Cerca:no man

Complimenting his singular debut LP, 2025’s ‘Light Months Will Fly Over Us’, singer-songwriter and producer Addy Weitzman sees his thoughtful artrock and new wave aesthetic expanded by The Time & Space Machine for a limited three-track 12".

The long-running alias of British DJ, archivist and acid pioneer Richard Norris, this trio of remixes from The Time & Space Machine’s central processing unit finds Norris in a jubilant raving mode, his trademark psychedelia contributing to Slacker at its best and baggiest. The initial mix captures Weitzman’s songwriting in full, including his portentous vocal hook – “No man is a prophet in his own land” – a proverb first found in the gospels, blessed with the innovative Norris’s application of hypnotic groove, fat low-end and a ton of percussion.

The B-side sees Norris stripping things back in two directions: the Shango Dub draws focus on the higher vibrations found in the track’s beautifully intertwined percussive and synth elements, while the Riddim Mix reduces the frequencies further still, with a phased, slightly fried drum workout primed to spin heads as the night gets deeper and darker.

Die aus Las Vegas / Orange County stammende Hardcore-/Punk-Band M.I.A. ist zum ersten Mal seit 40 Jahren mit neuem Material zurück! Nachdem sich die Band 2008 zu einem Gedenkkonzert anlässlich desvorzeitigen Todes ihres Sängers Mike Conley wieder zusammengefunden hatte, spielte sie noch einige Jahre mit dem ursprünglichen Sänger Todd Sampson weiter. Leider verstarb Todd kurz darauf an einem Hitzschlag. Die verbleibenden drei Mitglieder beschlossen, weiterzumachen, wobei Gitarrist Nick Adams nun den Gesang übernahm. Im Jahr 2017 veröffentlichte Darla Records die letzten beiden Alben der Band, ,Notes From the Underground" (1985) und ,After the Fact" (1987), erneut auf CD. Ab 2023 begann Modern City damit, den gesamten Katalog der Band auf Vinyl neu aufzulegen, darunter das bahnbrechende Album ,Murder In a Foreign Place" von 1984 (in Zusammenarbeit mit Alternative Tentacles) und ihren Teil der LP ,Last Rites for Genocide and M.I.A." aus dem Jahr 1982. Die Titel dieser neuen Veröffentlichung wurden im Dezember 2025 aufgenommen und umfassen drei brandneue Songs sowie "'Tomic Bomb", einen sehr alten, unveröffentlichten Song, der 1980 von der allerersten Inkarnation von M.I.A. geschrieben wurde, die damals als The Swell bekannt war. Diese Veröffentlichung ist auf 300 Exemplare limitiert und erscheint mit einem handgedruckten Cover und auf farbigem Vinyl.

Hello Games and Laced Records are embarking on a new intergalactic journey as they bring 32 new songs from the No Man's Sky universe onto vinyl.

Composed by Hello Games' audio director Paul Weir and Sheffield instrumental band 65daysofstatic, No Man's Sky: Journeys has been crafted from the ground-up as a fully-fledged companion piece to the original No Man's Sky soundtrack.

This new soundtrack includes 32 new songs born out of the endless, dynamic soundscapes from the Pathfinder update. Until now, these soundscapes have been sitting inside the video game generating infinite variations of themselves. Now they're landing on vinyl - a sonic representation of the game's constantly evolving journey over the last nine years.

These new collaborations follow the mesmerising 'Dissolve In the Rain' in 2022 where Calibre leaned into the blues of Chelou.

Belfast-born Dominick Martin has spent the last 30 years creating. With over 100 Singles and 25 albums, encompassing a myriad of tempos and genres. Painter, Multi-instrumentalist, singer, writer, producer and DJ.

Chelou is the moniker of London-based artist Adam Gray, a singer, songwriter, multi-instrumentalist and producer known for his psychedelic blend of folk, blues, and indie electronics. Raised in Camden and influenced by a musically rich environment, Chelou developed a reverb-soaked, dreamlike sound that combines minimal vocals, distorted guitar, ambient textures, and offbeat lyricism. His name, "Chelou," is French slang for "bizarre" or "strange," reflecting his enigmatic and unconventional identity.

He emerged in 2014 with the DIY EP The Quiet, gaining early support from BBC Radio 6 Music DJs like Lauren Laverne and Tom Ravenscroft. Tracks like "Halfway to Nowhere," "Out of Sight," and "Garden" drew attention for their raw, intimate tone and distinctive visual accompaniments. His debut album Out of Sight (2018) expanded his sound and artistic reach, featuring a popular animated video created by Robin Eisenberg.

A1 - 1NC1N - No Man’s Land (System Check Interlude) : It’s a vinyl exclusive part of the release.


After 14 years since the founding of Zinloos Geluid Soundsystem, the very first release on vinyl is finally here. Expect various styles, each with its own story, just like the raves of Zinloos Geluid.

In addition, you will receive an EXCLUSIVE sound system check, only available on vinyl, to make your speakers sound great at your own rave or free tekno!

Warehouse Find!

Der visionäre Jazzsänger lädt ein auf eine kühne musikalische Reise in Richtung einer grenzenlosen, integrativen Gesellschaft.
Dieses Album verkörpert Freiheit - sowohl in seiner emotionalen Unmittelbarkeit als auch in seiner Umarmung einer neuen, imaginären Sprache, die sich über kulturelle und territoriale Grenzen hinwegsetzt. Es ist ein aufrichtiges Angebot, das den Hörer dazu einlädt, Grenzen und Egoismus zu überwinden und in ein utopisches Reich einzutauchen, in dem Musik verbindet.

Presented for RSD Black Friday as a double lp in a tide pod colored vinyl pressing housed in a deluxe gatefold jacket with a full-color OBI strip. 1995 saw Oakland crew Souls of Mischief follow up their stellar debut release with No Man’s Land, an all too often overlooked gem from the golden era of hip hop. The release landed in the Billboard Top 200 - peeking at a respectful No. 27 on the Top R&B/Hip-Hop Album Chart. No Man’s Land was not commercially released on vinyl in the US when first issued, in fact the record has never seen an official US reissue. Get On Down now presents No Man’s Land as a double LP in a gatefold jacket with an OBI - and of course in a colored vinyl run exclusively for RSD Black Friday.

'No Man is an Island' is the SEMINAL debut album by reggae legend Dennis Brown which launched his career. Recorded at Studio One around 1969-70 (when he was just 12 years old!) and released in 1972.

Featuring classic tunes with backing from the in-house players of The Sound Dimension, Soul Vendors and Soul Defenders from

The album features classic tunes including 'Created by the Father', 'Make it Easy on Yourself' and many others.

100% Essential

Back In Stock!

