Suche:not u

Styles
Alle
BEASTIE BOYS - INSTRUMENTALS - MAKE SOME NOISE, BBOYS! 2x12"

An outstanding 2LP compiling the best instrumentals of the greatest white rap group ever: the Beastie Boys. New Yorkers Ad-Rock, MCA and Mike D crossed over into the mainstream in the mid 80s with their full-length Licensed to Ill and exploded any notions of one-dimensionality with its ambitious followups such as Paul's Boutique, On Check Your Head and Ill Communication. Taking influences from hardcore and hip hop, these innovators performed most of the music while integrating an array of rock samples, 808 beats and witty wordplay into an ever-intriguing sonic smorgasbord.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,81

Last In: vor 3 Jahren
LALA & CE, LOW JACK - BAISER MORTEL

Lala&Ce,Low Jack

BAISER MORTEL

12inchPAN129LP
PAN RECORDS
09.12.2022

Baiser Mortel is the soundtrack of a performance commissioned by the Bourse de Commerce - Pinault Collection, performed in Paris in October 2021. PAN presents Baiser Mortel, the original soundtrack to the acclaimed theatrical performance of the same name. Staged at the Bourse de Commerce - Pinault Collection over four days last October, the original production - collaboratively realized by composer and director Low Jack, composer and rapper Lala &ce, choreographer Cecilia Bengolea with costumes designed by Marine Serre and Oriana Bekka as creative director and co- director of the performance - merged ballet and urban folklore; sound art and soap opera. A modern-day danse macabre, Baiser Mortel (trans. "The Kiss of Death") cast Lala &ce in the title role. Unfolding over thirteen songs, the musical narrative follows Death as she navigates the realm of the living, and the encounters - desire, romance, spiritual awakening, and adventure - which validate the human experience. "I brought in people who are close to me personally and musically in order to tell a story that speaks to humanity," Lala &ce says in a video uploaded to Bourse de Commerce - Pinault Collection's YouTube channel. Performers Jäde, Rad Cartier, BabySolo33, and Le Diouck joined Lala &ce on stage and in the booth at La Place - Centre Culturel Hip Hop in Paris, where the official soundtrack was recorded. A sonic representation of the musical's themes, Baiser Mortel the album - produced by Low Jack and written by Lala &ce with artwork by Pierre Debusschere - moves through the distorted strings of its opening track, "Goûter" and gathers sonic and lyrical intensity on each successive song. "Lune," the melancholically autotuned midpoint of the album, marks the beginning of the musical's second act and sets the tone for its tragic resolution. Mechanical sounds mix with sonic influences spanning the Global South throughout the album, honoring both Low Jack and Lala &ce's musical heritage and influences, while developing a new musical lexicon that defies comparison. As a theatrical production, Baiser Mortel represents a departure for both artists. A veteran of Parisian subculture, Low Jack's collaboration with Lala &ce represents a new model of artistic mentorship based not on age but on experience, with each artist leaving a distinct signature on the work.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,15

Last In: vor 3 Jahren
VARIOUS - PROTEST SONGS 2x12"
vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

25,92
Ritual Howls - Ritual Howls (10 Year Deluxe Edition) LP

Detroit based 3-piece combining a blend of industrial, deathrock, drum machines, gothic elements, soundtrack scapes, spaghetti western guitars and a thick, rumbling bass tone. Features new mixes by Adam Stilson, mastering by Rafael Anton Irisarri and a re-imagining of the original artwork by Chris Samuels. The vinyl & CD packaging includes a 12-page booklet of photos, lyrics and images from the original release date, (2012/2013). The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself. A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in its infancy, forged a distinct sound that has only matured with perfection over time. Past support from outlets like Stereogum, FACT, Tiny Mix Tapes, Self-Titled, Paste, Post-Punk, CVLT Nation + more. Track listing: 01. The Year Of Fear 02. Cemetery Guards 03. Keep Those Stones Up 04. L’Atalante 05. Rosabelle Believe 06. Anchorites 07. Hell Fuck 08. The Mark 09. Sacred Awe

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

29,37
The Jive Turkeys - Bread & Butter LP
auch erhältlich

Black Vinyl[27,52 €]


Limited Turkey Gravy Brown Vinyl is for Indies only. FOR FANS OF The Meters, Booker T. & The M.G.s, New Mastersounds, Soulive, Jimmy Smith, Khruangbin. First Re-issue pressed at Gotta Groove Records! Pressed on exclusive 'Turkey Gravy Brown' vinyl. Produced and recorded by Colemine label owner, Terry Cole. The LP that started it all, and the first ever re-issue pressed at Gotta Groove! Bread & Butter, the first full length LP on Colemine Records and the debut of The Jive Turkeys, is nothing but funky, soulful instrumental goodness from start to finish. Bread & Butter clearly established The Jive Turkeys as the initial benchmark for the old-school funk revival in the Midwest. Fans of The Meters, Booker T. & The M.G. s, and the funk revival sound will surely dig what The Jive Turkeys are puttin down! Also Available From The Jive Turkeys: The Jive Turkeys 7”, Funky Turkey / Funky Brewster 7", BA / Chickenfoot 7" // Tracks: 1. The Funky Turkey 2. The JT Strut 3. Soul-Hi 4. Chickenfoot 5. Straight Fire 6. Bill Collector 7. Stamp 8. Funky Brewster 9. Talkin' That Talk 10. Grimmin' 11. B.A. 12. Otis Lament

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

26,85
Sleeping Dogs - Beware

Sleeping Dogs

Beware

12inch2219841
Crass Records
09.12.2022

Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; The "Grey" EP by North London post-punks Lack of Knowledge, and "Beware" by US anarchists Sleeping Dogs. Sleeping Dogs were one of only two American bands to release on Crass Records and in 1982 their sardonic and sludgy, but politically sharp, hardcore made up the "Beware" EP. They were first formed under the moniker Arsenal by the late artist, and designer of the iconic Crass logo, David King. "Beware" showed the originality and potential of Sleeping Dogs, even as Rimbaud and Crass guitarist Phil Free augmented the band"s sound for the studio session. The front cover of the single featured its own striking image, courtesy of King. Sleeping Dogs disbanded shortly after, re-emerging briefly under the new guise of Brain Rust a few years later. Distorted, biting, and beat-driven, the collection is a well-researched and poignant expose of Western imperialism. First released on 7" vinyl, limiting the sound, the new series has been remastered for 12" by Alex Gordon at Abbey Road Studios, allowing them to be heard as never before. This, plus enlarged replicas of the original covers, brings new gusto to their already radical sound. Penny Rimbaud notes that "Our (Crass") interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Talking the talk was never enough for us, no, we demanded that we also walk the walk. Ours wasn"t a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference - rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street."

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

20,88
PET NEEDS - Primetime Entertainment

Primetime Entertainment’ is PET NEEDS’ second studio album and is produced by friend and fan Frank Turner. Simultaneously loud and quiet, raucous party anthems sit alongside thought-provoking personal songs; it’s the sound of a band stepping up a gear to match their catapult on the big stages across the world. Having already toured Europe supporting Frank Turner in the first half of 2022, including Germany, Netherlands, France and more – the touring continues joining Frank on his mammoth 50 States in 50 Days tour of the US throughout June and July and then finally across the UK in September and October. ‘Primetime Entertainment’ is released on 9th September and will be available on CD, LP, digital and cassette. Timeline: Track 1 – ‘Get On The Roof’ – released as a single on 24th June ‘22 "After a gruelling 8 hour drive from a gig in South Devon back to Essex, I was reunited with my wonderful partner Lorna. We threw an old mattress out of our bedroom window onto our roof and clambered out, armed with a rucksack full of the remainder of last night's rider. We listened to cinematic theme tunes as the sun set over the chimneys on the horizon. Come early morning, we rolled back into the house. I grabbed my acoustic guitar, pressed "record" on my phone and sung a dizzy, euphoric stream of consciousness to my voice notes. It felt good, but they always do at that time of night, haha. On second listen in the morning, I felt excited about the tune and started to refine it. As soon as it hit the practice room we turned it into a party banger!"

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

26,01
PET NEEDS - Primetime Entertainment

Primetime Entertainment’ is PET NEEDS’ second studio album and is produced by friend and fan Frank Turner. Simultaneously loud and quiet, raucous party anthems sit alongside thought-provoking personal songs; it’s the sound of a band stepping up a gear to match their catapult on the big stages across the world. Having already toured Europe supporting Frank Turner in the first half of 2022, including Germany, Netherlands, France and more – the touring continues joining Frank on his mammoth 50 States in 50 Days tour of the US throughout June and July and then finally across the UK in September and October. ‘Primetime Entertainment’ is released on 9th September and will be available on CD, LP, digital and cassette. Timeline: Track 1 – ‘Get On The Roof’ – released as a single on 24th June ‘22 "After a gruelling 8 hour drive from a gig in South Devon back to Essex, I was reunited with my wonderful partner Lorna. We threw an old mattress out of our bedroom window onto our roof and clambered out, armed with a rucksack full of the remainder of last night's rider. We listened to cinematic theme tunes as the sun set over the chimneys on the horizon. Come early morning, we rolled back into the house. I grabbed my acoustic guitar, pressed "record" on my phone and sung a dizzy, euphoric stream of consciousness to my voice notes. It felt good, but they always do at that time of night, haha. On second listen in the morning, I felt excited about the tune and started to refine it. As soon as it hit the practice room we turned it into a party banger!"

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

26,01
Wind Rose - Wardens Of The West Wind

Following their breakout album, WIND ROSE quickly became one of Italy’s rising power metal acts, with many fans anticipating what the band would bring with their next release - and they were not disappointed! Wardens of the West Wind is a massive, bombastic, epic, and outrageous album packed with large riffs, symphonic layers, guitar solos, and bold vocal arrangements! The amazing musicians of WIND ROSE crafted elaborate songs that contain twists and turns to further push their unique sound of progressive power metal to their current fans and any new fans they amass! The band’s debut album made waves in the power metal scene, and Wardens of the West kept their storm of progressive power metal churning, poising the band to become one of the modern key players of the power metal scene!

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

31,30
Link Wray - - Walking Down A Street Called Love - Live In Manchester And London (2x12")
auch erhältlich

Orange Vinyl[26,85 €]


One of the last pieces in the vast discography of Link Wray not available on vinyl previously, this album captures the Rumble Man live on two dates in London and Manchester on one of his last tours in 1997. Over an hour of primal rock'n'roll from one of its absolute pioneers, captured in front of a live audience in the UK! The set lists feature brutally loud renditions of a select number of Wray classics with added cover tunes here and there. With updated cover art, the Svart vinyl edition comes in a gatefold sleeve and features liner notes.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

26,01
Link Wray - - Walking Down A Street Called Love - Live In Manchester And London (2x12")
auch erhältlich

Black Vinyl[26,01 €]


One of the last pieces in the vast discography of Link Wray not available on vinyl previously, this album captures the Rumble Man live on two dates in London and Manchester on one of his last tours in 1997. Over an hour of primal rock'n'roll from one of its absolute pioneers, captured in front of a live audience in the UK! The set lists feature brutally loud renditions of a select number of Wray classics with added cover tunes here and there. With updated cover art, the Svart vinyl edition comes in a gatefold sleeve and features liner notes.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

26,85
Christophe Clébard - Il Trionfo Della Morte

Italian, French-speaking and blessed with a Belgian accent Christophe Clébard brings a coherence that prevails both for his person and for his music: a wobbly mound, which sometimes resembles a series of explosions, sometimes a pile of layers cut by a flood of words from which parts can be distinguished. Relying on the amplified intonation of a saturated microphone, a pounding rhythm box and a synthesizer, his performances absorb the hearing to spit it out in a universe where nothing has any meaning, except "we're going to die". A punchline that he chants far from the cliché darkness of the dark wave, since for him death is jubilant and colorful, with the grim reaper as the owner of the nightclub. A nightclub well anchored in his head, without a future, with the upcoming emptiness and the hazy memory of his Christian upbringing.

All tracks composed and recorded by Christophe Clébard at les ateliers claus. The album was recorded during a residency at Les Ateliers Claus during the month of April 2021, mixed by Piccolo Bruno and Christophe Clebard, mastered by Elvin Vanzeebroeck at Rare Sound Studio. Photos and Cover projects by Jonas Meier.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

19,79
FALLING FLOORS - Falling Floors

Falling Floors

Falling Floors

12inchREPOSELP116
Riot Season
09.12.2022

Falling Floors is a psych-rock three piece, formed in the pandemic out of a desire for distraction from dark times and an unending stream of shit news (seriously, what the fuck is going on?) There’s no master plan, no grand ambition, no product-market fit, just a shared love of 60s psych, 70s rock, and the fearless, genre-less experimentation of Krautrock and early prog to get us through.
Riding the trans-Pennine underground (up the hill and out of the crags, down there, you know?), you can hear magical sounds coming out of the Valley. On a cold and wet Calderdale winter, the band recorded their self-titled first album, DIY, live, in two days in Hebden Bridge. Rawness not perfection and feel over finesse were the aims. This album, a trans-Atlantic joint release by Riot Season (UK) and Echodelick (US), lives by slips, fuck-ups, and simple, joyous expression.
Falling Floors is Rob Herian (ex-feral stoner rockers Early Mammal) on guitar and vocals, Harry Wheeler (no ravers The Family Elan) on bass and keys, and Colin Greenwood (ex-shoegaze folk rockers No Sorrows) on drums. It’s no one’s project, and no one’s in charge. But there’s enough in common to keep it honest.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

18,11
CHARLES MINGUS - MINGUS

Charles Mingus

MINGUS

12inchCLP36211
Candid Records
09.12.2022

At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "MDM (Monk Duke & Me)" consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington"s "Main Stem", Thelonious Monk"s "Straight, No Chaser", and Mingus" "Fifty First Street Blues." Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

29,87
THELONIOUS MONK - THE CLASSIC QUARTET (REMASTERED)

At the time of this recording, Thelonious Monk was at both a creative and critical peak. He had recently signed with Columbia Records, notably one of the biggest jazz labels in the world at the time, and the following year became the third jazz musician in history to appear on the cover of Time Magazine. The Classic Quartet is comprised of Charlie Rouse on tenor saxophone, Butch Warren on bass, and Frankie Dunlop on drums. The recording captures what is undoubtedly one of the very best sets of the era. The songs, classic Monk repertoire, will be familiar to any Monk fan. That includes what is by all accounts an exceptional version of one of Monk"s favorite standards, "Just A Gigolo." This recording is the audio portion of a television show recorded in Tokyo during Monk"s 1963 tour of Japan. Not to be confused with the live album of that same 1963 tour, Monk In Tokyo, released on Columbia Records. It also should be noted that the recordings here were previously released as Thelonious Monk 1963 Japan, at various times, by various labels. This version has been remastered by Award Winning Engineer Bernie Grundman. It is the first time this album has been released on vinyl in over 35 years.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

29,87
C3TRII - C3TRii

C3Trii

C3TRii

12inchMAXCED-01
MAXCED
09.12.2022

One of the most effective ways of exposing the nature of any sphere is when it is interrupted, in a kind of alienation effect, by children. Whether one imagines that troops of them storm the foyer of a luxury hotel, occupy public squares and buildings with a view to getting on with their specific activities, whether they shape the profile of public political assemblies, whether owing to a security lapse they enter a television studio in large numbers during a live broadcast - in every case the reified character of each context, its rigidity, and the fact that the sphere is always that of adults, immediately become apparent as well as what is play and what is not and what is work and what is play and what is playing and who is playing with what or whom for what or whom ?

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

22,65

Last In: vor 2 Jahren
More Eaze & Claire Rousay - If I Don't Let Myself Be Happy Now Then When?

Clear Vinyl

Originally released in 2020 on cassette and digitally. more eaze is the nom de plume of Austin, TX mainstay m.maurice, a roving experimentalist who’s explored an astoundingly diverse range of sounds, from drone and computer music to avant-pop and beyond. claire rousay is a San Antonio, TX-based percussionist/composer/sound artist who uses physical objects and their potential sounds as a way to explore queerness, human physicality, and self perception. Together—through a suite of deeply personal aural collages—two of Texas’ most vital and vibrant sonic searchers beg the eternal question: If I Don't Let Myself Be Happy Now Then When?

Although only their debut album together, If I Don’t Let Myself… reveals a profound and fruitful relationship between m and claire. But the symphonic symbiosis goes even deeper still. Outside of musical breakthroughs, the pair helped each other conquer intensely personal changes, with m and claire transitioning and coming out as non-binary and trans, respectively.

As m explains, “to me this record is very much about this process of becoming—trying to reach something and getting there but sometimes not being quite where you want to be but at least getting closer. It’s about feeling alternately empowered and insecure socially as you transition and trying to cope with these conflicting emotions.”

Musically, the album showcases startlingly sincere sets of serrated but sedative situational music. A-side epic Drunk is a sprawling but taut rove of aural duality. Passages of exquisite elegance subtly clash with shimmering shards of sound. Pre-op is a poised and pensive piece of solemn reflection, harrowingly honest and delivered with clarity and composure, while Post-op closes out the set in a wholly uplifting and optimistic flair.

If I Don't Let Myself Be Happy Now Then When? is ultimately about coping during the respective transitioning phase in both of their lives, obliquely blissful and fraught with freedom.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

24,16
Harry Bertoia - No Date Tapes 2

Harry Bertoia

No Date Tapes 2

CassetteFW1039CS
Sonambient
09.12.2022

Tape

»No Date Tapes 2« is the second official cassette release from Harry Bertoia's tape archive and, like the first cassette, these recordings were chosen from a small collection of tapes in Bertoia's archive missing recording dates.

This cassette is packaged in a metallic shell and produced on super-ferro tape for incredible analog sound.

