Buscar:on and on

DJ Support: Danny Krivit, Brian Tappert, John Morales, Craig Charles, Dr packer and more

Italian producer Corrado Alunni returns to the 7-inch format with a high-caliber double-sider. The A-side, 'Black Pearl', is a masterclass in jazz-funk-house elegance, weaving warm Fender Rhodes melodies with vibrant flute and trumpet solos over a sophisticated, sun-drenched groove. On the flip, 'Turn It On' keeps the energy high with Alunni’s signature blend of infectious Rhodes riffs, chunky basslines, and dancefloor-ready drums. A must-have addition for fans of soulful house and nu-disco lovers alike.

The Earliers is an early reggae and soul band based in France. Founded by producer and multi-instrumentalist Karigan, the project returns with a second 45 RPM release, once again staying true to its signature format: an early reggae track on Side A and a soul track on the flip side.

This new record features the outstanding vocals of Congo Lion on the early reggae side and Sebah on the soul side. The entire release was mixed by Karigan at BBR Studio, crafted with a vintage, old-school, homemade spirit.

A beautiful journey from another time.

Morocco’s native Cee ElAssaad comes back again to collaborate with the UK’s afro house songstress Miss Sabrina Chyld for their debut release on Makin’ Moves! Cee as always provides his eclectic and hypnotic groove with his signature drums layered behind Sabrina’s sultry and meaningful vocals which ring true here to remind us to not dwell on the past, and utilise our time in the present.
Chicago house pioneer Ron Trent does his thing on the remix going super deep as only he does, using heavy drums and spine tingling synths while letting Sabrina’s vocal excel to its fullest! We’ve also added the instrumental aswell on the package a very handy dj tool in itself.

Wewantsounds continues its reissue program of Bob Shad"s cult jazz label, Mainstream Records, with Hadley Caliman"s superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody "Sonship" Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson"s Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the first time since 1971, featuring its original gatefold artwork with rare first-generation photos. This edition comes with newly remastered audio and a two-page insert with exclusive liner notes by Todd Cochran, reflecting on Hadley Caliman and the making of the album.

Assault & Battery is the second studio album by Australian hard rock band Rose Tattoo and was released in 1981. Like the first album it was produced by the Vanda & Young team, who are most known for producing AC/DC's classic 70s albums).

Rose Tattoo (or The Tatts, as they;'re affectionately called) play peerless, street-level heavy blues with the emphasis on slide guitar and strident lyric statements.

After years of touring in Australia, Europe and America opening up for acts like ZZ Top and Aerosmith, the band started writing/recording their second studio album, Assault & Battery.
It includes fan favorites:"Out Of This Place" & "Rock n Roll Is King" & "Suicide City"
The album is noted for its "hard as nails," no-prisoners approach, described as a mix of AC/DC's power-chord style with a faster, punk-infused intensity.

Assault & Battery is available as a limited numbered edition of 1000 copies on black/white swirl vinyl.

Ring Noord and Anetha connect on Everything Is Still To Come EP for Mama Told Ya



Ring Noord return with a five-track EP on Mama Told Ya, marking their first collaboration with Anetha and their first release on the label. Developed between studio sessions in Groningen and sustained time in the club, Everything Is Still To Come places their work in a broader context, moving between bass music, techno and rave, where instinct-driven writing meets a more direct sense of physical function.

Single-Sided 12 inch with etched B Side, cut and remastered from the original tapes and housed in a new foil sleeve printed on 300gsm card with gold Stardust is Thomas Bangalter, Alan Braxe and vocalist Benjamin Diamond. Twenty one years since its original release in 1998, their iconic track "Music Sounds Better With You" is now available again on vinyl and digitally for the first time.

A decade into life, Secret Society marks this notable milestone year with a release that stays true to its ethos of depth and groove. Ewan Jansen started producing in the early 90s in Perth, often with the same hardware he used in his live shows. He's back on the label with two driving cuts built squarely for the dancefloor: 'Hydroid' is bright mid-tempo techno with pixelated synth charm, and 'Bodywash' is a deeper, more syrupy sound for late-night cruising. Alongside them sits a more introspective collaboration with Italian producer Luca that trades peak-time punch for texture and restraint. On remix duties, John Dimas adds his trademark crisp momentum and understated flair, a fitting choice given his long-standing connection to the camp.

