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Alabama native Drayton Farley has as honest a voice as you're likely to hear in this burgeoning scene of country, folk, roots, and Americana music we're all wrapped up in. With songs and lyrics pulled from real life experience, there's a grounded feeling to his stories, a confessional quality that rings true to those who know. His voice fills the room like cigarette smoke, curling into every corner of you, with a fine grit rasp that smooths out every rough edge. It lingers hours, days, after you've left the bar - turns of phrase that tumble around your mind, bittersweet and familiar. He sings as deeply about the love he holds as the love he's lost and there's something so broken-in and comfortable about that Southern inflection that every song feels like coming home. Sharing stages with musicians on the rise such as Zach Bryan, Arlo McKinley and Mike and the Moonpies, Drayton has quickly gained a loyal fan base. Twenty on High, Drayton's first release with Thirty Tigers, was produced by Sadler Vaden (Morgan Wade) and recorded with Chad Gamble, Jimbo Hart, Sadler Vaden, Peter Levin, Kristin Weber and Katie Crutchfield at Nashville's Sound Emporium Studios. “Lyrics that are immediately reminiscent of the humor and subtlety of John Prine, the directness and honesty of Bob Dylan, and the everyman gravity of Pete Seeger, Farley firmly establishes himself as one of the great American voices in folk and Americana music.” - Americana Highways

Mind on the Run by Basil Kirchin and fellow composer/arranger John
Coleman sees an official reissue through We Are Busy Bodies
The album is one of six albums that Kirchin composed for De Wolfe, and one of
four that he released in 1966.
Starting his professional career at the age of 13 as a drummer in his father's big
band, Kirchin would go on to go on to a storied career that saw him learn how to
experiment and manipulate recorded sound and even be cited as an influential
figure in ambient music.

The master sleuths at Dark Entries bring us Forbidden Overture, another tantalizing mystery from the hidden depths of sleaze. It all began years ago when Bijou Video’s Jules Zinn introduced the label to the soundtracks of the pornographic films of legendary filmmaker Steve Scott and gay superstar Al Parker. It wasn’t until The Magazine’s Bob Mainardi gifted a cassette copy of the soundtrack to the film TURNED ON—a bathhouse fantasy from 1982—that the wheels started turning. The steamy, hypnotic sounds were credited only to “Forbidden Overture…” but who was that? This question remained unanswered for some time, and countless hours of research, Venn diagramming, and elaborate flow charts all proved fruitless.
It wasn’t until a chance screening of BAD GIRLS DORMITORY, a 1986 women-in-prison movie from gay porn director Joe Gage that happened to reuse some of the same music did the answer become clear: Forbidden Overture was none other than the mighty Man Parrish!​

The soundtrack to TURNED ON consists of two epic side-long pieces, both of which employ classic Man Parrish production techniques. “Primal Overture” slinks along with brooding pads and ominous chords, building and oozing throughout its 27 minute runtime like a sultrier Goblin soundtrack. “Strictly Forbidden” takes a similar groove to a major key, but it’s optimistic chirp conceals a wry, mysterious wink. Says director Steve Scott: “It took us about two weeks to find the right piece for the jockstrap scene. But it's like anything else—you know when it’s right.”

​Also included is a 20 page booklet featuring photos, archival material, a pull-out poster, and interviews with Steve Scott and stars Al Parker and Scott Taylor. TURNED ON is an exciting musical rediscovery as well as a vital document of queer history.

Re released in the UK after many years and due to huge popular demand on 180g vinyl Hang On Little Tomato – a title inspired by a 1964 ketchup ad in LIFE Magazine, depicting a single tomato clinging to a vine – the result of Pink Martini’s diverse collaborations and inspirations. The celestial anthem ‘Let’s Never Stop Falling in Love" nestles next to a dance sequence from the 1950 Italian film, "Anna". The reworked Japanese track ‘Kikuchiyo to Mohshimasu’, sits happily alongside the Brazilian composer Hector Villa-Lobos’s ‘Song of the Black Swan’ and ‘U Plavu Zoru’, There are torch songs, instrumentals, lyrics of poetic beauty. The mood is playful but never, ever kitsch.

American record producer, conductor, arranger, and artist Quincy Jones teams up with Clifford Brown and Art Farmer, both on trumpet, along with Swedish musicians to perform 10 tracks originally recorded in 1953 in Stockholm, Sweden. The album 'Scuse These Bloos features original compositions by Quincy Jones such as "Stockholm Sweetnin'“, the title track "'Scuse These Bloos", "Pogo Stick", next to jazz interpretations of "Falling In Love With Love" (from the Musical Comedy The Boys From Syracuse) written by Rodgers and Hart and more tracks.

Omar is a UK soul artist of Chinese, African and Indo-Jamaican descent. Born Omar Lye-Fook (1969) in Canterbury England, Omar has been making albums since the early 1990s and his work is often compared to Stevie Wonder's work of the 1970s.

This Is Not A Love Song is his fourth studio album and was originally released in 1997. It features a cover version of The Stranglers' "Golden Brown" and the single "Say Nothin'", which is a collaboration with Wu-Tang Clan's Ol' Dirty Bastard. Both songs reached the UK Singles Chart.

This Is Not A Love Song is available as a limited edition of 750 individually numbered copies on gold and black marbled vinyl and includes an insert with lyrics.

Carole King is the most successful female songwriter of the 20th century, having written or co-written 118 pop hits on the Billboard Hot 100 between 1955 and 1999. She has won four Grammy Awards and was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame for her songwriting.

The album Pearls: Songs of Goffin and King by Carole King is a collection of brilliant pop music and widely recognized as her best work since Tapestry. The album features 10 songs originally written by Carole King with her ex-husband Gerry Goffin. The album contains new versions of "Locomotion", "Hey Girl", "Snow Queen", "Oh No Not My Baby", "Hi De Ho", "Wasn't Born to Follow", "Goin' Back" and more. “One Fine Day” was a Top 40 hit in charts around the globe.

