Buscar:on

pictured cover sealed in shrink wrap (first time ever on Samosa)



Samosa Records comes back with a real summer bang in the form of the ‘Afro-Ritmo EP’ – a four-track journey into afro soaked vibes courtesy of Anura & Sr. Lobezno and featuring label boss De Gama!

First up on side A is the EP’s title track, the mesmerising ‘Afro Ritmo’. Anura & Sr. Lobezno announce their arrival on Samosa Records with this spicy West African rhythm bomb. Kakaki trumpet fanfares meld with intricate synth stabs and ethereal Oja flute, whilst the solid tribal beats and rolling bass dictate the dance moves. And dance you must…

Track 2 is the deliciously glitchy, conga bonanza ‘Sungu Sa’. Make no mistake, ‘Sunga Sa’ is out to get you from the very first beat – tempting you to go behind the curtain as the haunting guitar lures you ever closer to its secret door. Dark, uplifting and ritualistic, the chant of ‘Sunga Sa’ will live in your head rent free well after the sun has gone down. Don’t say you weren’t warned.

Over on Side B De Gama takes the title track ‘Afro-Ritmo’ and applies his unique sonic rubs, balms and enhancers to create a pulsating after hours jam full to the brim with Afrotropic sparkle and magic dust. Like an unstoppable chugging train steaming through a savanna, De Gama is the conductor supreme as the raspy synth, bluesy guitar riff and uplifting brass fanfares entwine around that pounding beat.

Finally, Track 4 gives us the seriously powerful Javier Morrilas remix of ‘Afro-Ritmo’. The original is stripped right down and given the Big Beat treatment for this insanely good take – a peak time switcheroo of a track that keeps you guessing as to where it’s taking you. As the flutey breakdowns and broken beat madness get you, you will fall in love with this one instantly.

The ‘Afro Ritmo’ EP is a powerful, masterful four tracker from Anura & Sr. Lobezno which is well at home in the Samosa Records cooking pot. Spread the word, buy the vinyl. You won’t be disappointed.

• Reviewed with love by The Black Light Disco

Written, Produced, Arranged and Mixed by Anura & Sr. Lobezno.
Keyboards & Percussions: Anura.
Trumpet: Jimmy Garcia
Sax & Flute: Carlos Ligero
Trombone: Prudencio Valdivieso

*Remix and Additional Productions by Stefano Gamma aka De Gama for De Gama Rec - Rome.
Jazz Guitar & Acoustic Bass by Pietro Nicosia.

** Remix and Additional Productions by Javier Morillas.

All tracks mastered by Francesco Pierguidi at L’n’P Studio – Rome.

Artwork and computer graphics by Nerina Fernandez.


SMS038

At daybreak, as sunlight travels through the atmosphere and begins to reach Earth’s surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises—especially after clear, calm nights—relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up.

‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.

"Pretty Close", Ethel Lindsey's debut LP, marks the beginning of a new musical journey, showcasing the talent and heartfelt nostalgia of this gifted singer-songwriter. Deeply rooted in the sound and spirit of the 1970s, her work draws from the golden age of Soul, Funk, Disco, and AOR, blending these genres with elegance and authenticity. Her songwriting and vocal delivery are so true to the era that one could easily imagine this album emerging straight from a California studio in 1976.

Entirely composed, written, and performed by Ethel Lindsey, Pretty Close is a deeply personal and cohesive body of work. From lush harmonies to groove-driven arrangements, the album captures the warmth and depth of vintage recordings while offering a fresh and intimate take on these timeless sounds.

Once again, Favorite Recordings brings its signature dedication to the project, ensuring every step of the process—from production to final mix—remains faithful to the sonic and aesthetic codes of the era. The album was produced using a maximum of vintage analog equipment, staying true to the texture and character of original 70s productions.

This is not merely a nostalgic tribute—it’s a sincere continuation of a musical tradition. With a deep respect for the past and a forward-thinking spirit, Ethel Lindsey breathes new life into classic genres, reaffirming their relevance in today’s musical landscape.

As Ethel herself puts it:
"The songs on this album offer but a fleeting glimpse into the whimsical, melodic reveries that may have danced through the mind of a young girl growing up in the northeastern suburbs of Paris, France during the early to mid-1980s. They are, perhaps, the earliest echoes of a fraternal musical upbringing—an inheritance both consciously absorbed and unconsciously imprinted—shaped by shared moments, half-remembered sounds, and the mysterious alchemy of childhood imagination. This collection is, in essence, a first distillation of that early inner world: playful, imperfect, sincere."

This single gets together two rare and important tracks from legendary producer Lee “Scratch” Perry with singer Neville Grant.

SICK AND TIRED, the great vocal version of RETURN OF THE DJANGO, was released in 1973 on Downtown (DT.509) whilst
BLACK MAN’S TIME was released in 1972 on the Upsetter label.

These two outstanding tracks are in our opinion the best of Neville Grant’s recordings and among Lee Perry’s very best productions of this era.

As such, they were featured on several top compilations but are both quite rare as singles and highly collectable today…

The Toxic Funk series keeps the dancefloors moving, and for Volume 17 we welcome back the ever-funky duo Suckasidewith a pair of groove-heavy gems pressed on 7" vinyl. DJ B-Side and Sucka Timmy once again show their mastery of blending classic soul, funk, and RnB flavors with breakbeat punch.

The A-side, Hot Pants I Just Wanna Love You (112 BPM), is pure sunshine soul on wax – bright and upbeat with crisp breakbeats, silky vocal chops, and infectious horn stabs. Its warm groove and steady energy make it the perfect opener for a DJ set or a surefire way to lift any crowd.

On the flip, Dang Lazy (SuckaSide 45 Edit) kicks things up a notch with a faster, more driving funk workout. The bassline struts, the drums snap, and playful vocal snippets dance over the top, all tied together with Suckaside's tight, polished production. It's a party starter with a cheeky edge – perfect for when the floor is already buzzing and you want to take it higher.

Detroit, MI – – Blank Code Records, a cornerstone of the underground electronic music scene, is proud to announce the launch of its highly anticipated sublabel, Modern Relics @modernrelicsrecords. This new venture is set to redefine the future of electronic music by merging a diverse range of genres, including techno, drum & bass, atmospheric, polyrhythms, ambient, and dub.

Conceived in the heart of Detroit, Michigan—an internationally renowned hub for electronic music innovation—Modern Relics is dedicated to exploring the freshest, most experimental soundscapes. The label aims to introduce listeners to groundbreaking productions that push the boundaries of genre and convention, reflecting the cutting-edge spirit of the underground scene.

Modern Relics will serve as a platform for both emerging and established artists who are unafraid to break free from traditional constraints, weaving together intricate rhythms and atmospheric textures that captivate and challenge the listener’s perception of sound. Drawing from a wide array of global influences, the label will focus on music that’s as dynamic as it is genre-defying, from hypnotic techno to the pulse of drum and bass, with hints of ambient sound design and the intricate complexity of polyrhythms.

