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Pink Floyd at Pompeii - MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben. Digitally re-mastered from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert with additional rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios. The accompanying album release will see the performance presented on vinyl for the first time.

"Mixes Of A Lost World", konzipiert und zusammengetragen von Robert Smith, ist eine neue Remix-Sammlung von Tracks aus The Cure's gefeiertem #1 Album "Songs Of A Lost World", das im November 2024 erschien. Das neue Set enthält 16 brandneue Remixe von Künstlern wie Four Tet, Paul Oakenfold, Orbital und vielen anderen. Die Deluxe-Edition enthält zusätzlich Remixe und Reworks von Chino Moreno (Deftones), Mogwai, 65daysofstatic und vielen mehr. Bei den Künstlern handelt es sich um Freunde von Robert, die die Songs in einer atmosphärischen und stimmungsvollen Art und Weise kreiert haben. Sie sind es, die diesem unglaublichen Album ihre Tiefe verleihen. Die meisten von ihnen stammen selbst aus Bands und begeben sich mit ihren Kreationen auf einen neuen Weg der Entdeckung.

Housey Doingz, widely regarded as one of the most influential collectives to emerge from the London scene, returns to Sushitech with an extraordinary new release, set to become a cornerstone for discerning collectors.

This exclusive 10x10” series reflects Sushitech's 20th anniversary, featuring remastered tracks, rare and previously unreleased material carefully selected from the legendary Strange Weather DAT archives.

The third installment features a remastered version of Fonki, the rare Housey Doingz release on Surreal. Originally pressed in a limited quantity and now nearly impossible to find in decent condition. This elusive masterpiece is now being brought back to life.

Sushitech 20th anniversary.

"Mixes Of A Lost World", konzipiert und zusammengetragen von Robert Smith, ist eine neue Remix-Sammlung von Tracks aus The Cure's gefeiertem #1 Album "Songs Of A Lost World", das im November 2024 erschien. Das neue Set enthält 16 brandneue Remixe von Künstlern wie Four Tet, Paul Oakenfold, Orbital und vielen anderen. Die Deluxe-Edition enthält zusätzlich Remixe und Reworks von Chino Moreno (Deftones), Mogwai, 65daysofstatic und vielen mehr. Bei den Künstlern handelt es sich um Freunde von Robert, die die Songs in einer atmosphärischen und stimmungsvollen Art und Weise kreiert haben. Sie sind es, die diesem unglaublichen Album ihre Tiefe verleihen. Die meisten von ihnen stammen selbst aus Bands und begeben sich mit ihren Kreationen auf einen neuen Weg der Entdeckung.

Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Haçienda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A GuyCalled Gerald, the unmistakable influence of black American pioneers is clear-the originators of the first analog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection,offering a timeless snapshot of a unique era.

Moustache labelboss David Vunk is back on his own imprint with the "Backdoor EP" A 12inch 4 tracker ,electro, EBM, acid, techno 4x4 bunker style. Tracks called: "Purple light", K2", "Tornado Acid" and "Stop the insanity" All written and produced in his analog basement somewhere in the harbour city. Masterd by Alden Tyrell for pump. U Ken doorgaan. Pre order your copy now!

Die ikonische Trance-Hymne „Lizard“ von Mauro Picotto jetzt wieder als farbige Vinyl erhältlich. Der Klassiker aus den späten 90ern begeistert mit seinen treibenden Beats, hypnotischen Synths und dem unverwechselbaren „Komodo“- Sound, der die Clubkultur einer ganzen Generation geprägt hat. Neben den Originalversionen gibt es zahlreiche Remixe, die den Sound noch klarer und intensiver zur Geltung bringen. Ideal für alle, die den Spirit der Trance-Ära neu entdecken oder bewahren möchten.