Bio:

Harry Bertoia first gained some artistic visibility in the early 1940s, then came into prominence with his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, which quickly became classics of modernist furniture. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the late 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Harry Bertoia's recently dismantled Sonambient barn collection was an attentive listener's paradise full of warm, expressive instruments that were gorgeous visually and audibly. Nothing could prepare you, even on return visits, for the overwhelming experience of entering the spacious wood and plaster interior where gongs, some of them giant, hung among the ranks of standing sculptures of various metals. Over nearly twenty years of adding, culling and rearranging, Bertoia carefully selected nearly 100 harmonious pieces ranging in height from under a foot to more than fifteen feet. He considered this barn a full experience, sights and sounds comprising not a collection of works, but one piece unto itself. It was here, deep in the woods, that his Sonambient recording work took place.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a the artist's logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

15,92
Akae Beka - Kings Bell

Akae Beka

Kings Bell

12inchIGBZRLP005
Before Zero Records
09.12.2022

Kings Bell, first made available to the world on CD and digital on November 1, 2011, is now being released on a 12" vinyl courtesy of Before Zero Records. This LP joined the best of St Croix with the best of Jamaica: an amazing lineup of players spearheaded by the venerable Jamaican production maestro Andrew "Bassie" Campbell. The result of this collaboration is Kings Bell – a modern roots masterpiece. As Vaughn Benjamin's first-ever full-length collaboration with a Jamaican producer, Kings Bell was a historic release and features some of the greatest musicians the genre has ever seen including Leroy "Horsemouth" Wallace, Earl "Chinna" Smith, Squidley Cole, Mikey "Boo" Richards and Sticky Thompson.

The driving musical force behind the album, producer and bassist Andrew "Bassie" Campbell has crafted beautiful rhythms that truly compliment the deep lyrics of Vaughn Benjamin. The power and authenticity of Andrew Bassie's productions stand out from the mass of slickly-produced modern roots coming out of Jamaica today. Much of the music was recorded organically in Jamaica at Tuff Gong Studio, with additional overdubs, vocal recording and mixing completed at I Grade's studio in St. Croix. The result is a collection of songs that capture not only the essence of classic roots from the hands and minds of some of the individuals who have literally helped build the genre, but also the urgency and innovation of the present time. In more than seventy albums and in over twenty years of Midnite music nothing like this cross-fertilization of Jamaican classic roots tradition mixed with St. Croix's own deep roots tradition has ever happened, making "Kings Bell" a glowing highlight in the expansive catalogue of Vaughn Benjamin. A catalogue born from a non-stop movement in pursuit of progressing his craft and delivering his message to the world. One of Benjamin's most fruitful stops along his journey was with I Grade Records, headed by producer/engineer/multi-instrumentalist Laurent "Tippy I" Alfred, regarded by many as some of the finest work of his career.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

21,43
UNKNOWN MORTAL ORCHESTRA - BLUE RECORD EP

Die "Blue Record" EP enthält 5 Songs: die beeindruckenden Akustikversionen von drei Songs des 2013er Albums ,II" sowie zwei fantastische Coverversionen, "Swing Lo Magellan" (DIRTY PROJECTORS) und "Puttin It Down" (BECK). "Ich habe erst im letzten Jahr damit angefangen, Akustikgitarre zu spielen. Die Idee, dass eine Gitarre Sound in Elektrizität übersetzt und es dann richtig laut wird, mochte ich schon immer. Ich dachte, dass die Akustikgitarre vielleicht ein bisschen zu niedlich für mich ist. Doch nachdem uns einige Gelegenheiten geboten wurden, Akustiksets zu spielen, um die neue Platte zu promoten, habe ich beschlossen, das Ganze als Herausforderung zu betrachten und zu versuchen, akustisch zu spielen und dabei nicht langweilig zu klingen. Schließlich fand ich es schon immer toll, wie Arthur Lee akustisch spielt und fragte mich, ob ich das wohl überzeugend hinbekommen könnte. So wurde ich praktisch durch ein paar Radiosessions dazu gezwungen, mir die Akustikgitarre anzueignen und beschloss, ein paar Songs akustisch aufzunehmen und zu veröffentlichen, weil den Leuten das anscheinend gefiel. Alles wurde in meinem Keller mit nur einem Mikro direkt auf Band aufgenommen." - Ruban Nielson, UNKNOWN MORTAL ORCHESTRA ENG "I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically and release them since people seemed to be liking the way I was doing it. Everything was recorded straight to tape in my basement with a one mic set up." - RUBAN NIELSON, UMO


[a] 01. SWIM AND SLEEP (LIKE A SHARK) [ACOUSTIC VERSION]
[b] 02. FADED IN THE MORNING [ACOUSTIC VERSION]
[c] 03. SO GOOD AT BEING IN TROUBLE [ACOUSTIC VERSION]

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

19,29
ARVO PÄRT - FÜR ALINA

Compilation of our favorite Arvo Pärt pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet. The pieces on this record are all unique to the style of Arvo Pärt - deceptively simple compositions that force you to live in the moment you are listening to them. A Pärt quote from the back of the record - "You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free -- you can choose. In art everything is possible, but everything is not necessary."

This record comes in a beautiful "tip on" old school cover with metallic gold foil and features an incredible painting from the 16th century manuscript Kometenbuch.

vorbestellen09.12.2022

erscheint voraussichtlich am 09.12.2022

22,06
Lårry - Over The Why

Lårry

Over The Why

12inchBLEED011
BleeD
08.12.2022

London-based leftfield electronic label BleeD makes a worthy return from a lengthy sabbatical, reinvigorated with a diverse collection of tracks from Berlin-based talent, Lårry. Having previously established trusted relationships with leading artists including Daniel Avery, DJ Nobu and Peder Mannerfelt, BleeD ably assists in delivering on the promise of one of the most notable young talents currently working on the fringes of contemporary techno. Thus far showcased on impeccably curated labels such as Uncertainty Principle, Super Hexagon, Fusion Diagnostics and Awkwardly Social, their flair for surgical sound-design and off-kilter arrangements puts them in good company with equally exciting contemporaries such as FFT and Panarorman/Patrick Conway.

The EP covers a lot of ground across 6 tracks, from the gloomy atmospherics of 'Plunicceteh' and 'CMml CoE3", and the peak-hours stomp of 'systems_component' on the A-side, to the warmer and more uplifting B-side tracks, 'Ria Ilso', 'We Are We Are' and 'Over The Why'. It's a fine showcase of an artist with a broad range of influences who with each successive release is carving out a genuinely unique sound.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

12,56

Last In: vor 3 Jahren
WU-TANG CLAN - WU-TANG CLASSICS VOL. 1 - SHAOLIN INSTRUMENTAL 2x12"

The instrumentals Hip Hop label CDR-SI has the honor of advertise the new double LP of the successful collections of Hip Hop instrumentals. Now is the turn of the CLAN!!! Here you have the Vol.1 containing the most importants tracks of the legendary Hip Hop band WU - TANG CLAN, the most importants cuts and tracks of its trayectory in instrumental version in a double lp format. This is a esential and powerful weapon for all the Hip Hop creators and DJ's.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,81

Last In: vor 3 Jahren
Honey C - Stop (The Disease)

Honey C

Stop (The Disease)

12inchBCV2022036
Bonzai Classics
08.12.2022

(7" light blue colored vinyl) Next up in our 7” vinyl series, Honey C aka the late great Philippe Van Mullem and Bonzai stalwart Philippe Toutlemonde, delight with two seminal vocal trance tracks – Stop (The Disease) and Desire.

Next up in our 7” vinyl series, Honey C aka the late great Philippe Van Mullem and Bonzai stalwart Philippe Toutlemonde, delight with two seminal vocal trance tracks – Stop (The Disease) and Desire. Housed on light blue colour 7” vinyl, both tracks were first released in 1993 on the Houze Factory imprint before Stop (The Disease) was snapped up on the legendary Bonzai Trance Progressive in 1997 with a raft of remixes in tow. Desire would make an appearance on Bonzai Classics Digital in 2007, cementing its status as a retro gem. The 2 Philippe's were pioneers of that vocal trance sound and their project Quadran gave rise to the vocal melodic trance scene which still resonates to this day. Between them they notched up quite a few cuts with aliases and groups such as Innertales, Extreme Trax, Oudja and The Gaps among their repertoire.

The A side features the original mix of Stop (The Disease) which intros with a classic build up and explosion before an eerie, almost cinematic sequence takes over. The melodies soon become prevalent as a tight drum section keeps the rhythm flowing. A pulsing bassline holds the track together beautifully as that infectious vocal takes over the groove. On the flip side the Club Mix of Desire resides, taking us into an energy driven experience that sends the nostalgia juices flowing. Classic gated synths stand out as a powerful bassline drives the groove. The vocal is catchy and inviting, striking a perfect balance in the groove. 2 solid cuts for the collectors of fine beats.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

16,77

Last In: vor 86 Tagen
Tatie Dee - Purple Wave EP

Friendsome Records and Tatie Dee are delighted to present to you her debut EP Purple Wave. After a few singles released on various french and international labels and compilations, that launched a very promising career, the young prodigy has produced this beautiful 5 tracker to take you on an Acid trip full of jumpy melodies, heavy beats and banging drops ! Oscillating between “classic” House and contemporary Acid touches , you will first be taken on a journey of grooves fully produced by Tatie Dee (A1 to A3). Each in their own styles won’t definitely get a crowd in stagnation ! The B side has much more heaviness to it, starting with a remix by the one and only UK legend Mr G, where he took Take Me Up in a mix which only he has the secret for. Followed by the last (but not least!) track of the record, OMZ, which we could describe as the “dirty side” of Tatie Dee. Enjoy your trip !

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,40

Last In: vor 2 Jahren
Cloud Management - Cloud Management

The debut of Hamburg trio Cloud Management stages the meeting of three proven exceptional figures: Thomas Korf and Sebastian Kokus have been responsible for some stunning leftfield neo-kraut releases with their band Love-Songs in recent years; Ulf Schütte has been one of the most productive, and innovative protagonists of experimental electronic music in Germany for many years (see Datashock, Phantom Horse, or his most recent collaboration with G. Steenkiste/Hellvete on Umor Rex, for example). Following Love-Songs' highly acclaimed collaboration with Schütte, »Spannende Musik«, released in 2021, the formation of Cloud Management as a group in its own right marks a new beginning, which is celebrated with the long player on Altin Village & Mine.

The album is characterized by a dense texture of repetitions in which (modular) synthesizers and bass go head-to-head. It is on this foundation that the formal grammar of the album develops over its nearly 45-minute running time, organized along precise interventions into the hypnotic pulse: What is recognizable as echoes of 1960s/70s minimalism or Cluster functions on »Cloud Management« not in the sense that the sequences or the sequencers are left to themselves, but as highly concentrated, microscopic work on repetition. This virtuosically arranged, groove-based and even danceable density of the seven pieces never sounds strained or as an end in itself, but floating, cloud-like. The polyrhythmic workouts are at all times in the service of a refreshing expanse that opens up from the sonic saturation and is far removed from the formulaic box-checking often associated with the attribute ›kosmisch‹. »Cloud Management«, thus, marks not an exercise in the traditions of a musical past, but a distinctive position within contemporary electronic music.

All songs are written, recorded and produced by Ulf Schütte, Thomas Korf and Sebastian Kokus.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

20,13

Last In: vor 3 Jahren
Natural Lateral LP - Tapestry of Life

Social Joy Records presents Natural Lateral's new album "Tapestry of life", a superb excursion in fusion jazz with a wonderful blend of electronics and subtle elements of spiritual Jazz.

Undeniably on the rise after the success of their first album, "Cogito Ergo Jam", which received support from the British Jazz scene and was featured on Gilles Peterson's BB6 broadcast,the North London Based collective goes a step further this time by carefully crafting a new release of a tapestry of music stemming from rich jam sessions at the Lazy Robot Studio and representing the band's phenomenal musical canvas. Echoing jazz legends like Azymuth, Roy Ayers, Alice Coltrane and Miles Davis by paying tribute to those who paved the way but always searching for new musical territories, this six-track LP is moving, thought-provoking and engaging. It is a musical questing where each band member searches for meaning through sounds and rhythms - giving a new life to Jazz music and dropping the full spectrum of a vibrant tapestry of life into the listener's ears.

The band's work ethic is based on a sense of freedom in the studio filled with live jam sessions where it's all about "catching a moment" and letting the inspiration flow. "We just want to feel a sense of freedom and connection through playing. In the studio, it's the music which connects us all, and we just want to allow that process to unfold".

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,53

Last In: vor 3 Jahren
Stand High Patrol - The Ghost

Stand High Patrol unveils SH010, a new 45 RPM maxi, pressed for collectors and selectors fond of roots and one drop vibes. Slipped into a white sleeve adorned with a ghostly embossment, the 12 Inch features "The Ghost", "A Seed A Day" and their respective dub versions. Contained within the package are two minor-scale tunes voiced by Pupajim with lyrical themes of determination, revenge and hope, and two dubs mixed live at The Kerwax studio which expand the space-time and bring today's Loguivy-Plougras closer to the Kingston of the 1970s. With its assumed "Cool Ruler" influences, theremin notes of circumstance, clavinet parts ricocheting from skanks and formidable groovy hi-hats, the EP invites the listener to discover or rediscover the roots side of the versatile dubadub musketeerz's sound!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,87

Last In: vor 3 Jahren
Patrick Cowley - School Daze LP (2x12")

11 track album by Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined 'The San Francisco Sound.' By the mid-70ies, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as 'You Make Me Feel (Mighty Real)', 'Dance Disco Heat' and 'Stars.' This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer's 'I Feel Love'. By 1981 Patrick released a string of dance 12inch singles, like 'Menergy' and 'Megatron Man', creating the soundtrack for a generation. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, 'Do You Wanna Funk' for Sylvester and 'Right On Target' for Paul Parker. In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. 'School Daze' is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on 'School Daze' range from sparse prototechno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

22,48

Last In: vor 2 Jahren
Will Shore - People’s Dream EP

Pique-nique Recordings is proud to present People’s Dream, the latest solo release from NYC-based vibraphonist and electronic producer Will Shore.

Inspired by Francis Bebey and Don Cherry’s electronic music from the 70s and 80s, People’s Dream draws heavily from modal jazz, minimalism, and dance music. It blends tightly composed percussive phrases with freely moving melodic improvisations that feel as much at home in a DIY loft space as they do on a custom-built sound system at Nowadays.

Shore says: “The vibraphone is the thing that I know best, but I’ve always found the instrument quite limited. Its pure bell-like tone can seem too pretty to evoke a wide range of feelings. I normally find ways to obscure that pure sound: I distort it, pitch it down, or layer rougher textures over it. But for People’s Dream and Lucid, instead of obscuring the sound quality, I decided to embrace it.

I used the vibraphone for not only melodic parts but also as a driving rhythmic element. I let the entrances and exits of melodies appear and disappear in a dream-like way, and added electronics and percussion as texture, to create a more cinematic atmosphere.”

On the B-side, UK producer and label-head Tom Blip (Blip Discs) flips Lucid into a driving, bass-oriented club track, fit for vibrant dancefloors this summer. On the back of successful collaborations with East African artists Swordman Kitala and Mubashira Mataali Group, Blip unleashes a trademark peak-time drum track designed to elude any dream-like state.

People’s Dream is the seventh release on NYC/Sydney label Pique-nique Recordings, which worked with Shore in 2019 on their signature event, Take Two. Shore led a nine-piece band through a reinterpretation of Albert Ayler’s Spiritual Unity for the occasion, utilizing his mentor Butch Morris’ conduction technique to rapturous effect.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,40

Last In: vor 19 Monaten
Lucas Arruda - Sambadi

Lucas Arruda

Sambadi

12inchFVR080LPR
Favorite
06.12.2022

Favorite Recordings presents a reissue of Lucas Arruda's first album, Sambadi.

Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from a musical family (his dad and older brother are musicians) he started playing and listening to music very young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and keyboards, expanding his musical range of skills. At the same time he started a project called Du Black, with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings, as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth, or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the guys who influenced me.”

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

18,95

Last In: vor 3 Jahren
79.5 - Club Level

79.5

Club Level

7"-VinylRNT45009
RAZOR N TAPE
06.12.2022

RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,40

Last In: vor 2 Jahren
CUMBIA MODERNA DE SOLDEDAD - CREES QUE SOY SEXY

LTD TO 500 COPIES.

JD Twitch loves Cumbia. The more out there it is the better and Crees Que Soy Sexy is pretty far out. It had been a secret track in his DJ sets, that has caused people to freak out, for many, many years.

Ten years ago he did an edit of it but always felt he could have made it better; it is not often one gets second chances, but here is a second chance to do it again! Everyone knows the Rod Stewart version of this song but of course Jorge Ben came up with that melody originally and Rod then used it, only for it to return to South America with this cover version. It feels like the true ownership of this song belongs to South America and we in Europe are just borrowing it.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

9,45

Last In: vor 2 Jahren
Galcher Lustwerk - 100% GALCHER LP 2x12"

100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.

Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying."

As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

32,35

Last In: vor 13 Monaten
Noémi Büchi - Matter LP

Noémi Büchi

Matter LP

12inchOUS041
-ous
06.12.2022

"Music gives us the illusion that time is not time, but space. It is then that the music transforms from process to object, which I find a very interesting thought; a materialisation of the sound process. Sound is matter." - Noémi Büchi

Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility.

Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible.

Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -OUS, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -OUS in the near future.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

19,29

Last In: vor 3 Jahren
Konkolo Orchestra - Blue G. / That Good Thing
 
2
auch erhältlich

Expanded Edition[176,43 €]

Double LP[41,13 €]

Black Vinyl[9,12 €]

Black Vinyl[34,24 €]

Translucent Blue vinyl[35,92 €]


With both sides as vibrant and colourful as a hot and sweaty street party, this latest 45 is the perfect afrobeat soundtrack to end your summer.

A side, Blue G. opens explosively and delivers all that it promises in the opening bars: beautifully orchestrated twists and turn that chug along instrumentally for half the track. South African singer Nongoma unexpectedly adds a vocal spin in English and Xhosa, and with the catchy lyrics of "all the children need love, peace and harmony", it's a delight to be swept up in this swirling, festive, solar energy.