Nach der Veröffentlichung ihres kathartischen, dunklen Psych-Blues-Epos Outside The Dream setzte die Pandemie die Band außer Gefecht. Die Band blieb am Leben, indem sie weiter schrieb und komponierte. Der Weg war genauso wichtig wie das Ziel, und so wurden es zwei Alben in einem: die Songs, die getrennt voneinander geschrieben wurden, sind in Chrononaut Cocktailbar zusammengefasst. Nachdem sie wieder zusammen kamen, bündelten sie ihre ganze Live-Power in einem massiven Biest von einem Song namens Flight Of The Sloths. Die zwei Seiten des Albums zeigen perfekt die zwei Seiten, die in der Band stecken: der eine Wolf schreibt gerne Songs mit solider Struktur und Melodie, während der andere Wolf gerne völlig durchdreht, wenn es um progressive Kreativität geht. Das war schon immer so, aber noch nie war der Kontrast so krass, das Dunkle und das Helle, die Sanftheit und die Aggressivität. Psychedelische Klänge, die an die Zeiten von The Doors und Pink Floyd erinnern, ringen mit düsterem Post-Punk in den Gassen von The Gun Club und Nick Cave & The Bad Seeds um Aufmerksamkeit. Mal tanzbar, mal introvertiert, immer spannend und ein wenig schräg. Schließen Sie die Augen und lassen Sie sich ins No Man's Valley führen...

More than 3 years after the release of his last EP "Dance Machine", DJ Reiz is coming back with "No Man's Land", cruising between Trance, Hard Trance and Acid.

The opening track "Break A Leg" gives you the tone with a rolling bassline punctuated with Acid notes and cosmic gates to completely break up to an old school Dance line.

The following and main track of the EP "No Man's Land" will take you back to a nostalgic trip through a melancholic melody, evolving on retro stabs over the tune.

In 3rd position, “Soleil Froid” (Cold Sun) is a track telling a story beyond the music.

The chords are inspired by the iconic "Laura Palmer's Theme" by Angelo Badalamenti, the composer of the original soundtrack from David Lynch’s series « Twin Peaks ». Through the melancholic melody, the music gently encourages the listener to dig into their imagination.

DICA is completing the EP with his own vision of "Break A Leg" in a powerful Acid Trance remix.

Supported by KI/KI, MCMLXXXV, Daria Kolosova, Bad Boombox, Eargasm God, Amazingblaze & more

VERVE ACOUSTIC SOUNDS SERIE: Stereo, komplett analog von Ryan K. Smith bei Sterling Sound von den Originalbändern gemastert, QPR Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing), wattierte Innenhülle.

Im amerikanischen Krimi-Drama “Let No Man Write My Epitaph” (1960) war Ella Fitzgerald als Schauspielerin und Sängerin zu erleben. Die Songs aus dem Film veröffentlichte sie im selben Jahr auch als Album bei Verve. Es ist nicht nur ein Meisterwerk von außergewöhnlicher emotionaler Tiefe, sondern als Duo-Album mit Pianist Paul Smith auch eine absolute Rarität, nachdem sie in den frühen 1950er Jahren zwei solcher Alben mit Pianist Ellis Larkins aufgenommen hatte.

*The No Man Is An Island EP is a single cut from the debut album of the same name by Aalko, a new project by Kebko Music founder Akiko Kiyama. Renowned for her minimal techno track featured in Richie Hawtin's seminal DE9 Transitions album, the Japanese producer reveals her another side under this new alias. The project has already created a stir as Aalko has garnered support from Gilles Peterson on his BBC 6 Music radio show and premiered a live performance at MUTEK's Tokyo launch, where she drew the audience into an inspiring frenzy.

Aalko is a culmination of Kiyama's recent practices in a wider musical spectrum that go beyond the confines of her minimalistic techno characteristics. It conjures her distinctive soundscape where a variety of styles coexists: she demonstrates her knack for breaks, ambient and irregular time signatures, her acute ears for unadulterated tone and texture of sounds standing out in sharp relief.

Taking a floor-oriented side out of the No Man Is An Island cassette album, this single cut features three tracks that work wonders in a DJ context. "Body & Soul" is an erratic rhythm experiment jumping between several beat styles. "Mixture" offers Kiyama's unique interpretation on syncopated dynamics of breaks. Wrapping up the EP is 'B.I.C', a long-awaited exclusive track that ranked among Gilles Peterson's top 20 tracks of 2017. Its dubby functionality makes it a powerful tool that can work at various stages of the night.

These tracks give the nod to Kiyama's peculiar self full of sonic idiosyncrasies, showing no fear of breaking accepted conventions.

* Each cassette comes with an individually hand-printed silk screen cardboard case and DL code, craftily designed by Damien Tran.

* Renowned for her tracks featured in Richie Hawtin's game changing DE9 Transitions mix, Akiko Kiyama reveals her another side under her new alias Aalko on No Man Is An Island. This is her Kebko Music label's fourth instalment and her fifth album. It is a culmination of Kiyama's recent practices in a wider music spectrum, going well beyond her minimalistic techno characteristic. It covers a variety of styles as she demonstrates her knack for breaks and ambient, reflecting her early influences from Ninja Tune and Warp. Each cassette comes with an individually hand-printed silk screen cardboard case and DL code, craftily designed by Damien Tran. Also, No Man Is An Island EP is set to be released on vinyl in this winter.

* Kebko Music is Tokyo-based Akiko Kiyama's independent music label focusing on releasing avant-garde music which is not bounded by any specific genres but embraces the whole range of techno, experimental music, field- & live-recordings and classical music. The label owner established her name by Richie Hawtin featuring her track in his well-known DE9 Transitions mix in 2005. Since then, her music style has gradually changed to explore the edge of electronic music. The core of the label is based on small handcrafted editions of cassette tapes. It aims to give a chance for all of artists and listeners to explore their musical experience and creativity.

British art-rock band No-Man (Tim Bownes & Stewen Wilson w Mick Karn, Richard Barbieri, Steve Jansen, Ben Coleman) recorded Heaven Taste in the studio sessions in summer 1992. It got first released as a complete 21 mins version on Painting Paradise EP on One Little Indian (1993). The track drew attention in the rising ambient techno scene and got played by DJs like Mixmaster Morris.

The track fuses ambient techno with art rock and features a distinctive fretless bass solo by Mick Karn.

This super sound 45rpm 12" features a Steven Wilson edited 11.21 mins version of the original and on B-side Jimi Tenor's rearrange with some solos with flute and keyboard.

Repress!

This is the fourth release in the critically acclaimed Environments series and continues where the third left off. It is a fourteen track journey from the river's delta to no-man's land where murmurations lead across supercontinents and back to the clear light of reality. Strings meet choirs - cascading down to the glass valleys of synthesised biophany.
'Murmurations' was the track featured on an exclusive vinyl 10' release for Record Store Day in 2012, it coincided with the CD version of this album's release that year. The album also has collaborations with Riz Maslen (Neotropic) and Ivor Novello award winning composer Daniel Pemberton.

repressed !

