quête:o k jazz

An inspired link up between UK and continental producers - yeah, in your face, Brexiteers - as Brit talent and Crayon boss Mark Ambrose joins forces with Spanish duo Serious Cut aka Raul Zapata and Ivan Martinez, across four irresistible cuts. 'Remedy' nods its head subtly to the Diana Ross (and then Associates) classic 'Love Hangover' while enchanted, spacious and spacey grooves do their thing, while the cherry on top of 'Deep Track' proves to be some neat sci-fi spoken word, not to mention the kind of soft, jazzy chords that Global Communication's house productions used to revel in. Flip it over for the more electroid 'Talk Box' and the unashamedly Windy City-referencing 'Auto Level. Four sides of a classic sound, three great producers, two sides of top vinyl and one must buy bit of vinyl.

Consistent funk operator Ralo is back with a brace of tunes that will shake your bones loose. First up is 'Broken Way', a magnificently jumbled rhythm made from languid bass and kicks, peppered with organic percussion and heated through with soft synths. It's atmospheric and real, like the overheard soundtrack to a party happening in your kitchen. 'Djembe' then brings out some brassy horns to take things to the next level. They jump out of the low-slung drums and add jazz, soul and colour that cannot be ignored. Gledd and Monsieur Van Pratt step up on the flip with cultured reworks that turn things up to 11.

After a short break, Vibes and Grooves is back with Collab Grooves Part 2. Following the success of our initial collaborative venture, we continue our mission of uniting visionary producers under a single sonic umbrella. This time Jemaho, Shaka and DFRA come together for another deep collaboration.
With “Joudia’s Groove (Drifting Away – The DAT Version)” on the A side, we are delighted to have Jemaho on board. He delivers an outstanding, warm and soulful vocal house cut driven by a smooth, uplifting groove and rich musical depth. With its unique tape sound aesthetic, a true masterpiece. Certainly a future club classic.
The B side opens with „Sparkling Soul“ from label resident Shaka. A jazzy house affair that blends vibrant piano melodies, a hypnotic lead synth line, and a tight bassline. It radiates warmth, sophistication, and an ever-present sense of romance.
The second track comes from DFRA, the man from Buenos Aires, who is already well known on the label for his outstanding tracks from the latest Collab Grooves. With “New York Style”, DFRA delivers a deep house tune shaped by warmth, restraint, and a steady underground groove. Subtle textures and raw rhythms create a smooth, flowing atmosphere that feels natural and unforced.
Timeless in feel and refined in production, Collab Grooves Part 2 captures an effortless flow that speaks directly to both the heart and the dancefloor.

DJ Support: Garnier, Opolopo, Worldwide FM, Marcia Carr, Bill Brewster, Timeout Moscow, Craig Smith, Delfonic, Tony Nwachukwu, Marcel Dettmann, DJ Rocca, Shuya Okino, Borrowed Identity, Titonton Duvante, Alex Attias, Rainer Truby, Sol Power All-Stars, Kyri R2, Robert Luis, Severino Panzetta, Lars Behrenroth, Kassian, Alkalino, Getdown Edits, Moodymanc, Gerd, Lea Lisa, Young Pulse, Mark de Clive-Lowe, Mark Grusane, Alex Barck….

International dance music heavyweight, producer and DJ Alexander Lay-Far returns with a powerful new chapter - Lay-Far Dance Orchestra (LFDO) - a fully-fledged live band project that reconnects him with his jazz-funk and fusion DNA while pushing dance music forward with unmistakable groove, musicianship and emotional weight. Formed in early 2024, LFDO is no nostalgia exercise. With Lay-Far at the helm as bassist, bandleader, composer, arranger and sound engineer, the orchestra has already been turning heads with explosive live performances, reinventing classic Lay-Far cuts, and now unveil their first album “Skybreak” with all new and original material written and produced by Lay-Far together with his bandmates and star guests, including Lipelis, Antoha MC and Seven Davis Jr. This work shows the departure from the predominantly electronic sound of Lay-Far's previous solo albums in favour of live instrumentation recorded to analogue tape and effortlessly bridging the gap between Jazz, Library Music, Disco-Funk, House, Broken Beat and Drum’n’Bass. “Skybreak” is dynamic, passionate, spiritual, cinematic, playful, heartfelt, life-affirming, dreamy and deeply romantic. Ultimately, there’s something profoundly romantic in recording and releasing such music in this day and age!


