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First time on vinyl
10th Anniversary of the Breaking Bad TV Series
5 x 10' vinyl in 5 different jackets, 1 relating to each season
Each 10' is the same colour, Strictly Limited Edition Albuquerque Crystal Coloured (transparent with a hint of turquoise) Vinyl!
Lift off box-set with Breaking Bad logo on front with special drip-off varnish
Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge
Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad
One run only of this very exclusive BOX-SET
Individually numbered the manufacturing qty for Worldwide is est 4000 with 800 for the UK - we could get some more
PLEASE ORDER BY 12.00 TUESDAY 25 SEPT TO BE GUARANTEED YOUR QTY
Available worldwide
Weight ESTIMATED 950g
All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others
Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more
This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).

MOV proudly presents the OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) 5 x 10' BOX-SET!

A TOP PRIORITY RELEASE with WORLDWIDE RIGHTS!

So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl!

Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.

The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!

This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10' records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10' records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. The box-set is a ONE-RUN-ONLY and is STRICTLY LIMITED!

Breaking Bad is an American neo-western crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008 to September 29, 2013. The series tells the story of Walter White (Bryan Cranston), a struggling and depressed high school chemistry teacher diagnosed with lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime by producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title comes from the Southern colloquialism "breaking bad", meaning to "raise hell" or turn toward crime. Breaking Bad is set and filmed in Albuquerque, New Mexico.

Walter's family consists of his wife Skyler (Anna Gunn) and children, Walter, Jr. (RJ Mitte) and Holly (Elanor Anne Wenrich). The show also features Skyler's sister Marie Schrader (Betsy Brandt), and her husband Hank (Dean Norris), a Drug Enforcement Administration (DEA) agent. Walter hires lawyer Saul Goodman (Bob Odenkirk), who connects him with private investigator and fixer Mike Ehrmantraut (Jonathan Banks) and in turn Mike's employer, drug kingpin Gus Fring (Giancarlo Esposito). The final season introduces the characters Todd Alquist (Jesse Plemons) and Lydia Rodarte-Quayle (Laura Fraser).

Breaking Bad is widely regarded as one of the greatest television series of all time. By the time the series finale aired, it was among the most-watched cable shows on American television. The show received numerous awards, including 16 Primetime Emmy Awards, eight Satellite Awards, two Golden Globe Awards, two Peabody Awards, two Critics' Choice Awards and four Television Critics Association Awards. For his leading performance, Cranston won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times, while Aaron Paul won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series three times; Anna Gunn won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series twice. In 2013, Breaking Bad entered the Guinness World Records as the most critically acclaimed show of all time.

In creating Our Beautiful Baby World (May 2021), the pacing of Izzy True’s
songwriting process has slowed down since their prior Don Giovanni
releases -- Sadbad (2018) and Nope (2016).
Arranging with Curtis and Sam, Reidy says they’ve grown as musicians together, and their songs were given space to grow, too. OBBW exhibits eleven rock
songs of melded collaboration, expressing the deepness of acceptance. These
are the band’s most dynamic compositions to date. The result is, Reidy hopes,
to ‘sound like a bad drawing of a rock record.’
The inspiration for the soft-hard dynamics of OBBW may have come from Reidy
listening to Thin Lizzy, along with the bleeding of the band members’ strengths
and histories: Curtis as a courageous experimental musician in the DIY circuit,
Sam’s expertise as a hardcore drummer, one Halloween cover-set of System
of A Down in a Chicago basement from another world, and Reidy’s childhood
growing up listening to old love songs and country music.
OBBW was recorded in Rock Island, IL at Rozz-Tox, a well-loved bar and music
venue in the humble Midwest. Recorded and mixed by Ian Harris on reel-toreel, Izzy True’s tunes returned to tape after Sadbad, which was digitally produced.
The record utilizes the talents of Chicago music friends Jess Shoman (Tenci)
on backup vocals and Andrew Clinkman (Spirits Having Fun) on lead guitar on
‘Four Good Ponies’. OBBW was recorded in the months before the pandemic,
January and February 2020, which can feel obvious (‘I don’t wanna hang out
for a thousand years’) and subtle. The authentic limitations of reel-to-reel tape
recordings give this project the aura of a time when live music was possible.

Eleven groups in eight days. A marathon recording session in a makeshift storefront studio in a 100-year-old building in the tiny Eastern North Carolina town of Fountain. Once the idea for the project was in place, Alice Vines of the Glorifying Vines Sisters started calling local musicians. It didn’t take her long to line up almost a dozen groups to come lift their voices and represent the region’s unique Sacred Soul traditions. When the groups on this record gathered to record in February of 2020, they couldn’t have known that the world was on the heels of a global pandemic, or that the year would bring great turmoil and social upheavals. But in the reality created by gospel songs even the greatest of trials are not surprising, nor can they be ultimately devastating. Every time singers stepped up to the mic during these sessions, they created a sonic world where no amount of bad news can undermine the truth of The Good News. Even when “you can’t really see a solution to what you’re dealing with at the moment,” says Kiamber Daniels of Faith and Harmony, singing gospel music will remind you, “hey, I’m still here; I got what it takes to make it through this. It will give you a sense of peace.” Produced by Bruce Watson (Fat Possum/Big Legal Mess/Bible & Tire), this collection of sacred soul recordings of Eastern North Carolinian gospel groups is a one of a kind exploration. With a rich heritage of family gospel music, the artists in this area have been honing their craft over generations and have their own way of making the material original and unique. This is Sacred Soul of North Carolina.

