Search:no inc

“Now And Then” is the last Beatles song, written and demoed by John Lennon in the mid/late 1970s. With John’s voice now pristine in the mix, “Now And Then” features elements from the 1995 sessions including George Harrison’s guitar parts, and vocal and instrumental parts recorded by Paul McCartney and Ringo Starr in 2022, along with a new arrangement for strings. Produced by Paul and Giles Martin, “Now And Then” is the last song recorded by all four Beatles, a powerful and fitting finale for the band’s timeless recordings.

Originally released as a hand-numbered CD on New Year's Eve of 2004, Last Light captures Tor Lundvall 's hushed songcraft at its most ghostly and grayscale, stripped bare like branches bracing for winter. Initially conceived of as "a piano album with sparse electronics" (with the working title November), Lundvall's palette steadily expanded, incorporating synthesizer, samples, bass, metronomes, and his signature spectral vocals. A journal entry from the spring of 2002 proved formative to his evolving vision: "I remember watching the blueish-grey light shimmering outside and hearing distant sounds echoing far away, eventually sinking into silence and stillness." The album's 12 tracks are steeped in this sense of autumnal transience, of bearing witness to what fades. The music moves in whispered swells, between dirge, drift, and devotional. Synths chime like slow-tolling bells; percussion shuffles and shivers, icy and isolated; bass traces a low-lidded plod - it's a mode both austere and seductive, lulling the listener into its landscapes of deepening dusk. Lyrically, Lundvall's language skews observational and depressive ("through lace curtains / grey light falls / dark clouds gather / in my soul" ), with each song like a gauzy glimpse into a different tableau framing winter's descent: rust - colored leaves, frozen ponds, cold crescent moons. Lundvall has long considered Last Light a "personal favorite" in his discography, and it's easy to hear why. In texture, finesse, and pacing, it vividly evokes the rare mood of fragile, frosty pastoral noir depicted in his iconic oil paintings. His is an art of the half-seen and half-remembered, of fleeting figures, shapes and shadows, and gathering darkness. Of all that disappears, and the ghosts that never leave: "So I wait / as the years / slowly drain the magic and the light / and the girl / I never loved / haunts me through the dark roads of my life."

James Ruskin's Blueprint Records welcomes Setaoc Mass to the label's ever-increasing roster of techno artists. As a DJ and producer, Setaoc Mass is part of a select cut of young artists who are absorbing techno's legacy and carrying the torch into tomorrow. Whilst overseeing his own imprints, SK¦eleven and SKX, his releases push a galvanising brand of techno steeped in a sense of urgency, ever-propulsive with acute detailing and nods to a futuristic space-age.

The history of Black, Brown & Beige began on June 23, 1943, when Duke Ellington premiered this extended work at Carnegie Hall. It wasn't Ellington's first attempt to create an extended work, which was longer than a typical jazz song and more related to the classical forms than to popular music.
While the soundtrack he made for the short 1929 movie Black & Tan Fantasy included works from a number of previously recorded songs, it was presented in a kind of suite form, with the themes from these songs coming and going and presenting a dialogue with the images on screen. His 1931 Creole Rhapsody' was a composition that went beyond the usual three-and -a-half-minute duration of a standard 78 r.p.m disc, and thus had to be divided onto two sides. A few years later, in 1935, his Reminiscing in Tempo' would occupy four sides and had to be divided onto two discs.
However, those were never his best selling records, and the reception of his 1943 suite Black, Brown & Beige was cold at best. This is due to the fact that apart from being an ambitious extended composition, it was thematically related to racial issues regarding the history of Afro-American people. Most critics could not accept the idea of Ellington composing long musical works
and preferred to confine him to simple jazz songs (even though Ellington's songs were never simple).

Crate Classics release their 2nd vinyl, pressed by Music House Studios. Stars from the Jungle and Dancehall scenes crammed onto this 12. Undoubtedly one of the most exciting figures to arise within drum & bass over the past decade, Rouen Wilkins, also known as Voltage, has carved his way to becoming one of the most valued artists in the scene. He now takes on Rudeboy Sound by Crate Classics and JODIAN NATTY which was a huge hit at 2022's Notting Hill Carnival, with support from Shy FX, 1xtra, 6music, Radio 1, KOOL FM and more. This Rudeboy Sound Remix EP also includes Jungle pioneer 'Potential Bad Boy's' mix of the tune Babylon fro

A1 - Healing Properties
Opening his Spatial account with Healing Properties, Eusabia immediately throws down the gauntlet showcasing an inimitable versatility with breakbeats, permeated with a jungle flex so rarely captured in the atmospheric D&B landscape. Pivoting effortlessly as the track progresses from drumloop to thunderous drumloop with a simmering haunted atmosphere and deep, weighty basslines to yearning filtered vocal samples, this track has it all.

