Ol' June & The Ashburns deliver timeless soul with a modern edge. Their new single "What's her Name?" is a slow-burning groove in 6/8, built on lush instrumentation, warm analog textures, and heartfelt storytelling.Inspired by the golden era of Soul, the track captures the mystery of a fleeting moment — the glance of a woman who lingers in memory long after the nightfades.A soulful, cinematic journey for fans of vintage grooves and contemporary soul alike new single release "What's her Name?"
"Can't Let Go" by Ol' June & The Ashburns is a modern soul ballad with a timeless 70s feel. Driven by a steady groove and heartfelt vocals, the song tells the story of a man torn between leaving and holding on to a love that's both beautiful and destructive. Nostalgic yet raw, it's soul music that lingers long after the last note
quête:ol
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The tenth, jubilee release of "Instrument" series is a sudden turning point and immediately changes the rules of the game, anticipating emerging trends. Oleg Buyanov - one of the main GOST contributors responsible for prominent records "True White" and "Height Difference" makes his debut in "Instrument" framework. OL's new release creates a path of complete diverseness - a unique mix of ambient, dub and mutational electronica, though the author's hip-hop DNA is still recognisable.
The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the paranoid feeling of being wiretapped. OL (along with another GOST ZVUK resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of "SORM" is swirling, distorted and sometimes "disengaged"; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations.
Ultra Clear Vinyl[26,68 €]
Black Vinyl[26,68 €]
The most unpredictable man in hip-hop history didn’t just make music—he made moments, and Ol’ Dirty Bastard’s red carpet style was as iconic as his rhymes! This articulated, 3.75” scale Ol’ Dirty Bastard ReAction Figure is inspired by one of ODB’s most iconic red carpet looks and includes a microphone accessory—perfect for recreating iconic moments on both the concert, and award show stage. Packed on a full-color blistered cardback, this figure is a must-have for Wu-Tang fans.
- A1: Mine Damer Og Herrer
- A2: Tårer
- A3: En Gammel Sang
- A4: Jeg Står Her
- A5: Lille Venn
- A6: Jeg Så Et Ansikt
- A7: Hva Kjærlighet Er
- A8: Fredstanker
- A9: Åhhhh
- A10: Jeg Har Aldri
- A11: Ser Det Skinne
- A12: Å Ikke Kunne Høre
- A13: Synet
- A14: Sval Vind
- B1: Jeg Forstod Ingenting
- B2: Det Var I Går
- B3: Til En Venn
- B4: Ubeskrivelig
- B5: Tida Endra Alt
- B6: Steg For Steg
- B7: Noen Av Oss
- B8: Selvforsvar
- B9: Livet Ble Så Riktig
- B10: Helt Alene
- B11: Regnet På Ruta
Repress! It's safe to say that hip-hop has never seen an album like Ol’ Dirty Bastard's 1995 solo debut Return to the 36 Chambers. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (“Damage,” with GZA), drugged-out party jams (the monster singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”) and bizarre, grimly hilarious fantasies of sex and violence (“Don't U Know” and the R&B-tinged “Sweet Sugar Pie”). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998. In honoring the legacy of one of hip-hop's most innovative releases, Get On Down is proud to present this incredible and unique special edition of Ol’ Dirty Bastard's Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality.
- A1: Jingle Bells
- A2: The Christmas Song
- A3: Mistletoe And Holly
- A4: I'll Be Home For Christmas
- A5: The Christmas Waltz
- A6: Have Yourself A Merry Little Christmas
- A7: Christmas Dreaming
- B1: The First Noel
- B2: Hark! The Herald Angels Sing
- B3: O Little Town Of Bethlehem
- B4: Adeste Fidelis
- B5: It Came Upon A Midnight Clear
- B6: Silent Night
- B7: Let It Snow, Let It Snow, Let It Snow
- B8: Santa Claus Is Coming To Town
180 Gram, Red Vinyl `Christmas With Ol' Blue Eyes' is an extension of Sinatra's most beloved holiday album `A Jolly Christmas from Frank Sinatra'. It includes the bonus tracks `Christmas Dreaming', `Let It Snow, Let It Snow, Let It Snow' and `Santa Claus Is Coming To Town'. His deep blue eyes earned him the popular nickname "Ol' Blue Eyes" which gave the record its title. Sinatra is regarded as one of the most popular entertainers of the mid-20th century. He is among the world's best-selling music artists, with an estimated 150 million record sales globally. Over the course of his career Sinatra received eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award, and the Grammy Lifetime Achievement Award. He was included in Time magazine's compilation of the 20th century's 100 most influential people. American music critic Robert Christgau called him "the greatest singer of the 20th century" and he continues to be regarded as an iconic figure.