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

Pressed On Clear Vinyl! 'We are the planters of the weeds or roses in our garden. Take the plunge within yourself to find The Main Ingredient.' So reads CL Smooth's album dedication in the liners to Pete Rock & CL's underrated, soulful and deeply grooving sophomore album. For fans, it was bittersweet, as it would be their last as a duo. By 1994, Pete and CL were darlings of both fans and critics, still on a high after 1992's Mecca & The Soul Brother and the album's emotional smash single 'They Reminisce Over You (T.R.O.Y.).' Two years later, they had grown even more as men and artists. Gone was some of the righteous striving of their earlier work, replaced by mature - yet still righteous - wisdom. And a lot more love as well, bringing a larger female constituency into their fanbase. They were adults now, reveling in the plateau they had reached. The duo's '90s swan song is a powerful double album that still resonates with Golden Era hip-hop fans: 16 cuts deep and full of intelligence, fire and warmth. Beats-per-minute-wise, the album mostly clocks at a comfortable strutting pace, bolstered by Pete Rock's pioneering use of filtered basslines and a recently-hatched obsession with Rhodes piano. The new tracks filled speakers and headphones with soul, as CL continued to assert his lyrical prowess all throughout. The lead single, 'I Got A Love,' is a perfect example of the group's '94 steez: a super-catchy and respectful, but far-from-soft love track, suitable for any rap fan's romantic needs. 'Take You There' and 'Carmel City' cover similar ground. Considering CL Smooth's top-level brag rapper status, cuts like 'I Get Physical,' 'Get On The Mic' and 'Check It Out' effectively reminded competitors not to test him. Pete also gets in the game on the mic several times on the album, acquitting himself nicely (and solo) on the cloudy day soul of 'Escape,' alongside other cuts. Add more pensive lyrical forays like 'All The Places,' 'Searching,' and - perhaps the album's sleeper cut - 'It's On You' and you have one of the more complete rap full-lengths of the mid-1990s. This isn't surprising, considering the wonder twins-esque skills of Pete and CL. But it does make fans wonder what would have happened if they had stayed together longer.

















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Ricardo Baez draws on many influences. Electro, house, synth-pop and italo are pillars of the Italian artist’s unique style. The Florence based musician arrives at the Bordello with On and On. Featuring Curses, the opener is a floor-filler. Known for his EBM-stained wave works, this vocal mix is a late night Summer romp. Crisp percussion and warm bass lines usher in addictive hooks and throaty vocals from Luca Venezia.

The original version follows. Lyrics are stripped back allowing the upbeat synth play to take the limelight. Cascading notes announce the flip. “Sfida Notturna” is built on delicate drum patterns and arc of string before breaking to a heady dawn.

“Dietro L’orizzonte” brings the curtain down. Toms and cinematic synthlines introduce rasping rhythms and vocoder samples. The piece is perfectly measured, fragile keys ascend next cymbal crashes and computer voice. Sumptuous sounds from the north of Italy.

Soul music originated in the African American community throughout the United States in the late 50s and 60s. Having its roots in African American gospel music and rhythm & blues, it became popular for dancing and listening with prominent record labels as Motown, Atlantic and Stax.

On this 2LP compilation classic soul songs by Curtis Mayfield, Marlene Shaw, Bill Withers, and Aretha Franklin are paired with funky soul stompers by James Brown, Sly & The Family Stone, The Isley Brothers, and poetic soul by Gil Scott-Heron, Marvin Gaye, The Impressions and many more influential artists and groups.

Soul Collected is available as a limited edition of 2000 individually numbered copies on yellow (LP2) and orange (LP2) coloured vinyl and includes an insert.

La Tragédie D’Oreste Et Électre is the high-water mark of Cranes’ work in a specifically high-art realm. Recorded before the release of 1993’s Loved, its release was held up until 1996 due to copyright clearance issues from the estate of French existentialist Jean-Paul Sartre, whose work is used as the album’s lyrics.

Highlights from the release include “Danse D’Electre,” a gentle piece that turns into a haunting wash of ambient sound, and the understated chills of “Au Temple,” one of Shaw’s best vocal turns on the album.

La Tragédie D’Oreste Et Électre is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on crystal clear vinyl. The package includes a 16-page booklet containing all the story notes for the adaptation in both English and French.

After 1979 and 1980 albums by Peter Green were by turns bluesy and funky, White Sky from 1981 emphasizes rock. Maybe this is because all the songs are written by his older brother Mike Green, who sings on the title track. Drummer Reg Isidore of the Robin Trower Band joins Green on this album. White Sky was produced by Peter Green and Geoff Robinson.

Life On Display is the second studio album by post-grunge band Puddle of Mudd released in 2003. It was produced by John Kurzweg whose previous work includes Creed, Socialburn, No Address, and also the band's previous album. The album was certified with a Gold status by the RIAA and features the singles "Away From Me", "Spin You Around", and "Heel Over Head". The first single "Away From Me" peaked at #1 at the Mainstream Rock Charts.

Extreme is an American rock band, headed by frontmen Gary Cherone and Nuno Bettencourt, that reached the height of their popularity in the late 1980s and early 1990s. III sides to Every Story was released in September 1992 and the first single from the album was "Rest In Peace". The album is structured as a concept album in three sections labeled as “sides” — a play on the notion of “different sides to a story” and that of “sides” of a vinyl album. The sides, mentioned in the song “Cupid's Dead” as “three sides to every story” are named “Yours”, “Mine” and “The Truth”, and each features a distinct musical style and lyrical imagery.

Downset. (originally called Social Justice) is an American rap metal band from Los Angeles, California. The band's music blends hip hop, funk, hardcore punk, and heavy metal with 'socially aware lyrics'.

In 1994 Downset. began gaining popularity in Europe after touring there with Biohazard and Dog Eat Dog, followed by a tour with Pantera and The Almighty later that year. They released their self-titled effort in the same year. A year later, Downset. returned to Europe with Sullen for a massive headlining tour. In 1995 they also appeared at some major rock festivals throughout the continent including Roskilde and Dynamo.

The band is still regarded as a noteworthy influence on the then-nascent nu metal and rap metal subgenres. In addition to headlining the second stage at Ozzfest in 1997, Downset. toured with prominent bands such as Linkin Park, Pantera, Slayer, Metallica, Red Hot Chili Peppers, Korn, Snoop Dogg, Testament and Anthrax.

