In the spring of 1954 Jazz-great Dave Brubeck did a tour of North American college campuses. Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums) joined him and their support of Brubeck’s uniformly flawless, ultimately producing what many consider as the most memorable music in the artist’s cannon. Indeed, the genre gets schooled as the quartet leans in with striking energy and finesse. Enjoyed among college students in the 1950s and early 1960s both the tour and album brought Jazz to a whole new generation. Jazz Goes To College is available on black vinyl.
Buscar:o k jazz
- A1: Papo Vazquez - Plena Drumline
- A2: Andrea Brachfeld - Latin Sunset
- A3: Mark Paul Norton & Born74 - Blue Bayou (Feat Regis Molina)
- B1: Papo Vazquez - Huracan
- B2: Joe Collado - Ahi Na Ma
- B3: Martin Johnson - 500 Miles High
- B4: The Drive - Africa Bossa (Live)
- C1: Siya Makuzeni Sextet - Hold On
- C2: Geew - Latin Deep
- C3: Born 74, Arema Arega - En Las Calles De Rio
- D1: Joel Penner Sextet - Tombo 7/4
- D2: Geew - Som Do Tambor (Sound Of The Drum) (Sound Of The Drum)
- D3: Jd73'S Electrio - Crazy Cats
All Black Everything, the debut EP by UK-based, Parisian bassist, vocalist and composer Amy Gadiaga, is an expansive, boundary-pushing 5-track collection showcasing prodigious bass playing and a voice brimming with power and emotion. It's a profound exploration of self-acceptance that presents both a celebration and acknowledgement of Gadiaga's deep-seated darkness.
Inspired by the 2020 Black Lives Matter movement All Black Everything confronts racial identity complexities and the challenges of being a societal 'black sheep' and sees Gadiaga courageously transform her insecurities into a narrative of self-empowerment.
Born to parents of Senegalese, Gambian, and Malian descent, and hailing from the outskirts of Paris, the multitalented Gadiaga has been making waves in the UK music industry since she moved to London aged 18. With a fresh and unique style that bridges the old school jazz tradition of musicians such as Betty Carter and Wayne Shorter with the raw, rootsy modern sound of artists such as D'Angelo, Stevie Wonder and Twinkie Clark, Gadiaga's breadth of ambition and revitalising approach have brought early critical acclaim and ardent fans.
Signalling the arrival of a significant new voice on the London music scene, All Black Everything communicates the liberating essence of embracing individuality and presents a journey through Gadiaga's personal struggles, standing as a testament to art's transformative power and encouraging listeners to find strength in their uniqueness. "All Black Everything is very much an exploration and embracing of one of my archetypes in life which is the black bird/black sheep" she explains. "That feeling of not thinking you belong anywhere, of being misunderstood and really tending to your own. No helping hand. But it's ok sometimes because you also feel like nobody can compete with you, you're one of a kind."


















