit surrealistischem Zuckerrand gekrönte Cocktails mit der Wirkung einer halluzinogenen Götterspeise. Musik, die schillert und flirrt, wie eine Fata Morgana in der Wüste. Keshavara klingen in einem Moment, als hätte Ennio Morricone einen Bollywood-Film vertont, und im nächsten wie ein von Curt Boettcher produzierter Eden-Ahbez-Song, oder - nicht ganz so spinös aber nichts desto weniger fantastisch - als hätten Khruangbin und Sven Wunder endlich ein gemeinsames Album aufgenommen. In den glanzvollsten Momenten fügt sich das alles wie von magischer Hand zusammen und kulminiert dann in Songs wie "Spiegelmann" und "Tableau Vivant" - fantasmorgiastischen Partys voller transkultureller Clashes, die uns Hörer dazu einladen, sie in farbenprächtige Gruppenchoreografien zu überführen.
War das Debüt von Keshavara noch ein Solo- und der Nachfolger "Kabinett der Fantasie" im Kern ein Duo-Album, so sind Keshav Purushotham, Niklas Schneider, Benedikt Filleböck und Christopher Martin mit ihrem selbstproduzierten, schlicht "III" betitelten dritten Album endgültig zu einer vierköpfigen Band zusammengewachsen … und zwar um eine alte Farfisa-Orgel herum, die eines Tages als Geschenk im Proberaum gelandet ist: Ein, auf sämtlichen Songs mal mehr, mal weniger präsentes UFO aus einer Zeit der Slow-Jams, Live-Takes und des exzessiven Space-Echo-Einsatzes. Sein analoges Blubbern und sein wabernder Funk rollt dem warmen, organischen Bandsound den roten Teppich aus, und verpasst ihm einen zärtlichen Schubs Richtung 70er. Erfrischenderweise kommt er dort niemals so richtig an, sondern bleibt immer im Fluss. Denn das eigentliche Ziel der halldurchtränkten Korridore dieses Albums ist stets der Weg, genau genommen der kunstvoll gezimmerte Holzweg, der phantastische Irrpfad. "III" ist eine Reise, auf der Zeiten und Orte keine Fixpunkte sind, sondern austauschbare Koordinaten eines augenzwinkernden Vexierspiels. Da ist es nur folgerichtig über "Indische Götter im Sauerland" zu singen. Dass ungeachtet der Nostalgie, die alle neun Songs durchweht wie ein warmer Mittelmeerwind, niemals Sentimentalität aufkommt, ist nicht zuletzt diesem Humor geschuldet.
Die ätherischen Drones, sanft nuschelnden Akkorde und geisterhaft seufzenden Soundschwaden, die Keyboarder Benedikt Filleböck seiner altersschwachen Farfisa bevorzugt in den ruhigeren Momenten und den Instrumentalnummern des Albums entlockt, bilden einen stimmungsvollen Kontrast zu den beiden anderen Säulen des Keshavara-Sounds: Christopher Martins leichtfüßig hüpfenden Bass-Dreiecken und Keshavs sonnendurchfluteten Gitarren-Ornamenten. Im Zusammenspiel mit Niklas Schneiders crispen Drumbeats entsteht ein Fundament, mit dem die kaleidoskopischen Texturen und Melodien vollständig verschmelzen.
Das Ergebnis ist das bisher homogenste Album des Quartetts. Mit "III" erweisen sich Keshavara als gewiefte Soundalchemisten und Weltenwanderer, als eine softe Macht, deren Stärke sich aus ihrer enormen Musikalität, ihrer Fabulierlust und ihrem surrealistischen Witz speist.

pre-ordina ora07.11.2024

dovrebbe essere pubblicato su 07.11.2024

22,90
ELEPHANT9 WITH TERJE RYPDAL - CATCHING FIRE LP 2x12"