A new outlet for lost classics from the raw, decadent and formative birth of club music re-programmed for modern floor

Horace Andy has always commanded a place high on the list of Reggae singers from Jamaica. His distinctive haunting vocal style stands strong on any rhythm,song or style he chooses to cover. Of the singers on that long list, he has managed more so than any other, to crossover to a new generation of listeners due to his individual style, helped also by his collaborations with the likes of Massive Attack. Horace Andy (b. Horace Hinds,1951,Kingston Jamaica) like many otherJamaican singers began his musical career at Coxsonne Dodd's Studio One. So impressed with the youth, Coxsonne decided on a name change for theyoung artist and called him after his top songwriter of the time Bob Andy. So Horace Hinds became Horace Andy. His first tune for Coxsonne 'Something On My Mind' was a slow burner in Jamaica, but his belief in his young protégé paid off when followed later by 'Skylarking' a tune that burst the singer all overthe radio and sound systems of Jamaica. After numerous singles and two albums worth of material, Horace moved on to work with many of the topflight Jamaican producers, among them Keith Hudson, Augustus Pablo and Niney the Observer, but it was his work with producer Bunny Lee in the 70's that he cut most of his hits for and from this stable of work, that we have compiled this set. Some of his late 60's classics were recut in the popular1970's style, working with the rhythm kings themselves, Sly Dunbar andRobbie Shakespeare. They have added some shine to the tracks, 'SomethingOn My Mind' and 'Skylarking' and made them hits all over again. Such wasHorace's delivery to the covers he sang like Delroy Wilson's version of theTams 'Riding For A Fall', the Heptones 'My Guiding Star', John Holts'Man Next Door' and Bill Wither's 'Ain't No Sunshine', that these finetunes were made his own. The roots end of his musical style was covered by
Andy originals such as 'You Are My Angel', 'Zion Gate','Money Money'and the cut which we have taken our edited title, the timeless 'Just SayWho'.A bass heavy cut to Bob Marley's 'Natural Mystic' works so well inthis style also. Another nickname Horace acquired was the affectionate title of Sleepy, as he was always hanging around the yards and studios of Jamaica waiting his turn, sometimes so long he would fall asleep. His enthusiasm to get back in the studio to work some more of his magic, to a catalogue of material that has developed into one of the finest in Jamaica. I hope you will agree, this fine set of 1970's classics will sit alongside.














O B8 | AIN'T NO SUNSHINE

Lascelles Perkins was one of the first stars of the Jamaican music scene. Studio One's leading balladeer and one of the most underrated singers from that time. Lascelles Perkins sang sentimental ballads and he scored massive local hits for Coxsone Dodd's Studio One label. Songs like 'Lonely Moments' and 'Together Forever' other big hits followed 'The Mighty Organ' song as a duet with Hortense Ellis, Alton Ellis' sister, 'Destiny' and a whole catalogue of standards or foreign songs as they were called. Lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.

Lascelles Perkins was present at the birth of Studio One, at the initial sessions carried out in 1959 alongside the other big singers of the day, Alton Ellis and Basil Gabbidone. The session took place at Federal Studios and as was the method of recording at the time, the studio would have one mic hanging down in the middle of the room. The singer would be nearest to the mic and the musicians, depending on how loud their instrument was, would place themselves accordingly in the room. Everything was one take or you would have to record the whole song again. The singers and the musicians would have to be at the top of their game and would be paid for each side they cut. Doing things over would mean less songs finished, time and money was tight but this discipline made the great records we know today.

We have captured Mr Perkins on some lost tapes from producer Bunny Lee's archive that capture Lascelles singing some of the big Studio One hits of the day.

'Rain from the Skies', 'Stick By Me', 2Love me Forever' and 'No Man is an Island'. Alongside other great tunes from the time like 'Dancing Mood', 'Pledging My Love', 'Take My Hand', 'Never Never' and 'Dinner For One'. Let's hope this set gets Lascelles Perkins back on the musical map and listened to by a whole new audience. Top tunes performed in a style that seems effortless yet is only possible if one has the taken tot pull it off and Mr Perkins has it in bundles. Hope you enjoy the set.......

Walter Gibbons, a true master of the mix, a disco legend, a pioneer of dance music. There's literally very few who can lay claim to progressing the artform of studio mixing and technique than the late Gibbons. His contribution to contemporary music cannot be understated, first as a DJ where his drum laced experimentation captured the ears and minds of his peers and the dancers, then later as a mixer and studio genius where he continued on his quest. Often fixated on the percussion and breaks within records his versions would often dive into spaced out, dubby and stripped back territory that very few of his peers were even contemplating at that time, fervently reconstructing the tracks themselves and often the time, space and dancefloor within which the record was being played. A true original, Gibbons was behind many of the 'definitive' versions of the classics, his unique style often catapulting records that were just fine in their original form into brand new colourful, cosmic interpretations that flourished sonically and rhythmically with brand new sounds that bristled with vision.

Salsoul Records thought a well programmed and thought out retrospective of this legends output was in order and this incredible collection of tracks is where we find ourselves. A stellar compilation across 2 heavyweight slabs of wax featuring of some of Gibbons' finest works. Included you'll find genre defining cuts like his mixes of Double Exposure, Loleatta Holloway, Love Committee, First Choice and many more.

A truly essential package for the die-hard Disco aficionado or for those who are exploring this most important movement in dance music for the first time. Curated with the full input and backing of Salsoul Records and carefully selected to reflect the truly timeless nature of the music contained within. For listening, for dancing, for turning on a party!

Remastered by Optimum Mastering. Artwork & design by Million Dollar Disco. Fully authorised.

The Rockers Sound (aka Steppas) came from the mid 70's and was created during sessions with The Revolutionaires band at Channel 1.
Drummer Sly Dunbar came up with a new 'Militant' style double drumming on the snare drum that seemed to add some credence to the political /Rasta based lyrics that were so prominent around this time.

So for this compilation we have pulled together some of the best cuts from this period when producer Bunny Lee was on the top of his game and the sound in town to get on board with was 'Rockers'...
So sit back and enjoy another period in Reggae's history that still sounds as good as when it was created way back when...
EVERYTHING ROCKERS....




D a4 | DEVIL'S THRONE - Junior Delgado

99.9 is a techno label from Sterling Moss and Stay Up Forever. This brandnew banger features tracks by Sterling Moss & Cyber Symon, Chris Liberator & Sterling Moss, Riino, Mark EG & Chrissi & Sterling Moss

The strongest Japanese cover of Earth, Wind & Fire and KC & The Sunshine Band's signature song is now available on 7" for the first time!

Side A, "Seppun No Theme," is an up-tempo dance tune full of love for Earth, Wind & Fire's well-known classic "September," while side B is a funky cover of a dance classic, KC & The Sunshine Band's "That's the Way (I Like It)." The B-side features "One-box No Owner," a funky cover of the dance classic KC & The Sunshine Band's "That's the Way (I Like It)" that addresses the woes of one-box car owners. The gap between the high quality sound and the surrealistic, empty-headed lyrics is intoxicating, making this a super-powerful double-sider!

Yellow Vinyl. Playing it cool like it's 1974 - but sounding like 2025. Prepare to step into a parallel universe of groove-soaked funk and cinematic flair: Seoi Nage will release their debut album No Retreat, No Surrender on October 10th. Named after a classic judo throw and shaped by their shared martial arts background, the four-piece outfit from Münster- Jakob Hersch, Anton Zimmermann, Pascal Schaumburg, and Pogo McCartney - deliver an eleven-track tour-de-force that feels like the soundtrack to a cult film that never existed. Imagine Eastern martial arts cinema colliding with Italian giallo, sleazy car chases, and psychedelic noir-an instrumental crime thriller steeped in color, swagger, and funk. Mixed by McCartney, mastered by Alexander von Hörsten, and wrapped in the cinematic artwork of Benni Demmer, No Retreat, No Surrender is more than just retro-it's retro-futurism with a punch. Think MF Doom's crate-digging spirit meets the analog grit of 1970s detective flicks. This is Fan Art Music at its most vivid.

a 1Don't Trust a Man (With No Vices) [part 1]
[b] 2Don't Trust a Man (With No Vices) [part 2]

[a] 1Don't Trust a Man (With No Vices) [part 1]
[b] 2Don't Trust a Man (With No Vices) [part 2]