"We wanted to create a space where experimentalism meets accessibility, where the boundaries of different genres can be blurred and redefined," says Co-Founder Chad Parraghi. "Detroit’s legacy in electronic music made it the perfect place to launch a new chapter that honors the city’s rich history while also pushing into the future with new and innovative sounds."

Modern Relics will launch with a series of forward-thinking releases. Expect immersive soundscapes that transport you into uncharted auditory territories—one where techno meets the experimental, drum and bass merges with ambient sound design, and dub echoes resonate within polyrhythmic structures. The label will feature a diverse roster of talented artists whose work reflects the international underground, bringing together voices from every corner of the globe.



Bio: Echoføn is the project of Detroit producers and Blank Code co-founders Chad Parraghi and Corbin Davis. Their music pulls from the roots of Detroit techno while folding in the energy of drum & bass and the complexity of polyrhythms, giving their tracks a sound that feels both raw and forward-looking.
Through their work with Blank Code, Parraghi and Davis have long been part of Detroit’s underground, building spaces for artists and pushing new ideas into the scene. Echoføn is a natural extension of that—two voices combining into something new, but still grounded in the city that shaped them.

Their first release, the Empty Space EP on Modern Relics Records, has already picked up support from artists like Polygonia, Kangding Ray, and Forest on Stasys, marking an exciting start for what’s ahead.

SCALER are the electrifying Bristol-based band hailed as the city’s “next national breakthrough” thanks to their pulverising live show and meticulous, mind-warping sound. Now they’re back with ‘Endlessly’, a sublime and stylistically expansive new album. 10 potent tracks written and recorded more collaboratively than ever before, as SCALER explore what it means to make music with no ceiling.


Building on what they know and taking it in new directions has been a constant throughout the three-year journey behind ‘Endlessly’, which came together in the studio beneath Bristol’s legendary The Louisiana. Inspired by time apart, the album finds them reconnecting with their diverse sonic touchpoints – many tangled in their city’s much-mused-on musical heritage – and the creative energy of collaborators around them. Close friends and long-admired peers, including Akiko Haruna, Art School Girlfriend, Tlya X An, Shadow Stevie, Thomas Ridley and Cold Light’s ELDON add colour to SCALER’s darkened palette and point to the left-turns they’re leaning into. The intense softens into introspection. The blistering becomes a balm.


‘Endlessly’ is the second album from SCALER, a.k.a. Alex Hill, Isaac Jones, James Rushforth and Nick Berthoud, alongside visual artist Jason Baker. The record follows 2022’s acclaimed ‘Void’ and marks their debut for Bristol’s revered Black Acre, a longtime champion of genre-defying electronic music.

Word is the name of the next EP which has been announced on the label as you can see right now. It was written by the prominent artist Orbet that has been making waves in his native country Russia and has played nearly all the hottest events and festivals there are and continuing doing it without any will to stop. It has been 5 years since his last vinyl release which was a sellout hit so this is an important year we marking in the artist’s life and sound output and celebrating his return to releasing the music again. The design of the record comes in the style of graffiti that is very close to the artist as Orbet is no stranger to this art being an artist of graffiti himself. The tracks have a wide range of sound and would be able to work at different times of the party whether it’s prime, warm up or the afters. The four tracks presented on this disc are ready to be worked round the clock strictly for the pleasure of the people of the underground. I think that should conclude my verbal ramblings as it’s best to test this record in action to see it for yourself.

GAMM is back!

Rawson (aka Tommy Rawson) makes his GAMM debut with a big two-track release oozing organic contemporary soul music...but delivered with a retro New York house approach.

On the A-side "The Love", we find the mighty vocals of Al Green blending with a tasteful house production similar to those classic 90's R&B tracks remixed by David Morales or Frankie Knuckles. It's one of those proper feel-good club tunes that spreads joy anywhere it's played.
On the B we get a killer unreleased Neptunes R&B jam receiving the soulful 4/4 treatment, featuring warm analog bass lines, deep melodic chords, and big female vocals.

People of Earth,

They assigned me your heavy, brooding planet. I don’t complain. Because what lies ahead is Contact.

You are still primitive. That’s not an insult — just an observation. You’re tangled in your inner workings. Fascinated by your metaphysical genitals, if we’re being precise. And yet — your spirit scored pretty high on the Interplanetary Index. Which is rare, and promising.

Your Enlightenment is near. And Enlightenment is essential — for Contact.

Many of you have already tasted the Synthetic Harmonies.
They’re signals. Invitations. Crafted by Artists who, knowingly or not, have already opened the gate.

You look up. You name stars.
You build flying machines.
You surf the sky in metal tubes, sipping juice.
You make big sounds with small boxes.
You fly above the clouds — and play with fire, hoping it counts as progress.
It does.
You’re getting closer.

But first, you need to fix one thing.

Learn to float.
In sound.
In light.
In pulse.
Float in the silence between the kicks.
And stop talking on the dancefloor!

Soon, we’ll drift together through the Great Cosmic Pattern.
Soon, your voices will be heard beyond atmosphere —
not shouting, just resonating.
Believe — Contact is closer than you think.

Truly yours,
The Upgrade Cube

Bobby Caldwell is legendary for his blue-eyed soul masterpiece What You Won’t Do For Love but a deeper look into his catalog reveals there’s plenty more where that came from. Danny Krivit heads straight to the source, and uncovers a breezy treat in the form of The House Is Rockin’, Caldwell’s very first single. Kicking his edit off with a highly mixable extended drum break intro, he teases this upbeat mover into the fully extended version it deserves.

From the sunshine of the A-side Krivit pivots to a monster moody groove on the flip, Eddy Grant’s proto-house classic California Style. Leaving just a touch of the soca-fied vocal at the top, Mr. K quickly delves into the depths of the percolating instrumental break, emphasizing all the gloriously quirky synth bloops and relentless bass that made it a favorite of house producers (check Mateo & Matos’s New York Style for proof). We believe this is the first time the extended mix has been available on 7-inch, but we’re absolutely certain it has never sounded so good! Another crate staple in the always excellent Mr. K edit series.