The B side, That Good Thing, follows on at exactly the same tempo, weaving horns, guitars, keys and numerous percussions in and out of an equally infectious groove. A highly polished track, full of rises and falls in all the right places.

The Konkolo Orchestra is, for now, a Zürich studio project led by multi-instrumentalist Alexis Malefakis, but let's hope that changes soon because it feels rather criminal not to have these rich sounds live and in your face. Dexterous musicianship meets fine production and execution.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

10,29

Last In: vor 3 Jahren
Claire Davis - Long Gone

Claire Davis

Long Gone

7"-VinylLRK17
LRK Records
06.12.2022

From the success of "Thrive" which was released on a 7" vinyl by LRK Records and sold out in a day. Comes a brand new single "Long Gone "

Toronto based retro-soul artist Claire Davis serves up her latest soulful banger "Long Gone" from forthcoming 7" vinyl release on LRK Records. A jewel of Canada's Soul scene, Claire Davis takes it up a notch and showcases her mighty vocals on the fiery breakup single "Long Gone". Drawing from her influences of the likes of Etta James and Sharon Jones & the Dap-Kings, the unrelenting rhythm and sassy background vocalsof this track complement the "take-no-mess" message of Davis' lyrics and vocal delivery. A song about knowing your worth and walking away from those who don't! Claire Davis is an analog enthusiast, opting to record to tape whenever possible to best capture the feel and energy of a live performance and this single does not disappoint. The track was co-written by Toronto based artist Kyla Charter and producer Scott McCannell whom Davis has excitedly collaborated with for years on various other projects in Toronto's R&B/Soul scene. The saucy background vocal arrangement from composer/arranger La-Nai Gabriel provided the icing on the cake for this record which features dynamic background vocals from Joanna Mohammed, Tegan Michelle Gordon, and Chynna Lewis.


Jazzfm have listed the single "Long Gone" on their B list playlist

In the official retro soul spotify playlist

CBC gave it a spin on "Big city small world" by Errol Nazareth

"Times Have Changed" was added as brekkie track of the week and added to the C list on Jazz Fm

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

16,77

Last In: vor 3 Jahren
WEȽ∝KER - ENHANCER

Weƚ∝Ker

ENHANCER

CassetteOOH032K
OOH-sounds
06.12.2022

Welcome in!

WEȽ∝KER's 'ENHANCER' offers a high dive into the soggy hands and lands of Dujat & Beedles.

Having planted their flag firmly at the forefront of modern computer music, WEȽ∝KER return with 'ENHANCER', an astonishingly dynamic display of technique and form. This isn't sound for sound's sake; the duo's playful approach to composition ties many discrete events together to weave a warm-bath narrative. A tug at the skittering top layer reveals something so rare: there's real musicality under there, aching chords snaking through the crunchy boot-up sequence of "Gator" and underpinning the pneumatic drift of "Ohmbase".

ENHANCER's tracks unfurl with an instinctive flow, pulling/pushing in all the right places and guiding the listener through aural aqueducts. WEȽ∝KER are just truly properly at it again. Dive in, isn't it?

ENHANCER's artwork is the result of an all-Mancunian collaboration with sculptural artist and dead-powder virtuoso Nicola Ellis. Photographed by Glen Cutwerk and Bazz Patel, shot in the spleen of Salford's The White Hotel. Drippy, oily notes with a hint of flesh.

---

Mastered by Giuseppe Ielasi.

Available on pad-printed solid white cassette housed in a clear double case w/ exclusive gloss laminated cover-art. Pro dubbed by Headlesstapes Includes free download code Limited Edition of 50.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

14,71

Last In: vor 3 Jahren
w1b0 - When Humans Ruled The Earth LP 2x12"

Debut album by Dutch producer w1b0, who passed away in August, to be released in November on U-TRAX.

Wibo Lammerts' sudden death on August 15thshocked the worldwide electro community, and also left the record label, that had been working on the debut album with the artist known as w1b0 for the past two years, dumbfounded and in grief.

Wibo had jokingly always called his upcoming debut album 'his legacy', which now sadly has become a painful truth. With the support of Wibo's family, U-TRAX is now doing the only thing that doesn't feel totally wrong: proceed as planned, and release 'When Humans Ruled The Earth' on November 11.

W1b0 made quite a name for himself with heavy electro tracks that he released on labels like Bass Agenda, Hilltown Disco and Discos Antónicos. Standing at 202 meters, and combined with a cheerful character, most people remember him as the gentle giant of electro.
For this album, Wibo wanted to steer away from the dark and heavy electro he mostly made until then. The idea of having a platform to create delicate electronic music in different styles, and make it a showcase of his versatility, was very appealing to him. And that is where he and U-TRAX found each other.

The full-length album (over 75 minutes on cd and digital) comes after 'The Pilex Program EP', released in October, that featured a remix by Detroit's Ectomorph of 'Pilex Driver' and saw 'Program Yourself To Feel' remixed by a well-known Dutch producer that recently created the new 'techno alias' Human Form.
As usual with U-TRAX, the album comes in three different editions, with the 11-track double vinyl version containing the Ectomorph and Human Form remixes. The CD and digital version boast original versions only, plus four additional tracks: 'Alternate Reality Interface', 'Mixed Matter Fluctator', 'Synthetic', and 'In There'. The cassette version more or less has the same track list as the CD/digi version, but has both aforementioned remixes and a bonus track in the incredibly hypnotizing 'I Wanted You', a track that unfortunately couldn't be on the CD and vinyl versions.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Opener 'Acid Whip' is one of the oldest compositions on this album, in which a dark 303 bassline hums over layers of spacey strings. Wibo named it after the legendary Whip It party in Amsterdam's De Melkweg. 'Alternate Reality Interface' then presents bouncy rhythms toying around with all sorts of analog (bass) synthesizers, before we go really deep with the epic ambient techno track 'Wandering Souls'.
Then things get a little lighter spirited: 'Mixed Matter Fluctator' is an electro track that builds on sounds created by Matt Buggins. It has very strong Detroit influences, the city Wibo loved so much and that he made a pilgrimage to with a group of friends that called themselves 'The Techno Tourists'. The tempo goes up a notch in 'Program Yourself To Feel', that halfway opens up in wide science fiction strings that evoke memories of Star Wars, the movie series that Wibo was a great fan of, and that was the source of many of his tracks' names. The Human Form remix opens the vinyl edition of this album and is a downright belter of a track.

Next is a somewhat experimental intermezzo named 'Synthetic'. Erratic beats and pounding bassdrums get accompanied by very subtle eerie-sounding strings, before melancholic synthesizers and piano chords take over. This is an excellent prelude to the epic 'Hologram Computing', a track that is one of our favorites. It slowly and softly builds and builds, before a pounding bassdrum breaks loose and a hypnotic arpeggio takes you to higher planes.
Not ready to letting the listener relax, w1bo then serves 'Beilstein Reference', which again presents his trademark cocktail of down-to-earth electro rhythms and catchy melodies, covered in all sort of little sounds and noises, giving the song a lot of energy. What follows is 'Hit me', a track loosely based on a song by Dutch indie rock band Mr. Joe Abe. Wibo met the band's singer on a camping site while being on holidays and the two decided Wibo should do a remix of one of their songs. Nothing was left of the original except the vocals, and the result is a remarkable cheerful, poppy electro song.

'Anticipated Input' is one of the more recent tracks Wibo made for this album, combining electro, acid and, yes: epic strings. But not all is peace and quiet on this album, as 'Pilex Driver' shows. This is w1b0 going experimental in a danceable fashion: Industrial sounds make the track sound like we're passing a construction site that is playing loud electro music. On the vinyl version of this album, Ectomorph totally decomposed the original and made it into a mysterious, almost subdued, and totally brilliant electro track that sees a main role for the retro Roland CR drum machines sounds.

TFHats, Wibo's fellow member of the Transhumanism collective, added lyrics to 'Cartesian Coordinates'. His vocals add a pleasant New Wave flavor to this song, that has breaks that remarkably reminds one of Nirvana's 'Smells Like Teen Spirit'. What follows is the most personal track on this album. 'Fornan' is a song that Wibo made for his wife Nanette, and was added as the last piece of the puzzle that creating an album is. The warm Detroit techno atmosphere in this electro song couldn't be a more beautiful tribute to his love, and mother of their two young boys.
The album then takes a surprising detour through a 1980s landscape with 'In There', that features the Joy Division-esque vocals of another one of Wibo's friends, indicated only as Vincent. The super slow and gloomy track is a treat for anyone that loved the darker side of New Wave. The album has a worthy closer in the sensitive, yet playful 'Schlegel Diagram'.








h 08: Hit Me (w1b0's Slugfest Assault Dub) feat. Mr Joe Abe

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

9,87

Last In: vor 3 Jahren
Maajo - Water of Life LP 2x12"

Maajo

Water of Life LP 2x12"

2x12inchWONDERLP58
Wonderwheel
05.12.2022

Afro-Finnish band Maajo return with their third album, "Water of Life," a fluid celebration of various influences. Supported by two preceding singles, "Better Days" and "Unelmissani," the album is the group's first release with the Brooklyn, NY-based tastemaker label Wonderwheel Recordings. Maajo's signature Afro-Balearic sound meets late eighties new age and fusion, with touches of modern soul. The addition of two band members, Waina and Gilbert K, as well as featuring artists Issiaka Dembele and Ismaila Sané, has rooted the album's stories in a diverse range of backgrounds, featuring vocals in no less than six different languages.

Gilbert K's drum grooves pay tribute to the late Tony Allen's legendary heritage and the percussion experiments on a more melodic and atmospheric tip. Cold synth pads and 303 squeaks blend with warm guitars, fretless bass, and Issiaka Dembele's sublime kora harps and balafon mallets. "Water of Life" shows a band at its maturation point, reaching the cross-cultural coalescence of Finnish-African sound that's ready for the dancefloor or home-listening.

The three vocalists take centre-stage on the album: Waina hails from Zambia and sings in Nyanja, English and Finnish; a renowned musician in Zambia for over two decades who now calls Finland home, Waina wrote a song that reached the finals of the 2020 Afrimusic contest. Gilbert K primarily sings in his native Mauritian Creole while comprising part of the percussion line. He made his way to Finland by way of South Africa and China, eventually winning the Voice of Finland show. Gilbert K has played with such legends as Tony Allen, Andy Summers, Diana King, and Suzanne Vega. Ismaila Sané is from the Casamance region of Southern Senegal and sings in Wolof (a widely-spoken language in West Africa) on "Ndekete," and in Jola (a smaller language in Casamance) on "Èwàn".

Maajo is a sonic, linguistic, and cultural melting pot that has come together in Tampere, Finland, like a tropical breeze from the cold north. Their musical explorations lead from equatorial soundscapes to the woods and moods of their native Scandinavia. African influences, electronic beats and organic rhythms, ethereality and the sounds of nature all make up the patchwork sound of Maajo.

Not only is Maajo's music a way of travelling to faraway places, the songs themselves have travelled all over the globe. Maajo has evolved from a sample-based electronic music project to a full-sized band, including African vocalists and musicians. The group has put out two full-length albums and three EP's on Queen Nanny records, in addition to a release on German label Permanent Vacation. Maajo has received the remix treatment from artists such as Luke Vibert and Call Super, and has toured festivals and clubs internationally. The band has built a dedicated international following having been championed by the likes of Gilles Peterson (Worldwide FM), Tom Ravenscroft (BBC Radio 6), and Tim Sweeney (Beats In Space), while they've been featured by KEXP (Song of the Day), Resident Advisor, Ransom Note, and Pan-African Music.

"Water of Life" is out on Wonderwheel Recordings October 14th, 2022, both digitally and as an exclusive, limited-run 2xLP.




d 04: Better Days (Kumba) feat. Waina & Gilbert K

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,49

Last In: vor 3 Jahren
BERTRAND BURGALAT MEETS A.S DRAGON - ALBUM LIVE

Bertrand BurgalatmeetsA.s Dragon

ALBUM LIVE

12inchTRILPFR015-RP
Tricatel
05.12.2022

This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.

Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.

"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind."
Philippe Manoeuvre, excerpt from the innersleeve note, April 2022

"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits."
Philippe Manoeuvre, Rock & Folk, October 2001

"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity."
Philippe Barbot, Télérama, November 2001

"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. "
Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001

"I wish this song could last my whole life..."
Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,53

Last In: vor 3 Jahren
Wayne Jarrett - Chip In

Wayne Jarrett

Chip In

12inchGREL28
Greensleeves
05.12.2022

The album classic from from 1982 re-issued. All music recorded at Channel One and mixed at King Tubby's studio by Scientist, as backing band the Roots Radics in fine style. A top-a-top Henry 'Junjo' Lawes production. Riddim directory note: "Love In A Mi Heart" is a reminiscence of "Bubble Up", the title track "Chip In" is based on the Prophecy/Peanut Vendor riddim and "Saturday Night Jamboree" is on the same riddim as Eek-A-Mouse's "Noah' Ark".

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,89

Last In: vor 3 Jahren
Devon Russell - Darker Than Blue

Devon Russell

Darker Than Blue

12inch333LP001
333
05.12.2022

Death Is Not The End launch sub-label 333 with a first-time vinyl reissue for the late Devon Russell's Darker Than Blue LP - put together as a tribute to the great Curtis Mayfield. First issued in 1993 but featuring material originally recorded as far back as 1979, the collection includes a cast of prominent players across it's 10 tracks - featuring musical contributions from Sly Dunbar, Aston "Family Man" Barrett, Earl "Wire" Lindo, Dean Fraser, Bobby Ellis, Leroy "Horsemouth" Wallace, Prince Lincoln Thompson and many others - plus production & arrangment from Earl "Chinna" Smith, Sly Dunbar & King Tubby's Firehouse Crew alongside Russell himself. Limited to 333 copies.

"The concept for Darker Than Blue dates back to 1979. Returning from South Amerrica with my partner (in duo Lloyd & Devon) Lloyd Robinson, we did "Red Bum Ball" which had been a massive hit in the 60's. It was around this time that Earl Chinna Smith (of The Wailers and Soul Syndicate fame) approached me with the idea of re-making some Curtis Mayfield songs. "Darker Than Blue" was the first track we did, followed by "Move On Up" in 1981, both of which received great reviews.

On returning to Jamaica from a UK tour in 1986, my good friend King Tubby had taken on five men from my school of music, from which the Firehouse Crew were born. Within 3 years they had matured to become Jamaica's No.1 instrumental band, winning the Rockers award. Then in the spring of 1990, together we managed to record the album "Money, Sex & Violence", during a tour of the UK & France, on which we did Mayfield's "Give Me Your Love". The track was played to Steve Barrow who suggested we do more Curtis tracks.

Sly Dunbar and I have known each other for as long as I can remember. We grew up in the same hood and used to jam regularly in our youth. I told Sly about the further Mayfield tracks I wanted to do and he agreed that it would be a good idea. So Sly, myself and The Firehouse Crew went to work at the Leggo Studios in Kingston, Jamaica and created the remaining tracks for the Darker Than Blue LP, a tribute to Curtis Mayfield.

We grew up on the sounds of Curtis Mayfield and The Impressions. Everyone in Jamaica loved them. His death was a terrible thing, but while there is life, there is hope."
- Devon Russell, 1994.

333, under license from Prestige Elite Records Ltd.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

20,97

Last In: vor 3 Jahren
Astral Doors - Notes From The Shadows (Ltd. LP/White Vinyl)

White Vinyl

Wiederveröffentlichung des im Jahr 2014 erschienenen siebten Albums der schwedischen Hardrock Legende. Die limitierte Neuauflage erscheint auf weissem Vinyl inkl. Bonus Track sowie neuen Liner Notes von Astral Doors Sänger Nils Patrik Johansson.

"Notes From The Shadows" (das siebte Album der Band) führt uns zu der dunkleren Seite der Band mit einem näheren Blick in die schwarze Bibel. Ein rein böses Heavy Metal-Album, das die okkulten Texte zum klassischen Heavy Metal zurückbringt.

Elf außergewöhnliche Tracks, gemischt und gemastert im Black Lounge Studio in Grangärde von Jonas Kjellgren (Raubtier).