Was ein fieses Brett kommt da aus dem Münsterland! Ein Biest von einer Platte, aggressiv, maximal bissig, nah am Overdrive-Exzess! Aber der Reihe nach - No Shelter waren scheinbar nur mir noch Unbekannte, so kam es mir auf jeden Fall vor, nachdem ich Professor Hagemann nach seiner Meinung zu den 5 Emsdettenern gefragt hab. Ungläubig wurde ich gefragt, ob ich die tatsächlich noch nicht mal live gesehen hätte. Es schien, als hätte der Biermetalgott sein Prüfzeichen schon vor Jahren an No Shelter vergeben. Und so steht also fest: hier kann nix schiefgehen. Und so überzeugt auch "Remission/Resolve" nach "Rest In Death" (2020) und "Erasing Life" (2022) in allen Belangen - wenn man ein Faible für Bands wie Trap Them, Nails oder Entombed hat, wird man hier sicherlich ein diebisches Grinsen ins Gesicht bekommen. Aufgenommen in der Tonmeisterei hämmern No Shelter in 12 Akten mit dem ganz großen Holzhammer auf unseren Nervenenden rum - es finden tatsächlich ziemlich viele Spielarten modernerer Extremmusik ihr Plätzchen im Oevre der Jungs - langsam, zerstörerisch kaputt, Malmend, rasend, im D-Beat-Galopp fräsen sie sich in den Gehörgang. Es ist eine tiefe Verbeugung vor den End 80er/Anfang 90er Schwedenmetal-Freunden, ein Hohenlied auf den HM2-Zerrer, der eine ganze Generation junger Deathmetaler in Schwingung gebracht hat.

TufStuf Records is a Jungle, Hardcore & Jungle Techno vinyl and digital record label from London UK. Run by head honcho Arkyn. The sounds of the label are heavily influenced by the authentic 1992 - 1994 rave vibes. But have a modern and cutting edge take on the original energy of the early 90's. Expect raw and hard hitting drum breaks, low pressing sub bass and ravey and emotive synths.

'Kekete Bue' is the first new album from legendary Congolese musician Kanda Bongo Man since 2010, and his first vinyl release in over two decades.

The master of soukous, the infectious and uptempo guitar-driven music from the Democratic Republic of the Congo, Kanda's latest album features new tracks alongside reinterpretations of some of his classic songs.

Spider-Man is an established worldwide cultural phenomenon and this movie is already breaking records and exceeding all expectations - Spider-Man: No Way Home is set to be the film of 2021. The thrilling soundtrack by Oscar® and GRAMMY® winning composer, Michael Giacchino, contains the infamous Spider-Man theme, beloved of fans, alongside other popular melodies from the wide-ranging MCU/Spider-Man universe.

The remastered, repackaged set Music From Grizzly Man contains all of the out of print material Thompson recorded for the acclaimed documentary. Richard Thompson's score for “Grizzly Man” Werner Herzog's 2005 documentary film of real life and death in the Alaskan wilderness is one of the best-kept secrets in the British guitarist's epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog's footage – mostly alone, at times in chamber settings with cello, piano and percussion – these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson's lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best – finger-picking dance; snake-curl twang and singing-wire harmonics – in a solo clarity that runs from jig-like joy to deep-note meditation, the "Main Title" blues march with its echoes of Fairport Convention's "Sloth" to the long night of "Treadwell No More," a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude as bold and majestic as the land in Herzog's film; as intimate as prayer and essential Richard Thompson.

Spider-Man is an established worldwide cultural phenomenon and this movie is already breaking records and exceeding all expectations - Spider-Man: No Way Home is set to be the film of 2021. The thrilling soundtrack by Oscar® and GRAMMY® winning composer, Michael Giacchino, contains the infamous Spider-Man theme, beloved of fans, alongside other popular melodies from the wide-ranging MCU/Spider-Man universe.

JP Harris has a secret: his name is actually “Squash.” Long before Harris
became a well regarded honky-tonker, he used his childhood nickname
while playing archaic “old-time” American tunes at underground fiddlers’
gatherings, engrossed in this punkish folk music world.
‘Don’t You Marry No Railroad Man’, his debut recording of traditional music
under the moniker JP Harris’ Dreadful Wind and Rain, features ten tracks spanning the breadth of American old-time repertoire. Harris wades between ancient ballads that traveled from the British Isles to Appalachia like “Barbry Ellen,” to droning banjo ditties such as Hobart Smith’s entrancing “Last Chance,”
here played on one of Harris’ coveted homemade banjos. Harris also works as a
serious carpenter which adds a unique authenticity to his versions of the classic
“House Carpenter” and lesser known “The Little Carpenter.”
Alongside Harris’ haunting vocals, the album prominently features the lowtuned fiddle and harmony singing of his longtime friend and Old Crow Medicine Show member Chance McCoy, who produced the record at his West Virginia studio in an old barn. On this sparse and arresting recording, Harris isn’t
mining his roots as a marketing pitch, he has the chops to back it up. In fact,
this collection of songs made him who he is today. Welcome home “Squash.”

Black vinyl editions of four ‘Elephant’ era singles. The four singles ("Seven Nation Army," "I Just Don't Know What To Do With Myself," The Hardest Button to Button," and "There's No Home For You Here") feature badass non-album b-sides, 3 of which are covers of songs from some of Detroit's turn-of-the-millenium best and brightest (Brendan Benson, Jason Falkner, Dan Miller (Blanche), Soledad Brothers), and one of which is a live White Stripes medley of "I Fought Piranhas" and "Let's Build a Home," recorded at New York's legendary Electric Lady Studios.

Most of these tracks have been remastered from the original analog sources, and the artwork on all the singles has been improved upon by the Third Man Creative Hive. "There's No Home For You Here", which was originally coupled with a generic company sleeve, now has stunning new artwork. It looks electrifying! On top of looking good, these sleeves are soft as a baby, printed with an aqueous coating, so they feel like a cross between rubber and lambskin. It's nice.

From a golden period of Philly soul comes one of the most classic 'two step' and 'rare groove' releases from the PIR label's group The Futures. 'Ain't No Time Fa Something' (also released in error as 'Ain't Got Time Fa Nuthin'') remains a timeless spin for DJs, and became rare on 7' since the growth in popularity of the revived format. The track has also been sampled sevent times, first by Jamiroquai in 1994 in 'Morning Glory', and most recently Flamingos is in 'Cruise Control'. The flip of this 7' release 'Party Time Man' came from the same period and is both the group's biggest commercial hits and has become a significant revival itself over the last ten years, equally rare on original 7' single.

With their debut album on Hamburg's taste making hafendisko, Deo & Z-Man proceed their research in contemporary electronic music beyond stylistic boundaries and present a wide-ranging lucky bag of songs. The Italo-rooted brothers melt influences from modern House music, HipHop, Electronica and even jazzy elements into a fresh and life-affirming total work of art. And here it is in all its glory - 'No Bullshit' . With a healthy dose of tongue-in-cheek humour and a seemingly endless supply of fresh ideas, Deo & Z-Man might have pulled one of the most creative albums of the year. Effortlessly gliding between wigged out house for the dancefloor, synthy space weirdness, hip-hop infused beats and twisted, smoked-out electro pop - 'No Bull-shit' is a rare thing, a collection of esoteric and eclectic influences that hang together perfectly as a proper album. The boys have long since created their own special vibe through their well received singles, live performances and DJ sets - mixing musical knowledge, party rocking skills and a sense of fun that is all too often lacking these days. Even more rare is to capture that magic in the studio over the course of an album. Yet 'No Bullshit', as the name cheekily suggests, nails it. Listening to the album it's easy to see how Deo & Z-Man cut their teeth with HipHop - tracks like 'Tamastar Santini' (feat Janos), 'Two Blue Bros' and 'YRUAG' reveal a background of beats and rhymes that infuses the whole vibe of the album. Equally at home in the club, recent single 'XTC', 'Chopped Memories' and 'Tales of Love' are lessons in leftfield club dynamics - deep, musical grooves that hint at the brothers' leg

2x 180g grey vinyl repress!