Hey!Tonal was the first album by Hey!Tonal, a project helmed by the
guitarists, multi-instrumentalists and sound designers Mitch Cheney
(Rumah Sakit, Sweep the Leg Johnny) and Alan Mills (Chiisai-oto).
Released in 2009 French label Africantape on CD only it has now been remastered by Carl Saff and pressed to vinyl for the first time. 2LP white vinyl, gatefold sleeve with poster and aluminium outer sleeve.
Cheney initially conceived it as a project to be named “Drummers’ Perspectives”, and that working title sums up its ethos. He became inspired to write
melodies based on the drumbeat being the starting point of the composition.
A fortunate meeting with Alan Mills meant collaborator was now involved with
this rhythmic and melodic building blocks.
The basic concept for their compositional process stemmed from Cheney’s experience with television editing.
They manipulated all the catalogued sounds as if they were visual elements.
The result of this unusual approach is a striking record, full of delicate incongruities hidden in the music; happy accidents were meticulously given purpose
during mixing, malleable drums and guitars intertwined with a myriad of improvised and shaped sounds.
The overall impression is of some oblique explanation to an unsolved mystery
and should be manna from heaven to anyone who dug the first Battles EP’s.

Barenaked Ladies return with their first new album in four years, ‘Detour de Force’. The 14-track effort is the result of both pre- and post-lockdown recording sessions. The band spent five weeks at vocalist/guitarists Ed Robertson’s cabin outside Toronto pre pandemic writing and recording in a makeshift studio. During pandemic lockdown, they decided they wanted to polish things up a bit. They returned to a Toronto studio when the lockdown lifted to rework the tracks resulting in ‘Detour de Force’. The Barenaked Ladies are Ed Robertson: Guitar, Vocals Jim Creeggan: Bass, Vocals Kevin Hearn: Keyboards, Guitar, Vocals Tyler Stewart: Drums, Vocals Over the course of their remarkable career, Barenaked Ladies have sold over 15 million albums, written multiple top 20 hits (including radio staples “One Week,” “Pinch Me,” “If I Had $1,000,000”), garnered 2 GRAMMY nominations, won 8 JUNO Awards, had Ben & Jerry’s name an ice cream after them (“If I Had 1,000,000 Flavours”), participated in the first-ever “space-to-earth musical collaboration” with astronaut Chris Hadfield, and garnered an international fan base whose members number in the millions. In 2018, the band were inducted into the Canadian Music Hall of Fame and Toronto Mayor John Tory declared October 1st “Barenaked Ladies Day.”

An absolute stunner we’re glad to see in print again!!!

Black vinyl LP with two color jacket Pressings: 1976, 2012, 2015, 2018, 2021

It could be argued that this is one of the greatest rock n’ roll records of all time!

Straight from Zambia, we have My Ancestors, a tough rock and roll masterpiece like no other. Overdriven fuzz guitars, pop melodies and even a Black Sabbath- esque song. Must be heard to be believed.
Originally released in 1976, My Ancestors is an essential album from Zambia’s Zamrock scene. Brimming with lo-fi fuzzed-out guitar, the album travels the darker undercurrents of 70s rock and roll, warping and heightening the influences of Jimi, the Stones, the Beatles, Deep Purple, and James Brown. 27 year old Chrissy

“Zebby” Tembo provided drums and vocals while Paul Ngozi of the illustrious Ngozi Family was responsible for the aggressive guitar leads.

Lo! Soul’ is the fifth solo album from Roddy Woomble, following on from
his acclaimed debut, ‘My Secret Is My Silence’ (2006), ‘The Impossible Song
& Other Songs’ (2011), ‘Listen To Keep’ (2013) and ‘The Deluder’ (2017).
The record sees Woomble continue his unique and restless trajectory, gently
stepping away from his previous acoustic/folk intentions in favour of a more
explorative light, prevalent on 2020’s ‘Everyday Sun’ EP, which featured largely
spoken word pieces over an ambient, mediative soundtrack.
Produced and mixed by collaborator and Idlewild bandmate Andrew Mitchell (aka Andrew Wasylyk), ‘Lo! Soul’ was recorded remotely between Roddy’s
home in the Hebrides and Andrew’s studio in Dundee throughout 2020 while
Scotland was locked-down.
Roddy explains: “Andrew describes moments of the album as ‘Dystopian-pop’
which I think is as good a description as any. Lockdown gave me the sense of
a collective melancholy, a shared remoteness and isolation - that has been a
guiding influence throughout all the songs. It is the most unusual record I have
made, and made in the most unusual way.”
Across his twenty-five year career, ‘Lo! Soul’ may well be Woomble’s most inventive, creative album to date. From undulating synths and ambient soundscapes in the abstract narratives of ‘Atlantic Photography’ and ‘Secret Show’,
the sun-tinged horns of ‘Architecture in LA’, a mellifluous Mellotron or perhaps
a piano chime. Here, the path is embedded with Roddy’s words delicately unearthing the known and never known.

ABRAXAS is the activist techno side project of Damià Llorens , alma matter of WE ARE NOT BROTHERS. Self-defined as “activism trough music, promoting social, political, economical and environmental changes in our fucking capitalist society towards a greater good”, his vinyl debut is about real punk attitude on the 21th century. Including collaborations by Nightcrawler, Univac and José Rodríguez”. Presented on deluxe edition, including inner printed sleeve.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

For all overthinkers and introverts. On their debut album "Smalltalk & DMCs", the Berlin indie-pop trio Varley finds strength in vulnerability. The result: an album like a good friend.

The indie-pop trio Varley is Dublin-born Claire-Ann and German band mates Joschka Bender and Matthias Heising. Initially influenced by Bon Iver, and citing the likes of Fleetwood Mac, The Cardigans and Phoebe Bridgers as other notable touchstones, what lies at the core of Varley’s affective, heart-on-sleeve music is its willingness to be vulnerable. Their music is an honest and raw outlet, and the cathartic nature of their songwriting is one to be championed.

Lou Reed’s fiftieth solo album features many of his biggest hits - "Dirty Blvd" which went #1 on the Billboard Modern Rock Tracks upon release in 1989. It features Reed musing on everything from AIDS, urban blight, racism, AIDS, child abuse, Jesse Jackson, Donald Trump, the environment and other societal ills, delivered with humour and empathy.