Bardo, False Chronicle of a Handful of Truths, or simply Bardo, is a 2022 Mexican epic black comedy-drama film co-written and directed by Alejandro G. Iñárritu. The film stars Daniel Giménez Cacho alongside Griselda Siciliani and follows a journalist/documentarian who returns to his native country of Mexico and begins having an existential crisis in the form of dreamlike visions.

Bardo premiered at the 79th Venice International Film Festival in competition for the Golden Lion. Critics praised the performances, cinematography, and direction. It received a nomination for Best Cinematography at the 95th Academy Awards.

Bryce Dessner, of The National, made the score and wrote; "We recorded the score in Mexico at the beautiful Sony Music Studios in Mexico City and Topetitud Studio in Coyocan. The process of recording the music for Bardo and working with amazing Mexican musicians, including Brass bands from Oaxaca and musicians from the National Symphony, in the studio was an incredible joy for me and something I will remember for the rest of my life."

The soundtrack of Bardo also contains songs by David Bowie, Genesis, José José a.o. The 2LP is available as a limited edition of 750 individually numbered copies on green (LP 1) and white (LP 2) coloured vinyl, housed in a gatefold sleeve and includes 2 printed innersleeves.

Recorded in 1977, James Taylor's first album JT for Columbia Records made a huge impact on the hit charts. The album itself peaked at number 4 of the Billboard 200, and the singles “Handy Man” and “Your Smiling Face” hit high on the charts as well. JT meant a new direction for the folk pop singer as he shows a newly found positive approach to his songwriting material. Gone were his 'rainy day man' sensitive croons, in comes this mainstream, sunny easy listening vibe. Taylor mixes his patented acoustic guitar-based folk sound with elements of rock, blues, and country to great effect.

Just like the original European pressings, the album is packed in a gatefold sleeve and contains a lyric sheet. JT is available as a limited edition of 1000 individually numbered copies on red coloured vinyl.

King Arthur: Legend of the Sword is a 2017 fantasy film directed by Guy Ritchie and is loosely based on the Arthurian Legends. The film stars Charlie Hunnam as the title character, and co-stars Àstrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, Jude Law and football star David Beckham. The film follows Arthur, who is robbed of his birthright and comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.

The score is written and produced by Daniel Pemberton, an English Ivor Novello Award-winning, Golden Globe Award and multi-BAFTA Award-nominated composer. The soundtrack features Mercury Prize winner and folk musician Sam Lee.

The English-Irish electronic/dance duo Moloko released their first album Do You Like My Tight Sweater? in 1995.

It’s one of their most experimental records, before moving on to a more mainstream approach. Roisin Murphy is carrying the album with her versatile vocals, both in range and style, while Mark Brydon created the breakbeats, sound effects and groovy disco lines.
This is electronica at its best, danceable and funky.

The album includes their hits ““Fun for Me” and “Dominoid”, besides fan favourites like “Day for Night” and “Where Is the What If the What Is in Why?”. They never slow down in their exiting music and absurd lyrics, but that’s exactly what makes this record unforgettable.

Pure joy to be danced on all night.

Do You Like My Tight Sweater? is available as a limited edition of 3000 numbered copies on turquoise vinyl.

Renowned agent and jazz pioneer Wim Wigt founded Timeless Records in 1975. This Dutch record label has specialized in bebop, although it also did a sub-series of releases of Dixieland, Swing and Classical recordings. As of today, Timeless Records has, together with its three sub-labels, released over 900 albums. Notable releases include Dizzy Gillespie Meets Phil Woods Quintet, McCoy Tyner's Bon Voyage, Lou Donaldson's Forgotten Man, Eastern Rebellion and albums by the George Adams-Don Pullen Quartet, Chet Baker, Bill Evans, Art Blakey's Jazz Messengers and many more.

To celebrate the legacy of Wim Wigt's Timeless Records, Music On Vinyl is releasing a 45th anniversary jazz series. The series features albums that are part of the Timeless Records legacy and will be released throughout 2021/2022. To kick off this series, Pharoah Sanders' Africa is released on the 19th of November 2021.

Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz, which has earned him royal status amongst free jazz players, critics and collectors. Harmonically rich and heavy with overtones, his sound can be as raw and abrasive as it is possible for a saxophonist to produce. His 1987 album Africa is soulful but also searching for a strong groove at the same time. The album is recorded with John Hicks, Curtis Lundy and Idris Muhammad and was an explicit tribute to his late mentor John Coltrane, another giant of jazz.

Africa by Pharoah Sanders is available on black vinyl. The album includes an insert with upcoming Timeless Records titles from the Timeless Records 45th Anniversary Jazz series. The sleeve contains liner notes by Kevin Whitehead.

Let It Loose is the tenth studio album by Gloria Estefan and Miami Sound Machine, released in 1987.

Initially gaining little attention in Europe, the success of the single "Anything for You" led to the album being re-released under that name, and with different cover art. It became Miami Sound Machine's most commercially successful album, certified triple-platinum by the RIAA, and peaked at number six on the Billboard 200.

Other hit singles include "Can't Stay Away From You", "Rhythm Is Gonna Get You", "1-2-3", and "Betcha Say That".

Let It Loose is available as a limited edition of 2000 individually numbered copies on translucent red coloured vinyl and contains an insert with lyrics

Fonseca is the son of a Senegalese mother and a father from Cape Verde. Hence the Portuguese sounding name: Louis Vera Da Fonseca.

In the 1950s, he founded the group Les Anges Noirs (The Black Angels) in Brussels, named after the Brussels club in the Boomkwekerijstraat, which quickly became very popular in Belgium, Africa, and the West Indies. The famous Manu Dibango was even musical director and pianist there for a period. Manu Dibango would later become one of the emblematic figures of African music. Soon Fonseca was nicknamed “the King of Afro-Cuban rhythm”.

After several great successes from the early sixties to 1968, Fonseca suddenly disappeared from the music scene in the late 60's. Whether he died in 1970, as can be read on some sites, cannot be said with certainty.