A2 - The Space Between
Smooth jungly synthwork seizes the foreground before crisp breaks begin to reveal our direction through The Space Between, jittery key stabs and familiar old school FX create a unique sci-fi style backdrop as the breaks drive the vibe forward, switching and weaving in style, constantly mixing it up to ram the point home that you cannot fully appreciate a Eusabia track until every second has been consumed - many times over, as The Space Between demands.

AA1 - Scope of Understanding
A more contemplative piece, Scope of Understanding strips things back with a synthwave-esque vibe tinged with intrigue and allure. Soon the breakbeats leap into gear and develop with an incredible level of refined detail, expertly edited, chopped and cut to a darkly undertone of sub bass and subtle micro melodies. Scope of Understanding will leave you in awe of the quickfire ideas Eusabia can conjure in the space of 6 minutes.

AA2 - Self Reflection
A smooth atmospheric introduction ushers in a thumping drum tools workout, somehow perfectly in sync with the calm harmonies dancing around in the composition. Certainly a track to enjoy both on the discerning dancefloor and while driving home with rain lashing at the windscreen at 2am, Self Reflection's synths and breaks conclude the EP in style leaving a long lasting memory of a Spatial debut you will not forget.

Words by Chris Hayes.

The long-anticipated debut album "Infernal Fractality", set for a late 2023 release, unleashes a relentless onslaught of sonic brutality that has consumed over half a decade of tireless devotion from the band's enigmatic founder, Ødemark (known for his work with 3rd Attempt, Ovate, and Necrocave). Ødemark, an artist driven by both the fiery passion of psychedelics and a relentless pursuit of extreme metal's uncharted territories, has woven these elements into an epic, violent, and boundary-defying soundscape that delves deep into the realms of the Luciferian ideals, non-duality pointers, and the mystic principles found in his own psychedelic experiences.

THE LAST EON was formed to push the boundaries of the established but dormant industrial black metal sound pioneered by bands such Thorns and Mysticum and to its maximum exponential, with the vision of "creating the most intense music in history", objective that took 6 years of obsession, a couple burnouts, and a whole galaxy of multi-colored uppers, downers, screamers and outers, to map the depths of the psychedelic experience that would be distilled into "Infernal Fractality". With the help of drummer Jarle Byberg, Ødemark created this whole beast by himself.

After years of pushing every conceivable boundary, and breaking every possible rule and standard in composition, production and sound design, the masterpiece was ready for the crucible of Zardonic's mastering process, who consolidated the behemoth of a more than 300 track project into a time-space shattering soundscape of cosmic proportions.

Mainman Ødemark states: “I wanted to push the limits of what extreme metal can be, and materialize a vision for the future of electronic black metal that required me to rebel against every single rule in my mind of what black metal is, to create what black metal can be. This included also the theme and lyrics, spreading awareness of the mind expanding psychedelic experiences and self exploration within the black metal culture.”

The long-anticipated debut album "Infernal Fractality", set for a late 2023 release, unleashes a relentless onslaught of sonic brutality that has consumed over half a decade of tireless devotion from the band's enigmatic founder, Ødemark (known for his work with 3rd Attempt, Ovate, and Necrocave). Ødemark, an artist driven by both the fiery passion of psychedelics and a relentless pursuit of extreme metal's uncharted territories, has woven these elements into an epic, violent, and boundary-defying soundscape that delves deep into the realms of the Luciferian ideals, non-duality pointers, and the mystic principles found in his own psychedelic experiences.

THE LAST EON was formed to push the boundaries of the established but dormant industrial black metal sound pioneered by bands such Thorns and Mysticum and to its maximum exponential, with the vision of "creating the most intense music in history", objective that took 6 years of obsession, a couple burnouts, and a whole galaxy of multi-colored uppers, downers, screamers and outers, to map the depths of the psychedelic experience that would be distilled into "Infernal Fractality". With the help of drummer Jarle Byberg, Ødemark created this whole beast by himself.