Enter DJ Fly’s sonic arsenal with this precision-engineered breakbeat, crafted as a high-performance toolkit for the modern turntablist.
This vinyl delivers a sharp selection of expertly curated sound banks, including signature samples from DJ Fly’s legendary DMC routines, along with exclusive, never-before-heard material. All content is organized into thematically distinct sections to optimize workflow and creative output:
Epic & Orchestral – Acoustic & Electronic Instruments – Modern Textures & One-Shots.
Custom skipless loops (skipproofs) are designed to streamline cueing and enhance performance fluidity across all scratching and beat juggling techniques.
Features one side cut at 45 RPM and the other at 33 1/3 RPM, providing expanded control over pitch, tempo, and phrasing – perfect for hybrid routines and intricate transitions.
Each bank is structured to ensure harmonic, stylistic, or tempo-based coherence (BPM-aligned), supporting seamless layering, real-time improvisation, and the construction of musically cohesive sets.
A precision-cut breakbeat, purpose-built for vinyl technicians and battle-ready routines.

a A1 - The King's Bank Am/90bpm
b A2 - Bass Armor Bank [Fm/180bpm]





[h] A8 - Skip Beat_Crown Drum [90bpm]

[j] B2 - Durandal Bank [133,33bpm]
[k] B3 - La Joyeuse Bank [83,33bpm]
[l] B4 - Excalibur Bank [100bpm]

[n] B6 - Classic Cuts Bank [100bpm]


[83,33bpm]

Repress
the journey continues...

The third part in the Drexciya re-issue series! Another part of the exciting journey of Drexciya with mind blowing tracks such as You Don't know, Intensified Magnetron, Aqua Worm Hole etc.
One of the finest moments in electronic music history and Detroit techno available in remastered versions including unreleased material. Essential in every serious electronic music collection

BAR Musica is proud to introduce a new, exceptionally talented artist: Gargiulo.

At BAR Musica, one of our core values is providing a platform for emerging talent to share their unique sounds with the world. Gargiulo, hailing from the serene countryside of Tuscany, Italy, has spent years honing his craft—creating music purely out of passion, without ever releasing a track. Until now.

We’re thrilled to finally present his debut: three mesmerizing tracks that showcase his trippy, dark, and hypnotic style. This is just the beginning.

Gargiulo is definitely an artist to keep an eye on.
Welcome to the BAR Musica family, Gargiulo!

The begena is a large ten-stringed lyre which is part of the traditional Amharic heritage of Ethiopia. The Amharas, who have long formed the politically and culturally dominant people of Ethiopia, mainly inhabit the central and northern part of the country. In the majority, they follow the monophysite Orthodox Tewahido Church established in the early fourth century AD.

Music plays a very important part in the life of the church. Most of the liturgy is sung and, contrary to secular music, it is accompanied by percussion instruments only. The begena occupies a special place because it is the one melodic instrument exclusively dedicated to the spiritual repertory. Because of its mythical origin, it is highly respected. Tradition holds that the begena was given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant. It has always been the instrument of kings and nobles. Played by pious men and women of letters, it never became widespread. But it never disappeared either, not even under the Derg regime (1974-1991) which had banned the instrument.

Among Amhara string instruments, the begena is the most carefully crafted, especially with regard to the ornately sculpted crossbar. Its ten gut strings are cleaned and twisted several times. The characteristic buzzing timbre equalled by no other Amhara instrument is due to the enzirotch, that is, small bits of leather placed between each string and the bridge. This plays an important part in the sound production by creating a brief contact between the string and the upper rim of the bridge, thus modifying the vibrating properties of the string. In this manner, the spectrum of the sound is considerably enhanced (up to over 10 kHz).

The begena is a very powerful instrument, it keeps the devil thirty steps away, and its presence in the home wards off malicious spirits. Priests and preachers recommend its presence, especially during Lent (Fassika Tsom) when the Orthodox Amharas ponder their sins and repent. Because of its spiritual import, the begena generates intense emotion. According to some musicians, playing the begena brings them into direct contact with God or the Virgin Mary. The religious role of the begena is underscored by the shape of the instrument, each part symbolises an important element of the faith. The crossbar for instance, which reaches across the entire width of the instrument, represents God who is above all things. The belly which "gives birth" to the sound represents the Virgin Mary, and the ten strings recall the Ten Commandments.

Recorded by Stéphanie Weisser in Addis Ababa, Ethiopia, March 2002-December 2005.

Mastered by Renaud Millet-Lacombe.

Issued under license from VDE-Gallo, Switzerland.

Hit after hit! The 4th in a series of sample-delic electro 12”s inspired by the LA X-men, Arabian Prince, Marley Marl, DJ Di’jital. This one features Ivan “Funkboy” Bodley on electric bass guitar. electro salute!"

Two sides, two heatwaves pulled from the depths of Afro-diasporic analogue archives and reborn for contemporary dancefloors.

On the A-side, “Chiacchiere di Lavoro” is a razor-sharp re-edit of a Nigerian track, that is just like its new producers: obscure and way ahead of their time. The B-side dives into the Antilles: "Taxi Safari" is a rare tropical gem, reworked with finesse by editing maestros Lance and Disco Strummer.

But what is La Sirenetta?
La Sirenetta – “The Mermaid” in Italian – is a name that evokes memories of a Riviera discotheque, the faded glamour of a beach club, or a fried fish shack glowing in the sunset.

In fact, this La Sirenetta is a sub-label of Maledetta Discoteca Records, dedicated to digging, selecting, and editing analogue World Black Music bangers from the ’80s and giving them a second life.

The formula? High-quality, highly collectible 12” double-siders.
All La Sirenetta records are a limited edition, one-time pressing only. Don't miss them!

Slippery1 caused quite the ruckus on the floor and here, arch slippery customer Harri Pierson returns, along with some equally slick sidekicks...

So, four more eclectic, leftfield dance chops for your turntables.
Assembled with care and an eye for the esoteric - one limited press. This 12" has been mastered with love by the Grammy award-winning Frank at the Carvery for maximum dancefloor punch.

VINYL ONLY !

Unleash the groove with this rare jam – a Street Funk remix of a legendary track from one of hip-hop’s most iconic voices and his powerhouse Flipmode Squad. Known for delivering countless hits and unforgettable anthems, this collective has once again blessed the decks with something truly special. Previously unreleased on 7” vinyl, this DJ-friendly edit is a treasure for any serious DJ and collector.

The pressing quality is simply mesmerizing, built with clubs and dancefloors in mind. From bouncing beats to fluid basslines, from uplifting keyboard chords to soulful vocals and razor-sharp rap verses – it’s got all the ingredients of a certified smash. Whether you're setting the tone or saving a set, this 7” is a go-to weapon for DJs worldwide. There’s not a problem this squad can’t fix and for sure this 7” will save a DJs life every night…

Ukokos back on a super-limited white label !!

Using the vocals from Cassio Ware and Blaze's classic 'Funky People', this is a raw and possibly even funkier re-rub than the original House classic.
The Ukokos production is deep, gritty, and loaded with a large dose of underground electronic 4/4 funk. We reckon this will turn some heads :

DUSTY DONUTS ISN’T JUST A LABEL — IT’S A TURNTABLE MANIFESTO.

Since its inception, the collective of vinyl scientists behind Dusty Donuts has been applying their signature "Dusty Formula" to every cut – a potent blend of deep crate knowledge, razor-sharp edits and roots firmly planted in the Hip-Hop culture. Each 45 is crafted with the instincts of seasoned DJs and the ears of lifelong diggers, spinning like a secret weapon on the decks: restructured classics and forgotten gems, reimagined with just the right bounce for today’s dance floors.