The self-titled album Fonseca Et Ses Anges Noirs is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

Lavinia Meijer is one of the most versatile harpists of this era and representative for Dutch harpists worldwide. She experiments with different forms of music and art, like theatre, dance, electronica and jazz. Her last album contained adaptations of Phillip Glass, for which she received a Platinum award in The Netherlands for selling more than 20.000 copies.

In Passaggio, Lavinia adapts the works of Ludovico Einaudi, for which the maestro allowed his full cooperation. As Lavinia herself says: “The music of Einaudi speaks to me through my fingers and crosses all borders. The pieces that are presented on Passaggio fill me with joy and affection, which I want to share with my audience, hoping to solve some of the mystery of Einaudi. Or maybe even better; to enlarge the mystery altogether”.

Passaggio is available as a 10th anniversary edition of 500 individually numbered copies on translucent red coloured vinyl. The package contains a 4-page booklet with pictures and liner notes.

The cover album to end all cover albums. Aptly entitled "On Top of The Covers," T-Pain is back with his first full-length release since the 2019 album, 1UP. Delivering his own rendition of iconic songs such as Sam Cooke’s “A Change Is Gonna Come,” Journey’s “Don’t Stop Believin’,” Sam Smith’s “Stay With Me,” & Frank Sinatra’s “That’s Life,” the singer most well known for popularizing autotune approached the album au naturale, allowing his vocals to be the star of the show.

Founded in 1971, Matumbi was among the earliest and best British reggae bands. They did, however, also record under different guises, including 4th Street Orchestra. In their acclaimed Rough Guide to Reggae, Steve Barrow and Peter Dalton rate this album (and its counterpart Ah Who She? Go Deh!) as 'the best showcases for Matumbi's talents'. This release marks the first LP reissue of this genuine UK roots monument since 1976.

Original member Dennis “Blackbeard” Bovell (of LKJ and Dub Band fame) knew the local sound system scene like the back of his hand, and most tracks on Leggo! Ah-Fi-We-Dis were initially cut as exclusive 'specials' for his own Jah Sufferer sound system and for fellow soundmen. Hardly anyone hearing these tunes at reggae parties would have guessed they didn't originate in Kingston but were recorded in London. And neither did many who bought the records when they were released a few years later. That's hardly surprising, as the material Bovell & Co churned out could easily compete with the toughest output of their Jamaican counterparts. The solid interpretation of Junior Delgado's "Tichion" and a scorching, melodica-led version of Ras Michael's "None-Ah-Jah-Children" are the most familiar tunes here. And a militant update of Max Steiner's "Theme From A Summer Place" displays good fun as well as guts. But the band's outstanding originals will give many '70s Jamaican classics a good run for their money.

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

Mancunian pianist and producer Matt Wilde prepares to release his debut album 'Hello World' via Band on the Wall Recordings. With a slew of hotly tipped projects released over the past two years via Root Records & Inner Ocean Records- Matt has been steadily gaining support from the likes of Jamie Cullum, Gilles Peterson, Jazz FM & many more. With his name firmly cemented as one to watch in the Jazz / Beats landscape, 'Hello World' promises to be his most expansive body of work to date.

'Hello World' is an audio catalogue of personal experiences, thoughts and feelings, shared with honesty and curiosity for the human condition. Matt crafts emotive and uplifting compositions denoting a tender illustration of the human experience, finding and celebrating the simple and beautiful moments of life.

Hailing from Boeatia, Greece shadow operator Audioplagio
presents a previously unseen collection of tracks recorded between 2014 and 2016

Embedded into the tape underworld while nodding to dubbed out experiments. Boeatian Chants presents 12 tracks in the DIY tradition blending opiated atmospheres with palpitating drums.

The best R&B songwriter and soul singer that most people have never heard of, Sam Dees has written songs for countless artists, including Gladys Knight, Aretha Franklin, Whitney Houston, George Benson, the Temptations, Teddy Pendergrass, Millie Jackson, Jackie Wilson, the Manhattans, Regina Belle, KC & the Sunshine Band, Willie Clayton, and many others. He's also a pretty fine singer, having recorded for the Chess, Atlantic, Polydor, and SSS labels, and he had a nice string of his own hits in the 1970s. His 1975 Atlantic album The Show Must Go On has long been regarded by Southern soul aficionados as one of the best of the genre. Sounding a bit like a deeper-voiced Curtis Mayfield (in both style and theme), Dees sings with assurance, wisdom, passion, and a whole lot of soul here. Songs like "Child of the Streets", "Troubled Child," & "What's It Gonna Be," share Mayfield's commitment to social commentary, and Dees knows his way around a love song, too. It's absolutely essential.

Unwritten Law is an American punk rock band formed in 1990 in Poway, California. They have released seven full-length studio albums and have toured internationally, including performances on the Warped Tour.

Here's To The Mourning is their fifth studio album and was released in 2005. Since they had no drummer at that time, they were joined by Adrian Young of No Doubt and Tony Palermo of Pulley. "Save Me (Wake Up Call)" was written in collaboration with Aimee Allen and Linda Perry (4 Non Blondes).

Some of the songs of this album were featured in racing games: “Celebration Song”, is featured on MX vs. ATV Unleashed and Need for Speed: Underground 2, and the track "F.I.G.H.T" is featured in Burnout Revenge and Midnight Club 3: Dub Edition.

Here's To The Mourning is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on translucent green coloured vinyl and includes an insert.

On the first of February, Golden Earring played in Ahoy, Rotterdam for the first time in 23 years. Their setlist included all of their biggest hits and fan favourites such as: “Twilight Zone”, “Radar Love”, “Another 45 Miles”, “Going To The Run”, and “Just A Little Bit Of Peace In My Heart” amongst others. After celebrating their 40th anniversary in 2005 this live registration shows how they were still eager, relevant and energetic as ever.

The recordings were originally released as a DVD in 2006 and are now available on vinyl for the first time. Live In Ahoy 2006 is available as a limited edition of 1500 individually numbered copies on gold coloured vinyl and includes an insert.