Biz has some serious techno credentials, having landed on esteemed labels like Transmat and Acquit Records before now, and here he is back on his Subjekt label with a third outing in his limited series. This is cerebral techno steeped in Detroit style but looking to the future. 'No Pain, No Gain' is awash with crystalline pads over a surging groove, 'Monozukuri' gets more prickly with metallic percussive textures and a forlorn lead. 'Manipulate' unhinges from reality with trippy synth cascades that remind of 8bit video games and the flip then has a more introverted sound across three minimalistic, deep rhythmic excursions.

Lodig / Dibek re-emerge with a new 12”, expertly delivering that analogue machine funk.
On the A-side, Glass Echoes, features two cuts between techno and electro, navigating between darkness and light, rawness and polished brilliance.
Neon Drive comes in two variations on the flip – dark and extra funky electro driven by conversing baselines, followed by a dubbed-out version designed for those moody late-night moments.

Gadea’s original soundtrack to In the Beginning, the new animated short film by director Ala Nunu, unfolds across three surreal, yet surprisingly real, stories about people and the world around them: a lunar probe’s tardigrade cargo, 16th-century myths surrounding birds of paradise, and Hong Kong’s pandemic-driven hamster cull. The film is a tonally absurd documentary-fiction essay on anthropocentrism and the human need to control narratives.

This is Gadea’s first musical accompaniment for animation. Collaborating with Marina Herlop on vocals, Gadea’s sonic palette sits somewhere between field-recording minimalism, chamber electro-acoustics, and the more fragile end of speculative composition.

Aaron Coyes (PEAKING LIGHTS, LEISURE CONNECTION, NTS) is back with part 2 of this 3 part series under the EXOTIC GARDENS moniker.

This time, the listener finds themselves sauntering into the post-noon hours with a little more grit: Acid synths, distorted phones ringing, some hungover spoken word samples and even the sounds of a Monchichi if you listen closely enough.

But at the heart of it all remains the same backbone that made his 2024 "MORNING DUBS" a surprise hit for Pinchy and Friends: infectiously deep, perfectly produced psychedelic dub
grooves.

Coyes has had a busy year. He released another Exotic Gardens EP on the Emotional Response label, indulging his more distorted, shoe gaze and post punk passions (and sounding much different to his work with P&F). He also worked with fellow P&F artist COYOTE on the "Love Letters" EP. (2025- Is It Balaeric???)

Now that we are 2/3rds into the day, one can only wonder…what will the EVENING bring???

Founded in Puebla City in 1998 by Alberto Tlahuetl, Grupo Soñador played a key role in shaping a distinct regional take on cumbia at a time when the genre was largely dominated by Mexico City and the coastal scenes. Working with minimal resources, home recordings, cassettes, and affordable keyboards, the group developed a clean, melodic, and dance-driven sound that resonated deeply within the sonidero circuit. Their breakthrough track El Paso del Gigante (2001), spread organically through DJs and street dances, establishing Grupo Soñador as a cornerstone of Puebla’s emerging musical identity. Without a formal label structure, their music travelled hand to hand, from local fairs to migrant communities in the United States, becoming part of a wider underground network of circulation. Blending electronic instrumentation with sonidero rhythms, Grupo Soñador helped place Puebla on Mexico’s cumbia map, not through industry infrastructure, but through the dance floor.

Gold Panda returns with TON UP, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a producer who knows that 140 bpm is not so much a tempo as a way of life.
Made with Derwin Dicker’s unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system.
Here you’ll find zero of that dreaded, over-explained “maturity” usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever, carelessly chasing the physical joys of pressure, swing and repetition.
TON UP is functional, funny and oddly tender club music, arriving just when the world needed it the most (June 26 that is.)

2026 Repress

Traversing wormholes and flexing versatility, Nicola Cruz gets back on his club-ready biz.

No proper introductions needed here. Sometimes you just have to sit back and appreciate someone at the top of their game. The third portal thing, done masterfully. Hats off.