“Take Flight (Part 1)” is opening the album with style. It takes us on a beautifully orchestrated journey, blending the sensuality of Library Music with high-octane Jazz-Funk and raw b-boy breaks, propelled by breathtaking flute and Rhodes solos of Timur Nekrasov and Maxim Glonti. This aural symbiosis of “beauty and the beats” will become more and more prominent as the album unfolds.



It’s time for “Aquarius Love” created with the inimitable artist and vocalist Seven Davis Jr. (Secret Angels, Ninja Tune). In this composition cinematic soul and heavy jazz meet the restless energy of live drum & bass with deep and heartfelt vocals - timeless sound combined with a timeless message about love and life!



Next is “Head In The Clouds” - a theme for an imaginary rom-com, an ode to all the dreamers - sweet, light, naive and heartwarming. Space-Disco-Funk at its best!

“Where You From” is a fiery Soulful House number with heavy Afro-Latin influences recorded in collaboration with Lipelis. It’s full of Sun, joy and passion. Its irresistible rhythm is emphasised by funky octave bass, wah-wah guitar, catchy piano riffs, guitar solo by Lipelis and seemingly light conscious message delivered by Lay-Far and Maryag. Summer is here!

Now the album takes an unexpected twist in the form of “The Harp of Boom” which at first glance appears to be a classic-sounding Boom-Bap banger. Yes, It’s loud, raw, and gritty, yet it gradually evolves into something delicately-touching and deeply-soulful thanks to a memorable flute melody and lush string arrangement. Definitely recorded with tongue in cheek.


Next is “Feel The Moment” a remarkable collaboration with one of the most recognisable and distinctive Russian artists, singer, trumpeter and cultural icon Antoha MC. It’s a feel-good song, hopeful, life-affirming and bittersweet. A stylish excursion into Brit-Funk and Soviet Jazz-Fusion sound, drawing inspiration from the likes of Atmosfear, Light Of The World or Soviet Jazz bands like Allegro and Arsenal, but reimagining the influences through the modern West London broken beat lens.


The spectacular music journey continuous with “Take Flight (Part 2)” - it’s all about the deep infectious jazz-funk groove, heavy beats, rolling percussion and the glory of the soloing instruments - saxophone and flute by Timur Nekrasov, demonstrating the wide range of emotions from thoughtful and lyrical to restless and borderline vicious. One for freestyle dancing!

As the album draws to an end a vibrant musical triptych “Soul Constant” awaits, mixing together the deep and sensual mood of spiritual jazz with heavy syncopated drum’n’bass rhythms by Michail Fotchenkov, lush orchestration, expressive saxophone solos and the ending which can simply be described as “aural bliss”. It’s breath-taking!

A pleasant bonus is the exclusive version of “Where You From” by Lipelis himself, who is taking it into dub territories, further enhancing the rhythm section and enriching the song with his trademark playful synth flourishes and dreamy guitar solos for maximum effect (and appeal).

The album “Skybreak” by Lay-Far Dance Orchestra is the work of real artistry and craftsmanship with timeless sound that’s not only deeply-rooted but also forward-thinking.

Italian jazz trio Collettivo Immaginario announces the release of their second full-length album, 'Oltreoceano'.
Known for their slick sound and energetic live performances, their style is firmly rooted in the jazz tradition of collective improvisation, through which they have developed an agile, kaleidoscopic sound. The trio’s unique fusion of funk, jazz, and 70's electronica continues in the trio’s latest release, forging connections across oceans through the universal language of music.

Consisting of founder Tommaso Cappellato on drums and percussion, Nicolò Masetto on electric bass, and Alberto Lincetto on rhodes, piano, and synths, Collettivo Immaginario have become rising stars in the Italian festival scene, from the streets of their hometown in Italy to the diverse audiences in Los Angeles, London and Milan.
Subtly paying homage to genre-bending giants like Azymuth, Lonnie Liston Smith, Herbie Hancock, and Hermeto Pascoal—alongside Italian film music legends Piero Piccioni and Piero Umiliani—their sound moves effortlessly between the heat of the club and the cinematic allure of evocative film scores, infused with touches of spiritual jazz.