"Trésor Magnétique" ist eine Zusammenstellung unveröffentlichter Tracks und vernachlässigter Schätze aus dem Vermächtnis des legendären, kamerunisch-französischen Musikers/Schriftstellers Francis Bebey. Sorgfältig digitalisiert in den Abbey Road Studios, strahlen sie eine Klarheit und Dringlichkeit aus, die den Jahrzehnten seit ihrer Entstehung bis zur Jetztzeit trotzt. "Trésor Magnétique" ist keine verstaubte Retrospektive, sondern ein lebendiger, atmender Dialog mit der Gegenwart und der perfekte Einstieg in eine umfangreiche Diskografie, die sich fliessend zwischen tanzbarem Afro-Funk, folkloristischen Gesängen, politisch aufgeladenen Kommentaren und schimmernden elektronischen Erkundungen bewegt. Francis Bebey war seiner Zeit nicht nur voraus – er prägte seine eigene Zeit. Wir entdecken hier nicht nur verlorene Artefakte, sondern werden mit Ideen konfrontiert, die heute noch radikal und relevant sind.

An intersection of original dubs and outernational electronica, Ashtech’s Walkin’ Target, produced and co-written by Gaudi, was originally released in 2007 on cult Canadian label Interchill and is now presented for the first time on vinyl.

Tightly structured, Walkin’ Target revolves around Ashtech’s earth rattling basslines and Gaudi's solid production aesthetic, with three of the tracks featuring the inimitable vocal stylings of Cheshire Cat (Leftfield). A former bass player with Almamegretta, Ashtech’s intuitive style combined with Gaudi’s melodic flair to create a joyful collection of groove orientated roots and downtempo dubs that upon release found a home in the collection of music lovers worldwide.

Long deleted and not available on any mainstream download or streaming platforms, Ashtech dug out the original audio files, which were lovingly re-mastered for this pressing.

LP vinyl only release + 4 page liner notes (comes with hype sticker)

The percussive new age soundtracks of '80s and early '90s Japanese TV, anime and manga built alternative worlds and pushed boundaries in the process.

When Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.

Awash with money and with the prerogative to entertain the burgeoning middle classes, anime in the 1980s experienced a creative and commercial boom. Not constricted by generic expectations, production houses such as the now renowned Studio Ghibli were able to experiment liberally with both form and content. And with it came the space for composers to be similarly adventurous.

TV, Anime & Manga New Age Soundtracks 1984-1993 charts this moment across eight tracks spanning classics of the genre and previously unknown rarities. The collection brings together music that found kinship in electronic and acoustic instrumentation, often combining spiritual or environmental themes with percussive, varied and highly refined syncopations of non-Western musical traditions.

Among them is ‘Kaneda’ by Geinoh Yamashirogumi, the shape-shifting group of self-styled musicians, anthropologists and computer scientists that masterminded the soundtrack to game-changing dystopian anime Akira - and with whom the sound, tuning and breakneck speed of Balinese gamelan has become indelibly entwined.

Reflecting the desires of the era to reach beyond Japan’s borders, many of the soundtracks featured were commissioned for narratives set in distant lands or alternative worlds. There’s violinist and composer Norihiro Tsuru’s ‘Farsighted Person’, written for The Heroic Legend of Arslān, set in ancient Persia; Yas-Kaz’s own ‘Hei (Theme of Shikioni)’, for period sci-fi manga & anime series Peacock King - Spirit Warrior; and two tracks - Tassili N’Ajjer and Fiesta Del Fuego - from Yoichiro Yoshikawa’s soundtrack to NHK’s proto-Planet Earth series The Miracle Planet.

Such was the variety and quality of the music produced, if there is a guiding principle to the tracks collected here it is a sense of escapism and adventure that came with the confluence of modern electronic instruments and a fascination with percussive traditions.

Elsewhere, pioneering children’s TV composer Chumei Watanabe’s ‘Fushigi Song’ (performed by a vocal group Korogi ‘72) offers a trippy and infectious groove with sonic similarities to Don Cherry’s ‘Brown Rice’; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyo’s session musicians on ‘Hearts Beats - Theme for Andrew Glasgow’; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on ‘Gishin Anki’.

Following on from Time Capsule’s acclaimed deep-dive into the world of manga & anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.