Now, with their new imprint DUSTY DONUTS CLASSICS, the crew levels up – kicking things off with a standout collaboration featuring the incredibly talented Emma Noble, who they first crossed paths with at the legendary Mojo Club. Emma’s soulful style and versatility made her the perfect fit for the launch of this new venture.

For the third release on Patent, Gockel invited some friends into the studio: HXTC, Marco Wachs, Plug Trax and Dying & Barakat.
Four tracks, four collabs, one shared vibe: deep, dub-infused, Detroit-inspired techno.
Each track brings its own flavor, each collaboration its own twist - together they make a playful, powerful, and unmistakably journey. Raw, detailed, and full of character - exactly how we like it at Patent.
Limited run of 300 copies.
Pressed on purple colored vinyl, hand stamped, hand numbered, including stickers.

Check The Description Before Asking For A Track ID is a thoughtfully curated four-track journey through modern deep tech house, balancing forward-thinking sound design with emotional depth and dancefloor functionality. The release unfolds across two distinct yet complementary sides, guiding the listener through evolving textures, moods, and states of energy.

On Side A, A1. Overt – Annular and A2. Third Echo – 31th Session introduce a spacious and immersive atmosphere. Built around shimmering arpeggios, airy melodies, and fluid progression, both tracks explore a subtle interplay between progressive motion, trance-like elements, and dub-infused textures. The result is a weightless yet driving experience — refined, hypnotic, and perfectly balanced for setting a tone that feels both futuristic and deeply engaging.

The B-side shifts into more introspective territory. B1. Eric Louis – Grooving In The Future and B2. Severin – Shiti bring a melancholic edge, focusing on emotive melodies and transitional energy. These tracks are crafted for pivotal moments within a set — where the atmosphere deepens, emotions unfold, and the narrative takes a new direction. Warm, bouncy grooves intertwine with cooler, more restrained tones, creating a contrast that feels both elegant and expressive.

Spanning a wide emotional and rhythmic spectrum, NRP006 is a versatile tool for selectors — designed to navigate the subtle shifts of a dancefloor with precision, intention, and depth.

NOREPRESS is a division of MixCult Records. Limited Edition.

We mark the second cumming of U-Freqs with a re-release by godfathers of Wonk House, Big Hair (Chris Butterworth and Aaron Trinder).

Where better to start than U-Freqs first release UF01 where the Wonkfathers take us on an exotic journey through Asia’s glory hole and spurt out in ancient Britain’s Spike Milligan Island, and on to the Southern states for a roast, of sorts.

BigHair meets Coker for their finest collaboration. U-Freqs are back, BigHair are back. Where will this all go…?

Memory Remains unveils a deeply emotional and intimate Unknown Artist release, a record driven by feeling rather than form.
Shaped and refined through careful dancefloor testing across 2025, these tracks revealed a rare sensitivity: minimalist structures wrapped in warm grooves, gentle tension, and soulful, intimate vocals that connect on a subconscious level.

This is music that doesn’t demand attention. It breathes, resonates, and stays.
Free from names and narratives, the release invites the listener into a private emotional space, where sound speaks louder than identity.
The journey is visually completed by an original artwork from Alisa Kirik, capturing the same fragile beauty and timeless mood that defines this release on Memory Remains.

For their second release, Shimmy turns to JK47’s ‘Vacation EP’, a mysterious record that slipped onto the shelves of Toronto record shops in 2003 and is now sought-after by discerning dance music collectors. Self-distributed by Kaelo Gallagher at the time, it joined a short run of his own releases that were clearly marked by his distinct sound. Combining elements of progressive house, breakbeat and deeper grooves, this EP is no different.

Soaked in dub and psychedelia, the four tracks on the ‘Vacation EP’ offer a unique take on the typical ‘prog’ sound. Crunching percussion meets cosmic synths and tripped-out vocals, with JK47’s iconic basslines rumbling throughout. Whether it’s played at peak-time, after-hours, or the grey areas in between - it’s time to shimmy.

2026 Repress

Kerouac presents a captivating five-track vinyl-only EP on Murmurations, showcasing groove-rich basslines, intricate percussion and deep rhythmic textures into a dancefloor-ready package. The A-side kicks off with "Gravity", a hypnotic excursion of looping stabs and rolling percussion, before sliding into "Active Meditation", a deep, driving cut built on smooth stabs and an elastic bassline. The flip opens with "Official Line", a tumbling low-end roller with layered vocal chops and crisp percussion. "Chugs" lives up to its name, a relentless groove packed with vocal hooks and a thick, chugging bass. Finally, "Too Sea Bee" winds things down with warm chord progressions and a funky, laid-back vibe that leaves a lasting glow.

Next up on the Humanoid series is a debut release from an extremely talented new producer hailing from Newcastle, UK. Mas has delivered 3 tracks of raw machine music with depth and precision, sure to establish him as a force to be reckoned with on the electronic music scene.

St. David drops another set of club-ready tools coming back on his imprint, Theory of Swing for the 15th release. House Media Player EP hits the floor hard with NY jacking house grooves, bouncing basslines, and that unmistakable TOW swing that locks dancers into the rhythm.

This is pure club gear, four cuts engineered for peak-time momentumt, and the kind of shuffle that defined the Strictly Rhythm, Narcotic or TNT era.

Another timeless entry in the Theory of Swing catalogue — pure hardware heat, made for real floors and real DJs.

Written, Mixed and Produced by St. David

For the second installment of Gabu on vinyl, Baloo and Carlo take control with Lately, delivering their signature deep sound through two tracks recorded in their studio in Berlin.

Both tracks are elevated by standout remixes: first by Tour-Maubourg, with a subtle deep version of Lately, and Black Loops, who brings his fine take on Peanut Butter.

Melody Of the Soul are back with their 9th vinyl release, featuring Felix Raphael & Ghenwa Nemnom on Side A with “Roads” and “Miracle (M.O.S. Remix)”, plus Jiminy Hop & M.O.S. with “Alakea” and Jiminy Hop’s “Keuje” on Side B. A refined selection of melodic and deep grooves, made for both listening and the dancefloor.

Since launching in 2018, Innate has been synonymous with cultured techno and now, finally, we get to hear from co-founder Gilbert with his first full release on the label. overdue. The Bristol producer delivers three originals rooted in electro futurism, deep house emotion and Detroit lineage. 'Passage Of Time' rolls with acid detail and warm chords, while 'We Are All Made of Stars' leans into melancholic melody and gentle propulsion. 'Natural Dimension' pushes outward with driving rhythms and shimmering motifs. The remixes are on point too - Nuron reshapes 'Furthest Planet' into raw, emotive electro, while Apiento and Diego Herrera rework 'We Are All Made of Stars' into hazy, analogue proto-house.