From The City of Brooklyn Zoo, Ol’ Dirty Bastard is back again! The new 7” scale, articulated O.D.B. Deluxe figure is inspired by the cover art from his platinum-selling solo debut album Return to 36 Chambers: The Dirty Version, features intricate sculpt and premium paint detailing, and comes with microphone and ID card accessories, all packaged on a blister cardback. While the artist himself is gone all-too-soon, this Ol’ Dirty Bastard Deluxe figure can live on in your collection of legendary hip-hop artists!
- A1: Free Form (Feat. Lojii, Ill Camille)
- A2: How I Live (Feat. Lil B, Vic Spencer)
- A3: For The Family (Feat. Awon)
- A4: Daybreaks (Interlude)
- A5: Running (Feat. Pink Siifu)
- A6: Out Of Time (Feat. Ill Camille)
- A7: Black Sabbath (Feat. Billy Woods, Tha God Fahim)
- A8: Change The World (Feat. Moruf)
- B1: Peace (Feat. Yungmorpheus)
- B2: For You (Feat. Moruf)
- B3: The Last Of Us (Feat. Quelle Chris)
- B4: Count Your Blessings (Feat. Lojii)
- B5: Pgo (Feat. Oliver The 2Nd)
- B6: Stories (Feat. J’von, Vuyo)
- B7: Recuperating (Feat. Gabe ‘Nandez, Fly Anakin)
- B8: Discipline 74 (Interlude)
- B9: Holler Back (Feat. Kooley High)
Album packaging features 24pt reverse board jackets and illustrated inner board sleeves, with silver printed center labels. All artwork created by acclaimed designer, Håvard Gjelseth. Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the COVID-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hip-hop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others. “An avid record collector, the producer's first release was 2014's High Rhodes which led to comparisons to his heroes such as J Dilla, Madlib and Pete Rock.” Okayafrica // “With music teachers for parents, it was perhaps inevitable that Ole-Birger Neergård would follow their path and become a student of the game.” Passion of the Weiss
After a hiatus of a few years to concentrate on various studio projects, Steevio’s Mindtours label is back with a vinyl release over 2 volumes, pressed on bio-vinyl at the carbon neutral pressing plant Deepgrooves.
Dod yn ôl at fy nghoed (which is Welsh for ‘to return to my trees’ meaning to return to balanced state of mind) sees Steevio experimenting with deep, broken-beat bass techno awash with polymetric rhythms and jazz infused chord structures. Steevio’s musical approach has in recent years become more free-form, with loose mathematical frameworks, evading clear generic boundaries, and this release continues and expands on that theme.
All tracks were recorded live and improvised from a blank canvas in real-time on an analogue modular synthesizer.
Vol. 1 was all recorded during Covid lockdown and represents some the best material from jams from that period. All tracks were recorded live and improvised from a blank canvas in real-time on an analogue modular synthesizer.
Vol. 2 to be released 1 month after.
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Brand new album from GRAMMY-nominated, critically acclaimed singer/songwriter Brent Cobb. The American south isn't just Brent Cobb's home. It's his muse, too. A Georgia native, he fills his Grammy-nominated songwriting with the sounds and stories of an area that's been home to southern rockers, soul singers, country legends, and bluesmen. Cobb has a name for that rich tapestry of music — "southern eclectic" — and he offers up his own version of it with his newest album, Southern Star. "Down here, there's a lot going on and there's nothing going on at the same time," he says. "You've got all these different cultures in the south, and everything is mixed in together. Otis Redding and Little Richard were from the same town in Georgia. So were the Allman Brothers. James Brown and Ray Charles grew up right down the road. All these sounds reflect the South itself, and that music has influenced the whole world. It's definitely influenced mine." Filled with country-soul songwriting, laid back grooves, and classic storytelling, Southern Star distills the best parts of southern culture into 10 of the strongest songs in Cobb's catalog.