On the fringe of the indie Rust Belt scene since the 1990s,
Moviola has quietly forged a low-key career of high-quality
recorded output over twenty-five years, issuing ten (!) records
and countless 7-inch singles (including splits with Cobra Verde,
Hiss Golden Messenger, Handsome Family and many others).
In this artistic continuum, the band has evolved from everything
from 4-track fuzz to hi-fi country soul. Today, the band steps
forward with Broken Rainbows, its strongest collection of songs
to date, written, recorded, and mixed inside the group’s HQ in
Columbus.
Jake Housh started Moviola in 1993 as a student at “The”
Ohio State University as a noisy, fuzzed out lo-fi noisemakers.
Over the years, the band has morphed into a unique DIY
music and art-making collective with five distinct singers and
songwriters, recalling the creatively democratic lineage of The
Mekons, The Band, Pink Floyd, many others. Moviola is Jake
Housh, Ted Hattemer (Thomas Jefferson Slave Apartments),
Scotty Tabachnick, Greg Bonnell, and Jerry Dannemiller.
Broken Rainbows is a milestone release, showcasing a band
newly energized and assured in its artistry, and supportive of its
members’ songcraft. The eleven-song album hovers over a plot
of ground that’s optimistic in its despair. Album topics range
from the personal to the political, showcasing each member’s
unique songwriting within an overall cohesive band aesthetic.
“Moviola was one of those groups I met early on back in the day
that showed me how to do it. Broken Rainbows is a highlight—
pastoral thumpers, fuzzy indie radness, hooks to spare, pretty
much all the good stuff. Feels like a glorious drive from one
disparate end of Ohio to another. I love this band.”
—Eric Johnson (Fruit Bats)

In 1988, on a break from his band the Rolling Stones, Keith Richards released his first ever solo album, Talk Is Cheap. This universally respected debut is an eleven track masterclass in everything that's good about rock 'n roll and features guest appearances from an all-star cast including Sarah Dash, Bootsy Collins, Maceo Parker, the Memphis Horns, Patti Sciafia and Mick Taylor.

Remastered from the original tapes by Richards' collaborator, Steve Jordan, the album's joyous swagger is re-energised and permeates through each and every song.

Talk Is Cheap sounds as good today as it did thirty years ago; in Keith's words: 'As fresh as the day it was made.

Listening to the story of Canadian duo cleopatrick is a bit like hearing the plot of the best, most righteously validating coming-of-age film never made. Two friends meet aged four in Hicksville, Nowheretown (real name: Cobourg, Ontario, population 19,000), grow up completely inseparable, form a band and, against numerous obstacles, blossom into a genuine, global underground sensation. There are heroes and villains, highs and lows and, crucially, some of the most poetic plot twists that could seem almost too perfect, were they not completely true. Take the story of 2017 breakthrough track ‘hometown’ for example. “It’s one of the craziest, most ironic things that’s ever happened,” begins vocalist and guitarist Luke Gruntz. “I was going to college because I was too scared to put all my chips in the band pile, and that’s what ‘hometown’ is about: it’s a song about feeling like we’re doing all this stuff and we’re working so hard and we’re just never going to be heard. It’s literally a song about people probably never hearing our songs. And then by some act of the universe, that song ended up unlocking all the doors for us.” Today, cleopatrick has logged 77 million streams and counting - all from an increasingly dedicated fanbase who’ve found the duo, completed by drummer Ian Fraser, their own way: no major label, no big budget, just two best pals knuckling down, cementing a unique sonic alchemy and filling a space of honest, empathetic yet undeniably heavy-hitting rock music that they’d been searching for themselves for years. Between multiple sold out tours in Canada, the US and the UK/EU and appearances at Lollapalooza, Austin City Limits and Reading/Leeds, the pair have been crafting BUMMER: a debut album that sees cleopatrick harness all the magic they’ve been brewing over their two-decade friendship and funnel it into a record that aims to reinvigorate the rock landscape from the ground up. Taking the ethos of their New Rock Mafia collective - a group of friends and fellow bands, united in making a more inclusive, equality-driven space in rock music - and imbuing it with the sonic ambition and ferocity of a record designed to be played hard and loud, it’s an album about two friends, who’ve been with each other since the formative first steps that adorn ‘BUMMER’’s heartwarming cover image and made something that’s a testament to the power of sticking to your guns.

Business as Usual is the debut album of Australian new wave band Men at Work, which was originally released in 1981 and became one of the most successful albums internationally by an Australian group. It spent an unprecedented 15 weeks at No. 1 on the US Billboard 200 from late 1982 to early 1983, and five weeks at No. 1 in the United Kingdom Albums Chart in early 1983.

Business as Usual was also one of the highest selling Australian albums in the early 80s, with 6 million copies sold in the US and 15 million sold worldwide.

The first single Who Can It Be Now' was a strong top
3 hit single, but the second single Down Under' became a monster hit and reached the number 1 spot in several charts around the globe.

The high quality re-issue by Music On Vinyl has the original black and white (Australian) jacket artwork.

Billy Talent’s second album debuted at No. 1 on the Canadian Albums Chart and also reached the first spot in the German chart. Compared to their debut album, which focused mainly on anger, this one is more mellow, dealing with real- life issues, to the praise of fans and critics. The band shows off some of it’s more melodic side with songs like “Fallen Leaves”, “Where’s the Line”(this song has a great chorus and sing along), “The Navy Song” and “Surrender”. Billy is another example of an awesome Canadian band making it big...and that’s a good thing!

Billy Talent II is available as a limited edition of 3000 individually numbered copies on white vinyl. The package includes a 4-page booklet with lyrics and 2 exclusive lyric prints by Henry Fong!

In contrast, the Resident Evil 2 Original Soundtrack conveys fundamental themes of panic and desperation via varying musical styles. Featuring ambient horror, industrial pieces and rousing militaristic anthems you’ll experience classic orchestral compositions alongside ominous piano underscores, taking you back to Raccoon City’s iconic Police Station, Sewer and Underground Laboratory.

Each soundtrack has been remastered specifically for this release and will be pressed onto audiophile heavyweight, deluxe double-vinyl 180g LPs, on black vinyl.

