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Wraz. is a man on a mission.

Not only has the Montreal native cemented his place as one of the most talented producers in the dubstep scene, but his incredible work ethic, energy, and passion—matched by his undeniable talent—mean his ascension is quite simply inevitable.

DDD has been proud to play our part in his career journey, and things are taking another step forward with the phenomenal album Rites.

A tour de force of audio sorcery, savagery, and sacrilege, Rites subjects the listener to Wraz.’ trademark mix of filthy 140 dubstep, thumping trap flavours, and industrial grittiness.

This is expertly melded with stunning, captivating, suspense-filled interludes that provide counterpoints to the bass punishment in ways that are both tension-inducing, yet beautiful.

Featuring collaborations with label bossmen Truth and DDD favourite Hypho, Wraz.’ sonic understanding of his craft feels unparalleled throughout. Each track brings its own unique flavour, while sitting together as a body of work with remarkable cohesion.

Keep a lookout for this as the first DDD vinyl drop of 2026—alongside its full digital release—Rites marks a seismic moment for both Wraz. and the 140 scene.

Wraz. is putting the world to Rites, while we’re living in his universe.

2026 Repress

Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.

Tresor Records announces GODSPEED, a new EP from NVST, out on October 23, 2026. From its origins in the Motor City and through to the themes of interstellar travel, techno has always been a genre focussed on forward movement, a tradition that GODSPEED continues boththrough music and title.

The EP is a collection that brings to mind the spirit of early, non-conformist releases on Tresor, full of hypnotic synth loops, spacious FX, and breakbeats, yet with a crisp and modern sonic palette. Side A embarks with two tracks that combine a low, buzzing bassline with trippy melodies and percussion that ventures close to breaks and electro, while the B-side moves intothe fast lane with driving acid and more regimented drums. Digital bonus track "Firliner" combines both approaches across its seven-and-a-half minutes, as a buzzy bassline and spluttering beat ignite into a steady trance-induction.

The EP title arrived the way the best ones do: not so much chosen as absorbed from the aether, the word kept popping up during the creative process until it became the ideal name for this collection, given its connotation with setting out on a journey.
"You remember the nights where you've been on the floor for hours without realising how much time has passed, the conversations you can't fully recall, or how unexpectedly open you've been to everything around you. The music speaks the language of substance not as a statement, but as a way of describing perception. It's about experimenting with yourself, your body, your hearing, your emotions. About reaching a point where things that once felt permanent suddenly lose their grip, even if only for a moment. These recordings come from that place. They capture moments where movement replaces thought, memories blur into feeling, and vulnerability becomes part of the process. They're documents of a very
specific time, but also of something much more familiar: trying to lose yourself just enough to find a different version of who you are." NVST
This fast-paced forward travel is implicit in the word speed, but once this word indicated power or prosperity so that godspeed is a wish for success, forming an appropriate double meaning for this first full release of NVST on Tresor.

The third and final full-length, double album from the Elephant 6 Recording Co. co-founders. Their first record in 27 years from the Athens, GA band. A legend is a heavy thing to carry. It has been 27 years since the last album by The Olivia Tremor Control. In that time, they have influenced countless bands, been the subject of documentaries and biographies, and now, finally, improbably, there is a third Olivia Tremor Control album. In the 1990s, The Olivia Tremor Control released two albums of experimental and psychedelic pop genius, Music from the Unrealized Script: Dusk at Cubist Castle (1996), and Black Foliage: Animation Music Vol. 1 (1999). As founding members of the Elephant 6 collective, they redefined the US underground scene, injecting bright paisley colors and sonic adventure into a scene weighed down by grim irony and a fear of pretension. Work began on the album as far back as 2005 but progress was slowed by other projects, other responsibilities, but in 2010, the band of Hart, Doss, John Fernandes, Pete Erchick, Eric Harris, and Derek Almstead began to record. By 2011 The Olivia Tremor Control had reemerged as a fully active band and added AJ Griffin to the lineup as well as touring members Scott Spillane and Robbie Cucchario. The band was now recording constantly and were fast on their way to completing the album. Then in the summer of 2012, Bill Doss suddenly, tragically passed away. With everyone still in shock and grieving, work on The Same Place came to a halt. Every attempt to resume the project stalled until 2023, when, after watching the Elephant 6 Documentary, Athens producer/musician Jason NeSmith came on board to help. In 2024, with the album nearly finished, Will Hart unexpectedly passed away. Drawing on Will's extensive collections of notes, The Same Place was finally completed by the surviving band members, the broader Elephant 6 community, and producers Derek Almstead, Jason NeSmith, and Ron Kwasman. The Same Place does everything The Olivia Tremor Control ever did well. It also does it better, and goes further, than anyone could have imagined was possible.