- A1: Conjunto Universal - Alla Tu
- A2: Paul Serrano - Latin Soul Boogaloo
- A3: Pijuan Y Su Sexteto - Do Your Shing-A-Ling
- A4: Paul Ortiz - Mi Negra Va A Gozar
- A5: Latin Blues Band - (I'll Be A) Happy Man
- B1: Orquesta Olivieri - A Swingin' Combination
- B2: Tony Middleton & Bobby Matos - Return To Spanish Harlem
- B3: The Real Thing - One Way Ticket
- B4: Frankie Nieves - Symphony Sid In Acapulco
- B5: Sounds Tropicana - Brass Boogaloo
- B6: Moon People - Hippy Skippy Moon Strut
- B7: Orquesta Olivieri - There's No Other Girl
VOL 2[28,15 €]
- Latin Blues Band - Take A Trip
- Orquesta Olivieri - African Guajira
- Frankie Nieves - The Four Corners
- Pijuan Y Su Sexteto - Shake It Don't Break It
- Milton Zapata - Sweet Soul Music
- Dave Cortez* With The Moon People - Fishin' With Sid
- The Moon People - Indian Soul
- The Real Thing - Heavy Together
- Willie (Baby) Rodriguez - Hot Buns
- Tony Middleton - Spanish Maiden
- Joe Pappy & His Combo - Oye Tomasito
VOL 1[28,15 €]
Debut gospel album from Georgia singer-songwriter Brent Cobb. 8 traditional gospel songs and one new original song (When It's My Time), incorporating multiple genres - country, Southern rock, blues, folk, soul. Produced, engineered, and mixed by six-time GRAMMY-winning producer Dave Cobb (Jason Isbell, John Prine, Brandi Carlile, Chris Stapleton) at RCA Studio A in Nashville, TN.
Asyncro presents the second release of the series - a collection of tracks produced by OL between 2017 & 2020. In addition to solo works the record includes collaborations with Sensational, Flaty and Micxail. These interactions emphasize the author's interest in communicating with other artists through the music recording process. "Wildlife Processing" is an archive of compositions reflecting OL's trajectory and personal vision of electronic music over the past years.
Label devoted to old school house music. Every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. House music is our religion. We are not interested in hype. We are not interested in becoming famous. We are not interested in djing worldwide. There won't be any repress since we are not interested in making money. We'll release music for personal pleasure only if it' ll satisfy our minimum quality standard. Finally, we won't release any digital download, 'cause we didn't grow-up listening to music that we couldn't touch.
Oleg Buyanov also known as OL, DJ and electronic music producer from Moscow, Russia. Leading member of Gost Zvuk.
On a hot summer day, you enter the main hall of a well-known local Vietnamese restaurant. The noise of the visitors' voices merges with the national music playing in the background. All seats are occupied in the hall and the polite staff takes you to a separate room where the atmosphere of calm and comfort prevails. Beautiful interior, cool air and soft light conducive to relaxation. Exotic dishes and drinks allow you to fully enjoy the authenticity. Far away in the distance voices from the main hall are now barely audible, you are in anticipation of a great evening.
180-gram vinyl record, limited
Label devoted to old school house music. Every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. House music is our religion. We are not interested in hype. We are not interested in becoming famous. We are not interested in djing worldwide. There won't be any repress since we are not interested in making money. We'll release music for personal pleasure only if it' ll satisfy our minimum quality standard. Finally, we won't release any digital download, 'cause we didn't grow-up listening to music that we couldn't touch.
Red Ember Records proudly presents the debut 4-track EP from Goiz.
A distinctly warm & deeply personal sound direct from the Floridian underground.
Big Ol' Goiz' speaks truth with sublime chords, bulbous bass and inquisitive synth conversations, weaving through back-room deep house, electro and organic bustling rhythms.
In 1956 "I Put A Spell On You" was released on the Okeh label, this release was what really changed Hawkin's fortunes.
According to legend, Hawkins intended it as a refined ballad, but he and his band were all somewhat the worse for alcoho
when they finally entered the studio. The result was intense and mesmerizing.
Although never a chart hit, the record had a massive impact. Covered by Nina Simone, Marilyn Manson and literally
dozens of others, it became a modern standard. Enjoy it once again on glorious vinyl, along with "Yellow Coat", "Hong
Kong" and "Ol' Man River".
