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3 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

Toni Braxton, veröffentlicht 1993, stellte der Welt Braxtons warme, samtige Stimme vor und etablierte sie als prägende Figur des R&B-Genres. Mit ikonischen Tracks wie dem Smash-Hit "Another Sad Love Song" und dem kraftvollen "Breathe Again" verbindet das selbstbetitelte Album mühelos sanften Soul, gefühlvolle Balladen und zeitgenössische R&B-Einflüsse. Die opulenten Produktionen, geprägt von komplexen Melodien und raffinierten Arrangements, zeigen das Talent namhafter Produzenten wie Babyface und Antonio Reid.

Cat Power marks 20 years since her Memphis-shaped 2006 album The Greatest with 'Redux', a three-track EP cut in Austin with Stuart Sikes and the Dirty Delta Blues band, the same crew who toured that record. Marshall salvages material linked to The Greatest's early sessions, opening with a fresh take on James Brown's 'Try Me', attempted during the original run but never finalised. She then revisits her own 'Could We' in the looser, road-worn arrangement aired on tour. The flip holds her reading of Prince's 'Nothing Compares 2 U', recorded as a nod to Teenie Hodges, the Memphis guitarist whose playing underpinned The Greatest and whose influence threaded her writing.

Secrets ist das zweite Studioalbum der US-amerikanischen Sängerin Toni Braxton und wurde ursprünglich 1996 veröffentlicht. Das Album markierte einen entscheidenden Moment in Braxtons Karriere, indem es R&B-, Soul- und Pop-Einflüsse miteinander verband und einen Sound schuf, der sowohl zeitlos als auch modern ist. Mit kraftvollen Tracks wie dem Grammy-prämierten "Un-Break My Heart" und dem sinnlichen "You're Makin' Me High" präsentiert Secrets Braxtons unvergleichliche stimmliche Stärke und ihre charakteristische emotionale Erzählkunst.

Toni Braxton, veröffentlicht 1993, stellte der Welt Braxtons warme, samtige Stimme vor und etablierte sie als prägende Figur des R&B-Genres. Mit ikonischen Tracks wie dem Smash-Hit "Another Sad Love Song" und dem kraftvollen "Breathe Again" verbindet das selbstbetitelte Album mühelos sanften Soul, gefühlvolle Balladen und zeitgenössische R&B-Einflüsse. Die opulenten Produktionen, geprägt von komplexen Melodien und raffinierten Arrangements, zeigen das Talent namhafter Produzenten wie Babyface und Antonio Reid.

Warehouse Find

Massiande has become one of the most captivating talents South America has produced for authentic House music.
An artist of multicultural roots, he was born in 1988 in Santiago, Chile, has lived most of his life to the side of US American people, has Dutch family heritage and his name derives from a Sierra Leone dialect. All of these global influences have had a great effect in the way he perceives and lives music.
Growing up as a profound and dedicated fan of Soul, Jazz and Disco; discovering House, a genre that connected these genres' roots with electronic experimentation, was a life turning point.
DJing since 2007, he is known for performing emotive and dynamic sets, with a moving soulful drive that resembles much of the spirit of New York, Chicago and Detroit pioneers.
After starting to focus on music production, 2013 brought his debut record "Heart Rushed Love" through German label Housewax, a record of classic vibes that received praise for its charm and character on underground scenes worldwide and, most notably, from House music artists in Chicago, including his personal hero, House maestro Larry Heard. Such a start would be a sign of great things to come.
Inspired by the same Chicago spirit, in 2015 the release of "Stand", through the prestigious MOS Recordings, represented a step further in his career as a producer, finding its place on the crates of DJs as diverse as Patrice Scott, Voiski, Apparat or Honey Soundsystem.
These days, Massiande brings a deeper and mature House sound which is reaching a wider audience, with his conceptual "Freedom" EP through UK's Phonica Records and the landmark "Yesterday, Today, Forever" EP on Jimpster's Freerange, while also revealing a consistent variety of skills on a fully dancefloor-oriented EP for Hercules & Love Affair's Mr. Intl imprint.
With a growing discography whose flair endures the test of time, Massiande's path thrives with a true passion for House that's appealing to both casual listeners and the most loyal purists of the genre around the world.