After years of pushing every conceivable boundary, and breaking every possible rule and standard in composition, production and sound design, the masterpiece was ready for the crucible of Zardonic's mastering process, who consolidated the behemoth of a more than 300 track project into a time-space shattering soundscape of cosmic proportions.

Mainman Ødemark states: “I wanted to push the limits of what extreme metal can be, and materialize a vision for the future of electronic black metal that required me to rebel against every single rule in my mind of what black metal is, to create what black metal can be. This included also the theme and lyrics, spreading awareness of the mind expanding psychedelic experiences and self exploration within the black metal culture.”

The entity known as ALTERNATIVE TENTACLES, would like to express its excitement to be working with the Seattle, WA based BAND Sandrider, and enjoyed the previous relationship of Damm and Weisnewski in their former entity known as AKIMBO. ALTERNATIVE TENTACLES is very much a fan of previous work from the BAND on Satanik Royalty Records and highly recommend new listeners investigate the discography further. The upcoming 2-song single by BAND, hereafter referred to as AVIARY/BALEEN has a limited-edition initial pressing on blue and white splatter vinyl pressing of 300 copies, and successive runs will not be as colorful. Immediate orders are encouraged. This cheeky duality of Sandrider is also captured perfectly in the subject matter of the EP’s two tracks: The explosive first track, “Aviary,” portrays the modern hellscape of social media as sinister, soulless mama bird, willfully vomiting disinformation into the eager mouths of enthusiastically consenting participants. “PLEASE MOTHER, FEED THEM YOUR BILE. DOUSE THE BABES WITH YOUR WHOLESOME RETCH,” vocalist/guitarist Jon Weisnewski wails over massive, frenetic riffs, rounded out by bassist Jesse Roberts’ warm low end and drummer Nat Damm’s ultra-hard, punch-like beats. The song concludes in a frenzy of danceable beats, with Weisnewski doing his best Painkiller-era Halford screams as he commands you to flood the whole damn thing – drown those who wish to destroy us. As pissed off as the song is, you’ll feel triumphant by the end anyway. Side B’s “Baleen” on the other hand (while ironically the angrier-sounding song of the two), is about a lighter thought that keeps Weisnewski up at night: Do you ever think about how fucking weird whales are? They’re enormous floating creatures that can't handle gravity, and they hang out in the deepest oceans. Yet they can’t breathe underwater, so they have to stay near the top and come up for air all the time. Seems inconvenient. And you’d think that the biggest mammal that ever lived would be a brutal carnivore, right? But no. They eat the tiniest creatures, through a bunch of hair in their mouths. What the fuck? Anyway, ponder on that while you bang your head along with Sandrider’s signature primal, hypnotizingly heavy riffs.

Listen Here Limited-edition double green/ red vinyl. 12 tracks spread across three sides and a screen-printed fourth side. We are very pleased to announce a special 10th anniversary vinyl version of this classic Dean Wareham live album, recorded over two nights in London back in December 2013 and featuring a mix of songs by Galaxie 500 and Luna as well as solo material. It is pressed on double red and green vinyl, with the 12 tracks spread across three sides and a screen-printed fourth side. The recordings were mixed by Britta Phillips and have been remastered especially for this release by Mikey Young (of Eddy Current Suppression Ring, Total Control and others). The new artwork by Marc Jones includes a printed insert featuring photos from the shows, which almost didn’t happen at all after Dean and his band got stuck on a train between Manchester and London. “We left Piccadilly Station at 12:15 but stopped rolling after just 20 minutes,” he recalls. “A voice informed us that a tree had fallen on the track somewhere up ahead, and this tree was on fire. We sat there for a couple of hours and started to think about alternate ways to get down to London, someone sent out a plea on Twitter and one kind fan did offer to drive us, if only there was a way to get off the train. But at around 3 o’clock the train lurched forward at last, we made it to Euston and cabbed it straight to St Pancras Old Church. “I’m not a believer but there’s something special about playing in churches, especially one that dates to the 12th century; the cavernous spaces and wooden pews make you speak softly and play quietly too – if you play too loud the sounds will just bounce all over the place. And the engineer doesn’t need to add reverb to your vocals – it is there already. “Nat from Sonic Cathedral promoted the shows and had the presence of mind to record them to multi-tracks, and I’m so glad he did. When we got back to Los Angeles, Britta mixed the live tracks, and the result is this record

El sello DIALECTO PERIFERICO nace en Marzo de 2023 con la edición en vinilo de 12" DIODES 10 YEARS.