WRWTFWW Records is very happy to announce the release of Renga, the new collaborative album from Gak Sato and Tadahiko Yokogawa - available on limited edition LP (300 copies worldwide !) housed in a heavyweight sleeve with inside out print of a beautiful artwork by Aoi Huber Kono.
Renga (??, linked poem) is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (?), of 5-7-5 and 7-7 morae (sound units or syllables per line) are linked in succession by multiple poets.
Inspired by the traditional Japanese poetic form of linked verses, Renga unfolds as a fluid 10-track journey spanning ambient, jazz, breakbeats, electronica, environmental music, techno, cinematic, library music, and musique concrète. Much like its literary namesake, the album is built on intuition and shared momentum, each piece emerging from what came before while opening new paths forward. Beats appear, disappear, then reassemble, while textures shift between organic warmth and electronic abstraction. The result is music that resists fixed categorization, existing somewhere between known subgenres and free-form exploration.
The album's visual counterpart, created by Aoi Huber Kono, mirrors the sensibility of the music. It's elegant, modern, and quietly expressive, extending the idea of linked forms from sound into image.
Points of interest
- For fans of ambient, experimental electronic music, jazz-inflected compositions, breakbeats, techno, cinematic soundtracks, library music, musique concrète, genre-blurring sonic exploration, linked verses, and dark blue.
- A unique collaboration between Gak Sato and Tadahiko Yokogawa, inspired by the Japanese poetic form of linked verses.
- Presented on limited edition LP housed in a heavyweight sleeve, edition of 300 copies.
- Artwork by acclaimed visual artist Aoi Huber Kono, extending the album's concept of interconnection across disciplines.

Our next 7” release welcomes young and talented key player Stefano Nardon from Vicenza, Italy.
The record features two jazz-infused broken beat compositions, performed and recorded live, capturing an intimate and organic session feel.
On the A side, “Mangrovia” unfolds as a warm, floating piece built around Fender Rhodes textures, subtle harmonies and a slow-burning groove. A deep and immersive cut, balancing between jazz lounge aesthetics and cinematic mood.
The B side, “Underwater”, was created in collaboration with drummer Stefano Cosi (Padova). His live drum contribution adds movement and depth, giving the track a more dynamic pulse while maintaining the introspective character of the release.

Regular contributor Vick Lavender returns to Cataleya Music for two lengthy stargazing jams. Each clock in at over 10 minutes, taking the listener on an extended musical journey. They combine Spiritual, Soulful and Jazzy House Esthetics with great results. Africanus is a moving composition with mystical melodies, thoughtful instrumentation and percussive layers. No Rhyme, No Reason offers powerful synths, mellow brass and in-step beats. Both Africanus and No Rhyme, No Reason are incredibly engaging pieces of music. The Esthetic EP is Vick Lavender’s most ambitious record on Cataleya Music so far. Listen and be rewarded!

Detroit's Rocksteady Disco its dropping a couple of golden nuggets this season and Brooklyn-based producer, DJ, songwriter, multi-instrumentalist and label-owner JKriv is next up with his 'Adaptation' EP. Opener 'Greene Street Lament' is a swooning, laid back way to open and immediately slows your pulse. 'Adaptation' raises it again with a funky drum and clap combo underpinned by a busy little bassline. 'Total Pleasure' tugs at the heart with an aching vocal riding the mid-tempo, deep cut drums and lavish synth sounds. The mid tempo magic continues on 'Vibetown' which smears synths between gentle broken beats with string flourishes and jazzy keys all rising up. 'Adaptation' gets a dub rework to close out a tasteful EP of heart warming sounds.