Mit 'Eye On The Bat' entfesseln Palehound eine klangliche Tour de Force, die ihren Status als einer der aufregendsten Indie-Rock-Acts festigt. Aufgenommen mit Sam Owens (Big Thief, Cass McCombs) ist die neue LP ein atemberaubendes Schaufenster ihrer künstlerischen Entwicklung mit einer erstaunlichen Menge neuer Songs, die vor Energie, Verletzlichkeit und rohen Emotionen strotzen. Von explosiven Gitarrenriffs über donnernde Drums bis zu El Kempners unverkennbarem Gesang ist 'Eye On The Bat' das aufregendste Werk, das Palehound bisher gemacht haben. Seine scharfen und introspektiven Texte erforschen Themen der Selbstfindung, Angst und Ermächtigung und fügen der kompromisslosen Vision des Albums eine Ebene von Tiefe und Nuancen hinzu.

How To Train Your Dragon 2 is the sequel to the massively successful 2010 animated feature film How To Train Your Dragon, and the second film in the trilogy by DreamWorks Animation. The story takes place five years after Hiccup and Toothless united the dragons and Vikings of Berk. While investigating a burnt forest, the pair discover a secret cave that houses hundreds of wild dragons and a mysterious Dragon Rider. The two find themselves at the center of a battle to protect the peace.

Composer John Powell, who earned his first Academy Award-nomination for his music in the original How To Train Your Dragon movie, returned to score the sequel. It was conducted by Gavin Greenaway and recorded at Abbey Road Studios in London with a 120-piece orchestra, a 100-voice choir, and a wide array of ethnic instruments, including Celtic harp, uilleann pipes, tin whistle, bodhrán, and bagpipes.

Sigur Rós-lead vocalist, Jónsi, who wrote and performed the song "Sticks and Stones" for the original movie, provided two new original songs for the sequel in collaboration with Powell. The track "Where No One Goes" that is featured on this release, is not only written, but also performed by Jónsi and Powell. Belarusian-Norwegian artist and Eurovision Song Contest winner Alexander Rybak, who voices Hiccup in Norwegian, also wrote and performs on the song "Into a Fantasy".

How To Train Your Dragon 2 is available as a limited edition of 750 individually numbered copies on flaming coloured vinyl and includes an insert.

With their name taken from an episode of the radio program The Goon Show, Ned's Atomic Dustbin formed in Stourbridge, UK, in 1987. They're known for using two bass-players in their line-up and creating a tense and highly driven sub-hardcore sound featuring distorted effects-laden guitar and energetic drums.

In 1992 they released their second studio album Are You Normal?. The album features their American hit song “Not Sleeping Around”, which hit the top of Billboard's Modern Rock Tracks chart. The album was produced by Andy Wallace, best known for his work with Slayer, Prince, Nirvana, Sonic Youth, Paul McCartney and so on.

Are You Normal? is available as a limited edition of 1000 individually numbered copies on translucent blue coloured vinyl and includes an insert.

Bo Diddley was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, and The Clash.

A Man Amongst Men is his 24th and final studio album by this music legend and features an array of guest artists: Billy Boy Arnold, Johnnie Johnson, Jerry Portnoy, Keith Richards, Richie Sambora, The Shirelles, Jimmie Vaughan, Johnny “Guitar” Watson, Ron Wood a.o.

A Man Amongst Men is available on vinyl for the first time as a limited edition of 1500 individually numbered copies on purple coloured vinyl and includes a 4-page booklet.

90's Movie Hits Collected is a throwback to the glory days of movies like Batman Forever, Man On The Moon, GoldenEye, Young Guns II, Pretty Woman, Godzilla, The Bodyguard, Trainspotting and many more blockbusters. The 2LP 90's Movie Hits Collected includes classics from U2, R.E.M., Tina Turner, Jon Bon Jovi, Roxette, UB40, Jamiroquai, Whitney Houston. Seal, and Lenny Kravitz amongst others.

This film music compilation album is part of the Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

90's Movie Hits Collected is available on black vinyl and includes an insert with photos.

Gordon Haskell gained recognition as bass player for the Fleur de Lys in 1966, and subsequently spent a short period in King Crimson at the time of the recordings of In The Wake Of Poseidon. He released his second solo album It IsAnd It Isn’t in 1971, which features King Crimson-bassist John Wetton.

The album has guest appearances from various top session musicians (Dave Spinoza, Alan Barry & Bill Atkinson a.o.) and it was produced by Arif Mardin, who, at the time, was moving into some much more profitable and visible projects with the Bee Gees that went in a completely different direction.

On this album, Mardin melts Haskell’s pop-progressive sound with the clean, sharp mixes that King Crimson of that era were known for.

It Is And It Isn’t is available as a limited edition of 750 individually numbered copies on green coloured vinyl.

Repress !

One half of iconic British duo Basement Jaxx Felix Buxton and vocalist Gia make their Defected debut with the soul-stirring 'So Hooked On Your Lovin', alongside two groove-loaded remixes by Mousse T.. The first ever release under their Selace pseudonym, the record comes laden with lingering organ chords and stunningly raw vocals, echoing the stripped back quality of Switch's 'I Still Love You' and with a similar deep-reaching feel to Massive Attack's early 90s classic 'Unfinished Sympathy'. Production maestro Mousse T. works his magic with his funk-drenched Disco Shizzle mix loaded with a pumping bassline and guitar riffs alongside a deeper Dubby Shizzle version laced with a spoken word hook. Less is more with Selace; this is a minimalist yet undeniably stunning record that lets its captivating song do all the work.

Die neueste 45er auf Bob Stanleys Label ist ein weiteres 2Track-Juwel, deren original 7inch-Singles mittlerweile schwer zu finden und dann auch sehr teuer sind. Hopscotchs 'Look At The Lights Go Up' ist ein großartiger Mod-Mover, und Originalexemplare werden jetzt für 300 £ verkauft. Die Gruppe war ein Vorläufer der Average White. Andwella waren ein härterer Ableger der Psych-Rock-Band Andwella's Dream. 'Hold On To Your Mind' ist ein echter Raver, der an Free-Festivals der frühen 70er Jahre erinnert. Einst eine Funky-Rock-Obskurität, heute unter Sammlern sehr gesucht.