Curators: Kay Suzuki, Rintaro Sekizuka (Vinyl Delivery Service)
Artwork: Tu-yang

For the latest Klasse Wrecks release, the label combine with Japan's finest festival and events crew Rainbow Disco Club to collaboratively present WRECKSRDC. Overrocket were an electro-pop band from Tokyo that enjoyed a grip of great releases in the early 2000s while signed to Neon Discs and its parent label Aten. During a digging session Luca Lozano discovered the forgotten tracks 'Duralumin' and 'Shadow of the Sun' and immediately set out trying to contact the band's members to arrange a re-release and remix. A few months of patient trying, the connection was finally made and wheels were set in motion. Musically the EP conjures up perfectly the sonics of that time, a grey area between analog convention and the unexplored territories of new digital freedom. Shadow Of The Sun is electro-pop perfection, with breezy vocals and a bouncing beat that sounds like nothing else around...past, present or future. Duralumin is a more dancey collection of blips and beats, one that will make sense in the current return to early 2000s aesthetics. To round out the release and propel it into 2025, KW label bosses take a track each and interpret in their own way. Lozano revisits his electro roots with two remixes of Shadow of the Sun, distorted 808s and growling 101 basslines provide a simple backdrop for the perfect vocals. Mr. Ho takes Duralumin into a more driving and pacey direction, upping the energy and excitement with fast percussion and a huge side chained breakdown that recalls the unbridled rawness of the early 2000s, when everything was just a little bit more fun. Keeping within the confines of Japan and in an effort to bring everything full circle, the label enlisted Japanese artist Gonno to master the tracks for an updated modern sound. The tracks themselves being mastered a few miles from where they were originally penned over 20 years ago.

Introducing the second release under the Statica imprint “MyCn18: Engraved Hourglass”

STATICA002 comes from Berlin-based artist Johannes Mai aka John Spring. John's productions have gained legendary notoriety over the past decade with his early releases revered for their timeless sound and experimental edge, whilst always keeping to a ritual of dancefloor compatibility. An influential artist who pushed the boundaries of minimalism and helped lay the foundations that have sculpted the sound of the present. It's a great honour to be releasing his first EP in over 13 years with 3 never before heard tracks from the mid 00’s.

“Train Ride” is an energetic A1 with pacey drums and a marching topline, while the A2 “Ravebehave” delves deep into spring reverb mastery and wavering synths. The B1 “Melodic Ten” begins with rolling percussion and uplifts with the whispers of enchanting vocals. B2 comes as a remix of Melodic Ten by Fabric resident and stand out London artist Harry McCanna aka Henry Hyde! stripping it back even further and introducing his own sinister synths, growling bass and groove-led drum patterns. It's a pleasure to have Harry featured on the release.

MyCn 18 is a young planetary nebula in the southern constellation Musca. It was discovered by Romano Coradi and Hugo Schwarz in 1991. MyCn 18's hourglass shape is produced by the expansion of a fast stellar wind within a slowly expanding cloud which is denser near its equator than its poles. The central star of the nebula is unknown.

Credits-:

A massive thank you to John Spring & Harry McCanna for their Contributions. Distributed by Deejay.de. Mastering by Justin Drake. Design and Curation by Alix

Dr Packer once again works his magic, this time breathing new life into Mikki’s 1985 boogie-funk masterpiece Dance Lover. With his deep knowledge of disco, funk, and soul, the Ausie remix maestro delivers a sublime update that effortlessly bridges the gap between the past and present.

Staying true to the essence of the original, Dr Packer’s rework retains the flawless synth lines and Mikki’s powerhouse vocals, elevating them with finesse. The groove is deeper, the beats are heavier, and the energy is dialed up, making this an essential addition to any DJ’s arsenal.

Rolling basslines, crisp percussion, and a refined yet powerful disco-funk vibe, Dr Packer has crafted a mix that feels both nostalgic and refreshingly new. Whether you’re a longtime fan of the original or discovering Dance Lover for the first time, this rework is a must-have.

Originally released in 1993, the ‘Brown Album‘ defied expectations and had a significant genre and cultural impact - showcasing the duo's scope and ambition. It was also met with widespread critical acclaim upon release, with NME awarding it 9/10 in their review, and it was chosen as one of Mixmag’s “best albums of all time”. The album's blend of diverse influences and its rejection of conventional norms helped to solidify Orbital's reputation as The Godfathers Of Rave, expanding the horizons of electronic music beyond local DJ nights.