DJ Feedback

Laurent Garnier:
"Ohhh wahouuu this is a brilliant release indeed. Loooove it!"

Lexx (Wavetest):
"Good stuff! Full support as usual. "

Sven Weisemann:
"perfecto =)"

Aroy Dee (MOS):
"Well, that sounds absolutely lovely! "

Cignol:
"That Nuron remix too, holy shit, amazing!"

Colin Dale (Abstract Dance):
"This Gilbert EP is killer! Will be rotating and supporting it for sure."

Gilbr (Versatile):
"Love what I hear..."

Jorge Caiado (Carpet & Snares):
"What a record!! Every track is beautiful and the remixes are sooooo good."

Marco Passarani:
"Some good stuff here mate! Will surely play this out."

Miles Atmospheric:
"Lovely package! Superb music!"

Thorgerdur:
"I really love this release! Amazing tunes :)"

Liferecorder :
"This sounds superb ! Solid productions by Gilbert for sure.."

Ivan Smagghe :
"Great originals and great Apiento/Diego Remix..."

Lovefingers :
"Sounds sick!"

2026 Repress

Samurai Music heralds a new seam of spacious, rhythmically curious exploration with the launch of the Saibai sub label, opened in mesmerising fashion by Brendon Moeller.

The overarching premise of Saibai is to nurture a more delicate, meditative inversion of Samurai's physical, dense sound, leaning less on the dynamics of the dancefloor while holding true to the intricate drum play and dubby principles that bind the label's sound together.

In this open-eared, inquisitive environment, Moeller is the perfect fit as an artist with decades of diverse offerings across all kinds of dubwise manifestations. On SAIBAI1, the US-based, South Africa-born producer stretches out with a live-sounding drum palette and exquisitely rendered synth work loaded with detail, character and organic flourishes. It's a light-footed approach with plenty of air flowing through the mix, but there's considerable weight in every notch of the production, not least the imposing channels of sub bass coursing beneath the frequency range.

SAIBAI1 is a feast for the senses, wholly immediate and front-loaded with fascination, setting the perfect tone for Saibai as a platform for charming, immersive electronics that take a fresh diversion from the fundamental core of Samurai's sharply defined sonic focus.

Love International return with the second release in their Floor Series, welcoming Iñigo Vontier with a remix from Eden Burns, as it rolls on - continuing its run of records shaped by the dancefloor and late-night pulse in Tisno.

For 002, Mexican producer Iñigo Vontier steps in. Known for moving between styles with ease, he lands here with something that locks to the floor - rolling, hypnotic, and just off-centre enough to keep things interesting.

On the flip, Eden Burns comes through with a killer remix that pushes the original into more immediate, dancefloor destruction, completing the four-track EP.

The story that underlines on the deep levels of the artist cannot be said & done with a few words. It has to be discussed and aknowleged by the the most intricate ways of human wholesomeness and the connection of the art that we call sound. Human Collapse has been created with love for a human life but at the same time understanding that we are collapsing as a society in one way or another, whenever we chasing the material things or feeling absolute content and secure with minumum the world is giving us. Humanity Collapse is all about experiencing it together wrapped in an idea that we’ll be able to understand. The final track of the B side is taken by truly incredible artistic force called Charlou. The deep mind from France has taken his view on the subject with an insatiable musical acknowlegedment.

Zuperflex Records from Frankfurt is back. The label from Oskar Offermann and Porco Rosso aka Luca Hartz features a release from Oskar himself.

After a more Italo-influenced EP on Vass’s The Comfort label last year Mr Offermann hits with some old school rumble Tech vibes on Zuperflex. While the A-Side follows a more contemporary approach, the B embraces more imperfection and the maximization of the the old-school.

Seven - a number steeped in mystery and meaning, woven into the very fabric of time and space. Throughout history, the number seven has stood as an immutable symbol: from the days of the week to the alchemical metals, from the kings of Rome to its seven hills. An archetype that unites astronomy, myth, and ancient civilizations, finding its deepest expression in Rome.
According to legend, the Eternal City guarded seven sacred relics, the Pignora Imperii, objects whose possession ensured divine protection, prestige, and political authority. Ovid referred to them as the "pledges of power": testimonies of Rome's Trojan heritage and its connection with peoples such as the Sabines, Etruscans, and Greeks. These artifacts, now lost, were:
I. Lo scettro di Priamo
II. Il velo di Iliona
III. Il Palladio
IV. Le ceneri di Oreste
V. Lo scudo ancile
VI. La quadriga di Veio
VII. L'ago di Cibele
From this mythology emerges the new project by Lykos Records: a narrative journey in seven chapters, each dedicated to one of these relics, unfolding through the various artists releases corresponding to catalogue numbers 7, 14, 21... up to LYKOS-XLIX.
Chapter I, "Lo scettro di Priamo" LYKOS-VII, is dedicated to the symbol of Troy's power, brought to Latium by Ilioneus on Aeneas' command as a pledge of alliance and reconciliation. It is said to have been kept on the Palatine Hill.
To inaugurate this journey, seven Roman artists - PixFoil, DJ Red, Brando Lupi, Luigi Tozzi, Feral, Sunday Bath, and Worg - will give life to a sonic mosaic celebrating the musical heritage of the capital. Their tracks will form a collective work that bridges generations and diverse artistic visions.
Each double vinyl will feature an original illustration by Roberto Mulliri, wrapping the entire front and back cover and included inside as a poster.
Within the Pignora Imperii lies the strength and power of Rome, witnesses of the city's epic saga; likewise, Lykos Records weaves its destiny into the history of these sacred Roman objects, becoming a messenger of their enduring legends.

2026 Repress

purple vinyl

Following up from Amadeezy's wildly successful East Side G-Ride earlier this year, Nite Fleit beams onto the International Chrome starship to bring us four tracks of extra-terrestrial electro that will blow your sensor readings. The EP comes on 140g purple vinyl and includes an interstellar team-up with Jensen Interceptor on the track Effe Bee Eye. The Truth is out there...

2026 Repress

Hold tight the artists unknown giving the far-famed superstylin' their idiosyncratic palate.

140 on the A - 170 on the B gives it ummer vibes, dubby vibes, drum and bass vibes, super vibes!

10" black hand stamped vinyl.

No introduction required for the The legendary No Call From New York EP by the uks cult electro act Transparent Sound, the finally reissued for everybody that missed out previously is finally here.

A long time Favourite of Helena Hauff, stingray and B traits the essential track of the year twice on radio one.

Transparent Sound repress this classics slap of forward thinking electro in its original format including remixes from Sync24, Mr Velcro Fastener and Larry McCormick. Grab it quick before its sells out and prices get crazy on discogs again.