El album de 6 temas, cargado de rasgos industriales y sintéticos, el sonido de la TR-808 y distorsiones desgarradas, elementos que identifican a estos productores y el lugar
donde se criaron, El Baix Llobregat. Desde 2013 han estado “codo con codo”con el productor The Bandit, desde la creación de “Util Records y Gente Seria Viste Chandal” hasta las fiestas de Barcelona “Llobregat Bass Warriors”. Era obligatoria su presencia en este momento tan especial.


A1 | Reclaim The Future.
En este primer track Vema a querido reclamar
el futuro aullando a la luna. El vocoder
alienado y la melodía afilada, representa la
critica a la continua revolución tecnológica
que nos distancia entre humanos.

A2 | Hammer Head.
En este track alejado de lo clásico y convencional
Roid nos muestra el lado Rave del
electro oscuro que corre por sus venas,
haciendo que el sonido acido nos de la
mano y acompañe.

A3 | War Computer.
Esta bomba de canción mezcla elementos
del ayer y los breaks mas frescos de hoy. La
conversación entre los pads y los bajos
harán que despegues del suelo.

B1 | Husmias.
Este track da pie a la cara B del vinilo, los
fondos distantes, la melodía arpegiada y el
vocoder dimensional abren un portal a lo
mas oscuro e industrial.

B2 | Commando.
Introspección y critica social es la mejor definición
para esta canción, las pinceladas rasgadas
del ritmo y la melancolía melodica definen
una historia creada desde el corazón.

B3 | 2013.
Temazo marca The Bandit, estilo inconfundible
del productor de L’Hospitalet para cerrar esta
bomba en vinilo que desgastara las suelas de
tus zapatillas y quemara pistas de baile.

repressed !

Stuart Patterson - Giant / Faith

Limited Grey Vinyl Pressing
MOTON RECORDS INC strike back with another very tasty 3 track gem that will please everyone indeed- my fav is catsup which will be getting an airing on my radioshow


Leo Elstob
Moton back to burn with a long term LEO ZERO fave spin in the HOMO edit. 10/10


Absolute heavyweight 3 tracker from the Moton crew. They go dark, they go deep and the go sleazy. Outrageous modern dance for the true heads!" Ashley Beedle

Another killer 3 track from Moton where they do things different !
Peak time, looped up & fully charged - Dim (love the outro)
Furious strumming 80's Punk House - Homo (my fav right now)
& smooth out class - Catsup
Will be getting hammered as of now :)
Damian Charles - Pointblank.fm

Impex Records is celebrating the 35th anniversary of this seminal audiophile classic with our final and finest collaboration with long-time partner and raconteur Jennifer Warnes. This ultimate authorized production of Famous Blue Raincoat is getting the complete Impex 1STEP treatment! After Bernie Grundman cuts the last lacquers, Jennifer's analogue master tapes will return to her personal vault for good.

Impex has always treasured our work with Ms. Warnes, from the original Famous Blue Raincoat 45 Box, The Well, The Hunter, and her latest LP, Another Time, Another Place. Each of these releases celebrates Jennifer's singular legacy of musical excellence combined with exceptional craft in coordination with the original production team of Jennifer, C. Roscoe Beck, and Bernie Grundman.

For FBR's ultimate release, Impex returned to Jennifer's first-generation analog "slave" master tapes and let Bernie work his magic within the laborious 1STEP mastering process on BG Mastering's tube-cutting lathe. We will cut as many refs and test pressings as needed to get the quietest surfaces and intimate detailing. Final discs will be pressed at RTI on VR-900 super vinyl, illuminating every note and nuance of this cherished masterwork.

The three 1STEP LPs and the elegant new 24-page booklet are housed in a deluxe four-sleeve Monster Pack tip-on jacket and booklet with metallic accents and spot gloss applications. Even if you have every version of this pop classic, you will find considerable value and new benefits from this unbeatable production!

The 1STEP Process:
The Impex 1STEP process relies on short, tightly controlled runs that require a new lacquer after each run of 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details, and deeper bass.

Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies, and increases signal integrity from the master tape to your system.

Gaucho — Steely Dan's Grammy-winning seventh studio album now on UHQR!
Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!
45 RPM LP release limited to 20,000 numbered copies
Mastered by Bernie Grundman from a 1980 analogue tape copy originally EQ'd by Bob Ludwig
Pressed at Quality Record Pressings using 200-gram Clarity Vinyl®
Purest possible pressing and most visually stunning presentation and packaging!
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing


Gaucho — the iconic seventh studio album by Steely Dan, released in November 1980 — and Grammy-winner for Best Engineered Non-Classical Recording, was also Grammy-nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals. The album represents the band's musical evolution towards a more polished and sleek sound, featuring a collection of meticulously crafted songs that blend jazz, rock, and pop music, while exploring themes of decadence, longing, and disillusionment.

Gaucho opens with the title track, a jazzy instrumental piece that sets the tone for the rest of the album. The standout tracks on the album include "Hey Nineteen," a catchy and upbeat tune that features a memorable saxophone riff and lyrics about an older man's attraction to a young woman, and "Babylon Sisters," a funky and groovy track that showcases the band's impeccable sense of rhythm and melody.

The sessions for Gaucho represented the band's typical penchant for studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent more than a year in the studio, and far exceeded the original monetary advance given by the record label. Still, the album features multiple layers of instrumentation, carefully crafted arrangements, and the use of top-notch session musicians to create a lush and sophisticated sound that is uniquely Steely Dan.

Despite its critical and commercial success, Gaucho was a challenging album to make. During the two-year span in which the album was recorded, the band was plagued by a number of creative, personal and professional problems. MCA, Warner Bros. and Steely Dan had a three-way legal battle over the rights to release the album. After it was released, jazz musician Keith Jarrett was given a co-writing credit on the title track after threatening legal action over plagiarism of Jarrett's song "'Long As You Know You're Living Yours."

Gaucho marked a significant stylistic change for the band, introducing a more minimal, groove- and atmosphere-based format. The harmonically complex chord changes that were a distinctive mark of earlier Steely Dan songs are less prominent on Gaucho, with the record's songs tending to revolve around a single rhythm or mood, although complex chord progressions were still present particularly in "Babylon Sisters" and "Glamour Profession." Gaucho proved to be Steely Dan's final studio album that Donald Fagen and Walter Becker would make together until the year 2000.

Gaucho reached No. 9 on the U.S. album chart and was certified platinum-selling. "Hey Nineteen" reached No. 10 on the U.S. Singles Chart and went to No. 1 in Canada. Pitchfork, in its review, describes the almost "pathologically overdetermined production" as elegant, arid and a little forbidding. "Every last tinkling chime sounds like it took 12 days to mix, because chances are, it did." The New York Times deemed Gaucho the best album of 1980, beating out Talking Heads' Remain in Light and Joy Division's Closer.

Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Gaucho remains a testament to Steely Dan's enduring musical legacy and their ability to create timeless music that transcends genre and style.

Noema’s new album is a surreal cosmic journey. The music on it is part of a comprehensive art piece that includes remixes, interactive choreography and stage design, theatre, and costumes called ONE.

In ONE, Noema tells the story of his interdimensional space explorations, in which he manifests as four different entities. Because of the energetic state of humanity, these entities became trapped in our dimension and now put on performances to re-power their portal, so that we can all be interdimensional again! During the performance five actors invite up to 120 people from the audience to join the action.

Sun Ra meets Steve Reich meets Larry Levan - imagine it as a “happening” from the 70s.

The music from ONE is loosely based on the minimal music classic “In C" by Terry Riley. It consists of 56 melodic patterns, which are repeated and consecutively played from the first to the last. Every player can move on to the next pattern at their own pace.

Elements of Life brings a full on boogie disco tune with some 80s synth goodness. The backgrounds are provided by an all star cast of singers including Cindy Mizelle, Audrey Wheeler, Anané, Dawn Tallman, and Ramona Dunlap. The song is penned by Nico Vega, just at 19 years old writing lyrics with the soul of a person who’s been through various experiences in life. It isa statement song coming from an adolescent stating where we are in the world today with war, and encouraging all to stop fighting, “no more war”,“Let Us Shine Bright As Day”, “Let Us Find A Peaceful Way”, “Let Me Hear You Say”, these words are crying out to the world.