Elephant9 begründeten ihren Ruf als Live-Powerhouse schon lange vor ihrem Albumdebüt im Jahr 2008 und haben seitdem sechs weitere Studioalben sowie die beiden Doppel-Live-Alben Psychedelic Backfire I und II im Jahr 2019 veröffentlicht, letzteres mit Gastgitarrist Reine Fiske, dessen Lieblingsgitarrist zufällig Terje Rypdal ist. Da beide Alben vergriffen sind, ist Catching Fire eine höchst willkommene Ergänzung ihrer Diskografie. Aufgenommen bei einem bemerkenswerten Konzert von 2017 in Oslo - Rypdal würde in diesem Jahr 70 Jahre alt werden. Catching Fire hat Gemeinsamkeiten mit klassischen Live-Alben von Mahavishnu Orchestra, ELP und King Crimson, vor allem, was das Energieniveau und den Sinn für ungezügelte Intensität angeht. Dennoch gibt es auch ruhige Passagen, vor allem im 22-minütigen Opener, in dem sich Rypdal mit einigen typischen, gletschermelodischen Linien vorstellt. Rypdal ist die ganze Zeit über Feuer und Flamme für Lead-Action, heftige Rhythmusarbeit und abstrakte Akrobatik aus seinem Werkzeugkasten.Terje Rypdals Hauptwerk ist bei ECM erschienen, zunächst als Mitglied des Jan Garbarek Quartetts (Afric Pepperbird, 1970) und mit seinem ersten Soloalbum Terje Rypdal (1971), das bis zu Conspiracy (2020) insgesamt etwa 30 Veröffentlichungen umfasst.Ståle und Terje teilen ein gemeinsames musikalisches Verständnis, das daher rührt, dass Ståle seit fast 30 Jahren die ,rechte Hand" des Gitarristen ist, sowohl im Studio als auch auf der Bühne. Torstein und Nikolai sind die solideste aller Rhythmusgruppen, ein gut geölter Motor, der Finesse und Kraft vereint. Ståle Storlokken - Hammond, Rhodes, Mellotron Nikolai Hængsle - Electric bass Torstein Lofthus - Drums Terje Rypdal - Electric guitar.

pre-ordina ora25.10.2024

dovrebbe essere pubblicato su 25.10.2024

28,99
Oranssi Pazuzu - Muuntautuja LP

Oranssi Pazuzu

Muuntautuja LP

12inch727361562618
Nuclear Blast
23.10.2024

Lyrics written by Ontto, except “Voitelu” written by Ontto & Evill

Produced by Oranssi Pazuzu
Recorded by Julius Mauranen and Niko Lehdontie
Additional recording by Juho Vanhanen and Tom Brooke
Sounds captured at E-studio, Astral Studio, Cellar of Deposition and Inner Oscillations between November 2021 and December 2023.

Mixed by Julius Mauranen at Studio Kekkonen
Premix engineering by Niko Lehdontie
Mastered by Svante Forsbäck at Chartmakers
Album artwork and layout by Jenna Haapaharju
Management by Erin Lynch, FlyingFox AB
Thank you: Mikko Männistö, Tom Brooke, Erin Lynch, Jens Prueter, Jyri Riikonen, Timo “Moit” Alatalo
Evill - grand piano, vocals, effects
Ikon - guitar, sampler, synthesizers
Jun-His - the voice, guitar
Korjak - drums
Ontto - bass guitar, synthesizers

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23,49

Last In: 13 months ago
Various - Moonwalkers OST LP 2x12

Various

Moonwalkers OST LP 2x12

2x12inchSILLP1759
SILVA SCREEN
18.10.2024

The Moonwalkers is a unique immersive show about the Apollo and Artemis moon missions narrated by Tom Hanks. Anne Nikitin’s rousing soundscape to

this epic experience which offers a unique perspective on humankind’s past and future voyages to the moon, was performed by the Royal Philharmonic Orchestra

at the iconic Abbey Road Studios. The show opened at London’s Lightroom on 6th December 2023 and continued until 9th June 2024 before moving on to South Korea.



Anne Nikitin is an Emmy and two-time Ivor Novello nominated composer known for her versatility in creating bold and inventive sound worlds spanning a

range of genres across film and television. She was named Classic FM’s “Composer to Watch” and Film 4’s “composer who should be on your radar”.

Recent TV scores include the Netflix hit series ONE DAY, the Apple TV+ thriller HIJACK starring Idris Elba, and the Emmy-winning series THE DROPOUT (Hulu/Disney+) starring Amanda Seyfried.

pre-ordina ora18.10.2024

dovrebbe essere pubblicato su 18.10.2024

45,80
SVANEBORG KARDYB - SUPERKILEN

Superkilen the new album from Danish duo Svaneborg Kardyb, Nikolaj Svaneborg (keyboards) and Jonas Kardyb (drums), is named after a public park in the ethnically diverse Norrebro district of Copenhagen. This erstwhile strip of waste ground was repurposed by the Superflex art group in the early 2010"s to bring together immigrants and locals in a mood of tolerance and unity. Its title feels emblematic of their music, which, equally inventively, creates space and serenity as a tonic within the tense and cluttered environment of 2020"s living. In the same way that the regeneration project has transformed that neighbourhood, Svaneborg Kardyb have drawn on that positive energy to help instigate changes in their own music.