"Notes From The Shadows" hat sich als ein großer Schritt in der Karriere der Band erwiesen und wird nun als Ltd. Edition White Vinyl wiederveröffentlicht.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

26,43
THE PINKS AND PURPLES REDS - SUMMER AT LAND'S END (CLASSIC BLACK VINYL)

Summer at Land's End is not an interlude or tangent for The Reds, Pinks & Purples but rather a perfect fourth movement following the albums Anxiety Art, You Might Be Happy Someday, and Uncommon Weather. As with these self-recorded records (the primary work of songwriter Glenn Donaldson), the songs on Summer at Land's End were crafted slowly and then drawn together to make a unified statement. But here, and more than before, Summer at Land's End combines Donaldson's rueful pop sensibility with a parallel musical universe, one composed of pictures, dreams, and feelings without words. Even if the underlying theme of this collection is one of conflict or unhappiness, the vision of the music presents an escape to a new world, always fading in and out of sight. For listeners who may not be familiar with Donaldson's corner of San Francisco--the Richmond district--or the current wave of hazy, melodic DIY pop groups performing in the city, Summer at Land's End pulls in images and scenes that feel like a collision of the mundane and the sublime of this present landscape. With this record, The Reds, Pinks & Purples give less focus to the vanities of a subculture and more to the challenge of connecting with someone, to the ordinary goals of being human and finding harmony with others. This deliberate saturation in drama and ambiance, along with some of Donaldson's best songwriting to date, is what gives Summer at Land's End its special class in the project's discography. Of the album's cinematic mood, Donaldson refers to films like Summer of '42 and the influence of the classic 4AD catalogue of the 1990s. This style informs much of Donaldson's prior and current ventures of course (The Ivytree, Vacant Gardens, and a dozen projects in between) but now The Reds, Pinks & Purples have taken the mantle, embracing this instinct for instrumental or dreamier modes of pop songwriting. It's a pleasure to experience Summer at Land's End, as this record finds a thrilling balance between songs and sounds, instruments and voices, and the ironic twin poles of art and life.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,48
THE PINKS AND PURPLES REDS - SUMMER AT LAND'S END (PALE GREEN STARS VINYL)

PALE GREEN STARS VINYL

Summer at Land's End is not an interlude or tangent for The Reds, Pinks & Purples but rather a perfect fourth movement following the albums Anxiety Art, You Might Be Happy Someday, and Uncommon Weather. As with these self-recorded records (the primary work of songwriter Glenn Donaldson), the songs on Summer at Land's End were crafted slowly and then drawn together to make a unified statement. But here, and more than before, Summer at Land's End combines Donaldson's rueful pop sensibility with a parallel musical universe, one composed of pictures, dreams, and feelings without words. Even if the underlying theme of this collection is one of conflict or unhappiness, the vision of the music presents an escape to a new world, always fading in and out of sight. For listeners who may not be familiar with Donaldson's corner of San Francisco--the Richmond district--or the current wave of hazy, melodic DIY pop groups performing in the city, Summer at Land's End pulls in images and scenes that feel like a collision of the mundane and the sublime of this present landscape. With this record, The Reds, Pinks & Purples give less focus to the vanities of a subculture and more to the challenge of connecting with someone, to the ordinary goals of being human and finding harmony with others. This deliberate saturation in drama and ambiance, along with some of Donaldson's best songwriting to date, is what gives Summer at Land's End its special class in the project's discography. Of the album's cinematic mood, Donaldson refers to films like Summer of '42 and the influence of the classic 4AD catalogue of the 1990s. This style informs much of Donaldson's prior and current ventures of course (The Ivytree, Vacant Gardens, and a dozen projects in between) but now The Reds, Pinks & Purples have taken the mantle, embracing this instinct for instrumental or dreamier modes of pop songwriting. It's a pleasure to experience Summer at Land's End, as this record finds a thrilling balance between songs and sounds, instruments and voices, and the ironic twin poles of art and life.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

27,27
Feral - Absolute Zero EP

Feral

Absolute Zero EP

12inchMMV012RP
Mental Modern
02.12.2022

2022 Repress

A sense of fear floods my body,
my broken knees due to the crazy run just concluded
I'm stuck, with a lost gaze,
In the memory of yesterday, I do not have in the thought of tomorrow, I do not get
I let fall myself on a side, stunned
Hoping in a vane improvement,
I got drag, in a thoughts' tunnel
and even more confused, I close the eyes, scared.
I do not understand what is happening to me, I feel sweaty, suddenly I yell
is already the late daytime, I realize,
that I spent another night in the oblivion.
Another day I've lost,
And in this charm, I will stay chained

-Utopian Soul-

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,32

Last In: vor 11 Monaten
Loyle Carner - hugo LP

Loyle Carner

hugo LP

12inchEMIV2068
EMI / Virgin
02.12.2022

In hugo, there’s a central question that Loyle Carner keeps coming back to: “I’m young, Black, successful and have a platform - but where do I go next?” The answer is explored in this epic scream of a third album. With urgent delivery and gloriously widescreen production, Carner confronts both the deeply personal (“You can’t hate the roots of a tree, and not hate the tree. So how can I hate my father without hating me?) and the highly political (“I told the black man he didn’t understand I reached the white man he wouldn’t take my hand”). Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories. In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

32,14

Last In: vor 3 Jahren
Modulo 1000 - Nao Fale Com Parades
  • 1: Turpe Est Sine Crine Caput
  • 2: Não Fale Com Parede
  • 3: Espêlho
  • 4: Lem - Ed - Êcalg
  • 5: Ôlho Por Ôlho, Dente Por Dente
  • 6: Metrô Mental
  • 7: Teclados
  • 8: Salve-Se Quem Puder
  • 9: Animália

Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!

Formed in Rio de Janeiro in 1969, Módulo 1000 honed their craft as the house band in clubs and resorts in São Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimarães, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Têrço; there was a happening in the air.

Módulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Não Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold-out cover featuring tripped-out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time.

One thing is certain, you definitely know when you've heard Módulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

The band’s discography includes a 7" single, as well as their music being featured on several compilations for Odeon Records, additionally they released a 7" single under their alias 'Love Machine' for Top Tape Records. These compositions are included as bonus tracks on the CD version of our reissue.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

30,38
Various - Black Solidarity Presents: Dance Inna Delamare Avenu

2022 Repress

During the 80's dancehall era a number of record producers claimed to be the real authentic sound of downtown Kingston but Ossie Thomas' Black Solidarity label, operating out of Delamare Avenue in the heart of the ghetto, was the real deal ....

This was the start of the 70's when the political rivalry got heated between JLP and the PNP, - also the shots start fire ....
I said to myself if you're going die, you're going die ... from that me not scared of Kingston' Ossie Thompson.

This album provides an insightful glimpse into life in these unforgiving Kingston neighbourhoods describing not only the poverty and desperation, but also how at times, styles, fashions and the cathartic joys of music, and the dancehall could transform this harsh environment into one of joyous celebration ...

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,24

Last In: vor 3 Jahren
Dexter - Hi-Hat Club Vol.3 - The Jazz Files LP

Repress of the 2010 classic “The Jazz Files” by Dexter from the legendary Hi-Hat Club series. Jazz is the subject!

Dexter is taking an new look at the long going love affair between hip-hop and jazz. From Stetsasonic to Gang Starr to Madlib, it is not an easy path to follow, but the 26 year old producer is adding a new and fresh style to it. The sound design of Dexter's "Jazz Files" is dusty but with an unmistakable 2010 twist. As much inspired by Wes Montgomery and Ramsey Lewis as by Sun Ra and Dave Pike, Dexter's tracks are never just "jazzy". They live and breathe jazz by combining the freedom and artisty of jazz with the craft of a free-thinking beatsmith.

And the "Jazz Files" are fun too. By implanting quotes an samples from interviews and tv shows such as the classic NBC program "The Subject Is Jazz", Dexter is telling his own little story of jazz. One that had it's starting point in the massive record collection of his father and grew into shape during a long hot summer blasting nothing but Ahmad Jamal and Sun Ra.

About Dexter: The 26 year old producer, DJ and MC is part of the Wortsport collective from Heilbronn. He has made beats for Morlock Dilemma, Damion Davis, Jaques Shure, Audio 88 & Yassin and Retrogott. He likes Flylo, Madlib and Oh-No as much as libary music, psych rock and Amiga Schlager. Dexter is one of the founding member of the Generation Tapedeck blog and has just started a new project with Suff Daddy.

About the Hi-Hat Club: MPM have teamed up with photographer Robert Winter to take a look behind the beat, into the bedrooms and makeshift studios of today's beat generation. Every Hi-Hat Club volume consits of an LP packaged with Rob's photos and accompanied by more pics on the Hi-Hat Club blog plus additional infos, free beats and drinks. Exhibitions in records stores and galleries are in the making too. Hi-Hat Club parties have been taken place in Cologne and Berlin so far. Watch out for more nights in 2010.

Musically the Hi-Hat Club promotes total artistic freedom. We are not bound to any sound or school. A Hi-Hat Club record can be anything from boom-bap to aqua crunk or whatever is fresh and dope.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

16,77

Last In: vor 3 Jahren
Dark Soldier - Stand Up LP [Ltd Edition USB]

Dread Recordings is very excited to present the Limited Edition USB of the forthcoming album from Dark Soldier 'Stand Up'.

Not due for full release until the end of 2022 this USB edition contains 20 TRACKS, including 5 EXCLUSIVES that will never be available anywhere else.

This USB is available on a first come first served basis and once sold out, will not be made available again!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

31,89

Last In: vor 3 Jahren
CHARLES STEPNEY - STEP ON STEP LP (2x12")

Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

30,46
LOS ANGELES PHILHARMONIC & SUSANNA MÄLKKI - STEVE REICH: RUNNER / MUSIC FOR ENSEMBLE AND ORCHESTRA

‘Runner is a calmly luminous orchestral piece with the pulsating, propulsive
rhythms that animate much of Mr. Reich’s music.’ – New York Times

‘Reich interweaves the two groups to create a dense textural tapestry that sounds like his most native orchestral thinking to date. A beautiful and dramatically charged masterpiece.' – San Francisco Chronicle

Nonesuch Records releases the first recordings of Steve Reich’s Runner (2016) and Music for Ensemble and Orchestra (2018), performed by the Los Angeles Philharmonic and conducted by Susanna Mälkki.

Reich says Runner is written “for a large ensemble of winds, percussion, pianos, and strings. While the tempo remains more or less constant, there are five movements, played without pause, that are based on different note durations. First, even sixteenths, then irregularly accented eighths, then a very slowed-down version of the standard bell pattern from Ghana in quarters, fourth a return to the irregularly accented eighths, and finally a return to the sixteenths but now played as pulses by the winds for as long as a breath will comfortably sustain them. The title was suggested by the rapid opening and my awareness that, like a runner, I would have to pace the piece to reach a successful conclusion.”

“Music for Ensemble and Orchestra is an extension of the Baroque concerto grosso where there is more than one soloist,” the composer continues. “Here there are twenty soloists – all regular members of the orchestra, including the first stand strings and winds, as well as two vibraphones and two pianos. The piece is in five movements, though the tempo never changes, only the note value of the constant pulse in the pianos. Thus, an arch form: sixteenths, eighths, quarters, eighths, sixteenths. Music for Ensemble and Orchestra is modeled on my Runner, which has the same five movement form.”

Nonesuch has recorded every new piece of music by Steve Reich since 1985, beginning with The Desert Music and continuing through 2018’s Pulse/Quartet, resulting in 22 albums and the two box sets Phases in 2006 and Works: 1965-1995 in 1997. Most recently, the label released his Reich/Richter, performed by Ensemble intercontemporain and conducted by George Jackson, in June 2022. The Times said, ‘What a delight to be able to focus on the music, delivered here with a clever mix of pinprick precision and reverberant haze by 14 members of Ensemble Intercontemporain. The more intently you listen, the more subtleties emerge among the shifting, criss-crossing textures and phrases, sometimes coloured with gentle melancholy but decisively upbeat by the end. Reich/Richter is an ear-tickling tonic and a happy companion to Reich’s newly published book, Conversations.’ Nonesuch will put out a collection of Reich’s complete works in 2023.

Reich released a book earlier this year, Conversations, that includes dialogues with past collaborators, fellow composers, musicians, and visual artists who have been influenced by his work, including: David Lang, Brian Eno, Richard Serra, Michael Gordon, Michael Tilson Thomas, Russell Hartenberger, Robert Hurwitz, Stephen Sondheim, Jonny Greenwood, David Harrington, Elizabeth Lim-Dutton, David Robertson, Micaela Haslam, Anne Teresa de Keersmaeker, Julia Wolfe, Nico Muhly, Beryl Korot, Colin Currie, and Brad Lubman. The Wall Street Journal called the book ‘a testament to the influence of an idea – one that triggered a cultural turning point,’ and the New York Times said, ‘The joy of the book is to hear artists from a variety of disciplines and backgrounds rhapsodizing about their relationship to Reich’s music and how it influenced their own creative processes.’

Steve Reich has been called ‘America’s greatest living composer’ (Village Voice), ‘the most original musical thinker of our time’ (New Yorker), and ‘among the great composers of the century’ (New York Times). His music has influenced composers and mainstream musicians all over the world. Music for 18 Musicians and Different Trains have earned him two Grammy Awards, and in 2009, his Double Sextet won the Pulitzer Prize. Reich’s documentary video opera works – The Cave and Three Tales, done in collaboration with video artist Beryl Korot – have been performed on four continents. His recent work Quartet, for percussionist Colin Currie, sold out two consecutive concerts at Queen Elizabeth Hall in London shortly after tens of thousands at the Glastonbury Festival heard Jonny Greenwood (of Radiohead) perform Electric Counterpoint followed by the London Sinfonietta performing his Music for 18 Musicians.

In 2012, Reich was awarded the Gold Medal in Music by the American Academy of Arts and Letters. He has additionally received the Praemium Imperiale in Tokyo, the Polar Music Prize in Stockholm, the BBVA Award in Madrid, and the Golden Lion at the Venice Biennale. He has been named Commandeur de l’Ordre des Arts et des Lettres and has been awarded honorary doctorates by the Royal College of Music in London, The Juilliard School, and the Liszt Academy in Budapest, among others. ‘There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history and Steve Reich is one of them,’ states the Guardian.

Redefining what an orchestra can be, the Los Angeles Philharmonic (LA Phil) is as vibrant as Los Angeles, one of the world's most open and dynamic cities. Led by Music & Artistic Director Gustavo Dudamel, this internationally renowned orchestra harnesses the transformative power of live music to build community, foster intellectual and artistic growth, and nurture the creative spirit. This is the third recent recording by the orchestra on the label; the others were the Louis Andriessen pieces The only one and Theatre of the World. Additionally, the Los Angeles Philharmonic’s recordings of The Gospel According to the Other Mary and Must the Devil Have All the Good Tunes?, with Yuja Wang, released on Deutsche Grammophon, are included in this year’s John Adams Collected Works boxed set. Nonesuch also released an LA Phil recording of Adams‘ Naïve and Sentimental Music in 2002.

Susanna Mälkki is sought-after at the highest level by symphony orchestras and opera houses worldwide. About to embark on her final season as Chief Conductor of the Helsinki Philharmonic Orchestra, she concludes a seven-year tenure with a distinctive dynamism and imaginative flair to her programming. In addition to a full season in Finland, she will lead the Helsinki orchestra on tour to the prestigious Lucerne and Edinburgh festivals, New York’s Carnegie Hall, and Washington’s Kennedy Centre this season.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

29,83
Ryuichi Sakamoto - A Tribute to Ryuichi Sakamoto - To the Moon and Back 2x12"

From contemporary admirers of Sakamoto's work like Thundercat, Devonté Hynes, and Hildur Gudnadóttir to longtime collaborators and friends like David Sylvian, Alva Noto, Cornelius, and Fennesz, plus some of Sakamoto's personal favourites like Lim Giong, Gabrial Wek, and 404. zero, the included artists reflect the breadth of Sakamoto's influence on contemporary music. Given full access to the musician's extensive catalogue of solo releases and film scores, each artist personally selected their contribution and put their unique spin on Sakamoto's originals.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

35,25
Cloud Management - Cloud Management

Violet Vinyl

The debut of Hamburg trio Cloud Management stages the meeting of three proven exceptional figures: Thomas Korf and Sebastian Kokus have been responsible for some stunning leftfield neo-kraut releases with their band Love-Songs in recent years; Ulf Schütte has been one of the most productive, and innovative protagonists of experimental electronic music in Germany for many years (see Datashock, Phantom Horse, or his most recent collaboration with G. Steenkiste/Hellvete on Umor Rex, for example). Following Love-Songs' highly acclaimed collaboration with Schütte, »Spannende Musik«, released in 2021, the formation of Cloud Management as a group in its own right marks a new beginning, which is celebrated with the long player on Altin Village & Mine.

The album is characterized by a dense texture of repetitions in which (modular) synthesizers and bass go head-to-head. It is on this foundation that the formal grammar of the album develops over its nearly 45-minute running time, organized along precise interventions into the hypnotic pulse: What is recognizable as echoes of 1960s/70s minimalism or Cluster functions on »Cloud Management« not in the sense that the sequences or the sequencers are left to themselves, but as highly concentrated, microscopic work on repetition. This virtuosically arranged, groove-based and even danceable density of the seven pieces never sounds strained or as an end in itself, but floating, cloud-like. The polyrhythmic workouts are at all times in the service of a refreshing expanse that opens up from the sonic saturation and is far removed from the formulaic box-checking often associated with the attribute ›kosmisch‹. »Cloud Management«, thus, marks not an exercise in the traditions of a musical past, but a distinctive position within contemporary electronic music.

All songs are written, recorded and produced by Ulf Schütte, Thomas Korf and Sebastian Kokus.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

20,13
Eliane Radigue - In Memoriam-Ostinato / Danse des Dakinis

Alga Marghen presents the last chapter from the Feedback Works documentation series, a brand-new LP including "In Memoriam-Ostinato" and "Danse des Dakinis", two previous unreleased tracks by Eliane Radigue. Among the works of fixed duration from the feedback period, "In Memoriam-Ostinato" is the link between "Jouet Electronique" (ALGA 029LP) and "Opus 17" (ALGA 045LP), and allows you to understand the evolution of her approach. "In Memoriam-Ostinato" is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality. Eliane Radigue's working method and her aesthetic direction are evident in this work from 1969: her very own unique temporal space of sonic experiences. Even though it bears the same name as the third part of "Adnos III", "Danse des Dakinis" is a peculiar work in Eliane's oeuvre. Conceived in a short time, with all kind of tapes from the composer's past work, it fluently shows a kaleidoscopic vision of Radigue's sensibility for sound. In 1998 she put together a curious self-portrait in sound. There is a feedback ostinato conceived around 1969 and which refers to "In Memoriam-Ostinato" and "Opus 17". All through "Danse des Dakinis" you plunge into the sound of a creek recorded at Mills College campus that brings you back to the field-recordings from the beginning of the 1960s, made on the coasts of the Mediterranean Sea. Such elements construct "Elemental1" (ALGA 029LP) as well. There are also some discreet interventions on the ARP 2500 synthesizer. It is indeed a peculiar work, which doesn't have the same features of her other compositions, especially at that time of her compositional path. There is an explanation for the composer producing this kind of sound material in 1998, and not limited to the sound waves of the ARP synthesizer. Invited to a workshop at Mills College in 1998, Eliane Radigue could not load herself down with her bulky instrument on such a trip. So, she left with just a few tapes taken from her own collection, drawn from different periods, and composed "Danse des Dakinis" with those old elements. There is tension in this composition, a certain wildness, an unpredictability of elements, those which are recognized as fundamental elements, which give structure to the universe. "Dance des Dakinis" is an intimate and wild symphony, alive and unpredictable, which is to be the next-to-last gesture of the composer before completely stopping her work with electronics.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

29,37
Aroma Di Amor - Zwarte Doos 6x12" + 7"

Comprehensive box of 6 LPs / EPs and the band's first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986) contributing to the music.