Time-honoured templates that provide the foundations for his hybrid mutations. Three mescaline-strength techno incursions backed up with a vivid projection of fractal electro.

Big on murk. Properly steeped in introspection, expanding consciousness and horizons. The vision quest endures for the duration.

New levels of insectoid detail and lysergic flourish revealed with every close listen, but he’s always keeping it robust. Giving it chest with some serious dancefloor dramatics until the final unfurling.

Who could have imagined that Ryo Fukui had left behind a recording like this? Captured on June 8, 1977, this previously unreleased live session was recorded at the Sapporo jazz club Vidro by Masataka Ito, the producer behind Fukui’s albums Scenery and Mellow Dream. It is unmistakably the Ryo Fukui Trio of that era, yet the performance possesses an overwhelming intensity and freshness that far surpass any studio recording—excitement in its purest form.

The 16-minute, searing performance of “Mellow Dream” is just the beginning. The propulsive energy of “Speak Low”, the beautifully woven lyricism of “Body & Soul,” the blistering drive of “Love For Sale”, the weighty depth of “Mr. P.C.”, and the crystalline fragility of “My Foolish Heart”—each track is delivered with feverish brilliance. It was this very live recording, excerpts of which were evaluated at the Trio Records headquarters at the time, that ultimately led to the production of Fukui’s second album Mellow Dream. In every sense, this is an extraordinarily precious document.

This third album by Ryo Fukui arrived a full 17 years after Mellow Dream, marking his first and only solo piano recording. Alongside signature pieces like “Scenery” and “Mellow Dream”, the album includes “Voyage” and “Nord”, both written during a trip toward the northern regions, as well as “Nobody’s”, a piece imbued with Fukui’s deep respect for his mentor Barry Harris. The selection is nothing short of a delight for fans.

Here, the depth and weight Fukui cultivated as a bebop pianist blend seamlessly with the profound “Hokkaido sensibility” that had always resided within him. It is a masterpiece that truly deserves to be passed down through time.

Limited run of cassettes, full on body print & double sided J-card, design by Ciaran Birch, 49m30s each side.

Marylou is a French DJ and sound artist based in Berlin, known for her boundary-free, anything-goes approach to DJing. Previously affiliated with Morphine Records, YOUTH, and Ominira, she’s also part of the Wheel of Fortune collective alongside rRoxymore, CCL, and Nono Gigsta.

Her tape for Accidental Meetings drifts effortlessly through dub, noise, traditional folk, improv jazz, footwork, and breakcore—never sitting still for long. The tape clocks in at just under 100 minutes, packed with offbeat selections that give a deeper glimpse into her ever-shifting sonic world.

Semi Delicious boss Demi Riquísimo and French underground staple producer Clint join forces once again on four track EP 'Soft Landing', following their standout 2025 collab 'Love State'. Another seamless merging of the two producers analogue sounds, they now dive deep into their complementary styles across this package. With the cuts teased across Demi's recent North and South America tours, and lead track 'Who Wants To Know' a standout from his latest Lot Radio set in NY, this release comes as another exceptional addition to Semi Delicious' catalogue of ever playful and club-ready records.

" 'Stay' by Shakespears Sister stands as one of the most creatively and commercially powerful singles of the early '90s, dominating the UK Singles Chart for eight consecutive weeks, one of the longest-running number-one hits of its era.

" 'Stay' was a defining cultural and artistic statement, the track's dramatic structure and accompanying video shifting from a delicate ballad into a theatrical, gothic climax.

" Decades later, 'Stay' continues to win new fans through chart re-entries and renewed popularity, most recently cited by Charli XCX as a key influence on her soundtrack for Emerald Fennell's 'Wuthering Heights'.

[a] A1. Stay [Radio Mix]
[b] A2. Stay [Andre Betts 12" Remix]
[c] A3. Stay [Acoustic Version]
[d] B1. The Trouble with Andre [Luke Mornay Sweeter Mix]
[e] B2. The Trouble with Andre [Luke Mornay Deeper Mix]
[f] B3. The Trouble with Andre [Chris Thomas Remix]