 Age Of Paranoia, the latest chapter in the band's lineage, was recorded by Igor Wouters at ARC Studios in Amsterdam, and includes several special guest guitar solos by J. Mascis (Dinosaur Jr., Witch) and Bubba Dupree (Void, Soundgarden, Dave Grohl's Probot, Brant Bjork).  

Age Of Paranoia offers sixteen volatile tracks, packed into a succinct, white-knuckled twenty-eight minutes. The album surges with rapid-fire punk angst, replete with ripping rock leads and raised-fist, group-chanting anthems.

To complete the recording, the cover artwork is created by Marald (Baroness, Kylesa, High On Fire). See cover artwork, track listing and live dates below.
 
'One of the best and most important hardcore bands today" - PROFANE EXISTENCE
 
''Excellent and addictive, gathering the best of punk and metal: one part hardcore punk, another Motörhead'' - METAL ADVISOR
 
'the supreme thrash band in all of current rock 'n' roll'' - MAXIMUM ROCKNROLL

Rescued from defunct formats, prised from dark cupboards and brought to light after two decades in cold storage... OKNOTOK will be issued on June 23rd through XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead's landmark third album OK COMPUTER.

OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist's dream: 'I Promise,' 'Lift,' and 'Man Of War.' The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analogue tapes.

Finally this great techno label is going black gold. The imprint from Los Angeles is starting with a Best Of Series called - Warehouse Series and it is what it is: Techno - dark, dusty, loud and hard.

Pat Kelly out of all the Jamaican singers was influenced most by the voice of American soul singer Sam Cooke.As were indeed many of the singers from that time,few however could carry out this daunting task as well as Pat Kelly.
His delivery was perfect and so was his ability to carry any song that came his way.
Pat Kelly (born 1949,Kingston,Jamaica) began his singing career in 1967 when he replaced Slim Smith as lead singer of The Techniques,his voice working so well with the impeccable harmonies of Winston Riley and Bruce Ruffin.
Their first hit for the mighty Duke Reid stable was a version of Curtis Mayfield's tune 'You'll Want Me Back' retitled 'You Don't Care' which held the Number 1 slot in Jamaica for the six weeks.
For this release we have focused on material that Mr.Kelly had recorded with legendary Jamaican prodcer Bunny'Striker'Lee.
A match made in heaven and one that produced some of their finest work.
Tracks such as 'One In a Million','One Man Stand','Man Of My Word','I Started a Joke'.. .
So sit back and you better get ready for an albums worth of great songs sung and delivered as only the great Pat Kelly could...
Respect Jah Floyd........

The Doors Californian kings of psychedelic-blues rock not only stood heads and shoulders above the peace and love hippy explosion of the sixties, but they were also proud to wear their influences on their sleeves by forwarding to the future by reconstructing the past.
The early live shows of the band performed in 1967 at the likes of the legendary Matrix Club in San Francisco would feature the group playing two sets, both featuring a mix of band originals and Blues covers done The Doors way.
Material such as 'I'm a King Bee' by Slim Harpo,'Who do you Love' by Bo Diddley,'Money (Thats what I want)' by Barrett Strong (a song that would stay in the live set for the duration of the bands life) and at The Winterland Ballroom over the Christmas festivites'Mannish Boy' by Muddy Waters were rolled out to an adoring local fanbase.
The classic 'Backdoor Man' by Howlin Wolf would also find a place on the group's debut album.
With all of the members of The Doors being long time blues fans more material was being worked up during rehearsals and added to the live shows along with new songs from The Doors forthcoming albums.
The Doors walked it like they talked it and sadly we will never see the likes of them again...a wonderful mixture of Blues and Psychedelic rock,they proved that in order to meet the future you must never forget the past..NO LIMITS,NO LAWS.................

180 gram vinyl of Linval Thompson - I Love Jah from 1979. Features Extensive Sleeve Notes

Advertising in Riddim, Black Echoes and Record Collector Magazine

Repress!

KMD (Kausing Much Damage, or a positive Kause in a Much Damaged society) was a Hip Hop group in the early 90s perhaps best known for launching the career of acclaimed MC/Producer MF Doom (known during his KMD tenure as Zev Love X). After guesting on 3rd Bass' "The Gas Face," the trio (Zev, brother Subroc, and Onyx) released the acclaimed and overlooked "Mr. Hood" full-length. Their political outlook was similar to the group Brand Nubian, who guested on Hood; however, the style was more comical and included a great deal of clips from old children's recordings, mostly notably a sample of the Seaseme Street character Bert on the single "Who Me" This is the official Elektra Records/Traffic Entertainment Group re-release with original artwork and track listing in it's entirety. Cutting edge, ahead of it's time production and skits from KMD and Stimulated Dummies (John Gamble and Mr. Dante Ross). Features the singles "Peachfuzz", "Who Me" and "Nitty Gritty" (feat. Brand Nubian). This is one Rap album that is not to be missed.

'Altered Carbon' is an American dystopian sci-fi
cyberpunk TV series created by Laeta Kalogridis
and based on the 2002 novel of the same name by
English author Richard K Morgan. The first season,
10 episodes, premiered on Netflix in February
2018. It has since been renewed for a second
season.

Composed by Emmy Award-winning composer Jeff
Russo, who heads the 2018 Billboard / Tunefind
Top 10 Composers of 2018 list at No. 1.
Includes cover songs by White Zombie - More
Human Than Human', RL Burnside - 'Let My Baby
Ride' and Johnny Cash - 'Ain't No Grave'.
Pressed on translucent pink vinyl.
Collector's edition LP featuring the Hello Unicorn
artwork created with the show's producers.

2023 Repress

On the West Coast, gangsta rap held sway in hip-hop as the 21st century began. The alternative and conscious rap music of the early-to-mid-90s had all but faded into the underground. The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of gangsta rap's content. Leading the resurgence of alternative hip-hop were groups like Jurassic 5, and recentsignees to Capitol Records, a West coast trio that had been building steam underground since the early 90s called Dilated Peoples. Anticipation was high for the release of the debut album from Evidence, Rakaa, and DJ Babu. (Of the influential turntablist collective Beat Junkies.) When The Platform arrived in May of 2000 it was met with critical and underground acclaim, as well as affording Dilated Peoples their first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like De La Soul & A Tribe Called Quest. Hits like "No Retreat" and "The Platform" were bolstered by Evidence & Rakaa's subtle, abstract wit, and swift, adroit wordplay, while DJ Babu provided production chops and dextrous scratches. On The Platform the trio were joined by the likes of B-Real, Tha Alkoholiks, Everlast, Planet Asia, and many more providing guest vocals, while boasting guest production from The Alchemist & Kut Masta Kurt, among others. Since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. With that, Get On Down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of The Platform. The rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

Superb Gatefold printed sleeve...