In the beginning, there was chaos_ A while later in the Heavens, where angels reigned, there was once held a great symposium, a glorious feast. Everyone was happy and having a great time, until Lucifer, fairest and mightiest of all the angels, brought in suspicious and strange substances, offering them freely with both hands for everyone to take. All were fooled by the Ancient Serpent, starting to misbehave and act in contradiction to the Heavenly Laws. The Almighty God, enraged upon learning about the mutiny, threw everyone down on earth to suffer eternally in hunger, ugliness and desperation. Vulnerable now to each and every temptation, they are ready to perpetuate Good and Evil, while building their new earthly Kingdom in any way they can. Angelic chants, Demon's screams, witches dancing and woeful mortal suffering are recounted in this album's songs, embellished with mesmerising hymns and sharp riffs. Chaos is always close and all that remains is the human revolution against the forces of evil. "Battlefields of Satan's servants, witch-hunt for our ways, face off reality and eat TV today. Lucifer, Forever Grey". - Bill Politis - "The Unknown Secretary" comes to further unsettle the turbulent waves of music and burn its own mark in history. Today, five years after its original release, Heavy Psych Sounds reissues this retro gem, serving it once again straight into your record case.

Nantais by adoption, the Australian Will Guthrie is a discreet star of the international scene of free, experimental and improvised music; over the past fteen years, he has developed an open and personal approach to drums and percussion, skillfully blurring the lines between his brilliant jazz upbringing, his passion for traditional musics, and his inexhaustible interest in experimental and noise creation, with a pronounced taste for a physical and raw approach to sound. With thousands of performances and some fty albums to his credit, the Australian regularly dispenses his vibratory art solo or alongside the best of improvisation; From Oren Ambarchi to Roscoe Mitchell via Jérôme Noetinger, Anthony Pateras, David Maranha, Ava Mendoza, Jean-Luc Guionnet, Keith Rowe or even Mark Fell. In recent months Guthrie has performed with Tunisian singer Ghassen Chiba, toured as part of “All Around”, a performance with Danish dancer choreographer Mette Ingvarsten and founded the Ensemble Nist-Nah, a gamelan orchestra, in the company of eight other percussionists, out of which Black Truf e published an album, with a second on the way. He also found the time to put in shape a second volume of “People Pleaser”, a discographic act between an autographical assessment, the parenthesis and the musical UFO. A singular exercise in Guthrie's discography, “People Pleaser”, a series initiated in 2017, sees the Australian partially put down his drumsticks and wear a producer cap for a result offering a resolutely singular perspective of / on his work with a very personal dimension. On the rst volume, with a cover signed Stephen O'Malley sets the tone by diverting the chamaré Warhol infulenced visual of the album “Unit Structures” by Cecil Taylor. The portrait of the free jazz pianist has been replaced by passport photos of Guthrie. The result is a diversion into a fairly “Pop” aesthetic whose musical content works in a fairly similar way. Four years later, the cover art's undertones are slightly darker and Guthrie hasn't aged a bit on his new passport photo. The twelve tracks of this second “People Pleaser” combine and arrange eld recordings, heady loops, twists, musical quotes stuck on bedside records, recorded moments captured during travels, ghosty voices from low- lands, a police interview tape and imagined exotic sounds ... Guthrie could walk us for hours on his hard drive like looking at a photo album but he chose to build pieces based on this very personal sound material, much like a mixtape, with special care given to how sounds articulate, overlap and collide. He thus invites his heroes and his friends to join him in skilfully chiseled and nely edited imaginary jams. The rst to take pleasure in this “People Pleaser” is undoubtedly its author as some of his nds are enjoyably playful; we are there embarked in an addictive sound patchwork at high speed where a Balinese Squarepusher is propelled via a defective cathode ray tube in a temple where the happy marriage of the saxophone and the gong is celebrated before this too short respite is interrupted by a sustained hip hop rhythm. The multiplicity and variety of sources give the whole a very pop format and the way in which Guthrie combines sounds, textures, rhythms and vocal elements quickly takes on a narrative dimension and poses this exercise between hip hop and a very personal plunderphonic, evoking as much J Dilla or RZA as the irreverent inventiveness of People Like Us or Wobbly. Will Guthrie has never been in as good company as on a solo album, he also lists on the cover the list of friends, heroes, members of his family and countries who inspired him and to whom he pays homage / collage on this new disc; An aesthetic exercise apart in his discography, both in nitely personal and self-centered and resolutely turned towards what animates him, the aptly named “People Pleaser” reveals the music DNA of the Australian and can be listened to on repeat.

Truly, the luscious, soulful new album from Manchester singer-songwriter Caoilfhionn Rose (pronounced Keelin) moves through a tapestry of curious musical inflections; nods towards folk, jazz, ambient, electronica and even a subtle influence of psychedelia, it never stands still to take a breath, despite its ethereal and delicate core. Out April 9th on Gondwana Records (Mammal Hands, Portico Quartet, Matthew Halsall, Hania Rani), in Truly, the young singer-songwriter has accomplished a body of work that is both sonically and lyrically wise beyond her years.

Co-produced by Kier Stewart of The Durutti Column following Rose's collaborative endeavours with them on their album Chronicle LX:XL, the musician's song writing draws from a diverse palette of influences, including Building Instrument, Rachel Sermanni, Alabaster dePlume and Broadcast. Rose also professes to a love for beautiful, stripped back, piano based music, such as Dustin O'Halloran and label mate Hania Rani.

Truly came to exist due to a deep-routed need to create – even though its conception was interrupted as Caoilfhionn Rose recovered in hospital from an illness, she found strength within writing music. "In Spring 2019 I took part in a gig swap with my good friend and fellow musician Kristian Harting who is from Denmark. We played several gigs in the UK but unfortunately the Denmark part of the tour was cut short as I was taken ill. I was hospitalised for several weeks and have taken the last year out to recover" says Rose. "I gradually returned to finishing my second album" she continues. "Coming back to creating after being unwell was challenging but also therapeutic. This record marks a difficult time of my life and writing it helped get me through that. I am really grateful to have music as an outlet." It may be this tremendously challenging period that has abetted its characterising qualities.