- A1: Black Gold Intro
- A2: House Of Flying Daggers - Inspectah Deck, Raekwon, Ghostface Killah & Method Man
- A3: When The Fat Lady Sings - Gza
- A4: Special Delivery - Ghostface Killah
- A5: Last Call - Ol\' Dirty Bastard & Master Fuol
- A6: Plo Style - Method Man & Carlton Fisk
- A7: Wind Cries - Gza & U-God
- A8: Street Rap - Inspectah Deck
- A9: Live Today - Ghostface Killah & Rza
- B1: Crosstown Happening - Method Man & Busta Rhymes
- B2: Not A Game - Raekwon
- B3: Vibrations - Inspectah Deck. Gza, Masta Killah, Rza, Method Man, Raekwon & Ghostface Killah
- B4: 10 Bricks - Raekwon, Ghostface Killah & Cappadonna
- B5: Kff2000 - Gza
- B6: Holla - Ghostface Killah & Allah Real
- C1: True Kings
- C2: Pali
- C3: 9 Was 6
- C4: Collector\'S Material
- C5: Heart
- C6: Jam Pt. 1
- C7: Summer
- C8: Mary
- C9: Experience
- C10: Today
- C11: Soul
- C12: Spangled
- D1: Traffic
- D2: Ladyland Jam
- D3: The Switch Up
- D4: Somewhere
- D5: Jam Pt. 2
- D6: Villanova
- D7: Foxy
- D8: Cherokee
- D9: New Rising Sun (Outro)
- D10: I Can\'T Wait - Ol\' Dirty Bastard
- D11: Hey Joe - Gab Gotcha
- A1: Ohne Titel
- A2: Ländliches Kouzert
- A3: Vier Brüder Auf Der Bank
- A4: Blaue Dominante, Öl Auf Kupfer
- A5: Susanna Im Bade
- A6: Marktfrau Mit Gemüse
- B1: Halbakt Im Gegenlicht
- B2: Aargauische Kleinlandschaft
- B3: Van Der Rande, Massstäblich
- B4: Goffersberg Mit Traktor
- B5: Selbstbildnis Mit Frau Und Söhnen
- B6: Ohne Titel
Black Truffle is excited to announce the release of the first-ever vinyl reissue of Ruedi Häusermann's Galerie Randolph, a masterpiece of solo multi-tracking originally released on CD by Unit Records in 1995. Born in 1948 and residing in the medieval Swiss town of Lenzburg, and virtually unknown outside of the German-speaking world, Häusermann is a multi-instrumentalist and enormously prolific composer who works primarily in the medium of absurdist music-theatre. A virtuoso wind player and free improviser who also composes for traditional classical instrumentation, his work is characterised by subtly surreal humour and the unlikely combination of extended technique and simple, at times almost child-like, melodic ideas. Named after his rehearsal room in Lenzburg, Galerie Randolph uses an enormous array of instruments to craft a work of singular compositional vision. Each of the twelve pieces begins from the same two elements: a woozy, sliding scatter of tones played on a home-made contraption stretching two guitar strings between the top of Häusermann's alto saxophone and an amplified cup, and a series of uneasy block chords sounded on accordion and reeds. On each piece these two elements (whose pitch gradually raises throughout the record) are complemented by entirely different material, all of it played by Häusermann. Ranging from layered flutes to one-finger piano melodies to unintelligible vocals to musique concrete interjections to free jazz saxophone explosions, these additional layers combine with the endlessly returning idée fixe of the foundational elements to create a truly dream-like listening experience, a gently deranged realm in which we lose all sense of linear time. Calling up the most unlikely combinations of possible predecessors - Erik Satie, Gerry Mulligan, and Helmut Lachenmann perhaps -Galerie Randolph ultimately defies comparison. Almost unknown except to a select group of cognoscenti such as Jim O'Rourke, yet destined to become a cult classic, Galerie Randolph is an instance of that most rare thing: music the likes of which you have never heard before.
Presented in a deluxe gatefold sleeve with gorgeous archival images by the composer. Design by Stephen O'Malley. Mastered and cut by Rashad Becker at D&M, Berlin
Key selling points: - Black Truffle is excited to announce the release of the first-ever vinyl reissue of Ruedi Häusermann's Galerie Randolph, a masterpiece of solo multi-tracking originally released in 1995, the album utilises an enormous array of instruments to craft a work of singular compositional vision.
- Calling up the most unlikely combinations of possible predecessors - Erik Satie, Gerry Mulligan, and Helmut Lachenmann perhaps -Galerie Randolph ultimately defies comparison.
- Each of the twelve pieces begins from the same two elements: a woozy, sliding scatter of tones and a series of uneasy block chords sounded on accordion and reeds. On each piece these two elements are complemented by entirely different material, ranging from layered flutes to one-finger piano melodies to unintelligible vocals to musique concrete interjections to free jazz saxophone explosions, these additional layers combine with the endlessly returning idée fixe of the foundational elements to create a truly dream-like listening experience, a gently deranged realm in which we lose all sense of linear time.
- Almost unknown except to a select group of cognoscenti such as Jim O'Rourke, yet destined to become a cult classic, Galerie Randolph is an instance of that most rare thing: music the likes of which you have never heard before.
- Galerie Randolph is presented in a deluxe gatefold sleeve with gorgeous archival images by the composer with design by Stephen O'Malley. Mastered and cut by Rashad Becker at D&M, Berlin








