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22,90

Last In: 12 months ago
Ad Infinitum - Abyss

Ad Infinitum

Abyss

12inch810137300573
Napalm Records
11.10.2024

Seit ihrem Debüt 2020 hat sich die Band mit Mitgliedern aus Deutschland und der Schweiz eine stetig steigende Fanzahl erspielt und ihren Stil mit
jeder Veröffentlichung weiterentwickelt und verfeinert. Während AD INFINITUM zu Beginn ihrer Karriere mehr dem Symphonic Metal zugeschrieben
werden konnten, verfolgt Abyss konsequent den Weg weiter, der sich bereits auf Chapter III – Downfall (2023) angedeutet hat, und offenbart neue,
aufregende Facetten. Ganz ohne Frage ist Abyss das bisher modernste und progressivste Album der noch jungen Bandgeschichte. Die neue Platte
steckt voller schneller Riffs, rhythmischer Refrains und pointierter Breakdowns, die perfekt auf die unverkennbare und vielseitige Stimme von
Sängerin Melissa Bonny abgestimmt sind.
AD INFINITUM sind Melissa Bonny (Vocals), Adrian Thessenvitz (Guitars), Korbinian Benedict (Bass) und Niklas Müller (Drums).

pre-ordina ora11.10.2024

dovrebbe essere pubblicato su 11.10.2024

25,17
Nikka Costa - Pebble To A Pearl LP 2x12"

Over 14 days at Henson Recording Studios in Los Angeles, Nikka created Pebble to a Pearl- a quintessential collection of soul, blues, funk & pop infused tracks.

Originally recorded and produced by Justin Stanley (James Lidell, Beck), the album was released on Stax Records in 2008.

This timely Deluxe Anniversary Edition features new feel-good funk track ‘Soulsucka’ and will be released alongside Costa's new album 'Dirty Disco' coming June 2024.

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30,21

Last In: 18 months ago
Mötley Crüe - CANCELLED

Mötley Crüe

CANCELLED

12inch3011560
Big Machine
04.10.2024

Mötley Crüe werden ihre neue EP „Cancelled“ veröffentlichen!
Die EP markiert die erste neue Musik der Band seit 2019 und ihr Debüt bei Label Big Machine Rock. Die
Platte enthält den aktuellen Top 5 Rock Radio Hit „Dogs of War“, ihre neue Single, eine Coverversion von
„Fight For Your Right“ von den Beastie Boys und den Titeltrack „Cancelled“.
Mötley Crüe sagten: „It was really great getting in the studio and working on some tracks together. What
started out as a couple demo ideas turned into this EP produced by Bob Rock. We look forward to getting
back into the studio again soon and writing more new music, as well.”
Mötley Crüe melden sich mit ”Dogs of War” zurück, ihrer ersten Single seit 2015!
Seit über 40 Jahren sind Vince Neil (voc), Nikki Sixx (bass), Tommy Lee (drums) und Mick Mars (guitar) als Band aktiv und on the road mit bahnbrechenden Show Highlights wie Tommy Lee‘s Achterbahn
Schlagzeugperformance oder Nikki Sixx’s Auftritte mit seinem flammenwerfenden Bass.
Mötley Crüe hat über 5 Milliarden Streams auf digitalen Plattformen erreicht und hat über 8 Millionen
Follower in den sozialen Medien. Sie haben weltweit über 100 Millionen Alben verkauft, 7 Platin- und
Multi-Platin-Alben in den USA und 3 GRAMMY®-Nominierungen erhalten. Auch ihre Biografie „The Dirt
– Confessions of the Worlds Most Notorious Rock Band” wurde 2001 ein New York Times und weltweiter
Bestseller und erschien als Biopic 2019 auf Netflix.

pre-ordina ora04.10.2024

dovrebbe essere pubblicato su 04.10.2024

20,97
INDIRECT - AB PHARMACY (TAPE)

Indirect

AB PHARMACY (TAPE)

CassetteMUSCUT2C
MUSCUT
04.10.2024

For a few years until 2014, Indirect’s rehearsal studio was located at the abandoned Odesa drugstore “Аптека No326”, whose stained glass window is depicted on the album cover. The many hours spent there practicing and recording have ended up as a 7” Walts and a digital LP Ab Pharmacy in 2014 on Muscut and Diskultura labels.