Conceptual inside brain travel...

To express the mental acid sounds to check...

First track announces the style with a long Break intro... mental tune... Superb ambiances... very Cinetic and good to mix.

Second track goes 128 BPM acid progressive techno... Excellent Dj tool at a rare speed... flirting with the Trance.

Last track of the A side grow the speed up to 150 BPM with a long break intro tunring after a while more/less 4/4... The sound is very acid and industrial. A big tune !

B side goes up to 160 BPM : Minimal acid sound.

...And finishes in a dark 170 BPM progressive acid track. Mentalcore aera starts here....

Second record opens with a 146 BPM techno mental acid stabilizer. Deep.

Second track is mentalcore big acid overdrive dancefloor pearl from Mr Gasmask !

Last Track of C side from Emetic is a Hardcore splendid exciting tune... maybe the best of this record. Quiet minimal and banging at 170 BPM it reminds the A*Symetric Spivey style:)


... Last side, opens with Minus Polaris and a pure mental acid grower

Last tune of this jewel is from Scandal Orchestra, a Hardcore frontier Hardtek acid track in the classic french good vibe style... Enjoy !

2023 Repress

* After three groundbreaking albums over the course of a decade, the internationally acclaimed electronica project Shpongle have returned from what fans feared was the end of the project when 'Nothing Lasts but Nothing is Lost', their third album, was released. Not prepared to leave us hanging, electronic music pioneers Simon Posford and Raja Ram have continued to push the envelope and break boundaries to create yet another sonic masterpiece: the much-awaited fourth Shpongle album, 'Ineffable Mysteries from Shpongleland'.
* There are languages here that Shpongle fans will know and love as much as their previous work, and yet there are some massive leaps forward in terms of production techniques, sonic trickery, structure, and direction compared to all of the previous outings to date. With influences drawn from anywhere from Steve Reich and Mike Oldfield to the Batman movies and beyond, this really is another 'over the top' record in terms of production skills, tonal textures, and original ideas from Shpongle. It is rich in detail and emotion, in worldly and otherworldly samples and inspiration, and in
harmonic and melodic construction.
* Shpongle continues to evolve and inspire and with two sell-out back to back shows at the Roundhouse in London (30th and 31st October) to celebrate the launch, Shpongle prove to be as popular as ever and this album is already in huge demand.

Widely considered to be one of the best albums of the 90s, 1992's Automatic For The People features R.E.M.'s iconic hit singles Nightswimming,' Man on the Moon' and Everybody Hurts.'

Commemorating the album's 25th Anniversary, this remastered Deluxe edition boxset features previously unreleased material, including 20 never-before-heard demos, and the previously unreleased tracks Mike's Pop Song' and Devil Rides Backwards.' A Blu-ray disc offers the full album (with bonus track Photograph' featuring Natalie Merchant) mixed in Dolby Atmos, plus a high-resolution master of the album, music videos, and the original 1992 EPK. Also included is Live At The 40 Watt Club 11/19/92 - a live set performed in R.E.M.'s hometown of Athens, GA.

2022 Repress

2022 Repress

The legendary gig that Joe Strummer, singer from the Punk Rock band 'The Clash' attended and inspired his writing their classic 'White Man In Hammersmith Palais' took place on the 05th June 1977.
At the Hammersmith Palais venue on Shepherd's Bush Road W6, London during the height of Punk Mania. The full line up for the show were all Jamaican artists Dillinger, Leroy Smart, Delroy Wilson (all the first time from Jamaica) and Ken Boothe.
'Ken Boothe for UK pop reggae' who had already scored some hits with 'Everything I own' and 'Crying Over You' in 1974. Joe Strummer was expecting Roots, Rock, Reggae but the Sound System this evening 'Admiral Ken Sound' was playing 'Four Tops all night' as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in Joe's eyes the music should have reflected more Jamaican roots based music. The song also deals with bigger issues of black and white unity, but some people including the Punk Rockers.
'They're all too busy fighting, for a good place under the lighting'. Joe Strummer himself was looking for fun. 'I'm the Whiteman in the Palais....Just Looking for Fun'

The artwork supplied by Punk Artist MAL-ONE has used the two posters that were made for this gig, the reggae promoters 'Star Promotions' poster, that contained a picture of Ken Boothe and the venue's own poster that used text to announce it's line up for that evenings performance. Alongside these lost relics he has also combined the groups own poster for the 'White Man In Hammersmith Palais' single that incorporated the use of rifle target sights, perhaps enhancing the air of violence contained in the songs message.
MAL-ONE has collaged these together joining the two stories as indeed the song lyrics reflected. People often forget that the songs release was in fact as year after the actual gig, we have tied this release to the 40th anniversary of the song's release. Joe Strummer was one of the few voices from the Punk Era that used his lyrics as a weapon to tell the events that were happening around him and their relevance to those times.
The song itsel a Clash Classic and also a Punk Anthem, released on the 16th June 1978. We have compiled this album with songs by these artists, most of which you would have heard that night. As a post script to this story when the Hammersmith Palais sadly closed its doors for the last time after 82 years' service in 1999, the owners thought it fitting to present Joe Strummer with a sign from the venue's entrance. Mr Strummer's understated reply 'I guess I'll have to send a man with a van round to pick it up'.
Hope you Enjoy the set....

WELCOME to the third volume in our Wigan Casino mini-series exploring the diverse playlist of the world's No.1 Northern Soul venue. The 23rd September 2018 marks the 45th Anniversary of the super club and we have selected 18 tracks that we hope capture the unique atmosphere of the huge ballroom and the mesmerizing dance moves that held us spellbound all those years ago.
WIGAN CASINO finally closed its doors in December 1981 after eight long years of weekly All-Nighters, during which time it came to define Northern Soul. The term had, of course, been coined years earlier, but it was the Casino Soul Club that established the style of music and the scene to the wider public.
The Casino transformed the Northern Soul scene into a mass youth movement with its own sound track, uniform, cultural icons and a 100,000 strong membership. In reality, the stereotype of moustachioed young men in baggy trousers and vest tops, festooned with sew-on patches, was actually quite short lived. Northern Soul was ever evolving and as the Seventies progressed so did the music and the fashion, embracing soulful-disco and jazz-funk. Today, 45 years on, it is still evolving and attracts followers from all over the globe to its international Weekenders and Festivals. Right On!

LP reissue. Pressed on 180gm black vinyl. Boney M's 1976 debut LP, which contained the hits "Daddy Cool" and "Sunny"

- 180 GRAM AUDIOPHILE VINYL
- FIRST TIME ON VINYL
- 4 PAGE BOOKLET

The successful Canadian singer-songwriter Alanis Morissette released her seventh studio album Flavors Of Entanglement in 2008. She wrote and recorded the album with the British composer Guy Sigsworth (Björk, Madonna etc.). The album was written during a very challenging time in her personal life (break-up with actor Ryan Reynolds). It is the reason that she combines a lot of different musical genres in the sound of the album, including hip-hop, electronic and alternative rock. The album is hailed by critic as a longstanding masterpiece, fully understandable when you listen to the depth and structured layers of the songs. She shows her personal feelings in the tracks of heartbreak, regret and anger.