Drummer-composer Tom Skinner announces Kaleidoscopic Visions, his second solo album, out 26th September 2025 via Brownswood Recordings and International Anthem

Kaleidoscopic Visions unfolds across two distinct sonic landscapes. Side A presents entirely instrumental compositions performed by Skinner's live Bishara band—bassist Tom Herbert, cellist Kareem Dayes, and Robert Stillman and Chelsea Carmichael on various woodwinds and reeds—with electric guitar on two tracks courtesy of Portishead's Adrian Utley. A drummer-composer bringing his wealth of experience to bear on the role of bandleader, Skinner composed primarily on guitar, embracing the freedom that came with writing on his secondary instrument.
These compositions include "Auster," dedicated to late novelist Paul Auster, and "Margaret Anne," which honours Skinner's mother Anne Shasby, a former classical concert pianist prodigy who abandoned her own promising career in the face of systemic misogyny, only to impart on her son what Skinner calls "the gift of music."

Skinner’s musical world opens further on Side B, where a collection of poised vocal collaborations stretch out from jazz and improvisation towards a more dream-like, soulful sound. The centerpiece is "The Maxim," a ten-minute collaboration with Grammy Award-winning Meshell Ndegeocello, a dubby, spacious meditation on life and death, delivered with a free-spirited grace. For Skinner, working with Ndegeocello—whom he first saw at Glastonbury as a teenager in 1994—represents a full-circle moment, indicative of the indirect paths and inspirational detours that have shaped his life.
The album goes on to feature South Carolina-based singer Contour (Khari Lucas) who appears on the low-lit soul ballad ‘Logue’, and closes with ‘See How They Run’, featuring London keyboardist-vocalist Yaffra (Jonathan Geyevu). It is the album’s most overtly lyrical track, an articulate exposition of jazz-inflected spoken word that speaks not only to the genre-fluid nature of the music but the breadth of Skinner’s palette.
This should come as no surprise. On Kaleidoscopic Visions, one of London’s most vital musical figures gives us a sparkling glimpse of the multi-coloured lens through which his unique sound is now refracting.

"For Toronto outsider pop auteur Saya Gray, music is a glittering mosaic of endless influences. Her debut album is akin to a sonic chimera; its limbs assembled from disparate, but complimentary musical organisms. Does she make pop? Folk? Rock? R&B? The moment you think you’ve got her pinned, she’s gone like a flash.
Gray’s often collage-like sonicspheres, blanketed with layers of riffs upon layers of electronic chatter, demonstrate the limitless potential of music as an art form.
Saya Gray has received support from Pitchfork, The Guardian, The Times, Colors, The New York Times, BBC Radio 1, BBC Radio 6, NTS, Fader and has recently recorded an incredible Tiny Desk session to be release around her new album. "

A heavyweight library record delivered straight from the Gods; truly, we are all blessed: Dubmaster Dennis Bovell presents cLOUD mUsIc. A miraculous set of loose limbed, slinky funk-forward dub on the A-Side with totally blunted, spaced out trippiness on the grooving versions gracing the flipside.

A pioneer of dub and progenitor of lovers rock, genius producer-arranger Dennis 'Blackbeard' Bovell's prolific and eclectic career encompasses a huge range of music: from dub poetry to lovers rock, afro-beat to post-punk, disco to pop and beyond.

His production work encompasses such diverse figures as Ryuichi Sakamoto, The Slits, Fela Kuti, Linton Kwesi Johnson, The Pop Group, Janet Kay, Saada Bonaire, Orange Juice, Golden Teacher, I Roy, Maximum Joy, Steel Pulse and more.

cLOUD mUsIc features 8 new, deep, never-heard heaters, initially created for upstart UK library label FOLD. Dennis had written some music under the influence of Cloud-watching and presented it to FOLD with a view to them presenting it as Library Music to be utilised by anyone interested in having music for incidentals, films, TV and advertising etc.

cLOUD mUsIc represents Dennis expressing himself freely and inviting others to join and express themselves. As Dennis explains: "Library music is what makes the difference between creating for specific reasons and creating for your own individual enjoyment. cLOUD mUsIc was created whenever I felt the urge to create music that I wanted to, with no pressure. It was recorded at various times and in various studios around the world with various musicians’ assistance. Much sonic indulgence with many different recording devices."

Who doesn't like the sound of that?

Following on from the first KMS Sampler, PDD in conjunction with Armada Music & BEAT Music Fund return for Volume 2 in the series. Once again mining the delights in the expansive catalogue, Volume 2 showcases four more essential cuts. Up first is the classic MK Mix of R-Tyme’s – Use Me. Next up on the A side we have the legendary pairing of Chez Damier and Ron Trent with their remix of Inner City – Share My Life. On the flip, the D’Pac Dub of Dionne opens the B side and then rounding off the EP is the second Inner City track, this time remixed by another Detroit hero, Carl Craig.