Remixes by Josh Milan on the Josh Milan Honeycomb versions, feeding us an early 80s tune reminding us of the seminal label West End Records. The Louie Vega mixes stay true to the Elements Of Life sound mixed with some Detroit bass groove and synth overtones. A bonus track also added to the release featuring Axel Tosca on keyboards is entitled “Los Tonos Sagrados” which means The Sacred Tones.This instrumental has the early afrobeat rhythm with Axel Tosca ripping through with an organ solo and snare hits accenting the drums and music.Take a listen and enjoy the sounds of “Let Us Shine” and “Los Tonos Sagrados” and it’ll sure to have you with your arms up and eyes closed singing along with the choon in no time!! Available soon at all streaming and digital outlets, with vinyl coming too!!

The long out-of-print sophomore album by the pioneering, creatively restless troupe, Cerberus Shoal, highlights the earliest phase of their transition from experimental hardcore band to transcendent exploratory collective. Originally released in 1996, _And Farewell To Hightide combined the group's unique command of patient anticipation with a significantly expanded musical palette and a refined musicianship. Shedding virtually all obvious references to the frenetic post-hardcore of their eponymous debut album, Hightide saw Cerberus Shoal incorporating elements of Talk Talk, Tortoise, and the early Windham Hill catalog into a sound that was incomparable at the time. Now, more than 20 years later, it's proven astonishingly prescient and truly timeless. Beautifully remastered and finally made available digitally for the first time ever, this expanded deluxe edition includes the Lighthouse In Athens EP recorded during the same era as _And Farewell To Hightide. Finally available on vinyl for the first time ever, _And Farewell To Hightide - Deluxe Expanded Edition is packaged in restored artwork with newly uncovered photos and extensive new liner notes written by the band. The record has been newly mastered for vinyl by Bob Weston at Chicago Mastering Service, and pressed onto audiophile-grade vinyl.

Debut duo album from the unlikely pairing of Jeremiah Chiu"s modular synthesizer and Marta Sofia Honer"s viola features post-composed improvisations interwoven with field recordings from sojourns on the Âland archipelago in the Baltic Sea. An active intersectional cultural producer in the Los Angeles scene, Chiu is known for his visual art as much as his music. A professor at Otis College of Art and design by trade, Chiu"s a regular musical collaborator of Booker Stardrum, Celia Hollander, Dustin Wong, and Sam Prekop. Honer is a first call session player for the likes of Adrian Younge and Beyoncé. She"s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, Stanley Clarke and others, including five recordings with Grammy nominations.

The Mighty Riders were an American funk group whose 1978 album Help Us Spread The Message is a stone-cold classic for rare groove lovers. It has been famously sampled by De La Soul and now this new 10" release includes the original version of the track the pillaged, namely 'Evil Vibrations'. It comes as an original, an instrumental edit version of the song, and an extended edit. This is a must cop for funk fans as well as hip-hop historians and a standalone tune that still gets the floor going so do not sleep.

After her stunning and well acclaimed debut album 'For Trainspotters Only' Ann Eysermans now releases 'Moonlight Shadoh', a tribute to her dog Shadoh. A record on which she explores the bond between herself and her faithful canine friend, Shadoh, through an extraordinary musical odyssey.

Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies,and Shadoh's distinctive houndly expressions. Creating otherworldly compositions that transcend genres which include recorded and integrated snarling feedback sounds. From the hauntingly beautiful melodies to the experimental sonic landscapes, every track tells a story that resonates deep within your soul.

Feel the heartbeat of Shadoh as his barks, whimpers and playful antics merge seamlessly with Ann's soothing vocals,harp and viola da gamba. These evocative arrangements will transport you to a realm where the bond between human and dog is translated into an aural spectrum swaying between desolate harp sounds, recollecting the eerie Jandek spirit lacing with doomy, and catchy as hell, new beat vibes.

Moonlight Shadoh is an exceptional journey blending acoustic instruments, phonic melancholy, analogue tape footage of Ann's personal sound archive and audio poetry.

RIYL:
Cross dressed Jandek in a vegan mood, Claire Rousay on expired XTC, Andy Stott with a hangover, William Bassinski on a happy moment, Kali Malone discovering new beat, Mica Levi in a dog shelter and other excellent music.