The first track on the album, Citizen Of The Planet' focuses on her new sound, while the first single Underneath' is about difficulties in communication.

The Queen of alt-rock angst sold over 75 million records worldwide. She is known for her emotive mezzo-soprano voice and here thoughtful lyrics.

The vinyl edition includes a 4 page booklet with information about the songs and the album is released on vinyl for the first time.

Lee 'Scratch' Perry's Black Ark Studio opened its doors in 1974. Situated in his backyard at 5 Washington Gardens, Kingston, Jamaica. Using only basic
equipment, a Teac Four-Track Recorder, a Sound craft mixing desk, an Echoplex delay unit and later adding a Phaser effects unit that he used in conjunction with his Roland RE201 Space Echo. He managed mixing down the tracks from Four track to Two track to make his distinctive whirling sound that sets apart the Black Ark Sound from the other Jamaican Studios.

Born Rainford Hugh Perry, 28 March 1936, Hanover, Jamaica. He began his career at the grand age of 16, working for Clement ‘Coxsone’ Dodd’s sound
system, rising quickly to the position of record scout and organising recording sessions during his 3-year period 1963-1966. Restlessness and unsatisfied with credit he felt due to him he moved on to work with Producers J.J. Johnson and Clancy Eccles, the latter of which would help him set up his ‘Upsetter’ label in 1968, which would see his first of many recordings telling the injustices done to him by previous employers. ‘The Upsetter’ track itself pointed at Mr Dodd but reflected to Perry when he inherited it as a nick name alongside many others during the course of his career, including ‘Scratch’, again taken from one of his recordings ‘Chicken Scratch’ recorded in 1965/1966. Perrys work in 1968 with producer Joe Gibbs was fruitful and resulted in many successful releases, but again feeling a lack of credit and itchy feet, it was time to move on. Still not having a studio of his own, Perry recorded at the various Kingston establishments at the time, Randy’s Studio 17 on North Parade, Dynamics on Bell Road and Harry J’s on Roosevelt Avenue where the bulk of the aforementioned recordings with The Wailers were carried out. His dream was always to build his own studio and not to have to work to the constraints of the other studios and producers.

On opening the Black Ark studios, the hits seemed to come immediately. Firstly with Junior Byles' 'Curly Locks' and in 1975 the massive crossover hit Susan Cadogans' 'Hurt So Good' that reached No 4 in the UK charts.1976 saw Island Records releasing Perrys vast output, timeless material like the Heptones 'Party Time', Max Romeo's 'War Inna Babylon' Bob Marley and the Wailers 'Jah Live', 'Punky Reggae Party' and Junior Murvins 'Police and Thieves' to name but a few.But sometimes missing out on a few classics like Perrys own 'Roast Fish, Collie Weed & Corn Bread' and possibly one of the best reggae albums of all time The Congos 'Heart of the Congos'. Dub releases like 'Revolution Dub' (1975) showed a way forward for his production skills in this formidable arena. Having his own studio allowed him to build up a vast catalogue of tracks to work on. We have culled together some lost productions that Lee Perry carried out with singer Mike Brookes, a fine singer, arranger from that special time in the Black Arks history. Sounding like Junior Marvin in parts and Max Romeo in others but still carrying a distinctive Falsetto voice. Some classic tracks as you can see recorded with the cream of musicians at Lee Perrys disposal. Mr Perry works his magic that gives these songs that distinctive feel that his output.
carried around the mid 1970's.

So we hope you enjoy some more lost treasures from the Black Ark that we feel should be added to that mighty cannon of material that still sound so fresh and strong today.

French superstar, D.ko Label bossman and all-round bemasked mystery Mézigue brings the heat on this special release for skylax records. His style is uncommon & raw, mézigue is doing mézigue style, take it or leave it. If you're listening carfeully to his music you can imagine a dream mix between the absurd poetry of the pixies crossed with the craziness of Mr Oizo.This is one of the weirdest release we have ever signed and we are so proud of, unusual & unique. Mézigue is here to stay.

Statik Selektah is a renowned DJ and Producer based in NYC, born and raised in Boston.
Statik hosts a weekly radio show on Sirius / XM Shade 45 every Thursday from 7PM to 9PM.
Statik has produced recent tracks for Eminem, Joey Bada$$, Action Bronson, Danny Brown, Royce Da 5'9' and Dej Loaf.
In 2014, Statik Selektah released his album, 'What Goes Around' (DDM CD 2375), and in 2015, Statik Selektah put out his 7th studio album, Lucky 7 (DDM CD 2430). He is now prepping his 8th album, '8,' for a December 8th release date.

Bobby Sparks II ist vielen ein Begriff. Sei es als Keyboarder bei Snarky Puppy, Marcus Miller, Prince oder Liz Wright, Bobby hat überall markante musikalische Spuren hinterlassen. Und nun ist es endlich soweit: Mit "Schizophrenia - The Yang Project" steht Bobby Sparks Debutalbum (2CD Set) zur Veröffentlichung bei LEOPARD an. Es hat gedauert, um diese außergewöhnliche Sammlung unterschiedlichster Songs zu produziern. Aber es hat sich mehr als gelohnt: zeigt sich darin doch das breite musikalische Vokabular und der schier unerschöpfliche Schaffensdrang des Keyboarders. Vom slammenden Funk bis zu langsamen, groovigen Soul-Balladen und Streifzügen in die Genres Straight-ahead-Jazz, Fusion, Orchester- und Weltmusik: das sehr passend betitelte Album "Schizophrenia - The Yang Project" vereinigt eine Vielzahl verschiedener Musikstile in sich, ohne dabei das Gesamtbild aus den Augen zu lassen. Mit an Bord auf dieser außergewöhnlichen musikalischen Reise sind eine Reihe seiner alten Freunde aus Dallas, sowie viele Stars des Genres - etwa die Bassisten Marcus Miller, Pino Palladino, MonoNeon und Hadrien Feraud, der Trompeter Roy Hargrove, die Sänger Frank McComb und James - J. Rob' Robinson, Snarky Puppys Michael League und Jason - JT' Thomas, die Gitarristen Lucky Peterson und Eric Gales sowie die Drummer Mark Simmons, Brannen Temple und John - Li'l John' Roberts.

Special Remarks: 1 colored pink LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.

Vinyl (Limited Colored Edition)

Bananarama"s fifth album "Pop Life" was released in 1991. It is the only album released which features Jacquie O"Sullivan who replaced Siobhan Faley in Bananarama upon her departure in 1988
The album includes the singles: "Preacher Man", "Long Train Running", "Only Your Love", "Tripping On Your Love".
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which sound tracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.

Introducing a new label, Koko Music, founded in West London by a long time friend of ours. Their first release:

'Allegedly Coltrane's favourite singer, Andy Bey recorded as vocalist for Max Roach ('Members, Don't Git Weary'), Horace Silver ('Won't You Open Up Your Senses'), Gary Bartz ('Celestial Blues') and Stanley Clarke in the late sixties / early seventies. He released one solo album and then disappeared from view for 20 years, resurfacing in the nineties.

This 1998 album showcases his four-octave range, the intimacy of love songs and raw power of the blues on a mixture of standards ('Pretty Girl', 'Some Other Time'), Latin ('O Cantador', 'Drume Negrita'), modern (Nick Drake's 'River Man'), and a couple of original tunes. Available for the first time on vinyl, cut at 45rpm, it features Andy on vocals and on piano, with appearances from Gary Bartz and Geri Allen.'