Box Set includes: Gorilla Dans De Samba 7" (1983), Voor De Dood 12" (1984), Koude Oorlog LP (1984), De Sfeer Van Grote Dagen 12" (1985), Zonder Omzien 12" (1986), Harde Feiten LP (1986), Koudvuur LP (1987)

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

138,61
Aroma Di Amo - Koude Oorlog

First-time reissue of Aroma Di Amore's debut album, originally released in 1984.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,31
Aroma Di Amore - Harde Feiten

First-time reissue of Aroma Di Amore's 2nd album, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,31
Aroma Di Amore - Koudvuur

First-time reissue of Aroma Di Amore's 3rd album, originally released in 1987.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,31
Aroma Di Amore - De Sfeer Van Grote Dagen

First-time reissue of Aroma Di Amore's 3rd EP, originally released in 1985.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

20,38
Aroma Di Amore - Zonder Omzien

First-time reissue of Aroma Di Amore's 4th EP, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

20,71
Muslimgauze - Khan Younis LP

"Brilliantly remastered picture LP / LP / CD with new stunning artwork!

A1 taken from VA – 110 Below – No Sleeve Notes Required (110 Below, 1995)
A2 taken from VA – Assemblage Volume Two (Extreme, 1996)
A3 taken from Nonplace Urban Field – Golden Star (Incoming!, 1996)
B1 taken from VA – Le Sacre Du Printemps (Gonzo Circus, 1994)
B2 taken from VA – X-X Section (Extreme, 1991)
B3 taken from VA – Directions 2 (Direction Music, 1989)

An Other Voices Records / Kontakt Audio Co-operation Release

Compiled by Terry Bennett and Oleg Galay
Re-mastered by Višeslav Laboš
Artwork by Oleg Galay"

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,15

Last In: vor 19 Monaten
Muslimgauze - Khan Younis LP

Muslimgauze

Khan Younis LP

Pict-VinylAKT06LPPIC
Kontakt Audio
02.12.2022

"Brilliantly remastered picture LP / LP / CD with new stunning artwork!

A1 taken from VA – 110 Below – No Sleeve Notes Required (110 Below, 1995)
A2 taken from VA – Assemblage Volume Two (Extreme, 1996)
A3 taken from Nonplace Urban Field – Golden Star (Incoming!, 1996)
B1 taken from VA – Le Sacre Du Printemps (Gonzo Circus, 1994)
B2 taken from VA – X-X Section (Extreme, 1991)
B3 taken from VA – Directions 2 (Direction Music, 1989)

An Other Voices Records / Kontakt Audio Co-operation Release

Compiled by Terry Bennett and Oleg Galay
Re-mastered by Višeslav Laboš
Artwork by Oleg Galay"

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

28,99

Last In: vor 3 Jahren
The Waterboys - An Appointment With Mr Yeats LP 2x12" (2022 Remaster)

An Appointment with Mr Yeats sees the words of W B Yeats, one of Ireland's greatest literary sons, merged with the music of The Waterboys, one of Britain and Ireland's greatest rock bands, in a truly unique and ambitious musical undertaking. The album was originally released in 2011, and has been fully remastered for re-issue, and now contains 6 previously unreleased bonus tracks. The Waterboys vocalist Mike Scott, first delivered a new dimension to Yeats' poetry in 1988, when he wrote a musical accompaniment for the classic poem The Stolen Child, during the making of the Waterboys seminal album 'Fisherman's Blues'. Five years later he set another Yeats poem to music, Love and Death, which appeared on their 'Dream Harder' album. Over the years, Scott had been quietly crafting a wealth of material similarly based on the writings of Yeats. A number of these were performed by him at the Abbey Theatre during the Yeats International Festival in 1991, but most had remained in Scott's private songbook awaiting the right vehicle. An Appointment with Mr. Yeats was that long-awaited context. Scott's love of literature is firmly embedded throughout the work of The Waterboys. He has also put the writings of Robert Burns, James Stephens, Kenneth Grahame and George MacDonald to song. Speaking on his literary influences and loves, Scott explained: "I grew up in a house full of books so literature - and language - have always been important to me. Working with other peoples' words is something that comes as natural to me as working with my own. In a way it's even more immediate; I've always found writing music an easier process than the writing of lyrics, and setting words of the quality of Yeats' to music is an enormous privilege and treat." An Appointment with Mr. Yeats is a unique and memorable opportunity for lovers of great music and great literature to celebrate the union of song and word in one spectacular record.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

33,82
HOWARD JOHNSON - YOU’RE MY STAR

Six Nine Records Ltd. UK proudly presents the fifth release for Howard Johnson on the label! “You’re My Star” is another winner from the man who, together with Kashif, brought boogie-funk to the forefront of popular soul music in the UK (and probably the rest of the world as well). The track is written by no one less than Leon Sylvers III and on the flip we find the laid back and smooth Yardley Mix. Definitely not to be missed as it is a limited UK press with full colour printed picture cover!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,43

Last In: vor 3 Jahren
Leftfield - This Is What We Do LP 2x12"

The first album in 7 years from seminal electronic music pioneers and twice Mercury Prize Nominated, Leftfield. Currently reaching a new audience through Idris Elba’s Gucci ad, this will be their 4th album in their 28 year history. The new single will be featured in the soon to launched eFootball by Konami (previously PES).

Their last tour (in 2017) featured 7 sold out UK shows (including 2 X Brixton Academies), a sold out world tour and various festival headlines.

Quote from Neil Barnes: "I wanted ‘Pulse’ to be the first statement from the new album. It felt strong. Dance floor. Human. Positive. And I love the bass. It’s Leftfield."

Full pitch notes with bio to come

CULTURE

Leftfield (originally comprised of Neil Barnes and Paul Daley), have been at the cutting edge of dance music since the 1990s, releasing albums that have become some of the most influential electronic records of all time around the world with their debut LP 'Leftism' being widely regarded as one of the most boundary-pushing electronic LPs ever released.

In 2010, Neil Barnes reignited the Leftfield name, and went on to release an acclaimed new album (Alternative Light Source) touring the world with the full live band. Neil has also been cementing his reputation as a top-tier DJ and record collector unleashing modern dance floor weapons, selling out venues, headlining festivals and creating some amazing nights with his sets.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

29,37

Last In: vor 3 Jahren
Ibrahim Alfa jnr - Messier87 2x12"

Ibrahim Alfa Jnr released techno music since the age of 17. He started to play piano when was six years old and has a master degree in sonic arts. As a Live Act and DJ he is world wide known.

His first album on Mille Plateaux is a fine example of Hypercussion, which implies a new rhythmic A-logic when beats split or shoot each other off, or when they overlap and mutate into high-pitched hums and rattlesnake breaks; accelerating, before music again blurs into the grains of noise or calm science fiction landscapes and at the same time builds gigantic sound walls. And such music, as far as its conceptualization is concerned, does not have to submit itself to technology at all, but must understand itself as a form that can be recombined with technology.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,99

Last In: vor 3 Jahren
SURPRISE CHEF - EDUCATION & RECREATION LP

Die Musik von Surprise Chef basiert auf dem Hervorrufen von Stimmungen; ihre lebendigen Arrangements nutzen Zeit und Raum, um Klanglandschaften zu schaffen, die den Zuhörer in ihre Welt einladen. Der unverwechselbare Sound des Quintetts speist sich aus der Filmmusik der 70er Jahre, der funkigeren Seite des Jazz und den Samples, die die Grundlage des Hip-Hop bilden. Sie verschieben die Grenzen des instrumentalen Soul und Funk mit ihrem eigenen Ansatz, der durch unzählige Stunden im Studio, das Studium der Meister und - vielleicht am wichtigsten - durch die "Tyrannei der Distanz", die ihrer Musik eine einzigartige Perspektive diktiert, verfeinert wurde. Mit ihren ersten beiden Alben All News Is Good News und Daylight Savings haben sich die aus der Nähe von Melbourne, Australien, stammenden Musiker eine eingefleischte Fangemeinde erspielt und ihren Sound von ihrem Heimstudio aus in alle Ecken der Welt gebracht. Die Band ist nun bei Big Crown Records unter Vertrag und reiht sich damit in eine Reihe zeitgenössischer und klassischer Sounds ein, die die Musik von Surprise Chef seit ihrer Gründung im Jahr 2017 beeinflusst haben. Surprise Chef besteht aus Lachlan Stuckey (Gitarre), Jethro Curtin (Keyboards), Carl Lindeberg (Bass), Andrew Congues (Schlagzeug) und Hudson Whitlock - das jüngste Mitglied, das von der Percussion über das Komponieren bis zum Produzieren alles macht. Die selbsternannten "moody shades of instrumental jazz-funk" haben von allem etwas: druckvolle Drums, mitreißende Keys, eine Rhythmusgitarre, die man auf einer Studio One-Platte hören könnte, und Flötenlinien, die von einer Blue Note-Session stammen könnten. Aber wenn man einen Schritt zurücktritt und sich die Gesamtheit ihres Sounds und ihrer Herangehensweise anschaut, dann hört und sieht man eine Gruppe, die mehr ist als die Summe ihrer Teile. In vielerlei Hinsicht verkörpert Surprise Chef die Redewendung "the benefits of limits". Ihre Möglichkeiten waren insofern begrenzt, als es in Südost-Australien nicht viele Leute gab, die instrumentalen Jazz/Soul/Funk machten oder darüber sprachen, geschweige denn Platten herausbrachten. So mussten sie ihren Sound und ihre Herangehensweise in einer Art kreativer Isolation entwickeln, in der sich ein kleiner Kreis von Freunden und gleichgesinnten Musikern gegenseitig befruchtete. "Da wir in Australien so weit weg sind, bekommen wir nur flüchtige Einblicke in die Ursprünge dieser Musik", sagt Stuckey. "Aber als wir ein Label wie Big Crown hörten, wurde uns zum ersten Mal bewusst, dass man frische, neue Soulmusik machen kann, die nicht super retro oder einfach nur nostalgisch ist." Dieser Ansatz ist auf ihrem neuen Album Education & Recreation deutlich zu hören. Tracks wie "Velodrome" verbinden klobige Drums mit einer ohrwurmverdächtigen Synthie-Linie, die so klingt, als würde sie auf einer Ultimate Breaks & Beats-Compilation zu finden sein, während Nummern wie "Iconoclasts" zeigen, dass sie ein Händchen für die geschmackvolle Nutzung von Raum haben. Vom erdrückenden Intro von "Suburban Breeze" bis zum schwebenden, sanften Bop von "Spring's Theme" haben Surprise Chef ein Album zusammengestellt, das dich durch Höhen und Tiefen der Emotionen führt. Ein lebendiger, die Fantasie beflügelnder Sound! Dem weiten Spektrum dieser Instrumentalmusiksparte wird mit diesem neuen Album ein modernen Klassiker hinzugefügt.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,64

Last In: vor 3 Jahren
TIMOTHY J. FAIRPLAY - CHARIOTS IN THE SKY EP

Timothy J. Fairplay is a producer based in the UK with a back catalogue of releases under different aliases and as a member of various groups – most notably, The Asphodells with Andrew Weatherall. His EP Chariots In The Sky was made with cult hardware synthesizers (Roland TR-808, SH-5, SH-09 and many more) and is the debut vinyl release on Archaic Future Sounds. Influenced by the Dark Wave side of Italo-Disco, John Carpenter’s soundtracks and electronic Krautrock, it features 4 Science Fiction themed tracks perfect for all sophisticated dancers, DJs and connoisseurs of pure analog sonic bliss!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

13,24

Last In: vor 12 Monaten
Midori Takada - Tree of Life

Midori Takada

Tree of Life

12inchWRWTFWW057
WRWTFWW Records
02.12.2022

WRWTFWW Records is proud to announce the worldwide reissue of Midori Takada’s solo album from 1999, Tree of Life, available on vinyl for the first time ever in a new audiophile mix by the Japanese percussionist herself, and in full half-speed-mastered glory. The 180g LP comes in a heavy sleeve with a beautiful design by Kohei Sugiura. Tree of Life is also available in CD (digipack) and digital formats.

Originally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto’s "Merry Christmas Mr. Lawrence" and many more were recorded) and released on CD only for the Japan market in 1999, Tree of Life is Midori Takada’s best kept secret, a lost gem of minimalism and percussive ambient. The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and bells, notably on the magnificent fan-favorite "Love Song Of Urfa". The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua, allowing Midori Takada to unveil new layers of her artistic mind with a slightly more theatrical approach and a beautiful crystallization of complex simplicity.

The entire album was given a fresh new audiophile mix by Midori Takada herself and was mastered at Emil Berliner Studios, with half speed cutting for the vinyl version, to ensure an audio presentation aligned with the Japanese pioneer’s vision.

This Tree of Life reissue follows two newly recorded Midori Takada albums, Cutting Branches For A Temporary Shelter and You Who Are Leaving To Nirvana, both available on WRWTFWW Records, along with her 1983 masterpiece, Through The Looking Glass.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

22,65

Last In: vor 16 Monaten
Doctor Who - Demon Quest (10x12")

Doctor Who

Demon Quest (10x12")

10inchDEMWHOBOX010
Demon Records
02.12.2022

1200 x Signed Prints

“Mrs Wibbsey, you may have done something absolutely catastrophic!”

For the first time on limited edition vinyl, Demon Records presents a second series of unique audio adventures
starring Tom Baker as the Doctor, following the success of Doctor Who - Hornet’s Nest.
Once again every copy includes an exclusive, frameable portrait of the Fourth Doctor, hand signed by Tom Baker
himself - just one of the treats inside this stunningly designed package.
An intricately die-cut, removable outer sleeve reveals a Demonic lidded box, inside which are 10 individual, beautifully
illustrated LP sleeves featuring full cast and credits for each of the five stories.
The Time Lord’s encounters with the mysterious Demon are detailed in The Doctor’s Journal, a large 16-page full
colour booklet featuring notes and illustrations from this epic pursuit through Time.
Presented across 10 x 140g alternating Red and Black vinyl discs, this full-cast audio adventure by Paul Magrs stars
Tom Baker as the Doctor, with Susan Jameson as Mrs Wibbsey and Richard Franklin as Mike Yates.
The supporting cast includes Nigel Anthony, Samuel West, Jan Francis, Trevor White, Lorelei King and Finty Williams,
and original sound design accompanies the familiar Doctor Who theme from the BBC Radiophonic Workshop.
LP 1&2: The Relics of Time
LP 3&4: The Demon of Paris
LP 5&6: A Shard of Ice
LP 7&8: Starfall
LP 9&10: Sepulchre
When key components from the TARDIS are stolen in exchange for a bag of strange curios, the Doctor and his
housekeeper Mrs Wibbsey are reunited in adventure. Each object leads the unlikely friends, along with the trusty
Mike Yates, to a place and time where danger awaits them. As their pursuer’s net closes around the Doctor, he
realises that the mysterious Demon is in thrall to a much higher power…

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

146,01
Korinami - Personal Passage 3x12"

Personal Passage is an imaginary journey that starts from a station and goes to a place that is not well defined, but is elsewhere.

The sounds of the record pass through calm and timeless places at frantic and often anxious moments. It crosses the moods of which it seeks to change, and often has to face light and dark.

Enthusiasm and fears mix and merge in a long time space, like a train journey, which sooner or later arrives at its destination.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,15

Last In: vor 3 Jahren
Salvia Palth - Melanchole

Salvia Palth

Melanchole

12inchDCR082LPC3
Danger Collective
02.12.2022

Melanchole is a collection of ambitious lo-fi pop songs recorded by Daniel Johann in the winter of 2012 in Wellington, New Zealand, when Johann was only 15 years old. The songs deal with the awkwardness of growing up, the pains of being apart, and the anxieties of being alive and real. Originally self-released on bandcamp, the album became a viral internet sensation, garnering over 100 million streams on Spotify and a large TikTok following. In 2018, Danger Collective remastered Melanchole and reissued it on vinyl with a new track listing; the first pressing sold out within the first 24 hours it was released. This third pressing will be released on doublemint green vinyl with a brand new album cover, packaged with an OBI strip and a 12x12 insert. Johann continues to remain somewhat of an enigma, rarely performing live or giving interviews. After almost a decade since his debut, Johann is currently in the midst of recording a follow-up album. “Really just the first of its kind. A study in experimental music and conceptualizing sounds that not many else would have a vision for.” // “The echoing soundtrack of loneliness in my head.” // “One of my favourite lo-fi records finally gets remastered and released on vinyl. I daresay that the changes to the track listing make this version of the album even better than the original.” // “I didn’t think it was possible for home to feel so melancholy.” // “Amazing amazing AMAZING lo-fi album.” // “This album habis a hazy, dreamily sedating effect on the careful and passionate listener. Simply put this album is entrancing with weeping, wistful melodies synchronized with Picasso’s blue period.” // Track Listing: 1. I Dont Know Anyone, I Am 2. Stones Pull Out Heart 3. I Dont Want To Ask Your Father Or Anything 4. Melanchole / Diary Pt. 1 5. I Was All Over Her 6. Like You Know I Get Old 7. Post-Traumatic All-Night-Long 8. Voice Vi 9. Reprise 10. (Dream) 11. Needs No Progress, I Will Lie 12. Girl 13. Te Ahora

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

24,33

Last In: vor 3 Jahren
Nyx Nott - hemes From…

Nyx Nott

hemes From…

12inchMELO133LP
Melodic
02.12.2022

“A rather gorgeous and engrossing collection, that borrows stealthily from a rich history of sound effect and soundtrack to build a tender poem to the night time.” - CLASH
“The plan was to make twenty 90-second tracks designed as TV themes,” says Arab Strap’s Aidan Moffat, of the initial thought behind his new instrumental album as Nyx Nótt “But it wasn't a satisfying listen, it was too gimmicky and silly.”
So instead, Moffat decided to stretch the idea out, plunge deeper, and expand the music into full tracks, “making some of them quite long and dramatic, with the odd swift turn here and there.” In fleshing these tracks out into more fully realised songs he began sourcing samples from professional TV and film music libraries. “The focus then turned to making a proper album out of these modern library sounds,” he says. “I decided to stick with the Themes From title and named the tracks after the sorts of shows they made me think of when I listened back.”
The result is a record that explores genre themes such as: ‘Thriller, ‘Porno’, ‘Caper’ and Swashbuckler’, and acts as an audio equivalent of channel hopping through a unique TV station programmed by Moffat. “I still wasn't sure about all this until I did the album cover, which brought it all together,” he says, of the artwork that places an old smashed TV unit front and centre with a woman perched on top. “It has echoes of old TV compilations but is pretty cheeky and slightly sexy in that old 70s compilation style. I wanted this one to look a bit more fun than the last one, as well as hopefully sound a bit more fun too.”
Aside from being a fun experience, it is also a stirring and immersive listen, one that allows the listener to imagine their own accompanying visual scenarios to each musical theme. The opening ‘Docudrama’ marries a gently creeping beat with strings that glide from tense to sweeping, while ‘Porno’ is all seedy smoky jazz that feels plucked right out of Travis Bickle’s late night trips to porn cinemas in Taxi Driver.
Touches of jazz pop up in other places too, on ‘Hardboiled’ this merges with subtle pulses and gargles of electronics that build to a rousing crescendo of horns and bleeps, and on ‘Caper’ there’s a vivacious full jazz band skip to the lively swinging rhythms. “There's a few more jazzy elements here,” Moffat says. “Although I'm not quite sure where that came from. Although, like everyone else, I've had plenty of time to be introspective recently, so I decided the next Nyx Nótt album should be more upbeat and encourage some occasional foot-tapping.”
However, what becomes apparent, the longer you spend in the world of Themes From, is how singular and unique the tone of each composition is. “Each track has its own individual feel,” says Moffat. “The idea was to sound like a different composer and band throughout.” It’s a stylistic leap that continues Nyx Nótt’s trajectory as one that shares no direct link to Moffat’s other projects. “I approach them in completely different ways and with a different purpose in mind,” says Moffat. “I don't think Nyx has ever heard of Arab Strap, and certainly doesn't own any of their albums.” It’s also a notable shift from the debut album under this moniker, and suitably given the theme, Moffat has created a visual comparison between these two sonic worlds. “If the first Nyx Nótt album was like looking out on dark prairies before dawn, this is more like a walk through a neon Soho after a few cocktails.”