Rose's beautifully restrained vocal is all at once soothing yet mesmerising. She demands and holds attention through her evident talent yet hypnotises the listener into a trance with her experimental tendencies. "After being unwell, getting back to recording helped me recover my voice after not singing for so long. Finishing bits of songs, writing lyrics and recording vocals helped me get back on my feet and get better."

Lead single from the album – 'Flourish' – is an intoxicating song that meditates on being present in the moment, allowing peace to come to you. "The song 'Flourish' is about looking forwards with hope and possibility, 'let it flow away, let it turn around and flourish'. It's about finding peace and feeling wonder again" says Rose about the track. "'Flourish' hints at the ideas of what could be, how things can unfold if you let go 'and just be here'."

A message of hope is instilled throughout the record, echoed again in 'Fireflies', a song inspired by a campsite in France, which became filled with fireflies at night. "To me 'Fireflies' has a nostalgic and comforting feel. It's about feeling hopeful about the future 'though there may be dark clouds the sun will always come'. There are references to older lyrics I have written. The line 'free from all the chaos' is a nod to a song I collaborated on with The Durutti Column. The song is about acknowledging the past and moving on as 'time is always healing'."

A recurring theme of reflection and being grounded in the present, acknowledging the past and looking forwards with courage is one that envelopes 'Truly', and is something that is echoed in its beautiful swelling flourishes and its tranquillity – resonating with atmosphere, the album all at once sounds so large and yet so subdued. "The line on Every Waking Minute; 'we forget what lies behind the eyes' is about remembering that everyone has their own things going on and challenges to face but we should 'feel every waking minute', become aware of what's unfolding around us outside of our own stories. It's a self-reflective song really, reminding myself that 'life can take you bysurprise', there are going to be ups and downs along the way"

Elsewhere on the album, Rose explores the connection between nature and life on single To Me. "I love going on long walks and the healing power of nature is a recurring theme in a lot of my lyrics. I have a very optimistic outlook and I find solace in the small things like being outdoors."

Caoilfhionn's debut Awaken, co-produced with label mate Matthew Halsall, saw the singer, songwriter and producer tie together remnants of Manchester's musical past with its evolving present. Prior to this, the artist collaborated with one of her biggest musical influences, Vini Reilly of The Durutti Column. The musician worked with the Manchester band on four songs on their album Chronicle LX:XL. "I've learnt a lot from collaborating with musicians like Vini Reilly, Matthew Halsall and my bandmates" says Rose. "This is reflected in my current style and approach to making music. I no longer just write as a therapeutic or reflective process; I can write more abstractly and outwardly."

Kier Stewart of The Durutti Column co-produced her latest offering, Truly, following his band's collaborations with Rose. "I befriended Kier after we worked together. Collaborating with The Durutti Column was my first experience of recording music with other people in a studio." Together, the pair have created something expansive yet fragile – and altogether unique. "He's brought so much to this project" she says. "I feel Keir has brought out the best in the songs, adding really intricate and subtle details and effects. It was inspiring getting to work with Keir and I've learnt a lot from his approach of just experimenting and seeing what works."

• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show.

But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music.

However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived.

Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.

After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.

For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!

Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.

"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.

Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.

With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.



“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.

“Donny Benet makes feminine music for everybody” - Vice, Netherlands.

“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.

“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.

“Everyone loves Donny Benet” - Feature in Gonzai, France.

“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.

Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!

LTD Edition inklusive Bonus 7inch!

Park Hye Jin hat gestern ihr mit Spannung erwartetes Debütalbum, „Before I Die“, angekündigt, das am 10. September 2021 bei Ninja Tune erscheint. Das Album - komplett von der in Südkorea geborenen und nun in L.A. lebenden Produzentin, Rapperin, Sängerin und DJ geschrieben, produziert und performt - folgt auf die Veröffentlichung ihrer sehr erfolgreichen EP, „How Can I“ vom letzten Jahr, sowie auf eine Reihe von Kollaborationen mit Künstler*innen wie Clams Casino & Take A Daytrip („Y DON'T U“), Blood Orange („CALL ME“ Freestyle) und Nosaj Thing („CLOUDS“), sowie auf den Remix von Galcher Lustwerk für „Can You“.

Seit gestern Abend ist die Leadsingle und der Album-Opener, „Let’s Sing Let's Dance“ zu hören, ein wehmütiger Dance-Track, der Hye Jins mantraartigen Gesang über Klavierakkorde und wummernden Bässen platziert. Auf den anderen Tracks des Albums demonstriert sie eine deutlich erweiterte Klangpalette, in die sie eine Reihe von Einflüssen aus den Bereichen Elektronik, Hiphop und Downtempo einfließen lässt, um die bisher vollständigste Vision ihres Sounds zu präsentieren.

„Before I Die“ wird am 10. September 2021 auf Ninja Tune veröffentlicht, anschließend geht Hye Jin später in diesem Jahr auf Tour in Nordamerika, darunter eine Co-Headline-Show mit Shlohmo in New York, sowie Shows in Toronto, San Francisco, Miami und New Orleans.

Ihr Debütalbum folgt auf ein paar unglaubliche Jahre für die junge Künstlerin, in dem sie ihre gefeierte „How Can I“ EP auf Ninja Tune veröffentlichte. Eine Platte, die von Rolling Stone, Pitchfork („25 Most Anticipated Albums of the Summer“), FADER, i-D, Resident Advisor und vielen anderen hoch gelobt wurde und in zahlreichen „Best Of“-Listen 2020 von Billboard, The Guardian und anderen vertreten war. Auch in Deutschland fand die EP sensationellen Anklang, mit lobenden Artikeln und Beiträgen in u.a. Süddeutscher Zeitung, Rolling Stone Deutschland, im Missy Magazin, im Deutschlandfunk Kultur, im BR2, bei Radio Fritz oder im Musikexpress, die sie ebenfalls in ihre Liste der hoffnungsvollsten Newcomer*innen für 2021 aufnahmen.