How could a combo named the Insect Trust be anything other than eclectic? Hoboken Saturday Night (1970) is their second studio album. The core of the band consisted of multi-instrumentalists Luke Faust, Trevor Koehler, Robert Palmer, Nancy Jeffries, and Bill Barth. The rhythm section was fleshed out by a sizable and equally diverse range of session musicians such as jazz legend Elvin Jones, Bernard Purdie, Donald MacDonald, William Folwell, Ralph Casale, Hugh McCracken a.o.

Time Is Now regular DJ Crisps returns with 4 massive bass driven anthems!

Pure Atomic Compressor machinegun.
Early Hardcore from 230 to 280 BPM...

Original style is FATAL STYLE !!!

Repressed!

Sound of a legend of the Vinyl back to the Vinyl... Never left rave... And still Rave On ! 3 tunes of an acid classic style, maitrisé...The sound is clear and easy like a rising sun. Cheezy, Ravy, Psché, and BANGING !

Sharing a mutual love for Dance Music in all its shapes and forms please welcome Philipp Lauer & Johannes Albert for the first time together. These Bucketheads overcame the franko-hessian border and give us a 3-Tracker on the A side that is "Based On Boss". The title track swims in 909 Drums, vocal samples shine through, and organ chords lead the way. You will be moving your feet with "Four 44", still all about a basement, a red light and lots of feeling. Rounding things up with the loopy powers of "Posh-O-Rama", if you are in need of soft breaks with a lovely twist. Now who's the boss?

Speaking B sides: Hamburg-Moenchengladbach-London? Probably not your everyday route. Three pillars in their own leagues team up for "Survivor": Boris Dlugosch, Marc Romboy and C.A.R. on vocal duties. Created in times of lockdowns and standstills "Survivor" is a midtempo stomper, slightly dark yet extra moving. Clocking in at 110 BPM a percussive beat is haunted by C.A.R.'s voice and a hypnotic robot bassline. Occuring melodies and pads do the rest. Remix time? Oh yes! Spicing and speeding things up a little the Johannes Albert remix arrives with additional chords, gated snare drums and maybe even happiness.

After a successful series of party’s Leeds based 'On The Button' launches it's first release from rising Yorkshire born producer Miles.
Miles encapsulates the identity of the brand with a varied clubby EP. Each track has a different energy and groove but tie together perfectly on this well rounded 4 tracker.

Die farbige Vinyl Version von «Room On Fire» ist inzwischen ausverkauft, jetzt ist der Longplayer wieder auf schwarzem Vinyl erhältlich.

Drittes Studioalbum der amerikanischen Rockband mit 14 Titeln, die den Kern des Sounds von The Strokes zeigen: stakkatoartige, poppige, einprägsame Hooks, die von Julian Casablancas' Stimme begleitet werden. Das 2005 erschienene Album landete auf Platz 1 der UK-Albumcharts und brachte die Hitsingles "Juicebox", "Heart in a Cage" und "You Only Live Once" hervor. Jetzt erhältlich auf Hazy Red Vinyl in limitierter Auflage.

One of the most exciting names in the bass music scene MoreNight returns to Time Is Now with 4 summer driven bumpy bangers!

Spezielle limitierte Tour-Edition auf Pink Vinyl: Die legendäre Zusammenarbeit zwischen Meisterpercussionist Bonjo Iyabinghi Noah und Kultproduzent Adrian Sherwood mit ihrem ersten neuen Studioalbum seit zwölf Jahren.

- "A Trip To Bolgatanga is easily AHC's most accessible, vivid approximation yet of Brian Eno's fabled 'vision of a psychedelic Africa'." - MOJO****

- "An act of cultish proportions, African Head Charge have been compared to Sun Ra for their same ability to head into the unknown." - Echoes

- "Charged with positivity, the album’s a tonic for troubled times." - DJ Mag

From a bunch of school friends setting out to be 'the British Jefferson Airplane', over the course of their first quartet of releases, the group metamorphosed into the leading exponents of British folk rock. In the way American folk and blues had looked back to gospel songs and spirituals, Fairport mined a seam a traditional English folk song, and then combined them with rock rhythms to create something ground-breaking and quickly emulated.

Repress coming!

High Focus Records is proud to present 'Put That Soul On Me' a brand new 3 track offering from arguably one of the best voices to emerge from these shores in recent years : Rag N Bone Man.
Since having been introduced to the world via High Focus Records in early 2013, Rag N Bone Man's career has flourished in an incredible way and it has become a widely known fact that, as cliche as it may sound, he is the next big thing. From gathering attention from the likes of tastemakers Zane Lowe, Rob Da Bank, Mistajam & getting daytime radio play on BBC Radio 1 among others to working with Hip Hop legend DJ Premier and touring all over the country with chart toppers Bastille, it is a proven fact that Rag N Bone Man's voice has the power to touch the hearts of millions no matter what genre of music you are into. With such a universally recognised talent, its going to be hard for nay sayers to deny the infectious flute grooves of 'Put That Soul On Me' or the slow pounding bass of 'Across The Sky'.
Dirty Dike, normally known for his outlandish lyrics and larger than life provocative character takes the back seat on this release, allowing his signature crunchy production to do the talking. Dirty Dike's instrumentals provide the perfect back drop for the smooth rumblings of Rag N Bone Man, the pair complement each other perfectly as the beat and the voice are just as heavy as one another, both putting on a fantastic display of skill and raw talent which has been synonymous with all High Focus Releases.
The title track, 'Put That Soul On Me' is a catchy celebration song, a festive underground tune praising 'that neat sweet soul' whilst denigrating those 'wack ass drums and played out synths' over swirling flutes. Following the festivities we have 'Across The Sky', a bass heavy downtempo number which explores the side effects of different drugs, upon which our protagonist asks for a helping hand before the heart wrenching saxophone kicks in. High Focus Records fans will be pleased to see that the infamous Rag N Bone Man 'exclusive Bars' from the HFTV channel is finally seeing an official release. 'My Business', which set the internet on fire upon its release on the channel, getting retweeted by the likes of super producers DJ Premier and 9th Wonder, is the third track on this project and features a guest verse from Contact Play legend Ronnie Bosh. With these three unmissable tracks on one piece of wax, The 'Put That Soul On Me' 12'' is going to be the soundtrack to your summer.