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

23,74
David Dorad - Murmel 2x12"

David Dorad

Murmel 2x12"

2x12inchKIOSKID013
KIOSK I.D
02.12.2022

If you've been in the club scene for many years like David Dorad, you will one day face the big, essential, serious questions that each of us will ask ourselves sooner or later:

Are marmots pack animals?
Can marmots sign language?
Do marmots plan their lives according to European or Chinese zodiac signs?
Do marmots need a special passport, after all they don't have a thumb to turn the pages?
What happens when a marmot eats Coke and Mentos at the same time?

And with all those questions whistling, hissing and muttering in his head, David grabbed piano, baton and BioBassline to crochet his new EP.
This is called "Marble" and offers 6 different approaches to solve these big questions.
As a source of ideas, he has competent partners at his side in Roman Flügel, Mira, Christopher Schwarzwälder, Canson and Sascha Cawa.


A1 -
Murmeli - original
The marmot tribe awakens. Get up to brush your teeth. Gets your toes tapping. Makes you snap your fingers. Dare to roll your hips. Later rhythmically to turn. To look elegant at the same time. Eyes closed - eyes open.
Murmeli, the regular leader, sits at the piano.
Everyone is dancing, toothpaste in the corners of their mouths and a smile that takes the toothpaste by the hand.
A normal morning in marmot houses.

B1 -
Murmeli - Mira & Christoph Schwarzwald RMX
Mira and Christoph Schwarzwalder take over from Murmeli. They vary, combine and subtract. The first marmots raise their thumbless fists in the air - showing their passports, ready to take off.

B2 -
Murmeli - Canson RMX
Canson also sits next to Murmeli. Caress the theme, tickle the groove.
Murmeli has the best ideas early on: "Boy, let's try Mentos with Cola, we'll definitely take off."
Canon is in!


C1 -
Murmelot - Original
The sun goes down in Murmelhausen too. Then Murmelot is ready. Gives his advanced Pilates class, which the whole tribe takes. The village wants to remain mobile.
Murmelot's motto is "Why not stretch while walking?"
And so shall it be. He sets the rhythm on his wooden Fairtrade 303 and our furry friends shave shaky and obscene messages down each other's backs while impatiently hopping for the drop.

D1 -
Murmelot - Roman Flügel Remix
Roman Flügel and Murmelot are old buddies. Struck while carving the 303.
Roman happily takes over the Pilates class, the dancing crowd. Enchanted until the razor's batteries are empty and only dancing remains, only dancing is important.

D2 -
Murmelot - Sascha Cawa RMX
Sascha Cawa takes his trunk by the hand, wants to motivate her again shortly before the second sunset of the day. Whispers little obscene Pilates positions in their ears. That motivates. Murmelot switched from piano to percussion.
The marmots' sweat feeds the golden orchids in the clearing for the next six months.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,43

Last In: vor 13 Monaten
Various - Dust Of Life LP 2x12"

Various

Dust Of Life LP 2x12"

2x12inchHRDF019
Hard Fist
02.12.2022

Creative offspring of Tushen Rai and Cornelius Doctor’s musical fantasies, Hard Fist has been a non-profit project encompassing producers, graphic designers, djs and dreamy party worshippers since its inception in 2017.

“We would never have thought that this collective story would bring us this far, that it would take such a place in our lives and that it would bring us so many beautiful encounters. It was only possible to celebrate our 5th anniversary with the unreasonable idea of making something out of the ordinary.

So we thought big, a digger’s dream: a double vinyl in limited edition with 20 artists from 17 countries gathered around exceptional collaborations: producers who have marked the history of the label these last 5 years, friends, but also peers, people who inspired us and gave us the desire to create Hard Fist.

In this Unidentified Noisy Object (U.N.O), you can expect borderless music flirting with Nu-Rave and No Wave, Cosmic Dub and Post-Punk, a slice of Psychedelic Electronica, a lot of Acid and a bit of Slow Goa Trance. As well as some beats of Krautrock played with an Afrobeat groove and a few Darkwave’s synths. But not only that. It’s never only that. But what is it then? Just a label without label, to dance and to explore.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

22,27

Last In: vor 2 Jahren
BLACK OX ORKESTAR - EVERYTHING RETURNS

Die Originalbesetzung von Black Ox Orkestar ist nach einer 15-jährigen Pause wieder zusammen. Die aus der fruchtbaren Montréaler Post-Punk-Agit-Prop-Szene der frühen 2000er Jahre hervorgegangene Band besteht aus Scott Gilmore, Jessica Moss und Thierry Amar von Thee Silver Mt. Zion (Amar komponiert und spielt auch weiterhin Bass für Godspeed You! Black Emperor) und Gabriel Levine von Sackville. Black Ox Orkestar haben Mitte der 2000er Jahre zwei gefeierte Alben mit aufgewühltem akustischem Avant-Folk veröffentlicht, auf denen sie osteuropäische und nordafrikanische Folklore durch die Linse einer düsteren, resonanten Indie-Rock-Sensibilität erforschten und Interpretationen von Instrumentalstücken aus verschiedenen jüdischen, rumänischen und arabischen Traditionen den Originalen gegenüberstellten. Auch dank Gilmores politisch aufgeladenem jiddischen Gesang sind diese frühen Alben für eine neue Generation von Musikern und Fans der jiddischen, Klezmer- und jüdischen Diaspora-Musik zu Meilensteinen geworden. Das von Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio) hervorragend produzierte Album Everything Returns macht genau da weiter, wo die Band aufgehört hat: ein einschneidend atmosphärisches, melancholisches und doch entschlossenes Album einzigartiger moderner jüdischer Folkmusik, bei dem Klavier, Geige, Kontrabass, Klarinette und Cymbalom die Kerninstrumentierung bilden und die Gesangsstücke hauptsächlich auf Jiddisch gesungen werden. ENG Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

24,33
SW. - okALGORYTHM LP 2x12"

Sw.

okALGORYTHM LP 2x12"

2x12inchAVE66-18
Avenue 66
02.12.2022

The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."

To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.

If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,99

Last In: vor 29 Tagen
SOISONG - QXN948S

Soisong

QXN948S

12inchDAISLP202
Dais Records
02.12.2022

SoiSong is the stunning but short-lived partnership of Coil co-founder Peter "Sleazy" Christopherson and veteran Russian electronic experimentalist Ivan Pavlov. Though friends since 1997, the project birthed roughly a decade later in Bangkok, where Christopherson relocated following the death of his Coil collaborator John Balance in 2004. Named after the Thai word for `two' along with a notorious red-light district street nearby, the duo dialed into a cryptic language of lurching synthetics, Eastern minimalism, and interdimensional glitch, oscillating between elegance and mayhem. qXn948s collects some of their earliest recordings, and remains as transgressive and transcendent a listen now as it was upon its release a decade and a half ago. Pavlov characterizes SoiSong as less a musical group than a "utopian, semi-alien platform for collaboration, devoid of pronounced personality or centralized authority_ more like a message from elsewhere that anyone is welcome to participate in and spread." Every facet of the project was disruptive and oblique: self-released CDs packaged in elaborate origami that had to be destroyed to be accessed; a website with password protected sections, where different passwords were provided for different events, objects or releases; performance merchandise of headphones and a Walkman melted shut so the music can only be heard as long as the set of batteries last. Theirs was a muse as unprecedented as it was uncompromising, equal parts pranks and profundity. qXn948s began with samples and software composed intuitively in tandem before a large monitor, then progressively processed and scrambled into bewildering arrangements of digital frequencies, alternately spartan and claustrophobic, uneasy and uncanny. Vignettes of small melody emerge and are obliterated; gamelan-esque tones spiral above cybernetic pulse programming and funereal didgeridoo; skeletal piano meanders in the distance while flickering circuitry pummels patterns of white noise. Pavlov describes his and Christopherson's chemistry as "unspoken and sincere, and very efficient." That music this aggressively disorienting and complex congealed in a smoothly organic fashion is testament to the rare vision of its creators.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,81

Last In: vor 3 Jahren
SOISONG - QXN948S

Soisong

QXN948S

12inchDAISC4202
Dais Records
02.12.2022

Clear Vinyl

SoiSong is the stunning but short-lived partnership of Coil co-founder Peter "Sleazy" Christopherson and veteran Russian electronic experimentalist Ivan Pavlov. Though friends since 1997, the project birthed roughly a decade later in Bangkok, where Christopherson relocated following the death of his Coil collaborator John Balance in 2004. Named after the Thai word for `two' along with a notorious red-light district street nearby, the duo dialed into a cryptic language of lurching synthetics, Eastern minimalism, and interdimensional glitch, oscillating between elegance and mayhem. qXn948s collects some of their earliest recordings, and remains as transgressive and transcendent a listen now as it was upon its release a decade and a half ago. Pavlov characterizes SoiSong as less a musical group than a "utopian, semi-alien platform for collaboration, devoid of pronounced personality or centralized authority_ more like a message from elsewhere that anyone is welcome to participate in and spread." Every facet of the project was disruptive and oblique: self-released CDs packaged in elaborate origami that had to be destroyed to be accessed; a website with password protected sections, where different passwords were provided for different events, objects or releases; performance merchandise of headphones and a Walkman melted shut so the music can only be heard as long as the set of batteries last. Theirs was a muse as unprecedented as it was uncompromising, equal parts pranks and profundity. qXn948s began with samples and software composed intuitively in tandem before a large monitor, then progressively processed and scrambled into bewildering arrangements of digital frequencies, alternately spartan and claustrophobic, uneasy and uncanny. Vignettes of small melody emerge and are obliterated; gamelan-esque tones spiral above cybernetic pulse programming and funereal didgeridoo; skeletal piano meanders in the distance while flickering circuitry pummels patterns of white noise. Pavlov describes his and Christopherson's chemistry as "unspoken and sincere, and very efficient." That music this aggressively disorienting and complex congealed in a smoothly organic fashion is testament to the rare vision of its creators.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

23,49

Last In: vor 3 Jahren
ABDEL HALIM HAFEZ - MAWOOD

Abdel Halim Hafez

MAWOOD

12inchWWSLP65
WeWantSounds
02.12.2022

Wewantsounds is delighted to reissue "Mawood" one of the cornerstones of Egyptian music, recorded in 1971 by legendary Arabic singer Abdel Halim Hafez. Famously sampled by Jay-Z on "Big Pimpin"" for one of his 60s tracks, Hafez is captured here live with his full orchestra including Omar Khorshid on guitar. the album mixes traditional Arabic music with modern instrumentation and shades of 70s groove. "Mawood" is one of Hafez"s all-time classics, written by the legendary composer Baligh Hamdi. This release has been newly remastered for vinyl and features the original LP artwork with a 2 page insert featuring a new liner notes (English/French) by Mario Choueiry (IMA, Paris) who curates Wewantsounds" Arabic series of reissues.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

31,30
Galcher Lustwerk - 100% GALCHER LP 2x12"

100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.

Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying."

As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

30,04

Last In: vor 3 Jahren
Composed by Michael Giacchino - The Batman: Original Motion Picture Soundtrack (3x12")

Mondo, in partnership with WaterTower Music, is proud to present Michael Giacchino's absolutely brilliant score to Matt Reeves’ highly anticipated THE BATMAN. Featuring the music of Academy, Emmy and Grammy Award-winning composer Michael Giacchino, whose credits feature some of the most popular and acclaimed film projects in recent history, including THE INCREDIBLES, COCO, JOJO RABBIT, RATATOUILLE, STAR TREK, JURASSIC WORLD, ROGUE ONE: A STAR WARS STORY, SPIDER-MAN: HOMECOMING, and WAR FOR THE PLANET OF THE APES. This is the fifth film Reeves and Giacchino have collaborated on.

Giacchino proves himself, once more, as one of the greatest living composers, by introducing a powerful and instantly canonized new theme to one of the most musically iconic superheroes. When director Matt Reeves heard the theme for the first time, he was with film producer Dylan Clark. “I was blown away!” He exclaimed. “It was so emotional. The two of us literally cried…it was amazing.”

Though it's not only the world's greatest detective who emerges with a new theme - Selina Kyle / Catwoman's new string heavy theme is slinky and haunted like that of a classic noir's femme fatale. And Giacchino's take on The Riddler is far more haunted, accompanied by the Tiffin Boys choir, a truly terrifying and dread-inducing motif for one of the scariest takes on a Gotham villain, to date.

With nearly two hours of score, housed on three discs, featuring all new artwork by Henry Abrams.

Composed by Michael Giacchino
Artwork by Henry Abrams
Manufactured in Czech Republic

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

70,55
Queen Of Jeans - Hiding In Place LP

Hiding in Place, the new EP from Philadelphia’s Queen of Jeans, opens with the springy pluck of a single note on electric guitar, like a ping from a satellite waiting for a response in a long, quiet expanse. Then, Miri Devora’s voice atop guitar and drums: “Hiding in place, conjure your face/Don’t wanna lose my mind.”

This is the title track’s invitation to a four-song study of loneliness, alienation, and the unraveling that comes with those states, but it’s also bookended with moments of levity: joy and romance burst through on second track “Why Hide,” a response of sorts to the title track’s cloistered anxiety. Devora wrote the songs at the start of the pandemic in March 2020 when she had just been laid off from her job of almost 10 years. Her partner, guitarist Mattie Glass, worked 11 hour shifts at a grocery store, so Devora was alone in their apartment for months on end. When they were written, these weren’t intended to be pandemic-specific.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

25,17
DJ Surgeles - Moonlight Serenade 2x12"

Dj Surgeles

Moonlight Serenade 2x12"

2x12inchTECH-UM313001
TECH-UM
02.12.2022

Originally released on Axis records. Moonlight Serenade Year 3036, the Third Empire of Human spans hundreds of star systems, only accessible by a faster-than-light spaceship. No other intelligent beings have ever been encountered, not until a light sail probe enters a human system carrying a dead alien. The probe is traced to the Ursea, an isolated star system in a thick dust cloud, and an expedition is dispatched. After a search that lasted thousands of years, humans stand on the verge of first contact with an alien race. The mission's objective: learn everything there is to know about the extraterrestrial intelligence. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

22,31

Last In: vor 3 Jahren
Regal - New York '72

Regal

New York '72

12inchLEXGLP005
Lexington 144
02.12.2022

Dedicated to all b-boys and b-girls and all the graffiti writers around the world, DJ Regal returns to his Lexington imprint with the second part in his Inspired By series. New York '72 is an amazingly vibey tribute to the sounds & sights of the Big Apple 50 years ago, coming in a top notch instrumental hiphop style.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

24,33

Last In: vor 3 Jahren
Arthur Russell - ‘Love Is Overtaking Me’ LP 2x12"

"Love Is Overtaking Me", originally released in 2008 comprises 21 demos and home recordings of unreleased pop, folk and country songs from Arthur"s vast catalogue. While much critical and popular affection for Russell"s music has come about well after his untimely death from AIDS in 1992, many fellow artists believed in his genius and were drawn to collaborate with him during his lifetime. The legendary producer John Hammond (Billie Holiday, Bob Dylan, Bruce Springsteen) recorded Russell on several occasions; a number of these recordings can be heard on "Love Is Overtaking Me". Alongside songs recorded with various incarnations of The Flying Hearts, a group formed by Russell with Ernie Brooks whose shifting line up included, by turns, Jerry Harrison, Rhys Chatham, Jon Gibson, Peter Gordon and Peter Zummo as well as Larry Saltzman and David Van Tieghem. Several other Russell projects are represented on Love Is Overtaking Me, including The Sailboats, Turbo Sporty and Bright & Early. Compiled from over eight hours of material, "Love Is Overtaking Me" reaches back further to Russell"s first compositions from the early `70s and spans forward to his very last recordings, made at home in 1991. Chris Taylor of Grizzly Bear contributed mixing, restoration and editing to the album, whose tracks were selected by Audika"s Steve Knutson, Ernie Brooks and Russell"s companion, Tom Lee. Several songs feature prominently in Matt Wolf"s film "Wild Combination: A Portrait of Arthur Russell". Extensive "Love Is Overtaking Me" liner notes by Tom Lee provide an intimate perspective on Russell"s diverse catalogue, which spanned an extraordinary diversity of styles and won the love of artistic communities that would seem utterly disparate, from Philip Glass, John Cage and Allen Ginsberg to rock bands like The Talking Heads and The Modern Lovers; the pre-Studio 54 disco-party scene of Nicky Siano"s Gallery and David Mancuso"s Loft; and DJ-producers like Francois Kevorkian and Larry Levan, among others.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

28,36
Hot Hot Heat - ‘Make Up The Breakdown’ Deluxe Remastered Edition

Hot Hot Heat’s classic debut album, ‘Make Up The
Breakdown’, filled with smart, energetic, dancepunk hits, returns to vinyl with this fully remastered
LP edition.
AllMusic called the album “an addictive, densely
packed pop gem that ranks among 2002’s best
albums,” and Pitchfork agreed, including it on their
list of The Best Albums Of 2002.
Following closely on the heels of their critically
acclaimed ‘Knock Knock Knock’ EP, ‘Make Up the
Breakdown’ is Hot Hot Heat's first full length,
recorded with Jack Endino at Vancouver, BC’s
Mushroom Studios (with engineering help from
Chris Walla of Death Cab for Cutie).
SPIN Magazine had this to say about ‘Knock
Knock Knock’: “Some retro new wavers hang
themselves on their own skinny ties. While their
peers lip-synch to Cure 45s, these Canucks take
subtler cues from early ‘80s synth disco. It’s not
new-wave worship, it’s the sound of punk teaching
itself to dance.”
‘Make Up The Breakdown’ delivered on the
promise hinted at on the EP. ‘Hot Hot Heat’ (along
with peers like Radio 4 and The Rapture) blended
angular post-punk twitch with danceable pop,
effectively (and finally) persuading white dopes on
punk to get on the good foot in the early 2000s.
Opaque yellow vinyl.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

26,85
Jazzrausch Bigband - ‘Alle Jahre wieder!’