A snapshot of UK tech house in its formative years, OLC002 finds Rob Pearson laying down the blueprint for a sound he’d continue to refine through Evasive Records. Released on Online Collective—the label arm of South London’s Online Studios—this EP captures a raw, forward-facing moment in underground dance music.

The title track Slipstream leads with intent: tight tech drums ride alongside a chopped breakbeat groove, underpinned by weighty sub bass and warped melodic textures. A fluid lead synth drives the track forward, locking into a hypnotic, evolving flow built for the dancefloor.

Vortex channels early Detroit techno through a South London lens—crisp edits, filtered drum machine rhythms, and a hypnotic vocal loop combine for a stripped, late-night roller with serious intent.

On Metaphor, Pearson taps into the spirit of early bleep and warehouse house, fusing it with late ‘90s tech house sensibilities—raw, swung, and deeply functional.

The Metaphor (Bonus Beats) rounds things off as a pure DJ tool, primed for layering and extended blends.

A sharp, authentic document of a pivotal era, Slipstream EP showcases Pearson’s early command of groove, texture, and dancefloor dynamics.

Across twelve original compositions, Ludwig traverses a broad sonic landscape, each track threaded together

by a signature touch that feels unmistakably his. Opener ‘Three Cases Forty Years’, alongside ‘E-Trinity’ and

‘Dieper en Dieper Goes Portugal’, highlights his singular take on dub techno, while ‘This I Didn’t Know’, ‘Practice

All Their Life’ and ‘Metropolixer’ drift into more textural, exploratory electronica.

Elsewhere, Ludwig leans into the raw, stripped-back aesthetic he’s long celebrated for on ‘Come to The End’,

‘Starlab Translate’, ‘Ill Progressions’, ‘Go Real Cloudy’ and ‘Things Are Moving’, before closing track ‘Galaxie C’est

Boom’ surges forward with a percussive, driving house energy primed for the dance floor.

Artlab launches its brand-new record label with a special inaugural vinyl release, celebrating the 10th anniversary of the renowned cultural center and multidisciplinary music and arts club. To mark a decade of fostering cutting-edge sound and artistic community, this very first label installment gathers a stellar lineup of artists for a fresh four-track compilation. Showcasing the club’s deep roots in the underground and its forward-thinking vision, each track contributes a unique character and dancefloor mastery to this milestone collection.

Kicking things off on the A-side, the legendary Random Factor delivers a funky, electro-tinged dub of 20:20 Vision's "Calling," immediately setting an infectious, energetic tone. Following this, Barem makes a welcome return with "E.Therian," a driving, highly-kinetic number delivered in typical Barem fashion, bringing his signature rolling groove and undeniable club intuition to the forefront.

On the flip side, Solimano and Furz team up for "Melancholic Dreams," a track with a pushing, Balearic rhythm and dreamy atmospheres that add a lush, emotional layer to the record. Finally, Janeret and Miroloja join forces to close out the EP with "Digital Dreams," a masterful, hypnotic breakbeat number, creating a sophisticated and powerful closing statement for this debut anniversary edition.

The new 12" release, "Call and Response", by the enigmatic artist MD, is a masterclass in the resurgence of retro techno, bridging the gap between the raw industrialism of early 90s Detroit and a modern, high-fidelity punch. The A-side is defined by its massive, anthemic vibes, built around a thundering TR-909 kick and a soaring, crystalline synth lead that feels both nostalgic and startlingly fresh. What truly sets this record apart, however, is its intricate counterpoint structure; rather than relying on simple loops, MD weaves multiple independent melodic lines together in a rhythmic dance of tension and release. The "call" begins as a jagged, percussive stab that is immediately answered by a "response" of lush, interlocking minor-key arpeggios, creating a sense of constant movement and architectural depth. It’s a track that demands attention on a massive sound system, proving that the classic techno blueprint can still be expanded into something grand and deeply intellectual.

Limited to 250 copies

We are celebrating 15 years of Knotweed Records, exploring different shades of techno since 2011... This is Phase One!

comes with a coloured cover

The first release in the Between Dimensions vinyl series, BDREP001 , presents Oi Zé EP by Lipp — a deep and hypnotic journey rooted in minimal grooves, organic percussion, and timeless underground aesthetics.
Crafted for intimate dance floors and extended listening sessions, the EP balances raw rhythmic energy with refined textures, delivering a warm and immersive sound signature that reflects the identity of Between Dimensions.

On the A side, “Atleta Do Ano” and “Oi Zé!” explore stripped-back grooves, subtle melodic movements, and rolling low-end pressure. The B side features a special reinterpretation of “Oi Zé!” by Barac, transforming the original into a deeper and more atmospheric late-night tool.

BDREP001 marks the beginning of the Between Dimensions wax journey — a carefully curated series focused on timeless electronic music, connecting artists from different parts of the world through a shared vision of depth, rhythm, and dance floor storytelling.

Credits
Original Tracks
by Filipe Rodrigues Bezerra
Remix by Nicolae Barac
Mastering by Rob Smalls
Visual art by Steph Gar

After his successful debut on Limo Trax Yellow, Fragoso is joined by none other than DJ Vibe for a four track collaborative EP. With a career spanning from 1992 to the present day, DJ Vibe has been arguably Portugal’s biggest contributor to the house canon, notable for releases as Underground Sound of Lisbon, hundreds of remixes on labels like Tribal and Twisted, as well as for the prolific catalog of his Kaos Records. ‘The Train’ features 4 tracks tailored for big rooms in the tribal, driving style Vibe made his name with - highly functional and not to be missed.

Ilija Rudman is marking the 30th release on our musical town of Sakskøbing. The Croatian artist has told this particular story how he wanted with 4 tracks crucially being together on this disc so it would be a complete tale of “Egg of the Sun”. From heavenly pads & guitar riffs he has given birth to this particular disc which is ready to enter into the vast world of music. The artist has been putting out discs since the early 2000’s and has developed a vast discography behind his name that only deserves respect and admiration whether he is working solo or in collaborations with other musical souls. The label is welcoming a true visionary to its roster and it can only yield the feelings of excitement, admiration and proudness. The egg is so close to the sun like Icarus used to be in his time however instead of burning it only shines with brilliance.

The Is It Balearic crew has long held down all things blissed out and downtempo, and their once secretive but now essential side label Magic Wand is doing just as much vital work. Veteran house head Peter Blaker is next up after an already solid showing on Razor-N-Tape in April, and he offers two lush flips. The first is a chord-laced and gently waving rework of Kenny & Dolly that has a lovely new age wash, and the second is a more beat-driven and textured take on 'You Belong In The City.' It has a layer of percussion, big drums and a sort of rhythmic sway that is perfect for the outdoors.

Collecting orders for repress

Maayan Nidam and Vera Heindel met in 2006. Based on friendship and the love for music in general, their project MARA TRAX was founded shortly after that.

collecting orders for repress

welcome back on Perlon San Proper !