Over 30 years on, London Records re-release this genre defying album – loaded with 23 additional tracks - rarities and previously unreleased material, including ‘Live From the Limelight, New York 1992’. Also includes a hardback book containing unseen photos, a track-by-track by Phil and Paul Hartnoll + interviews and essays on the making of the album by esteemed music journalist Andrew Harrison, a slipmat and flyer recreations from the era.

Vinyl masters cut at half speed, to ensure maximum audio fidelity.

A Haste solo release after a series of collabs and chucking in a bit of hardcore alongside the jungle.

Tek is a full on \'9294 style slammer. Ragga, amens, 808s. You know the drill by now. Send fi the body bag, tek out the dead!

Your Time is a wild mish mash of stomping kicks, crazy amens and discordant melodies all alongside vocals from a totaly random Jamaican movie

Rounding off the release with a melodic stomper, Come On mixes pianos, ethereal pads and a catchy vocal. One for the hardcore crew who like to mix their hardcore with jungle sounds.

"Cosmic Love" is an EP by Neg, one of the co-founders of Metrica Recordings, and marks the label's second release. The project features original tracks that merge house foundations with electro, cosmic, and deep soundscapes, creating an expansive yet grounded atmosphere. Adding distinctive interpretations to the mix, the EP includes two notable remixes. Alex Neri's interpretation of Cosmic Love offers a more refined, dancefloor-ready version with driving beats, while Manuold explores a dub-inflected approach, emphasizing echoing textures and a deeper, more contemplative vibe. The original tracks were mixed by Manuold, the EP was mastered at MDLMastering.

Ohio'Ohio's James A Donadio returns to Diagonal via his StabUdown Productions moniker, delivering the hyper spiritual "Tinge of Ascension" 9 track LP. This album is about the beauty of building something new by surrendering everything once learned. It's the culmination of 12 months working with a reappraised creative ethos. Throughout the process, Jimmy's interest in Krishna Consciousness & Dharma Yoga was deepening. Both went on to become deeply infused in this music. All tracks are ethereal in nature. Tempos are varied and rendered irrelevant. Jimmy's masterful use of sampling is on display as ever but the samples do not overburden. Tracks vary in energy but a bracing spirituality unites them all. Bráulio Amado (who has recently worked with Frank Ocean and Andre 3000) and Guy Featherstone (Diagonal's own aesthete force of nature) unite once again to deliver sleeve art which perfectly renders the music's preoccupation with the search for inner peace and purpose.

3volution in the recent past, Divide is like a bridge between old generations and new ones. Its sounds range from Sci-Fi techno to 90's techno, characterized by minimal sequences, heavy drum patterns, and an accurate sound design.
Third and last chapter for the VA vinyl trilogy on R3volution Records called

This edition includes exclusive tracks by the following artists:

- UVALL, from Tbilisi, Georgia. Born there and at the age of 23, he is no longer at the beginning of his musical journey and the refinement of his taste and style. Always on the cutting edge, he has been impressing with productions and releases on labels such as Semantica, WSNWG with Rohad, Float Records, Hayes, MALoR, and many many more. Already well known in our roster thanks to a previous collaboration for a remix, the talented young music producer delivers deep, muscular rhythms in his portfolio and translates this energy into a raw, dancefloor oriented session.

- Operator, there is no need to spend many words to describe one of the most talented and innovative British artists on the scene for a long time, recently appearing on

- Divide co-owner of EvodMusic and South Berlin Studio, with recent appearances on all the top labels on the planet (WarmUp, Semantica, MindTrip, Tremsix, Hayes, to name a few), and several collaborations and remixes for

- PTTRNRCRRNT aka Dave Brody from Antwerpen - Belgium. Characterized by efficiently percussion tunnelling through juggled textures, PTTRNRCRRNT's technical know-how and conceptual intentions can be masked by the efficiency and singularity of his music. Taking techno's tendency to constantly reinvent itself as a priority and researches between experimentalism and futurism. He is one of the artists with the most collaborations within our roster (some of his remixes are memorable), he alternates his productions on our label with frequent appearances on highly referenced labels in the scene, such as Soma, Materia and Devotion among others.