Jazzrausch Bigband has more or less invented a new art form,
techno jazz, and has become well-known for performances of it. But
the band also has another, different story to tell. It has invented its
own tradition of hitting the road and touring at the end of each year
with a programme consisting of Christmas music, and has been doing
this ever since the band first emerged eight years ago. Bandleader
and founder Roman Sladek explains: “Whereas our regular projects -
the most recent album, ‘Emergenz’, is a good example - are all about
working through a specific theme and finding new ways to reinvent
ourselves, our Christmas thing is something we do for one reason
alone: to have fun. It was our very first programme, we still love it, and
we’re still nurturing, developing and growing it. Being able to devote
one month a year entirely to the big band tradition is something we’re
all really passionate about.”
Some bands might have been tempted just to throw together an
album of Christmas chestnuts any old how, but the Jazzrausch way of
doing things is not like that at all. Unlike any other album by the band,
for the first time we hear purely instrumental music. Furthermore,
Kuhn has taken ten classic Christmas songs - each one of them
rarely heard in jazz, and tunes which can often come across as a bit
staid in their original settings - from ‘Tochter Zion, freue dich# to
‘Adeste fideles’ or ‘Ihr Kinderlein, kommet’. The title track, ‘Alle Jahre
wieder!’ (based on the 1830s carol to music by Silcher which is very
familiar to children and adults in the German-speaking world) appears
here in completely new orchestral garb.
Sometimes the listener will recognise the kind of swing typical of
Glenn Miller. At other moments it is the incomparable big band
elegance of, say, Artie Shaw. ‘Es wird scho glei dumpa’ (an Austrian
carol) is given the full extra high pressure Tijuana brass treatment.
‘Maria durch ein’ Dornwald ging’ gets the touch of the Thad Jones /
Mel Lewis Orchestra after a Henry Mancini-like intro, and ‘Ich steh’ an
deiner Krippe hier’ recalls more of the great swing heritage.
Once again Jazzrausch Bigband has succeeded in a way that only
very few in the jazz field can, notwithstanding the openness of the
genre: they have brought young and old together, tradition and
revolution, the familiar and the new. Which is why it feels so
completely natural and right that they should continue to do this
‘again every year’, as the album title tells them: ‘Alle Jahre wieder’.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

24,33
Robbie Williams - Life Thru A Lens (25th Anniversary)

Robbie Williams remains one of the most successful British pop stars of his generation many years after he put out his most notable albums. Life Thru a Lens was one of them and it now turns a frankly hard to believe 25 years old. This special anniversary edition comes on limited clear vinyl and takes you right back to the end of the last millennium. The songs are big singalongs with plenty of Williams's swaggering confidence shining through each one as he muses on growing old, love and of course loss with his biggest single of all, 'Angels.'

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

27,69
Gary Moore - A Different Beat LP 2x12"

Gary Moore rocked the world of Blues and Rock with his virtuoso guitar playing and soulful voice. Having played in numerous legendary bands including Thin Lizzy and Skid Row, alongside his own solo career, Moore is regarded as one of the most influential Irish musicians of all time. Having been honoured by both Gibson and Fender with signature guitars, the Northern Irish star is still regarded as one of the best guitar players of all time.

A Different Beat, was Moore’s 12th solo album, where he explored new areas of blues and rock. This album has never previously been released on vinyl, and contains new liner notes written by Dave Everley. This release will be pressed onto transparent orange vinyl and includes bonus track ‘Can’t Help Myself (E-Z Rollers Remix)’.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

36,56
Maroki - Return to Emerald City

Originally from West Wales now residing in Amsterdam in a studio nestled beside the river Ij, Maroki now joins the ROOS family following a string of stellar releases. He leaves nothing to chance, using his classically trained skills and expertly engineered sounds into a pool of influences that range from breaks, moon-lit acid and headsdown chuggy goodness.

The record launches with title track 'Emerald City' a moody cut that whisks you away from the city's bustling streets and off the beaten track. Maroki's fixed hand helps elements blend seamlessly into another, in what feels like a personal guide through the emerald's subterranean. Then comes the gentle and tranquil electronics of 'Alfred Stole My Brain' both welcoming and meditative, while the swing in drums provide dance-floor functionality and set the pace. The A side comes to a grand close with 'Talk2Me' a brooding acid cut that mixes in elements of breaks and aquatic synths. The track's swelling energy feeds from the A side's previous two, culminating in a build up of emotion and speed.

'Total Recall' raises its hypnotic head, a series of winding synths and 4/4 kick drums creating a maze of sound, before perhaps the record's hidden gem 'All Be Over' arrives like an old friend. The track's familiar sound design coupled with Maroki's distinct personality create a warm and lasting friendship; melting together old and new perspectives. 'Slower' rounds off the EP, an equally stunning and fiery mix of breaks and angelic electronics.l

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

5,84

Last In: vor 22 Monaten
GONG GONG GONG - PHANTOM RHYTHM

LTD. RED VINY

Guitar and bass duo Gong Gong Gong charge out from Beijing's underground scene with a distinct vision and uncompromising sense of purpose. The duo taps into a wavelength uniting musical cultures, drawing on inspirations as wide-ranging as Bo Diddley, Cantonese opera, West African desert blues, drone, and electronic music.

Despite the band's decision to eschew traditional rock percussion, on their debut LP Phantom Rythm, the locomotive chug of Tom Ng's guitar combines with Joshua Frank's thumping, harmonics-laden basslines to conjure an aura of ghostly snare hits and timpani overtones. Over Frank's enigmatic melodies, Ng sings in Cantonese, piecing together abstract tales of absurdity, doubt, desire, and lust. Synchronized to the point of near-telephathy, "the Gongs" use their minimalistic tools and idiosyncratic playing style to challenge the notions of rock n' roll and strip the form down to its bare essentials: rhythm, melody, and grit.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

23,15
Opal Sunn - The Problem With George

Opal Sunn (Alex Kassian and Hiroaki OBA) believe in unicorns, leprechauns and mermaids. This is their first offering for the ESP Institute. The A side leads with 'The Problem With George', a percussive monster at a half-time tempo that goes deep with a dual mission; to successively build round after round while keeping the listeners mind and body in an ecstatic state of surrender. Imagine the dancefloor pumping, and at a dynamic peak the DJ halves the timing and wipes the floor with your spinal fluid. On the flip, 'The Mystery Of Mr Lee' takes a similar approach in terms of arc and arrangement, although replacing the analogue percussion with 16th-note arpeggios of synthetic steel, glass and tubes. Beneath this glistening veneer lies another scale-wandering melody constructed of machine toms that eventually opens up, morphing into a more decisive hook, wrapping more tightly around the drum pattern before retreating back beneath layers. If dropped at the opportune time, let’s say the sensitive blue morning before dawn cracks, we expect a dancefloors to reach the highest level of psychedelic escape, after which hugs are essential. These two songs will tuck you in and kiss you goodnight.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

14,08

Last In: vor 3 Jahren
Oxo 86 - Dabeisein ist alles

Oxo 86 sind zurück mit neuem Studioalbum. Ende Dezember gab es bereits erste Anzeichen, wie man unglaublicherweise den Vorgänger "Rien ne va Plus" doch noch toppen kann: "Dabei sein ist Alles!" ist schlichtweg ein Bernauer-Meisterstück geworden. Auch in konzertlosen Pandemiezeiten hat sich die Band ihren spritzigen Charme und einmaliges Händchen für sofort zündende Lieder bewahrt, wenngleich auch an Oxo 86 diese Zeiten in ihren Texten nicht spurlos vorbeigegangen sind. Aber keine Sorge: Von der ersten Note bis zum letzten Akkord gibt es 100 Prozent Oxo 86 pur. Und wenn es eine Band schafft auch...

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,23
Black Ox Orkestar - Everything Returns

RIYL: A Hawk And A Hacksaw, Leonard Cohen, Daniel Kahn, Xylouris White, Arooj Aftab, Tindersticks, Nick Cave, Alasdair Roberts, Geoff Berner, The Klezmatics. Deluxe 180gLP with 350gsm Arktika jacket/inner + 36”x12” art/lyrics fold-out + DL. CD in gatefold jacket + art/lyrics fold-out. Recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio). Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore’s politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7” single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece “Viderkol” and closer “Lamed-Vovnik” where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls, the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism—with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore’s voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Tracklist: 1 Tish Nign 2 Perpetual Peace 3 Oysgeforn / Bessarabia Hora 4 Mizrakh Mi Ma’arav 5 Skotschne 6 Viderkol (Echo) 7 Epigenetik 8 Moldovan Zhok 9 Lamed-Vovnik

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

30,04
Bingo Harry - Where Do We Go?

Bingo Harry sprang out of nowhere a few years back, when Martin Bramah of Blue Orchids was shocked by their opening set for his band, Blue Orchids. Bramah's enthusiasm went so far as to lead Blue Orchids to recording a then-unreleased Bingo Harry composition, "If They Ever Lay A Finger On Us", a subtle yet unusually powerful and enigmatic revolutionary song of caution to oppressors. The original recording was later released on Bingo Harry's self-titled debut, which sold well, and merited more studio sessions. These days, Bingo Harry is more a often solo vehicle for songwriter Benny Jones than a band. Currently living on a houseboat in northern England (which somehow manages to contain his home studio as well), Benny spent the past few years recording dozens of songs before winnowing them down to fit on Bingo Harry's second album, "Where Do We Go?", not to mention constructing the collage of the album cover. The cosmic inheritor of a certain Marc Bolan-esque knack for simple yet spiritual and thrilling tunes, Benny's songs span seemingly glam-induced groovers to a handful of gentle-but-trippy epics which would be overwrought in lesser hands, but here manage to capture a beautiful bit of the cosmos alongside their relevance to the wearying state of the world today. "Shine If You Can", the album's final track, works as well for an anthem of the times as anything you'll hear in the next few years. Tracks: Gullible / Fearsome Tannoy / Melted / Evolution / Rope Over The Wall / Where Do We Go? / Safe In Human Form / Weapon Against The Dark / Rabbit Hole / Did You Hear That? / Shine If You Can

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,90
Rocky Votolato - Wild Roots

With his first release since 2015, Seattle based Indie-folk hero Rocky Votolato returns with Wild Roots, an intimate concept album inspired by and written for his family. Each song a letter dedicated to a specific family member and focused on a special memory or moment in time. After losing his child in December of 2021 in a tragic car accident, the entire album, and especially the song “Becoming Human”, now a posthumous love letter, takes on an even deeper while devastatingly bittersweet meaning. The production on Wild Roots is hushed, handcrafted, and warm — an intimate and personal experience that brings the nature of Votolato’s storytelling to life in very authentic and genuine ways. Produced, engineered, and mixed by Votolato himself, the record is a deliberate construction of his conceptual vision and new phase of his recording career. Additionally, the record features a stellar cast of renowned musicians whose contributions perfectly compliment the delicate nature of these songs — Abby Gundersen (William Fitzsimmons) on piano, string arrangements, and vocal harmonies, James McAllister (Sufjan Stevens, The National) on drums and percussion, Phil Wandscher (Whiskeytown, Jesse Sykes and the Sweet Hereafter) on electric guitar, and Marcel Gein (Perry O’Parson) on electric guitar. In many ways, Wild Roots is not only a break in silence for Votolato, but the opening of a new chapter — one that feels laser focused on what really matters in life. Whether discovering Votolato for the first time or adding another record to your collection, Wild Roots resonates on the most simple and important human levels — a sharing of experience that encourages us to keep believing in ourselves and in the magic of this life, no matter how harsh and difficult it can be.


Track list: 1. Evergreen 2. 23 Stitches 3. Glory (Broken Dove) 4. There is a Light 5. X1998x 6. Becoming Human 7. Breakwater 8. Little Black Diamond 9. Archangels of Tornados 10. The Great Pontificator 11. The Wildest Horses 12. Little Lupine 13. Bella Rose 14. Southpaw 15. Texas Scorpion (The Outlaw Blues)

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

24,79
The Wedding Present - Science Fiction/Plot Twist

The Weddingpresent

Science Fiction/Plot Twist

7"-VinylCLUE111
Clue Records
02.12.2022

David Gedge says: "During our `Hit Parade' series in 1992, there were a couple of Science-Fiction-themed singles, namely `Flying Saucer' (July) and The Queen Of Outer Space (November). And, would you believe it, I've only gone and done it again, haven't I? Thus, hot on the heels of last month's `Astronomic' comes the November single, erm... `Science Fiction'. It's not about the whole genre as such; the title will make sense when you hear the song. Although it's quite a sad lyric I, rather glamorously, wrote it whilst enjoying the amenities of a fancy hotel in Hollywood, so maybe the proximity of the film industry inspired me. Talking of inspirations, one band that has influenced The Wedding Present, off and on, over the years is The (mighty) Fall. And I don't know if they even planned it but, on `Plot Twist', Jon's spiky guitar riff and Melanie's crunchy bass line totally remind me of the classic Craig Scanlon / Steve Hanley combination that was memorably to be heard on sessions like the one recorded for John Peel in March 1983. Suitably inspired myself, when writing this lyric, I decided to also reference The Fall (for the second time in Wedding Present lyric history, the first being `Take Me!' some thirty-three or so years ago)." Penultimate release in this monthly series, in 2022 The Wedding Present will be releasing a new 7" single every month, the last but one is available for indie record stores only soon. This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features two brandnew recordings of the current WP incarnation. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

13,40
Abe Linx & Tully C. - The World Famous La Familia Forever

“This is for the family,” Abe Linx says. “It’s not really about who doesn’t love us, it’s about those that do. The ones we motivate and inspire. It’s for those people.” The World Famous La Familia Forever is the powerful sophomore effort from Abe Linx & Tully C., two incredibly gifted emcees who have crafted a contender for the best release of 2022. Across this EP’s 10 tracks, the Indianapolis-repping duo showcase their worldview, dig into their personal histories, and firmly plant themselves on the hip-hop map. And as Abe Linx spits on the stunning track “WORLDWIDE”: “Who the f*ck gon’ tell me different?” In addition to the passion of Abe Linx & Tully C. and their collaborators, TWFLFF stands on its own because it is just so sonically engaging. The production is equally crunchy and fascinating, because it flirts with sounds crafted by legends without sounding dated. This is timeless, raw hip-hop helmed by two talented rappers and their favorite producers like Nomstks & AWSME J, as well as longtime collaborators Baleboy Geechie & DJ GB.
You can tell that Abe & Tully took their time with these songs, meticulously piecing them together in the two years since their previous release. Each cut moves seamlessly into the next, bringing that special kind of cohesion. Just listen to how “RABIES” moves into “400MPH (skit)” and then “SKYSCRAPER,” a brilliant slice of showin’-out rap elegance. While there are only three guest features on the project, they’re used to great effect and make as much of an impact as their hosts. Planet Asia stomps all over the aptly titled “SHOWOFF,” while Willie The Kid complements the smoked-out vibes of “CHANDELIER.” And when Bub Rock shows up on “RABIES”? It’s a wrap as soon as he hops on that piano-laced, dusty instrumental. TWFLFF is a mission statement, with pieces that also sound like a word of warning to anyone looking at these two sideways. Or, as Tully C. raps so perfectly on “CHANDELIER”: “I be in this b*tch, with my clique/ So don’t act stupid.” The World Famous La Familia Forever drops on vinyl right in time for the holidays through their recent partnership with Fat Beats.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

34,24
Da Buze Bruvaz x Lord Beatjitzu - BoLO Yeung Barbarian Bicepz

Da Buze Bruvaz and Lord Beatjitzu come together for a truly hard hitting, no holds barred, HipHop grudge match with the tough as nails BoLO Yeung Barbarian Bicepz EP. The long-time collaborators, known for dropping at a prolific pace individually, found time to combine and give their prospective audiences a true gift. Expect nothing but explosive neck-snapping beats and hard-body drunken rhyming. This is truly a companion piece for the Lord Beatjitzu produced Bruce Li in Japan LP. Here we find Da Buze Bruvaz Him LO and Clever One, deconstructing a few of those tracks while also bringing heat to some exclusive gems from the vaults of the reclusive production wizard. You may want to take a few steps back before entering drunken dragon styles presented on this one. Bruce Li meets Da Buze Bruvaz and every track contained within qualifies as a lethal weapon! Protect your Necks, Arms, Heads and Chests! PLAY on 45 rpm!