2025 Repress!!

Berlin house hero Nick Beringer is back on tracks ! SKYLAX RECORDS 4 EVER

collecting orders for repress be fast to grab your copy!

Stephan Laubner a.k.a. STL with 3 new tracks for Perlon.Following his latest fantastic releases on his own imprint "Something-Records", we are more
than happy to get "Lost In Brown Eyes".

Different Ways inaugurates the limited series with Astral Body, Italian artist which is back after 25 years of hiatus!

DIWALTD01 features two old gems, Psychasthenia and Rama city, released back in 1994 on Disturbance, one of the most influential Italians labels, run by Ivan Iusco. In addition there will be also N'ra and Otentetecot, two unreleased tracks showcasing Astral Body's sound at its best.

A perfect mix of Techno, House and Trance from the 90's, but still contemporary. You can't miss it!

2025 Repress

Creativity has no borders and our artist have no boundaries, no genres attached just freedom.

Deep in Dis intl. proudly presents "SHAHRZAD" (DIDWAX001) by Parisian dj/producer Noiro. We are extremely gassed to showcase Noiro's eclectic and unique approach to club music with this 5 trax EP.

We start the journey with the highly experimental 'Kata Pulse', an intergalactic and powerful trip-hop influenced tune with a strong vocal game.

A2. 'Rude' follows the cosmic vibe perfectly with a bit more aggressive breakbeat but keeping a warm feeling at the same time. Where the b-boys at??

To wrap up the A-side, 'Aube Session' brings those mysterious and high cloud walker feelings. The dance floor is starting to get warm... crashy bells, dj scratches and twisted synth/bass lines turns on the auto pilot for what's to come flipping the record to the other side where Noiro depicts the rest of the story.

B1. '1F' is a club banger, structured around frenzy and hypnotic synths, solid drum patterns and an unflagging muffled bassline.

Closing the EP B2. 'Show Me' confirms it wasn't just fluke ladies and gentlemen, Noiro's distinctive and unique sound is here.

Vinyl only.

Electric Mud is the fifth studio album by Muddy Waters, with members of Rotary Connection serving as his backing band. Released in 1968, it imagines Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters recorded it in an attempt to appeal to a rock audience. The album peaked at number 127 on Billboard 200 album chart. It was controversial for its fusion of electric blues with psychedelic elements.

2025 Repress
Depth Over Distance presents: doddub.
Only 150 copies available, vinyl only, hand-stamped, all black.
100% Modular one-take jams by Sep.
The world needs more dub.

2025 Repress

Dubs for basements.

Second release in the doddub series.

Only 150 copies available, vinyl only, hand-stamped, all black.

DODDUB2 by Dävid

The world needs more dub.

Collecting Orders For 2025 Repress

Featuring PDM hits, Music in You, Body Funk, Love For Days, the Faithless collab on 'Let The Music Play', CeeLo Green fronted 'Pray For Me' alongside super hit 'Devil in me'

Repress.

Two more wizards enter the wizards sleeve , 4 outrageous tracks on 12”vinyl.

Set to be one of the eps of the year supported by the biggest names in the industry, from Ricardo Villalobos, Sonja Moonear, Skream and more !

2024 Repress

Number 03 in the Dolly TS series is Italian techno wonderboy Rosati. 'First impression' has its own unique techno signature, raw energetic techno funk with a Detroit flavor directly from the machines. 4 straight up heavy groove hitters on this 4 track EP!!!

Nobody thinks it is strange anymore that an artist changes his nom de plume to reflect a new direction; a metamorphosis of his art. As listeners, we must resist the temptation to compare a new expression with previous works but instead allow the artist the necessary leeway to follow where his muse leads. So it is with Lone Wolf & Friends. There is a departure from his previous work that is his alone to define. We are simply recipients and must let the work wash over us like waves on the beach and be slightly moulded by the force of each one.

By definition, a Lone Wolf has no friends so we are left with the nagging question of why the name has significance. Perhaps Lone Wolf’s friends are his previous artistic incarnations and although he alone created this work, those earlier versions were there to encourage his creative drive. We are never truly loners, are we?

Written, composed and produced in Vancouver, Canada, by Lone Wolf & Friends.
Mastered in Groningen, the Netherlands, by Johanz Westerman at Balyhoo Studio Mastering.
Designed in London, UK, by Irene Fo + Agente Morillas + Positivland.

Collecting Orders For Repress

PCLUB019 serves as a reminder to always check demos. An instagram DM from AR:MG in Mexico City has proved to be one of the most vibrant records we've ever released.

Includes expert remixing courtesy of Radioactive Man and Sansibar.

¿Dónde está la fiesta?

Deep techno, sometimes nostalgic and melancholic: that what Zooloft Records is. Giorgio Gigli and Francesco Baudazzi (Obtane), balancing soul and body, give birth to intense storytelling through sound, enhanced by an intimate reflection about childhood innocence.

Introspection is driven by a vein of subtle and rarefied nihilism, pervaded in each release. Project's graphics evoke the idea of abstract thoughts written on blank paper, where shadows meet memories.

Future, maybe, is the memory of a beautiful past. So, we are here, today, and proud to present you a special, collector-item vinyl boxset, limited to 100 pieces only, handsigned and remastered, containing the full Zooloft discography.

A cafe in Paris, a cocktail lounge in Palm Springs, a beachside bar in Rio De Janeiro, a lokanta in Istanbul. Jill Barber’s French repertoire is played around the world and has earned her a following that transcends language barriers. Her music has become the soundtrack to an experience. It is a surprising achievement for an anglophone artist who only began her affair with the French language in her late twenties, following a moment during the Montreal Jazz Festival, where she sang a few notes of French to an enraptured crowd. Inspired by their reaction, Jill enrolled herself in an immersive French school in the South of France, eventually emerging with her own recordings of the songs and poets that inspired her most: Piaf, Gainsbourg, Aznavour. The album "Chansons" was released in 2013 and has since become Jill's most globally successful record to date, having been streamed over 120 million times - with more than 35 million listens in the past year alone. A full decade later, Jill has reunited with Grammy Award-nominated producer Drew Jurecka and the musicians that accompanied her on "Chansons" to produce "ENCORE!", its long-awaited sequel. "ENCORE!" is a delightfully arranged and lushly orchestrated album, featuring all new interpretations of classic songs by Edith Piaf, Charles Trenet, Blossom Dearie, Django Reinhardt, Robert Charlebois, Josephine Baker, and Barbara. “For me, singing in French is an embodied, sensual experience… it’s a new language in which to explore and express myself artistically- and be vulnerable.” The French have a saying for a particularly pleasurable sensation that is so unique, it’s difficult to put into words- when Jill Barber sings in French, there is a pleasing quality, a “Je ne sais quoi” that is hard to describe, but easy to enjoy. And now she’s done it again - ENCORE!