Just like Volume 1, the audio has been lovingly remastered by AIR Studios and their team of celebrated engineers, fully utilising their mastering knowledge. Another brilliant volume from KMS!

Happy to present what is sure to be one of this summer's standout soundtracks. Nic Jalusi, an up-and-coming DJ and producer based in Munich, has been making waves for some time now with his refined house style rooted in the '90s. One of the creative minds behind the fantastic label Super Sound Global, he now lands on MM Discos with Eternal Sunset.
Eternal Sunset brings together all the influences and styles that have shaped Nic Jalusi's sound over the years. From the Italian-rooted dream house of "Sunset 92" and "La Noche," to the Kwaito, Dub, and African-Synth flavors of "Mystic Rythm" and "Gamballa Acid," all the way to the late-night breaks of "Eternal Dance" and "X-break."
A perfect summer cocktail to beat the heat - whether you're in your living room or on the dance floor.

It’s happening – finally! The second pressing of Das ist das Ja. This time, Play Boy Joe and Celli G Hustle join forces to share a record, each taking one side with their own productions. Born in the SoundCloud bubble under the alias Wrank Fright, DIDV002 marks the fourth EP in a growing
catalogue of collab releases from the duo. The „Hustle and Play EP“ is not a direct collab – it’s two visions of club music meeting on one record. Side A by Celli, Side B by Play Boy Joe. Different flavors, same spirit. You can hear how six-plus years of shared grind shaped their sound – raw, playful, and unapologetically underground.

Delta Funktionen returns from a 5-year hiatus with a fiery new EP on his own Radio Matrix label. Four powerful, yet deep and somewhat dubby cuts that perfectly balance techno and stronger house. With this new EP, Delta proves he's a unique voice in the world of electronic music, one who maintains consistent quality in his output while being very diverse in his sound palette. The music is often straightforward, though there's still plenty of depth to be found. It's serious, yet very playful. It's grounded, but also very spacey. And all is presented in very solid mixdowns. All these ingredients combined make this an EP that will fit perfectly into the DJ bags of the true DJ soldiers.

DJ Support: Sasha, Marco Faraone, Robin M, Just Her, FKA Mash, Paul Van Dyk, Adriatique and CamelPhat

Bedouin joins forces with vocalist Marieme for their latest release ‘Reason’, available now on the duo’s Human By Default label. The track marks part of the imprint’s fifth anniversary celebrations.

‘Reason’ blends Bedouin’s hypnotic grooves and emotive melodies with Marieme’s soulful, evocative voice. Her lyrics explore themes of identity, freedom, and self-perception, resulting in a collaboration that balances movement with emotional depth.

Comprised of Tamer Malki and Rami Abousabe, Bedouin has spent over a decade developing a genre-blending sound rooted in their Middle Eastern heritage and Western upbringing. Their music has appeared on Crosstown Rebels, Big Beat, and more, while their Ibiza residency SAGA—now at Chinios Ibiza—has become a staple of the island since 2017. The duo has also performed at Coachella, Tomorrowland, Kappa Futur, Burning Man, Ushuaïa, and Hï Ibiza.

Marieme, born in Mauritania and raised between Senegal and the US, brings a distinctive storytelling approach through her recent singles ‘Harmony’, ‘Tell Me’, and ‘Havana Nights’. Her work promotes self-love and liberation, expressed with a powerful vocal presence.

LIMITED POSTER EDITION (inclusive stickers)

From the dark circuitry of the American underground, Signal 72 transmits a raw message through Zodiak Commune Records. Loosing The Station is not about losing control, it's about releasing it. Letting the system breathe, unhooking from order, and giving the machines room to speak in distortion and pulse.

The sound is intense and immersive: heavy electro rhythms, dense sub pressure, and acidic 303 lines that twist through the mix like voltage on the edge of overload. It's the friction between chaos and precision, mechanical yet human, destructive yet alive.

Each element feels driven by instinct and recorded in the moment. The result is a tense, physical energy that connects directly to the roots of underground electronics, the sound of resistance, transmission, and release.

Broken symmetry. Acid eternal.

Marking 50 years of David Bowie’s groundbreaking tenth studio album, the limited-edition picture disc LP is pressed from the same master and includes an exact reproduction of the original promotional poster used at release.

For this anniversary edition, the Half Speed Master album has been recut on a customised late-model Neumann VMS80 lathe with fully recapped electronics, sourced from 192kHz restored masters of the original Record Plant master tapes. No additional processing was applied, delivering the closest possible representation of the album’s original sound.

Autosimilar presents its second VA on vinyl - a deep exploration of the mind through four hypnotic techno cuts from leading artists Kaiser, A4, Pulso, and Vibrations of Gravity.