Tradition and experimentation are two familiar
territories that C'mon Tigre, a duo who find
their identity by working with musicians from
all over the world, can balance between very
well. As they did for their debut album (2014),
they have put together a multicolored collective
for their second record 'Racines', out on
February 15, 2019 for BDC/K7.
The title is a French word that means "roots",
referring to the musical roots in which C'mon
Tigre's feet, head and heart are immersed, and
from which their contaminated tracks sprout to
create unusual and original sound environments. In their new album the sounds of the
Mediterranean - the sea of their land -
intersect, intertwine and overlap with a
kaleidoscope of other sounds and a new
approach based - they explain - "on the type of
work we had done when we rearranged the first
album for live shows, by emphasizing the
synthetic part of our tracks". This time around
they did it from the very beginning: "The
composition of the pieces immediately included
the use of machines and synthesizers as a
basis for acoustic instruments. The goal was to
reprocess the terrain of Mediterranean
influences that was undoubtedly our starting
point".
Imagine a work in progress where bass and
guitars interact with woodwind, synths, percussions, vibraphones, dipping the listener into a
sensual and hypnotic musical journey. Sailing
from the Mediterranean basin and being guided
by the fascination for Africa and the Middle
East, C'mon Tigre give rise to a personal
language, made up of mixtures with jazz,
afrojazz, the rhythmics of hip hop, funk, 70s
disco. All without ever confining their songs to
one style, but pushing the exploration as much
as possible, into a dimension that every journey
worthy of this name should encompass. "With
the musicians we work with the exchange and
experimentation continue till the end, the
songs can take different directions at any time'.
The result is a mixed, cosmopolitan record,
which escapes from any label for the affirmation of a free attitude. The attitude that led
C'mon Tigre to seek a connection with dancefloor culture, even if considered only as an
evocation to revisit in an absolutely personal
way

1963 album from the Cuban conguero Mongo Santamaria. Featuring his brilliant cover version of Herbie Hancock's classic title track, along with numerous compositions of his own, this is one of Mongo Santamaria's most famous and coveted albums. From the iconic cover to the brilliant grooves contained within, this album has the whole package. Excellent latin jazz and latin-soul groovers from a Cuban hero, and one of the most famous performers, full stop, of the middle 20th Century.

Daughters, the Rhode Island-based noise
impresarios, release their first new album in eight
years, 'You Won't Get What You Want', via Ipecac
Recordings.
On the heels of their 2010 self-titled offering, the
members engaged an indefinite hiatus. One fated
dinner and two sold out hometown shows in
Providence in 2013 saw them pick up where they
had left off. Throughout the next four years the
band recorded, eventually culling down 150 ideas
to the ten comprising 'You Won't Get What You
Want'.
'London Fog' coloured vinyl LP.
For fans of The Jesus Lizard, The Birthday Party,
Dillinger Escape Plan

First time on vinyl
10th Anniversary of the Breaking Bad TV Series
5 x 10' vinyl in 5 different jackets, 1 relating to each season
Each 10' is the same colour, Strictly Limited Edition Albuquerque Crystal Coloured (transparent with a hint of turquoise) Vinyl!
Lift off box-set with Breaking Bad logo on front with special drip-off varnish
Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge
Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad
One run only of this very exclusive BOX-SET
Individually numbered the manufacturing qty for Worldwide is est 4000 with 800 for the UK - we could get some more
PLEASE ORDER BY 12.00 TUESDAY 25 SEPT TO BE GUARANTEED YOUR QTY
Available worldwide
Weight ESTIMATED 950g
All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others
Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more
This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).

MOV proudly presents the OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) 5 x 10' BOX-SET!

A TOP PRIORITY RELEASE with WORLDWIDE RIGHTS!

So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl!

Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.

The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!

This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10' records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10' records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. The box-set is a ONE-RUN-ONLY and is STRICTLY LIMITED!

Breaking Bad is an American neo-western crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008 to September 29, 2013. The series tells the story of Walter White (Bryan Cranston), a struggling and depressed high school chemistry teacher diagnosed with lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime by producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title comes from the Southern colloquialism "breaking bad", meaning to "raise hell" or turn toward crime. Breaking Bad is set and filmed in Albuquerque, New Mexico.

Walter's family consists of his wife Skyler (Anna Gunn) and children, Walter, Jr. (RJ Mitte) and Holly (Elanor Anne Wenrich). The show also features Skyler's sister Marie Schrader (Betsy Brandt), and her husband Hank (Dean Norris), a Drug Enforcement Administration (DEA) agent. Walter hires lawyer Saul Goodman (Bob Odenkirk), who connects him with private investigator and fixer Mike Ehrmantraut (Jonathan Banks) and in turn Mike's employer, drug kingpin Gus Fring (Giancarlo Esposito). The final season introduces the characters Todd Alquist (Jesse Plemons) and Lydia Rodarte-Quayle (Laura Fraser).

Breaking Bad is widely regarded as one of the greatest television series of all time. By the time the series finale aired, it was among the most-watched cable shows on American television. The show received numerous awards, including 16 Primetime Emmy Awards, eight Satellite Awards, two Golden Globe Awards, two Peabody Awards, two Critics' Choice Awards and four Television Critics Association Awards. For his leading performance, Cranston won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times, while Aaron Paul won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series three times; Anna Gunn won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series twice. In 2013, Breaking Bad entered the Guinness World Records as the most critically acclaimed show of all time.

Eyedress Ist Das Pseudonym Des Philippinischen Künstlers Idris Vicuña, Ehemals Leadgitarrist Der Psychedelic-indie-noise-pop-band Bee Eyes Aus Manila.
Idris Veröffentlichte Seine Erste Solo-platte Mit Dem Titel "hearing Colors" Im Jahr 2013. Von Musik-blogs Gefeiert, Führte Dies Zu Seinem Ersten Plattenvertrag Beim Xl Recordings Verlag Abeano. Später Im Gleichen Jahr Veröffentlichte Eyedress Seine Ep "supernatural", Die Von Medien Wie The Guardian Und Nme Viel Lob Erhielt. 2016 Veröffentlichte Er Sein Zweites Album "shapeshifter" Auf Seinem Eigenen Label Babe Slayer.
Nun Ist Er Unter Vertrag Bei Dem Britischen Label Lex Records Und Veröffentlichte 2017 Sein Drittes Album "manila Ice", Ein Album Über Liebe Und Überleben Auf Den Philippinen.
Sein Neustes Album - sensitive G Wird Von Einer Ausführlichen Us Tour Begleitet Und Erscheint Im November.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Formidable duo Dense & Pika kick off part 5 with their powerful composition 'Lemur' renowned for their standout studio output they consistently conjure up a unique take on their distinct sound. Tastemaker's favourite Jel Ford makes a welcome return to the fold as he ushers in techno rhythms with bustling breaks with his track 'Nightshade'.

On the B side resident DJ of the infamous GZG parties in Holland, Man With No Shadow supplies his rave infused twisted cut 'Manilla', where his warped bass combines with shattering breaks & heavy weight drums.

Lastly, Locomatica & Blaukoma present 'Unfold' a brooding techno workout with crisp drum programming that features a euphoric vocal bursting with emotion. Set to cement these two producers as acts to keep your eye on in the near future.