Collecting orders for Repress

"Upon at attempt to repair a broken DAT machine that was in storage for over 20 years, to Maaco's surprise there was a DAT tape still lodged inside! So what would one do? Of course pop that bad boy in a working machine and see what's on it! Enlightened by tracks that he hadn't heard in over 20-25 years, he's excited to share these once forgotten tracks with the world! It's with great pleasure for M.A.P. to introduce to you, the throwback tracks from the vault!!!"

This record blends a love of techno, sampling, and live recording into an aggressive and thoughtful electronic tape. First sounds pressed to wax by Troy Schwab, wearing his influences on his sleeve. More to come in the future from his catalog.

Yosuke Yamashita, Itaru Oki, Yuji Ohno, and Kimiko Kasai. An astonishing jazz workshop with a never-before-seen encounter. Japanese jazz was so sharp and original.

Yosuke Yamashita Trio, Itaru Oki Trio, Yuji Ohno Trio, and Kimiko Kasai. Three trios and one vocalist, Trio by Trio Plus One. This is a live recording of a jazz workshop held in 1970, and the original was released as part of Victor's "Japanese Jazz" series. Just looking at the lineup of musicians gives off an extraordinary atmosphere, making this a special work.

Yamashita was a leading figure in the scene as the darling of the times. Oki came to Tokyo from Osaka in the mid-1960s and attracted attention. Ohno was a man of supple musicality who played everything from modern jazz to new jazz. And Kasai is just about to blossom. Needless to say, each performance is powerful and fascinating, but this album also features a performance by a unique seven-person group consisting of the Oki Trio, Ohno Trio, and Kasai. This is a two-disc set of super-class that reminds us once again just how original Japanese jazz was.

Text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY

2026 Repress

Gerd returns to his own Frame Of Mind imprint with another fine selection of tracks. The breakbeat-driven groove of "Brave New Era" aside, all tracks offer different perspectives on early Motor City techno and house. Gerd is showcasing his love for metallic FM-synthesis driven sounds once again. Deep, moody and uplifting.

2026 Repress

This is Gerd's debut on his own label Andarta. Four warm tracks that explore exotic combinations of disco, fm-synthesis, old school tape dub effects and percussive rhythms.

Re-Issued and Re-Mastered by Beau @247. Back with the original and the remix on one slab of black crack.
FBD Project rolling out the musical side of early drum and bass / jungle. The original is a pure chop-age fest, with poly-rhythm breaks rolling over 808 tones and luscious melodies... buy it an enjoy listening to the ever changing rolls and break programming.

Flip to the B-side and check out Neil Trix's revisited version. Stepping it up with an AMEN roller that just glides and rolls without the need for any long breakdown. FBD Project bang at it again.

Finally re-mastered and pressed for a one off limited qty drop.
1993 Very rare FBD Project 3 track Darkside EP with early jungle / rave influences.
Originally a very limited pressing, but now remastered and packaged to allow you a final chance to purchase another classic FBD underground release.
Following the original white label format, with a white sleeve and Bang-in Tune Sticker for reference.
Grab one whist you still can, as this is the only re-press being produced, with original copies selling for big money on various sites.

"I want to hear more of Ryo Fukui's performances." The dream of listeners around the world has now become a reality. A spectacular live performance full of the charm of the mature Fukui who has been with .This is what an unexpected joy is all about. The appearance of Ryo Fukui's "new work". Recorded on June 26, 2004. This is a live recording of a live performance commemorating the 9th anniversary of , the jazz live house that Fukui presided over and used as the base of his activities.



The members of the trio were Fukui, Kosuke Sakai (bass), and Yoshito Eto (drums). Fukui was 56 years old at the time. His performance was powerful and large-scale, yet delicate and sharp. In terms of the balance of energy, stamina, and technique, he was just approaching his prime. He spins heavy yet elegant renditions of his beloved Phineas Newborn Jr. and Tommy Flanagan, and thrillingly plays Wayne Shorter, who he was a huge fan of in his youth. It is a spectacular performance that reflects the fulfillment of Fukui's time. , which opened in June 1995, is celebrating its 30th anniversary this year.



Text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)

AB SIDE

This absolutely killer album marks Swankout's debut on Kniteforce, and the whole album is ridiculously good. Every style is authentically recreated, stretching the vibes from jungle to original rave and everything in between

LTD 300 - Printed Sleeve
------------------------

Barranquilla born multi-instrumentalist Pernett is undoubtedly a true pioneer in fusing Colombian folklore with electronic elements. Back in 2003, when he released his first album “Música Para Pick Up”, Humberto was immediately seen as genius by some, crazy and outrageous by others. How dare he incorporate synthesizers into traditional music? What would be called this avant-garde genre where gaitas, traditional drums and keyboards come together? To this date, Pernett has released 6 albums, worked with an impressive number of prestigious artists such as Phil Manzanera, Calle 13, Novalima, or Quantic, and is still influencing whole generations of forward-thinking musicians.

Originally released from is latest album, “Vamos A Hacer” and El Pajarito have been edited for the occasion, by talented recording engineer Benjamin Calais AKA Ben Matik,

A-side “Vamos A Hacer - Ben Matik Instrumental Edit” is a joint collaboration between Pernett and renown British producer Will Holland aka Quantic. A heavy blend of funky breaks and cumbia. A 7-minutes version, exclusive to this 10″, has been especially taken out from the masters vault, and edited by Ben Matik: the original short version takes a unexpected turn to a completely freaked-out “Puya” rhythm, where gaitas and synths perfectly merge together.

B-side “El Pajarito - Ben Matik Instrumental Edit” is a deep downtempo anthem, a perfect fusion of powerful electronic beats, 808 bass, analog synths and gaitas. special attention should be paid to the enchanting voice of Diana Pereira on this one.

Artwork by Mateo Rivano.

Metallic Life Review is the sound of two people who have collected field recordings of metal objects from around the world for years of their lives together, collaging their magpie hoard into rhythmic patterns, sometimes writing melodies and basslines, but sometimes just letting sound be sound. Patient gathering yields to ADHD editing. Painstakingly made but blink and you"ll miss it. Is it music or is it noise? It is without a doubt exceptionally beautiful music wrought from metal detritus. Metallic Life Review features Susan Alcorn"s pedal steel, Owen Gardner"s glockenspiel, Thor Harris" drumming, Jason Willett"s (Half Japanese) guitar, and Jeff Carey"s aluminum cans, which were melted, molded into custom aluminum rods, and then bowed and struck. The most dramatic difference from any previous Matmos album is that side two was recorded "live in the studio", ala Throbbing Gristle"s Heathen Earth. For the first time on recording, Matmos capture the evolving, shifting, slithering dynamic that happens when they play live and let patterns emerge out of chaos and then collapse and then re-form. Their playful blend of compositional brilliance and improvisational playfulness meld perfectly, truly capturing ecstatic moments in a way that can only happen live.

No names, just pickles and pickled beats! Vinyl Only!