One of Vince Watson’s biggest selling tracks (but rarest vinyl records) finally gets a repress on wax. This time fully remastered and mixed and on his own Everysoul Audio imprint. The original vinyl release on Osunlade’s Yoruba Records in 2015, and was a very limited vinyl run. Now it sounds better than ever and on fresh wax. The track is backed up by a new dancefloor version of ‘Reach For The Sun’, a track that featured on the ‘Every Soul Needs A Guide’ album. This time its flexing jazz vibes, a driving addictive rhythm and ‘Jaguar-esque’ uplifting chords and strings.

a A1: Eminesence [2026 Rework]
[b] B1: Reach For The Sun [Floor Mix]

RNT co-founder JKriv joins forces with keyboard virtuoso Jason Lindner to drop the Real Ones EP, a clubby and musical 3-track excursion that includes a deep and polished remix from rising star Retromigration. Needing little introduction, JKriv is a driving force behind RNT, architect of edits, original productions, and the aesthetic direction of the label. Jason Lindner has a storied musical history that includes leading the in-house big band of legendary jazz club Small’s in the early 2000s through to performing on David Bowie’s final album Blackstar, and much more. The duo have been honing a musical alliance for the past few years through their work together in the A Joyful Noise band and hybrid-live sets on hometown Brooklyn Razor-N-Tape events, developing an inctricate musical interplay and incendiary energy that is captured perfectly here. Across these 3 melodic house tracks, lush layers of synths interlock and build toward big anthemic moments, with hard-hitting drums driving the energy forward. Retromigration steps up to deliver a gorgeously slick remix to round out this exceedingly musical and eminently playable 12".

No stranger to the game, Jay Tripwire returns bringing his usual caliber of stylish, late night tales.

2 extended no-nonsense cuts combine to form his ‘Jazz is Pain’ EP. Ethereal themes bleed through a body of meticulously programmed rhythms and beats that bubble and bleep in “Jazz is Pain”. With sprinklings of deep tones and jazz notes creeping in throughout, Jay delivers some otherworldly weaponry fit for the darkest hour.

“Jazz is Life” embodies the spirit of world music as he tells the story through twisted and tweaking lenses, as a plethora of drums, calls and crashes lead the way, punctuated by a tight rhythmic section that ticks away.

aja monet ist eine surrealistische Blues-Dichterin, Musikerin und Bandleaderin, deren Werk fließend zwischen Poesie, Musik und politischem Ausdruck wechselt. Aus der Spoken-Word-Szene der Lower East Side in New York City hervorgegangen, wurde sie die jüngste Gewinnerin des Nuyorican Grand Slam Poetry-Titels, bevor sie ihr Schaffen auf genreübergreifende musikalische Darbietungen ausweitete, die ihre Wurzeln im Jazz, Blues und experimentellen Sound haben. Ihr Debüt-Poetry-Album ,when the poems do what they do" wurde 2024 für einen Grammy Award in der Kategorie ,Best Spoken Word Poetry Album" nominiert und etablierte Monetas als einzigartige Stimme in der zeitgenössischen schwarzen Musik- und Performance-Szene. Das Projekt verbindet Poesie mit Live-Instrumentierung und Improvisation und erkundet Themen wie Widerstand, Liebe und Freude durch einen kollaborativen, ensembleorientierten Ansatz. Als tourende Bandleaderin ist sie weltweit bei großen Festivals und in bedeutenden Veranstaltungsorten aufgetreten, darunter das Newport Jazz Festival, das North Sea Jazz Festival, das Montreal Jazz Festival, das Guggenheim, das Lincoln Center, das Barbican Centre und die Fremantle Biennale. Neben ihrer musikalischen Arbeit ist monet eine gefeierte Dichterin und Autorin. Ihr erster vollständiger Gedichtband, ,my mother was a freedom fighter" (2017), wurde für den NAACP Image Award in der Kategorie Poesie nominiert. Ihr jüngstes Buch, ,florida water", erschienen bei Haymarket Books, schöpft aus mehreren Jahren des Lebens und der Organisationsarbeit in Südflorida und setzt ihre Auseinandersetzung mit Ort, Bewegung und kollektivem Gedächtnis fort. Zu ihren Auszeichnungen zählen der Marjory Stoneman Douglas Award für Poesie, der Nelson Mandela Changemaker Award, der Harry Belafonte Voices for Social Justice Award, der EBONY 100 Artist in Residence Award sowie der Malcolm X & Dr. Betty Shabazz Vanguard Award. Zudem ist sie künstlerische Kreativdirektorin von V-Day, der globalen Bewegung zur Beendigung von Gewalt gegen Frauen und Mädchen, und Schöpferin von VOICES, einem Hörspiel aus dem Jahr 2022, das die Geschichten schwarzer Frauen in der Diaspora und auf dem afrikanischen Kontinent in den Vordergrund rückt. aja monet's zweites Studioalbum, ,the color of rain", wird im Mai 2026 bei drink sum wtr erscheinen.