Hye Jin wurde auch in die NME 100-Liste der „Essential emerging artists for 2021“ und in die „Generation V“-Serie des V Mag aufgenommen. Auch die britische GQ und Stereogum bezeichnen sie als „one to watch“. Die Lead-Single der EP, „Like This“, wurde auch im Soundtrack von FIFA 2021 verwendet und erhielt große Unterstützung von BBC Radio 1 und 6 Music, war #1 der „Top Electronic“ in den NACC-Charts (North American College and Community Radio) und in den „Top 200“ insgesamt, mit weiterer Unterstützung von KEXP, KCRW, SiriusXMU und mehr.

With a storyteller's eye and sly sense of humor that echoes not only his "honorary uncle" Del Reeves, but Tom T. Hall and Roger Miller, The Kernal delves deep into everything from family dysfunction to road trips to matters of the heart. The music, which he describes with a laugh as "diet country," embodies the spirit of that genre without any of the slavishness or self-seriousness of much modern Americana. Rolling Stone has called his style "sweetly subversive, intellectual and addictive," while Lo-Down said "the songs have an air of nostalgia but they sound far from old - modern, yet timeless. " From the joyous, southern-fried grooves of "U Do U" and "Pistol in the Pillow" through the revved-up rockabilly stomp of "Green Green Sky" and the cinematic travelogue of "Wrong Turn to Tupelo" to "The Fight Song," a sparkling '80s style duet with Caitlin Rose, it's a nine-song sequence that showcases The Kernal's warm, confidential voice while managing to make profound connections with the head, heart and feet. "When people ask me what kind of music I play, I say, 'It's like sixteen-foot trailer country music,'" he says. "You pull up a hay trailer in a field and you barbecue a bunch of stuff and there are people setting off fireworks and there are kids running around in diapers with ice cream running down their bellies. You get up there, turn it up and have a good time. I just love seeing people have a good time, and I think that's why I like country music. The groove of it. It speaks to people's legs. They loosen up and enjoy themselves and it's no big deal. I love that. And I love to be able to contribute to that."

Fans have been waiting eight long years for this new album from Ishi that
is expected to drop under Swedish Indie Label Icons Creating Evil Art, the
home of Flora Cash, Summer Heart, and Glamour Hammer.
It will be titled ‘Sweet Gold’ and feature the hit singles ‘Not My Girl’ and ‘LoFi Love Affair’ and the new single ‘Fly Away’. Ishi’s ability to successfully walk
the line between an ambitious studio act and a multi-sensory live experience
allows him to engage the audience in an uplifting celebration of life. His subtle
undertones of inner exploration combine to create a concert experience that is
unequivocally one-of-a-kind.
Each night, Ishi intends to create an entirely unique environment of mysticism,
awareness, love and acceptance. Adored by fans and critics alike, there is no
denying that Ishi is an immersive experience that everyone should discover.
Following the successful release of the Yuksek remix of ‘Not My Girl’ (supported by the likes of A-Trak, Kiss FM, Ministry of Sound, Amazing Radio etc.) and
a remix collaboration with the internationally acclaimed EDM-producer Oliver
Nelson, and his Goody Goody collab with fellow Texans CAPYAC; Ishi now line
up some new original music and the new album dropping early fall.

D’CRUZE ‘WATCH OUT’ The lost dubplates from rare DAT studio tapes that have been saved!

The Legend of The Lost Dubplates...

Prior to the original 1994 release of the D'Cruze classic 'Watch Out' our good friend and rave headliner Micky Finn requested a special version for his DJ sets, he went to the studio with D'Cruze and created a VIP dubplate special in the truest sense. Only held on dubplate by Micky himself and only ever heard in his sets it became stuff of legend. Fast Forward many years later a clip of it emerged on Soundcloud from a Micky Finn mixtape and the buzz for it started again. In 2021 Micky found the original DAT masters and supplied them to us for some restoration and remastering.

While searching for the lost classic we came across a DAT with the writing Watch Out - Flex, a remix by Cool Hand Flex that didn't make it in time for the original release and has remained on DAT since 1994! So now, together with the original version and a totally unique 2021 take on this classic from Chimpo, finally we are able to bring this lost treasure to you!

Grab yourself a piece of future history now whilst we have these available in stock, because these will never be repressed.

"Oscillation associations

This album is titled Os. When I look at the shape of these two letters, O and S, I realize that they are a rotation and an oscillation.

Os is Dutch for Ox. An ox is a castrated male bull. The primary benefit of castrating bull calves is to temper their tempers, making it easier and cheaper for people to handle them. Os is also an abbreviation of oscillation, -cillation being castrated off. Oscillation means a movement back and forth in a regular rhythm, like breathing, push-ups, tides, swinging or sound. For this album Lyckle was not dealing with oxes or bulls, but with oscillations, guiding them through synths, handling their tempers. If I look at the etymology of oscillation, I learn that it stems from the term Oscilla, which were ancient disks depicting a face or animal on each side. Oscilla is a diminutive of os and means ‘little face’. They were hung in trees during religious feasts honoring various deities, as well as being thought of as purifying the air as they swung in the wind.

The wind chime with its little sunny face, smiling on the cover of this record was hanging in the windowsill of Lyckle’s studio, behind his back, where the wind would make it jingle, averting the Evil Eye according to apotropaic magic. In ancient Rome, wind chimes named Tintinnabulum were decorated with a phallus, which was also seen as a good luck charm. Phallic charm also appeared as objects of jewelry such as pendants and finger rings. It has been suggested that some types of phallic pendants were designed to point outwards in the direction of travel in order to face any potential danger or bad luck, nullifying it before it could affect the wearer.