Indirect:

Hennadii Boichenko: compositions, organ, keyboards, synth, programming, guitar, bass guitar Anton Ostromezkii: compositions, drums

Taras Panteleichuk: compositions, bass guitar, guitar

Oleksii Volusunov: compositions, guitar

Nadiia Shoshina: flute

Vasyl Notkin: additional guitars

Composed and recorded by Indirect in Odesa Mastered by Kassian Troyer

Produced by Dmytro Nikolaienko and DJ Mavr Cover illustration by Anna Makarchuk (Waltz, 7”) Cover photo by Taras Panteleichuk

(P)(C) Muscut / Diskultura, 2014 Muscut 2C, 2024

pre-ordina ora04.10.2024

dovrebbe essere pubblicato su 04.10.2024

15,55
Various - Grimaud, Helene / Andsnes, Leif Ove / Lugansky/ BPRachmaninov - The Last Romantic Hero Lp 2x12"

Sergej Rachmaninoff war ein russischer Komponist, Pianist und Dirigent, der für seine gefühlvolle und virtuose Musik bekannt ist. Zu seinen berühmtesten Werken gehören das 2. Klavierkonzert sowie die ergreifend schöne Rhapsodie über ein Thema von Paganini. Trotz persönlicher und politischer Umwälzungen, einschließlich der Emigration nach der Russischen Revolution, behielt Rachmaninoffs Musik ihren ursprünglichen Charakter.
Rachmaninoffs Kunst verkörpert den Höhepunkt der Spätromantik, indem sie technische Brillanz mit tiefer emotionaler Tiefe verbindet. Künstler:innen wie Hélène Grimaud, Nikolai Lugansky, Leif Ove Andsnes und André Previn, die auf dieser Doppel-LP zu hören sind, gehören zu den herausragenden Künstlern für dieses Repertoire.

pre-ordina ora04.10.2024

dovrebbe essere pubblicato su 04.10.2024

30,67
Various - Landed

Various

Landed

12inchMASS003
MASS
26.09.2024

Episode three for Leeds-Barcelona collective MASS connects both cities at the heart of their project with two artists from each scene.

A1 features the talented Leeds-based producer Ollie Burgess aka Zuul/R.O.E as he adds another alias to his belt, AS Groove. He is joined by Barcelona-based Driahn, a seasoned artist in the heart of the city and one-half of the DJ Service project.

Monile brings her dreamy visions to the B-side, an artist who continues to blossom with her infectious and spirited taste. Resident Nikol concludes the EP with a timeless breakbeat cut to finish this Leeds-Barcelona connection.

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13,24

Last In: 11 months ago
Various - Socialist Disco - Dancing Behind Yugoslavia's Velvet Curtain 1977-1987 LP 2x12"

A collection of 18 rare disco tracks from Yugoslavia. Compiled by Leri Ahel & Zeljko Luketic from original master tapes. Fox & His Friends label owners Ahel & Luketic selected obscure 7'' singles, b-sides, out-of-print releases and digged deep into the vaults of Jugoton to tell the story of how disco infiltrated clubs and pop music. This compilation is vinyl counterpart to their pioneering research and work in two major exhibitions tracing roots, influences and social significance of disco in music, fashion and design held in 2015 in Klovicevi Dvori Museum and HDD Gallery in Zagreb. "Socialist Disco - Dancing Behind Yugoslavia's Velvet Curtain 1977-1987" double gatefold LP with extensive liner notes contains tunes from KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, Ana Sasso, Moni Kovacic, Milka Lenac, Rok Hotel, Ivica Surjak, Grupa ST, Nano Prsa and many more in various sub-genres including classical orchestrated disco, dance reworkings of international chart hits and synth-filled italo-disco stompers performed by Yugoslavian music stars, fashion models and even sports and football heroes. Disco, a vital Trojan horse (in local notion: a pop music you can dance to), stayed quite a long time In Yugoslavia, refusing to be silenced and refusing to jump into the bandwagon of expected. It was influenced by American and European disco sound, for example, by the Boney M, Amanda Lear or Love Machine, who all visited Yugoslavia and had live concerts. The producers and the big record companies like Jugoton, PGP RTB, Diskoton or ZKP RTVL, noted the hype in music and they constantly probed the market with limited run of seven inchers or special performances. Some artists were quite successful, but the rest were in the 7'' single empire which was free enough to experiment with all things disco had to offer - genre hybrids, use of electronics, sexual innuendo, bizarre lyrics and most importantly, great musicians and major composers having fun. The no-restrictions policy of disco was there to evade the rules and surely it did.