The Malian virtuoso, indisputably one of the most creative talents of his country, deserved his solo career decades ago. In May 2026, we released his debut solo album SOBRA DANCE featuring his wife Mariam Kouyate on vocals. The groovy and variated electric album, went straight to the top lists of World Music Charts Europe and Transglobal World Music Chart as well as selected for TOP OF THE WORLD by SONGLINES. Gaoussou's solo debut got several 5 star reviews.DJANGO BLUES is a tribute to Gaoussou's father and childhood teacher, who's nickname is Django. On this album the talented guitarist and composer goes deeper into the roots of Malian Dessert Blues, with the variations from the Arabic soundscapes from the north.In Senegal, Gaoussou is nick named "The new Ali Farka Toure". But even though Ali Farka was one of Gaoussou's greatest inspirations, Gaoussou has developed an unmistakable style of his own. He breathes music and goes to his studio every day to work. He uses his composing to reflect, and as a ventilator when things are hard -they often are in his country of contrasts- and as a love declaration to life itself. He is a true Mandingue, a Griot, peaceful and kind, as the philosophy preaches.Accompanying such legends like Toumani Diabate and Kasse Mady Diabate, Gaoussou Kouyate, with his beloved village 'Sobra' as his middle name, has long proven his level. Yet his name has been relatively undiscovered. The trio performed a memorable concert at Dakar Music Expo, led by their producers, Dudu Saar and Lucy Duran. What started being noticed internationally through this exceptional trio was Gaoussou's composing skills.The electric SOBRA DANCE album was released first, to contrast and give space to the acoustic GUITARI BARO album. Now comes the time for DJANGO BLUES. This great album features Gaoussou's band as well as an exceptional Moroccan Ribab- Amazigh violin master and singer, Aziz Ozouss.

12" (Limited Full Cover)

Ossie lands back on Heist after his 2025 hit ‘Are U still smiling?’ with a 4 track EP featuring Miraa May.

How on earth do you follow up your debut when that record got dancefloors moving across the world and picked up radio & dj plays from dance music’s finest selectors?
Many producers would get instant writer’s block, but not Ossie. His new EP on Heist is full of joyous melodies, catchy vocals and euphoric dancefloor moments. Across 4 tracks, Ossie takes us on a trip through rolling electronics, catchy UK sounds and big room anthems.

His Heist debut in 2025 did not go by unnoticed, and Ossie kept a busy calendar since, with regular shows in London and Hï Ibiza with Skepta’s Mas Tiempo crew, his own Supercali imprint as well as his appearance alongside heavyweights Louie Vega, Kerri Chandler, Cinthie and more on Heist’s ‘House of House’ much celebrated compilation.

The Motivation EP kicks off with a bumpy UK track that somehow reminds us of Bicep early day hit ‘Vision of love’. Where the Bicep boys went for a big sample, Ossie landed a surprise studio session with Algerian born-London native Miraa May where they wrote ‘Motivation’ in a single session. The track is stripped back to its core with catchy scats and chants from Miraa May and keys that’ll stick with you far after the track is over. If you’d need any extra motivation for your daily routine, to get out of bed or to go out dancing, this is your jam.

‘Can it get any better’ is a loopy house affair with soulful vocal chants, hints of disco and a subtle piano theme that drives the track into big room territory. It’s energetic without ever getting over the top; a thin line Ossie navigates effortlessly on this record.

On the flip, we’ve got ‘Left side’; a deep groover built around a synth & disco loop and cleverly sampled vocals singing ‘I believe… oooh yes I do’. This one is definitely a lowkey banger, where Ossie turns that one simple loop into a powerful theme made to ignite dancefloors.

The EP closes with the heavy warehouse groove of ‘Don’t stop’. A cavernous low end, rough percussion and chopped synth stabs all come together on this beast of a track. Ossie cleverly plays around with vinyl backspins, vocal chops and small changeovers to keep things interesting, while the groove just keeps on going.

Ossie’s ‘Motivation’ EP has dancefloor written all over it and with all its forward energy, there’s no doubt you’ll be hearing this one a lot in clubs all over the world.

As always, play it loud and share the music.

Lars & Maarten

Following the international praise for their 2024 debut album Where Did You Go?, Sandman Project return with Hearts Forever, the first album entirely composed, arranged and produced by guitarist, composer and bandleader Tal Sandman. Rooted in psychedelic groove, Middle Eastern musicality, funk, jazz and desert rock, it is a record driven above all by a wider spiritual belief in music as a force for connection.