Showbiz! nennt sich MIKEs zehntes Soloalbum, das auf seinem Label 10k erscheint. Pitchfork bezeichnete es als "bisher größte Leistung des jungen Künstlers" und vergab das Prädikat "Best New Music". Es setzt neue Massstäbe für ihn und die teilnehmenden Zeitgenossen (Thelonious Martin, Salami Rose Joe Louis, Jacob Rochester, Anysia Kym, Harrison SURF GANG, ShunGu, Laron, redLee, u.a.), während er das nächste Kapitel seiner Karriere als unverzichtbare Stimme des 2020er-Jahre-Hip-Hop aufschlägt. Zur Unterstützung von Showbiz! startete MIKE seine bisher grösste Tour mit unzählig vielen Gästen, die ihn Anfang 2025 nach Europa führte (mit 6 Daten in DE+AT), von wo aus er über UK & Irland ausgiebig durch Nordamerika touren wird.

This Biscuit is built for the bold. Brimming with attitude, four trippy, hard-hitting productions. No filler here - every track a peak time head-turner.

Opening the A-side, we have France’s BOOH, co-founder of BOOOoo! Records. Seamlessly blending rich EBM, techno and electro influences, Hidden Between Two Ferns is an ever-evolving weapon, pulsating with intrigue and intensity.

A2 brings some straight-up electro business from Argentina’s Micro.Tron. Rhythm focused with a dark essence, Microclima Robot hits hard and commands attention.

At B1, the devastatingly epic Then I Dropped It, masterfully delivered by longtime label friend JJ Fortune. Signature sounds from this hugely talented artist.

Closing out this powerful piece of plastic, Vloon steps up with a growling, menacing electro weapon - raw and unrelenting.

As always, this is a strictly plastic affair. No digi release, not ever.

“To Model Phenomena” is a scientific concept that describes a computer’s ability to emulate, regardless of whether the emulated phenomenon exists outside its circuits or is purely imaginary.

Modeling communication platforms enables us to interact with each other or with computers. Modeling behavior patterns, nuclear fusion, or, as in the case of scientists from the Human Brain Project, a virtual human brain, allows us to simulate cognitive processes such as perception, memory, and decision-making, providing insight into the nature of human thought.

In this record, the phenomena modeled are those moments when the mind leaps into the void, confronting new paradigms. For instance, when science, art, or mass media introduces new information, propelling us into a transformed reality.

From this starting point, European musician Shifting Heigo maps a path between realities, evolving his narrative as his music unfolds. This work draws inspiration from Curtis Roads (vice chair of Media Arts and Technology at the UCSB) and his studies on granular synthesis and time scales, where each track on To Model Phenomena evokes a sense of movement, where nothing begins or ends in quite the same way.

A musician with strong ties to new technologies, Shifting Heigo has collaborated with the University of Málaga (Spain) in its PH Degree Program in video game design, composing interactive music, while also singing as part of the tenor section in the Qatar Concert Choir, affiliated with the Qatar Philharmonic Orchestra.

Currently based in Abu Dhabi, he is now part of a circle of electronic musicians surrounding the New York University Abu Dhabi, an institution that supports electronic and experimental music across the Middle East.

To Model Phenomena is the result of his search for a unique voice as a musician, where ternary rhythms, noise, and silence shape the narrative. This is a discourse from a musician’s perspective on the changes that science, technology, art, and the rapid flow of information demand of us. A direct gaze into the fear of change.

Minimal groover! Third Stream is generally seen as a vital component of Third Stream. Mastering by Alex Font. 180g Heavy waight.

It’s been 6 years now since our last collaboration with Roar Groove and The Revenge in 2019. So it was about time to unleash some new heavy hitters by this House master.