Leipzig’s stbr (half of Submod) and Davy (co-founder and curator of Crème Club) team up for EP of minimal/tech house on R.A.N.D. Muzik Recordings

a A1 Hello

Rare as fish knees, roots gem!

“Me Look Like A Lion But Me Humble Like A Man”

Fredrick Dookie & Desmond Silpatt were cousins and close friends who though not prolific, created one stunning reggae tune which has been near impossible to find for over 40 years.
Like artists from Supercat to Sheila Rickards, Freddie & Dessie are of Indo-Jamaican descent. They gravitated to music from an early age.

Recorded at Aquarius and arranged by Wire Lindo, the track features back up vocals from a young Beres Hammond.

"I have loved this song for a very long time and this exclusive reissue has been in the works for several years since I tracked down one half of the duo Dessie aka Desmond Silpatt who is now based in Florida." says Chris from Shella Records.

Freddie who provides the song’s hypnotic vocal was a devout Rasta man who sadly passed away in 2019. He is survived by Dessie, a renaissance man, inventor and author who has penned thousands of songs in his time.

Daybreakers return with another one for the deep heads, welcoming Chicago legend Vick Lavender to the fold for Essential Traxx Vol. 1. A musician, producer and DJ with over three decades in the game, Vick’s music lives in that space where house, jazz, and soul connect.

Back in the 90s, Vick came up alongside Glenn Underground and Boo Williams as part of the influential Strictly Jaz Unit, helping shape a sound that still echoes through dancefloors today. In the years since, he’s built his own world through Sophisticado — music rooted in live musicianship, deep feeling, and that unmistakable Chicago soul. It’s real house music.

On the A side, 1.4.4.5 (Where It Started) lays down that signature Chicago pulse — rolling percussion, Rhodes chords, and basslines that unfold like a live jam. Deep, patient, the real Vick Lavender sound.

Flip it for Tiano Nuevo featuring Spike Rebel, a lush meeting of house, Latin, and jazz sensibilities. Guitars, percussion, and keys come together, the kind of tune that keeps a dark room or a sunrise session dancing.

Essential Traxx Vol. 1 captures what Daybreakers is all about. Deeper than deep house.
Buy or cry

Legendary Amsterdam club RADION celebrates ten years with the launch of a record label on 23rd
January 2026, tapping up an entirely Dutch and Netherlands-based cast of talent in Flits, Laura van Hal,
Beau Didier & Isaiah, MYRA, Beste Hira, Hashashin, Delano Legito, SHE/HER, and DJ Europarking for its debut, ten-track, double vinyl drop with 'Decennial Revelry'.

Kings Of Leon aus Nashville sind mit ihrer ersten EP seit über zwei Jahrzehnten zurück. Das schlicht „EP #2“ genannte Projekt mit vier Titeln ist die erste unabhängige Veröffentlichung der Band auf ihrem eigenen Label Love Tap Records, und enthält ihre ersten selbst produzierten Aufnahmen. Die Musik erinnert an die Anfänge der Band, profitiert aber davon, dass sie musikalisch und textlich auf dem Höhepunkt ihrer Karriere steht. Erhältlich auf kirschrotem Vinyl.

Achievement presents a vinyl edition combining selected originals from Wigbert's Momentum album with remixes from the Momentum Remixes series. The A-side features reworks by Cirkle, Linear System, and Red Rooms. The B-side includes Wigbert's originals Synapse Impulse and Pattern Cycle, alongside Linear System's Deep Version of Supercell. The release highlights the core material of Momentum in both its original and reinterpreted forms.

Beautiful soulful album by George Smallwood - including original material from home sessions prior to George's 1980 self- released LP. The rest, a sampling from the Smallwood mind's library of classic song writers. Huge tip!
"Recorded Live in Hyattsville, MD 1975-2015. George really had no interest in releasing this record. 'Seeing Is believing, they don't need records, trust me I did that, today they getting it live.' So this record is that, live tapes from the house, recorded on a government issued cassette recorder from National Library Service for the Blind. George calls these his practice tapes for songwriting, and performance warm-up, and never beyond his ears were they intended to travel. 'You just got to see me live if you want to really see me.. so when we get there just plug me in, and point me at that crowd' Last time I saw George they had him wired to the club system. He unplugs his Yamaha keyboard, licks the tip of the power cord and taps a beat on it, finally plugging in, synth lights up, tones all at zero, beats at zero. Then he builds from there, counting blind through a preset one hunderd factory tones and rhythm patterns. 'I gotta start off at zero, and go from there.' After the Marshmellow Band disperesed, he got this Yamaha keyboard, same one he's been playing since 1990, endless scrolling over the same presets, trying to make them fit, tempo down, tapping while telling the story and asking if that feels right to you. 'This always gonna be different live.'
Andrew Morgan (Peoples Potential Unlimited)

Fides Records pushes further into its 10-year anniversary journey with X3, the third chapter of the series. Staying true to the label’s decade-long commitment to forward-minded underground techno, this new instalment sharpens the focus with five cuts that move between peak-time impact, melancholic tension, and dubwise pressure—each one a different angle on the Fides aesthetic.