2026 Repress

Maltese talent Human Safari debuts on Mutual Rytm with jazz-influenced techno EP, 'Culture Shock'.

Human Safari is a key player in his native scene in Malta. He's a resident at Glitch Festival, has played cult spots, and has a dynamic sound that brings jazz improvisation to techno, often featuring live instrumental elements. His music has found its place on top labels like R&S Records, and most of this new EP for SHDW's Mutual Rytm imprint was produced during his Colombian summer tour last year - written and recorded amongst inspiring and unusual settings with just a laptop and headphones.

"This EP represents embracing new beginnings that, though might bring uncertainty and fear, the
light always guides you to where you were always meant to be." - Human Safari.

Opener 'Mouse on Keys' has been a key cut for the label boss across the past year, a unique track that peaks curiosity from dancers to DJs whenever it's played. Its cantering techno rhythm is overlaid with delicate, heartfelt piano keys straight from a smoky jazz bar, making for a great counter to the physical drums. 'Fragments' is a deeply personal track dedicated to the artist's late grandfather. It's a funky, soulful techno roller with blissed-out and sunny chords full of hope.

Next, 'Classique' gets more gritty with loopy drums and bass and glitchy percussion that fizzes with energy, while 'The Labyrinth' features piano motifs recorded in just one take. It brings a dark paranoia in the uneasy, off-grid keys which dart about with nervous energy over the booming low ends. There is just as much intensity and edge to the unresolved keys that loop over the raw drums on 'A Rainy Day in Bogota', before digital bonus cuts 'Dorian' and 'Phantom' bring more jazzed out techno madness with warped keys and expressive elements bringing great invention.

With Gregor Huebner (violin, electronics) and Veit Huebner (bass, electronics), a vibrant musical dialogue unfolds between two brothers. Using loop stations and live effects, the acclaimed jazz musicians create layered, almost orchestral soundscapes—both transparent and powerful, energetic yet deeply poetic. Their music thrives in the moment: lines are looped, transformed, and reshaped into virtuosic improvisations. Jazz blends with classical influences, grooves meet sonic experimentation, and delicate chamber-like passages erupt into dynamic outbursts. Original compositions, jazz standards, and newly interpreted classical works sound intimate yet powerful in the duo format. Known as two-thirds of the trio Berta Epple, the Huebner brothers now present themselves for the first time as a pure duo. The result is a distilled artistic essence of more than four decades of shared and individual stage experience, with electronics serving not as an effect but as a third musical voice.

At the time, Mikio Masuda was frequently mentioned as a Japanese jazz musician on par with the soft-and-mellow crossover sound of artists like Bob James and Ramsey Lewis. With a supple sensibility that moves effortlessly between jazz and rock, he stands as one of the defining figures of the 1970s. Now, one of his essential masterpieces, "Moon Stone", has been confirmed for reissue as the fifth installment from SPIN THIS NOW!

Electric Piano, Organ, Clavinet, Synthesizer - Mikio Masuda
Drums - Hideo Yamaki
Electric Bass - Motohiko Hamase
Electric Guitar - Kazumi Watanabe
Electric Guitar, Vocals - Kazumasa Akiyama

2026 Repress on Yellow Vinyl



Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters

featuring Alexis Taylor (Hot Chip), Dave Bardon, SFJ, Sholto ....



Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expression. The album holds emotional depth, particularly in tracks like ‘Truncate’ and ‘Cyclical’, which were recorded shortly after the passing of Rachel's grandmother, Sheila Horton, whose work is featured on the back cover.



With the collaboration of close friends and talented musicians, ‘Flirty Ghost’ represents a new chapter for Rachel, marking a joyful departure from her solo harp work into a collective, experimental musical journey.

Time To Get On Board A New Black Universal Express.

With each new recording Anthony Joseph presents an imaginative, personal vision of contemporary black culture, and The Ark is yet another compelling album by the award-winning Trinidadian poet and musician. This second part of a sequence of two albums launched with last year’s Rowing Up River To Get Our Names Back, finds Joseph giving full vent to his desire to explore many thought-provoking themes. However, there is a specific thread running through the glorious offering of sounds.