With the opener “Twisted Signal” this EP sets the pace and tone to spiraling and pulsating sines, great grooves and hypnotic vocal use. Dark dance floor material at it’s best! Followed by the deep “Spiral Highway” the a-side is one long live jam. On the b-side we take back the pace and make it groovy-er with the House cut “Open Your Eyes” in a true classic “Revenge” style. Closing out with the excellent lush journey that is “Your Life”, bringing back again his great vocal sample use and adding deep soulful chord flavors.

Get real Deep with this new 4 tracker by The Revenge! Enjoy!

All tracks mastered by Salz Mastering in Cologne. Art by Hugo Barne.

Crömic lands a genre-blurring, ultra energetic two tracker on Memento Records, showcasing his unique talent in blending field recordings with classic Electronica, carrying the listener into several sonic dimensions at once and experimenting with multifaceted soundscapes and deep melodies.

“For Me” opens with an intro of manic high-pitched vocals that lead into a pumping dark Techno monster, interspersed with loopy vocal snippets and old school Detroit-style synths.

“Like A Spring” features another robotic vocal intro and morphs into a relentless Electro number with more crazy vocal loops and a Eurodance-like catchy singing. Breakbeat percussions enter the track unexpectedly and kick the vibe up a notch, while a melodic break toward the end spices up the mood and rounds off a masterful composition that fuses together more than 30 years of dance floor madness.

For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also

After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.

Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.

While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between the past, present, and future. It’s a vision, in his words, of what dance music can become.

For proof, check the five tremendous tracks on part two. There’s the AM radio-ready warmth, guitar-flecked looseness, and eyes-closed bliss of ‘Just Another Love Song’, where Trent’s own multi-tracked vocals catch the ear, the slow-motion, head-nodding deep space bliss of ‘Juice’ and alternative Balearic love song ‘And Fly Away’.

Part two of the vinyl edition also includes two superb collaborations. Fellow Rush Hour artist Lars Bartkuhn lends his virtuoso guitar skills to ‘Street Wave’, a future house classic laden with nods to jazz-funk and fusion, while regular collaborator Harry Dennis (best known for his work as part of early Chicago house outfit Jungle Wonz) adds a poetic and emotion-filled spoken word vocal to the equally inspired ‘Her’.

Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.

The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.

To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.

Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

Capodopere continues to etch its mark with a masterful eight release, this time from the enigmatic Vid, delivering two distinct sonic journeys tailored for devoted genre explorers.

Side A opens with Transpose, a captivating odyssey defined by a groovy dub bassline that anchors the track in a hypnotic rhythm. Layers of intricate percussion ripple through the soundscape, each element carefully placed to lead the listener into a state of fluid motion. Vid’s signature touch unfolds subtly yet confidently, with warm, immersive textures that evoke a sense of endless exploration. Perfect for the rominimal connoisseur, Transpose is both a dancefloor weapon and a cerebral voyage.

Flipping to Side B, Stereochord takes a darker turn. The track begins with sequenced elements that unravel like clockwork, building a foreboding atmosphere. A deep, groovy bassline carries the weight, providing a sturdy backbone as flashes of industrial textures and otherworldly echoes weave in and out. With its relentless energy and shadowy mystique, Stereochord invites listeners into a realm of nocturnal intensity, rounding out a release that balances light and dark, groove and grit.

2026 Repress

Following on from last year's massive E2-E4, Alex Kassian returns to Test Pressing Records with the next in the rework series. This time tackling Spooky's 'Orange Coloured Liquid' taken from their seminal debut LP, Gargantuam released in 1993. Spooky, alongside acts like Underworld and Leftfield were at the forefront of the burgeoning progressive house scene at the turn of the 90's. Now 32 years later, man of the moment, Alex Kassian has proved once again that he can do no wrong with two versions that run from the club to the home. John Beltran also makes welcome appearance under his Placid Angles alias and the original version rounds off the release.

Another Sensation Records holy grail returns: “Flying Dream” by Frank Hino again on vinyl.

Here comes another Italo disco diamond rescued from the depths of the legendary Sensation Records catalogue. Majestic, rare, and long sought-after, Frank Hino’s “Flying Dream” is a true gem that has captivated collectors for decades.