When I take the record itself out of the sleeve, I see that there are two phalluses carved into the surface of the vinyl, like little ornaments. When you start playing the record, they start chasing each other, going round and round. They point in all directions of the room, but are never able to point at each other. Finally, I am told that it is recommended to listen to this record with the window open, allowing sounds from outside to blend in with the music. "

- Bernice Nauta

Releasing in September 2021, PNFG & LNFG are proud to bring you the
remastered “I’ve Seen Everything” from Scotland’s legendary band -
Trashcan Sinatras.
The album will be released in a number of vinyl formats, a deluxe CD (with 6
bonus B side tracks) will also be available.
On its release, Tim Harrison of the Ealing Leader described I’ve Seen Everything
as a “melodic, velvety concoction” with “a lot of subject matter” and “strong
echoes of The Housemartins”.
He concluded: “I’ve Seen Everything is an economic, restrained and sensitive
collection well worth listening to.”
The Irish Independent wrote: “Their debut was a fine beginning, but on its
successor they’ve hardened their approach and broadened the scope of their
songwriting. Whereas before they tended to sit back and admire their pretty
chord structures, they’re now audibly relishing the opportunity to get stuck in
to the material.
Brent Ainsworth of the Santa Cruz Sentinel felt the album was “abundant [with]
luscious, flowing pop”, with the “softer songs” being best.
David Mark of the Asbury Park Press commented: “Following up Cake would
be difficult, but I’ve Seen Everything is an equally interesting effort from a very
good group.
While Cake was a bouncy album, I’ve Seen Everything is a notch more somber.
The work, always interesting musically and lyrically, is something of a cross between The Beatles’ Rubber Soul and XTC’s Skylarking.

Docile Recordings continues with part three of a five cat series. Docile #30, the Alpha Cat ep, was produced, arranged, and crafted on vinyl by Andy Garcia at Archer Record Press in Detroit Michigan U.S.A.. This Docile is a reaction to the stimulus of sight and sound; experiences, people and places inspire a sonic approach steeped in the realization of a moment. Docile aims to capture and release this moment in a minimal style that is its own. The Docile style appropriates noise of any sort to weave into its mello brand of 4/4 digi-o-log techno. Docile will continue until it can not; to shape sound into a spartan beauty.
hese arrangements speak soulfully, whether disruptive or smooth they define a struggle.

A1- brian wilson rides again----- this tribute to a master reflects a studio awareness theory in the breakdown of a minimal “good vibration” . a bass line scales down leading waves of synth and effect to crash upon an ambling kick shifting steady through a western soundscape.

A2-too jada ta’ trotta---the trash can of audio is thrown down the stairs with this haughty mover rocking a rolling crash through digi-glitch symposium.

B1-bumper car cocktail party--- a patchwork rhythms stutter and form together in a ruff and tumble jaunt soothed by a sexy sax that brings the assembly into line.

B2----pong-----crisp hi-hats rotate next to a steady clap complimenting a ponging in various forms under a cloud of dramatic synth calming the animal spirit.

From the first show the Grateful Dead played in St. Louis in 1968 – when “St. Stephen” made its debut – local fans knew the Gateway City’s rich musical heritage had a unique way of coaxing the best out of the band. One of the shortest-lived iterations of the Grateful Dead was the band that existed December 1971 through March 1972. Jerry, Bob, Phil, Bill, Pigpen, and Keith formed a formidable version of the Dead that only played a few shows together before Donna Jean joined as vocalist, and before Pigpen would depart the stage for good in June 1972. What this sextet lacked in quantity of shows it made up for with creativeness, power, and inspiration.

When Pigpen re-joined the Dead on December 1, 1971, after a few months off during which Keith had joined as piano player, the band was now an unstoppably powerful live juggernaut it hadn't been since the height of the Primal Dead era in late 1968-1969. Widely considered one of the best shows from the Pigpen-Keith era of the Grateful Dead, December 10, 1971 in St. Louis has it all: Pigpen singing lead on four songs including an 18 minute version of Good Lovin' and a very rare performance of Run Rudolph Run; a deep dive into the Dead's psychedelic recent past with a monster version of The Other One; plus plenty of the new material from earlier in 1971 like Bertha, Loser, Sugaree, and Playing In The Band. They also hit upon much of the music that would appear the following year on Europe '72, such as Jack Straw, Tennessee Jed, Mr. Charlie, and One More Saturday Night. And no Dead show of this vintage would be complete without the "hits": Truckin', Sugar Magnolia, and Casey Jones all make appearances. This is truly one of the deepest, most dynamic, exciting, and accessible live shows in the entire Grateful Dead canon.

Nachpressung der beliebten Compilation! Auf "Singles Round Up" kommen die ersten zwölf 7"-Singles, A&B-Seiten von Holly Golightly zusammen. Mit dabei ist das bluesige ,No Big Thing" mit seinem Barklavier und der Mundharmonika, das schmutzige gitarrenlastige ,Til I Get", die mit dem Jazzbesen bearbeiteten Drums und der Kontrabass von ,Come The Day", das eindrückliche ,Stain" und die brillante Coverversion ,Box Elder" von Pavement. Holly Golightly (ihr echter Name!) begann ihre musikalische Karriere 1991 bei Thee Headcoatees, einer Splittergruppe von Billy Childishs Thee Headcoats. Nach vier Jahren als Headcoatee trennte sie sich von der Band, um 1995 ihr Solodebüt ,The Good Things" zu veröffentlichen. Während bei den Headcoatees ein 60's Girl Group Sound auf dreiakkordigen Garagerock traf und viele Songs sowieso aus der Feder von Billy Childish stammten, vermischten sich auf Hollys Soloplatten Blues aus der Zeit vor dem Rock'n'Roll mit Folkrock und einer entspannteren Rock'n'Roll Gangart. Neben Coverversionen von Künstlern wie Willie Dixon, Ike Turner oder Lee Hazelwood schreibt Holly den Großteil ihres Materials selbst. Holly Golightly ist ohne Frage die interessanteste und vielseitigste Künstlerin aus der Schule von Billy Childish und ist mit Sicherheit eine der besten Songwriterinnen der Post-Grunge Ära, die mit jedem Album besser und besser wird. Seit ihrem Debüt 1995 war sie stetig aktiv, hat eine ganze Stange von Alben und eine noch größere Stange Singles für die verschiedensten Labels veröffentlicht und in den USA, Australien und Europa getourt.