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

25,00
Kenny Wayne Shepherd - Trouble Is... 25 LP 2x12"
auch erhältlich

Boxset[69,71 €]


Great songs are not set in stone - since he burst from the blues clubs of Louisiana onto the global music scene with 1995's breakthrough first album, Ledbetter Heights, followed by his career defining second album, Trouble Is..

in 1997, Kenny Wayne Shepherd has twisted those classic cuts into bold new
shapes each night on the stage. Led by the pulse of the crowd, every last note
alive in his hands, the Trouble Is... tracks have always been on the move, never
settling into museum pieces.
But to give a quarter-century-old album a second birth is another matter. And in
more recent times, as the five- time- Grammy- nominated, multi- platinum- selling
artist looked up the road and saw the 25th anniversary of Trouble Is... on the
horizon, he hatched an audacious plan."One of the coolest things about rerecording Trouble Is... has been finding out or verifying how timeless this album
really is," says Shepherd, who also is leading a triumphant anniversary tour across
the United States in 2022 and 2023, performing the album in full. "I'm so proud of
what we accomplished, and also the fact I was just 18 years old when I did it. I
mean, I had an experience with this album that most musicians can only dream
about. Trouble Is... sold millions of copies. There's validation in all of that for me."
The Artbook package contains: 2LP on Gold Vinyl, CD, DVD and Blu- ray of the
Trouble Is... 25th Anniversary Show in the Strand Theatre in Shreveport, Louisiana
and a documentary about the making of the album, plus a Dolby Atmos audio Bluray that is exclusive to this release.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

28,15
Kenny Wayne Shepherd - Trouble Is... 25 LP Boxset

Great songs are not set in stone - since he burst from the blues clubs of Louisiana onto the global music scene with 1995's breakthrough first album, Ledbetter Heights, followed by his career defining second album, Trouble Is..

in 1997, Kenny Wayne Shepherd has twisted those classic cuts into bold new
shapes each night on the stage. Led by the pulse of the crowd, every last note
alive in his hands, the Trouble Is... tracks have always been on the move, never
settling into museum pieces.
But to give a quarter-century-old album a second birth is another matter. And in
more recent times, as the five- time- Grammy- nominated, multi- platinum- selling
artist looked up the road and saw the 25th anniversary of Trouble Is... on the
horizon, he hatched an audacious plan."One of the coolest things about rerecording Trouble Is... has been finding out or verifying how timeless this album
really is," says Shepherd, who also is leading a triumphant anniversary tour across
the United States in 2022 and 2023, performing the album in full. "I'm so proud of
what we accomplished, and also the fact I was just 18 years old when I did it. I
mean, I had an experience with this album that most musicians can only dream
about. Trouble Is... sold millions of copies. There's validation in all of that for me."
The Artbook package contains: 2LP on Gold Vinyl, CD, DVD and Blu- ray of the
Trouble Is... 25th Anniversary Show in the Strand Theatre in Shreveport, Louisiana
and a documentary about the making of the album, plus a Dolby Atmos audio Bluray that is exclusive to this release.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

69,71
Micah P. Hinson - Born into a strict fundamentalist Christian household in sinful Memphis and growing up in evangelist

His debut was recorded in the winter of 2003 with assistance from Texas
chamber pop collective The Earlies, followed by three albums of original material
and one all-covers album. In 2011, a near-fatal car crash paralyzed his arms for
months. He spent his recovery time listening to some demos he'd made before
the crash. The material eventually culminated in the darkest and most intensely
personal collection of songs from him thus far and garnered widespread critical
acclaim. (Micah P. Hinson & The Nothing). Since then, each record is a final
confrontation with himself, each song shakes with danger. I Lie To You, the new
Micah P. Hinson album, comes from five days and five nights of recording in
Irpinia, South Italy, with production by Alessandro Asso Stefana (PJ Harvey, Mike
Patton, Vinicio Capossela). Accompanying Micah and Asso are Raffaele Tiseo's
celestial strings, Zeno De Rossi metaphysic drumming and the double bass
gentleman Greg Cohen. On this new album he sings, with his weathered, husky,
prophet-like voice, eleven tales of love, loss and regret, which once again reveal
his heart as an artist laid bare.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

22,90
Lars Erstrand Quartet - Dream Dancing

1991 recording led by Swedish vibraphonist Lars Erstrand, which is
appearing on vinyl for the first time - this remastered edition is pressed
on 180g vinyl
Erstrand's third recordings for Opus 3, this time with his quartet, which includes
one of Sweden's best keyboard players, Kjell Öhman, playing both the piano and
Hammond B3 organ. Lars Erstrand, who has been ranked as No.3 in the world on
his instrument according to Jazz Journal International, is also joined by Leif "Gus"
Dahlberg on drums and Tommy Johnson on bass.
"Erstrand is always unhesitating, fluent playing gives the unfailing impression of a
musician in total control He can depict the most ethereal moods, as in the title
piece Dream dancing...One is struck, not least by his sense of sound and nuance
in this consistently well constructed, subtle performance...An obvious candidate
for Recording of the Year!" - Audio Video

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

19,29
Che Aimee Dorval - The Crowned

Che spent her formative years living the troubadour life playing local clubs in
Vancouver, becoming embroiled in the Toronto indie music scene and touring
worldwide as a solo artist and with her critically acclaimed band 'Casualties of
Cool', a joint venture with prog behemoth Devin Townsend.
The Crowned shows a side to Che seldom seen on record before. A more
confident and determined thread runs through these songs, signalling the birth of
a new era for Che.
Inspired by her love of Trip Hop, Folktronica and Soul, The Crowned has Che's
signature all over it whilst reaching out into new sonic environments. Half of The
Crowned's tracks produced by Bob Rock pre-pandemic and half of the tracks selfproduced post pandemic, this album tells a story of an artist's evolution and
growth.
You are looking at a woman who still has a sense of individualism combined with
a drive and vision that is growing increasingly rare in this day and age. An artist in
the truest sense of the word, a product of passion and not curation.
She has previously worked with LA with hitmakers Greg Wells, David Foster and
Kara Dioguardi; performing with Michael Buble, Kim Churchill and Dan Mangan
and releasing music with industry heavyweights Andrew Loog Oldham (Rolling
Stones) and Tom Sarig (Lou Reed). Most recent work includes a collaboration
with Juno nominated EDM duo Young Bombs, a darkly lit duet with the late Gord
Downey (The Tragically Hip) and a featured performance on Devin Townsend's
'Lightwork'. She also collaborated with Townsend on 2014's Casualties Of Cool.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

24,83
Nighte - Pin down the dust

Nighte

Pin down the dust

CassetteMAP038CS
Mappa Editions
02.12.2022

Tape



By its very nature, intuition is something of which we easily lose sight. Music however, as both bridge and secret technology, connects the natural, artificial, and the earned. It can act as both a reminder of cultures and people gone, while materialising and alchemising from thin air elements not to be found on any periodic tables, and visions no human can see.

»Pin down the dust« is the first meeting of Nighte - Christina Carter (Charalambides) and Mari Maurice (more eaze) - and it feels both automatic and natural. The collaboration stems from a spontaneous decision by the duo to start playing together weekly. “That's how this music was made,” explains Carter, “with gut feeling as the guiding principle. Mari understands the music I've made on such a deep level that playing with her feels so natural.”

The result of this meeting is inarguably some of the most beautiful music to ever emerge from either Carter or Maurice. The structures are spacious, generous, and gentle, with scraped violin strings and seemingly ancient moans strewn sparingly like falling leaves on a picnic blanket. Having begun life as freeform interplays between the duo recorded live at Maurice’s house, overdubs were later added and the material mixed by Maurice alone into finalised pieces.

Maurice’s varied instrumentation litters the background with distant and oneiric miscellanies, from groaned saxophone phrases and heavenly organ drones to glissandi guitars. Carter’s voice sits in the centre, embodying and channelling (mostly) wordless human ecstasy - and at times unease - amidst the allotment of blossoming sounds. Maurice & Carter’s clairvoyant connection notwithstanding, music always offers a portal back to our buried intuitions. “Pin Down The Dust” is both a tribute and a guide to this spontaneity and instinct, putting aside thought in favour of feeling.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

20,97
STUDIO GHIBLI - Grave Of The Fireflies Image Album Collection
  • A1: Firefly
  • A2: Episode I ""Night
  • A3: Brothers
  • A4: War Or Air Raid
  • A5: Episode Ii ""Setsuko
  • A6: Mother
  • B1: Hotaru
  • B2: Grave Of The Fireflies By The Stream
  • B3: Grave Of The Fireflies Illusion Of The Breeze And The Red Parasol
  • B4: Grave Of The Fireflies Black Rain ~ Summer Grass
auch erhältlich

Soundtrack Collection[44,16 €]


Directed by Isao Takahata, "Grave of the Fireflies" is now available in the analog edition

series of the popular "Studio Ghibli" works! !

The image album collection and soundtrack collection of the movie "Grave of the Fireflies

released in 1988 have been remastered with the latest remastering.

A precious analog board with a complete reprint of the gorgeous liner included.



Grave of Fireflies Image Album Collection (original LP release date 1987.11.25)

All 10 songs

Music: Michio Mamiya, Masahiko Sato, Kazuo Kikkawa

An album inspired by the thoughts of three musicians,

Yoshio Mamiya, Masahiko Sato, and Kazuo Yoshikawa,

about "war", and the story of the main characters' young siblings, Seita and Setsuko.

*Saddle-stitched 12-page liner notes

(music/round-table talks by directorTakahata and three composers) included.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

44,16
STUDIO GHIBLI - Grave Of The Fireflies - Orginal Soundtrack Collection
 
10
auch erhältlich

Album Collection[44,16 €]


Directed by Isao Takahata, "Grave of the Fireflies" is now available in the analogue edition series of the popular ""Studio Ghibli"" works! !



Image album collection and soundtrack collection of the movie

"Grave of the Fireflies" released in 1988, two titles

A precious analogue board with the latest remastering and a complete reprint of the jacket, obi,

commentary, roundtable discussion, score, script (excerpt), etc.



Grave of the Fireflies Soundtrack Collection (Original LP release date 1988.6.25) All 20 tracks

Music: Yoshio Mamiya

Yoshio Mamiya is in charge of the music for the main part of the movie.

This album is literally a soundtrack board that contains not only the music but also

the dialogue and sound effects of the movie. Select and record famous scenes.

* Saddle-stitched 16 liner notes (includes the script of the part recorded on the LP) included.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

44,16
The Humble Bee - Things are sweeter when they’re lost Dauw

Tape



Originally released in 2019, Craig Tattersall unspooled a gorgeous tape of disintegrated piano meditations and dusty lower case ephemera.

On the A-side it’s a dreamily searching, silty flux of piano notes peeling in slow motion. Strings drift over, connoting cold breezes and infrasonic, spectral presences, but the effect is far from menacing, it’s more a tranquil shade of sublime, like those hours after midnight when the meridian sounds of road traffic and human life have ebbed off into the distance and you’re left with the sighing creaks of a room.

The sound is remarkably different on the B-side. Here the air gradually thickens with murkier sub-harmonic distortion, bordering on a seething sense of aggression relative to most of Tattersall’s other output, pushing the grim murk to a logical entropy that precipitates elegiac pauses for reflection and warbling closure.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

15,92
The Humble Bee - Susurration

The Humble Bee

Susurration

CassetteDAUW052CS
Dauw
02.12.2022

Tape



The Manchester based artist Craig Tattersall aka The Humble Bee returns to Dauw with 2 longform compositions centered around piano. The recordings were partly captured by a contact mic attached to his garden bird feeder adding an organic and intimate touch to the music. Hence, the album presents itself as a more outside experience and complements the Autumn season quite well. Susurration is available as a limited risograph cassette edition and digitally with artwork for Skrew Studio.

For the occasion, the label decided to reissue Craig's earlier Dauw cassette releases including "Instruction booklet n. 1232", "Deathless songs" and "Things are sweeter when they're lost". These albums sold out shortly after their release or were not even available publicly until now. The original silkscreen artwork by Femke Strijbol has been reinterpreted with risograph techniques. These albums will be available separately on limited cassette editions.

vorbestellen02.12.2022

erscheint voraussichtlich am 02.12.2022

15,92
Planet Love - Adamha E.P

Hot on the heels of last year’s new era e.p., Marco Repetto returns with the second installment in the planet love trilogy.

Adamha e.p. consists of three tracks, conceived at axodya during the winter of ‘91-‘92, that reveal a more obscure side of the young producer’s mind.

Miraculously, not one of these compositions has seen the light of day before; they were unearthed during a painstaking transfer of Repetto's extensive ‘88-‘04 DAT-archives.

Thirty-one years after instrumentation, return_backspace proudly presents to the world the definitive sound of the future!

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

12,23

Last In: vor 2 Jahren
PRESSBURG - INSIDES EP

Pressburg

INSIDES EP

12inchSGR003
Someguy Records
01.12.2022

With his new EP “Insides”, Palham Music owner Pressburg, delivers a true minimalist house masterpiece.

Dubbyrim starts off with taperecorder processed dub chords, guided by a haunting (-lybeautiful) bassline. Memory Gospel is J Dilla having musical intercourse with Lowtec. And With You is slower, sensual four to the floor house music at its best.

With this record, Pressburg expands his musical horizons, not only sticking to previous experimental records he made, but taking those experiments now to the dancefloor.
We are very happy that renowned dj's such as Move D, Roger 23. Sensu and Lerosa have included the tracks already in their setlists.

This is Pressburg’s first throw on Someguy Records.

ABOUT PRESSBURG:
Pressburg lives in a rural idyll on the foothills of the Thuringian Forest. That’s where he produces his meandering tracks which he has been releasing on his house label Palham Music, since 2003. His approach is technically cognitive, fitting for his reservedly modest character.

ABOUT SOMEGUY RECORDS
Someguy Records is the brainchild of G?s Ramboer, aka Someguy, a political journalist with a passion for music. The label aims to be a haven for house music artists that don’t strictly aim for the peak time of the party, but rather provide that surprising opening or closing track. There’s no rules to what or who is involved with the label, but most acts are situated left of the center.

Current and future acts include:
Someguy, Different Fountains, Pressburg, Sensu, Mikkel Metal, Mary Yalex, D man.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

11,13

Last In: vor 3 Jahren
Jeff Mills - EXTENSION

Jeff Mills

EXTENSION

12inchAX109
Axis Records
01.12.2022

A series from "Growth" (AX010, 1994) and "Expanded" (AX039, 2004) under the same concept. An attempt to bring forth the notion that the Future could provide more than what we are doing now.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

12,19

Last In: vor 3 Jahren
Plaid - Feorm Falorx

Plaid

Feorm Falorx

12inchWARPLP356
WARP
01.12.2022

On the cusp of their 30th year with British indie Warp Records, Plaid return with a joyous new studio album, Feorm Falorx. From their playful early releases in the late 80's until now, they have explored diverse musical styles and embraced new methods of synthesis whilst maintaining a musical thread that spins back through the early Hip Hop scene of their youth and beyond to the sounds of the late 60s and 70s that inspired it.

Plaid have toured extensively and collaborated widely over the years, writing for and performing with sonic researchers, percussion groups, solo artists and orchestras, most recently for the BBC Concert Orchestra. They have written for computer games and scored several feature films, one of which, Tekkon Kinkreet, was awarded the Japan Academy Prize for Animation of the Year.

This eleventh studio album finds our duo, Ed Handley and Andy Turner, recreating a recent performance at the Feorm Festival, an intergalactic festival held on the planet Falorx. In order to survive the Falorxian atmosphere they were converted into light so the traditional recording devices they'd taken on 'The Campbell' were not functional. Fortunately, having consulted Earth's Space Agency, it was deemed safe to recreate the performance back in their London studio. Extensive testing of the resulting recordings have established a level of thought contamination deemed, “perfectly acceptable.”

Feorm Falorx will be released Universally on 11-11-22

vorbestellen01.12.2022

erscheint voraussichtlich am 01.12.2022

26,01
Mr Projectile - Slow Motion Hailstorm

Mr Projectile

Slow Motion Hailstorm

12inchLALUNA005BLUE
La Luna
01.12.2022

Mr Projectile, one of our favorite IDM producers from back in the day, has given La Luna the chance to share some of his unreleased IDM tracks from the early 2000’s. The album is an eclectic blend of ambient, IDM and experimental electronics.

These sounds are a time machine to simpler, less chaotic times and have become essential listening these days. We envision this album spinning on a sunny Sunday afternoon, filling your room with the delicate and deep textures of electronic music and soothing your uncertainty. Enjoy a nice cup of coffee and explore your thoughts as you speed through time and space. Hopefully serving as a special reminder that we are all in this madness together.

Not only is the music stellar, but we are honoured to have Marcello Raeli, an Italian artist and car designer, accompany the music with his wonderfully mind bending artwork. Marcello is an artist who has designed some of the most insanely beautiful/fast cars on the planet. Here we get to take a deep look into his mind and marvel at the incredible interconnectedness created in this piece and appreciate the sense of depth and space created for this album.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.

21,64

Last In: vor 3 Jahren
Artikel pro Seite:
N/ABPM
Vinyl