Side A opens with Dustin Zahn’s “Madness”, a no-nonsense peak-time weapon built on stomping momentum, immersive pressure, and relentless drive—proof of why the US veteran remains a constant reference point. Marco Bruno follows with “Aura”, where melancholic leads and detuned synths shape an introspective yet heavy-hitting groove, capturing the Italian producer’s emotional weight and versatility. Closing the side, JANEIN (co-founder of Seelen Records) delivers “Polaris”, a spatial, bleepy roller that leans into darkness while keeping the propulsion locked forward.

Flipping to Side B, Yant’s “Fractured” shifts the palette: playful yet precise, kinetic in motion, with textures that keep mutating as the rhythm snaps into place. DHÆÜR “Sealand” captures the mood of a young Italian artist carving a new lane in minimal, elegant, unapologetic techno—energized and raw, yet defined by clean design, confident restraint, and a sharp personal signature. The record concludes with Hadone’s “No Longer Observed”, a dub-tinged stomper rich in detail and low-end depth; club-weight with an emotional undercurrent, balancing elegance and power in a way that feels unmistakably Fides.

Skyline Systems emerges from Australia with Escape Vector — four deeply elegant cuts rooted in the classic deep Detroit influenced sound. Stripped-back and refined, the producer crafts machine-driven landscapes where analog synths and drum machines intertwine with a hypnotic, subtly futuristic groove.

Warm, fluid basslines, shimmering metallic chords and a steady pulse invite both introspection and late-night dancefloor drift. Minimal yet immersive, Escape Vector distills the essence of Detroit’s deep house and electro heritage while adding a contemporary sense of space and precision.

Four tracks built for careful listening — and for getting lost under low lights.

Limited vinyl pressing coming soon via Baldo's Physical Education.

Warehouse Find!

Same track on both sides :).

Berlin’s OYE Records returns with a heavy-hitting 12” from Carl Hang, a producer already well respected in underground circles for his bass-driven club sound. Three cuts of breaks and electro-inspired grooves with a heavy nod to the old school. Sharp drums, raw machine funk, and basslines built to move bodies.

Limited edition of 300, cut and mastered at Dubplates & Mastering, pressed at Objects. Artwork by Finley Stewart

File in Ambient / Electronic / Mood Hut sections

Listen if You Like = Jon Hassell, Hiroshi Yoshimura, Terry Riley, Rhythm & Sound, Laurie Spiegel, Ariel Kalma, Laraaji, Steve Roach, Kerry Leimer, Suzanne Ciani, Yu Su, Hotspring, La Monte Young, Erik Satie, Music From Memory, Brian Eno, O Yuki Conjugate, Harold Budd, Robert Guthrie, Leif, Gigi Mason, Gaussian Curve, Patricia Wolf, Muslim Gauze, Manuel Göttsching,






f B1. Simulacra f. Alex Ho

We welcome Orlando Voorn, a bonafide LEGEND of Techno with a career spanning over 3 decades for a brand new 4 track EP. Each track has that 'classic' sound that OV is so good at. Absolute class. 3 out there Techno tracks and one House masterclass, plus the vinyl is a very limited edition (only 250 copies exist) with special technology I've not seen for decades that means playback occurs 'INSIDE OUT' (Plays from the label outwards). DON'T SLEEP !!

Overlooked 2018 cali funk which has been steady creepin over here for awhile now. Lyrics by Mic (Microphone) and Ricky (Moses Constable). Previously released as a digi demo only... but PPU got you with this single sided 7".. thanks to manny from pushers avenue

Originally released in 1991 as the debut record on Ron Allen and Hayden Andre’s cult label Strobe Records, Metamorphasis contains six tracks ranging from deep, pad-soaked house to tougher, bleep-tinged warehouse grooves. Powered by warm sub-bass, dreamy atmospheres and razor-sharp drum programming, this reissue brings back a timeless statement from two Canadian pioneers.

Hardcore meeting Hip Hop. Deathchant Undergound sick instrumentals DJ tool