Miles Davis is regarded to be one of the most influential and acclaimed figures in the history of jazz and 20th-century music. At the request of Columbia Records executive George Avakian, he formed his first regular quintet in 1955. After all members of the first quintet left Davis a few years later, he hired the core of the second quintet in 1963 and the final member in late 1964. The second quintet would record and play together until the end of the 60s.

Sorcerer is the third album by the Second Great Miles Davis Quintet. The quintet consisted of Miles Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums. It was recorded in May 1967 and contains a darker sound. The last song on the album, "Nothing Like You", features vocals by Bob Dorough.

Sorcerer is available as a limited edition of 2500 individually numbered copies on translucent green coloured vinyl.

Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on coloured vinyl – options red/white/blue.

DJ Phantasy co-production alongside his mate Simon aka DJ Kid Twist. This was produced at Jack Smooth’s studio and engineered by a young Alex Reece, who later found fame on Metalheadz.

This record, as with most of the Liquid Wax backcat, is sought after on original press so we are delighted to be able to get this repress out to you in a high quality gloss Liquid Wax housebag and white inner sleeve. Released on either red, white or blue 180g heavyweight vinyl.

Tuff, uncompromising roots and steppers all the way from 1995 reissued on Reggae On Top.

Underground mainstay Guy Gerber is back on his own Rumors label with new EP Leave It On. Across three tracks he showcases his famously emotive and melodic house sounds.

Gerber has been a core part of the underground for years, headlining the world's most revered clubs and festivals, collaborating with P. Diddy, bringing all new party concepts to Ibiza, and serving up serene and synth heavy soundscapes that move people physically and emotionally on labels like Cocoon, Italians Do It Better and Rumors.

This one kicks off with the lush deep house elegance of 'Leave It On' with its languid bass and live sounding drums. Swirling pads and atmospheric vocals bring a romantic feel to this late-night jam. 'Leave Me' then picks up the pace with more percussive but still smooth grooves, this time doused in sweeping chords that bring sunshine and soul. 'Jupiter Blues' closes out with a cosmic exploration, the gently tinkling keys shining like stars as warm, rubbery drums carry you onwards and upwards.

This is another classy EP from Guy Gerber.

Introducing "Beats on Boat Vol. 2" - the highly anticipated compilation album featuring some of the most talented and respected names in the lofi hiphop scene With tracks from the likes of FloFilz, Made in M, digitalluc, and Klaus Layer, to name a few. This project promises to deliver a unique blend of chill beats and groovy rhythms that
will transport listeners to a world of laid-back vibes.

Released through ear-sight, tracks from "Beats on Boat Vol. 2" will be released every two weeks starting from
May 31st and will be accompanied by a live set, filmed on Berlins river Spree.

One of the standout features of this album is how each artist brings their own unique style to the table. From FloFilz's jazzy beats to Made in M's dreamy soundscapes, listeners can expect a diverse range of sounds and textures that will keep them hooked like fish on a rod.

Another thing that sets "Beats on Boat Vol. 2" apart from other compilations is the focus on both lofi hiphop and lofi house. While these two genres may seem vastly different at first glance, they actually share a lot of common ground - both are built on a foundation of warm textures, and infectious grooves.

A must-listen for anyone who loves lofi music, chill beats, or just wants to experience something truly unique. With this roster of top-tier artists, the focus on both lofi hiphop and lofi house, and its live beat sets on a boat in Berlin, this compilation is sure to make waves. Hop aboard and tune in!

Mastered by digitalluc
Cover design by Otto Stobbe

FOR FANS OF: ROLLING STONES, GUNS N`ROSES, AEROSMITH.
Seit über 45 Jahren sind AC/DC eine nicht wegzudenkende Rock-Institution. Millionenfache Tonträgerverkäufe, ausverkaufte Tourneen, unzählige Hits und Auszeichnungen gehen auf das Konto der erfolgreichsten Hardrock Band aller Zeiten. Wir blicken zurück in die Vergangenheit der RockTruppe: 1985 startete die World-Tour zum Album "Fly On The Wall" von Angus, Brian & Co. und machten auch in der texanischen Metropole Dallas einen Stop. Das Konzert wurde damals vom US-Radiosender RCM-FM mitgeschnitten und später den amerikanischen Fans präsentiert. Endlich gibt das Kultkonzert nun auf einer strikt limitierten 10inch Schallplatte; gepresst in transparentem Vinyl mit edlen Splatter-/Splash-Effekten inklusive den
Hits Fly On The Wall, Back in Black, und viele mehr.

Das hat eine Wucht, es ist unberechenbar, bringt Vertrautes zusammen und löst es wieder auf. Es mischt die Karten neu: Das 1973 geschriebene Stück »Stay on It« von Julius Eastman (1940-1990) stellt die Koordinaten der Avantgarde-Musik auf den Kopf. Es ist Minimal Music, aber es groovt unverschämt; es öffnet sich für Improvisation, räumt den Interpreten alle Freiheit ein, die sie brauchen, aber es ist kein Jazz, es gleitet auch nie ins Unverbindliche. Haben sich die Musiker einmal an die Disziplin gewöhnt, den Groove angenommen, den Eastman von ihnen verlangt, öffnet sich ihnen ein weitverzweigtes Feld neuer Verbindungen, die zu erhabenen klanglichen Vereinigungen führen.

Nachdem er zunächst als Frontmann von Lloyd Cole & The Commotions und später solo insgesamt sechzehn Alben veröffentlicht hat, erforscht Lloyd Cole nun, was es bedeutet, ein Singer-Songwriter im 21. Jahrhundert zu sein. Mit einer unersättlichen Neugier zeigt Cole auf "On Pain" eine ausgefeilte Sparsamkeit und verstärkt diese durch suggestiven Einsatz analoger Synthesizer-Sounds. Diese Songs
blinken und flackern wie Neonlichter im Halbdunkel: stimmungsvoll, melodisch, nachdenklich, offenherzig – das ist Lloyd Cole in seiner besten Form.