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28,78

Last In: 16 months ago
Black Loops - 7Hills EP

Black Loops

7Hills EP

12inchFR238R
Freerange
23.09.2024

We are delighted to offer a very limited hand-stamped repress of Black Loops’ debut EP, 7 Hills on Freerange

The Italian producer who splits his time between Berlin and his native country has had a solid few years rising through the house music ranks through releases on respected labels such as Shall Not Fade, Pets, Toytonics, Aterral, Gruuv & Neovinyl.

His broad-ranging influences taking in funk, soul, disco and 90’s NY house inform a depth, warmth and musicality to his productions which has seen him in demand DJing around the world and makes him an obvious fit for us here on Freerange.

This EP, produced almost exclusively during an extended tour in Australia opens with title track 7Hills, the area where he stayed and worked on this release. The trademark Black Loops swinging groove, smooth Rhodes stabs/ keys licks courtesy of Nikos Haropoulos and a deep, rolling bassline all come together to form the perfect warm up track - uplifting, understate and with a subtle sense of anticipation.

Next up we have Parisian producer Mad Rey getting stuck into 7Hills for a raw, bumping interpretation which jacks things up a notch taking it into heavier peak-time territory. Mad Rey has been responsible for some brilliant releases on French label D.Ko, Rekids and most recently Mamie’s Records and alongside label mates Flabaire and Paul Cut he has helped reestablish Paris as a hotbed of fresh, musical talent.

Flipping over we have two more Black Loops originals. King Paul takes an old soul vocal sample and works it to great effect over crisp 909 beats and sun-soaked keys whilst a vinyl-only bonus track Linda38 treads a similar path but with a punchier groove and warm pads rounding off this EP in fine style.

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15,34

Last In: 10 months ago
Nubya Garcia - Odyssey LP 2x12"

Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t t.

Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand, nuanced record that feels airy and celestial without sacricing the groove. It’s a deeply personal oering about her trek to falling back in love with musical composition over the past four years.

Source, her 2020 debut album, was released via Concord Jazz to massive critical acclaim, an NPR Tiny Desk (Home) Concert, a Pitchfork “Best New Music” review and a Rolling Stone “Album of the Month” mention. In a prole, The New York Times called Source “a sweeping set of jazz with Afro-Caribbean inuences that funnels a life’s worth of experiences into an hourlong listen.” Also upon release, the album entered the UK charts in the Top 30, and she was just one of three artists selected to perform live at Glastonbury’s 2020 Experience, which aired on the BBC to thousands of viewers. Source was also nominated for the Mercury Prize, a prestigious award given to the best albums from the UK or Ireland.

In 2022, Garcia toured the US in support of Khruangbin, performing in sold-out venues including Radio City Music Hall in New York, the Ryman in Nashville and the Met in Philadelphia. She then headlined her own tour in the UK and US, performing at various festivals including Glastonbury, Love Supreme, Pickathon and Newport Jazz.

Garcia continues to tour worldwide while also collaborating with major brands like Lululemon, Paul Smith, Labrum, Nicholas Daley and Burberry. She was one of three creatives selected for Fossil’s “Moment In Time” campaign, which was published globally in VOGUE, GQ, and GLAMOUR magazines. Elsewhere, Garcia has been featured in numerous print publications, including Mojo, Vogue and Ebony.

As a composer, Garcia’s original music has been placed with Apple TV (Ted Lasso); OWN Network (Cherish The Day); FX TV (Atlanta); EPIC GAMES (Fortnite); and on multiple podcasts (including the theme tune for Anika Noni Rose’s Clio award-winning podcast Being Seen).

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