If Where Did You Go? introduced Sandman Project as a borderless, brass-heavy outfit with a cinematic sound, Hearts Forever takes that vision somewhere more intimate and self-assured. Written following Tal's move from Jaffa to Leipzig, the album reflects a period of personal and creative transformation. Arriving in Germany without knowing whether she would find the right collaborators, she gradually assembled a new band through recommendations from fellow musicians, discovering a group capable of bringing her musical vision to life. For Tal, the music is not about drawing neat lines between styles or traditions. It is about taking inspiration from wherever it appears and reshaping it into something honest and alive. "If music touches my heart, it inspires me", she says. "So much music already exists, but what we are doing is creating something new out of inspiration. You take the ingredients and make a new thing".

This is the quiet force behind Hearts Forever. Almost entirely instrumental, the album deliberately leaves space for listeners to find their own stories within it. Without lyrics, the music is never confined to one language, nationality or identity.

Following support for Where Did You Go? from All About Jazz, DJ Magazine, Bayern Radio, Greedy For Best, Pipelines Magazine, Ban Ban Ton Ton and Laurent Garnier, Hearts Forever finds Sandman Project entering a new chapter: more confident, broader in vision and more deeply rooted in Tal Sandman's own creative voice. Rich, restless and full of feeling, Hearts Forever is music for uncertain times; a record about holding on to innocence, choosing compassion and believing, however quietly, that connection is still possible.

Numa Crew are back with a full release at 140 bpm. A journey through the crew’s diverse range of styles, each with its own unmistakable character. It kicks off with ‘Philly Blunt’, a track conceived and created for the dancefloor, pure dubstep, with a wobble bass that cuts through a driving groove and carries with it many nuances of dub. Track number two, ‘Big Champion’, is produced by Lapo with contributions from the crew’s two MCs, XL Mad and Ninjaz MC. The riddim blends old-school jungle and grime and features vocals in both Jamaican patois and Italian. There are no boundaries of any kind within Numa Crew! Nor are there any boundaries to be seen on track 3, ‘Easton Riddim’, produced by Lapo and Ago, which seamlessly blends two styles very dear to the crew: UKG and reggae. It will be the perfect platform for many MCs to showcase their skills. To round things off, undoubtedly the craziest track on the EP, ‘Run Tune’ – produced by Ago and Leon P. A frenzied arpeggiator and dark atmospheres take us on a journey through sub-lines and distorted vocals.

Nu Vision is the latest project of Duke Cooper, band leader and label boss of Nation, Kode and DirtyBlends. There are three humans who make up Nu Vision, and they all have their own stories and discographies, records released on labels you might know, gigs played in Chicago or Berlin or someone’s loft, lives lived, friends made, sleep lost - fighting for theirart, standing by truths, defending voices, honoring progenitors, whilst pushing a new paradigm. Time is both fleeting and heavy for us all, but it is not without receipts.

Nu Vision is a band in the classic do-you-believe-in-alchemy sense - equal parts rhythm, damage, and deep feeling. Drenched in nostalgia and futurism, The Seed is a singularity of sound + vision; as if heavily rotated by VJ Dave Kendall on MTV’s 120 Minutes but materialized via today’s technology.

The Seed 10 inch provides additional music inspired significant icons Section 25, Liaisons Dangeruses and Adrian Sherwood having paved the way with their prior successes..- this package of The Seed is no freshman effort; but rather, a masterclass in continuing sonic education, delivering a unified experience from beginning to end. A NU VISION.

The Seed 10 inch provides additional music inspired significant icon band: Section 25 from the period of 1981-1984 with a more electronic-dance direction, process which culminated in the album ' From the Hip ' and remix single "Looking From A Hilltop", both released in 1984 as "Insecure Man is about being true to manhood with Robert Lane leading the charge with his vocabulary message of the current state of society.

Insecure Dub focuses on the period of 1981-1984 with an alternative electronic-dance direction process as an inspired blueprint from Nu Vision inspired from Adrian Sherwood having paved the way with his individual success.

Inspired from electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics Liaisons Dangereuses created a unique style anything other than a Berlin or Düsseldorf ‘thing’ – that was propelled to an international underground phenomenon of fame.

Nu VIsion was inspired to create a blueprint from the period of their productions of 1981-1982 with an electronic-dance direction paying homage with passionate craftsmanship utilizing what equipment was possible in the studio at the time of this recording featuring new members; Zoe Murphy & Fletch The Stranger on vocals and James Chazz on Saxaphone with a Ring Modulator.