The Stoned Immaculate is the sixth studio album by American hip hop recording artist Curren$y. It was his major label debut, which was received well and remains his highest charting album to date. It debuted at #8 on the US Billboard 200 and #2 on the Rap/Hip Hop Album charts and features the singles "What It Look Like" and "Jet Life" with guests Big K.R.I.T. and Wiz Khalifa. The album features many more guest appearances, including Pharrell, Estelle, 2 Chainz, Marsha Ambrosius, Daz Dillinger, Corner Boy P, Young Roddy, and Smoke DZA amongst others.

In February 2017, Midnight Oil announced The Great Circle World Tour from the Sydney Harbour. The tour was the band’s first in over 15 years, commenced in Sydney, travelled to 16 countries, completed 76 performances in six months and concluded at The Domain in November 2017. The performance of their final show at the Domain was recorded and now available on 3 LPs. They performed both their gigantic solo hits, such as “Beds Are Burning” and “Blue Sky Mine”, as fan favourites like “Read About It” and “Only the Strong”. It’s a fantastic live experience full of energy and with much attention to their often political subjects. Armistice Day: Live At The Domain, Sydney showcases Midnight Oil at their absolute finest.

This release is available as a limited edition of 2000 individually numbered copies on transparent red vinyl and the package includes an extensive 12-page booklet.

Pop/rock singer, songwriter, and guitarist Albert Hammond Jr. is the lead & rhythm guitarist and songwriting member of the GRAMMY® and BRIT Awards-winning band The Strokes. He has released 4 solo albums to date, most recently the acclaimed “Francis Trouble” in 2018 which spawned the radio single “Far Away Truths”. In the 4 years, since then, The Strokes released their US Top 10 charting GRAMMY® nominated rock record “The New Abnormal” and toured the world extensively. Albert also began the songwriting process for his 5th solo album “Melodies on Hiatus”, a 19-track album, crafted in a most experimental style. Albert teamed up with his writing partner, Canadian songwriter, and poet Simon Wilcox (whom he never met during the process) and had lengthy conversations via the telephone; Simon would jot down notes from Albert’s stream of consciousness, and draft the lyrics on her typewriter, and drop them into his letterbox! Albert then added the lyrics to the melodies he had already crafted. The songwriting process became a long distant “anonymous love affair of ideas & lyrics.” The album covers themes of childhood, surviving adolescence, adulthood, vulnerability, fame, relationship with self and others, and is Albert’s “deconstructed broken down ego reaction” to “Francis Trouble.” The album also features songs with GoldLink, Matt Helders (of the Arctic Monkeys), Steve Stevens and Rainsford, and was mixed by Tony Hoffer (known for his work with Beck, Air, M83, The Kooks, Fitz and the Tantrums, Metric, Chromeo, etc.) and mastered by Dave Cooley at Elysian Masters (Paramore, Spoon, Tame Impala, Jimmy Eat World, Peanut Butter Wolfe).

Apparently Unaffected is the third album by the Norwegian singer-songwriter Maria Mena. It was especially popular in the Netherlands where three of the album's singles made it in Dutch chart listings, including "Miss You Love", "Just Hold Me" and "Our Battles". The album was produced by Arvid Solvang, who also worked on previous albums by Maria Mena.

Collins and Collins were the American brother and sister duo (Bill & Tonee) who released the self-titled album in 1980, which was their first and final release. The soul/two-step classic "Top Of The Stairs" was written by the Songwriters Hall Of Fame duo Nicolas Ashford & Valerie Simpson. The single was released as a promo and commercial 7" single and became a massive hit in the UK soul scene. The album also contains other great soul, disco and boogie tracks by the duo, such as the cover of Harold Melvin's "You Know How To Make Me Feel So Good", "Please Don't Break My Heart" and "Do You Wanna Dance". The 8 track-set was produced by American disco producer John Davis.

For the first time, this sought-after album is being reissued on vinyl.

After their their 1982 masterpiece Under the Big Black Sun, X offered their follow-up More Fun In The New World only a year later. The album was once again produced by Ray Manzarek.

X achieved new rough and rocking heights with the vicious "Devil Doll," "I Must Not Think Bad Thoughts", and "Make the Music Go Bang", while returning once again to their retro '50s roots with "Poor Girl".

More Fun In The New World is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl and includes an insert.

Im Juni 1999 trat Jennifer Lopez, die bis dahin für ihr schauspielerisches Talent bekannt war, mit "On the 6" (eine Anspielung auf die Linie 6 der New Yorker U-Bahn, die ihr Heimatviertel in der Bronx bedient) in die Musikwelt ein. Ihr Debütalbum war voller Hits (If You Had My Love, Let's Get Loud, Waiting for Tonight,....) und gilt heute als eines der meistverkauften Latino- Albums. Standard-Doppelvinyl-Ausgabe.


g B3 No Me Ames (Tropical Remix) Featuring Duet With – Marc Anthony

[m] D1 No Me Ames (Ballad Version) Featuring [Duet With] – Marc Anthony

Renowned Dutch violinist and conductor André Rieu released this Live album in 1995. It features 12 of his best interpretations of songs from a wide variety of genres. Some of the songs included are “J ‘Attendrai”, “The Little Cafe By The Harbour (Het Kleine Café Aan De Haven)”, “Eine Kleine Salonmusik”, “Auld Lang Syne”, “Granada”, “Cielto Lindo” and much more.

Live is available as a limited edition of 1000 individually numbered copies on translucent blue coloured vinyl.

São Vicente Di Longe is Cesaria Evora's eighth album and features multiple guest appearances, including Pedro Guerra, Caetano Veloso, Chucho Valdés, and North American blues superstar Bonnie Raitt.

The album includes more Latin-tinged songs, including "Tiempo Y Silencio" where Cesaria sings in Spanish, and nostalgic torch songs, such as "Linda Mimosa" and "Negue," which finds Cesaria accompanied by the piano. The tracks are recorded with a wide range of instruments like strings, horns, guitars, percussion and even a gospel choir (on "Bondade e Maldade").

São Vicente Di Longe is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on orange and black marbled vinyl and includes a 4-page booklet with photos and lyrics.