This hypnotic masterpiece was brought to life at Punto Musica-Emme Studio in Florence, where it was programmed by Egisto Bitossi – the genius also behind the cult classic “And I Love Her” by Sir Valentine.

A dazzling slice of ’80s Italian energy, Flying Dream is a floor-filler full of twists and turns – sweet, spiraling arpeggiators give way to rock-tinged climaxes, all carried by a charismatic vocal and a magnetic melody. It’s bold, beautiful, and utterly unforgettable.

No wonder collectors have been chasing it for years, though original pressings are nearly impossible to find, and when they do surface, the prices are sky-high.

But now, Vintage Pleasure Boutique is answering the call of every true Italo enthusiast with a brand-new vinyl reissue of this iconic track.

Rare. Radiant. Reborn. Get ready to own a piece of Italo disco history.

Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.

It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.

In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.

Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.

Darcoform proudly presents DARCWAX002, a carefully curated four-track vinyl that encapsulates the essence of storytelling within the minimal house and breakbeat realms. Featuring four distinct artists, this release offers a sonic journey through layered textures, deep grooves, and masterful production.

Side A

Vid – Soundscapes

A pioneer of the minimal house genre, Vid delivers a profoundly immersive experience with Soundscapes. The track unfolds like a narrative, weaving intricate rhythms with atmospheric depth, taking the listener on a contemplative yet dynamic journey.

Cim Pian – Visions of Neverland

Cim Pian introduces us to a dreamlike world with Visions of Neverland. The track blends subtle melodic elements with a tight, groovy framework, evoking a sense of wonder and nostalgia that feels both grounded and otherworldly.

Side B

Mtps – Book Of Truth

Mtps crafts a delicate balance of groove and introspection in Book Of Truth. With its textured layers and driving rhythm, the track resonates as a personal yet universal story, making it a standout in any minimal selector's collection.

Durosai – Str8 Chillin

Closing the release is Durosai with Str8 Chillin, a minimal breakbeat track infused with electro influences. Its sharp percussion, intricate breaks, and playful basslines create a laid-back yet punchy vibe, perfect for injecting energy into any set.

DARCWAX002 is a testament to Darcoform’s commitment to showcasing unique voices in the underground music scene. Stay tuned for its release—this is a record not to be missed.

Graphician: Cimpian Mark from FaceToShape Studio
Mastering Engineer: Robin Virag from RV Audio

Several Years Ago, the Disco Records Dj Crew Members Got Their Hands on a Couple of Original 70s Obscurities, While These Standout Records Shone Brightly in Their Own Right, the Team Finally Decided to Put Them Out as Those Obscure Old Records Fetch Eye-Wateringly High Prices on the Second-Hand Market. Due to Popular Request & Lovingly Mastered to the Highest Possible Standards, They Are Now Available to Play and Share in Very Special Moments at Parties Around the World. This Will Surely Be One of the Most Keenly Anticipated Disco Release of the Year. for Our First Release, We Are Extremely Proud to Bring You at Last, Three Very Hard to Find Disco Anthems on Sides a & B in Their Glorious Full Extended Versions...

5/5 LEAD TWO-PAGE REVIEW IN MOJO: “SHACK'S SONGWRITING HERO'S ROMANTIC , OPIATED FOLK DREAM, RESTORED AND AUGMENTED WITH A COMPANION ALBUM OF UNHEARD SONGS.

5/5 LEAD TWO-PAGE REVIEW IN Q MAGAZINE: “SCOUSE CULT HERO'S MAGICAL MOMENT REVISITED. THAT THESE ARE SONGS THAT FEEL A LITTLE MORE TRANSCENDENT WITH EVERY PASSING YEAR IS NO MERE CONJECTURE.”

9/10 IN UNCUT : “ANDMOREAGAIN! A LOVE-LORN MASTERPIECE AND ITS LONG-LOST SIBLING”

SUNDAY TIMES 'MUST-HAVE REISSUE' “ONE OF THE 1990'S GREAT LOST ALBUMS..MORE REDOLENT OF SUMMER-OF-LOVE SAN FRANCISCO THAN BRITPOP MERSEYSIDE...A CLASSIC...