2021 Nachpressung auf weißem Vinyl. ,Truly She None Other" war lange vergriffen. Die aufgewertete "Expanded Edition"-Version erschien 2013 zum zehnjährigen Jubiläum des grandiosesten Albums von HOLLY GOLIGHTLY. Das würdige Re-Issue enthält zwei Bonustracks! Die Sleevenotes stammen von niemand Geringerem als JACK WHITE! Oft als ihr bestes Album beschrieben wurde ,Truly She Is None Other" 2002/03 mit Liam Watson in den Toe-Rag Studioa aufgenommen und beinhaltet mit ,Tell Me Now So I Know" den Song, der als Titeltrack des Jim Jarmush Films ,Broken Flowers" ausgewählt wurde. Zu den neun HOLLY GOLIGHTLY Originalkompositionen gesellen sich zwei RAY DAVIES Songs ("Time Will Tell" & "Tell Me Now So I Know") zusammen mit "There's An End" (geschrieben von ihrem Freund Craig Fox von THE GREENHORNES). Außerdem mit dabei: eine brillante Version des JESSIE MAE ROBINSON Songs ,Black Night", der durch die Version von MUDDY WATERS unsterblich wurde. Unterstützt von der Crème de la Crème der Toe-Rag Hausmusiker zusammen mit den HOLLY GOLIGHTLY Bandeckpfeilern Bruce Brand (THE MILKSHAKES, THEE HEADCOATS) und John Gibbs (KAISERS, MASONICS) ist HOLLY GOLIGHTLY auf diesem Album in absoluter Höchstform.

Besides being the best band name in the world,
illuminati hotties is also the moniker of the Los
Angeles-based songwriter and producer Sarah
Tudzin, who releases her new album and
Hopeless debut, ‘Let Me Do One More’.
Hotties’ previous two albums were critically
acclaimed, landing on many end of year lists, and
this one is proving to be no different. ‘Let Me Do
One More’’s pre-release single
‘MMMOOOAAAAYAYA’ (pronounced ‘MOO’) has
already generated a good amount of buzz with its
humour filled, D’Angelo-inspired music video and it
landed Pitchfork’s Best New Track upon release.
Bigger, more fun, and crazier than ever, ‘Let Me Do
One More’ features guest appearances by Buck
Meek and Alex Menne of Great Grandpa and will
scratch the unending itch of indieheads
everywhere.
For fans of Waxahatchee, Hope Along, Charly
Bliss.
LP pressed on neon yellow vinyl.

FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled them to the forefront of extreme music over the last decade. Produced by Seth Manchester, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds.
Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era.
In the end, FULL OF HELL’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.”

David Wrench and Evangeline Ling - aka audiobooks - threw
absolutely everything at their 2018 debut album, ‘Now! (in a
minute)’, a hectic, head-spinning blast of freewheeling freak-pop
genius. On its follow-up, ‘Astro Tough’, via Heavenly
Recordings, they’ve somehow found a way to ramp things up
even further, concentrating their chaotic energy and inherent
weirdness into a record that’s bigger, deeper and more powerful
han even its predecessor.
“The first album was a photograph of the beginnings of the
project, recorded without any overall plan,” Wrench explains.
“‘Astro Tough’ is more scripted, but a script that still allowed for
ots of improvised scenes. There was more intention behind the
songs, and a lot more refining. We weren’t precious about
everything being spontaneous and a first take, like on the first
record, even though some of it ended up being that. We made a
ot more material for this record, but chose the tracks that best
worked together as an album.”
Multi-instrumentalist and super-producer Wrench is as
comfortable unleashing monolithic psychedelic wig-outs and
heavy dub-driven monsters as he is crafting irresistible synthpop bangers. Writer, vocalist and visual artist Ling is as
chameleonic as she is charismatic, able to jump from
detachment to rawness to aggression to tenderness to hilarity to
oe-curling awkwardness, sometimes within the same song.
Though the record is a product of increased refinement, the pair
were physically together only in bursts, cramming sessions
around their respectively hectic calendars. “We had much less
time together than on the first record, but every time I did see
David that thirst and the ability to come up with something was
there. I think this record is better than the first record, and I
think we’re dying to make more. We’re going to try and better it
again,” says Ling.
Eco-mix colour vinyl. Black vinyl format (HVNLP183) will be
made available once coloured vinyl is sold out.

In These Silent Days, the highly anticipated new studio album from six-time Grammy Award-winning singer, songwriter, performer, producer and New York Times Best Selling author Brandi Carlile, is out October 1. Ahead of the release, the album’s first single, “Right On Time,” featuring a music video directed by Courteney Cox launched on announcement
Inspired by the mining of her own history while writing this year’s #1 New York Times Best Selling memoir Broken Horses, In These Silent Days was conceived of while Carlile was quarantined at home with longtime collaborators and bandmates Tim and Phil Hanseroth. The ten songs chronicle acceptance, faith, loss and love and channel icons like David Bowie, Freddie Mercury, Elton John and Joni Mitchell—the latter two who, by some sort of cosmic alignment of the stars, have turned out to be close friends in addition to being her biggest heroes and inspirations.
In These Silent Days follows Carlile’s 2018 breakthrough GRAMMY Award-winning album, By The Way, I Forgive You, which Rolling Stone declared, “…an Adele-meets Joni Mitchell tour de force.” In the years since—in addition to collaborative projects with The Highwomen, Tanya Tucker, Soundgarden, Alicia Keys, Dolly Parton, Barry Gibb, Leslie Jordan, Brandy Clark and more—she has earned six Grammy Awards recognizing her work as a performer, songwriter and producer, was awarded Billboard’s Women In Music “Trailblazer Award,” CMT’s Next Women of Country “Impact Award” and received multiple recognitions from the Americana Music Association Honors & Awards including 2020’s Album of the Year (Highwomen), Group of the Year (The Highwomen) and Song of the Year (“Crowded Table”) and 2019’s Artist of the Year. Carlile was also once again nominated for Artist of the Year and Group of the Year (The Highwomen) at the 2021 ceremony.

Limited vinyl reissue for Baltimore’s pop punk legends’ masterpiece, originally from 1998. Fully REMASTERED VINYL VERSION INCLUDING one BONUS TRACK, and DOUBLE-SIDED poster insert. 300 COPIES ONLY, ON YELLOW VINYL.