Longtime Do It Now favourites Club Squisito are back alongside vocalist Fre Monti for a warm, emotionally-charged deep house cut that will soon worm its way into your affections. The original is an unhurried blues ballad that builds into a thumping groove with Monti's haunting vocal work threading through with real feeling. Emiliano S. remixes it into something jazzier and hard-swinging, complete with a clever half-speed breakdown, while Nutty Nys opens the flip with a tasteful, vocal-led broken-piano hook. Pigsie closes things out with a four-on-the-floor banger that taps into early-2000s deep house energy.

DJ DIE SOON is the apocalyptic alter-ego Daisuke Imamura, whose performances of masked malice have been a fixture in the Berlin underground for the past decade. His latest record My Brothel The Wind takes inspiration from Sun Ra at his most grotesque, conjuring a distorted phantasmagoria with an eclectic crew of compatriots like Rully Shabara, Sara Persico, and longtime collaborator Kiki Hitomi. Film director Hiroo Tanaka’s visual contributions in the album art, poster, and music video complete the album’s narrative, telling a story not of villainy but of phantom caprice in a dying world.
My Brothel The Wind shows DJ DIE SOON as an alchemist of distortion, transmuting the club-forward beats of his 2020 debut Kappa Slap and the seething horrorscapes of DIEMAJIN, his 2022 collaboration with Tokyo vocalist MA. Imamura’s obsession with noise stems from his upbringing in Tokyo, where he grew up hearing the deafening roar of trains every day. “The buildings were really tall, so the sounds reflected so much and it was so loud that you couldn’t even have a conversation on the phone. Hearing this noise every minute when living in this flat, it became a normal thing,” he says. While most would content themselves with avoiding loudness, DJ DIE SOON seeks to unpack its visceral potential.
DJ DIE SOON’s subterranean productions form a monstrous gestalt with the eclectic contributions of his network of co-conspirators. “Unfinished” and “Directions” are pulsating chimeras that highlight animalistic vocalizations from Hitomi and Shabara; Italian MC Franco Franco’s verses snake underneath the noisy onslaught. The tectonic textures of “Dandelion Crackers” are courtesy of multi-instrumentalist Laure Boer’s handmade stone synth. Sara Persico’s mangled vocables hang as fleshy reminders of human fragility on “SAQ4IME”; in the Hiroo Tanaka-directed music video, the track’s sonic uncanniness is made cinematic, with an ambient dread that references Hiroshi Teshigahara’s 1964 psychological thriller Woman in the Dunes.
While Sun Ra’s intergalactic Moog reached for the stars, DJ DIE SOON plunges into the depths of hell. “Everybody, Shake Your Body, We Chill At Party” feels like the sonic equivalent of a wax museum burning to the ground, rigid smiles melting into the fire. Rather than a vision of the future, My Brothel The Wind is a laugh-cry of despair in the face of a Hadean present. DJ DIE SOON confronts the world with a new hand-made mask, reborn in the ashes.

Bassline brings together Russell Ruckman and Marcia Carr for a 12", which was originally part of a 2025 digital album, but now drops on wax and has been remastered for extra punch. Side A opens with the vinyl debut of Rani G & Raul Riena's 'Feels So Right' (World-Life-music Raw Teaser remix), which will soon transfix the floor while the driving groove of Hot Issue's 'Motion 96' is a cool vibe with wet clasp and dusty drums brought to life by cute little melodies and plenty of snap. Side B leans into deeper territory with Mercedes' Living For The Moment (Booker T remix)' and the uplifting dub energy of Never Gonna Give Up. If you like soulful house with a classic New York edge, this one bangs.

FUNKSOULSEX is the debut album by London-based Liv East and the culmination of years spent refining a sound entirely her own. Blending R&B, funk, neo-soul and contemporary electronic influences, the album explores love, desire, intimacy, lust and connection in the modern age through smoky grooves, sensual vocals and vintage-inspired production. Featuring production from Brighton duo AMIcity and incorporating vintage equipment & textures, FUNKSOULSEX bridges timeless influences with a fresh, forward-thinking perspective, creating a sound that feels both nostalgic and unmistakably modern.

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we're currently living through than ever before. On "Pattern Based On", the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn't lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can't help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this?

"Dark Flower" is the new imprint by Robert Babicz, launched in cooperation with Systematic Recordings as a home for his own music. Named after one of the defining tracks of his career, it feels less like the launch of another label and more like the opening of a private room: a place for sound, emotion and instinct, shaped entirely by Babicz himself. With „Electric Love EP" he begins this chapter in full colour. After more than 1.000 released tracks and music on labels such as Bedrock, Kompakt, Systematic and Sudbeat, FLOWER0001 is not about proving anything. It is about freedom.