De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for this release, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music.

A timeless classic reborn on Perimeter Records!

Perimeter Records proudly presents the return of "Another World", the legendary trance anthem by Cyborg, originally composed in 1993 by Bruno Quartier. Known for his iconic work as part of BBE ("Seven Days & One Week") and At The Villa People ("Open Your Eyes"), Quartier’s influence on the trance scene is undeniable.

This special release features two essential versions:

• Michael Forzza’s remix, which reimagines the original through his unique rhythmic energy, adding a fresh dynamic while preserving its deep emotional intensity.
• The fully remastered 1993 original, restoring the power and hypnotic essence of this trance masterpiece.
Michael Forzza, the mastermind behind the underground hit "Kahana" in collaboration with Dimitri Andreas, first released on Ghoststyle in 2005 and recently reissued on Systematic (Marc Romboy’s label), delivers a vision that bridges past and future.
With this release, Perimeter Records revives a classic, ensuring its legacy continues on dancefloors worldwide. A must-have for techno and trance lovers!
Français

Un classique intemporel renaît sur Perimeter Records!

Perimeter Records est fier de présenter le grand retour de "Another World", l’hymne trance légendaire de Cyborg, composé en 1993 par Bruno Quartier. Figure incontournable de la scène électronique, il est notamment connu pour son travail au sein de BBE ("Seven Days & One Week") et At The Villa People ("Open Your Eyes"), des morceaux qui ont marqué l’histoire de la trance.
Cette réédition propose deux versions essentielles:

• Le remix de Michael Forzza, qui insuffle une nouvelle dynamique au morceau en lui apportant une rythmique puissante et une tension subtile, tout en conservant son intensité émotionnelle unique.
• L’original de 1993, entièrement remasterisé, offrant une redécouverte captivante de ce chef-d’œuvre hypnotique.

Michael Forzza, connu pour son hit underground "Kahana", sorti sur Ghoststyle en 2005 et récemment réédité sur Systematic (le label de Marc Romboy), propose ici une relecture qui lie passé et futur.
Avec cette sortie, Perimeter Records fait revivre un classique et perpétue son héritage sur les dancefloors du monde entier. Un indispensable pour les passionnés de techno et de trance!

Following on from the celebrated first instalment, the second part of The Male Body Will Be Next compiles an entourage of daring sonic experiments, composed in response to bell hooks’ landmark book The Will to Change. Prompting artists and musicians to envision cross-gender solidarity, Osàre! Editions founder Elena Colombi presents an enrapturing, narrative album, conceptualised around collective transformation.

Resonating with hooks’ challenge to men to reclaim the sensitivity that patriarchy denies them, the name of the record arises from a photograph by Peter de Potter and Rebecca Salvadori’s film of the same title. In these depictions, naked flesh is exposed, made vulnerable and trembles with emotion as the fragility of masculine bodies are examined through the queer and female oppositional gaze. Transforming this visual language into musical expression, The Male Body Will Be Next swirls with punk vitriol, electrified noise, acid, electro and free-wheeling encounters charged by love, lust and limerence.

Gently plunking chords signal Pose Diva’s reimagining of lover’s rock before Sissy Fuss smashes in with a heavy-weight instrumental version of their erotic anthem ‘No Restraint’.
Made up of Turkish musician Etkin Çekin and Belarussian songstress Galina Ozeran, God is God delivers a gentle lullaby, while Low End Activist flirts with dark and brooding bass, shattering penetrating frequencies into luminous fragments. Riffing off the 2020 documentary about female early electronica pioneers, Loma Doom crafts a slowly oscillating drone zenith, the ultimate climax. In line with the conceptual underpinning, there are plenty of collaborations – Daytripper’s Riva and Sitar player Tommy Khosla, Lebanonese experimentalist N R and Swiss-French producer John Silvestre (AKA Typhon), as well as Colombi herself and trans author/activist Juno Roche. Within these partnerships, new modalities come alive as mediums, practices and perspectives are ignited and pushed in otherworldly, metamorphic directions.