”I was especially interested in the idea of using Afrofuturism as a means of using the future in order to correct the wrongs of the past,” explains Joseph. “And so a lot of lyrics reimage or imagine an alternate black history. At the same time there are elements of autobiography.” The aforesaid cultural phenomenon, a view of the black experience through the prism of science fiction and ancient Egypt and Africa, as mapped out by visionaries from music and literature such as Sun Ra, Parliament-Funkadelic and Octavia E. Butler, has previously inspired Joseph. His 2006 novel The African Origins Of UFOs was a multi-hued work, and the new music shows how Joseph

has, much like all significant artists, gone on to broaden his conceptual palette, creating beguiling new stories and images set to startling rhythms and tones. Tracks such as ‘James’, with its taut, crisp bass and dubbed-up brass, and ‘Transposition Of Space (Glissant)’, a potent evocation of the influential Martiniquan theorist set in a haze of jazz guitar and ambient synthesizers, are marvels of text-sound painting.

As for ‘Baron Samedi’, shaped by a languid, almost wounded guitar line and slow rise of horns that frame Joseph’s journey to the ‘mountain of fire, almost touching the sky’ it is an epic blend of commanding vocal delivery and dramatic sonic tapestry.

Joseph led the Spasm band in the early 2000s and recorded well-received albums such as Bird Head Son and Time, in which songs were largely based on spirituals or chants enhanced by improvisation. But his musical curiosity has naturally led to collaborations, and the new work is produced by Dave Okumu, the prodigiously talented guitarist-vocalist-composer known as the leader of Mercury Music Prize-nominated The Invisible, and who was also a member of the seminal band Jade Fox.

Having first performed together at a show curated by influential saxophonist-flautist Shabaka Hutchings at the storied Total Refreshment Centre In London during lockdown, Joseph and Okumu struck up a rapport that further developed when the former guested on he latter’s album. With the connection made Joseph knew Okumu was the ideal producer for this latest project, which has a freewheeling, almost black psychedelic thing. After sifting through demos and loops the guitarist made on pro-tools the poet started to live with the music. Many months later words began to take shape. Joseph then went into the studio with Okumu’s band and set about creating a magnum opus. Boasting a stellar cast such as vocalist Eska Mtungwazi, trumpeter Byron Wallen and keyboardist Nick Ramm, The Ark is a highly intricate musical mosaic framed by simmering funk grooves, wily jazz improvisation and haunting dub effects. Through the use of many genres the music has simply become its own genre.

The Ark can be perceived as a vessel or means of transport to new worlds, along the lines of Sun Ra’s Ark or Funkadelic’s Mothership, and the material it contains is a unique blend of who Anthony Joseph is and how he sees the world and society in these stimulating, challenging times. “It balances the personal with the universal in a much more vulnerable, accessible way than on previous albums,” Joseph explains.

“It has become less about a personal experience and more about a collective, communal experience in which the artist is conduit, messenger, urban griot.”

Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack for the film Molinaro just finished? The only problem, albeit a major one, was that time was short, so an original score was out of the question: the Jazz Messengers would have to preach the good word by other means. Fortunately, the band's tenor and arranger, Benny Golson, had become an expeet in the art of making somrthing new out of somrthing old, and he did it with equal talent and intelligence.Except for three originals, the musical sequences of the film are actually fragments from the Messengers' book, but in adapted versions; 'Whisper Not', for example, can be discerned underneath 'Ne Chuchote Pas'. It was an extremely hazardous process...but the result turned out to be remarkable!!!

Few artists can conjure up the sort of spirituality that Fred P manages whenever he turns on his machines - and this brand new label from the artist means we'll be getting a shedload more of it. Sometimes it's deep, muggy, insular, at others more outward-looking and cosmic. And that's what we have here - emotionally dense sounds on 'Galaxy Walk (Journey mix)' with jazzy motifs off in the distance, spoken words in the foreground and dancing percussion that is optimistic and hopeful. 'Modern Art Talk' is just as balmy as you journey through a sound world that feels as infinite as space itself, while Fred himself muses on his art. 'Inner Channels (edit 4)' is a dusty shuffler marbled with muted chords and brighter melodic stars that feel impromptu and layered in live.