“Electric Love” opens the EP with punchy breaks, luminous harmonies and choral textures that seem to rise above the beat. It is bold, open and slightly unexpected, electronic music with a pulse and a sky above it. "Cuerpo Con Color” brings things closer to the floor: warm chords, fluent grooves and a calm, driving pressure that slowly pulls the body into motion. Across two versions, “Tease Me” closes the EP with a burning bassline, oriental vocal fragments and a seductive tension running underneath. Strange, physical and unmistakably Babicz.

Take a trip back to the golden age of popular music with Golden Oldies, a 2LP collection bringing together 40 timeless favourites from the 1950s and early ’60s. Featuring legendary artists including Elvis Presley, Buddy Holly, Sam Cooke, The Everly Brothers, Roy Orbison, Chuck Berry, Etta James and Bobby Darin, this hit-packed set captures an unforgettable era of rock ’n’ roll, pop, soul and rhythm & blues. Highlights include Johnny B. Goode, Heartbreak Hotel, The Wanderer, Mack The Knife, Crying and Smoke Gets In Your Eyes – classic recordings that still sound as good today as they ever did.

FOUNDATIONS004 heralds the Dawn of A New Era from FTL. A thematic 4 tracker evoking 1993 darkside jungle tekno flava. Lead track Braindead Badbwoy sets the scene with heavy kicks, weighty basslines, eerie pads and dark atmospheric stabs that build towards a climactic final drop. Next up, Consciousness kicks things off with uplifting hardcore vibes before dropping into classic rave stabs and a massive bassline built to make the bricks shake. Those familiar with undead lore will instantly recognise the infamous character on the sleeve, perfectly capturing the track’s title: a last brain-cell firing moment from the pattern recognition of a long lost tune. Consciousness in the new dawn. Keeping on theme, Stolen Memories drifts through dark atmospheric landscapes with haunting spoken-word vocals. Another climactic finale and we’re reminded once more of our talismanic protagonist, piecing together broken synapses at the end of an epic allnighter. What actually just happened? Rounding things off, title track Dawn of a New Era emanates with poignant nostalgia and the promise of new awakenings. A jungle tekno romper to carry you through to first light.

DC Salas doesn’t do things by halves. Fresh off a June release on Enrica Falqui’s Plexus4, the Brussels-based producer wastes no time returning to his own Higher Hopes imprint and he’s brought a party with him.

Fiesta EP is a four-tracker with a split personality and zero apologies for it. The A-side is all business: Darkest Dream, already doing damage in Roza Terenzi’s sets and Consciousness lock in deep, hypnotic, and faster paced. Then the B-side happens. Fiesta Fiesta and Lost In My Memories raid the wreckage of new beat, proto-whatever and early 2000s electrohouse like they own the place. Fiesta Fiesta also marks fifteen years of DC Salas making music, celebrated, naturally, by vocodering his own voice and singing in Spanish.

HIGH005 follows Pixelated Dream Theory, which pulled support from DJ Masda, Ivan Smagghe, Evan Baggs, Enrica Falqui, Binh and many more. Back on home turf, no features, no compromises. Just DC Salas, in full.

We are heartbroken to announce this very special release — a tribute to the genius of Keith McIvor aka JD Twitch (Optimo), who sadly left us on September 19, 2025. Over 20 years ago, when Skylax had no money and was just starting out, Keith was among the very first to believe in us. He delivered four unforgettable remixes of Denise Motto – I M N X T C, sharp, uncompromising cuts that defined the true spirit of underground dance music. At the time, due to limited means, only one made it to vinyl. Now, for the first time, we are proud to present the complete set: four remixes — the unreleased acid mix, blackrabbit whorehouse mix, industrial mix, and alternative mix , all cut loud and mastered with love. This release is more than a record; it is a homage to Twitch, a true pioneer and tastemaker, our generation’s John Peel. His art of digging, his fearless intelligence in music choices, his no-compromise vision — all of it stands in stark contrast to the disposable culture of today’s Instagram DJs. What we celebrate here is the real thing: edgy, sharp, timeless. A piece of history, pressed in vinyl forever. Featuring a stunning artwork by H5 (Daft Punk, Air, Logorama), specially designed to pay homage to the legend. Ultra-limited, no repress.

For our Sophomore release, Solar Suite steps up with Back 2 Basics, four groove-led productions that favour restraint and subtlety. Stripping things back to the essentials with patiently crafted rhythms and basslines that could just keep on chugging. Club trax with one eye on the classics and the other fixed firmly forward.